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645AFD Instruction Manual Companion for Digital Photography
Mamiya 645 AFD Instruction Manual Companion for Digital Photography Mamiya 645 AFD Instruction Manual Companion for Digital Photography Congratulations on your purchase of the Mamiya 645AFD. To make the transition from film to digital easier, we are including this digital companion that explains all of the new indicators you will see on the LCDs of your Mamiya 645AFD. Please read the owner’s manual before reading this companion. Because the Mamiya 645AFD was made to communicate with digital camera backs, these indicators will inform you of the status of the communications between your Mamiya 645AFD and digital camera back. If you do not have a digital back, these indicators will not appear and you do not have to read any further. There are three basic modes that your Mamiya 645 AFD goes through when taking a digital image. First is the Normal or pre-capture mode. The camera is in this mode before the shutter is released. While in this mode the camera virtually acts as if there were a film magazine attached. Shutter speeds and apertures are displayed on the internal and external LCD displays. The second mode is after the shutter release button has been pressed. This is the Capture mode. At this time the Mamiya 645 AFD will start to act very differently when a digital back is attached. There is a whole new set of indicators that will be displayed on the LCD displays of the camera. The After Capture mode is the third and final mode. Again, in this mode there are new indicators that will appear on the camera’s LCD displays. -
Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
Instructions Congratulations on Your Purchase of the Mamiya 645 PRO TL
Instructions Congratulations on your purchase of the Mamiya 645 PRO TL Mamiya pioneered the 6 x 4.5 film format and introduced the world’s first 645 This manual covers the basic SLR in 1975. The 645 PRO TL is the latest masterpiece in this series and camera. Separate instructions Incorporates all the latest mechanical, electronic and optical advances. Its are supplied with all system external appearance, too, has been modernized and its ergonomic design accessories, including lenses, further enhanced. finders, film holders, etc. We are sure that you will enjoy the many advantages this camera and its For additional information accessories offer and want to particularly mention : please feel free to contact your The 645 PRO TL has a built-in self-timer (delayed shutter release) which will authorized Mamiya dealer or also facilitate time exposures. Attaching special leaf shutter lenses will the Mamiya importer in your automatically set the focal plane shutter to 1/8 sec. Heavy duty gears connect country. to the improved Power Drive Grip WG401, This grip also automatically cocks the leaf shutter lenses and permits remote control. The AE Prism Finder FE401, specially created for this camera, automates exposure and shows LED safety signals. 35mm film holders now come with panoramic adapters. A super fast 300mm f/2.8 APO lens was also designed for this camera. We are convinced that your camera will serve you well, because we have designed it for heavy professional use. However, we ask you to please read all operating instructions carefully before you put your equipment to work, in order to ensure proper operation and maximum results Contents Special Features of the Mamiya 645 PRO TL.......3 DepthofField........................................................25 Names and Functions of Parts..............................7 Film Advance and Unloading Exposed Film......26 Attaching andRemovingLenses........................10 Using the Self-timer/Delayed Shutter Release..27 Attaching and Removing the Roll Film Holders. -
Capture One 12 12.0 Capture One Release Notes
Capture One 12 12.0 Capture One release notes Capture One is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers. Capture One is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail for more than 500 high-end cameras. It offers state- of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow through customizable workspaces. All run modes are included in the one installer and the run mode is determined by the license key used. The trial is also included in the installer and is registered as the full product upon activation. Capture One is available in a number of modes • Capture One Pro • Capture One Pro DB (Digital Back support only) • Capture One Pro Fujifilm (Fujifilm camera support only) • Capture One Pro Sony (Sony camera support only) • Capture One Express Fujifilm (Fujifilm camera support only) • Capture One Express Sony (Sony camera support only) • Capture One Enterprise • Capture One CH (Cultural Heritage) The release notes include notes for all releases of Capture One. Previous release notes can be found in the Phase One download archive. Best regards, Team Phase One Contents Camera support 12.0.2 Camera and Lens support 4 12.0.2 Bug Fixes 5 Phase One 16 Phase One Industrial 17 12.0.1 Lens support 6 Mamiya Leaf 18 12.0.1 Bug Fixes Mac 7 Leaf and Mamiya Legacy 19 12.0.1 Bug Fixes Win 7 Fujifilm 20 Sony 21 12.0 Major -
BEAU NEWS Photographic Pulp
November 2008 BEAU NEWS Photographic Pulp NOVEMBER LENSBABY SALE The good people at Lensbaby have allowed us to lower our lensbaby prices for the month of November. So for a short time a good deal is a lot better! In case you don’t know what a Lensbaby is, it’s a selective focus lens (camera accessory)that allows you to choose where the plane of focus is going to fall on your film or image sensor. Simply put, it is a fun way to play with the focus of the picture you are taking, making some parts of the image sharp while the others soft. You will be amazed with the great photos you will get playing with these babies. With a lensbaby your photographs are a little different and maybe just a little bit better than the competition. I could go on and on but it’s better to show you, so to see some fantastic results go to www.lensbaby.com Lensbaby G3 Reg. $ 286.95 Sale $239.49 Lensbaby 2.0 Reg. $ 142.95 Sale $95.49 Lensbaby Original Reg. $ 96.95 Sale $89.49 Lensbaby G3 for Medium format (Pentax 6x7 or Mamiya 645) Reg. $ 390.95 Sale $360 Lensbaby PL mount Reg. $489.95 Sale $455.49 See inside for details on Lensbaby Workshop LENSBABY WORKSHOP FIELD REPORT: CANON EOS-50D Mike In late September, I went on a one week trip to central Washington state. I decided to delay my leaving by a day since Canon had promised that I would have my new Canon EOS-50D air-shipped to arrive Monday. -
Lens Mount and Flange Focal Distance
This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm. -
Visual Communications Journal
Visual CommunicationsSpring 2017, Volume 53, Number 1 Journal Medium Format Cameras for Digital Photography CHRIS J. LANTZ, Ph.D. Volume 53 Number 1 SPRING 2017 Acknowledgements President – Mike Stinnett Royal Oak High School (Ret.) Editor 21800 Morley Ave. Apt 517 Dan Wilson, Illinois State University Dearborn, MI 48124 (313) 605-5904 Editorial Review Board [email protected] Cynthia Carlton-Thompson, North Carolina A&T State University President-Elect – Malcolm Keif Bob Chung, Rochester Institute of Technology Cal Poly University Christopher Lantz, Western Illinois University Graphic Communications Devang Mehta, North Carolina A&T State University San Luis Obispo, CA 93407 Tom Schildgen, Arizona State University 805-756-2500 Mark Snyder, Millersville University [email protected] James Tenorio, University of Wisconsin–Stout First Vice-President (Publications) Renmei Xu, Ball State University Gabe Grant Cover Design Eastern Illinois University School of Technology Ben Alberti, Western Technical College 600 Lincoln Avenue Instructor, Barbara Fischer Charleston, IL 61920 (217) 581-3372 Page Design, Layout, and Prepress [email protected] Janet Oglesby and Can Le Second Vice-President (Membership) Can Le Printing, Bindery, and Distribution University of Houston Harold Halliday, University of Houston 312 Technology Bldg. University of Houston Printing and Postal Services Houston, TX 77204-4023 (713) 743-4082 About the Journal [email protected] TheVisual Communications Journal serves as the official journal of the Graphic Secretary – Laura Roberts Communications Education Association, and provides a professional Mattoon High School communicative link for educators and industry personnel associated with 2521 Walnut Avenue design, presentation, management, and reproduction of graphic forms of Mattoon, IL 61938 communication. Manuscripts submitted for publication are subject to peer (217) 238-7785 review. -
MEDIUM FORMAT 100Mm Lens
Section1 MediumFormat Introduction . 10 Bronica 6x4.5 . 11-16 Bronica 6x6 . 17-22 Bronica 6x7 . 23-27 Fuji 6x4.5 . 28 Fuji 6x7 . 29 Fuji 6x8 . 30-32 Fuji 6x9 . 33 Hasselblad 6x6 . 34-54 LRX (Beattie) . 55-56 Mamiya 6x4.5 . 57-64 Mamiya 6x6 . 65-66, 75 Mamiya 6x7 . 67-82 Pentax 6x4.5 . 83-89 Pentax 6x7 . 90-95 Rollei 6x6 . 96-109 Hasselblad INTRODUCTION 6x6cm medium ➧ format camera ➧ Bronica MEDIUM FORMAT 100mm lens As the format of choice among wedding, fashion, and Today, most medium portrait photographers, Medium Format includes all format cameras are cameras which accept 120 or 220 film sizes. The out- “system cameras,” standing attraction of medium format is the superlative with popular image available due to the substantially larger film for- options that mat and increased image size on the negative or trans- include motor parency. Because medium format negatives require less winders, inter- enlargement than smaller 35mm negatives to produce changeable viewfinders the same image size on the print, identical negatives on with or without exposure meters, grips and an array or the same type of 35mm and 120/220 film will produce lenses rivaling 35mm in choice. These include perspective remarkably different prints. The 120/220 format delivers control lenses, tele-extenders and zooms. From the 24mm MEDIUM FORMAT more resolution, finer grain, an expanded grey scale, and full-frame fisheye lens to the 500mm telephoto lens with a visually more pleasing image. Medium format cameras low dispersion glass and floating elements, almost every are available in the following different variations: option is available. -
Medium Fonnat Cameras a History of Mamiya Medium Format Cameras
• Medium Fonnat Cameras A history of Mamiya medium format cameras. For over 50 years, Mamiya has been a name synonymous with excellence and innova tion in professional photographic cameras and lenses. Mamiya's dedication to the pro fessional and advanced amateur markets spans from the folding, compact original Mamiya 6 rangefinder of the 1940's to the 1994 introduction of the RZ67 PRO II , the system of choice for many of today's world famous professionals. The Mamiya RB67 series, the world's first medium format 6x7cm single lens reflex with unique revolving back, was first introduced in 1970. Its unique built-in revolving back and bellows focusing made it an instant success that has lasted to a present day world-wide status as the "workhorse of the pros." In 1975, Mamiya once again pioneered a world first with the Mamiya 645, a versatile and compact medium format SLR with a convenient yet large 6x4.5cm format. This fur ther demonstrated both Mamiya's ability and singular dedication to providing innovative and rugged professional tools. The Mamiya RZ67 system followed in 1982, using the latest tech nology in electro-mechanical hybrid design, and optical glass formu lation and production. Mamiya's system of innovative, ultra-high performance medium format lens designs including unique achievements in high speed, zoom, PC shift, soft focus and APO telephotos is to this very day unparalleled by any other manufacturer of medium format optics. 1989 saw the reincarnation of the Mamiya 6 rangefinder concept in a un ique, modern, compact, interchangeable lens medium format rangefinder camera, that opened up new possibilities of image qua l ity for photojourna lists, fine art photographers, and photo enthusi asts who previously relied upon classic 35mm rangefinder cameras. -
FFD for Canon, Nikon F & Z, Sony and Leica. Lens Possibilities for DSLR
FFD as of 10/2018 FFD for Canon, Nikon F & Z, Sony and Leica. Lens possibilities for DSLR use on Arca-Swiss Universalis, MF2, Monolith, or Fline. This info is to let you understand the lens compatibility for DSLR use on view cameras such as the Arca-Swiss Universalis and MF Two DSLR. Minimum NET FFD REQUIRED FOR SOME CAMERAS: Nikon F 46.5mm from lens mount (flange) to sensor Nikon Z 16mm from lens mount (flange) to sensor Canon EF and EFS 44mm from lens mount (flange) to sensor Leica M 27.8mm from lens mount (flange) to sensor Sony A7 series 19.6mm from lens mount (flange) to sensor Pentax K series. 45.5mm from lens mount (flange) to sensor Hasselblad 500 and 2000 series 74.9mm from lens mount (flange) to sensor Hasselblad H 61.63mm from lens mount (flange) to sensor Fuji GFX MF camera 26.7 from lens mount to to sensor. Contax 645 64mm from lens mount (flange) to sensor Mamiya 645 63.30 from lens mount (flange) to sensor Pentax 645 70.87mm from lens mount (flange) to sensor Leica S 53mm from lens mount to sensor You need to know the flange focal distance for the lens,(FFD), less the flange distance to end of rear group. Compare and subtract this from body/mirror box/lens mount depth of body, shown above, of lens at infinity. The net number calculated for your lens, must be greater than the Net FFD, listed above, for your camera. Some examples: 23mm Rodenstock Apo-Digaron S FFD: Will not Work 28mm Rodenstock Apo-Digaron S FFD: Will not Work 28mm 5.6 L Schneider Super digitar FFD: 35.2 Flange to end of lens 20.5 yielding 14.70 Will not work! 28mm 2.8 Schneider Apo-Digitar L FFD: 67.7 Flange to lens end 18.4 yielding 49.30 OK for Sony and Canon EF & R, and Nikon Z **Gets physically so close to Nikon F it is not really useable at infinity with movements. -
Mamiya 645AFD | Fstoppers
16/08/2018 An Owner's Review of the Mamiya 645AFD | Fstoppers Articles Tutorials Community Groups Contests Search Fstoppers... Log In SIGN UP TRENDING ARTICLES Home Medium Format Just How Useless Is Exposure An Owner's Review of the MCompensation?amiya Sony a9 Vs. Nikon D850: 645AFD No, I'm Not Switching by Spencer Lookabaugh January 24, 2017 Fstoppers 17 Comments Breaking: Sony Is Now Like Page Number374K likes One Overall in U.S. Full-Frame Camera Market, Celebrates With Be the first of your friendsNew to like 'Alpha this Female' Program Follow @fstoppers Eight478K Things followers Stopping the Sony a7 III From Being the Perfect Camera PREMIUM PHOTOGRAPHY TUTORIALS The Best Advice About Camera Settings That PRODUCT PHOTOGRAPHI'veY Ever Heard NEW The Hero Shot: How To Light And CompositeA Lesser KPrnownoduct Lightroom Feature Photography 150 That'll Help Keep Your SHARES Photos Organized LANDSCAPE PHOTOGRAPHY NEW Photographing the World 3 LANDSCAPE PHOTOGRAPHY Photographing The World 1: Landscape Photography and This is more or less the camera that started film photography for me. Post-Processing with Since developing an appreciation for Joey L’s work, I wanted to shoot Elia Locardi medium format. The focus falloff and rendering was just so surreal ARCHITECTURAL PHOTOGRAPHY compared to full-frame and crop-sensor cameras that I had been Mike Kelley's Where shooting with. Unfortunately, the cost of entry was a little steep for a Art Meets digital back. After doing some research I stumbled upon film 645 Architecture 3 cameras. And so it began. Now that was a few years ago. -
Mamiya DM System User's Manual Contents
Mamiya DM System User's Manual Contents 1 Basic info............................................................................................... 1 Thanks for your purchase........................................................................................... 2 Copyrights/ Trademarks/ Compliances................................................................. 3 Warranty........................................................................................................................... 4 Importance of the protective IR filter glass........................................................... 6 Important care notes for the digital back............................................................... 7 Important care notes for the camera body............................................................ 9 2 Getting to know your camera system......................................... 11 Product overview........................................................................................................... 12 Names of parts and functions................................................................................... 13 LCD Displays................................................................................................................... 14 Viewfinder LCD.............................................................................................................. 15 Liquid Crystal Display.................................................................................................. 16 Basic description of home screen on