Felix Issue 1223, 2002
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Pietro Scalia
Pietro Scalia Pietro Scalia werd op 17 maart 1960 geboren in Catania. Terwijl hij binnen de Amerikaanse film actief was vermengde hij tijden van filmmontage met de visuele en geluidsritmes van andere moderne media (videoclips, nieuws, digitaal) daarbij de natuurlijkheid benadrukkend van het acteerspel van de acteurs en in zijn vak een bewustere blik introducerend die dicht(er)bij het gezichtspunt van de regie ligt. Hij werd opgeleid in de werkgroep van Oliver Stone en werkte vervolgens voornamelijk samen met Ridley Scott. Hij won twee Oscars, in 1992 (samen met Joe Hutshing) voor Stone's JFK (1991; JFK - A Case Still Open) en 2002 voor Scott's Black hawk down (2001) en twee nominaties, in 1998 voor Good Will Hunting (1997) van Gus Van Sante en in 2001 voor Scott's Gladiator (2000). Hij won ook twee keer de BAFTA Award en drie keer de Eddie Award, uitgereikt door American Cinema Editors. Op éénjarige leeftijd verhuisde hij met zijn familie naar Zwitserland, waar hij zijn basis- en middelbare school volgde. In 1978 ging hij naar de Verenigde Staten om film te studeren; na twee jaar aan de State University of New York in Albany volgde hij regie- en productiecursussen aan de University of California in Los Angeles waar hij in 1985 zijn master in Film and Theatre Arts behaalde. Hij maakte zijn filmdebuut als assistent van filmmonteur Alain Jakubowicz in de postproductie van Andrei Michalkov Končalovskij's Shy people (1987). Gefascineerd als hij was door de films van Oliver Stone's voegde hij zich bij diens postproductieteam en werkte zo als assistent van Claire Simpson in Wall Street (1987) en van David Brenner en Joe Hutshing voor Talk radio (1988). -
Barefacts21-02-02
21/02/02 The University of Surrey Students’ Newspaper www.ussu.co.uk Issue no: 1026 FREE Green Week Special: Letters: On Being A Sabb... What’s It All About, VC’s Pay - The Uni p16 - 17 Hit’s Back! Who Cares? p4 p6 News In Brief BY MICHAEL CHAMBERS Over 200 decomposing corpses found in crematorium yard Thank Orange It’s An extensive search operation was put into action last Friday after a pet dog, which was being walked by its owner, unearthed a human skull in a forest behind a cremato- rium in the US state of Georgia. Authorities Friday! say they have now recovered more than 200 BY RICHARD WATTS nights in recent history. Having been thought Touché complimented the temporary décor decomposing corpses from the grounds of Deputy Editor of as one of the best venues last year, USSU erected by Orange with decent dance tunes the Tri-State Crematorium. Bodies were found stacked in storage sheds and scattered was once again praised by the representatives that we are not necessarily accustomed to at in woods around the site in the small town of Following the success of last year’s Orange of Orange, not only for the atmosphere and Surrey, whilst downstairs, in the Helyn Rose Noble, north west of Georgia. It is believed V.1 event, Orange V.2 took the Union over general good nature of the event, but also for Bar, Dynamo Productions fused a beat wor- that the owners of the business have been once again last Friday night and gave the the technical support offered by Stage Crew. -
The Hurt Locker
VIDEA - C.D.E. WARNER PICTURES ITALIA VOLTAGE PICTURES PRESENTANO IN ASSOCIAZIONE CON GROSVENOR PARK MEDIA, LP & F.C.E.F. S.A. UNA PRODUZIONE VOLTAGE PICTURES / FIRST LIGHT / KINGSGATE FILMS The Hurt Locker Prodotto da Kathryn Bigelow, Mark Boal, Nicolas Chartier, and Greg Shapiro Scritto da Mark Boal Regia Kathryn Bigelow Copyright © 2008 Hurt Locker, LLC 1 The Hurt Locker SINOSSI Se la guerra è l’inferno, perché sono in tanti a scegliere di combattere? In un’epoca in cui gli eserciti non sono formati da militari di leva ma da volontari, e gli uomini si lanciano di buon grado nell’azione militare, a volte la guerra corteggia in maniera potente e seducente fin quasi a diventare dipendenza. THE HURT LOCKER è il ritratto intenso di un’unità speciale di soldati con il compito più pericoloso del mondo: disarmare bombe nel mezzo dell’azione. Quando il nuovo sergente, James (Jeremy Renner), assume il comando dell’unità speciale esperta in disarmo delle bombe nel bel mezzo di un violento conflitto, sorprende i due sottoposti, Sanborn ed Eldridge (Anthony Mackie e Brian Geraghty), lanciandosi inesorabilmente in un gioco mortale di guerriglia urbana. James sembra essere indifferente alla morte. Mentre i soldati lottano per controllare la follia del loro nuovo capo, in città esplode il caos, e salta fuori il vero carattere di James, cambiando ogni uomo per sempre. Con la visionaria regia di Kathryn Bigelow, THE HURT LOCKER è il frutto dell’osservazione diretta del reporter e sceneggiatore Mark Boal. Con Jeremy Renner (Dahmer, il Cannibale di Milwaukee, L’assassinio di Jesse James per mano del codardo Robert Ford), Anthony Mackie (Half Nelson, We Are Marshall) e Brian Geraghty (We Are Marshall, Jarhead), il film associa l’avvincente azione realistica al dramma umano più intimo per mostrare la psicologia di un soldato durante azioni ad altissimo rischio, fra uomini che scelgono di affrontare mortali avversità. -
Music Editor
DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr. -
It Ain't Rocket Science
www.StudentFilmmakers.com Workshops | Forums | Network| Showcase | Tech Focus 2012, Vol. 7, No. 4 The #1 Educational Resource for Film and Video Makers US$5.95 It Ain’t Rocket Science 3D Filming Wild Horses in the Gobi Desert Spider-Man is Amazing Again It's a Great Time to Write for Television Canon EOS C300 on the Run Publisher’s Desk Table of Contents 2012, Vol. 7, No. 4 The summer continues to be filled The # 1 Educational Resource for Film and Video Makers with exciting back-to-back industry Publisher / Editor-in-Chief Kim Edward Welch tradeshows and conferences, Senior Editor Jody Michelle Solis Camerawork workshops and seminars, and other 4 Law # 1: It Ain’t Rocket Science Contributing Writers 10 Composition is Brain Surgery great educational, networking Thomas Ackerman, ASC, Jack Anderson, Anthony Q. Artis, by David Lent and inspirational opportunities. John Badham, Charlie Balch, Christopher Ball, CSC, Karl Bardosh, Students, Teachers & Faculty, and Adam Biddle, Joe Brewster, Terence Brody, Kevin Burke, 3D Documentary Schools, are you ready for Back to Julia Camenisch, John Carrico, Steve Carlson, Al Caudullo, Chris Cavallari, Pete Chatmon, Nash Choudhury, Vicky Collins, 10 Filming Wild Horses in the Gobi Desert School? The Back to School section Michael Corbett, Sky Crompton, Vanessa Daniels, Carsten Dau, by Al Caudullo in this issue gives you a preview Todd Debreceni, Jeff Deel, Christina DeHaven, Zachary Steven of new film and video making Houp, William Donaruma, Dana Dorrity, Pamela Douglas, Directing Scott Eggleston, David E. Elkins, SOC, Scott Essman, Bryant solutions. Falk, Carl Filoreto, Jon Firestone, Jacqueline B. -
Loki Production Brief
PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline. -
Eine Dokumentvorlage Für Abschlussarbeiten Und Andere
Naturmaterialien im Kinofilm: Entwicklung einer interdisziplinären Analysemethodik am Beispiel des Naturmaterials Erde im Kriegsfilm Dissertation zur Erlangung der Würde des Doktors der Philosophie (Dr. phil.) Im Fach Medienwissenschaft an der Fakultät für Geisteswissenschaften am Insitut für Medien und Kommunikation an der Universität Hamburg vorgelegt von Gun Kaja Röttgers aus Hamburg 2017 2 Vorsitzende der Prüfungskommission: Prof. Dr. Kathrin Fahlenbrach Erstgutachterin: Prof. Dr. Kathrin Fahlenbrach Zweitgutachterin: Prof. Dr. Judith Ellenbürger Drittgutachter: Prof. Dr. Frank Fehrenbach Disputation am 11.10.2017 Kurzfassung 3 Kurzfassung Untersuchungsgegenstand dieser Arbeit sind im Film gezeigte Naturmaterialien. Um sich der Wirklichkeit der visuellen Wahrnehmung von Artefakten zu nähern, wird so- wohl das Zeichenpotential als auch das präsentische Potential dieser Filmbilder unter- sucht. In den theoretischen Grundlagen der Arbeit wird mit Bezug zu Cassirer formu- liert, dass in fast jedem Erlebnis präsente und repräsentative Momente in einer unlös- lichen Einheit miteinander verbunden sind. Diese Arbeit geht dementsprechend von einem komplexen Bedeutungs- und Wirkpotential der im Filmbild abgebildeten Na- turmaterialien aus. Untersucht werden also zum einen die vielschichtigen Konnotatio- nen, die diesen Materialien durch kulturelle Kommunikation eingeschrieben sind. Zum anderen wird Naturmaterialien in dieser Arbeit eine relevante Rolle im Rahmen des Präsenz- und Immersionserlebens von Film zugesprochen. Ziel dieser Arbeit ist es, eine umfassende Strategie zur Analyse des visuellen Potentials von Filmmotiven zur Verfü- gung zu stellen und dabei Zusammenhänge und Potentiale von symbolischer, auf Zei- chen beruhender Bildsprache und sinnlicher Wahrnehmung zu bedenken. Die Arbeit ist dazu interdisziplinär angelegt, da sich bildende Künstler_innen und in Folge auch die Kunstgeschichte intensiv mit der Inszenierung von Naturmaterialien im künstlerischen und kommunikativen Kontext auseinandergesetzt haben. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 3-22-2002 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2002). The George-Anne. 1760. https://digitalcommons.georgiasouthern.edu/george-anne/1760 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. KM ■'■-.■ established 1827 The Official Student Newspaper of Georgia Sotttliem University lu- G7m A dy or as ng re', he Friday A&E: 'Ice Age' is a funny computer-animated comedy Volume 74, No. 69 as www.stp.gasou.edu te- March 22,2002 Page 8 iS- of 'Southern Exposure' :n- jNTHEDHDEf hc a new program for iat potential students ng 'Queen of the Coastal Empire' ne By Jessica Garcia on gsi21836 @ gsaix2.cc.gasou.edu la- Fifty of Georgia Southern's amateur drag pageant held brightest potential students got a of chance to experience the day in a :nt Covering the campus like a By Mathew R. Palmer terview. life of a college student last week [email protected] no swarm of gnats Between categories, Raven, Jor- in the new program/'Southern Ex- Style and glamour of a different dan Kennedy, current reigning posure." ip. style was showcased Tuesday night Southern Star Entertainer of The "It's no secret. -
T H E a W a R D S I S S U
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST-PR ODUCTION PROFESSIONALS THE AWARDS ISSUE 1 IN THIS ISSUE THE TRIAL OF THE CHICAGO 7 HILLBILLY ELEGY DEATH ON THE NILE TENET TED LASSO AND MUCH MORE! US $8.95 / Canada $8.95 QTR 4 / 2020 / VOL 70 FOR YOUR CONSIDERATION IN ALL CATEGORIES INCLUDING BEST PICTURE • BEST FILM EDITING TARIQ ANWAR “A CRITICAL KNOCKOUT, KINGSLEY BEN-ADIR ELI GOREE humanizing and celebrating ALDIS HODGE LESLIE ODOM JR. the four icons and all they A REGINA KING FILM stood for” “A POWERFUL DRAMATIC WORK ABOUT FOUR OF THE MOST IMPORTANT FIGURES OF THE 20TH CENTURY. It takes these men and makes them feel fully alive again, and it makes their passions and beliefs feel relevant to today” FOUR LEGENDS. ONE LEGENDARY NIGHT. ACE CINEMA EDITOR MAGAZINE Issue: FYC Due: 11/03/20 Street: 12/07/20 FIN PROJECT: ONE NIGHT IN MIAMI — ACE—CINEMA EDITOR MAG 4C/FP TRIM: 8.50”w X 11.00”h TYPE SAFE: 8.00” X 10.50” FIN / 11.03.20 CLIENT: AMAZON STUDIOS ISSUE 12.07.20 JOB #: 38787:05 BLEED: 8.75”w X 11.25”h MECHANICAL: 100% CONTENTS CINEMAEDITOR 2020 4QTR STOCK FOOTAGE 08 EDITOR'S CUT What’s New! News & Announcements 04 A Message from 10 the Board Aspects of Editing Stepping Stones 37 BY JASON ROSENFIELD, ACE ACE Debuts EditFest Global 20 The new virtual event Tech Corner/ and online portal Where the World launched on Aug. 29 is Going BY HARRY B. MILLER III, ACE 42 ACE Internship 44 Program Cuts We Love Goes Virtual Super 8 BY ADRIAN PENNINGTON FEATURES 26 28 30 Trial of the Chicago 7 Death on the Nile Hillbilly Elegy Alan Baumgarten, ACE, reteams Úna Ní Dhonghaíle, ACE, James Wilcox, ACE, examines with Aaron Sorkin on the is at the scene of the crime family responsibility in Ron writer/director’s historical drama for Kenneth Branagh’s Poirot Howard’s biographical drama BY SCOTT LEHANE BY ADRIAN PENNINGTON BY SCOTT LEHANE 32 34 Tenet Ted Lasso Jennifer Lame, ACE, straps Melissa Brown McCoy and in for Christopher Nolan’s A.J. -
Emma Mccleave Editor
Emma McCleave Editor Agents Daniela Manunza Assistant [email protected] Lizzie Quinn [email protected] + 44 (0) 203 214 0911 Credits Drama Production Company Notes LOKI Disney + / Marvel Studios Dir: Kate Herron 2021 INFINITE High Command Productions Dir: Antoine Pre-shoot sequences Fuqua 2019 Cast: Mark Wahlberg COME AWAY Endurance Media/Fred Film/Yoruba Saxon Production Additional Editor 2019 Dir: Brenda Chapman Ed: Dody Dorn ACE THE COCKFIELDS Yellow Door Productions Dir: Steve Additional Editor for Bendelack Episodes 1 & 2 2019 THE APPOINTMENT EMU Films Editor 2019 Dir: Alexandre Singh United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ROCKETMAN Marv Films & Studios/New Republic Pre-Vis Editor 2018 Pictures/Paramount Pics/Pixoloid Studios/Rocket Dir: Dexter Pictures Fletcher Ed: Chris Dickens ACE TRUST Cloud Eight Films/Decibel Films/Snicket Films/FXP Associate Editor 2018 Dir: Danny Boyle Ed: Elliot Graham ACE THE MUMMY Dark Universe/Perfect World Pics/K/O Paper 1st Assistant 2017 Products/Conspiracy Factory/Sean Daniel Co/Secret Editor Hideout Dir: Alex Kurtzman Ed: Paul Hirsch ACE, Gina Hirsch THE SECRET LIFE OF The Foundation Assembly Editor BOYS Dir: Max Meyers 2016 Ed: Emma Collins THE SNOWMAN Perfect World Pictures/Working Title/Another Park Film 1st Assistant 2016 Editor Dir: Tomas Alfredson Ed: Tim Squyres ACE CRIMINAL Benderspink/Millennium Films/Campbell Grobman 1st Assistant 2016 Films Editor Dir: -
REGLEMENT Jeu « Sony Days 2018 »
REGLEMENT Jeu « Sony Days 2018 » Article 1. - Sociétés Organisatrices Sony Interactive Entertainment ® France SAS, au capital de 40 000 €, enregistrée au RCS de Nanterre sous le N° 399 930 593, située 92 avenue de Wagram, 75017 Paris ; Sony Mobile Communications, enregistrée au RCS de Nanterre sous le n°439 961 905, située 49-51 quai de Dion Bouton 92800 Puteaux ; Sony Pictures Home Entertainment France SNC, au capital de 107 500 €, enregistrée au RCS de Nanterre en date du 02/03/1987 sous le N° 324 834 266, située 25 quai Gallieni, 92150 Suresnes ; Sony Music Entertainment, France, SAS au capital de 2.524.720 €, enregistrée au RCS de Paris sous le n°542 055 603, située 52/54, rue de Châteaudun, 75009 Paris ; SONY France , succursale de Sony Europe Limited, 49-51 quai de Dion Bouton 92800 Puteaux , RCS Nanterre 390 711 323 (ci-après les « Sociétés Organisatrices ») ; organise un jeu avec obligation d’achat uniquement dans les magasins Fnac et Darty ainsi que sur le sites www.fnac.com et www.darty.com (ci-après le « Jeu ») par le biais d’instants gagnants ouverts du 02/04/2018 10h au 15/04/2018 23h59 inclus ouvert aux personnes physiques majeures (sous réserve des dispositions indiquées à l’article 2) résidant en France Métropolitaine (Corse et DROM-COM exclus). Article 2. - Participation Ce jeu est ouvert à toute personne physique majeure, résidant en France métropolitaine (Corse et DROM-COM exclus), à l'exception des mineurs, du personnel de la société organisatrice et des membres des sociétés partenaires de l'opération ainsi que de leur famille en ligne directe. -
Vivilcinema 5-08.Pdf
numero52008 Bimestrale d’informazione cinematografica edito dalla FICE - Federazione Italiana Cinema d’Essai L’uomo che ama di Maria Sole Tognazzi Speciale Festival di Roma Tutti i film Ciccone Costantini Manfredonia Rovere Streep Vicari ANNO VIII - NUOVA SERIE - N. 5 - SETTEMBRE/OTTOBRE SERIE - N. ANNO VIII - NUOVA 70% - FILIALE DI ROMA 2008 - Euro 3,00 SPED. ABBONAMENTO POSTALE interviste speciale Laurent Cantet Incontri del Woody Allen Cinema d’Essai Guillermo Arriaga Le anteprime Kathryn Bigelow Jonathan Demme I Premi Fice Spike Lee anteprima Vota il film d’essai: Stefano Tummolini II galantuominigalantuomini i vincitori di Edoardo Winspeare CLAUDE BERRI E JEROME SEYDOUX PRESENTANO MEDUSA FILM “SI RIDE FINO ALLE LACRIME.” Le Monde KAD MERAD DANY BOON UN FILM DI DANY BOON DAL 31 OT TOBRE AL CINEMA con il supporto del programma MEDIA dell'Unione Euoropea. www.medusa.it n.5/2008 editoriale Cover story 12 L’uomo che ama di Maria Sole Tognazzi Una ripresa dolceamara (Barbara Corsi) In copertina: Monica Bellucci Gli Incontri di Asti? Un buon osservatorio sullo stato di salute del cinema d’essai, mentre il Festival di Roma celebrerà Speciale Festival di Roma 2008 l’auspicato connubio tra qualità e mercato, in una stagione 6 Il Festival: tutti i film (Mario Mazzetti) di alti e bassi con l’annunciata scure al sostegno pubblico 8 Giulio Manfredonia (Marco Spagnoli) 10 Anne-Riitta Ciccone (Franco Montini) •••Lo stato d’animo degli esercenti d’essai che si riuniscono ad Asti dal 7 al 9 14 Daniele Vicari (Franco Montini) ottobre non può definirsi