Vivid Sydney and Sydney Film Festival Present Inside the Rover, an Exclusive Filmmaker and Cast Panel Discussion

Total Page:16

File Type:pdf, Size:1020Kb

Vivid Sydney and Sydney Film Festival Present Inside the Rover, an Exclusive Filmmaker and Cast Panel Discussion VIVID SYDNEY AND SYDNEY FILM FESTIVAL PRESENT INSIDE THE ROVER, AN EXCLUSIVE FILMMAKER AND CAST PANEL DISCUSSION Vivid Sydney, and the 61st Sydney Film Festival today announced that tickets are now on sale for a special panel discussion ‘Inside The Rover’. Director David Michôd, cast members Guy Pearce and Robert Pattinson, and producer Liz Watts are set to participate in the talk. The signature event will take place on Sunday June 8 at 3pm in Sydney’s Town Hall, and is part of Vivid Sydney, the Southern Hemisphere’s largest festival of light, music and ideas. Deputy Premier Andrew Stoner, Minister for Tourism and Major Events said the decision of The Rover’s filmmakers and actors to personally attend the Sydney Film Festival premiere and hold an in-depth Vivid Ideas talk was testament to Sydney’s global appeal and status as a hub for the creative industries. “The NSW Government continues to encourage the growth and development of NSW creative industries through creative events like Vivid Ideas,” Mr Stoner said. “Vivid Ideas has an expanded line up of world class creative leaders again this year, and it is fantastic to include David Michôd, Guy Pearce, Robert Pattinson, and Liz Watts in our annual celebration of innovation, creativity and community. “I am sure that I am not the only Australian who is looking forward to seeing the Sydney Film Festival Premiere of The Rover and hearing about their creative process first hand,” Mr Stoner said. The Rover, David Michôd’s much-anticipated follow up to his award-winning 2010 debut feature Animal Kingdom, is an uncompromising dark thriller set in a dangerous near-future 10 years after the collapse of the economic system. The Rover depicts an Australia without law or order, where the country’s natural resources have attracted a range of opportunists, and life is cheap. Destination NSW Chief Executive Officer, Sandra Chipchase said: “Australia has a rich cinematic history and it is fantastic to see that Australian film makers like David Michôd are continuing this legacy.” “I am delighted that Vivid Ideas has secured The Rover and some of its key creatives in partnership with the Sydney Film Festival and I encourage people to make the most of the opportunity and come to Sydney to see some of the world’s leading talent and film makers.” The exclusive event, moderated by film critic Margaret Pomeranz, will facilitate an in-depth exploration of the process behind creating the ferocious slow burn thriller. The Rover is part of the Official Competition selection, with the Australian premiere taking place at the State Theatre on Saturday June 7 at 7pm and the second screening on Sunday June 8 at 11.30am. Vivid Ideas Festival Director, Jess Scully, has put together the largest ever Vivid Ideas line-up of creative leaders and emerging talent and is delighted to introduce this new signature event. “Vivid Ideas this year boasts an expanded program, with over 180 events spanning 14 creative industries and appealing to a wide variety of interests. The ‘Inside The Rover’ panel discussion is a very exciting addition to the program, offering audience members the chance to dig deep into the film and explore the creative thinking and concepts behind it,” Ms Scully said. Tickets are $45 plus booking fee and go on sale at 9:30am Monday May 19 via Sydney Film Festival and Vivid Sydney. Vivid Sydney: http://www.vividsydney.com/events/inside-the-rover/ Sydney Film Festival: 1300 733 733 or visit sff.org.au/ticketing PARTICPATING FILMMAKER AND CAST BIO’S: David Michôd is an Australian writer, director and producer whose debut feature film, Animal Kingdom, won the World Cinema Grand Jury Prize at Sundance and 10 AFI Awards, including Best Film, Best Direction and Best Original Screenplay. Guy Pearce is a multi-award-winning actor with a body of work spanning film, television and theatre both in Australia and internationally. In 2012, Pearce won a Prime Time Emmy Award for most Outstanding Supporting Actor in a Miniseries or Movie for his role in Mildred Pierce and in 2011 a Screen Actor’s Guild Award for his Best Supporting Actor performance in The King’s Speech. Pearce also worked with David Michôd on Animal Kingdom. Robert Pattinson began his professional career as a member of the Barnes Theatre Group. Since then Pattinson has starred in Water For Elephants, Bel Ami, headlined the drama Remember Me, and most recently appeared on screen in David Cronenberg’s Cosmopolis. Liz Watts is an independent producer and partner of Porchlight Films based in Sydney. Her feature credits as producer include Animal Kingdom (2010), The Home Song Stories (2007, Director Tony Ayres), Little Fish (2005, Director Rowan Woods), Cannes and Sundance selected Jewboy (2005, Director Tony Krawitz), and Walking On Water, (2002 Director Tony Ayres). Prior to The Rover, Watts produced German Australian co-production Lore (Official Competition Sydney Film Festival 2012), directed by Cate Shortland and Dead Europe, directed by Tony Krawitz. ABOUT VIVID SYDNEY 2014 Vivid Sydney, the Southern Hemisphere’s largest festival of light, music and ideas, transforms the Harbour City with its colourful creative canvas for 18 days - from 23 May to 9 June 2014. Now in its sixth year, Vivid Sydney features large scale light installations and projections (Vivid Light); music performances and collaborations (Vivid Music including Vivid LIVE at the Sydney Opera House); and creative ideas, discussion and debate (Vivid Ideas), all celebrating Sydney as the creative hub of the Asia-Pacific. The full Vivid Sydney 2014 program is available at http://vividsydney.com The full media kit and high-res imagery including 2014 Vivid Light renders and 2013 footage of festival highlights, is available at http://vividsydney.com/media-centre ABOUT SYDNEY FILM FESTIVAL Sydney Film Festival screens feature films, documentaries, short films and animated films across the city at the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the Art Gallery of NSW, Hayden Orpheum Picture Palace Cremorne, the Apple Store, SFFTV at Martin Place, Skyline Drive-In Blacktown, and the Festival Hub at Town Hall. The Festival is a major event on the New South Wales cultural calendar and is one of the world’s longest-running film festivals. For more information visit www.sff.org.au Sydney Film Festival also presents 12 films that vie for the Official Competition, a highly respected international honour that awards a $60,000 cash prize based on the decision of a jury of international and Australian filmmakers and industry professionals. Previous Sydney Film Prize winners include: Only God Forgives (2013), Alps (2012), A Separation (2011) – which went on to win an Academy Award, Heartbeats (2010), Bronson (2009) and Hunger (2008). The 61st Sydney Film Festival is supported by the NSW Government through Screen NSW, the Federal Government through Screen Australia, and the City of Sydney. The Festival’s Strategic partner is the NSW Government through Destination NSW. What: Sydney Film Festival When: 4-15 June, 2014 Tickets & Info: 1300 733 733 www.sff.org.au Media contacts: Kelly Evans, Bang PR Hannah Le Coic, Destination NSW P: 0424 028 010 P: 0419 093 882 E: [email protected] E: [email protected] .
Recommended publications
  • Exclusive PREVIEW of Vivid Sydney 2018 Where to Eat, Shop, Stay And
    LOVE EVERY SECOND OF SYDNEY & NSW IN WINTER 25 May – 16 June 2018 VIVID SYDNEY SYDNEY NEW SOUTH WALES exclusive Where to essential short PREVIEW of vivid eat, shop, stay breaks & long sydney 2018 and play road trips VIVID SYDNEY VIVID – WHAT’S ON 03 What to expect from Vivid Light, Music and Ideas Vivid SYDNEY celebrates VIVID LIGHT WALK Lights on! A guide to the 04 amazing Vivid Light installations VIVID PRECINCTS Find out where to see 10 years of creativity 08 the city light up VIVID MUSIC Get into 23 days 25 May - 16 June 2018 10 of music discovery VIVID IDEAS Hear from global Game 13 Changers & Creative Catalysts GETTING AROUND Plan your journey using public 16 transport during Vivid Sydney HELP FROM OUR FRIENDS Thanks to our partners, 17 collaborators and supporters VIVID MAP Use this map to plan your 20 Vivid Sydney experience SYDNEY BEYOND VIVID Your guide to exploring 21 Sydney and New South Wales SYDNEY FOOD & WINE Foodie hotspots, new bars 22 and tours EXPLORE SYDNEY Where to stay and shop 24 and what to see THE GREAT OUTDOORS There is so much more to do, see and love at vivid sydney in 2018. Your guide to walks, the 25 harbour & high-rise adventures Start planning your experience now. IT’S ON! IN SYDNEY 26 Unmissable sporting events, theatre, musicals and exhibitions VIVID SYDNEY SYDNEY IN WINTER EXPLORE NSW At 6pm on 25 May Vivid Sydney 2018 While you’re here for Vivid Sydney, stay The most geographically diverse State in switches on with the Lighting of the Sails a while longer to explore the vibrancy Australia offers a little bit of everything new south wales of the Sydney Opera House and all light of Sydney in Winter.
    [Show full text]
  • Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
    Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne
    [Show full text]
  • Kelson Nor Mckernan
    Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto­ FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial.
    [Show full text]
  • Film Festival Programme 2014 A5-Booklet.Indd
    Please register your Of! cial Program attendance for free using SUNDAY FREE www.trybooking.com 23 March 2014 at 5.00pm EVENT a not for profi t community initiative Blue Giant Park, Manion Avenue, Rose Bay at Woollahra Colleagues Rugby Club LIVE ENTERTAINMENT REELise Film Festival REELise Film Festival Festival Director – Karen Hamilton The REELise Film Festival is a youth It is perhaps no surprise that many of our competition entries have empowerment program based chosen, within that theme, to explore aspects of cyberbullying – an issue on mobile phone !lmmaking. We that affects one in !ve Australian teens every year. encourage young people to share The REELise Film Festival is a testament to the strength of community – the their stories, broaden awareness about coming together of people who share a passion to keep our kids safe; a issues affecting them and inspire passion to inspire a new generation to achieve their full potential. From our positive change. To assist aspiring Management Team and Mentors to the many individuals and businesses young !lmmakers improve their craft, we offer a free mentoring program joining with us on festival day to provide services and support, there is for 12-18 year olds with leading Australian !lmmakers. This year’s !lm a singular dedication - to inspire cultural change, one where empathy, festival theme was “Unspoken Feelings”. What motivates a cyberbully? compassion and respect for others is valued and cyberbullying isn’t tolerated. Are there real life consequences? Is it okay to stand back and let it If you would like to lend your support to the REELise initiative whether as happen? These are all issues explored by our young !lmmakers and a mentor, participating school, volunteer or sponsor, please contact me at important for a young audience to consider.
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • ATE Media Information: Events in Sydney
    ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015.
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • David Wenham CV
    SHANAHAN DAVID WENHAM | Actor FILM Year Production / Character Director Company 2020 THE FURNACE Roderick MacKay Southern Light Films Mal 2019 DIRT MUSIC Gregor Jordan Wildgaze Films Jim 2018 IN LIKE FLYNN Russell Mulcahy 308 Ent Christian Travers 2018 PETER RABBIT Will Gluck Colombia Pictures Johnny Town-Mouse 2017 PIRATES OF THE CARIBBEAN: Joachim Rønning & Mukiri Productions Pty Ltd DEAD MEN TELL NO TALES Espen Sandberg Scarfield 2017 BEYOND THE KNOWN WORLD Pan Nalin Jungle Book Entertainment Carl Hansen 2016 GOLDSTONE David Jowsey Dark Matter Media Pty Ltd Johnny 2016 LION Garth Davis See Saw Films John Brierley 2015 BLINKY BILL: THE MOVIE Deane Taylor, Noel Flying Bark Produ ctions Jacko Clearly, Alexs Stadermann & Alex Weight 2014 FORCE OF DESTINY Paul Cox Illumination Films Robert 2013 PAPER PLANES Robert Connolly Arclight Films Patrick Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2012 300: RISE OF AN EMPIRE Noam Murro 300 Films Inc. Dilios 2011 ORANGES AND SUNSHINE Jim Loach See-Saw Oranges Pty Ltd Len 2010 LEGEND OF THE GUARDIANS: Zack Synder GOG Productions Pty Ltd THE OWLS OF GA’HOOLE Digger 2009 POPE JOAN Sonke Wortmann ARD Degeto Film Gerold 2008 PUBLIC ENEMIES Michael Mann Universal Pictures Pierpont 2007 AUSTRALIA Baz Lurhmann Bazmark Fletcher 2007 CHILDREN OF HUANG SHI Roger Spottiswoode Rogue Entertainment Group Barnes 2006 MARRIED LIFE Ira Sachs Sidney Kimmel Entertainment John O’Brien
    [Show full text]
  • Benjamin Winspear
    MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams Operations. 2016 JANET KING S3 Various Janet King TV Pty Ltd Janet King 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams Operations. 2015 JANET KING: SERIES 2 Various Janet King TV Pty Ltd Janet King 2015 JACK IRISH SERIES Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams Operations. 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Operations. Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Janet King TV Pty Ltd Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations. Sarah Adams Shanahan Management Pty Ltd Level 3 Berman House 91 Campbell Street Surry Hills NSW 2010 PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential Media & Entertainment Linda Hillier 2012 JACK IRISH: BAD DEBTS Jeffrey Walker Essential Media & Entertainment Linda Hillier 2011 CROWNIES Various Crownies TV Pty Ltd Janet King 2010 RESUE SPECIAL OPS: SERIES 2 Peter Andrikidis Southern Star Productions Lisa Hartigan 2007 BLACKJACK: TELEMOVIES Peter Andrikidis Jigsaw Entertainment GHOSTS, AT THE GATES DEAD
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • SOH-Annual-Report-2016-2017.Pdf
    Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free.
    [Show full text]
  • I Never Took Myself Seriously As a Writer Until I Studied at Macquarie.” LIANE MORIARTY MACQUARIE GRADUATE and BEST-SELLING AUTHOR
    2 swf.org.au RESEARCH & ENGAGEMENT 1817 - 2017 luxury property sales and rentals THE UN OF ITE L D A S R T E A T N E E S G O E F T A A M L E U R S I N C O A ●C ● SYDNEY THE LIFTED BROW Welcome 3 SWF 2017 swf.org.au A Message from the Artistic Director Contents eading can be a mixed blessing. For In a special event, writer and photographer 4-15 anyone who has had the misfortune Bill Hayes talks to Slate’s Stephen Metcalf about City & Walsh Bay to glance at the headlines recently, Insomniac City: New York, Oliver, and Me, an the last few months have felt like a intimate love letter to New York and his late Guest Curators 4 long fever dream, for reasons that partner, beloved writer and neurologist extend far beyond the outcome of the Oliver Sacks. R Bernadette Brennan has delved into 7 US Presidential election or Brexit. Nights at Walsh Bay More than 20 million refugees are on the move the career of one of Australia’s most adept and another 40 million people are displaced in and admired authors, Helen Garner, with Thinking Globally 11 their own countries, in the largest worldwide A Writing Life. An all-star cast of Garner humanitarian crisis since 1945. admirers – Annabel Crabb, Benjamin Law Scientists announced that the Earth reached and Fiona McFarlane – will join Bernadette City & Walsh Bay its highest temperatures in 2016 – for the third in conversation with Rebecca Giggs about year in a row.
    [Show full text]