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LOST "Raised by Another" (YELLOW) 9/23/04
LOST “Raised by Another” CAST LIST BOONE................................Ian Somerhalder CHARLIE..............................Dominic Monaghan CLAIRE...............................Emilie de Ravin HURLEY...............................Jorge Garcia JACK.................................Matthew Fox JIN..................................Daniel Dae Kim KATE.................................Evangeline Lilly LOCKE................................Terry O’Quinn MICHAEL..............................Harold Perrineau SAWYER...............................Josh Holloway SAYID................................Naveen Andrews SHANNON..............................Maggie Grace SUN..................................Yunjin Kim WALT.................................Malcolm David Kelley THOMAS............................... RACHEL............................... MALKIN............................... ETHAN................................ SLAVITT.............................. ARLENE............................... SCOTT................................ * STEVE................................ * www.pressexecute.com LOST "Raised by Another" (YELLOW) 9/23/04 LOST “Raised by Another” SET LIST INTERIORS THE VALLEY - Late Afternoon/Sunset CLAIRE’S CUBBY - Night/Dusk/Day ENTRANCE * ROCK WALL - Dusk/Night/Day * INFIRMARY CAVE - Morning JACK’S CAVE - Night * LOFT - Day - FLASHBACK MALKIN’S HOUSE - Day - FLASHBACK BEDROOM - Night - FLASHBACK LAW OFFICES CONFERENCE ROOM - Day - FLASHBACK EXTERIORS JUNGLE - Night/Day ELSEWHERE - Day CLEARING - Day BEACH - Day OPEN JUNGLE - Morning * SAWYER’S -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Flying the Line Flying the Line the First Half Century of the Air Line Pilots Association
Flying the Line Flying the Line The First Half Century of the Air Line Pilots Association By George E. Hopkins The Air Line Pilots Association Washington, DC International Standard Book Number: 0-9609708-1-9 Library of Congress Catalog Card Number: 82-073051 © 1982 by The Air Line Pilots Association, Int’l., Washington, DC 20036 All rights reserved Printed in the United States of America First Printing 1982 Second Printing 1986 Third Printing 1991 Fourth Printing 1996 Fifth Printing 2000 Sixth Printing 2007 Seventh Printing 2010 CONTENTS Chapter 1: What’s a Pilot Worth? ............................................................... 1 Chapter 2: Stepping on Toes ...................................................................... 9 Chapter 3: Pilot Pushing .......................................................................... 17 Chapter 4: The Airmail Pilots’ Strike of 1919 ........................................... 23 Chapter 5: The Livermore Affair .............................................................. 30 Chapter 6: The Trouble with E. L. Cord .................................................. 42 Chapter 7: The Perils of Washington ........................................................ 53 Chapter 8: Flying for a Rogue Airline ....................................................... 67 Chapter 9: The Rise and Fall of the TWA Pilots Association .................... 78 Chapter 10: Dave Behncke—An American Success Story ......................... 92 Chapter 11: Wartime............................................................................. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
28Th Annual Hot Wheels® Collectors Convention Logo, Designed by Steve Vandervate
28th Annual Hot Wheels ® Collectors Convention Produced by Collectors Events Unlimited LLC 1932 Del Amo Blvd, #D Torrance, CA 90501 U.S.A. Phone: 310-538-4584 (6-9 p.m. Pacific) FAX: 310-328-2017 www.HWCollectorsEvents.com Collectors Events Unlimited, LLC presents 28th ANNUAL HOT WHEELS ® COLLECTORS CONVENTION Welcome! With only a month or so to go, we are looking forward to another great gathering of the best people around, HOT WHEELS® COLLECTORS! This pre-convention packet will give you an overview of the planned activities as well as information covering the Westin Los Angeles Airport, Los Angeles, CA and surrounding area. We’ve tried to include all the information you need to make your time in California enjoyable. If there’s a question we haven’t answered here please contact us at 310-538-4584 (evenings 6 to 9 p.m.. Pacific) or e-mail us at [email protected]. To reduce waste, we have combined this mailing; only one pre-Convention packet has been sent to each address. Please check your mailing label to insure that each Convention attendee at this address is listed. Please report any errors before September 12! CONTENTS Hotel Information………………………………………………………………………….…………..Page 3 Convention Information/ Sales Room Merchandise…………………………………………….....Page 6 Event Descriptions…………………………………………………………………………….……….Page 7 Biographies……………………………………………………………………………………………..Page 14 Preliminary Schedule………………………………………………………………………………….Page 16 CONVENTION COMMITTEE Mike & Diane Strauss Mark & Jennifer Millhollin Paul & Marsha DiAngi SPECIAL THANKS -
Tratamiento De Los Referentes Culturales En La Serie Futurama
MASTER EN TRADUCCIÓN AUDIOVISUAL, SUBTITULADO PARA SORDOS Y AUDIODESCRIPAÓN III edición (2007-2008) Tesina El tratamiento de los referentes culturales en la serie Futurama Yazmina M* Arbelo Navarro Directora: Celia Martín de León Filmado: Firmado: El Director El alumno Diciembre de 2008 UNIVERSIDAD DE US PALMS DE GRAN CANARIA PT' •'" Facultad de Traducción e Interpretación ,f,ifia IN' ..'.. .:^Í^32Z^ ÍNDICE I. INTRODUCCIÓN 1 i. Motivación 1 ii. Propuesta 1 iii. Hipótesis 1 iv. Objetivo 2 II. LA TRADUCCIÓN.. 2 i. La Traducción Audiovisual 3 ii. El Código Lingüístico y el Código Visual 4 iii. La Traducción del Humor 5 III. EL DOBLAJE 6 IV. LOS REFERENTES CULTURALES 9 i. Generalización 10 ii. Exotización 11 iii. Domesticación 12 V. SERIES DE ANIMACIÓN PARA ADULTOS 14 i. Futurama 17 i. Personajes Principales 18 ii. Otros Personajes 19 iii. El Futuro según Futurama 20 ii. El Humor de Futurama 21 iii. Futurama en España 22 VI. TRATAMIENTO DE LOS REFERENTES CULTURALES EN FUTURAMA 23 i. Ejemplos de Generalización 23 í. Primera Temporada 23 ii. Segunda Temporada 24 iii. Tercera Temporada 26 IV. Cuarta Temporada 27 ii. Ejemplos de Exotización 31 I. Primera Temporada 31 ii. Segunda Temporada 34 iii. Tercera Temporada 38 iii. Ejemplos de Domesticación 43 iv. Casos Más Aceptables 44 I. Primera Temporada 44 ii. Segunda Temporada 46 iii. Tercera Temporada 48 IV. Cuarta Temporada 50 V. Casos Menos Aceptables 52 I. Primera Temporada 53 ii. Tercera Temporada 54 iii. Cuarta Temporada 57 VIL CONCLUSIONES 62 El tratamiento de los referentes culturales en la serie Futurama 1. INTRODUCCIÓN 1.1. -
With Mattel at 2012 San Diego Comic-Con Booth #3029
July 11, 2012 Fanboys and Fangirls "Collect and Connect®" with Mattel at 2012 San Diego Comic-Con Booth #3029 Immersive Fan Panels, Hot Toy Exclusives and Celebratory Events Round out Confab Collector Experience SAN DIEGO--(BUSINESS WIRE)-- Mattel, Inc. (NASDAQ:MAT) brings San Diego Comic-Con (SDCC) fans the ultimate pop- culture, comic inspired celebration with exclusive toy collectibles, giveaways and fan-atic events at booth #3029. From the hottest classic brands to new entertainment collectibles, Mattel has something for every fanboy and fangirl. "This year heralds significant milestones for Mattel as we commemorate our decade long presence at SDCC creating unique show exclusives. We take great pride in bringing forth the very best in detailed collectibles and fan events by utilizing our timeless brands," said Doug Wadleigh, Senior Vice President, Global Brands Marketing, Mattel. "We also look forward to celebrating the 30th anniversary of our iconic action hero brand, Masters of the Universe at the show." A "Masterful" 30 Year Legacy: What began as an "Eternian" action-hero property in the 1980s, Masters of the Universe® (MOTU), has grown into a robust Mattel, Inc. San Diego Comic-Con Masters of the Universe(R) Classics Vykron(TM) franchise that has spanned three-decades. Ultimate Eternian Champion(TM) (Photo: Business Wire) The MOTU brand has had six lines of action figures, four animated television series, several comic series and a feature film all of which have received fanfare around the world. SDCC patrons can ring in the MOTU anniversary at the Mattypalooza panel on Friday, July 13th with several top-secret reveals and an in-depth discussion on all things MOTU. -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
Set Chair for Matthew Fox "Jack" 11 - 1,200 Set Chair for Matthew Fox "Jack." Wooden Director's C
200 Set chair for Matthew Fox "Jack" 11 - 1,200 Set chair for Matthew Fox "Jack." Wooden director's c... 300 200 Set chair for Evangeline Lilly "Kate" 2 - 1,500 Set chair for Evangeline Lilly "Kate." Wooden directo... 300 200 Set chair for Jorge Garcia "Hurley" 3 - 400 Set chair for Jorge Garcia "Hurley." Folding camping ... 300 200 Set chair for Terry O'Quinn "Locke" 4 - 1,700 Set chair for Terry O'Quinn "Locke." Wooden director'... 300 Set chair for Dominic Monaghan "Charlie" 200 5 Set chair for Dominic Monaghan "Charlie." Wooden - 600 dire... 300 200 Set chair for Emilie de Ravin "Claire" 6 - 550 Set chair for Emilie de Ravin "Claire." Wooden direct... 300 200 Set chair for Yunjin Kim "Sun" 7 - 800 Set chair for Yunjin Kim "Sun." Wooden director's cha... 300 Set chair for Naveen Andrews "Sayid" 200 8 Set chair for Naveen Andrews "Sayid." Wooden - 850 director... 300 200 Set chair for Harold Perrineau "Michael" 9 - 375 Set chair for Harold Perrineau "Michael." Wooden dire... 300 200 Set chair for Michael Emerson "Ben" 10 - 1,900 Set chair for Michael Emerson "Ben." Wooden director'... 300 200 Set chair for Nestor Carbonell "Richard Alpert" 11 - 850 Set chair for Nestor Carbonell "Richard Alpert." Wood... 300 200 Set chair for Elizabeth Mitchell "Juliet" 12 - 2,000 Set chair for Elizabeth Mitchell "Juliet." Wooden dir... 300 Set chair for Jeremy Davies "Faraday" 200 13 Set chair for Jeremy Davies "Faraday." Wooden - 950 directo... 300 Chair back from on-set chair for Alan Dale "Widmore" 100 14 Chair back from on-set chair for Alan Dale - 375 "Widmore.".. -
LOST the Official Show Auction Catalog
LOST | The Auction 70 1-310-859-7701 Profiles in History | August 21 & 22, 2010 221. JACK’S SEASON TWO COSTUME. Jack’s blue jeans, blue t-shirt and shoes worn in Season Two. $200 – $300 219. JACK’S SEASON TWO COSTUME. Jack’s blue jeans and green t-shirt worn in Season Two. $200 – $300 220. JACK’S SEASON TWO COS- TUME. Jack’s blue jeans and gray t-shirt worn in Season Two. $200 – $300 222. JACK’S MEDICAL BAG. Dark brown leather shoulder bag used by Jack in Season Two to carry medical supplies. $200 – $300 71 www.liveauctioneers.com LOST | The Auction 225. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s brown corduroy pants, brown print t-shirt, and jean jacket worn in the episode, “What Kate Did.” $200 – $300 223. KATE’S SEASON TWO ISLAND COS- TUME. Kate’s white tank top, beige long- sleeve shirt and brown corduroy cargo pants worn in Season Two. $200 – $300 224. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s jeans, jean jacket and Janis Joplin print shirt worn in the episode, “What Kate Did.” $200 – $300 226. HURLEY’S SEASON TWO COSTUMES. Hurley’s olive green shorts and red t- shirt worn on the Island in the episode, “S.O.S..” Includes Hurley’s black jeans, gray t-shirt and black hoodie worn in Season Two. $200 – $300 72 1-310-859-7701 Profiles in History | August 21 & 22, 2010 227. HURLEY’S MR. CLUCK’S CHICKEN SHACK COSTUME. Hurley’s black pants, green Mr. -
Lost E a Ficção Televisiva Transmídia1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXII Congresso Brasileiro de Ciências da Comunicação – Curitiba, PR – 4 a 7 de setembro de 2009 1 Lost e a Ficção Televisiva Transmídia Afonso de Albuquerque 2 RESUMO: O texto se propõe a discutir a série Lost como um exemplo de ficção televisiva transmídia, tendo em vista o modo como a sua trama e a sua estrutura narrativa se relacionam com a crescente convergência (tecnológica e cultural) que se estabelece entre a televisão e outros meios de comunicação. PALAVRAS-CHAVE: Lost, Televisão, Ficção Multiplataforma No dia 22 de setembro de 2004, o vôo 815 da Oceanic Airlines terminou de forma inesperada quando o avião, procedente de Sidney, na Austrália, rumo a Los Angeles se despedaçou sobre uma remota ilha do Pacífico. A despeito da violência do acidente – o avião se partiu em dois pedaços ainda no ar – um grupo de passageiros conseguiu sobreviver e se organizou para esperar um resgate. Em vão. Desta forma teve início Lost, uma das séries de televisão mais marcantes de todos os tempos. Nos episódios que se seguiram, a trama não cessou de ganhar complexidade. Os espectadores foram apresentados ao passado – quase sempre sombrio – dos personagens principais. Vieram a saber que um outro grupo de passageiros também sobrevivera à queda em uma outra parte da ilha. Descobriram indícios de uma ocupação humana anterior, inicialmente na forma de complexas e misteriosas construções e, em seguida, através do contato com um grupo hostil – os “Outros”. Se depararam com fenômenos aparentemente inexplicáveis, como a presença de ursos polares em uma ilha tropical. -