Friaday 12 07 2012 ANOTHER SHILL Bites the GOLD DUST! Golddustbust
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Music Complexity: a Multi-Faceted Description of Audio Content
MUSIC COMPLEXITY: A MULTI-FACETED DESCRIPTION OF AUDIO CONTENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF TECHNOLOGY OF THE UNIVERSITAT POMPEU FABRA FOR THE PROGRAM IN COMPUTER SCIENCE AND DIGITAL COMMUNICATION IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF – DOCTOR PER LA UNIVERSITAT POMPEU FABRA Sebastian Streich 2006 Dipòsit legal: B.8926-2008 ISBN: 978-84-691-1752-1 © Copyright by Sebastian Streich 2006 All Rights Reserved ii DOCTORAL DISSERTATION DIRECTION Dr. Xavier Serra Department of Technology Universitat Pompeu Fabra, Barcelona This research was performed at the Music Technology Group of the Universitat Pompeu Fabra in Barcelona, Spain. Primary support was provided by the EU projects FP6-507142 SIMAC http://www.semanticaudio.org. iii iv Abstract The complexity of music is one of the less intensively researched areas in music information retrieval so far. Although very interesting findings have been reported over the years, there is a lack of a unified approach to the matter. Relevant publications mostly concentrate on single aspects only and are scattered across different disciplines. Especially an automated estimation based on the audio material itself has hardly been addressed in the past. However, it is not only an interesting and challenging topic, it also allows for very practical applications. The motivation for the presented research lies in the enhancement of human interaction with digital music collections. As we will discuss, there is a variety of tasks to be considered, such as collection visualization, play-list generation, or the automatic recommendation of music. While this thesis doesn’t deal with any of these problems in deep detail it aims to provide a useful contribution to their solution in form of a set of music complexity descriptors. -
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Alpha Gamma Delta: Greeks Under Fire - Page 10 The Independent Student Newspaper of the Richard Stockton College of New Jersey Volume 71, Issue 9 Election 2006 lSei(icSm^Stocl^C<^GgR JbdkxJts Democrats Take Control of House, Senate Nicole Brennan In Washington, America safe on the home front. Argo Staff Writer new Speaker of the In addition, Pelosi was clear House Nancy that the Democrats hope to work Election 2006 has Pelosi, the first with President Bush in order to come to a close and woman speaker in steer the War in Iraq in a better the results are in. The history, gave a direction that will provide stabili Democrats have suc speech on ty. She also stressed, "We are not cessfully taken over November 8th to about getting even" and the House of ensure the "Impeachment is not on the Representatives and Democratic parties table." Some concerns were the Senate race has plan to "bring back raised during the election that if been decided in their integrity, civility the Democrats were successful in favor. As for New and by-partisanship wirming the majority they would Jersey, Democrat back to the White work towards getting Bush out of Bob Menendez was House." Some of office. Pelosi assures that that triumphant over his the changes the assumption is simply not the challenger Tom Kean Democrats plan to case. Jr. The American citi make are providing zens have voiced a fairer economy. Continued on page 9 what they want and what it all comes On November 8, 2007, down to is change in Charles E. -
Library 3398 Songs, 7.2 Days, 12.30 GB
Library 3398 songs, 7.2 days, 12.30 GB Song Name Artist Album _Secret Agent - Guster Keep It Together – Celtic Twilight Loreena McKennitt '85 Radio Special Thank You They Might Be Giants Then: The Earlier Years (CD 1) 'Ama'ama Israel "IZ" Kamakawiwo'ole Facing Future 'Round Springfield (Medley) The Simpsons Songs In The Key Of Spring… 'S Wonderful Ella Fitzgerald The Best Of the Song Books 'Til Him The Producers "Badge OF Honor"- Jerry Goldsmith Jerry Goldsmith L.A. Confidential "Chief Wiggum, P.I." Main Title The Simpsons Go Simpsonic With The Sim… "Eye On Springfield" Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" End Credits Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" Main Title Theme The Simpsons Songs In The Key Of Spring… "Kamp Krusty" Theme Song The Simpsons Go Simpsonic With The Sim… "Krusty The Clown" Main Title The Simpsons Go Simpsonic With The Sim… "Oh, Streetcar!" (The Musical) The Simpsons Songs In The Key Of Spring… "Quimby" Campaign Commercial The Simpsons Go Simpsonic With The Sim… "Scorpio" End Credits The Simpsons Go Simpsonic With The Sim… "Simpsoncalifragilisticexpiala(Annoyed Grunt)Cio… The Simpsons Go Simpsonic With The Sim… "Skinner & The Superintendent" Theme The Simpsons Go Simpsonic With The Sim… "The Itchy & Scratchy & Poochie Show" Theme The Simpsons Go Simpsonic With The Sim… "The Love-Matic Grampa" Main Title The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme (Jazz Quartet -
Relaxation and Vibrational Properties in Metal Alloys and Other Disordered Systems
Relaxation and vibrational properties in metal alloys and other disordered systems Alessio Zaccone1;2;3 1Department of Physics "A. Pontremoli", University of Milan, via Celoria 16, 20133 Milano, Italy. 2Statistical Physics Group, Department of Chemical Engineering and Biotechnology, University of Cambridge, New Museums Site, CB2 3RA Cambridge, U.K. and 3Cavendish Laboratory, University of Cambridge, JJ Thomson Avenue, CB30HE Cambridge, U.K. The relaxation dynamics and the vibrational spectra of amorphous solids, such as metal alloys, have been intensely investigated as well separated topics in the past. The aim of this review is to summarize recent results in both these areas in an attempt to establish, or unveil, deeper connections between the two phenomena of relaxation and vibration. Theoretical progress in the area of slow relaxation dynamics of liquid and glassy systems and in the area of vibrational spectra of glasses and liquids is reviewed. After laying down a generic modelling framework to connect vibration and relaxation, the physics of metal alloys is considered where the emergence of power-law exponents has been identified both in the vibrational density of states (VDOS) as well as in density correlations. Also, theoretical frameworks which connect the VDOS to the relaxation behaviour and mechanical viscoelastic response in metallic glasses are reviewed. The same generic interpretative framework is then applied to the case of molecular glass formers where the emergence of stretched-exponential relaxation in dielectric relaxation can be put in quantitative relation with the VDOS by means of memory-function approaches. Further connections between relaxation and vibration are provided by the study of phonon linewidths in liquids and glasses, where a natural starting point is given by hydrodynamic theories. -
Order-Sensitive XML Query Processing Over Relational Sources
Order-sensitive XML Query Processing Over Relational Sources by Brian Murphy A Thesis Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Master of Science in Computer Science by May 2003 APPROVED: Professor Elke Rundensteiner, Major Thesis Advisor Professor Lee Becker, Thesis Reader Professor Micha Hofri, Head of Department Abstract XML is an emerging standard format for data on the Web as well as in business appli- cations. In order to store and access this information in an efficient manner, database technology must be utilized. A relational database system, the most established and ma- ture technology for query processing and storage, creates a strong foundation for such an XML data management system. However, while relational databases are based on SQL queries, the original user queries are written in XQuery, an XML query language. This XML query language has support for order-sensitive queries as XML is an order-sensitive markup language. A major problem has been discovered with loading XML in a relational database. That problem is the lack of native SQL support for and management of order handling. While XQuery has order and positional support, SQL does not have the same support. For example, individuals who were viewing XML information about music albums would have a hard time querying for the first three songs of a track list from a relational backend. Mapping XML documents to relational backends also proves hard as the data models (hierarchical elements versus flat tables) are so different. For these reasons, and other purposes, the Rainbow System is being developed at WPI as a system that bridges XML data and relational data. -
PDF Cds Schallplatten Videokassetten Zu Verkaufen
gothic.at / Diverses CDs schallplatten videokassetten zu verkaufen claude / 25.11.07 14:12 CDs schallplatten videokassetten zu verkaufen Band Album Medium Year Label Condition Price Info CDs / MCDs Alanis Morissette joining you MCD 1999 Maverick Records new 2 Euro Aquarium (russ.) Compilation 1981-1998 DoCD 1998 russian import new 4 Euro Aquarium (russ.) "Pesni Rybaka (, dt.: „Fischerlieder“; 2003)" CD 2003 russian import new 5 Euro Aquarium (russ.) "Sestra Chaos (, dt.: „Schwester Chaos“; 2002)" CD 2002 russian import new 5 Euro Autism The Comforts of Madness CD 1999 Durian Records new 3 Euro Bad Religion Stranger than Fiction CD 1994 Sony Music like new 4 Euro Bauhaus Bela Lugosi's dead / Boys MCD Small Wonder Records 1979 new 5 Euro ltd. Edition Nr. 3881 Bernard Herrmann (1911-1975) The Film Scores (incl. Psycho, Marnie, Vertigo, Fahrenheit 452, Taxi Driver,..) CD 1996 Sony Music good condition 2 Euro Black Sabbath Greatest Hits CD 1977 Westminister Music Ltd. good condition 2 Euro Black Sabbath Sabbath Bloody Sabbath / Re-Release from 1973 CD 1991 Castle Communications like new 5 Euro Bomb Circle Grateful Ethiopians burst out in Songs of Joy CD 1993 Klangfarbe new 5 Euro Brian Eno Bang on a Can / Music for Airports CD 1998 Point Music new 5 Euro Bryan Ferry (Roxy Music) Frantic CD 2002 Virgin Schallplatten GmbH new 5 Euro CCCP the world (incl. American soviets) CD 1990 Dino Music new 4 Euro China Crisis Best of CD Austro Mechana new 2 Euro Christian Wolz El Castata CD 1992 Danse Macabre Records new 4 Euro David Bowie the man who sold -
NOLA Defender
Search Search the Defen d|e rClear, 71 F (22 C) | RSS | | THE MIND Defender Picks SAMEDI VOODOO ART October 27th EXPERIENCE Voodoo Music Experience City Park (10:30 AM - 11:00 Along with Music, Large-Scale Interactive Art Exhibit Will Be On PM) Metallica, Justice, Silversun Display at This Weekend's Festival Pickups and more! by M.D. Dupuy Madonna New Orleans Arena (8:00 PM) The one and only... This weekend at City Park, Krewe of MOMS End of Daze Halloween Ball Fest-goers find interactive Howlin' Wolf (10:00 PM) steel sculptures complete with Brass-a-Holics, Remedy Krewe and more with fiery antennas and Mark and Dave's Night of the multi-sensory fusion under Living Dance Tip's (10:00 PM) the oaks. And the eyes will 80s Halloween Dance Party! be watching. It’s not Baller's Ball unusual for music festivals Maison (10:00 PM) Mannie Fresh, Hood Internet, to incorporate visual art Nicky da B and many more! into their lineup, but New Orleans’ Voodoo Music Face Forward, courtesy Voodoo Music Experience Halloween Cover Show One Eyed Jack's (10:00 PM) Experience boasts a Patsy Cline, Nirvana and The Ramones all come back from the veritable bounty of large-scale installations from both local and international dead artists. Halloween Costume Party Republic (10:00 PM) For the second year in a row, Tulane partnered with Voodoo in the Entrance with Michelle Martinez Design Competition, a contest with specific parameters for Architecture Boo at the Zoo Audubon Zoo (7:00 PM) students to enter for a chance to see their own large-scale, practical A scary -yet safe - Halloween installation at the Voodoo gates. -
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• Every Night i On Halloween night, punk gods The loween night. in the air, big "ISS" lighted letters were Misfits put on a spectacular show at a The show started off at 8:00 p.m. with wheeled out and a six-inch hand grinder packed House of Blues. The Misfits are the opening act Primitive Reason setting was set right under the main microphone. a band who initially thrived from '77 to the tone for the evening. The band came The show started with the five band mem- '83 with their original line-up of vocal- out in aboriginal paint schemes, which bers coming out on-stage in Rocky Hor- ist Glenn Danzig, bassist Jerry Only, matched their music well. Initially, Prim- ror style outfits with wigs and high heels. various guitarists includingJerry Only's' itive Reason seemed to be in the same Following closely behind the band were brother Doyle and a plethora of differ- vein as Soulfly, hard and heavy. They then two scantily clad women, who began ent drummers. They enjoyed moderate quickly switched to their true style of odd doing erotic dances to the rhythm of the success in the punk era of the late '70s, vocal stylings to groove style music. Many songs. Soon the pyros exploded right and established one of the most loyal of their songs even had a reggae feel. The behind the women and inside the bass fan-bases around. singer used a variety of odd instruments, drum, jump-starting the first song. For The band's image was based upon including bongos and a long woodwind their second song, The ISS セ ッ カ ・ イ ・ 、 Kiss' monsters and B-horror movies. -
Representations of Jazz Music and Jazz Performance Occasions in Selected Jazz Uterature
REPRESENTATIONS OF JAZZ MUSIC AND JAZZ PERFORMANCE OCCASIONS IN SELECTED JAZZ UTERATURE by MICHAEL FRANK TITLESTAD submitted in fulfilment of the requirements for the degree of MASTER OF ARTS in the subject ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROF IA RABINOWITZ APRIL 1999 Student number: 640-979-2 Statement by candidate I declare that Representations ofJazz Music and Jazz Performance Occasions in Selected Jazz Literature is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ~/-t 3o ,4p,,/ /??'? ·--~~~.................. ·················/.··········· SIGNATURE DATE (MR MF TITLESTAD) Department of English University of South Africa Acknowledgements I would like to thank Professor Ivan Rabinowitz for his graceful interventions and guidance in the course of this project. In addition I owe a debt of gratitude to Professor Susan Spearey for her encouragement and comments, particularly concerning the broader implications of improvisation. Further, I am obliged to those colleagues, particularly Mitzi Andersen, Gwen Kane and David Levey, who assisted with proof-reading and were enthusiastic and supportive. Finally, this dissertation is a tribute to all the jazz musicians and writers who have contributed to the 'one continuing song'. Summary The founding hypothesis of the study is that creative writers translate jazz music and performance into discourse by recourse to a number of figurative domains. These translations map existential, anthropological and political spaces and situate jazz within these. The first chapter concerns the representation of jazz in the construction of alterity, focussing on the evocation of the Dionysian spirit of jazz, the parallels between jazz and Bahktin's carnival and the strategic deployment of 'blackness' in configurations. -
Identification of Prestress Force in Prestressed Concrete Box Girder
IDENTIFICATION OF PRESTRESS FORCE IN PRESTRESSED CONCRETE BOX GIRDER BRIDGES USING ULTRASONIC TECHNOLOGY Manal Kamil Hussin Bachelor Degree in Civil Engineering University of Baghdad Master Degree in Civil Engineering University of Southern Queensland Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy School of Civil Engineering and Built Environment Science & Engineering Faculty Queensland University of Technology 2018 Keywords nondestructive technology, piezoelectric transducers, prestressed concrete bridges, structure health monitoring, ultrasonic waves, fast Fourier transform, destructive methods, box-girder, unbonded tendons, amplitude, attenuation, resonance frequency i Abstract Prestressed concrete box-girder bridges are gaining popularity in bridge engineering systems because of their better stability, serviceability and structural efficiency. These advantages can be achieved by using the prestressing technique, which involves applying a prestress force (PF) to the reinforced concrete structure to improve the weakness of concrete to tension. Monitoring the PF in prestressed concrete box-girder bridges without affecting serviceability has been known as one of the most suitable approaches to achieve a timely decision-making process concerning the health status of the bridges, including emergency cases such as bridge collapse. However, there are currently no accepted nondestructive technologies (NDTs) to evaluate the PF of these bridges, because implementing such a technology in practice is not always feasible due to various difficulties such as the large scale of the bridge, tight budget and uncertainties of new sensing technologies. To overcome these problems altogether, this research program aims to develop a practical and simple, yet more comprehensive and reliable method to identify the PF of new and existing prestressed concrete bridges using ultrasonic technology. -
Recorded Jazz in the Early 21St Century
Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium, -
NEW YORK February 2009 | No
NEW YORK February 2009 | No. 82 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com CHICO HAMILTON JOYOUS SHOUT Charli Persip • Larry Ochs • Blue Note Records • Miller Theater • Event Calendar NEW YORK We hate to be the ones to temper all the post-election enthusiasm for potentially New York@Night more arts support, but it seems like the financial crisis facing the world has 4 trickled (or deluged) down into jazz. Recent reports indicate that Festival Network, which took over George Wein’s Festival Productions company last year, Interview: Charli Persip has laid off most its staff, making it uncertain if New York (or any other city for 6 by George Kanzler that matter) has seen its last JVC Jazz Festival. We will report more as we obtain Artist Feature: Larry Ochs information but this is a serious blow as jazz rarely got that level of exposure otherwise. Another, more personal casualty, is the dismissal of legendary jazz 7 by Marc Medwin journalist Nat Hentoff from the Village Voice after 50 years. His final column for Label Spotlight: Blue Note Records the once-proud counterculture rag was Jan. 6th, 2009. Hentoff will still continue writing for other outlets including, ironically, the Wall Street Journal. 8 by Joel Roberts But jazz as an art form has weathered such storms before and, honestly, how Club Profile: Miller Theater much smaller can its market share get anyway? It has become a music of perseverance, something to which drummers Chico Hamilton and Charli Persip by Marcia Hillman (On The Cover and Interview, respectively) and saxophonist Larry Ochs (Artist On The Cover: Chico Hamilton Feature) can attest.