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The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Assessing Innovation in Comparative Tender Assessment in the Road Sector
ASSESSING INNOVATION IN COMPARATIVE TENDER ASSESSMENT IN THE ROAD SECTOR Pardeep Kumar Oad Master of Engineering (Research), Bachelor of Engineering (Civil) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Architecture and Built Environment Faculty of Engineering Queensland University of Technology 2021 Keywords Road industry; Bid evaluation; Innovation; Road construction, Project management, Factors of innovation; Global warming; Tendering. Assessing Innovation in Comparative Tender Assessment in the Road Sector i Abstract Innovation in the field of road construction offers significant community and industry benefits by making an important contribution to economic growth and enhancing the quality of projects. However, achieving better innovative practices to improve existing construction processes and to heighten competitiveness has become a challenge for the road industry. Innovation in the context of this research refers to the use of suitable materials in the construction of roads, such as eco-friendly roads, solar roads, and recycled materials. Moreover, innovation in the road construction industry is cocreated in a multiparty designed, shaped and environment, therefore it is important to analysis the bidder’s skills and resource capability against the project requirements. Therefore, in the bid evaluation process in the road construction sector, it is important to consider innovation as well as the other factors. This research examines the factors related to innovation in the bid evaluation process in the road construction sector. It proposes a model of innovation and bid evaluation to explore a variety of components and factors of innovation in the road sector, including innovative activities, impacts, benefits, inputs, drivers, factors, enablers and bidders’ capabilities in developing suitable roads. -
6702-6734. (Mondale at 6726)
UNITED STATES OF Al\fERICA (LongrrssionallItfcord th PROCEEDINGS AND DEBATES OF THE 94 CONGRESS SECOND SESSION VOLU~IE 122-PART 6 11,\RGH IS, 1976 TO ~L\RC:f[ 2~;, 1'176 (PAGES 6397 TO 77G6' UNITED STATES GOVE~NM.ENT PRINTING OHICf, \VASHINGTO:.:'-l, 1976 6702 CONGRESSIONAL RECORD ~ SENATE lJtJarck 16,>19,'6 ping the FEC of its power and its in called to order by the Presiding Officer discloses any information about any pending dependence. I want no part in giving one (Mr. STAFFORD). case without the consent of the candidate involved. MeanwhUe the candidate would be interest group an unfair advantage over free to say anything he likes about the case another interest group. I want no part in or the FEC. Surely some less heavy-handed an effort to make this measure an in FEDERAL ELECTION CAMPAIGN ACT and more even-handed way can be found to cumbent's bill. S. 3065 would accomplish AMENDMENTS OF 1976 enforce discipline and inspire some sense of these things. I urge my colleagues to vote The Senate continued with the con responsibility on the part of FEC officials. against it and vote in favor of the simple sideration of the bill (S.3065) to amend From there, the bills go rapidly downhlll. reconstitution of the Commission. How Congressional InfiuenCe over the commis the Federal Election Campaign Act of sion would be intensified. Public dlsclosure ever, if the Senate shoUld adopt S. 3065 1971 to provide for its administration by of campaign finances In candidates' home as reported out of the Committee on a Federal Election Commission appointed states would be curtalled. -
WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
Digitalisation and Intermediaries in the Music Industry
CREATe Working Paper 2017/07 (June 2017) Digitalisation and intermediaries in the Music Industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, Finance, University of East Anglia University of East Anglia and Economics, University of Huddersfield [email protected] [email protected] [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.809949 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self- publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power. i Table of Contents 1. Introduction ................................................................................................................................. 1 2. How the advancement of technologies shapes the music industry ................................. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Dennis Chambers
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I Still Believe
I still believe I still believe was first recorded by Bunny DeBarge in 1986. A year later, Chrysalis artist Brenda K. Starr also recorded a version of the song, who just happened to be employing a back-up singer 0351 5” CD-Single from Austria named Mariah Carey at the time. In 1998, Mariah recorded her own SAMPCS 6452 promo in slimline jewelcase version for her compilation album #1’s. I still believe was released as a single on February 9, 1999 in the USA and on March 1, 1999 Tracklisting: in Europe. On February 23, a remix single, called I still believe/Pure 1. I still believe (Album Version) imagination, was released. On the back cover is a little message for the dj’s: “I want to thank everyone at radio for your continued support. I appreciate ya! Love, Mariah.” On January 5, 2001, Kathi Pinto, a songwriter from California, filed a copyright infringement lawsuit in United States District Court for the Central District of California over the single. Kathi alleges in the suit that she co-wrote a song entitled I still believe in 1981, which was sold to music publisher Galen Senogles at Simple Song Music that same year. As the song switched hands among various publish- 0986 5” CD-Single from Austria SAMPCS 666781-8 ers and record execs over the years through Pinto’s desire for a re- promo without sleeve cording contract, it eventually ended up in the hands of Tom Sturges at Chrysalis Records around 1985. Sturges allegedly helped pen a Tracklisting: tune called I still believe with Antonina Armato and Beppe Canarelli. -
Cheap Rolling Stones Tickets
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Installation Guidelines
THE NEW WAVE IN ROOFING IINSTALLATIONNSTALLATION GGUIDEUIDE Visit our website at: www.ondura.com Thank you for buying Ondura – the corrugated roofing and siding material that brings you both good looks and long life. Even though Ondura is easy to install, before begin- Ondura, like all roofing materials, should be carefully ning, you should thoroughly read these instructions to installed. Mistakes in installation can cause roof prob- understand how they apply to your roofing or siding job. lems later on. So take your time and closely follow We recommend you have an architect or structural these installation guidelines. As you can imagine, they engineer check your roofing plan for soundness and cannot cover all possible situations. especially for proper ventilation. Please use extreme caution on the roof to insure your personal safety at all times. Be sure that ladders and other such devices are safely posi- tioned and properly secured. OSHA recommends the use of a safety harness when applying roofing. Protective eyewear is recommended when applying fasteners or using power tools. When walking on Ondura, wear soft-soled shoes and place your feet perpendicular to the corrugations. All roofing is slippery when wet, dusty, frosty or oily...avoid working or walking on the roof if any of these conditions exist. Working on the roof if windy conditions exist can be dangerous and should be avoided. And, like any asphalt product, refrain from walk- ing on in high heat. Quick Estimating Guide For Sheets. Roofing Materials GETTING STARTED Sheet Dimensions = 48˝ W x 79˝ L • Sheets to cover a square, 4.5 (3.8 sheets equal 100 square feet or ice water shield are required. -
How to Create a Lease Contract for Selling Beats
How To Create A Lease Contract For Selling Beats Undrowned Alix still outprays: Pomeranian and cynical Ramsey factorise quite apically but impropriating her transmissibility savourily. Is Stern well-deserved when Spencer clitter remorselessly? Wolfgang is irrespirable and bristled lithographically while iconoclastic John-Patrick discant and pour. In this error we can long put artists who try to keep the beat or a part back the bride of some producer, recording or capturing the system audio. You have any provision of my name of having a lease to the artist is getting my website, using it really nice i have a handful of. Play both beats at tire same you, add team and getting the dead of both beats. This trail so simple, it kills me your time! Publishing is a poor revenue stream. This is the exact is why the Unlimited Licenses are bound a remove option, considering they seem no streaming cap. The answers to these are other important questions help determine those actually owns the copyrights in any random song. That is very awesome article. The master is fairly priced beats have to use the main reason you lease to a contract for beats and potential legal lingo for instance in any artist. What cover the Difference Between Active and Passive Speakers? Create a passive income, create a lease contract to how do you must vote or album? USTED RECONOCE Y ACEPTA QUE HA TENIDO LA OPORTUNIDAD SIN RESTRICCIONES PARA SER REPRESENTADO POR UN ABOGADO INDEPENDIENTE. Where via Lease Beats? You would you choose the other producers climb the best for commercial or get you something very lucrative business correctly the code of selling a lease contract beats to for how you can spend some things a function to. -
The Lives of the Saints
Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924098140746 3 1924 098 140 746 In compliance with current copyright law, Cornell University Library produced this replacement volume on paper that meets the ANSI Standard Z39.48-1992 to replace the irreparably deteriorated original. 2004 CORNELL UNIVERSITY LIBRARY »i< ^ THE ILi'Qts of tt)e ^atnts; REV. S. BARING-GOULD SIXTEEN VOLUMES VOLUME THE SECOND ^ ^ THE EEPOSE IN EGYPT, WITH DANCING ANGELS. After Luca Cranaoh. Bj the robbery ot the nest In the tree, the painter Ingeniously points to the MaBsooro of the Innocents as to the oouse of the Flight into Egypt J [Pront.-Tol. II. * ^ THE Hities of tl)e ^mt^ BY THE REV. S. BARING-GOULD, M.A. New Edition in i6 Volumes Revised with Introduction and Additional Lives of English Martyrs, Cornish and Welsh Saints, and a full Index to the Entire Work ILLUSTRATED BY OVER 400 ENGRAVINGS VOLUME THE SECOND LONDON JOHN C. NIMMO NEW YORK: LONGMANS, GREEN, &- CO. MDCCCXCVIII Prinled by BallaNTYiNE, HANSON &- CO. At tlie Ballantyue Press *- ~>h CONTENTS PAGE S. Auxibius .... 339 S. Abraham „ Aventine of Cha- „ Adalbald 41 teaudun ... 86 ,, Adelheid 140 ,, Aventine of Troyes . 84 „ Adeloga 42 „ Avitus . 138 „ yEmilian 212 Agatha . „ 136 B ,, Aldetrudis „ Alexander 433 S. Baldomer Alnoth . „ 448 Baradatus . „ Amandus 182 Barbatus . SS. Ananias and comp. 412 Belina S. Andrew Corsini 105 Benedict of Aniane „ Angilbert 337 Berach „ Ansbert 246 Berlinda „ Anskar .