Art and Consciousness in Light of Maharishi Vedic Science
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Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2011 Art and consciousness in light of Maharishi Vedic science Natalie Brown Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Art Practice Commons Recommended Citation Brown, N. (2011). Art and consciousness in light of Maharishi Vedic science. https://ro.ecu.edu.au/ theses/378 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/378 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. ART AND CONSCIOUSNESS IN LIGHT OF MAHARISHI VEDIC SCIENCE Natalie Brown This thesis is presented for the degree of Doctor of philosophy in association with an exhibition of creative work. Faculty of Education and Arts, Edith Cowan University. 10th March 2011 Declaration I certify that this thesis does not, to the best of my knowledge and belief: (i) Incorporate without acknowledgement any material previously submitted for a degree or diploma in any institution of higher education. (ii) Contain any material previously published or written by another person except where due reference is made in the text; or (iii)Contain any defamatory material. Natalie Brown ii Acknowledgements First and foremost I extend my deepest gratitude to His Holiness Maharishi Mahesh Yogi and Guru Dev for the Total knowledge that they have re-enlivened and gifted humanity for all generations to come. Having been made aware of this eternal wisdom each one of us now has the ability to live life in complete and lasting happiness and fulfillment. I would like to thank my primary supervisor Dr Christopher Crouch for his continuous support on my chosen area of investigation and his encouragement and guidance throughout this entire research project. Without your enlightened leadership and academic brilliance this would not have been possible. I would also like to express deep appreciation to my additional supervisor Dr Anna Bonshek whose profound insight into the knowledge was able to guide me throughout the whole research and writing process. My gratitude also goes out to Maharishi University of Management and the admirable professors who through consciousness-based education, allow the students to grow holistically- Thank you for giving me and countless other students the knowledge to enjoy the Totality of life. I would also like to thank my family, especially my parents Isabella and Christopher Brown for your continual support and unconditional love on all my creative endeavours. Lastly, I would like to thank my partner Adam Delfiner for his love and his devotion to this knowledge. You have guided me throughout this whole evolutionary process and I know it has enriched both of our lives beyond words. Thank you also to his family- the Delfiner family for your love and support while writing this thesis. Jai Guru Dev iii CONTENTS PAGE ABSTRACT- Page v BACKGROUND TO THE RESEARCH- Page vi CHAPTER ONE-Introduction- Page 1 CHAPTER TWO- Introduction to Maharishi Vedic Science- Page 18 CHAPTER THREE- Scientific Research- Page 47 CHAPTER FOUR- Art and Creative Intelligence- Page 76 CHAPTER FIVE- The Potential Future of Art- Page 102 CHAPTER SIX- Dynamic Silence- Page 128 CHAPTER SEVEN- Conclusion- Page 154 ART PORTFOLIO- Page 163 REFERENCES- Page 182 iv ABSTRACT This research examines the field of art and consciousness in light of Maharishi Vedic Science. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. The research explores the practical application of Maharishi‘s technologies of consciousness― the Transcendental Meditation program and TM-Sidhi program, and simultaneously the theoretical understanding of consciousness through the study of Maharishi Vedic Science. The research examines this knowledge by considering two questions- Question 1―What is the benefit of the practical technologies and theoretical knowledge of Maharishi Vedic Science for the arts and the artist? Question 2―Through my own subjective research into consciousness, how has this knowledge affected the outcome of my creative practice? This research is both an intellectual objective analysis and simultaneously a subjective investigation through my own personal experience in the development of consciousness. The research elucidates Maharishi Vedic Science and verifies it through modern scientific research, art and its foundation in creative intelligence, the history of art and its future potential, and my own personal artwork and creative process that has grown through the understanding and practical application of Maharishi Vedic Science in my daily life. v BACKGROUND TO THE RESEARCH This research is a written document of a personal journey that I have taken as an artist towards finding truth. I spent my life as a child until young adulthood searching for answers to overwhelming and burdening questions concerning my own existence and purpose of being. I was impelled to explore the diverse cultures and traditions of the world and the way each one attempted to answer the same questions concerning human existence, the same questions that constantly occupied my thoughts. I explored diverse disciplines of knowledge such as art, mythology, religion and science, and although these areas of knowledge gave me some understanding, I never felt that they completely filled in the continual and compelling desire to know more, and the sense of walking around aimlessly, empty and unfulfilled was always there. I found my liberation from these burdening questions through making art, in being creative and watching my creativity unfold into new ways of expressing my ever changing and growing perception of the world. My intense desire to know the answers to my questions and to overcome the deep feeling of lack of fulfillment I was experiencing eventually led me to be introduced to Maharishi‘s Transcendental Meditation technique and later to take part in a Masters of Arts degree in Maharishi Vedic Science at Maharishi University of Management (MUM) in Fairfield, Iowa. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. vi Initiation into this technique along with the intellectual knowledge I gained from the Maharishi Vedic Science program put an end to my seeking and filled the gaps in the knowledge I had previously attained through other traditions and meditative practices. It created complete clarity around every aspect of my life, sprouting the seed that had been waiting to grow inside me and awakening the flow of many beautiful experiences. For the first time in my life I began to realize that I was completely fulfilled on every level, there was no more desire to seek, no more sense of just drifting on through life aimlessly. I felt full and complete and began to experience the richness and absolute beauty of life that I just didn‘t see before. My love of making art developed into a way of expressing and enlivening my deepest and most blissful experiences of the world that I feel have been the result of making regular contact with the transcendental level of reality through the practice of Maharishi‘s Transcendental Meditation technique, the TM-Sidhi program and Yogic Flying. The twice daily practice of Transcendental Meditation, the TM-Sidhi program and Yogic Flying facilitate the experience of the transcendental level of reality, which, according to Maharishi Vedic Science is the fundamental constituent of all creation or the manifest world and can be validated by one‘s own subjective experience. In practicing this technology a solid foundation has been built from where my individual life grows and evolves and from where my creativity is enlivened. My daily experience of dipping into the transcendental nature of my own Self, experiencing the silent level of reality from where all dynamism arises from, is the enlivening factor within my creative practice. The outcome of my paintings is the manifest expression of my personal experience of the transcendent, of the silence that stands still and fills every moment of dynamic vii activity in my experience of the world; the experience of growing bliss in every aspect of my life. My research begins with an investigation into Maharishi Vedic Science- a science that applies practical and theoretical knowledge in the understanding of one‘s ultimate Truth or Self― also referred to as the field of pure consciousness, the home of all the Laws of Nature, the field of creative intelligence, the essential constituent of all creation. In creating an understanding of Maharishi Vedic Science, this thesis aims to bring to light the beneficial practical application of Maharishi Vedic Science for the artist and the future of the visual arts.