Henningsmoen, G
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Peter Waage – Kjemiprofessoren Fra Hidra
Peter Waage kjemiprofessoren fra Hidra Av Bjørn Pedersen Skolelaboratoriet – kjemi, UiO Skolelaboratoriet – kjemi UiO 2007 ISBN-13 978-82-91183-07-7 ISBN-10 82-91183-07-4 1. utgave 2. opplag med rettelser. Det må ikke kopieres fra denne bok i strid med lover eller avtaler. Omslag og omslagsfoto: Bjørn Pedersen Henvendelser om heftet kan rettes til forfatteren: [email protected] Trykk: Reprosentralen Forsidebilde viser øverst Frederiksgate 3 – Domus Chemica fra 1875 til 1934. Nederst til høyre et utsnitt av maleriet av Peter Waage malt av Bjarne Falk i 1907 etter fotografiet på side 61. Maleriet henger i møterom VU 24 på Kjemisk instituttet. Seglet er tatt fra Forelesningskatalogen fra vårsemesteret 1920. Figuren er av den greske guden Apollon – en mann selv om figuren ikke ser slik ut. Et slikt segl har vært i bruk som universitetets lakkstempel i så lenge universitetet het Det kongelige Frederiks universitet (Universitatis Regia Fredericiana) fra 1814 til 1938. (Tove Nielsen: Nei dessverre ... Apollon 7 (2000).) Forord Peter Waage er den mest berømte norske kjemiker på 1800-tallet. Takket være massevirkningsloven lever hans navn videre i kjemibøker over hele verden. Han kom fra Hidra - en liten øy mellom Øst- og Vestlandet som den gang, da trafikken gikk lettere til sjøs enn på land, var mer internasjonal enn Christiania. Hva slags mann var han? Hva er egentlig massevirkningsloven? Hva gjorde han ellers? Kjemien hadde sin storhetstid på 1800-tallet. Da fikk kjemien sitt eget språk hvor de kjemiske symbolene for grunnstoffene var bokstavene, formlene var ordene og reaksjonsligningene var setningene. Analysemetodene ble forbedret og mange nye stoffer ble fremstilt. -
From the Ritter Pile to the Aluminum Ion Battery–Peter Paufler's
Z. Kristallogr. 2020; 235(11): 481–511 Tilmann Leisegang*, Aleksandr A. Levin and Andreas Kupsch From the Ritter pile to the aluminum ion battery – Peter Paufler’s academic genealogy https://doi.org/10.1515/zkri-2020-0063 Keywords: academic genealogy; crystallography; Fest- Received June 29, 2020; accepted August 18, 2020; published online schrift; physics; structural science. October 27, 2020 Abstract: This article highlights Peter Paufler’s academic 1 Introduction genealogy on the occasion of his 80th birthday. We describe the academic background since 1776, which covers 11 Peter Paufler celebrated his 80th birthday on February 18, generations of scientists: Ritter, Ørsted, Han-steen, Keilhau, 2020. Throughout his academic career, he devoted himself Kjerulf, Brøgger, Goldschmidt, Schulze, Paufler, Meyer, and primarily to crystallography, particularly as an editor and Leisegang. The biographies of these scientists are described book reviewer for the German crystallographic journal in spotlight character and references to scientists such as Zeitschrift für Kristallographie, but also as member of the Dehlinger, Ewald, Glocker, Röntgen, Vegard, Weiss, and board of the German Society for Crystallography (Deutsche Werner are given. A path is drawn that begins in the Gesellschaft für Kristallographie, DGK), as member of Romanticism with electrochemistry and the invention of committees of the International Union of Crystallography what is probably the first accumulator. It leads through the (IUCr) and the European Crystallographic Association industrialization and the modern geology, mineralogy, and (ECA), and as chairman of the Association for Crystallo- crystallography to crystal chemistry, metal and crystal graphy (Vereinigung für Kristallographie, VfK) in the former physics and eventually returns to electrochemistry and the German Democratic Republic (GDR), the German Mineral- aluminum-ion accumulator in the era of the energy transi- ogical Society (Deutsche Mineralogische Gesellschaft, tion. -
De Historische Mijnbouw in Zuid-Noorwegen (Aust-Agder, ZO
De historische mijnbouw in Zuid-Noorwegen (Aust-Agder en zuidoost Telemark) en haar Nederlandse connecties Timo G. Nijland, TNO, Delft & Jacques Touret, Ecole des Mines, Parijs Inleiding De zilvermijnen van Kongsberg, de kobaltmijnen van Modum, de koperwerken van Røros en, -nog steeds van groot economisch belang-, de titaniummijn van de Jossingfjord in Vest-Agder zijn alom bekende voorbeelden van de rijke Noorse mijnbouwtraditie. Mineralen uit deze voorkomens zijn aanwezig in de collecties van alle grote Europese en Noord-Amerikaanse mineralogische musea. Minder bekend is de mijnbouw in de kuststrook van de provincies Aust-Agder en Telemark, tussen Kristiansand en de Osloslenk. In deze bijdrage wordt hiervan een historisch en mineralogisch overzicht gegeven. De belangrijkste historische ertsen en grondstoffen waren ijzer, fosfaat (apatiet), rutiel, veldspaat (voor porceleinproductie) en in mindere mate nog een reeks andere metalen (lood- zink-zilver, koper, nikkel en naar men claimt zelfs goud). Geologie, een korte schets De Bamble sector is het gebied tussen de Oslo slenk in het noordoosten, beginnend even voor Skien, en Kristiansand in het zuiden, afgesneden van geologisch Telemark door de Porsgrunn- Kristiansand breuk; deze breuk is een reactivering van een oudere schuifzone. Geografisch maakt het gebied deel uit van de Noorse provincies Aust-Agder en Telemark. Het gebied is vooral bekend om de goed ontwikkelde overgang van amfiboliet naar granuliet facies metamorfose (Touret 1971, Nijland & Maijer 1993). De metamorfose vond plaats tijdens de Sveconorwegische periode van gebergtevorming (c. 1,25 - 0,9 miljard jaar geleden), als het Baltisch schild zich samen met delen van Noord-Amerika rond de evenaar bevindt. De metamorfose grijpt aan op een pakket deels al eerder omgezette en vervormde metasedimenten, metavulcanieten en dieptegesteenten van Gothische (1,7 - 1,5 miljard jaar geleden) ouderdom of ouder, en daarin opgenomen later intrusiva, waaronder prominent verschillende gabbro’s. -
Cg 2011 by Cathrine Blom. All Rights Reserved
c 2011 by Cathrine Blom. All rights reserved. KJERULF AND WELHAVEN: THE ADVENT OF ROMANTIC LIEDER AND POETRY IN NINETEENTH-CENTURY NORWAY BY CATHRINE BLOM DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor William Kinderman, Chair and Director of Research Professor Christina Bashford Professor Gayle Sherwood Magee Professor Rochelle Wright Abstract This thesis traces the development of the romantic Lied and poetry in Norway in the first half of the nineteenth century, a development driven by by two closely intertwined figures, the composer Halfdan Kjerulf (1815-1868) and the poet Johan Sebastian Cammermeyer Welhaven (1807-1873). Welhaven was Norway’s first Romantic poet in the Heidelberg tra- dition, a trend which took its inspiration from folklore, folk music, and medieval myths. His probing nationalistic depiction of nature, interwoven with supernatural folkloristic elements, and his elegiac-erotic and lyrical poetry inspired Kjerulf to create the Norwegian romance, Den norske romanse, modeling it initially on the German Lied. During the years from 1840 to 1868, Kjerulf set 43 Welhaven poems to music – 24 for solo voice and piano – and with his more than 130 songs established the Norwegian art-song that Edvard Grieg would build on during the decades following Kjerulf’s death. After presenting the cultural and political background in Norway, the intertwined lives of the poet and composer and their European cultural heritage, this thesis turns to a detailed analysis of the complete Welhaven romances for one voice, and demonstrates how Kjerulf and Welhaven, initially oriented towards Denmark and Europe, the Danish language and the German Lied, developed a growing appreciation for national traits and language. -
9 / Last Days-Sweden, Great Britain, Norway: 1942-1947
9 / Last Days-Sweden, Great Britain, Norway: 1942-1947 TERGOLDSCHMIDTARRIVEDin Stockholm on December 19, 1942 A he was joined by the" distinguished lady" mentioned as his hos- tess by Hans Suess. She was Mrs. Sigrid Elena Gruner-Hegge (nee Feinsilber), and had separated from her husband, who was Director of the Filharmonisk Selskaps (Philharmonic Society) orchestra in Oslo. I recall her as a very attractive and vivacious woman, about 30 years old. Goldschmidt introduced her as his fiancee, and proudly an- nounced "Now I am going to get married and have a lot of Jewish children-that will make Hitler mad!" Goldschmidt's base while he was in Stockholm was the Mineralogical Institute of the university, so we saw quite a lot of him and his lady; my fellow students and I were naturally quite intrigued with the situation, since this appeared to be his first romantic association. It was clearly a great relief to Goldschmidt to be in a neutral country and to enjoy the hospitality of his many friends. The uni- versity offered him a position as guest lecturer, and he planned a series of ten lectures describing his geochemical researches, to be given during the month of February, 1943. Only three were actually given; after the first lecture on February 3 he suffered an internal bleeding and was hospitalized in the Ersta Hospital for three weeks. He gave the second lecture on February 26 and the third on March 1. The series was terminated when he was flown from Sweden by the British authorities on March 3. -
Book of Abstracts (PDF)
The human and its environment. The Fifth Norwegian conference of the history of science, January 24 – 25, 2013, Bergen Session Internationalism and state loyalty in 20th century Scandinavian science and humanities This session explores the pursuit of internationalism and national interests across time and in different fields of enquiry in Scandinavian sciences and humanities in the years following the two world wars of the twentieth century. Furthermore, it highlights how international organisations became sites where the scholars and scientists strived to achieve a unification of these seemingly paradoxical objectives. In particular, this session explicate the possibilities and the limitations of scientific internationalism in the aftermath of the two world wars, periods which traditionally have been associated with a dismantling of internationalist ideologies. Based on the idea that science produce universally valid knowledge, science has often been depicted as a neutral international sphere where scientists from all nations contribute to the scientific mapping of the world. Since the late nineteenth century, a growth in the number of international scientific organisations was often infused with aspirations of scientific internationalism. In parallel, science also became more important to the nation states, as technological and industrial development became intertwined with the growth of scientific knowledge. Tensions between internationalism and nationalism have also characterized the arts and humanities. The historical disciplines