The Perception of Women in the Writing of Philo of Alexandria AUTHOR: Dorothy Isabel Sly, B.A.(Hons.} (University of Manitoba}

Total Page:16

File Type:pdf, Size:1020Kb

The Perception of Women in the Writing of Philo of Alexandria AUTHOR: Dorothy Isabel Sly, B.A.(Hons.} (University of Manitoba} PHILO'S PERCEPTION OF WOMEN THE PERCEPTION OF WOMEN IN THE WRITING OF PHILO OF ALEXANDRIA By DOROTHY ISABEL SLY A Thesis Submitted to the School of Graduate Studies In Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University September, 1987 DOCTOR OF PHILOSOPHY (1987) McMASTER UNIVERSITY (Religious Studies) Hamilton, Ontario TITLE: The Perception of Women in the Writing of Philo of Alexandria AUTHOR: Dorothy Isabel Sly, B.A.(Hons.} (University of Manitoba} B.Paed. (University of Manitoba) M.A. (University of Manitoba) SUPERVISORS: Professor Alan Mendelson Professor Ed Sanders NUMBER OF PAGES: v, 292 11 PHILO'S PERCEPTION OF WOMEN ABSTRACT The purpose of this study is to determine the perception of women revealed in the writing of Philo of Alexandria. Although Richard Baer approached the subject in Philo's Use of the Categories Male and Female, no comprehensive examination has been made of the role Philo accorded women. I set Philo's writing on the subject of women within the context of two intellectual traditions, the Jewish and the Greek, in order to determine whether he accepts, rejects or alters inherited attitudes. I study it also in the context of the multifarious ways Philo uses "male" and "female" to express comparisons. There emerges a coherent pattern, which indicates that Philo's statements about women are not isolated from his overall understanding of the meaning of "female." After establishing these two larger contexts, I narrow the scope of the study, by demonstrating that Philo's perception of women cannot be determined from his statements about "man." I do this by studying the context in which he uses both Greek terms translated by the English term "man," anthropos and aner, as well as looking into the use of the two terms in the Septuagint and in some earlier Greek writing. In the body of the work I study Philo's material on Biblical women and contemporary women, subdividing the first group according to Philo's terms, "women" and "virgins." The conclusion of the work is that Philo intensifies the subordination of women which he draws from both traditions. He views woman as a danger to man unless she is under his strict control. Since his first concern is the survival of the community through the religious strength of its men, he believes that woman ought to play an auxiliary role, and to be prevented from any behaviour which would deter men from their religious quest. iii Acknowledgements I was first attracted to the Platonic tradition as the sole member of several translation classes in Greek at the University of Manitoba in the early 1950's. I was indeed fortunate to begin my higher education before the era of minimum class sizes, and with the guidance of a Classics faculty I remember with respect and affection. The spark smouldered for twenty years, but was rekindled when I began to study Plotinus with the help of Professor Klaus Klostermaier of the Department of Religious Studies at Manitoba. Like Augustine, I became convinced that The message of Plato, the purest and most luminous in all philosohy, has at last scattered the darkness of error, and now shines forth mainly in Plotinus, a Platonist so like his master that one would think they lived together, or rather--since so long a period of time separates them--that Plato is born again in Plotinus. The reader of the present work may sense, however, that with my approach to Philo the flame is sputtering. The observation may be justified. It has become a truism of scholarship that by interpreting Scripture in terms of the Platonic tradition of his day, Philo gave profound expression to the religious aspirations of humanity. It has been completely overlooked, however, or else it has not been considered noteworthy, that Philo's interpretation was based on an unquestioned assumption of female inferiority. This must be acknowledged, if we are fully to appreciate Philo's position in the history of thought. It is the burden of my thesis. I have been helped in complementary ways by my co­ supervisors: Professor Alan Mendelson by his meticulous care with the exegesis, and Professor Ed Sanders by his unparalleled comprehension of the field of Judaism and New Testament Studies. The third member of my committee, Dr. George Paul of Classics, has been unstintingly generous with valuable advice. I thank them all most heartily. Of my fellow graduate students at McMaster over the past five years, I must single out for thanks Sister Mary Thompson, who paced me throughout our doctoral work, and Joanne Martens, who read the entire draft. Most of all, I thank my husband, Doug, and our family, Gordon and Janine, Greg, Monty, Ken, and Marnie, for encouraging me to follow my dream. iv PHILO'S PERCEPTION OF WOMEN TABLE OF CONTENTS 1. Introduction 1 2. Traditional Views of Women 13 3. The State of Scholarship 50 4. Philo's Language 70 5. Woman and Virgin 85 6. Biblical Women (I): Eve 109 7. Biblical Women (II): The others 133 8. Biblical Virgins (I) 158 9. Biblical Virgins (II): Sarah and Rebecca 175 10. Biblical Virgins (III): Leah (Rachel), Dinah, Tamar and Hannah 196 11. Women of Philo's World 220 12. summary and Conclusions 266 13. Appendix A: Do the Special Laws Reflect Actual Legal Practice? 279 14. A Select Bibliography 281 v CHAPTER ONE INTRODUCTION Philo; the Man and His Work Philo Judaeus was an Alexandrian philosopher of the first half of the first century C.E., best known for having consciously created a link between Jewish scripture and Greek philosophy.1 Cultural Background His personal background prepared him admirably for this task. On the Greek side, we can tell from the description of his own education in De congressu Erudlt!onis Causa 74-80 that he had experienced the traditional paideia. Further, his occasional references to the gymnasium and the theatre show that he was intimately acquainted with the Greek cultural institutions of the city.2 On the Jewish 1 Samuel Sandmel, Philo of Alexandria (New York: Oxford University Press, 1979), 3-16; David Winston, Philo of Alexandria: The Contemplative Life, The Giants, and Selections (New York: Paulist Press, 1981), 1-37; Emile Br~hier, Les id6es phllosophigues et religieuses de Philon d'Alexandrie, 3rd ed. (Paris,1950), i-iv. 2 In his article,"The Orthodoxy of the Jews in Hellenistic Egypt," Jewish Social Studies 22 (1960), 215­ 237, Louis H. Feldman addresses the question whether observant Jews like Philo participated in activities which were held under pagan auspices. He concludes (~Wolfson) that they did, indeed, do so, although such action 1 2 side, we know that he was prominent within the large Jewish community of Alexandria, for he was chosen to go on their behalf as head of a delegation to the Emperor Gaius in the year 40 C.E.3 His fascination with philosophy enhanced, but did not overshadow, his zeal to give honour and service to the god of his fathers: Now philosophy teaches us the control of the belly and the parts below it, and control also of the tongue. Such powers of control are said to be desirable in themselves, but they will assume a grander and loftier aspect if practised for the honour and service of God (CQng..80). His writing reveals that he felt torn between the increasing claims of civic responsibility to the Jewish community, and his own predilection for the contemplative life. As he says in De Specialibus Legibus 3. 1-6, constituted a deviation from orthodoxy. 3 Philo describes the mission in Legat. For dates and sequence of events consult E. Mary Smallwood, Philonis Alexandrini Legatio ad Gaium (Leiden: Brill, 1970). There is some question as to how large the Jewish population of Alexandria was. Philo claims that the Jews in all of Egypt numbered a million (~.43). This is probably an inflated figure. S.W.Baron (s.v."population", Encvclopedia Judaica, vol.xiii, p.171) says that estimates of the total population of Alexandria range from 500,000 to 1,000,000, of which 40% might have been Jewish. That would set the Jewish population of Alexandria somewhere from 200,000 to 400,000. Jean Juster, Les Juifs dans l'empire Romain, (New York: Burt Franklin, 1914), vol.1, p.209, sets the figure higher, calling Philo's estimate hardly exaggerated • But Naphtali Lewis, in Life in Egypt under Roman Rule (Oxford: Clarendon Press, 1983 ) 26-9, uses Diodorus Siculus' figure of 300,000 free inhabitants in the time of Augustus as the basis for limiting the total population of Alexandria to one-half million. His figure would, then, concur with the lower figure in Baron's estimate, i.e. 200,000 Jews. 3 There was a time when I had leisure for philosophy and for the contemplation of the universe and its contents . But . envy . plunged me in the ocean of civil cares, in which I am swept away, unable even to raise my head above the water .... And if UPexpectedly I obtain a spell of fine weather and a calm from civil turmoils, I get me wings and ride the waves and almost tread the lower air, wafted by the breezes of knowledge which often urges me to come to spend my days with her, a truant as it were from merciless masters in the shape not only of men but of affairs, which pour in upon me like a torrent from different sides.4 Philo's Writing When Philo was able to free himself from specific duties, he devoted his time wholeheartedly to developing the inner life and writing Scriptural exegesis.
Recommended publications
  • Northern Arizona Lumberjacks
    Northern Arizona LUMBErjacks 2013 FOOTBALL MEDIA GUIDE 20 • LUCKY DOZIER 34 • ZACH BAUMAN 41 • ANDY WILDER Lumberjacks Head Coach Jerome Souers THIS IS NAU FOOTBALL 2013 Northern Arizona Football Schedule Aug. 30 • at Arizona (Tucson, Ariz.) Sept. 14 • at UC Davis ( Davis, Calif.) Sept. 21 • SOUTH DAKOTA (WALKUP SKYDOME) Sept. 28 • MONTANA (WALKUP SKYDOME) Oct. 5 • at Montana State (Billings, Mont.) Oct. 12 • at Sacramento State (Sacramento, Calif.) Oct. 19 • IDAHO STATE (WALKUP SKYDOME) Oct. 26 • at Cal Poly (San Luis Obispo, Calif.) Nov. 2 • NORTH DAKOTA (WALKUP SKYDOME) Nov. 16 • NORTHERN COLORADO (WALKUP SKYDOME) Nov. 23 • at Southern Utah (Cedar City, Utah) 1 #NAUTakeover Table of Contents A Quick Facts ............................................. 3 Media Information ................................. 4 Television/Radio. ..................................... 5 N Season Outlook ...................................... 7 Roster .................................................... 11 W Season Results, Statistics ..................... 13 Head Coach Jerome Souers ................ 16 D Assistant Coaches ................................ 18 I Returning Players ................................. 30 The Incoming Class ............................. 49 Y All-Time Series Results ....................... 53 L Game Records ..................................... 54 Season Records ................................... 55 Career Records..................................... 56 Defensive Records ............................... 57 D Milestone Seasons. ..............................
    [Show full text]
  • THE CONTRAPOSITION BETWEEN EPOS and EPULLION in HELLENISTIC POETRY: STATUS QUAESTIONIS 1 José Antonio Clúa Serena
    Anuario de Estudios Filológicos, ISSN 0210-8178, vol. XXVII, 23-39 THE CONTRAPOSITION BETWEEN EPOS AND EPULLION IN HELLENISTIC POETRY: STATUS QUAESTIONIS 1 José Antonio Clúa Serena Universidad de Extremadura Resumen En este artículo se esbozan algunos de los hitos más importantes que configuran, desde Antímaco de Colofón hasta las últimas manifestaciones poéticas helenísticas y romanas, la contraposición entre el e[po~ y el ejpuvllion. Sobre este último «género», repleto de elemen- tos etiológicos y largas digresiones, se aportan y se comparan datos importantes mediante dos métodos conocidos: la Quellensforchung y la comparación entre seguidores de la escuela de Calímaco y los denominados Telquines. Se analizan epigramas concretos, epilios de Teócrito, Mosco, la Hécale de Calímaco, epilios de Trifiodoro, Hedilo, Museo, Euforión, Partenio, Poliano, así como de Cornelio Galo y Cinna. Finalmente, se estudia la dicotomía «agua»/«vino» como símbolos de inspiración y se ofrece una posible clave para focalizar el paso de dicha contraposición desde la literatura helenística griega a la romana. Palabras clave: Epos, epyllion, hellenistic poetry, Cantores Callimachi. Abstract This paper describes some highly important aspects than configure, from Aminachus of Colofos to the latest Hellenistic and Roman poetic pieces, the contraposition of the concepts e[po~ and ejpuvllion. About this latter ‘genre’, filled with etiological and disgressive elements, data are contrasted according to two well known methods: Quellensforchung and comparison between Callimachus’ followers and Telquines. Specific epigrams are reviewed, also some epic poems by Theocritus, Moscos, the Hecale by Callimachus, epic poems by Trifiodorus, Hedilus, Museus, Euforius, Partenius, Polianus, Cornelius, Galius, and Cinnas. Finally, dichotomous elements like ‘water’/‘wine’ are studied as symbols for inspiration.
    [Show full text]
  • Hellenistic Poetry Before Callimachus an Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016
    Hellenistic Poetry Before Callimachus An Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016 Ewen Bowie (Oxford) Pauline LeVen (Yale) School of the Arts Library Benjamin Cartlidge (Oxford) Enrico Magnelli (Florence) 19 Abercromby Square Martine Cuypers (TCD) Thomas Nelson (Cambridge) Marco Fantuzzi (Macerata) Maria Noussia (Thessaloniki) L69 7ZG Liverpool Lucia Floridi (Milan) S. Douglas Olson (Freiburg) Marco Perale Annette Harder (Groningen) Peter Parsons (Oxford) [email protected] Richard Hunter (Cambridge) Marco Perale (Liverpool) Guendalina Taietti Gregory Hutchinson (Oxford) K. Spanoudakis (Rethymno) [email protected] Jan Kwapisz (Warsaw) Guenda Taietti (Liverpool) Jan Kwapisz Rebecca Lämmle (Basel) Agnieszka Toma (Wrocław) [email protected] Hellenistic Poetry before Callimachus An international conference at the University of Liverpool 14-15 June 2016 You who walk past my tomb, know that I am son and father of Callimachus of Cyrene. You must know both: the one led his country’s forces once, the other sang beyond the reach of envy. Callimachus, Epigram 21 Pf., tr. F.J. Nisetich Callimachus’ epitaph for the tomb of his father is notorious for how perplexingly little it says about the deceased. We are told neither his name nor profession, whereas the name that resounds loud and clear is that of the author of the epigram. This is a measure of how Callimachus outshone his father. The Greeks may have found delight in being defeated by their children (cf. Pl. Mx. 247a), yet we are less impressed. Even for the sake of Callimachus himself, would it not be rewarding to know who his father was? The epigram illustrates the broader problem we have with the poet’s closest literary ancestors.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses The legend of Oedipus in fth century tragedy at Athens Bailey, S. K. How to cite: Bailey, S. K. (1955) The legend of Oedipus in fth century tragedy at Athens, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9722/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk r 1 THE LEGEND OF OEDIPUS IN FIFTH CENTURY TRAGEDY AT ATHENS A THESIS SUJ3W:TTED BY S.K. BAILEY FOR THE DEGREE OF MASTER OF LETTERS The aims of the thesis are (a) to mark what has been altered or added to the legend of Oedipus by the three great dramatists of the fifth century, and (b) to show that these alterations and additions were made with a· specific end in view. To further these aims it has been necessary to broaden somewhat the scope of the thesis so as to include in it a gathering together of the pre-Aeechylean versions of the story; in the case of Aeschylus a reconstruction of the two lost plays of the trilogy, and in the case of each poet a personal interpretation of the plays connected with the Oedipus legend.
    [Show full text]
  • The Shield As Pedagogical Tool in Aeschylus' Seven Against Thebes
    АНТИЧНОЕ ВОСПИТАНИЕ ВОИНА ЧЕРЕЗ ПРИЗМУ АРХЕОЛОГИИ, ФИЛОЛОГИИ И ИСТОРИИ ПЕДАГОГИКИ THE SHIELD AS PEDAGOGICAL TOOL IN AESCHYLUS’ SEVEN AGAINST THEBES* Victoria K. PICHUGINA The article analyzes the descriptions of warriors in Aeschylus’s tragedy Seven against Thebes that are given in the “shield scene” and determines the pedagogical dimension of this tragedy. Aeschylus pays special attention to the decoration of the shields of the com- manders who attacked Thebes, relying on two different ways of dec- orating the shields that Homer describes in The Iliad. According to George Henry Chase’s terminology, in Homer, Achilles’ shield can be called “a decorative” shield, and Agamemnon’s shield is referred to as “a terrible” shield. Aeschylus turns the description of the shield decoration of the commanders attacking Thebes into a core element of the plot in Seven against Thebes, maximizing the connection be- tween the image on the shield and the shield-bearer. He created an elaborate system of “terrible” and “decorative” shields (Aesch. Sept. 375-676), as well as of the shields that cannot be categorized as “ter- rible” and “decorative” (Aesch. Sept. 19; 43; 91; 100; 160). The analysis of this system made it possible to put forward and prove three hypothetical assumptions: 1) In Aeschylus, Eteocles demands from the Thebans to win or die, focusing on the fact that the city cre- ated a special educational space for them and raised them as shield- bearers. His patriotic speeches and, later, his judgments expressed in the “shield scene” demonstrate a desire to justify and then test the educational concept “ἢ τὰν ἢ ἐπὶ τᾶς” (“either with it, or upon it”) (Plut.
    [Show full text]
  • 11 Am Voluntary Prelude and Fugue in G Major Felix Mendelssohn Introit
    Again and again, you called us to return. Through prophets and sages you The Lord’s Table is open to all. Baptized persons are welcome to receive communion. Unbaptized persons are invited to the THE HOLY EUCHARIST altar to receive a blessing. To signify that you do not desire communion, please cross your arms over your chest, and a priest revealed your righteous Law. And in the fullness of time you sent your only will administer a blessing. You are also invited to receive prayers and anointing with holy oil in one of our transept chapels THE SECOND SUNDAY AFTER THE EPIPHANY Son, born of a woman, to fulfill your Law, to open for us the way of freedom (Ascension to the south, and Holy Communion to the north) where anointers wait to pray with you. January 17, 2016 - 11 a.m. and peace. Music at Communion A joyous and warm welcome to our visitors and guests. Please know how happy our Cathedral community is to have you By his blood, he reconciled us. By his wounds, we are healed. worship with us. We’d love to know our guests, so please fill out a visitor card and drop it in the offering plate as it comes by. Organ Prelude on Brother James’ Air Dale Wood And therefore we praise you, joining with the heavenly chorus, with prophets, Voluntary Prelude and Fugue in G major Felix Mendelssohn apostles, and martyrs, and with all those in every generation who have looked to Hymn 343 “Shepherd of souls, refresh and bless” St.
    [Show full text]
  • Ovid's Wife in the Tristia and Epistulae Ex Ponto
    OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN (Under the Direction of T. KEITH DIX) ABSTRACT Augustus exiled Ovid to Tomis in AD 8 in part, the poet says, because of his carmen, the Ars Amatoria. Ovid presents the misfortunes of exile in two collections of elegiac epistles, the Tristia and Epistulae ex Ponto. As the recipient of nine epistles, Ovid’s wife is his most frequent addressee. Other poems throughout the two works also mention her. Ovid models the persona of his wife in the exile poetry on characters he developed in the Amores, Heroides, and Ars Amatoria. She appears initially as an abandoned heroine, then as a beloved from whom Ovid seeks fulfillment of his needs, and eventually becomes a pupil in imperial courtship. The resulting “conjugal love elegy” does not replace his earlier erotic elegy but recasts it as a means for Ovid to lament his misfortunes, present a new image for his poet-narrator, and immortalize his genius. INDEX WORDS: Augustus, Coniunx, Elegy, Epistolary Poetry, Epistulae, Exile, Latin, Livia, Ovid, Ovid’s wife, Tristia OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN B.A., The University of Minnesota, 1996 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Amy Nohr Petersen All Rights Reserved OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN Major Professor: T.
    [Show full text]
  • Literary Quarrels
    Princeton/Stanford Working Papers in Classics (1) The Cicala's Song: Plato in the Aetia Benjamin Acosta-Hughes University of Michigan, Ann Arbor Version 1.2 © Benjamin Acosta-Hughes, [email protected] (2) Literary Quarrels Susan Stephens Stanford University Version 1.0 © Susan Stephens Abstract: Scholars have long noted Platonic elements or allusions in Callimachus' poems, particularly in the Aetia prologue and the 13th Iambus that center on poetic composition. Following up on their work, Benjamin Acosta-Hughes and Susan Stephens, in a recent panel at the APA, and in papers that are about to appear in Callimachea II. Atti della seconda giornata di studi su Callimaco (Rome: Herder), have argued not for occasional allusions, but for a much more extensive influence from the Phaedo and Phaedrus in the Aetia prologue (Acosta-Hughes) and the Protagoras, Ion, and Phaedrus in the Iambi (Stephens). These papers are part of a preliminary study to reformulate Callimachus' aesthetic theory. 1 The Cicala's Song: Plato in the Aetia* This paper prefigures a larger study of Callimachus and Plato, a study on which my Stanford colleague Susan Stephens and I have now embarked in our co-authored volume on Callimachus.1 Awareness of Platonic allusion in Callimachus is not new, although its significance has not really been appreciateda close reading of the two authors remains a real desideratum, and it is indeed this need that we hope our work will one day fulfill. The main focal points of the present paper are two passages of Callimachus, and two passages of Plato, that, read together, configure a remarkable intertextual dialogue on poetry, reading, and the inspired voice.
    [Show full text]
  • Poets and Poetics in Greek Literary Epigram
    Poets and Poetics in Greek Literary Epigram A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics by Charles S. Campbell B.A. Grinnell College M.A. University of Cincinnati November, 2013 Committee Chair: Dr. Kathryn J. Gutzwiller, Ph.D. 1 Abstract This dissertation offers a new analysis of the treatment of poets and poetics in Greek literary epigram from the early Hellenistic Period (3rd century BCE) down to the early Roman Imperial Period (1st century CE). In their authorial self-representations (the poetic ego or literary persona), their representation of other poets, and their thematization of poetry more generally, literary epigrammatists define, and successively redefine, the genre of epigram itself against the background of the literary tradition. This process of generic self-definition begins with the earliest literary epigrammatists’ fusion of inscriptional epigram with elements drawn from other genres, sympotic and erotic poetry and heroic epic, and their exploitation of the formal and conceptual repertoire of epigram to thematize poetic discourse. With the consolidation of the epigrammatic tradition in the 2nd and 1st centuries BCE, the distinctively epigrammatic poetic discourse that had evolved in the 3rd century BCE was subsumed into the persona of the poet himself, who is now figured as the very embodiment of the epigrammatic tradition and genre. In the first century BCE, as epigram was transplanted from Greece to the new cultural context of Roman Italy, the figure of the epigrammatist served to articulate the place of both poetry and the poet in this new world.
    [Show full text]
  • The Two Voices of Statius: Patronymics in the Thebaid
    The Two Voices of Statius: Patronymics in the Thebaid. Kyle Conrau-Lewis This thesis is submitted in total fulfilment of the requirements for the degree of Master of Arts School of Historical and Philosophical Studies University of Melbourne, November 2013. 1 This is to certify that: 1. the thesis comprises only my original work towards the degree of master of arts except where indicated in the Preface, 2. due acknowledgement has been made in the text to all other material used, 3. the thesis is less than 50,000 words in length, exclusive of tables, maps, bibliographies and appendices. 2 Contents Abstract 4 Introduction 5 Chapter 1 24 Chapter 2 53 Chapter 3 87 Conclusion 114 Appendix A 117 Bibliography 121 3 Abstract: This thesis aims to explore the divergent meanings of patronymics in Statius' epic poem, the Thebaid. Statius' use of language has often been characterised as recherché, mannered and allusive and his style is often associated with Alexandrian poetic practice. For this reason, Statius' use of patronymics may be overlooked by commentators as an example of learned obscurantism and deliberate literary self- fashioning as a doctus poeta. In my thesis, I argue that Statius' use of patronymics reflects a tension within the poem about the role and value of genealogy. At times genealogy is an ennobling feature of the hero, affirming his military command or royal authority. At other times, a lineage is perverse as Statius repeatedly plays on the tragedy of generational stigma and the liability of paternity. Sometimes, Statius points to the failure of the son to match the character of his father, and other times he presents characters without fathers and this has implications for how these characters are to be interpreted.
    [Show full text]
  • The Greek Anthology with an English Translation by W
    |^rct?c^tc^ to of the Univereitp of Toronto JScrtrani 1I-1. iDavit^ from the hoohs? ot the late Hioncl Bavie, Hc.cT. THE LOEB CLASSICAL LIBRARY EDITED BY E. CAl'PS, Ph.D., LL.D. T. E. PAGE, Lut.D. W. H. D. IWUSE, LnT.D. THE CiREEK ANTHOLOGY III 1 *• THE GREEK ANTHOLOGY WITH AN ENGLISH TRANSLATION BY W. R. PA TON IN FIVE VOLUMES III LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM S SONS M CM XV 1 CONTENTS BOOK IX. —THE DECLAMATORY EPICRAMS 1 GENERAL INDEX 449 INDEX OF AUTHORS INCLUDED IN THIS VOLUME . 454 GREEK ANTHOLOGY BOOK IX THE DECLAMATORY AND DESCRIPTIVE EPIGRAMS This book, as we should naturally expect, is especially rich in epigrams from the Stephanus of Philippus, the rhetorical style of epigram having been in vogue during the period covered by that collection. There are several quite long series from this source, retaining the alphabetical order in which they were arranged, Nos. 215-312, 403-423, 541- 562. It is correspondingly poor in poems from Meleager s Stephanus (Nos. 313-338). It contains a good deal of the Alexandrian Palladas, a contemporary of Hypatia, most of wliich we could well dispense with. The latter part, from No. 582 07iwards, consists mostly of real or pretended in- scriptions on works of art or buildings, many quite unworthy of preservation, but some, especially those on baths, quite graceful. The last three epigrams, written in a later hand, do not belong to the original Anthology. ANeOAOriA (-) EnirPAM.M ATA RTIIAEIKTIKA 1.— 110ATAIX(;T :::a1'A1AN()T AopKuSo^; upTiroKoio Ti6i]i')]T)'ipioi' ovdap efjLTrXeov r)p.vaav ^ 7rifcp6<i erv^ev e)(i<;.
    [Show full text]
  • "GENESIS: the Unauthorized Version"
    "GENESIS: the unauthorized version" PRE – GENESIS GENESIS Chapter 1 of 50 "A Reinterpretation" "King James Version" Author Mark Crawford Content Introduction to Pre-Genesis..........................................................................................................................................................7 PRE-GENESIS.........................................................................................................................................................................................8 The creation of the universe...................................................................................................................................................11 Commentary to Pre-Genesis.......................................................................................................................................................13 GENESIS...............................................................................................................................................................................................15 Chapter 1.........................................................................................................................................................................................15 Chapter 2.........................................................................................................................................................................................21 Chapter 3.........................................................................................................................................................................................26
    [Show full text]