second DAY’S SALE

WEDNESDAY 22nd JANUARY 2014

ORIENTAL and EUROPEAN CERAMICS and

Commencing not before 10.00pm Oriental and European Ceramics and Glass will be on view on: Friday 17th January 9.00am to 5.15pm Saturday 18th January 9.00am to 1.00pm Sunday 19th January 2.00pm to 4.00pm Monday 20th January 9.00am to 5.15pm Tuesday 21st January 9.00am to 5.15pm Limited viewing on sale day

Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] The following fifteen lots of Waterford and Irish glass come by direct descent from the Penrose family. George and his nephew William Penrose, both prominent Quakers and astute businessmen, established the Waterford Glass House in 1783 to take advantage of the dropping of the glass levy, on Irish glass, by the English Parliament. This excise duty which was charged on the weight of the materials used to make the glass remained on English glass, but in order to protect domestic concerns the export of Irish glass to , not withstanding smuggling, was forbidden. The Penroses ran the Waterford Glass House, initially with John Hill and then latterly with Jonathon Gatchell. George Penrose died in 1796 and Gatchell with partners bought out William Penrose’s interest in 1799. The Waterford Glass House continued under several Gatchell partnerships until it closed in 1851, shortly after exhibiting a suite of banqueting crystal at the Great Exhibition, due to the crushing burden of taxation.

William’s daughter Elizabeth Penrose married Anthony Robinson in 1805 at the Friends Meeting House and their daughter Susanna Penrose Robinson who was born in 1816 married Joseph William MacMullen in 1850. Although Susanna had ten siblings, she seems to have outlived many of them (most of whom seem not to have had issue of their own) and as a result inherited most of the Penrose and Robinson artifacts including a shell cabinet made by her mother Elizabeth (see lot 914). In turn Joseph and Susanna’s son Alfred Robinson MacMullen inherited the collection passing it to his son Alfred Grahame MacMullen (1891-1966) who married Priscilla Carter of Budleigh Salterton. On his death she remarried becoming Priscilla Hull, gifting the collection to her sons in 1993. Many of the following lots are illustrated in Irish Glass, Waterford, Cork, Belfast in the Age of Exhuberance by Phelps Warren.

451 453 454 A Waterford glass plate with A Waterford glass shallow Two Waterford glass jars notched rim the underside cut dish of canted rectangular and one cover one with fan with wrythen radiating panels form cut with fan scalloped scalloped rim above a slice cut of hobnail cutting around rim, the base and side with band, single prism and a field a star cut centre, 21 cm cross-cut diamonds, 23 cm of diamonds on an octagonal diameter, 1810-30. long, circa 1830-35. stem and star cut foot, the £50 - 80 £80 - 120 domed cover with band of Provenance The Penrose Provenance The Penrose family diamonds and a star cut knop, family thence by descent. thence by descent. 13.5 cm high, the latter with fan scalloped rim above a 452 single prism and a field of A Waterford glass oval dish strawberry diamonds, bulbous and pair of circular ice plates stem and square strawberry the former with scalloped rim diamond cut foot, devoid the sides cut with diamonds cover, 12 cm high, circa 1800- above a star cut base, 25 cm 20. long, single rim chip, each ice £180 -220 plates cut with a broad band of diamonds around a single An identical example of the band of shallow diamonds former from the Collection and a star cut base, 19 cm of the Marquess of Bute is diameter, generalised chips to illustrated in plate 156, Irish 454 rims, circa 1820-30. (3) Glass, Phelps Warren. £80 - 120 Provenance The Penrose family Provenance The Penrose thence by descent family thence by descent

156 455

455. A pair Waterford glass mallet shaped decanters and matched stoppers each with 456 heavy lip and pair of annulated neck rings on slice cut sloping 457 shoulders the body cut with Two Waterford liqueur vertical linear designs below , scent phial and cruet a band of inverted fans, with stand the former with funnel star cut bases and mushroom shaped bowl inscribed ‘E.P.’ stoppers, 19 and 19.5 cm for Elizabeth Penrose and high, circa 1820-30. verso with a spray of forget- £200 - 300 me-not, set on a faceted stem These decanters are illustrated and spreading foot, 9 cm as plate 115, Irish Glass, Phelps high, another with everted Warren. rim inscribed ‘T.R’ for Thomas Provenance The Penrose Robinson, the scent phial of family thence by descent. 458 circular form inscribed ‘S.R.’ for Susanna Robinson, with 456 458 prism cut sides the reverse A Waterford glass decanter A Waterford glass decanter with a field of diamonds, 4.5 and stopper of mallet shaped and stopper of bottle shaped cm high, crack to reverse and form with heavy lip and triple form with slice cut neck and neck, the boat shaped cruet annulated neck rings above shoulders the body bisected with diamond cut sides and sloping slice cut shoulders, into three panels by cut swags base, 16 cm long, circa 1790- the body cut with vertical with pendants containing a 1830. (4) linear designs flanked top and pen and rose rebus, a lion £200 - 250 bottom with cut swags, above rampant supporting two roses Provenance The Penrose family a star cut base, with star cut and interlaced initials **P, thence by descent mushroom stopper, 20.5 cm above a band of vertical blazes, high, circa 1820-30, minor with bulls eye stopper, 25 cm chip to rim. high, circa 1805. £150 - 200 £600- 800 The decanter is illustrated as The decanter is illustrated as plate 115, the shape appearing plate 102, Irish Glass, Phelps on sheet in Samuel Miller’s Warren where its ownership Waterford Glass House Patterns by Elizabeth Penrose and its plate 1a, Irish Glass, Phelps history is more fully discussed. Warren. Provenance The Penrose family Provenance The Penrose thence by descent. family thence by descent.

157 461 A Waterford glass scent phial of shuttle form inscribed with initials ‘G.P.’, possibly for George Penrose the front and flanks cut with prisms, the reverse cut with prisms, a feather motif and a panel of fine diamonds, 10.5 cm long, circa 1795-1800.

£150 - 200 Provenance The Penrose family, thence by descent

462 A set of four Irish glass, probably Cork, wine goblets the bucket shaped bowls with basal annular knop engraved and etched below the rims 459 461 with tasselled fabric swags bearing stellar motifs and 459 460 pendant husks on spreading A Waterford glass memorial A small group of Waterford stepped stems and square scent bottle of flattened oval glass comprising a cream jug lemon squeezer bases, 13 cm form engraved with the initials with notched rim above prism high, circa 1810-30, minor R.P (for Rachel Penrose née cuts and a band of diamonds chips to bases. Nevins) beneath the arched flanked by slice cutting, 9 cm £250 - 350 caption Look & Remember high, a salt with serrated rim Provenance The Penrose family within a simple foliate border cut with a field of diamonds thence by descent. above a pair of ribbon bound above a slice cut base, together roses and buds and verso with a salt of navette form with the initials S.E. above with undulate rim, cut with the arched caption ‘Dearly prisms and flat diamonds on a Beloved’ within a simple hexagonal stem and diamond ribbon bound foliate border, shaped lemon squeezer base., 17 cm long, late 18th century, 9.5 cm long, 1800-30 the neck broken and taped. former cracked, the latter with £250 - 350 minor wear to rim. (3) Illustrated plate 214, Irish £100 - 150 Glass, Phelps Warren. Provenance The Penrose family Provenance The Penrose thence by descent. family thence by descent. Rachel Penrose being the wife of William Penrose co-founder of the Waterford Glass House

462 158 463

463 465 466 A suite of Irish, probably Five Waterford glass custard A group of Waterford and Waterloo (County Cork), cups and five similar the other glasses comprising two drinking glasses comprising former with applied loop syllabub glasses one of slice three large goblets, twenty eight handle with scroll terminal cut trumpet shaped form the wine glasses each with everted the slightly swelling body cut other facet cut and set on a rim, the bowls engraved and at the base with a band of short stem with annulated etched below the rim with a blazes, 7 cm high, two further knop, 10.5 and 11.5 cm high, fretted and stellar band bordered of broadly similar form, but a pair of small goblets of barrel by zig-zags, set on a hexagonal without cut decoration and shaped form the stem with stem and spreading foot, 9 and three with loop handles with blade shaped knop and a small 13 cm high, circa 1805-30, eight notched and scroll terminals liqueur glass with everted rim wine glasses chipped. (31) the footed bell shaped body cut with a fretted and stellar £500 - 600 with comb moulding to the band, on straight stem and Provenance The Penrose family base, circa 1820-30, two of the spreading foot, circa 1800- thence by descent former and two of the latter 1830, goblets chipped. cracked. (10) £50 - 80 464 £100 - 150 Provenance The Penrose family A pair of small Irish glass, Provenance The Penrose family thence by descent. probably Cork, tumblers and thence by descent three liqueur glasses en suite the former of cylindrical form the rims engraved with tasselled fabric swags and pendant husks and cut with the initials ‘W.H.R.’ (William Henry Robinson) and ‘A.R.’ (Anthony Robinson) the glasses with ogee bowls on straight stems with central and basal knops on a spreading foot, engraved with the initials ‘W.H.R., ‘T.R.’ (Thomas Robinson) and ‘P.R. (Penrose Robinson), 7 and 7.5 cm high respectively, circa 1805-30. (5) £300 – 400 An example of each is illustrated plate 182, Irish 464 Glass, Phelps Warren. Provenance Penrose family thence by descent

159 462

467 469 A Waterford mould blown bottle shaped decanter and 468 470 stopper the neck applied with A pair of Vetri d’Arte glass A pair of 19th century cut two feathered ‘double’ neck goblets each decorated with glass lustres each hung with rings the body engraved with a band of dancing cherubs prismatic drops, with circular an arched banner inscribed within a black ground classical foliate rims, octagonal columns ‘The Land We Live In’ above a landscape, signed ‘Vedar’, circa and hobnail cut bases, 21cm circular panel with the initials 1920/30, 19cm. high. ‘JMcM’ and verso with thistle £100 - 150 £200 – 250 and barley, above a broad band 469 of moulded comb flutes, with a A pair of French enamelled radially ribbed bullseye stopper, green and opaline cased 28 cm high, circa 1800-10. glass vases decorated with a £400 – 600 central panel of flowers and foliage between green borders Similarly inscribed and shaped gilded with ornate foliate decanters are illustrated plate cartouches and solid bands, 107, Irish Glass, Phelps Warren mid 19th century, 40cm high, Provenance Purchased by (small chip to one). Priscilla Hull from Somervale £1000 - 1500 Antiques 6th March 1989. Although ‘JMcM’ is believed to be a family member Joseph 470 MacMullen (1755-1819) of Quartertown, County Cork, a Protestant and thus a supporter of ‘the Union’.

160 471 A Lalique opalescent glass bowl with moulded design of spiral leaves, acid etched ‘R.Lalique, France’, 25cm diameter. £100 - 150

472 A Lalique moulded and frosted brown glass coupe, ‘vases no 2’ decorated with seven vases of cornflowers around a circular panel of foliage, embossed ‘R.Lalique’ engraved ‘France no.3232’, 26cm diameter. £100 - 200

473 A Aesthetic movement centre piece of shaped rectangular form, engraved and gilded with birds and flowering plants, the side panels with key pattern borders, on original brass stand with faux bamboo feet, impressed Baccarat, 24.5cm wide. £500 - 700

474 An art glass vase by Tapio Wirkkala of slender organic form incised with vertical lines, signed ‘Tapio Wirkkala IItala 55’, 36cm. £100 - 200

475 A Peking glass vase and cover of flattened baluster form of pale green colour with gold inclusions the clear handles formed from grotesque masks the body with a pair of magpies amongst prunus and verso with a songbird and peony on a wave scroll ground with several raised signature tablets beneath a band of stiff leaves, the pieced domed cover with thunder key band and peony bud knop, 27.5 cm high, apocryphal Qianlong seal mark to base. £800 - 1200

473 161 476

476 477 A set of six Chinese famille verte deep plates A Chinese doucai cup and cover decorated with foliate moulded rims, the centres painted with panels of lotus, peony and other flowering with a large vase of peony, other flowering plants, underglaze blue Qianlong seal mark, plants and foliage within a panelled border of 12cm diameter, hair crack to one side of rim of insects and flowers, Kangxi, 22cm diameter, cup. minor chips, one with hair crack to rim (6). £200 - 400 £300 - 500

477

162 478 A Chinese famille verte matched part dinner service with moulded rims, painted with phoenix in flight amongst flowering peonies and buildings behind a crenellated wall, within borders of birds and flowering plants on a foliate seeded green ground, Kangxi, some differences to decoration, comprising [1] two large octagonal dishes, 44cm wide together with two matching circular plates, 23.5cm diameter; [2] four octagonal dishes, 31cm wide; and [3] a pair of octagonal plates, 24cm wide, some damage (10). £5000 - 7000

163 479 A Chinese blue and white tureen and matched cover of shaped oval form with rabbit head handles and rococo scroll knop, painted with precious objects, peony and willow, Qianlong, 36cm wide, knop stapled. £100 - 200

480 A Chinese blue and white saucer dish painted with the Three Star Gods [Fuk Luk Sau] 483 of happiness, affluence and longevity within a garden setting, foliate seal mark within concentric circles, probably 18th century, 15.5cm, frit chips. £60 - 80

481 A Chinese pale 486 481 ‘chicken head’ ewer with double chicken head spouts and bound handle, the globular 484 486 body incised with flower heads A Chinese blue and white A pair of Chinese and foliage, the pale celadon moonflask with chilong yellow-ground jardinieres of glazed body with darker green handles, painted overall with rectangular form, painted with splashes, 23 cm high. lotus and scrolling foliage flowering plants, fruits and linzhi £200 - 250 above a lappet band, late below a key pattern rim and ruyii 19th/early 20th century, form base, iron red seal mark, 482 23.5cm. Republic period, 27x 15cm. A set of four Chinese coffee £100 - 200 £400 - 600 cups and six other items the cups painted in verte/ 485 487 imari colours with a farmer A Chinese celadon crackle A small Chinese flambe- and buffalo, rockwork and a glazed cup in the form of glazed vase of ovoid form fruiting tree in a landscape, a flowerhead with chilong with cylindrical neck, covered Qianlong, 5.5cm high; a handle, 8cm, tiny chip to rim. in a mottled mauve, lavender famille rose small cup and £60 - 80 and red glaze, 10cm. saucer, Qianlong; and four £80 - 120 items of oriental (10). £80 - 120

483 A pair of Chinese flambe- glazed bottle vases the glaze varying from mauve, blood red and lavender to brownish celadon at the rim, 28cm high, one with minor chips to footrim. £300 - 500 488, 487, 485 164 493 494

491 495 492 A Chinese famille rose A Chinese tea dust glazed baluster vase decorated in vase, Fanghu of archaic 488 imitation of cloisonne with bronze form with lug handles A small Chinese chocolate precious objects, flowers and and peach shaped panels to glazed vase of ovoid foliage on a blue and gilt key each side, the mottled tea dust form with cylindrical neck, pattern ground, apocryphal glaze thinning to the edges apocryphal underglaze blue Qianlong seal mark, 25.5cm, of the body, handles and rim, six-character Wanli mark, damaged. 19th century, 31cm high, chip 11cm. £50 - 70 to footrim, glaze imperfections £60 - 80 and short stress cracks to rim. 492 £400 - 600 489 A Chinese flambe-glazed An Oriental bottle vase with bottle vase with rounded flared rim and base, the neck body and slender neck, applied with a sinuous dragon, decorated in mottled cherry decorated in relief with two red and lavender glazes celadon shi shi on a mottled thinning at the neck, 34cm. brown and dark green ground, £300 - 400 circa 1900, 37cm, rim chip. £80 - 120 493 A Chinese celadon-glazed jar 490 of ovoid form, crisply moulded A Chinese blue and white overall with The Eight Daoist vase with slender neck and Immortals within shaped flared rim, painted with an reserves below a foliate ruyi official on horseback with three band, 21cm, base drilled. attendants on foot, the reverse £400 - 500 with a four line inscription within lappet borders, 494 apocryphal four character Hall A pair of Canton famille attribution mark, 24cm. rose baluster vases each £60 - 100 with buddhistic lion handles, decorated in bright enamels with reserves depicting numerous figures at court, on a floral yellow ground within 495 ruyi bands, 19th century, 43cm high [a/f]. £300 - 400

165 504

503

498 A Chinese blue and white ewer and cover of baluster form with slender spout and handle, painted with two dragons and a sacred pearl 501 amongst cloud scrolls, 19th century, 22cm, firing cracks 501 to handle, cover damaged, A Yixing teapot the dark possibly matched. brown body moulded of rustic £180 - 220 asymmetric form with crabstock handle and moulded with raised 499 prunus branches in fruit and 496 A Chinese famille verte flower, 19 cm long, impressed vase and cover painted with gourd shaped seal under cover 496 precious objects within two and square ‘flower’ seal under A Chinese famille verte shaped reserves on a seeded base, minor chips to cover. vase of tapering baluster green ground decorated with £50 - 70 form with flared rim, painted butterflies flowers and foliage, with officials, other figures 19th century, 26cm. 502 and children outside a large £150 - 200 A Chinese Yixing teapot and pavilion or palace, late 19th/ cover of shaped angular form, early 20th century, 45cm high 500 19cm wide. with metal table lamp mount Two Yixing teapots and covers £60 - 80 to rim. one off globular form with £400 - 500 crabstock handle, knop and spout 503 the dark brown body and cover A Chinese Dehua sleeve vase 497 moulded and modelled with tree of tapering cylindrical form A Chinese famille rose wine rats amongst fruiting branches, with flared rim and buddhistic pot and cover in Kangxi style 12.5 cm long, impressed single lion mask handles, incised with of flattened double gourd character mark, the latter of flowers and foliage, 17th/18th form, decorated with figures ‘double peach’ form with century, 33cm, chip to rim. reserved on a seeded ground overhead handle, 11 cm long. (2) £100 - 200 of flowers and foliage, with £100 - 120 aubergine handle and yellow 504 ground spout painted with A Chinese blue and white symbols, green enamelled saucer dish painted with artemisia leaf mark, 24cm. scrolling lotus flowers and £180 - 220 foliage, the reverse similarly decorated, six character Xianfeng mark, 15.5cm diameter. 500 £100 - 200 166 509

510 An Arita porcelain plate of octagonal form the centre 505 508 enamelled with a pair of Buddhistic lions chasing 505 508 a pearl, within narrow A Chinese blue and white A Chinese blue and white alternating fretted and peony multiple crocus vase of multiple crocus vase of panelled border, the rim with traditional form, painted with traditional form, painted landscape and knot motifs, 43 panels of birds, flowers and overall with flower-heads and cm diameter, late Meiji. foliage, late 19th/early 20th lotus foliage above stiff leaves, £300 - 500 century, 24cm high. late 19th/early 20th century, 511 £350 - 400 24 cm high. A pair of Hispano-Moresque £250 - 350 vases in the style of 15th 506 century Manises originals, each A Chinese yixing teapot 509 of baluster form with pierced and cover in the form of two A Chinese robin’s egg glazed handles, decorated with a cylindrical containers tied with brushwasher in the form of design of ivy leaves in blue and a cord, the cover with fruiting a butterfly, the sides fluted, brown lustre on a pale yellow branch handle, seal marks to 18th/19th century, 8.5cm ground, 19th century, 45cm underside of cover, 22cm wide. wide. high, one with chip to foot £80 - 120 £200 - 400 rim. £300 - 500 507 A and gilt- brass mounted bowl painted in bright famille rose colours with birds, butterflies, flowers and fruit on a celadon ground, the mount in the form of scrolling foliage applied with three birds, blue seal mark, late 19th century, 30cm diameter. £100 - 150

511

510 167 513

512 515

512 514 516 A large Mason’s ironstone A sage green An extensive Brown- pot-pourri vase and cover of jasperware jardiniere Westhead, Moore & Co. octagonal form with dolphin decorated in white with part dinner service mask and ring handles, richly classical figures below vine transfer printed in blue with gilded overall with exotic birds garlands suspended from foliate diaper designs between within scrolling acanthus and lion masks, impressed mark gilded bands, pattern number lattice borders on a deep blue ‘Wedgwood, England’, 23cm H2180, impressed factory and ground, mid 19th century, diameter. patent registration marks, late 54cm, some restoration. £80 - 100 19th century, 84 pieces. £600 - 800 £600 – 700 515 513 Of Masonic interest, a large 517-8. No Lots. A saltglaze teapot early 19th century pearlware and cover of circular form with jug possibly Cambrian, octagonal section spout and of baluster form with ogee plain loop handle, applied and handle, printed in puce with heightened in blue with roses, seven Masonic emblems with thistles and foliage, on mask mottos and verses including claw feet, circa 1740/50, 21 ‘United for the benefit of cm wide [some damage and Mankind’, ‘To heavens high repair].* The decoration possibly Architect all praise...’, ‘To represents the Union of England judge with candor, and to and Scotland achieved earlier speak no wrong...’ together under the reign of Queen Anne with a further print of ‘Charity’ in 1707. below the handle, 33cm high, £150 - 250 minor damage. Bears a paper label for the £300 - 500 Douglas Story Sherford Collection.

168 519 520 521 An Elton Ware (Sunflower An Elton Ware (Sunflower A Watcombe terracotta Pottery) large tyg Pottery) ewer and jug the circular plaque painted by commemorating the end former of globular form with a Robert H F Rippon* [1836- of the First World War the pair of opposing spouts and loop 1917] with a religious banner cylindrical body with three handle applied with raised pink decorated with grapes and stout handles and notched rim and brown slips with a pair of berries and inscribed ‘ As for me applied with raised brown and Sunflowers and buds on a streaky and my house/ We will serve the green slips with a sunflower cream and green ground, 15 lord’ within a surround of trees and other floral medallions and cm high, the jug of oviform with and foliage, signed, impressed ‘Pax 1918’, on a streaky brown, pinched rim the body applied in factory mark and retailer ‘R & blue and green ground, 18 cm raised blue and brown slips with S, ’, inscribed ‘Robert high, painted Elton, professional a floral meander on a streaked H F Rippon, 4 Sidney Terrace, ? restoration to rim and handle. blue, cream and green ground, Road, W Norwood’, circa 1880, £100 – 150 13 cm high, both painted Elton 27cm diameter to base, the former with one £200 - 300 professionally restored spout. Illustrator published by The £180 – 220 Natural History Museum.

522 A Moorcroft ‘Tudric’ pedestal bowl for Liberty & Co., decorated in the Pomegranate pattern, the pewter base impressed ‘H, Made in England, Tudric, Moorcroft, 01309’, 16cm diameter. £250 - 300

521

523

523 Keith Murray for Wedgwood a brown basalt vase of oviform the exterior engine turned with five horizontal linear bands, 15 cm high, impressed Wedgwood, Made in England and ‘X’ with 522 printed facsimile signature and Wedgwood, Made in England. £700 - 900

169 524 A ‘Sung’ porcelain bowl of shallow circular form the interior decorated with veined flambe glazes in red, blue and orange with green hues, the exterior in blue with yellow orange mottling and green hues, 15.5 cm diameter, printed marks, painted ‘Sung’ with monogram for Fred Moore. £220 - 280

525 A large French majolica fish vase with open mouth, decorated overall in yellow, brown and mottled green, blue and grey glazes, late 19th century, 50cm high, crack to corner of mouth. £300 - 400

524

526

526 A rare Royal Doulton figure ‘A Child’s Grace’ HN62 designed by Lawrence Perughini, the young girl wearing a green and yellow coat, the yellow socle base inscribed ‘Here, a little child, i stand, heaving up my either hand cold as paddocks tho’ they be, here i lift them up to thee, for a benison to fall on our meat and on our all. Amen. Herrick’, the underside with green printed 525 factory mark, impressed numerals and painted in black with the HN number, title and ‘Potted by Doulton & Co.’, 22cm. £1500 - 2000

170 527 An extensive Brown- Westhead, Moore & Co. ‘Canova’ pattern pottery part dinner service transfer printed in black with a French ornithological design of birds and insects amongst flowering plants, impressed and printed marks, late 19th century, 144 pieces, some damage. £400 - 600

528 A Zsolnay Pécs openwork jardiniere and stand of circular form and decorated 527 with brightly coloured flowers, foliage and butterflies in pink, purple, green, mustard and gold, blue backstamp, impressed Zsolnay Pécs with model no. 2836, circa 1888. £400 - 600

529 A Royal Doulton figure ‘Tony Weller’ HN 684 [1924-1938] designed by Charles Noke, wearing light brown coat and green cloak, 26cm. £800 - 1000

528 529 171 531 for Wood & Sons a pair of jars and covers each of oviform with domed covers tubelined in the Persian pattern with a cream band of green, blue, turquoise, yellow and red spiky leaves and buds above a blue ground, 26 cm high, printed mark and painted X.775, circa 1915, covers restored. £400 - 600

532 530 Frederick Alfred Rhead for Wood & Sons baluster vase tube lined in the Elers pattern with two rows of stylised flower motifs and pendants in black, pink and white reserved on a pale green ground, 28 cm high, green backstamp, circa 1915. £250 - 350

530 A Samuel Alcock & Co. majolica part service moulded and decorated in bright colours with vines and flowering strawberry plants, impressed initials and 531 beehive marks, circa 1840/50, comprising five shaped dishes 533 and eleven plates [minor chips Charlotte Rhead for Bursley and flakes, one dish riveted, Ltd. (Bursley Ware) vase of one plate with hair] 16. oviform with short raised neck £500 - 700 tubelined with three heavily stylised flower head motifs bisected by triple wavy linear borders, reserved on a yellow ground above a narrow orange and broad blue band beneath lustre glazes, 15 cm high, printed mark, painted pattern no.443 and lustrers mark, circa 1921 £200 - 300

532

533

172 534 538 A Royal Doulton William An Elton Ware (Sunflower Wordsworth commemorative Pottery) ewer of globular two-handled cup designed by fluted form with arcing neck Charles Noke and decorated and loop handle decorated in green, yellow and red, the in raised russet slips with a loop handles in the form of branch of berry like blooms tied vines, factory backstamp and a butterfly, a finger citron and inscribed ‘A Tribute To incised around the base of The Memory Of William the handle, under brown and Wordsworth 1843’, 16.5cm green streaked glazes, 25 cm high [small chip to foot rim]. high, painted Elton to base, £400 - 600 circa 1890-1900. £150 - 200 535 An Elton Ware (Sunflower 539 Pottery) vase of oviform with An Elton Ware (Sunflower flaring rim under crackled Pottery) ewer of globular gold lustre glaze, 21 cm high, form with branching neck and 536 painted Elton to underside, spout with loop handle the circa 1905-10. body with incised decoration £250 - 300 applied with raised brown slips with a branch and flower 536 on a streaky blue and green An Elton Ware (Sunflower ground, 18.5 cm high, painted Pottery) vase the globular Elton to base, circa 1890-1900. body set with six loop handles £150 - 200 at the base of a waisted and flaring neck, the body decorated with raised blue and green slips with a band of foliage and berry-like fruit, the neck with simple incised 537 decoration under streaky green and blue, 33 cm high, painted Elton to base, circa 1890-1900. £250 - 300

537 An Elton Ware (Sunflower Pottery) large tyg the 534 stepped cylindrical body with three stout handles and notched rim, the exterior decorated in raised cream and olive slips with blooms flanking an incised fern with a pair of birds in flight verso on a streaky green ground, 21 cm high, painted Elton to base, circa 1890-1900. £200 - 300

538

535 173 540 difficult and skillful technique T&R Boote and with her An Elton Ware (Sunflower of pate-sur-pate. Frederick father at Wood and Sons. Pottery) vase and one worked for Solon until 1877 She is probably best known smaller the former of gourd and the following year joined for her work at Burgess & shaped form with handles, the Wedgwood factory. He also Leigh [] and the rim with a pair of pouring worked as a freelance for firms A.G.Richardson [Crown Ducal]. lips, the body applied with such as Pinder, Bourne and as raised pink and brown slips art director for James Gildea, Provenance The present with a fruit laden branch and Brownfield’s and Wileman & collection is being sold on verso incised with leafy fronds Co. In 1912 he joined Wood behalf of the Executors of the under streaky blue and green, & Sons and then in 1929 estate of the late Richard Harry 17.5 cm high, the smaller of Cauldon which at Rhead Cronin. Frederick Alfred baluster form with shaped that time was a conglomerate Rhead and his wife Adolphine rim applied with a branch including , had six children Frederick, of blossom on a purple over and Ridgways. Henry, Marie, Charlotte, green ground, 12 cm high, Five of Frederick’s six children Catherine and Adolphine. both painted Elton to base, were involved in the pottery Richard Harry Rhead Cronin circa 1890-1900, both with business, Frederick Hurten was the son of Marie and professional restoration to rim. Rhead [1880-1942] and therefore Charlotte Rhead’s £120 - 180 Charlotte [Lottie] Rhead nephew. [1885-1947] are probably the The Rheads were an old North best known. Frederick Hurten 541 Staffordshire family who had worked for most of his life in Frederick Rhead, a porcelain been connected with pottery the for firms vase of ovoid form decorated production since the 18th including Tiltonville, Wheeling, with a continuous raised century. Frederick Alfred Rhead The Weller Pottery, Roseville, design of a woodland [1856-1933] was to follow his own firm Rhead Pottery landscape at dusk, painted the family tradition of potting and the Homer Laughlin mark ‘FR 7’, 11 cm high. but combined it with that of Company. £80 - 120 artist and designer. At the age Charlotte Rhead [1885-1947] Provenance From the Estate of thirteen he joined started her career at Wardle & of Richard Harry Rhead as an apprentice painter and Co. in Hanley and it was here Cronin, son of Marie Elizabeth a year later was assigned as that she developed her skills as Adolphine Rhead (sister to an apprentice to Louis Solon, a tubeliner. She subsequently Charlotte Rhead) the leading exponent of the worked for Keeling & Co.,

174 542. A fine Frederick Alfred Rhead, probably for Minton, pate-sur- pate porcelain vase of cylindrical form decorated with an angel holding aloft a large bowl with text below ‘And when the angel with his darker draught draws up to thee-take that and do not shrink’ taken from verse 48 of The Rubaiyat of Omar Khayyam, signed F.A. Rhead, 30.5 cm. *See lot 274 for source the artwork £1500 - 2000 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

175 545A. Attributed to Frederick Alfred Rhead [1856-1933]- Design for The Gladstone Vase:- watercolour 49 x 33 cm. £200-300

The monumental pate-sur-pate ‘Gladstone Vase’ was designed and executed by Frederick 544 Rhead in 1887 for E.J.D.Bodley. The vase was commissioned 545 by the Liberals and Frederick Rhead, a porcelain presented to the former Prime vase in the Minister William Ewart Gladstone manner of waisted cylindrical in August 1888 at his home 543 form, with raised design of gilt Hawarden Castle, Flintshire. it lined tree trunks and branches now forms part of the collections 543 on a mottled blue ground, at the Potteries Museum, Stoke A Bretby Art Pottery yellow stylised green foliage below, on Trent. ground vase probably by incised mark ‘F R 13’, 21 cm Provenance From the Estate of Charlotte Rhead decorated high, crack to rim of base. Richard Harry Rhead Cronin, son with three galleons on a £100 - 200 of Marie Elizabeth Adolphine turquoise sea, the shoulder Provenance From the Estate Rhead (sister to Charlotte Rhead) and neck with clouds and of Richard Harry Rhead geometric motifs, signed ‘L. Cronin, son of Marie Elizabeth Rhead’, impressed marks, 26.5 Adolphine Rhead (sister to cm, short hair crack to rim, Charlotte Rhead) some glaze imperfections. £100 - 200 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead

544. A Mintons art pottery circular plaque, attributed to George Rhead Jnr decorated with a head and shoulders portrait of a young girl 545A wearing a ribbon banded mop cap, impressed marks and date code for 1877, painted retailer’s mark for R.S.Daniell 545, 541 & Co., 129 New Bond St., London, 43 cm diameter, in parcel gilt ebonised frame. £200 - 400 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

176 546 Attributed to Louis John Rhead, a large late 19th century art pottery rectangular plaque decorated with the portraits of Petruchio and Katherina from Shakespeare’s Taming of the Shrew, 55 x 34cm in parcel gilt oak frame. £800 - 1200 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

546 547 Charlotte Rhead, two tube- lined tiles each decorated with a portrait of a Dutch girl in an interior wearing an ornate cap, a window behind, backstamp for T & R Boote Ltd., 14 x 10 cm in gilt frames (2). £150 - 250

Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to 547 Charlotte Rhead)

548 Charlotte Rhead, two tube- lined tiles each decorated with a portrait of a girl wearing a bonnet on a pale turquoise ground, backstamp for T.A. Simpson & Co.Ltd., 14 x 10 cm in gilt frames (20. £150 - 250 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead) 548 177 549 550

549 551 A Frederick Alfred Rhead Lois Whitcomb Rhead, a pate-sur-pate porcelain plate pate-sur-pate blue ground decorated in white with the circular plaque decorated in figures Penelope and Kaas white with an exotic dancer from Greek mythology on a holding a scimitar aloft, 10 midnight blue ground within a cm diameter, in painted tube-lined key and geometric gilt frame with paper label pattern rim, signed F.A. Rhead inscribed ‘National Association and inscribed verso ‘Penelope. of Women Painters And F.A. Rhead Fecit’, 24.5 cm Sculptors, 1923’ diameter, tiny glazed chip to with details of the exhibit and foot rim. exhibitor. 551 £400 - 600 £300 - 400 Provenance From the Estate of Richard Harry Rhead Biography Lois Rhead [1892- Cronin, son of Marie Elizabeth 1994] nee Whitcomb, was born Adolphine Rhead (sister to in Chicago in 1892 and her Charlotte Rhead) family moved to Santa Barbara in 1904. Lois was a pupil of Leon 550 Solon and Frederick Hurten Attributed to Frederick Rhead, the latter whom she Alfred Rhead, a pate-sur- married in 1917. The following pate porcelain oval plaque twelve years were spent with her of an angel scantily clad with husband in Zanesville, Ohio. She a diaphanous robe, swallows was a member of the American verso flying below, 15.5 x 11.5 cm in Ceramic Society and exhibited, gilt frame. as with the present lot, at the £300 - 400 National Association of Woman Provenance From the Estate Painters & Sculptors in the of Richard Harry Rhead 1920s. Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Provenance From the Estate Charlotte Rhead) of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

178 552 Charlotte Rhead for T.& R. Boote, a tube-lined pottery rectangular tile; and a pen and ink drawing by Frederick Rhead the tile decorated with the front aspect of a large crenellated country house and garden, possibly Hawarden Castle, Flintshire, the former home of Sir William Gladstone, signed L. Rhead, impressed factory mark, 15.5 x 12.5 cm in original oak frame; together with a pen and ink drawing by Frederick Rhead of the same property, signed, 30 x 22 cm [2]. £300 - 500 552 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

553

553 Frederick Alfred Rhead, a fine pate-sur-pate porcelain rectangular plaque decorated with a scene from John Bunyan’s Pilgrim’s Progress, a paper exhibition label verso inscribed ‘ 901 The Flatterer and the net, Bunyan’s Pilgrim’s Progress, Frederick Alfred Rhead’ together with ‘6101 Waterman Ave. St. Louis MO’, signed ‘F. Rhead 1900-1901’, 22 x 34 cm, in gilt wood frame. The composition is taken from an illustration titled ‘The Flatterer, The Shining One With The Whip, And The Net’ by George Wooliscroft Rhead for a limited edition publication of John Bunyan’s ‘The Pilgrim’s Progress’ illustrated by the three brothers George Wooliscroft, Frederick and , publisher C.Arthur Peason Ltd., London. £2000 - 4000 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

179 555 555 Charlotte Rhead, a painted and lightly tube-lined small tile decorated with the rear view of four puppies, moulded signature to verso ‘L. Rhead 1910’, 4 x 8 cm in original parcel gilt oak frame. £200 - 400 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

554

554 Charlotte Rhead, a tube-lined rectangular paperweight decorated with a cream ground panel of a young woman and two children carrying pink flowers in pots reserved on a brown and ochre foliate scale ground, 11 x 5.5 556 cm, minor chips/flakes. £100 - 200 556 Provenance From the Estate Charlotte Rhead, a tube- of Richard Harry Rhead lined rectangular tile; and Cronin, son of Marie Elizabeth a watercolour drawing the Adolphine Rhead (sister to tile decorated with the front Charlotte Rhead) aspect of a red brick house with verandah, signed verso ‘L. Rhead 1910’ and with backstamp for T & R Boote, 8 x 15.5 cm in original parcel gilt oak frame; together with an original watercolour drawing, attributed to Frederick Rhead, of the same property, 44 x 29 cm. (2) £200 - 400 It is likely that the house was a Rhead family property. Provenance From the Estate of Richard Harry Rhead 556 part Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead) 180 558

557

557 559 for Wardle& Co. a tube-lined 558 559 pottery vase of tapering form, Charlotte Rhead, a tube-lined Frederick Alfred Rhead, a the short flared neck with eight rectangular tile decorated pottery rectangular plaque loop handles, decorated and with a view across the Minster decorated with figures tube-lined with two turtles in Pool to ‘Lichfield Cathedral in wearing early 18th century a continuous landscape with 1548’, signed L. Rhead, 14 x costume in the garden of a a village in the background, 25.5 cm, in gilt frame. country house, comprising inscribed below with the £200 - 400 three men drinking and tongue twister ‘Two tired turtles Provenance From the Estate playing cards at a table in trying to trot to Tutbury’, of Richard Harry Rhead the background, a woman, signed Frederick Hurten Rhead Cronin, son of Marie Elizabeth possibly a young bride, seated 1902, 30 cm high. Adolphine Rhead (sister to on her own in the foreground, £600 - 800 Charlotte Rhead) signed F. Rhead, 21 x 31 cm, Provenance From the Estate in gilt frame. of Richard Harry Rhead £200 - 400 Cronin, son of Marie Elizabeth Provenance From the Estate Adolphine Rhead (sister to of Richard Harry Rhead Charlotte Rhead) Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

181 561 part

563 Charlotte Rhead, two tube- lined square tiles each 561 decorated with the portrait of a young woman wearing a 562 560 ribbon-tied bonnet, a cottage Charlotte Rhead, a tube-lined beyond, one initialled ‘L.R’, square tile decorated with the 560 15.5cm, one with chip in portrait of a Dutch girl wearing Charlotte Rhead, a tube-lined parcel gilt oak frames (2). an ornate scarf, a landscape large tile depicting a young £200 - 400 beyond, signed ‘L. Rhead 1910’, woman wearing ornate robes Provenance From the Estate backstamp for T & R Boote Ltd., and headdress, 30 x 15 cm in of Richard Harry Rhead 15 cm in parcel gilt frame. oak frame. Cronin, son of Marie Elizabeth £200 - 400 £200 - 400 Adolphine Rhead (sister to Provenance From the Estate Provenance From the Estate Charlotte Rhead) of Richard Harry Rhead of Richard Harry Rhead Cronin, son of Marie Elizabeth Cronin, son of Marie Elizabeth Adolphine Adolphine Rhead (sister to Charlotte Rhead) 561 Charlotte Rhead, a tube-lined large tile together with an original watercolour drawing by Frederick Alfred Rhead the tile decorated with a Dutch girl in a kitchen interior drinking from a cup, dinner plates on a shelf behind, 31 x 15.5 cm in oak frame; the watercolour depicting the same subject of a Dutch girl, signed F.A. Rhead, 26 x 17 cm in inlaid walnut frame. (2) £300 - 400 Provenance From the Estate 562 of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead) 563 182 564

564 566 565 Charlotte Rhead, a pair of A Charlotte Rhead tube- tube-lined tiles decorated lined tile of rectangular form with a Dutch boy and girl decorated with ‘The Arming of wearing traditional dress, one Christian’, 30 x 15 cm [glaze signed ‘ L. Rhead 1910’, the imperfections] in parcel gilt other ‘L. Rhead’, 23 x 8 cm in frame. oak frames (2). The composition is taken £200 - 400 from an illustration by George Provenance From the Estate Wooliscroft Rhead for a of Richard Harry Rhead limited edition publication of Cronin, son of Marie Elizabeth John Bunyan’s ‘The Pilgrim’s Adolphine Rhead (sister to Progress’ with illustrations Charlotte Rhead) by the three brothers George Wooliscroft, Frederick and 565 Louis Rhead, publisher A Charlotte Rhead tube-lined C.Arthur Pearson Ltd., London. tile of rectangular form of an £200 - 300 exotic woman wearing lilies in Provenance From the Estate her hair, 22 x 7.5 cm, in parcel of Richard Harry Rhead gilt oak frame. Cronin, son of Marie Elizabeth £200 - 300 Adolphine Rhead (sister to Provenance From the Estate Charlotte Rhead) of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to 566 Charlotte Rhead)

183 568

568 Charlotte Rhead, a tube-lined rectangular tile decorated with five lambs in a field, blue cloudy sky beyond, 15.5 x 8 cm in parcel gilt oak frame. £200 – 300 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

569 Charlotte Rhead, two tube- 567 lined rectangular tiles each decorated with a galleon in full 567 sail, 15.5 x 8 cm and 15.5 x 5 Charlotte Rhead, three cm in oak frames. (2) tube-lined rectangular tiles £200 - 400 comprising a pair decorated Provenance From the Estate with a young Dutch girl and of Richard Harry Rhead a boy in a seaside landscape, Cronin, son of Marie Elizabeth 10.5 x 5.5 cm; and a larger Adolphine Rhead (sister to tile of a child holding a pot Charlotte Rhead) plant, 15.5 x 8 cm, all in parcel gilt frames. (3) £300 - 400 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead) 569

184 571

571 Charlotte Rhead, a tube-lined tile decorated with a female hare holding an umbrella and wearing a dark blue hat and fur trimmed turquoise coat, backstamp for T & R Boote Ltd., 15.5 x 8 cm in oak frame. £200 - 400 Provenance From the Estate of Richard Harry Rhead 572 Cronin, son of Marie Elizabeth Adolphine Rhead (sister to 570 572 Charlotte Rhead) Charlotte Rhead, a pair of 570 tube-lined tiles decorated Charlotte Rhead, two tube- with Dutch child flower sellers, lined rectangular tiles one backstamps for T & R Boote decorated with a goose boy Ltd., 15.5 x 8 cm in later gilt playing his pipe, three geese frames. (2) beyond, 15.5 x 8 cm; the £200 - 400 other with a boy playing his Provenance From the Estate pipe to a girl at a window, of Richard Harry Rhead 15.5 x 8 cm, both in parcel gilt Cronin, son of Marie Elizabeth frames. (2) Adolphine Rhead (sister to £200 - 400 Charlotte Rhead) Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

185 573 574

573 574 575 Charlotte Rhead, a tube-lined Charlotte Rhead, a tube-lined Charlotte Rhead, two tube- tile decorated with the head rectangular tile decorated lined rectangular tiles each of a girl wearing elaborate with a Georgian-style three- decorated with the head and headdress, a landscape storied house, signed ‘L. Rhead shoulders portrait of a young beyond, signed with initials 1910’, 8 x 12 cm in parcel gilt woman, one with lilies in her ‘L.R’., 15.5 cm. in parcel gilt oak frame. hair, the other wearing Dutch- oak frame. £200 - 400 style headdress, both signed £150 - 250 Provenance From the Estate ‘L. Rhead 1910’, one incised Provenance From the Estate of Richard Harry Rhead ‘Green Bros., London’, 23 x 8 of Richard Harry Rhead Cronin, son of Marie Elizabeth cm in parcel gilt oak frames, Cronin, son of Marie Elizabeth Adolphine Rhead (sister to one cracked. (2) Adolphine Rhead (sister to Charlotte Rhead) £200 - 400 Charlotte Rhead) Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

575 186 576 577 578

576 577 578 Charlotte Rhead, a tube- Charlotte Rhead, a tube- Charlotte Rhead, a tube- lined rectangular tile lined rectangular tile lined rectangular tile decorated with Elaine, the lily decorated with a variation decorated with a portrait of a maid of Astolat guarding the of an illustration by George baby boy, 15.5 x 8 cm, glaze shield of Lancelot, signed with Wooliscroft Rhead of ‘Cristian imperfections, in parcel gilt initials ‘L.R.’, 30 x 15 cm, glaze At The Foot Of The Cross- oak frame. imperfections. Peace be to thee’, 30 x 15 cm £100 - 200 £300 - 500 in parcel gilt oak frame. Provenance From the Estate The composition is taken £150 -250 of Richard Harry Rhead from an illustration by George Cronin, son of Marie Elizabeth Woolliscroft Rhead for an 1898 The composition is based Adolphine Rhead (sister to publication of Tennyson’s on an illustration by George Charlotte Rhead) Idylls of the King, a copy of Wooliscroft Rhead for a which is included in the lot. limited edition publication of The volume was illustrated in John Bunyan’s ‘The Pilgrim’s partnership with Louis Rhead Progress’ illustrated by raising the possibility that the three brothers George the tile was tubelined by him Wooliscroft, Frederick and rather than Charlotte. Louis Rhead, publisher C.Arthur Pearson Ltd.,London. Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Provenance From the Estate Adolphine Rhead (sister to of Richard Harry Rhead Charlotte Rhead) Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

187 581

581 Charlotte Rhead, a tube-lined rectangular tile decorated with a Princess seated amongst the branches of a tree and reading from a book, a bridge beyond, 15.5 x 10.5 cm in gilt frame. £100 - 200 Provenance From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)

579 580

579 580 Charlotte Rhead, two tube- Charlotte Rhead, two tube- lined rectangular tiles one lined rectangular tiles each of a Dutch boy flower seller, decorated with the portrait of backstamp for T. & R. Boote a girl with dark hair wearing Ltd., 15.5 x 8 cm; the other Dutch-style headdress in an of a young Dutch girl wearing interior, backstamps for T.A. traditional costume, backstamp Simpson & Co. Ltd. 15.5 x 8 for T. A. Simpson, 15.5 x 8 cm cm, one cracked, in parcel gilt in oak frames. (2) oak frames. (2) £200 - 400 £200 - 400 Provenance From the Estate Provenance From the Estate of Richard Harry Rhead of Richard Harry Rhead Cronin, son of Marie Elizabeth Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Adolphine Rhead (sister to Charlotte Rhead) Charlotte Rhead)

188 583A

582A

label

583 584 A Wood & Sons ‘Cosy’ ware teapot and cover and matching 582 584 jug and cover designed by A pottery charger decorated F.A. Rhead, tube-lined with the 582 by Frederick Alfred Rhead ‘Trellis’ pattern on a powder blue Charlotte Rhead, a tube-lined painted with a Persian inspired ground, printed marks, 18 and 13 rectangular tile decorated design of flowering plants cm, minor damage. (2) with an elderly Dutch man and leaves on a blue ground, £40 - 60 smoking a cigar, 23 x 8 cm in signed in blue with initials ‘ Provenance From the Estate parcel gilt oak frame. FAR’, impressed numerals, the of Richard Harry Rhead £100 - 200 pottery probably by Wood & Cronin, son of Marie Elizabeth Provenance From the Estate Sons, 33 cm diameter. Adolphine Rhead (sister to of Richard Harry Rhead £100 - 200 Charlotte Rhead) Cronin, son of Marie Elizabeth Provenance From the Estate Adolphine Rhead (sister to of Richard Harry Rhead 583A. Charlotte) Cronin, son of Marie Elizabeth A late 19th century porcelain Adolphine Rhead (sister to circular plaque, probably 582A. Charlotte Rhead) Copeland, painted by Charles A large late 19th century Ferdinand Hurten with a porcelain circular plaque, 585 bouquet of full blown pink and possibly painted by Charles An Austrian cold painted white roses, signed ‘Hurten’, Hurten for Copeland the terracotta nude in the circa 1880, 11.5 cm diameter foreground with blackberry Goldscheider manner modelled in ebonised frame with gilt slip. and other plants, an oak tree kneeling on a rock partially £100 - 150 and autumn foliage beyond, protecting her modesty with Biography. Hurten joined the 41 cm diameter, badly long flowing hair, under subdued Copeland factory in 1858 and damaged, in contemporary greens, blue and flesh tones, exhibited his superb flower ebonised frame, the spandrels 48 cm high, indistinct incised painting at the International decorated with gilt foliage. signature and impressed 5001, Exhibition in London in 1862. £50 - 100 early 20th century, base chipped. He remained at Copeland until Provenance From the Estate £300 - 400 the late 1890’s. of Richard Harry Rhead Provenance From the Estate Cronin, son of Marie Elizabeth Provenance From the Estate of Richard Harry Rhead Adolphine Rhead (sister to of Richard Harry Rhead Cronin, son of Marie Elizabeth Charlotte Rhead) Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Adolphine Rhead (sister to Charlotte Rhead) Charlotte Rhead) 189 588 A Mettlach salt glazed stoneware plaque after Heinrich Schlitt of circular form incised and coloured with a gnome sat amongst branches of blossom supping from a large beaker, surrounded by beetles, within a moulded gold border, 41 cm diameter, impressed marks, datecode for 588 1894 and pattern no. 2113. £300 - 500 586 589 A pair of Mettlach salt glazed stoneware plaques after L. Chevroton each incised and coloured with a similar landscape containing a silver birch, other trees and blossom flanking a country road, one signed, 43.5 cm diameter, impressed marks, datecode 1898 and pattern nos. 2560 and 2561. £400 - 500 587 590 586 A Cantagalli pottery figural A pair of Mettlach salt glazed candlestick modelled in the stoneware vases each of form of a grotesque mythical ogee form on domed foot winged beast sporting armour with six ribbed and beaded and standing one foot on a handles and fan moulded rim dolphin, arms raised supporting incised and coloured with an upturned helmet on it’s profuse blooms reserved on a head, on a circular lappet turquoise and blue ground, 40 moulded base under ruby lustre cm high, impressed marks with 589 glazes, 36, cm high, painted datecode for 1898 and pattern blue cockerel mark to base, no.2416, one rim damaged. 587 circa 1880-1900, slight chip £400 - 500 A Boch Freres Keramis restoration under base. pottery dish by Charles £200 - 300 Catteau enamelled in black with a smiling Bacchus with fruit and flowers in his hair, reserved on a turquoise ground within a black border on a white crackle glazed body, 37 cm diameter, printed Keramis Made in Belguim and Ch. Catteau, D.954, slight glaze flaw. £200 - 300

590 585 190 591 A Cantagalli pottery figural two branch candlestick modelled in the form of a male caryatid sporting elaborate headware and supporting two large shells with the assistance of dolphins, on a tapering moulded base surmounted by a shield, under ruby lustre and blue glazes, 36 cm high, painted blue cockerel mark and ‘11’, circa 1880-1900. £250 - 350

592 A Cantagalli pottery figural chamberstick modelled in the form of a small dragon with curling tail forming the handle and wrestling a snake which coils to form the sconce, the 591 592 base modelled as three shallow dishes, 13 cm high, painted blue cockerel mark and 39, circa 1880-1900, minor restoration to wing tips. £180 - 220

593 A matched pair of Cantagalli pottery figural candlesticks modelled in the form of a grotesque mythical winged beast, each wearing a crown, grasping a shield and perched atop a globe set on a canted triangular base on lion paw supports, 33cm high, painted cockerel marks, circa 1880- 1900. £500 - 700

593

191 594

594 A matched pair of Cantagalli pottery figural chambersticks each modelled in the form of a grotesque mythical winged beast, modelled from the waist 599 600 up, the curling tail forming the handle and wearing a crown 598 601 and grasping a shield in one A Royal Doulton stoneware A pottery jug paw, before a trefoil dish, 16 figure Lizard modelled by in the Orange V pattern of cm high, painted cockerel Mark V Marshall, 11.5 cm long, Stamford shape decorated marks, circa 1880-1900, minor impressed marks, circa 1904. with geometric designs in loss to one wing tip. £100 - 150 orange and yellow, 10.5 cm £300 - 500 high, Bizarre backstamp, circa 599 1930-31. 595 A Clarice Cliff pottery vase in £200 - 250 A pair of Cantagalli pottery the Bizarre pattern of Isis form wall brackets in the form decorated with a broad band of 602 of grotesque masks flanked bright leaf-like motifs between A Clarice Cliff pottery bowl by leafy fronds, 14 cm high, subsidiary bands of blue green, in the Diamonds pattern of painted blue cockerel marks, 25 cm high, Bizarre backstamp, cauldron form on three peg circa 1880-1900. impressed Isis, circa 1930-36. feet and with lug handles, 11 £80 - 120 £300 - 400 cm high, Bizarre backstamp, circa 1929 - 30, professional 596 600 restoration to rim. A Cantagalli pottery chamber A Clarice Cliff pottery vase £200 - 300 stick in the form of a griffin in the Oranges pattern of in rampant position with footed oviform (shape 184) scrolling tail forming the boldly decorated with fruit handle and terminating in and blue, green and purple a leafy sconce, 16 cm high, leaves between broad orange painted blue cockerel mark, bands, 17.5 cm high, Bizarre circa 1880-1900. backstamp, circa 1931-32, £120 - 180 neck professionally restored. £150 - 200 597 A Royal Doulton stoneware figure Grotesque Duck modelled by Mark V Marshall, 602 under blue glazes, 6.5 cm high, impressed mark, and incised assistants mark E.G., circa 1902. £100 - 150 601

192 606 Pablo Picasso (1881-1973), Picador a pottery plate resist decorated with an equestrian figure within a dash border, 19 cm diameter, impressed Madoura Plien Feu and Edition Picasso, wax resist marked ‘Edition Picasso’, circa 1951, rim bruised. £400 - 600 603 606 607 604 A pair of Worcester First A Clarice Cliff pottery plate Period blue and white in a version of the Mondrian sauceboats each of oval pattern of circular form fluted form with scroll handle, and boldly enamelled with painted with ‘The Little geometric designs within Fisherman’ pattern within green, yellow and blue narrow beaded and scroll moulded bands and a broad orange panels, open crescent mark, band, 23 cm diameter, Bizarre circa 1765, 16.5cm long. backstamp, circa 1929-30, £600 - 800 604 possibly over painted. £300 - 400 608 A Chelsea Derby teapot and 605 cover after a Meissen original Michael Cardew [1901-1983], with wishbone handle and a slipware terracotta bowl bud knop, gilded with a scale decorated in brown slip with pattern, gold anchor mark, a goose on a ochre ground, circa 1770, 16cm, minor impressed Winchcombe rubbing. Pottery seal, bears paper label £100 - 150 inscribed ‘Winchcombe Pottery Gloucester, Slipware, Easter Bowl by Michael Cardew 605 c.1926’, 26.5cm diameter. £200 - 300 603 A Clarice Cliff pottery plate in the Orange and Blue Squares pattern of octagonal form and boldly decorated within a narrow green and broad yellow band, 14.5 cm wide, Bizarre and Honeyglaze 608 backstamps, circa 1929-30. £200 - 250

607 193 609 610

609 611 Two Bow porcelain sauce A Derby or Chelsea Derby 613 boats the floral and shell porcelain figure group A Caughly cabbage-leaf moulded exterior painted in allegorical of the Continents mask jug transfer printed blue with daisy-like blooms modelled with Europe in underglaze blue with The and foliage, the interior with standing above a bull, Africa Bouquets pattern, hatched a single peony spray within as a Blackamoor stepping crescent mark, circa 1775, a lattice border with floral over a lion and Asia as a 23.5 cm high. husks, 18 cm long, circa 1765, Levantine standing above a £200 - 300 restorations to both. camel, each around a central 614 £350 - 400 obelisk, 26 cm high, late 18th A Worcester cabbage-leaf century, devoid America, with mask jug transfer printed 610 restorations. in underglaze blue with The A pair of Derby Cos leaf £150 - 200 Natural Sprays pattern, open sauce boats of leaf moulded crescent mark, circa 1765, form with scrolling handle 612 22.5 cm high. painted in colours with A Worcester First Period £200 - 300 bouquets and scattered sprigs cabbage-leaf mask jug of below a yellow and green large size, transfer printed 615 border, 13 cm long, circa in blue with the Pine Cone A pair of Worcester First 1760. pattern, open crescent mark, Period toy teabowls and a £500 - 600 circa 1770, 29 cm high. Worcester saucer transfer £300 - 500 printed in underglaze blue with ‘The Fence’ pattern, hatched crescent mark, circa 1770, 5.5 cm diameter; and a Worcester First Period saucer transfer printed with ‘The Fisherman and Cormorant pattern, pseudo Chinese mark, 12.5cm diameter [3]. £60 - 80

611 612 613, 614

194 618

619 A Samuel Alcock & Co. porcelain two-handled vase of Portland vase form, painted and transfer printed in vivid colours with Apollo and 617 Artemis riding on a tethrippon chariot pulled by four horses, 616 618 marked ‘S.A.& Co/ no 2435/4’, A Copeland and Garrett circa 1850/59, 25cm high. 616 porcelain topographical vase £100 - 200 A Plymouth figure of a putto of footed two handled form, as ‘Spring’ holding a bird’s enamelled front and verso with 620 nest with two chicks, a beehive gilt edged panels depicting A Hill Pottery & Co. porcelain at his feet, with tree stump Arabic views captioned tazza in the Etruscan style, support applied with flowers ‘Mosque of Mahmoud at painted and printed in vivid and on rococo scroll base, circa Tophana’ and ‘Fountain of colours with Apollo riding a 1770, 13.5cm high [minor the Seraglio’ on a turquoise gryphon, marked with JSH chips to flowers]. ground, green printed mark, monogram, circa 1865, 30cm £300-500 circa 1840, 20cm, some wide. oxidation, riveted damage. £100 - 200 617 £100 - 200 * See ‘Staffordshire Porcelain’ A Plymouth white group of edited by Geoffrey Godden, a ewe and lamb the lamb page 433, for details of the suckling, with bocage tree links between Samuel Allcock stump support and on mound & Co. and the Hill Pottery, base, circa 1770, 14cm high Burslem. [restoration to ewe’s head, minor damage to bocage]. £300-500

A similar group from the Tryhorn Collection was sold in these rooms as lot 48, 29th January 2013.

619, 620 195 621

621 626 627 A rare early 19th century Coalport Royal 622 626 Commemorative pedestal A Coalport porcelain basket A large Bloor Derby campana tureen, cover and stand in of fluted flowerhead form with vase with fruit and foliate the Empire style with lion finial yellow ground exterior and handles, painted with an and eagle handles, probably branch handle, applied and octagonal landscape panel decorated in the workshops of painted overall with flowers, depicting ‘The Coliseum, Thomas Baxter in polychrome foliage and bouquets, script Regents Park’ on a gilded and gilt, the tureen with a baby, mark in underglaze blue, circa deep blue ground, red painted a cherub holding a crown and 1830, 21cm wide minor losses title and printed mark, circa another holding a garland, a to applied flowers. 1825, 33 cm high, one handle gilt ‘G.R’. cypher above, the rim £100 - 150 restored. with Prince of Wales feathers in Provenance Sir William and £300 - 400 gilt, the stand and cover with Lady Bulmer, Hanlith Hall, further Prince of Wales feathers North Yorkshire. 627 and trophies, 17 cm wide [some A Flight Barr & Barr damage and wear to gilt]. 623 Worcester vase of campana £150 - 200 An English porcelain plaque form with scroll handles, In 1816 Charlotte, Princess in Aesthetic movement applied jewelled band and of Wales and second in line style painted with a head and painted with a landscape view to the throne, was married to shoulders bust of a girl wearing ‘Near Matlock, Derbyshire’ Prince Leopold of Saxe-Coburg a blue dress with white lace on a pink and foliate gilded and in the Spring of 1817 she collar and ribbon tied mop ground, on socle base, painted became pregnant. It is possible cap, signed with initials ‘AR’, title and mark ‘Flight Barr & that the present lot was late 19th century, 29 x 21cm, Barr, Royal Porcelain Works, produced to commemorate in gilt frame. Worcester, London House 1 the forthcoming birth but £200 - 250 Coventry Street’, 13.5 cm sadly the child was stillborn 624-5 No Lots. high,rim and one handle and on 6th November 1817 restored. Princess Charlotte died. £150 - 200

196 628, 632 631 628 A double inkstand 632 of basket form with wicker A Flight Barr & Barr pot panels, painted in pattern pourri vase of campana 2443 with reserves of floral form with dolphin supports, bouquets, landscape and reserved with brightly coloured coastal views on a lavender pheasants on a sky blue ground, painted iron red mark, ground, circa 1825, unmarked, circa 1815/20, 13.5 cm wide, 630 8cm high, cover lacking, some overhead handle missing and restoration. related restoration. 630 £80 - 120 £40 - 60 A Derby coffee cup and saucer of faceted form, the 633 629 interior of the cup and centre of A pair of Flight Barr & Barr A pair of Chamberlains the saucer painted by Zachariah deep plates of shaped circular Worcester spiral fluted Boreman with figures in river form, the centres painted with teabowls and saucers landscapes, gilded with diaper vignettes depicting the ruins painted en grisaille with and fruiting vine panels around of ‘Amberley Castle, Sussex’ landscape panels titled a blue enamelled band, factory and ‘Kirkham Priory Gateway, ‘Dove Dale, Derbyshire/ marks in puce and pink with Yorkshire’ within burgundy Kirkcudbright/ Near Matlock, pattern number 86, additional rims, impressed factory marks, Derbyshire/ Cliefden House, painted numeral 4, incised painted titles and ‘Flight Barr Buckinghamshire’, the deep letters O and X, circa 1790. & Barr Royal Porcelain Works blue rims gilded with paterae £250 - 350 Worcester, London House 1 and foliage, circa 1795, minor * Zachariah Boreman worked Coventry Street’ circa 1825, rubbing to gilt. on and off for Duesbury at 19.5 cm diameter, minor £150 – 200 Derby for several years, finally rubbing to edge of well. leaving in 1794. £200 - 300

631 A Flight & Barr Worcester small cylindrical mug with scroll handle, finely painted en grisaille with a view of ‘The Lake at Welbeck, Nottinghamshire, the seat of the Duke of Portland’, painted title and mark ‘Flight 633 629 & Barr, Manufacturers to their Majesties. Worcester’, circa 1792-1804, 8cm high [minor rubbing to gilt rim]. £500 - 700

197 635

634 637 636 A set of three Spode Feltspar A Royal Worcester porcelain Porcelain plates each painted jardiniere painted by Ernest with a central floral vignette Phillips of two-handled within a puce ground rim campana form, painted with reserved with floral sprays and bouquets and single pink and with gilt borders, circa 1820, yellow roses suspended from printed and impressed marks, foliate garlands, with gilded 22.5cm diameter, minor pea-green rim, handles and rubbing to gilt (3). pedestal foot, signed, printed £60 - 80 factory mark and date code for 1903, 25cm wide, 18cm high, 637 635 interior crack to well. An extensive Spode porcelain £250 – 350 638 part dinner and tea service A Royal Crown decorated and gilded in the vase of ovoid form with slender Imari palette with oriental neck and foliate rim, ornately floral sprays, the majority decorated and gilded with in pattern 2214, 130 pieces garlands of flowers, shells [some damage]. and imitation jewels within £300 - 500 cartouches, on an ivory and green ground, iron red factory 636 mark, date code for 1893 and A Royal Worcester two- numerals 0/122 and 873, 35cm handled vase painted by one flowerhead re-stuck to rim. Charles Baldwyn with a £200 - 300 vignette of four swans in flight amongst reeds against a matt 639 sky blue ground, a swallow A Royal Worcester Aesthetic to the reverse, signed, green Movement cup and saucer the printed factory mark with date saucer moulded and painted code for 1903 and pattern with toads hunting insects, the number 1539, 15.5cm high. 638 saucer with the toads hunted £400 - 500 by a large snake around a pond, impressed and printed factory marks and date code for 1872, diameter of saucer 17cm. £500 – 700

198 640 641, 642

640 645 A pair of Royal Worcester A Royal Worcester porcelain porcelain male and female vase painted by Walter Bob-White Quails modelled by Sedgley of slender baluster Ruth Van Ruyckevelt, number form set on four feet 268 of a limited edition of 500 enamelled with pink and red copies, 13 and 19cm high, with roses on an ivory ground and certificates and on yew wood with foliage verso, 17 cm high, veneered stands. puce backstamp and datecode £500 - 700 for 1922 with model no. F.106/H, one foot chipped. 641 £150 - 180 A Royal Worcester plate painted by Richard Sebright 646 with a vignette of apples and Two Royal Worcester porcelain blackberries amongst blossom cabinet cups and saucers: one and foliage within a gilded enamelled with pink roses midnight blue rim, signed, 644 on a mossy ground by Miss factory mark and date code for Twinberrow, puce marks and 1922, 23.5cm diameter. 644 datecode for 1918, the latter £250 - 300 A Royal Worcester porcelain a composite enamelled with vase painted by George apples, peaches and grapes 642 Mosley of slender bulbous form on a mossy ground by Harry A Royal Worcester enamelled with a circular panel Ayrton and Walter Austin, puce topographical cabinet plate of peaches and grapes on a backstamps and datecodes for by John Stinton painted with mossy ground within a gilt, pink 1924 and 1926. a view of ‘Inverlocky Castle’ and pale green border reserved £300 - 400 within an acid gilded powder on a powder blue ground, 21 blue rim, signed, factory mark cm high, puce mark, datecode and date code for 1928, 27cm for 1929 and model no. 2777. diameter. £300 - 400 £200 - 300

643 Two Royal Worcester porcelain figures of children ‘Scotland’ and ‘Ireland’ nos 3104 and 3178,designed by Freda Doughty, 13 and 14cm (2). £200 - 250

646 199 647 648

647 650 A large Royal Worcester A ‘Apple porcelain bowl painted by Tree’ group after the original William Ricketts of circular by J.J.Kaendler and F.E.Mayer form, the interior enamelled with a boy atop a ladder in with apples, black grapes and a tree throwing apples to his blossom on a mossy ground, 23 mother with outstretched cm diameter, puce backstamp apron, a young boy with and datecode for 1926. a hatful of fruit below and £400 - 450 another eating an apple, on rustic tree stump base, 648 underglaze blue crossed A Royal Worcester porcelain swords mark and incised 1998 dessert service comprising with press number 72, 29cm, two tall comports, four short some restoration. comports and twelve plates £250 – 350 each enamelled with a circular panel of fruit including melon, 651 pineapple, pear, apple, A Sevres white biscuit group gooseberries, strawberries, ‘La Lecon A L’Amour’ the grapes and currants reserved figure of Venus seated on a within a burgundy border, 23 rocky mound and instructing cm diameter, circa 1870, one Cupid, on oval rustic base, tall comport repaired, surface impressed Sevres and initials wear. JB, 19th century, 20cm high. £250 - 350 £150 - 200 649

649 A Doccia figure of a man wearing Roman costume in the white, wearing headress and long flowing cloak, on plain square base, indistinct impressed mark, 18th century, 10.5cm . £100 - 200

649 200 652

652 A pair of Helena Wolfsohn baluster vases each with handles in the form of relief moulded head and shoulder busts of Flora, the fluted column rims hung with foliate swags, painted with floral bouquets and reserves of ladies and their attendants in 18th century dress, blue imitation Augustus Rex marks, 19th century, 44 cm high, slight damage to bases. £400 - 600 653

653 A Meissen porcelain figure after the original by Walter Schott of a maid playing bowls, the barefoot girl wearing a green diaphanous dress and leaning forward to bowl the ball, with tree stump support and on gilded socle base, with press number Q180 and impressed numeral 42, circa 1900, 36cm high, one hand restored. £600 - 800

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