DOCSLIB.ORG

Lettera Da San G Iorgio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lettera Da San G Iorgio CONTACTS PROGRAMMES (MARCH – AUGUST 2018) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Pentagram Stiftung Rolex Institute Lettera da San Giorgio Lettera da San COVER Gaetano Alemani, Corner View of a Colonnaded Atrium, Venice, Fondazione Giorgio Cini Year XX, number 38. Six-monthly publication. March – August 2018 Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2018) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Pentagram Stiftung Rolex Institute Lettera da San Giorgio Lettera da San COVER Gaetano Alemani, Corner View of a Colonnaded Atrium, Venice, Fondazione Giorgio Cini Year XX, number 38. Six-monthly publication. March – August 2018 Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 23 NOV 2017 – VENICE, ISLAND OF SAN GIORGIO MAGGIORE 9 APR – 29 JUL 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE AND FONDAZIONE QUERINI STAMPALIA LETTERA DA SAN GIORGIO CONTACTS 20 DEC 2018 Exhibition Eleonora Duse and Arrigo Boito L S V Exhibition A Furnace in Marseille. Cirva-Centre international de recherche sur le verre et les arts plastiques PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 17 FEB – 15 DEC 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard Accademia Vivaldi 2018. Advanced Course on Performing the Music of Antonio Vivaldi 16 APR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE, AUDITORIUM “LO SQUERO” Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro Concert Quartetto Indaco, Le Dimore del Quartetto 30124 Venezia fax +39 041 5205842 Steven Feld 24 FEB – 24 NOV 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel. +39 041 5289900 – fax +39 041 5238540 PRESS OFFICE [email protected] Bruno Latour e Squero Auditorium 2018 Concert Season 20 APR – 27 AUG 2018 VENICE, PALAZZO CINI GALLERY [email protected] tel. +39 041 2710280 – fax +39 041 5238540 Michael Talbot Exhibition Imagined Architecture. Drawings from the Collections of the Fondazione Giorgio Cini [email protected] ISTITUTO PER LA STORIA DELLA SOCIETÀ E DELLO STATO VENEZIANO 26 FEB – 1 MAR 2018 VENICE, AUDITORIUM SANTA MARGHERITA, CFZ CULTURAL FLOW ZONE AND ISLAND OF SAN GIORGIO MAGGIORE PRESIDENT Gino Benzoni, director Workshop and Meeting with Master Taneda Michikazu Dances in Noh eatre 23 – 24 APR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Giovanni Bazoli COMMUNICATION AND MARKETING OFFICE Secretary’s oce: tel. +39 041 2710226 – +39 041 2710227 International Conference Shakespeare in Opera. Rewritings and Productions of Romeo and Juliet tel. +39 041 2710402 – fax +39 041 5238540 fax +39 041 5223563 27 FEB 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE SECRETARY GENERAL [email protected] [email protected] International Conference e Cappellin Glassworks 7 – 9 MAY 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Pasquale Gagliardi Historical Studies Seminar Places for Culture; Culture for Places EDITORIAL OFFICE ISTITUTO PER LA MUSICA 1 MAR – 15 JUL 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE CHIEF EDITOR tel. +39 041 2710202 – fax +39 041 5238540 Gianmario Borio, director New Guided Tours of the Fondazione Giorgio Cini 7 – 11 MAY 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Gilberto Pizzamiglio [email protected] Workshop Actors and Digital Avatars EDITORIAL COORDINATOR Secretary’s oce: tel. +39 041 2710220 – fax +39 041 2710221 1 – 2 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Giovanna Pesaro CO-ORDINATION AND MANAGEMENT OF FACILITIES [email protected] Seminar e Mediterranean Linguistic Atlas: New Developments and Perspectives 8 MAY 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE EDITORIAL BOARD tel. +39 041 2710445 – fax +39 041 5238540 Lecture Edward Gordon Craig and the “Drama for Fools” Elena Casadoro [email protected] ISTITUTO ITALIANO ANTONIO VIVALDI 7 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE, AUDITORIUM “LO SQUERO” Serena Concone Francesco Fanna, director Concert Behn Quartet, Le Dimore del Quartetto 18 MAY 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Anna Lombardi VITTORE BRANCA INTERNATIONAL CENTER FOR THE STUDY OF ITALIAN CULTURE Secretary’s oce: tel. +39 041 2710250 – +39 041 2710259 Lecture Renata Rampazzi, Cruor Emilio Quintè tel. +39 041 2710253 – fax +39 041 5238540 fax +39 041 2710221 7 MAR 2018 VENICE, AUDITORIUM SANTA MARGHERITA Marta Zoppetti [email protected] [email protected] Study Day and Book Launch eory and Practice in the Music of the Islamic World: 22 MAY 2018 VENICE, TEATRINO DI PALAZZO GRASSI Essays in Honour of Owen Wright edited by Giovanni De Zorzi; with speakers Owen Wright, Artists’ Conversation A Furnace in Marseille. Cirva-Centre international DESIGN BIBLIOTECHE DELLA FONDAZIONE GIORGIO CINI ISTITUTO INTERCULTURALE DI STUDI MUSICALI COMPARATI Rachel Harris and Martin Stokes de recherche sur le verre et les arts plastiques bruno tel. +39 041 2710255 Giovanni Giuriati, director PHOTOLITOGRAPHY [email protected] Secretary’s oce: tel. +39 041 2710357 – fax +39 041 2710221 9 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE 5 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Grache Nuova Jolly [email protected] Workshop Islamic Calligraphy: Nigeria, Morocco and Egypt Study Day A Photographic Archive for Italian Art. Vittorio Cini, the Fondazione Giorgio Cini PRINTED BY 2 SUPPORT THE FONDAZIONE GIORGIO CINI RIA and Fratelli Alinari Grache Nuova Jolly, Rubano (PD) A SEMINARI DI MUSICA ANTICA EGIDA SARTORI E LAURA ALVINI 13, 20, 23 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Viale dell’Industria 28 PIAZZA THE FONDAZIONE GIORGIO CINI: S. MARCO Pedro Memelsdor, director AL GRANDE ISOLA 7 – 9 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE, UNIVERSITÀ CA’ FOSCARI CAN DI SAN GIORGIO Books at San Giorgio AN ZACC – organises over 100 public events every year, S MAGGIORE Secretary’s oce: tel. +39 041 2710258 – fax +39 041 2710221 Reset-Dialogue on Civilizations Seminars Fountainheads of Toleration. Forms of Pluralism Registrazione del Tribunale di Venezia n. 209 2 including exhibitions, conferences, concerts, [email protected] 2 IA 2 16 – 18 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE in Empires, Republics, Democracies Year XX, number 38 V shows; RRO International Conference e Female Voice in the Twentieth Century: March – August 2018 CA FE – safeguards art collections and makes good EC ISTITUTO PER IL TEATRO E IL MELODRAMMA UD 12 – 14 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE GI OMA / Material, Symbolic and Aesthetic Dimensions CAN LLA R use of historical archives; ALE DE E .L Maria Ida Biggi, director International Comparative Cultural Studies Conference Common and Comparative To the best of our knowledge, all images included 2 P – supports highly specialized research; 2 Secretary’s oce: tel. +39 041 2710236 – fax +39 041 2710215 19 – 24 MAR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Esotericisms: Western, Islamic and Jewish in this publication for which the copyright 2 ISOLA – promotes study through its public libraries; DELLA GIUDECCA [email protected] Bîrûn Ottoman Music Workshop. Nefes of the Bektashi Dervishes. is not explicitly stated are in the public domain. – preserves and protects the Island of San Giorgio Music of the Bektashi Su Confraternities of Istanbul and the Balkans directed 12 – 16 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Any non-credited owners of rights to one or more Maggiore in Venice. CENTRO STUDI DI CIVILTÀ E SPIRITUALITÀ COMPARATE by Kudsi Erguner Eyes on music: Projects on Visual Ethnomusicology Workshop Audio-visual images in the publication are invited to contact us Documentation of Fieldwork by email at [email protected] HOW TO REACH THE GIORGIO CINI FOUNDATION Francesco Piraino WHAT TO DO 22 MAR 2018 VENICE, ATENEO VENETO so that we can meet the attendant obligations. From San Zaccaria Monumento, Ferrovia, Piazzale Roma: vaporetto number 2 Secretary’s oce: tel. +39 041 2710228 You can actively participate in supporting ird Edition of the Series e Symphonic Sound of Romanticism. eory and Practice 16 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE every 12 minutes to San Giorgio. [email protected] us with no extra charges by allocating us your of Orchestral Conducting in the 20th Century Concert of Indian Music Sunanda Sharma and the Benares School “5×1000”. GUIDED TOURS LE STANZE DEL VETRO 6 APR – 17 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 JUN – 1 JUL 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE e monumental complex of San Giorgio Maggiore can be visited Secretary’s oce: tel. +39 041 5230869 In your 730 or Unico tax form, sign the box Exhibition Renata Rampazzi, Cruor Master Course Protagonists on Stage on a guided tour. [email protected] with the words “Sostegno delle organizzazioni Publication sponsored by FOR BOOKINGS AND FURTHER INFORMATION non lucrative di utilità sociale, delle associazioni 6 APR 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE 27 – 30 JUN 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE D’Uva, Call center: +39 366 4202181 di promozione sociale”,and write the Foundation’s Concert for Six Pianists and Five Singers Final Event at the Solti Peretti Répétiteurs Masterclass Workshop Research-led Performance: Flute and Guitar in Twentieth-Century Music Mon – Fri from 10am to 5 pm | email: [email protected] tax code: 80009330277. 23 NOV 2017 – VENICE, ISLAND OF SAN GIORGIO MAGGIORE 9 APR – 29 JUL 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE AND FONDAZIONE QUERINI STAMPALIA LETTERA DA SAN GIORGIO CONTACTS 20 DEC 2018 Exhibition Eleonora Duse and Arrigo Boito L S V Exhibition A Furnace in Marseille. Cirva-Centre international de recherche sur le verre et les arts plastiques PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 17 FEB – 15 DEC 2018 VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel.
Load more

Recommended publications
  • Lettera Da San G Iorgio
    CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 16 FEB VENICE, ISLAND OF SAN GIORGIO MAGGIORE 23 APR, 21 MAY, 25 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE LETTERA DA SAN GIORGIO CONTACTS International Conference Paolo Venini and His Furnace Concert Series e Complete Beethoven String Quartets PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 1 MAR – 31 DIC VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 – 30 APR VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard e Replica Project International Workshop and Symposium Accademia Monteverdi Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro 30124 Venezia fax +39 041 5205842 Steven Feld PRESS OFFICE 3-10-17 MAR VENICE, ISLAND OF SAN GIORGIO MAGGIORE 2 – 4 MAY VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Refractory Migrants. Fascist Surveillance on Italians in Australia 1922-1943
    Refractory Migrants. Fascist Surveillance on Italians in Australia 1922-1943 by Gianfranco Cresciani Gianfranco Cresciani emigrated University of New South Wales in from Trieste to Sydney in 1962. He 2005, in recognition of worked for EPT, the Ethnic Affairs “distinguished eminence in the field Commission and the Ministry for of history”. In 2004 the Italian the Arts of the NSW Government Government awarded him the on cultural and migration issues. In honour of Cavaliere Ufficiale 1989 and 1994 he was member of dell‟Ordine al Merito for facilitating the Australian Delegation re- cultural exchanges between Italy negotiating with the Italian and Australia. He has produced Government the Italo-Australian books, articles, exhibitions and Cultural Agreement. Master of Arts radio and television programs in (First Class Honours) from Sydney Australia and Italy on the history of University in 1978. Doctor of Italian migration to Australia. Letters, honoris causa, from the There are exiles that gnaw and others that are like consuming fire. There is a heartache for the murdered country… - Pablo Neruda We can never forget what happened to our country and we must always remind those responsible that we know who they are. - Elizabeth Rivera One of the more salient and frightening aspects of European dictatorships during the Twentieth Century, in their effort to achieve totalitarian control of 8 their societies, was the grassroots surveillance carried out by their state security organisations, of the plots and machinations of their opponents. Nobody described better this process of capillary penetration in the minds and conditioning of the lives of people living under Communist or Fascist regimes than George Orwell in his book Nineteen Eighty-Four (1), published in 1949 and warning us on the danger of Newspeak, Doublethink, Big Brother and the Thought Police.
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli
    Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini.
    [Show full text]
  • Una Misión Fascista En América Latina: La Travesía De La R
    Centro de Investigación y Docencia Económicas A.C. División de Historia. Una misión fascista en América Latina: la travesía de la R. Nave Italia, 1922-1924. Tesis que para obtener el grado de Maestro en Historia Internacional presenta Walter Raúl de Jesús Martínez Hernández. Asesor: Dr. Marco Zuccato. 2014. 1 Índice. Agradecimientos. 3 Introducción. 5 Capítulo I. Punto de partida. 14 Capítulo II. Una nave llamada Italia. 27 Capítulo III. La travesía Latinoamericana. 63 Capítulo IV. México: un estudio de caso. 87 Epílogo. 129 Consideraciones finales. 146 Anexo I. 154 Anexo II. 163 Fuentes. 177 2 Agradecimientos. Dedico este trabajo a mi familia, que me apoyó y reconfortó en los momentos más complicados. Agradezco infinitamente el cariño y el apoyo moral que me ha brindado la mujer con la que he compartido los últimos seis años de mi vida, Daniela Calderón Canseco. Expreso también mi agradecimiento al Ingeniero Roberto Hernández López, sin cuyo respaldo no hubiera podido concretar este y otros proyectos de vida. Mi gratitud inmensa para el profesor Stefano Tedeschi de la Università La Sapienza di Roma, quien tuvo la gentileza de aceptar y asesorar mi estancia de investigación en Italia. Doy gracias, igualmente, al Dr. Paolo Evangelisti por haberme dado orientación y asesoría personalizada durante mi labor en el Archivio Storico della Camera dei Deputati en Roma. Quiero agradecer al Dr. Marco Zuccato, mi asesor de tesis, por el compromiso que asumió con mi trabajo y todos los consejos francos y útiles que me ha dado. No olvidaré tampoco las críticas, opiniones y recomendaciones tan valiosas de la Dra.
    [Show full text]
  • Redalyc.MASONERÍA Y FASCISMO EN ITALIA: UNA RELACIÓN AMBIGUA (1922-1943)
    Diálogos - Revista do Departamento de História e do Programa de Pós-Graduação em História ISSN: 1415-9945 [email protected] Universidade Estadual de Maringá Brasil Savarino, Franco MASONERÍA Y FASCISMO EN ITALIA: UNA RELACIÓN AMBIGUA (1922-1943) Diálogos - Revista do Departamento de História e do Programa de Pós-Graduação em História, vol. 13, núm. 1, 2009, pp. 167-184 Universidade Estadual de Maringá Maringá, Brasil Disponible en: http://www.redalyc.org/articulo.oa?id=305526877009 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Diálogos, DHI/PPH/UEM, v. 13, n. 1 p. 167-184, 2009. MASONERÍA Y FASCISMO EN ITALIA: UNA RELACIÓN AMBIGUA (1922-1943) * Franco Savarino** Resumen. La formación de un régimen autoritario en Italia en 1922 (desde 1925 dictadura totalitaria), causó un enfrentamiento con la masonería. Inicialmente varias logias apoyaron la llegada al poder de Mussolini, y entre los fascistas había muchos masones. Sin embargo, existía una fuerte corriente antimasónica heredada del nacionalismo, que compartía personalmente el Jefe de los «camisas negras» y varios líderes importantes del nuevo régimen. La masonería fue primero prohibida en las filas del Partido y luego (1925) proscrita. Aquí me propongo indagar sobre los motivos que llevaron a este enfrentamiento y el significado de la oposición masonería-fascismo, frente al programa fascista de alianza con fuerzas liberales, acercamiento a la Iglesia católica y formación de una nueva «religión política» incompatible con la tradición masónica.
    [Show full text]
  • Ruling Elites.Indb
    António Costa Pinto is a professor Dictators do not rule alone, and a governing elite stratum is always ANTÓNIO COSTA PINTO After the so-called ‘third wave’ of de- of politics and contemporary Euro- formed below them. This book explores an underdeveloped area in the study ANTÓNIO COSTA PINTO mocratisation at the end of the 20th pean history at the Institute of Social of fascism: the structure of power. The old and rich tradition of elite studies Edited by century had significantly increased the Sciences, University of Lisbon. He has can tell us much about the structure and operation of political power in the number of democracies in the world, been a visiting professor at Stanford dictatorships associated with fascism, whether through the characterisation of the survival of many dictatorships has University (1993) Georgetown Uni- had an important impact. Taking as the modes of political elite recruitment, or by the type of leadership, and the versity (2004), a senior associate mem- starting point the dictatorships that ber at St Antony’s College, Oxford relative power of the political institutions in the new dictatorial system. emerged since the beginning of the University (1995) and a senior visiting Analyzing four dictatorships associated with fascism (Fascist Italy, Nazi 20th century, but mainly those that fellow at Princeton University (1996) Germany, Salazar’s Portugal and Franco’s Spain), the book investigates the were institutionalised after 1945, the and at the University of California, dictator-cabinet-single party triad from
    [Show full text]
  • Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
    UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society.
    [Show full text]
  • Program Notes
    Program Notes Program Notes by April L. Racana 16 18 Nov Nov Arrigo Boito (1842-1918) "Mefistofele" Opera with Prologue, 4 Acts, and Epilogue (Concert-Style Opera with Japanese supertitles) Perhaps most well-known for his adept work as librettist for Verdi’s 16 final two operas, “Otello” and “Falstaff”, Arrigo Boito was lesser known as a Nov composer in his own right. He began his studies at the Milan Conservatory in 18 1853, and had already begun work on his first operatic composition (based on Nov the Faust legend) when he first was introduced to Verdi in 1862. It was then their collegial relationship began with Boito writing the text for Verdi’s “Hymn of the Nations” which had been commissioned for the world fair in London. Apparently when Boito discovered that other more established composers were exploring the Faust legend, he set his own initial work to the side. Gounod was one of those composers whose premiere at La Scala with his version of “Faust” was a great success. In the meantime, Boito had begun openly criticizing what he viewed as a provincial approach in the Italian artistic circles, which caused a falling out with Verdi that would last for over a decade and a half. It wasn’t until Verdi began working on “Otello” that the two would begin their collaborative work once again. Still, Boito was nurturing ideas for his version of a “Faust” opera. Initially the composer had intended to divide the saga into two separate productions, based on the two main sections of Goethe’s “Faust” in its literary form.
    [Show full text]
  • Anni «Fra Paradiso E Inferno»: Arrigo Boito E Il Mefistofele
    Cent(ocinquant)’anni «fra paradiso e inferno»: Arrigo Boito e il Mefistofele Canterò le giornate erranti e pazze Il 10 giugno 1918 si spegneva a Milano Arrigo Boito, uno dei più singolari e poliedrici uomini di cultura attivi in Italia tra la seconda metà dell’Ottocento e i primi anni del secolo successivo. Nato a Padova nel 1842 da Silvestro (ritrattista sregolato che abbandonò presto la famiglia) e dalla contessa polacca Giuseppina Radolinska, fratello minore di Camillo (fortunato architetto che si cimentò con risultati pregevoli anche in campo letterario), il giovane Enrico, che mutò in giovinezza il proprio nome in Arrigo, studiò al Conservatorio di Milano giovandosi del magistero di Alberto Mazzucato, musicista di notevole sensibilità e di ampie vedute. Sono sicuramente l’insieme di questi stimoli e questo genere di formazione che fecero sostenere al giovane Boito: «lo asseriamo con affettuoso or- goglio e con intierissimo convincimento: la musica è regina su tutte le arti; più che regina, Dea. […] La musica è il gradino più vicino a Dio nella nostra scala terrestre; la musica è più alta della poesia e della preghiera»; senza però dimenticare, come invece sottolineerà in età più matura, che «la musica è arte d’esaltazione. Chi non s’esalta non canta. Prima d’essere musicista bisogna essere Poeta. Una preparazione che ingrandisca mirabilmente il quadro che si vuol esprimere co’ suoni è necessaria per trovare quei suoni senza cercarli». Già in questi primi anni Boito diede così prova di tale duplice natura: quella di musicista e quella di poeta; così come fin da ragazzo questo artista dimostrò di possedere un carattere intempe- rante e di essere attratto dalle novità culturali che giungevano dal resto della più evoluta Europa, senza affatto esimersi dal gettarsi nella mischia sia in quanto critico e teorico militante, sia in quanto viag- giatore e volontario nella terza guerra d’indipendenza.
    [Show full text]
  • Messa Da Requiem
    Giuseppe VERDI Messa da Requiem Soli (SMsTB), Coro (SATB) Ottavino, 2 Flauti, 2 Oboi, 2 Clarinetti, 4 Fagotti 4 Corni, 4 Trombe, 4 Trombe da lontano, 3 Tromboni, Oficlëide Timpani, Gran Cassa 2 Violini, Viola, Violoncello, Contrabbasso herausgegeben von/edited by Norbert Bolin Klavierauszug/Vocal score Paul Horn Carus 27.303/03 Inhalt Besetzung: 1. Requiem . 3 Kyrie . 7 Ottavino (auch Flauto III) Flauto I, II Sequentia Oboe I, II 2. Dies irae . 15 Clarinetto I, II Tuba mirum. 21 Fagotto I–IV Mors stupebit . 25 Liber scriptus . 26 Corno I–IV Quid sum miser. 33 Tromba I–IV Rex tremendae . 37 Tromba da lontano I–IV Recordare . 43 Trombone I, II, III Ingemisco . 46 Ofi clëide Confutatis . 49 Lacrimosa . 56 Timpani Gran Cassa 3. Offertorio . 63 Soli: 4. Sanctus . 76 Soprano Mezzosoprano 5. Agnus Dei . 88 Tenore Basso Communio 6. Lux aeterna . 93 Coro: Soprano 7. Libera me . 100 Contralto Tenore Basso Violino I Violino II Viola Violoncello Contrabbasso Zu diesem Werk ist folgendes Aufführungsmaterial käufl ich erhältlich: Partitur (kartoniert, Carus 27.303/00), Partitur (Leinen, Carus 27.303/01), Klavierauszug (Carus 27.303/03), Chorpartitur (Carus 27.303/05), Studienpartitur (Carus 27.303/07), komplettes Orchestermaterial (Carus 27.303/19). Der vorliegende Klavierauszug ist auch verwendbar für Aufführungen der reduzierten Fassung des Requiems mit Soli, Chor, Horn, Schlagzeug (2 Spieler: Marimba, Gran Cassa, Timpani), Klavier und Kontrabass (Carus 27.303/50, arr. Michael Betzner-Brandt). The following performance material is available for sale: Full score (paperback, Carus 27.303/00), full score (clothbound, Carus 27.303/01), vocal score (Carus 27.303/03), choral score (Carus 27.303/05), study score (Carus 27.303/07), complete orchestral material (Carus 27.303/19).
    [Show full text]