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Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival Into Balboa Park
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival into Balboa Park By Iris H.W. Engstrand G. Aubrey Davidson’s laudatory address to an excited crowd attending the opening of the Panama-California Exposition on January 1, 1915, gave no inkling that the Spanish Colonial architectural legacy that is so familiar to San Diegans today was ever in doubt. The buildings of this exposition have not been thrown up with the careless unconcern that characterizes a transient pleasure resort. They are part of the surroundings, with the aspect of permanence and far-seeing design...Here is pictured this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life 1 can expand in this fragrant land of opportunity. G Aubrey Davidson, ca. 1915. ©SDHC #UT: 9112.1. As early as 1909, Davidson, then president of the Chamber of Commerce, had suggested that San Diego hold an exposition in 1915 to celebrate the opening of the Panama Canal. When City Park was selected as the site in 1910, it seemed appropriate to rename the park for Spanish explorer Vasco Nuñez de Balboa, who had discovered the Pacific Ocean and claimed the Iris H. W. Engstrand, professor of history at the University of San Diego, is the author of books and articles on local history including San Diego: California’s Cornerstone; Reflections: A History of the San Diego Gas and Electric Company 1881-1991; Harley Knox; San Diego’s Mayor for the People and “The Origins of Balboa Park: A Prelude to the 1915 Exposition,” Journal of San Diego History, Summer 2010. -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
A Finding Aid to the Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers, 1789-2000, Bulk 1870-1996, in the Archives of American Art
A Finding Aid to the Oliver Ingraham Lay, Charles Downing Lay, and Lay Family papers, 1789-2000, bulk 1870-1996, in the Archives of American Art Joy Weiner Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 2006 April Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Oliver Ingraham Lay and Marian Wait Lay Papers, 1789-1955................ 5 Series 2: Charles Downing Lay and Laura Gill Lay Papers, 1864-1993................ 11 Series 3: Fidelia Bridges Papers, -
SHELTON HOTEL, 525 Lexington Avenue
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2557 SHELTON HOTEL, 525 Lexington Avenue (aka 523-527 Lexington Avenue, 137-139 East 48th Street, 136-140 East 49th Street), Manhattan Built: 1922-23; architect, Arthur Loomis Harmon Landmark Site: Borough of Manhattan, Tax Map Block 1303, Lot 53 On July 19, 2016 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Shelton Hotel and the proposed designation of the related Landmark Site (Item No. 4). The hearing had been duly advertised in accordance with the provisions of the law. A representative of the owner spoke in favor of the designation acknowledging the building’s architectural and cultural importance. There were five other speakers in support of the designation including representatives of Borough President Gale Brewer, Community Board 6, the New York Landmarks Conservancy, the Historic Districts Council, and the Municipal Arts Society. A representative of the Real Estate Board of New York spoke in opposition to the designation. A representative of Council Member Daniel Garodnick submitted written testimony in support of the designation. Two other individuals have also submitted emails in support of the designation. Summary Designed by architect Arthur Loomis Harmon and completed in 1923, the Shelton Hotel was one of the first “skyscraper” residential hotels. With its powerful massing it played an important role in the development of the skyscraper in New York City. Located on the east side of Lexington Avenue between 48th and 49th Streets, it is one of the premiere hotels constructed along the noted “hotel alley” stretch of Lexington Avenue, which was built as part of the redevelopment of this section of East Midtown that followed the opening of Grand Central Terminal and the Lexington Avenue subway line. -
The Trees of Balboa Park by Nancy Carol Carter
The Trees of Balboa Park By Nancy Carol Carter Landscape architect Samuel H. Parsons, Jr. noted with enthusiasm the growth of trees and shrubs in City Park when he returned to San Diego in 1910. Five years had elapsed since his New York firm had submitted a comprehensive master plan for the layout of the 1,400 acres set aside as a park in 1868, but mostly left in a natural state for the next few decades. Parsons had returned to San Diego because the city had decided to host an international exposition in 1915. He was hired this time to assess progress on City Park’s master plan and to suggest improvements in all of San Diego’s parks. He thought San Diego had made good progress in engi- neering roads and otherwise fulfilling the landscape plan of City Park.1 His formal report to the park commissioners, submitted June 28, 1910, includes a description of trees and other plantings in the park. By the time Parsons wrote this report, City Park had been in existence for forty-two years and was estimated to contain about 20,000 healthy trees and shrubs. The park commission kept careful records of 2,357 shrubs and vines planted in 1909, but earlier landscape records are sketchy.2 In 1902, Parsons had suggested that the mesas be left open to preserve the stunning views stretching from the mountains to the ocean. “Overplanting is a common mistake everywhere,” he said, “A park is too often perverted to a sort of botanical garden, where a heterogeneous lot of plants are gathered together and massed in a haphazard fashion.”3 He was trying to help San Diegans understand the difference between a park and botanical garden and perhaps obliquely com- menting on the hodgepodge of homegrown efforts to develop the park before 1910. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Jour nal of Volume 56 Winter/Spring 2010 Numbers 1 & 2 • The Journal of San Diego History San Diego History 1. Joshua Sweeney 12. Ellen Warren Scripps 22. George Washington 31. Florence May Scripps 2. Julia Scripps Booth Scripps Kellogg (Mrs. James M.) 13. Catherine Elizabeth 23. Winifred Scripps Ellis 32. Ernest O’Hearn Scripps 3. James S. Booth Scripps Southwick (Mrs. G.O.) 33. Ambrosia Scripps 4. Ellen Browning Scripps (Mrs. William D.) 24. William A. Scripps (Mrs. William A.) 5. Howard “Ernie” Scripps 14. Sarah Clarke Scripps 25. Anna Adelaide Scripps 34. Georgie Scripps, son 6. James E. Scripps (Mrs. George W.) (Mrs. George C.) of Anna and George C. 7. William E. Scripps 15. James Scripps Southwick 26. Baby of Anna and Scripps 8. Harriet Messinger 16. Jesse Scripps Weiss George C. Scripps 35. Hans Bagby Scripps (Mrs. James E.) 17. Grace Messinger Scripps 27. George H. Scripps 36. Elizabeth Sweeney 9. Anna Scripps Whitcomb 18. Sarah Adele Scripps 28. Harry Scripps (London, (Mrs. John S., Sr.) (Mrs. Edgar B.) 19. Jessie Adelaide Scripps England) 37. John S. Sweeney, Jr. 10. George G. Booth 20. George C. Scripps 29. Frederick W. Kellogg 38. John S. Sweeney, Sr. 11. Grace Ellen Booth 21. Helen Marjorie 30. Linnie Scripps (Mrs. 39. Mary Margaret Sweeney Wallace Southwick Ernest) Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of San Diego Volume 61 Winter 2015 Numbers 1 • The Journal of San Diego History Diego San of Journal 1 • The Numbers 2015 Winter 61 Volume History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Clockwise: Casa de Balboa—headquarters of the San Diego History Center in Balboa Park. Photo by Richard Benton. Back Cover: San Diego & Its Vicinity, 1915 inside advertisement. Courtesy of SDHC Research Archives. Design and Layout: Allen Wynar Printing: Crest Offset Printing Editorial Assistants: Travis Degheri Cynthia van Stralen Joey Seymour The Journal of San Diego History IRIS H. W. ENGSTRAND MOLLY McCLAIN Editors THEODORE STRATHMAN DAVID MILLER Review Editors Published since 1955 by the SAN DIEGO HISTORICAL SOCIETY 1649 El Prado, Balboa Park, San Diego, California 92101 ISSN 0022-4383 The Journal of San Diego History VOLUME 61 WINTER 2015 NUMBER 1 Editorial Consultants Published quarterly by the San Diego History Center at 1649 El Prado, Balboa MATTHEW BOKOVOY Park, San Diego, California 92101. -
Seventh Avenue Walking Tour
Nestled into Balboa Park’s northwest corner, the 3500 block of Seventh Avenue is one of San Diego’s best-kept secrets. This lush tract looked very different – vacant, dusty and studded with chaparral – in 1886, when it became Thomas T. Crittenden’s Addition. In 1903, George White Marston, a successful merchant and visionary civic leader, bought ten acres on the east side of Crittenden’s Addition for his extended family’s estates. Today, five of those acres belong to the George Marston House & Gardens. Within two decades, this subdivision was transformed into a fine collection of thoughtfully landscaped Arts & Crafts houses created for the Marstons and other prominent San Diegans who were eager to live indoors and out and to blend their hidden street into the evolving City Park. Being leading citizens of the day, they helped produce major civic projects, including the two international expositions. The block represents an important slice of San Diego’s architectural history, with the strong imprint of architect Irving J. Gill. We can see Gill’s buildings change from variations on the English Arts & Crafts style in brick to the horizontal Prairie Style with wide, sheltering eaves to geometric Early Modernism devoid of surface ornament. Gill designed two residences alone (one, the Thomas and Margaret Hamilton House, was demolished for a residential tower) and six others in partnership with another influential architect, William S. Hebbard. Nationally acclaimed planners and landscape architects such as John Nolen, Samuel Parsons, Jr., and Thomas D. Church worked on this block, usually hired by George Marston. Also heavily involved was Marston’s friend, horticulturist Kate Sessions, who is considered the “Mother of Balboa Park.” Original plantings, many still extant, came primarily from Ernest Benard, a prominent nurseryman, whose business was located in Mission Valley, though the California pepper trees that originally lined the street (as seen in the cover photo) were later changed to jacarandas. -
Wilson Eyre, 1858-1944
THE ARCHITECTURAL ARCHIVES OF THE UNIVERSITY OF PENNSYLVANIA WILSON EYRE COLLECTION (Collection 032) Wilson Eyre, 1858-1944 A Finding Aid for Architectural Drawings, 1880-1938, in The Architectural Archives, University of Pennsylvania © 2003 The Architectural Archives of the University of Pennsylvania. All rights reserved. The Architectural Archives, University of Pennsylvania Wilson Eyre Collection Finding Aid Archival Description Descriptive Summary Title: Architectural Drawings, 1880-1938. Coll. ID: 032. Origin: Eyre, Wilson, 1858-1944, architect. Extent: 578 original drawings, 409 mixed photomechanical reproductions and photostats, 1 rendered photostat. Repository: The Architectural Archives, University of Pennsylvania 102 Meyerson Hall Philadelphia, Pennsylvania 19104-6311 (215) 898-8323 Abstract: The collection comprises 987 drawings documenting 147 buildings and projects designed between 1880 and 1938 by Wilson Eyre, his predecessor James Peacock Sims (1849-1882), and his later partner John Gilbert McIlvaine (1880-1939). Indexes: This collection is included in the Philadelphia Architects and Buildings Project, a searchable database of architectural research materials related to architects and architecture in Philadelphia and surrounding regions: http://www.philadelphiabuildings.org Cataloging: Collection-level records for materials in the Architectural Archives may be found in RLIN Eureka, the union catalogue of members of the Research Libraries Group. The record number for this collection is PAUP01-A46. Publications: Drawings in this collection have been published in the following books. Jordy, William H. Buildings on Paper: Rhode Island Architectural Drawings, 1825-1945. Providence: Bell Gallery, List Art Center, Brown University, 1982. Kornwolf, James D. M. H. Baillie Scott and the Arts and Crafts Movement. Baltimore: Johns Hopkins Press, 1972. O'Gorman, James F., et al. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of Volume 56 Summer 2010 Number 3 • The Number Journal of San Diego History 56 Summer 2010 Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; PRESERVE A SAN DIEGO TREASURE membership dues; admissions; shop sales; and rights and reproduction fees. Your $100 contribution will help to create an endowment for Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The Journal of San Diego History The paper in the publication meets the minimum requirements of American Please make your check payable to The San Diego Foundation. Indicate on National Standard for Information Science-Permanence of Paper for Printed the bottom of your check that your donation is for The Journal of San Diego Library Materials, ANSI Z39.48-1984. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. The San Diego Foundation 2508 Historic Decatur Road, Suite 200 San Diego, CA 92106 (619) 235-2300 or (858) 385-1595 [email protected] Cover: Earliest known sketch from the perspective of Presidio Hill showing the presidio ruins, Mission Valley, the San Diego River emptying into San Diego Bay, Old Town, and Point Loma drawn by William Birch McMurtrie, artist on board the U.S. -
Nicholas Quennell Oral History Transcript
The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ NICHOLAS QUENNELL ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interviews Conducted October 7-9, 2013 By Charles A. Birnbaum, FASLA, FAAR © 2015 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Nicholas Quennell Interview Transcript Contents PRELUDE ........................................................................................................ 6 BIOGRAPHY .................................................................................................... 6 Childhood ..................................................................................................................... 6 Growing Up in England ....................................................................................................... 6 The War Years ................................................................................................................. 6 Cleeve Hill ........................................................................................................................ 7 Returning to London ....................................................................................................... 8 Devon .............................................................................................................................. 9 Hampstead Heath .......................................................................................................... -
The Bowne House Historical Society, Inc
The Bowne House Historical Society, Inc. AUTUMN 2011 BOWNE HOUSE AND ITS MISSION Bowne House, circa 1661, is the oldest house in Queens and one of the oldest in New York City. The house is an amalgam of Dutch and English traditions of building; continuity of ownership provides a unique view of changing cultural values and increased prosperity over time. Bowne House was occupied by nine generations of family, but events which took place in its early years secured its place in history. John Bowne is known for his courageous defense of religious liberty; his actions, and those of his fellow residents of Flushing, helped establish this principle in America. In 1662, Bowne defied a ban imposed by Governor Peter Stuyvesant on the practice of religions other than the Dutch Reformed Church by permitting Quakers to worship in his home. Bowne was arrested and deported to Holland, where he successfully pleaded his case before the Dutch West India Company. He returned home in 1664, and the principle of religious freedom was established in the colony. Bowne House is operated by the Bowne House Historical Society, whose mission includes the preservation of the house, its collections and its grounds for their historical and educational interest, for the significance of the house in the history of New York, and for its role in the establishment of the principle of freedom of conscience in America. Bowne House is owned by the New York City Department of Parks & Recreation and is a member of Historic House Trust of New York. THE BOARD OF TRUSTEES OF THE BOWNE HOUSE HISTORICAL SOCIETY Rosemary S.