Beyond Advanced - ESL+ Weekly Packet: May 4Th, 2020

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Beyond Advanced - ESL+ Weekly Packet: May 4Th, 2020 Beyond Advanced - ESL+ Weekly Packet: May 4th, 2020 Section 1: BALBOA PARK VIRTUAL TOUR INFORMATION Zoom Meeting: May 7th, 2020 9:30 a.m. Link to Balboa Park Tour: https://youtu.be/IeIqaNR5Zs4 You can control the speed by clicking on the setting button. Unfortunately this video does not contain closed captioning. Balboa Park History On May 26, 1868, a 1,400-acre tract of nine City pueblo lots was set aside as a public park by the Board of Trustees of the City of San Diego following the recommendations of a far-sighted citizens committee. The California Legislature ratified the grant on Feb. 4, 1870, at a time when San Diego's population was 2,301 people and there were only 915 houses. For much of the remainder of the 19th century, the area then known as "City Park" remained a fairly wild land preserve of hilltops, canyons and arroyos, forever preserved for future generations of San Diegans and visitors. In 1892, Kate O. Sessions, San Diego's patron saint of horticulture, asked City officials to lease 30 acres of "City Park" to her for a nursery. In return, she would plant 100 trees per year throughout the park and donate others to the city for planting elsewhere. With Kate Sessions' vision, brushwood and rocky dirt were transformed into tree shaded lawns, flower gardens, and hillside nature paths. By 1902, a Park Improvement Committee had been formed and raised funds to employ Samuel Parsons, a landscape architect, to draw up a comprehensive plan for the Park. Funds were raised and planting development continued, and by 1910 the parkland began to look much as it does today. In order to find a more suitable name, a contest was held and the winner was Mrs. Harriet Phillips, a member of the Pioneer Society, with her suggestion of "Balboa," to honor the famous Spanish explorer, Vasco Nunez de Balboa who was the first European to see the Pacific Ocean. The continuing development and "building" of Balboa Park owes much of the development to two world fairs, the Panama-California Exposition of 1915-16, and the California Pacific International Exposition of 1935-36. These two events marked the beginning and the continued development of the cultural park's center we see today. The theme of the 1915 Panama-California Exposition was to celebrate man's progress and achievements. The Cabrillo Bridge and most of the cultural center "buildings" along El Prado were built for the exposition as well as the Spreckels Organ Pavillion. The scheme for the buildings was based on Spanish Colonial architecture. Many of the new buildings were reminders of Indian Pueblo architecture or were Mayan in design style. During both World Wars the park was taken over for use by the military, and after the wars, the buildings reverted to use by cultural and recreation organizations, many of the facilities becoming the museums and institutions we see today. Extensive rehabilitation of Park buildings and facilities has been underway since 1946, and in 1960 a master plan for Balboa Park was submitted and used to continue the growth and future development of the Park. Improved landscaping, modernization of buildings and roadways, and improved pedestrian walkways and access is the result of the care and concern of the people of San Diego. With the 1960 Master Plan, $2 million was spent on Park improvement and renovations. In 1989, a new master plan was adopted for a 20-year period to restore and continue the improvements. Balboa Park has always been special to the people of San Diego. Through the dedication and caring of many people over the years and the continued efforts today, Balboa Park will continue to flourish as the true heart of the City. BALBOA PARK - ​Page​ ​ | ​2 Section 2: VOCABULARY Balboa Park exposition committee population century preserved generations horticulture donate explorer achievements cultural pavillion dedication contest architecture BALBOA PARK - ​Page​ ​ | ​3 Section 4: THURSDAY PRESENTATION Write a paragraph about Balboa Park. For example, if you have ever visited Balboa Park, what was your favorite museum, have you ever heard the organ being played. If you have never been to Balboa Park, write a paragraph on what you learned from the video or reading about the history. For example, what happened to all the animals left behind from expositions, how big is the park, who planted all the trees, etc. BALBOA PARK - ​Page​ ​ | ​4 .
Recommended publications
  • Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival Into Balboa Park
    Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival into Balboa Park By Iris H.W. Engstrand G. Aubrey Davidson’s laudatory address to an excited crowd attending the opening of the Panama-California Exposition on January 1, 1915, gave no inkling that the Spanish Colonial architectural legacy that is so familiar to San Diegans today was ever in doubt. The buildings of this exposition have not been thrown up with the careless unconcern that characterizes a transient pleasure resort. They are part of the surroundings, with the aspect of permanence and far-seeing design...Here is pictured this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life 1 can expand in this fragrant land of opportunity. G Aubrey Davidson, ca. 1915. ©SDHC #UT: 9112.1. As early as 1909, Davidson, then president of the Chamber of Commerce, had suggested that San Diego hold an exposition in 1915 to celebrate the opening of the Panama Canal. When City Park was selected as the site in 1910, it seemed appropriate to rename the park for Spanish explorer Vasco Nuñez de Balboa, who had discovered the Pacific Ocean and claimed the Iris H. W. Engstrand, professor of history at the University of San Diego, is the author of books and articles on local history including San Diego: California’s Cornerstone; Reflections: A History of the San Diego Gas and Electric Company 1881-1991; Harley Knox; San Diego’s Mayor for the People and “The Origins of Balboa Park: A Prelude to the 1915 Exposition,” Journal of San Diego History, Summer 2010.
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  • Seventh Avenue Walking Tour
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    The Journal of Volume 56 Summer 2010 Number 3 • The Number Journal of San Diego History 56 Summer 2010 Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; PRESERVE A SAN DIEGO TREASURE membership dues; admissions; shop sales; and rights and reproduction fees. Your $100 contribution will help to create an endowment for Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The Journal of San Diego History The paper in the publication meets the minimum requirements of American Please make your check payable to The San Diego Foundation. Indicate on National Standard for Information Science-Permanence of Paper for Printed the bottom of your check that your donation is for The Journal of San Diego Library Materials, ANSI Z39.48-1984. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. The San Diego Foundation 2508 Historic Decatur Road, Suite 200 San Diego, CA 92106 (619) 235-2300 or (858) 385-1595 [email protected] Cover: Earliest known sketch from the perspective of Presidio Hill showing the presidio ruins, Mission Valley, the San Diego River emptying into San Diego Bay, Old Town, and Point Loma drawn by William Birch McMurtrie, artist on board the U.S.
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