Side by Side by Plutarch by Frances B
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Thucydides, Book 6. Edited by E.C. Marchant
^ Claasiral ^nits^ ( 10 THUCYDIDES BOOK VI THUCYDIDES BOOK VI EDITED BY E. C. MAECHANT, M.A. TRINITY COLLEGE, OXFORD ASSISTANT-MASTER IN ST. PAUL'S SCHOOL FELLOW AND LATE ASSISTANT-TUTOR OF PETEBHOUSE, CAMBRIDGE LATE PROFESSOR OF GREEK AND ANCIENT HISTORY IN QUEEN'S COLLEGE, \ LONDON fLontron MACMILLAN AND CO., Lt NEW YORK : THE MACMILLAN CO. 1897 ftd>c • FRIDERICO • GVLIELMO WALKER VI RO NVLLA EGENTI LAVDATIONE ET IVVBNTVTI FIDE ET LITERARVM STVDI08AE I CONTENTS PAQK Introduction— I. The Sicilian Expedition ix II. The MSS. and Text of the Sixth Book . iviii III. Some Graces xxx IV. Criticism of the Book in detail . xli Text 1 Notes US Appendix—On the Speech of Alcibiades, cc. 89-92 . 255 Index—Greek 259 English 294 INTRODUCTION I. Remarks on the Sicilian Expedition Intervention in —It is to § 1. Athenian Sicily. usual classify the states of antiquity according to the character of their government, and for Greek history down to the Peloponnesian War (431-404) this classification, derived from the teaching of Aristotle, is essential. But during the war the essential dis- tinction is not between oligarchy and democracy : it is much more between Ionian and Dorian. What is held to draw states into united action is the natural bond of common origin. In practice the artificial bond of common interest may prove as strong or stronger than the natural bond, and may lead to alliance between aliens or enmity between kinsmen. In order to understand the transactions between the independent states, we have to banish from our minds the elaborate rules that constitute modern Inter- national Law. -
The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically. -
THE CONTRAPOSITION BETWEEN EPOS and EPULLION in HELLENISTIC POETRY: STATUS QUAESTIONIS 1 José Antonio Clúa Serena
Anuario de Estudios Filológicos, ISSN 0210-8178, vol. XXVII, 23-39 THE CONTRAPOSITION BETWEEN EPOS AND EPULLION IN HELLENISTIC POETRY: STATUS QUAESTIONIS 1 José Antonio Clúa Serena Universidad de Extremadura Resumen En este artículo se esbozan algunos de los hitos más importantes que configuran, desde Antímaco de Colofón hasta las últimas manifestaciones poéticas helenísticas y romanas, la contraposición entre el e[po~ y el ejpuvllion. Sobre este último «género», repleto de elemen- tos etiológicos y largas digresiones, se aportan y se comparan datos importantes mediante dos métodos conocidos: la Quellensforchung y la comparación entre seguidores de la escuela de Calímaco y los denominados Telquines. Se analizan epigramas concretos, epilios de Teócrito, Mosco, la Hécale de Calímaco, epilios de Trifiodoro, Hedilo, Museo, Euforión, Partenio, Poliano, así como de Cornelio Galo y Cinna. Finalmente, se estudia la dicotomía «agua»/«vino» como símbolos de inspiración y se ofrece una posible clave para focalizar el paso de dicha contraposición desde la literatura helenística griega a la romana. Palabras clave: Epos, epyllion, hellenistic poetry, Cantores Callimachi. Abstract This paper describes some highly important aspects than configure, from Aminachus of Colofos to the latest Hellenistic and Roman poetic pieces, the contraposition of the concepts e[po~ and ejpuvllion. About this latter ‘genre’, filled with etiological and disgressive elements, data are contrasted according to two well known methods: Quellensforchung and comparison between Callimachus’ followers and Telquines. Specific epigrams are reviewed, also some epic poems by Theocritus, Moscos, the Hecale by Callimachus, epic poems by Trifiodorus, Hedilus, Museus, Euforius, Partenius, Polianus, Cornelius, Galius, and Cinnas. Finally, dichotomous elements like ‘water’/‘wine’ are studied as symbols for inspiration. -
Hellenistic Poetry Before Callimachus an Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016
Hellenistic Poetry Before Callimachus An Enquiry Into Two Lost Generations University of Liverpool, 14-15 June 2016 Ewen Bowie (Oxford) Pauline LeVen (Yale) School of the Arts Library Benjamin Cartlidge (Oxford) Enrico Magnelli (Florence) 19 Abercromby Square Martine Cuypers (TCD) Thomas Nelson (Cambridge) Marco Fantuzzi (Macerata) Maria Noussia (Thessaloniki) L69 7ZG Liverpool Lucia Floridi (Milan) S. Douglas Olson (Freiburg) Marco Perale Annette Harder (Groningen) Peter Parsons (Oxford) [email protected] Richard Hunter (Cambridge) Marco Perale (Liverpool) Guendalina Taietti Gregory Hutchinson (Oxford) K. Spanoudakis (Rethymno) [email protected] Jan Kwapisz (Warsaw) Guenda Taietti (Liverpool) Jan Kwapisz Rebecca Lämmle (Basel) Agnieszka Toma (Wrocław) [email protected] Hellenistic Poetry before Callimachus An international conference at the University of Liverpool 14-15 June 2016 You who walk past my tomb, know that I am son and father of Callimachus of Cyrene. You must know both: the one led his country’s forces once, the other sang beyond the reach of envy. Callimachus, Epigram 21 Pf., tr. F.J. Nisetich Callimachus’ epitaph for the tomb of his father is notorious for how perplexingly little it says about the deceased. We are told neither his name nor profession, whereas the name that resounds loud and clear is that of the author of the epigram. This is a measure of how Callimachus outshone his father. The Greeks may have found delight in being defeated by their children (cf. Pl. Mx. 247a), yet we are less impressed. Even for the sake of Callimachus himself, would it not be rewarding to know who his father was? The epigram illustrates the broader problem we have with the poet’s closest literary ancestors. -
Durham E-Theses
Durham E-Theses The legend of Oedipus in fth century tragedy at Athens Bailey, S. K. How to cite: Bailey, S. K. (1955) The legend of Oedipus in fth century tragedy at Athens, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9722/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk r 1 THE LEGEND OF OEDIPUS IN FIFTH CENTURY TRAGEDY AT ATHENS A THESIS SUJ3W:TTED BY S.K. BAILEY FOR THE DEGREE OF MASTER OF LETTERS The aims of the thesis are (a) to mark what has been altered or added to the legend of Oedipus by the three great dramatists of the fifth century, and (b) to show that these alterations and additions were made with a· specific end in view. To further these aims it has been necessary to broaden somewhat the scope of the thesis so as to include in it a gathering together of the pre-Aeechylean versions of the story; in the case of Aeschylus a reconstruction of the two lost plays of the trilogy, and in the case of each poet a personal interpretation of the plays connected with the Oedipus legend. -
Thucydides on the Outbreak of War
THUCYDIDES ON THE OUTBREAK OF WAR by Seth N. Jaffe A thesis submitted in conformity with the requirements for the degree of Doctor in Philosophy Graduate Department of Political Science University of Toronto © Copyright by Seth Nathan Jaffe (2012) Abstract Thucydides on the Outbreak of War By Seth N. Jaffe A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Political Science University of Toronto (2012) This project illuminates Thucydides’ political thought through a novel interpretation of the first book of the History of the Peloponnesian War. It explores how Thucydides reveals the human causes of war through the outbreak of a particular war, the Peloponnesian war. The primary claim is that Thucydides intends the breakdown of the Thirty Years’ Peace between Athens and the Peloponnesians, which inaugurates the great Peloponnesian war, to be understood by grasping how the characters of the Athenian and Spartan regimes contribute to the outbreak of the war and, crucially, how Athens and Sparta differently express human nature. In broad outline, the History’s first book reveals how the regime characters of Athens and Sparta inform their respective foreign policies, but also how the interaction between the two cities—informed by the distinctive necessities pressing upon them— causes the Hellenic status quo to tremble and fall. Throughout the first book, while never obscuring the specific events triggering war, Thucydides progressively develops and expands his original statement that it was Spartan fear of Athenian power that compelled the fighting. The study argues that necessity (or compulsion) is the bright thread that Thucydides uses to guide his reader through the episodes of the first book, from the immediate causes of the Peloponnesian war to the human causes of war, from the particular events to the History’s universal themes. -
Durham Research Online
Durham Research Online Deposited in DRO: 11 April 2016 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Miles, Sarah (2011) 'Gods and heroes in comic space : a stretch of the imagination?', Dionysus ex machina., 2 . pp. 109-133. Further information on publisher's website: http://www.dionysusexmachina.it/?cmd=articoloid=42 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Sarah Miles Gods and heroes in comic space. A stretch of the imagination? Abstract The article explores the stage movement of gods, heroes and mythical figures in Aristophanic stage space. All four of the Aristophanic comedies that contain these characters ( Peace , Birds , Frogs and Wealth ) are found to adhere to the same patterns of stage movement whereby the comic protagonist must be the first to initiate contact with a divine, heroic or mythical character and will do so by undertaking a journey away from the city to find that character. -
Acharnians.Pdf
ARISTOPHANES’ “ACHARNIANS” Produced in 425BCE TRANSLATED BY G. THEODORIDIS ©2004 http://bacchicstage.wordpress.com/ All rights reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON- COMMERCIAL purpose. For use by any theatrical, educational or cinematic organisation, however, including a non-commercial one, permission must be sought. Under no circumstances should any of this work be used as part of a collage, which includes the work of other writers or translators. ————– Dramatis Personae DICAEOPOLIS: A mild-mannered farmer XANTHIAS: A Slave to Dicaeopolis A SECOND SLAVE TO DICAEOPOLIS A DAUGHTER TO DICAEOPOLIS A WIFE TO DICAEOPOLIS EURIPIDES: The Athenian tragedian KIFISOPHOS: A slave to Euripides LAMACHUS: A bombastic general FOUR SLAVES TO EURIPIDES FOUR MEMBERS OF THE EXECUTIVE COMMITTEE MAYBEGOD: A peace negotiator TWO AMBASSADORS TO THE PERSIAN COURT PSEUDOARTABAS: “The King’s Eye” TWO EUNUCHS TO PSEUDOARTABAS THEORUS: Ambassador to Thrace FIVE ODOMANTIAN SOLDIERS MEGARIAN: A mild-mannered pauper TWO DAUGHTERS TO THE MEGARIAN BOETIAN: A mild-mannered merchant ISMENIAS: His slave INFORMER NIKARHOS: Another informer. MISS PEACE DERKETES: A wealthy farmer BEST MAN BRIDESMAID HERALD A HERALD B CHORUS: LACRATIDIS MARILADES DRAKYLOS EUFORIDES PRINIDES OTHER MEMBERS TWO ARCHERS (Female) TWO FLUTE PLAYERS Following the Boetian CROWD AT THE PNYX ACT ONE Scene 1 The stage is divided into two parts. On Stage Left is Dicaeopolis’ house. Front door aspect. On Stage Right is a building which will serve as first, the Pnyx, then Euripides’ house –both front door aspect and indoors and finally as Lamachus’ house, front only. Both houses have a window through which the audience may witness indoor business. -
The Shield As Pedagogical Tool in Aeschylus' Seven Against Thebes
АНТИЧНОЕ ВОСПИТАНИЕ ВОИНА ЧЕРЕЗ ПРИЗМУ АРХЕОЛОГИИ, ФИЛОЛОГИИ И ИСТОРИИ ПЕДАГОГИКИ THE SHIELD AS PEDAGOGICAL TOOL IN AESCHYLUS’ SEVEN AGAINST THEBES* Victoria K. PICHUGINA The article analyzes the descriptions of warriors in Aeschylus’s tragedy Seven against Thebes that are given in the “shield scene” and determines the pedagogical dimension of this tragedy. Aeschylus pays special attention to the decoration of the shields of the com- manders who attacked Thebes, relying on two different ways of dec- orating the shields that Homer describes in The Iliad. According to George Henry Chase’s terminology, in Homer, Achilles’ shield can be called “a decorative” shield, and Agamemnon’s shield is referred to as “a terrible” shield. Aeschylus turns the description of the shield decoration of the commanders attacking Thebes into a core element of the plot in Seven against Thebes, maximizing the connection be- tween the image on the shield and the shield-bearer. He created an elaborate system of “terrible” and “decorative” shields (Aesch. Sept. 375-676), as well as of the shields that cannot be categorized as “ter- rible” and “decorative” (Aesch. Sept. 19; 43; 91; 100; 160). The analysis of this system made it possible to put forward and prove three hypothetical assumptions: 1) In Aeschylus, Eteocles demands from the Thebans to win or die, focusing on the fact that the city cre- ated a special educational space for them and raised them as shield- bearers. His patriotic speeches and, later, his judgments expressed in the “shield scene” demonstrate a desire to justify and then test the educational concept “ἢ τὰν ἢ ἐπὶ τᾶς” (“either with it, or upon it”) (Plut. -
Thucydides 7.42.3: an Unrecognized Fragment of Philistus
Thucydides 7.42.3: an Unrecognised Fragment of Philistus Kopff, E Christian Greek, Roman and Byzantine Studies; Spring 1976; 17, 1; ProQuest pg. 23 Thucydides 7.42.3: an Unrecognized Fragment of Philistus E. Christian Kopff • '>.' \ A () 1 ''>.' \ • l \ 1 \ 1 ,.,. 1 o OE .LJTJfLOC EVT}C LOWV WC E XE Ta 7rpaYfLaTa Kat vOfLLcac ouX OWl' TE '9 '>.' IQ ''>.' \ () 1\7 1 " () [( '..I. 1 \ \ Ovat OLaTpLJ-'EtV OUoE tra ELVA" 07rEP 0• .J.vtKtaC E7ra EV a'f'tKOfLEVOC yap TO A • 1\7 1 ..I. Q 1 • , '() \ , A C 1 7rPWTOV 0 LVLKLac 'f'OJ-'EpOC, WC OUK EU UC 7rPOCEKELTO TaLC upaKoucaLC, -'_ \ \ ' , rT 1 '>.' 'r • '..1.8 \ "..I.() , \ , - W\I\ EV .n.aTavn OLEXEtfLa",EV, V7T'EPW'f' TJ TE Kat E'f' aCEV aUTOV EK T7JC 1 A • 1\ ' ..I.' '" '>." '" ',f, n EI\07r0VV7JCOU\ CTpaTLC!- 0 r VI\L7r7rOC a'f'LKOfLEVOC, TJV OVo av fLETE7rEfL'f'av al (vpaKOCWL, El EKE'Lvoc EV()VC E7r€KELTO' lKavo~ yap aVTO~ olOfLEVOL Elvat fit ''1\'' () ~ N \ , I '" ~ ~ ~, , afLa T av EfLa OV TJCCOUC OVTEC KaL a7rOTETELXLCfLEVOL av "cav, WCTE fLTJo Et I u.l. " ~ , '" , , ',J.., \ ... ) ..... .,., "" t fJ.ETE7rEf"'f'av ETL OfJ.OLWC av aVTOVC W'f'EI\OV , TaVTa OW al'aCK07rWV 0 A ()' ]" I fit \''',.... I ..... , .LJTJfJ.OC EVT}C. Kat yLyvWCKWV OTt Kat aVTOC €I' Tep 7rapOVTL TV 7rPWT'[} ., -'\ 1:" " TJfJ.EPC!- fLctI\tCTa oEtVOTaTOC ECTt TOtCA' EVaVTtOLC, , EJ-'OV'Q'A ETO OTt" Taxoc, a7roxp~cac()aL Tfj 7rapOVCV TOV CTpaTEVJl-aTOC EK7rA~~EL. (Thuc. 7.42.3) .. WER DIESE W[orte] mit dem ausfiihrlichen Berichte vergleicht, den Th[ukydides] im 6. -
Thucydides, Sicily, and the Defeat of Athens Tim Rood
Thucydides, Sicily, and the Defeat of Athens Tim Rood To cite this version: Tim Rood. Thucydides, Sicily, and the Defeat of Athens. KTÈMA Civilisations de l’Orient, de la Grèce et de Rome antiques, Université de Strasbourg, 2017, 42, pp.19-39. halshs-01670082 HAL Id: halshs-01670082 https://halshs.archives-ouvertes.fr/halshs-01670082 Submitted on 21 Dec 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Les interprétations de la défaite de 404 Edith Foster Interpretations of Athen’s defeat in the Peloponnesian war ............................................................. 7 Edmond LÉVY Thucydide, le premier interprète d’une défaite anormale ................................................................. 9 Tim Rood Thucydides, Sicily, and the Defeat of Athens ...................................................................................... 19 Cinzia Bearzot La συμφορά de la cité La défaite d’Athènes (405-404 av. J.-C.) chez les orateurs attiques .................................................. 41 Michel Humm Rome, une « cité grecque -
Ovid's Wife in the Tristia and Epistulae Ex Ponto
OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN (Under the Direction of T. KEITH DIX) ABSTRACT Augustus exiled Ovid to Tomis in AD 8 in part, the poet says, because of his carmen, the Ars Amatoria. Ovid presents the misfortunes of exile in two collections of elegiac epistles, the Tristia and Epistulae ex Ponto. As the recipient of nine epistles, Ovid’s wife is his most frequent addressee. Other poems throughout the two works also mention her. Ovid models the persona of his wife in the exile poetry on characters he developed in the Amores, Heroides, and Ars Amatoria. She appears initially as an abandoned heroine, then as a beloved from whom Ovid seeks fulfillment of his needs, and eventually becomes a pupil in imperial courtship. The resulting “conjugal love elegy” does not replace his earlier erotic elegy but recasts it as a means for Ovid to lament his misfortunes, present a new image for his poet-narrator, and immortalize his genius. INDEX WORDS: Augustus, Coniunx, Elegy, Epistolary Poetry, Epistulae, Exile, Latin, Livia, Ovid, Ovid’s wife, Tristia OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN B.A., The University of Minnesota, 1996 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Amy Nohr Petersen All Rights Reserved OVID’S WIFE IN THE TRISTIA AND EPISTULAE EX PONTO: TRANSFORMING EROTIC ELEGY INTO CONJUGAL ELEGY by AMY NOHR PETERSEN Major Professor: T.