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DANISH FILM INSTITUTE LITTLE BIG AUDIENCE DEAR WENDY FILM / SPECIAL ISSUE Anything goes in children’s films, if you show 10 years after kickstarting the most influential Accused by Jacob Thuesen selected for solidarity with the audience, says Little Big Mouse wave in Danish film, the Dogme brothers COMPETITION / Little Big Mouse (Jannik Hastrup), director Jannik Hastrup. Six directors of films for Vinterberg and von Trier are back together as Odin’s Eye (Maria Mac Dalland), My Dad Is a kids on magic, profanity, and witch-burning. director and screenwriter. Interview about guns, Champ (Morten Giese) and The Shadow in Sara methods, music and the US ... (Karla Nielsen) in KINDERFILMFEST. PAGE 16-21 PAGE 14-15 l1l FILM IS PUBLISHED BY#41 THE DANISH FILM INSTITUTE / FEBRUARY 2005 PAGE 2 / FILM#41 / BERLINALE SPECIAL ISSUE DANISH FILM INSTITUTE LITTLE BIG AUDIENCE DEAR WENDY FILM / SPECIAL ISSUE Anything goes in children’s films, if you show 10 years after kickstarting the most influential Accused by Jacob Thuesen selected for solidarity with the audience, says Little Big Mouse wave in Danish film, the Dogme brothers COMPETITION / Little Big Mouse (Jannik Hastrup), director Jannik Hastrup. Six directors of films for Vinterberg and von Trier are back together as Odin’s Eye (Maria Mac Dalland), My Dad Is a kids on magic, profanity, and witch-burning for kids. director and screenwriter. Interview about guns, Champ (Morten Giese) and The Shadow in Sara methods, music and the US ... (Karla Nielsen) in KINDERFILMFEST. PAGE 16-20 PAGE 14-15 l1l FILM IS PUBLISHED BY#41 THE DANISH FILM INSTITUTE / FEBRUARY 2005 The Shadow in Sara INSIDE ALTHOUGH DANISH CINEMA IS REPRESENTED ANNUALLY AT THE BERLINALE, 2005 IS FILM#41 / FEBRUARY 2005 EXCEPTIONAL WITH FIVE PUBLISHED BY Danish Film Institute EDITORS Agnete Dorph Stjernfelt, Susanna Neimann EDITORIAL TEAM Lars Fiil-Jensen, Vicki Synnott FILMS IN COMPETITION TRANSLATIONS Glen Garner DESIGN Koch & Täckman, Anne Hemp, Pernille Volder Lund TYPE Cendia (e©), Millton (e©), Underton (e©) PAPER Munken Lynx 100 gr. PRINTED BY PROGRAMMES HEREOF Holmen Center Tryk A/S CIRCULATION 10,000 ISSN 1399-2813 COVER Accused / Photo: Ole Kragh-Jacobsen FOUR FILMS IN All articles are written by freelance film critics and journalists. KINDERFILMFEST FILM is published by the Danish Film Institute Selected for the COMPETITION is Jacob Thuesen’s Accused, a psyco- (DFI). 8 issues annually, 3 are in English and published prior to the festivals at Cannes, logical drama following Henrik – a likeable man, a swimming teacher and a father, Amsterdam and Berlin. who one day is arrested and charged with a serious crime. Renowned film editor come director, Thuesen, edited von Trier’s The Kingdom. Page 3-5 Subscriptions are free of charge. Contact: [email protected] Thomas Vinterberg’s and von Trier’s Dear Wendy, chosen for SUNDANCE, is a portrait of a group of gun-loving pacifists, the Dandies, in The Danish Film Institute is the national agency America, who take great pride in never drawing their weapons. But rules are responsible for supporting and encouraging film made to be broken. Page 14-15 and cinema culture. The Institute’s operations extend from participation in the development and production of feature films, shorts and documentaries, over distribution and marketing, KINDERFILMFEST has selected four films: Jannik Hastrup’s Little Big to managing the national film archive and the Mouse about the search for happiness. The elf Circleen and her mouse chums cinematheque. The total budget of the DFI is get dragged into new adventures. But every adventure holds a secret! Page 17 DKK 390.4 m / EURO 52 m. The second film is Maria Mac Dalland’s Odin’s Eye, about the Creation, the origin of man, and the struggle between Ases (Aesir) and Giants of Nordic DANISH FILM INSTITUTE mythology. Page 18 Gothersgade 55 DK-1123 Copenhagen K, Denmark t +45 3374 3400 The third film is Morten Giese’s My Dad Is a Champ, about Stefan, who [email protected] / [email protected] hasn’t seen his father for years. All he knows is that his father is a boxer who travels all over the world. On his tenth birthday, he decides to go find him. Page 19 Also screening in KINDERFILMFEST is The Shadow in Sara, by Karla Nielsen: Sara is sick of fighting with her mother. Her mother’s birthday looks like an opportunity to break the tailspin. But how easy is that? Sara gets upset again, however, fortunately a solution is found. Even on such a rotten day. Page 20 Other articles include – amongst others – a script writing theme, an introduction to this year’s Danish Berlin Shooting Star as well as an interview with the FILM #41 er et engelsk særnummer i anledning renowned US-Chinese actress Vivian Wu, who is currently starring in the new af Berlinalen i Berlin, februar 2005. Danish feature Chinaman by Henrik Ruben Genz. My Dad is a Champ BERLINALE COMPETITION / ACCUSED / JACOB THUESEN / FILM#41 / PAGE 3 FANTASY VERSUS REALITY Accused is the first feature directed by two people who make their home in the New York of effects, Thuesen was strongly inspired by the Jacob Thuesen, a top Danish film editor. subway system. British master of suspense Alfred Hitchcock. Like This psychological drama about a man Accused, from a screenplay by Kim Fupz Aakeson, Hitchcock’s Psycho from 1960, Accused is out to charged with a terrible crime challenges is 42-year-old Thuesen’s first feature. “I read the consciously manipulate the audience. its characters’, and the audience’s, screenplay and thought it would be a terrific “I wanted to use the genre to close in on a subject perceptions of fantasy and reality. challenge to take an actuality that everyone finds that I essentially knew nothing about. I used crime- deplorable and changing it into 100-percent fiction,” genre ploys to deal with something that has nothing BY MADS R. MARIEGAARD he says. to do with the genre. I’m playing with a genre that the audience is familiar with to essentially show “I would like to discuss the witness’ handling of FICTION AND REALISM them something else. They think they are watching fantasy and reality,” Henrik’s (Troels Lyby) defence Thuesen planned the film a lot like he would have a a crime story, but what they are actually seeing is a attorney says at his trial, attempting to discredit the documentary, setting out to research how arrests, realistic, dysfunctional family,” Thuesen says. main witness, Stine, Henrik’s 14-year-old daughter. interrogations, custody, and trials are handled, and But who is making what up? That question is the consulting with psychologists. ONE HUNDRED PERCENT premise of Accused, a new Danish film opening in “Fiction jumps off from realism. There is no It is one of the last days before Christmas and I Danish theatres on 28 January. reason to create a different space than the one that’s find myself in the Nordisk Film cafeteria in Valby. Jacob Thuesen, the director, is a product of the there in the real world,” Thuesen says. “The main Skirting thirty-something media people composing National Film School’s editing programme and has character is booked at a real police station. He hands buffet lunches on giant plates, Thuesen leads me to previously directed shorts and documentaries. To over his keys in the actual basement of the police a corner table and begins the interview by telling make the award-winning documentary, Under New station. What I’m telling people is: this is the reality me he is not used to dealing with the media. That York, Thuesen and his crew spent two years tracking you know, but what you see is fiction.” In his choice aside, his answers are precise and thorough, though PAGE 4 / FILM#41 / BERLINALE COMPETITION / ACCUSED / JACOB THUESEN Troels Lyby and Sofie Gråbøl in Accused. Photo: Ole Kragh-Jacobsen generally couched in a few, favourite phrases whose way to get my thoughts and my life under control. approach a film as an investigation. meaning he seems to trust. Of these, “one hundred I was not particularly communicative and for a long “Calling it an investigation allows me to see that percent” is the most frequently used, often to time the cutting room was room enough for me. the people in the movie aren’t what I thought they accentuate a certainty of opinion about the medium But I’ve developed as a person and, in that process, were, and the whole film ends up hinging on that. he was one hundred percent sure he wanted to directing added another level to editing. It was a real There have to be points where I discover something work in for the rest of his life, when he first put two eye-opener: ‘Omygod, I can shoot my own footage!’” new, even in a fiction film.” shots together 20 years ago in a dark room at Copenhagen University. FILM AS INVESTIGATION THE THIRD REALITY All his late-night cutting eventually got Thuesen Thuesen’s development will reach a temporary “When I read a book or look at a picture in a museum, expelled, but he went on to hone his craft in the peak with the release of Accused in late January. It I quickly form a ‘third reality’. That’s much harder National Film School’s editing programme. Later, is an event that means he will have to get used to to do when you are watching a movie, because, in he became known as Mr. Quick Cut, setting new reviews, an “anxiety-provoking” thing to him, and movies, what you see is what you get.

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