Dr Paul Irish ~ Hidden in Plain View
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Experiencing the Identity(Ies) of the Other(S)
Experiencing the identity(ies) of the other(s), finding that of one’s own on/through the stage in Wertenbaker’s play Our Country’s Good Autor(es): Kara, enay Publicado por: Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/43216 DOI: DOI:https://doi.org/10.14195/978-989-26-1483-0_9 Accessed : 25-Sep-2021 07:37:43 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt ANA PAULA ARNAUT ANA PAULA IDENTITY(IES) A MULTICULTURAL AND (ORG.) MULTIDISCIPLINARY APPROACH ANA -
Towards a Minor Theatre: the Task of the Playmaker in Our Country’S Good
Wenshan Review of Literature and Culture.Vol 5.2.June 2012.25-48. Towards a Minor Theatre: The Task of the Playmaker in Our Country’s Good Carol L. Yang ABSTRACT Timberlake Wertenbaker’s play Our Country’s Good (1988), as an adaptation of Thomas Keneally’s novel The Playmaker (1987), traces how a group of convicts, who are isolated in an eighteenth-century Australian penal colony, work together to produce George Farquhar’s The Recruiting Officer in celebration of the birthday of King George III. Arguably, Our Country’s Good is characterized by a kind of metatheatrical minorization of the major, a subtraction of the official State representatives, such as history, power structure, society, language, and text; the play is characterized by a polemicizing the sense of other spaces, and a form of threshold traversing that is rendered possible in the context of translation/adaptation and dramatic text/performance text in the theatre. This paper aims to analyze Wertenbaker’s Our Country’s Good in terms of Gilles Deleuze’s and Félix Guattari’s theories—such as the concepts of deterritorialization, reterritorialization, lines of flight, and minor theatre—in order to explore how the dispossessed convicts traverse the threshold of “becoming other” via the historicized immigration of transportation, which opens up lines of flight and generates the unceasing mapping of a new life. I would like to suggest that Wertenbaker’s Our Country’s Good presents a subtle counterpoint between the major theatre and the minor theatre: whereas a major theatre seeks to represent and to reproduce the power structure of the dominant state apparatus, the minor theatre operates by disseminating, varying, subverting the structures of the state and major theatre. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
Cushing, Nancy
How to cite: Cushing, Nancy. “Animal Mobilities and the Founding of New South Wales.” In: “Visions of Australia: Environments in History,” edited by Christof Mauch, Ruth Morgan, and Emily O’Gorman. RCC Perspectives: Transformations in Environment and Society 2017, no. 2, 19–25. doi.org/10.5282/rcc/7905. RCC Perspectives: Transformations in Environment and Society is an open-access publication. It is available online at www.environmentandsociety.org/perspectives. Articles may be downloaded, copied, and redistributed free of charge and the text may be reprinted, provided that the author and source are attributed. Please include this cover sheet when redistributing the article. To learn more about the Rachel Carson Center for Environment and Society, please visit www.rachelcarsoncenter.org. Rachel Carson Center for Environment and Society Leopoldstrasse 11a, 80802 Munich, GERMANY ISSN (print) 2190-5088 ISSN (online) 2190-8087 © Copyright of the text is held by the Rachel Carson Center. Image copyright is retained by the individual artists; their permission may be required in case of reproduction. Visions of Australia 19 Nancy Cushing Animal Mobilities and the Founding of New South Wales We sailed from the Cape of Good Hope on the 12th of November 1787 . [hav- ing] provided ourselves with every Article, necessary for the forming a civilized Colony, Live Stock, consisting of Bulls, Cows, Horses Mares, Colts, Sheep, Hogs, Goats Fowls and other living Creatures by Pairs. Thus Equipped, each Ship like another Noah’s Ark, away we steered for Botany Bay, and after a tolerably pleasant Voyage of 10 Weeks & 2 Days Governour Phillip, had the Satisfaction to see the whole of his little Fleet safe at Anchor in the said Bay. -
An Account of the English Colony in New South Wales [Volume 1]
An Account of the English Colony in New South Wales [Volume 1] With Remarks on the Dispositions, Customs, Manners &c. of the Native Inhabitants of that Country. To Which are Added, Some Particulars of New Zealand: Complied by Permission, From the Mss. of Lieutenant-Governor King Collins, David (1756-1810) A digital text sponsored by University of Sydney Library Sydney 2003 colacc1 http://purl.library.usyd.edu.au/setis/id/colacc1 © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Prepared from the print edition published by T. Cadell Jun. and W. Davies 1798 All quotation marks are retained as data. First Published: 1798 F263 Australian Etext Collections at Early Settlement prose nonfiction pre-1810 An Account of the English Colony in New South Wales [Volume 1] With Remarks on the Dispositions, Customs, Manners &c. of the Native Inhabitants of that Country. To Which are Added, Some Particulars of New Zealand: Complied by Permission, From the Mss. of Lieutenant-Governor King Contents. Introduction. SECT. PAGE I. TRANSPORTS hired to carry Convicts to Botany Bay. — The Sirius and the Supply i commissioned. — Preparations for sailing. — Tonnage of the Transports. — Numbers embarked. — Fleet sails. — Regulations on board the Transports. — Persons left behind. — Two Convicts punished on board the Sirius. — The Hyæna leaves the Fleet. — Arrival of the Fleet at Teneriffe. — Proceedings at that Island. — Some Particulars respecting the Town of Santa Cruz. — An Excursion made to Laguna. — A Convict escapes from one of the Transports, but is retaken. — Proceedings. — The Fleet leaves Teneriffe, and puts to Sea. -
31.Pdf (297.6Kb)
THEATRE a remarkable amount of organised entertainment, beginning Spouting with the Brickfields Theatre, possibly operating as early as 1793, and succeeded by an equally obscure venture in the in the Colonies same area in the 1810s. He argues convincingly that Robert Sidaway’s 1796 Sydney Theatre was located just south of the Rocks in Wind- Richard Fotheringham mill Row (now under the Bradfield Expressway) rather than in Bligh Street or George Street, as previously suggested, Robert Jordan and also speculates plausibly that it operated more frequently THE CONVICT THEATRES OF EARLY AUSTRALIA and for many more years than was known before. Theatre on 1788–1840 Norfolk Island has already been documented, principally Currency House, $49.95hb, 386pp, 0 9581213 0 3 because of the well-known 1794 riot at the playhouse, as well as through interest in the later (1840) experiment in drama as OO OFTEN AS AUSTRALIANS we have preferred therapy and civility by the humane Captain Maconochie, but our history one-dimensional: terra nullius, convicts, Jordan presents major new evidence about another important Tgold rush, Federation, Gallipoli. Barren land, barren and long-running convict theatre, at Emu Plains (c. 1822–30). culture: in the grim struggle against tyranny, nature and dis- This book ought to be read in the UK as well as here, tance, hardly the place to find artists with the time to create because its first chapter, ‘Britons Abroad: The Early Convicts music, dancing, theatre or opera; or mass audiences willing to and Their Theatrical Background’, assembles evidence that spend their meagre incomes on such diversions. -
Genealogy and Family History John Clarke Wenham
GENEALOGY AND FAMILY HISTORY of the Descendants of JOHN CLARKE of WENHAM, MASSACHUSETTS and EXETER, NEW HAMPSHIRE Compiled by MARLENE A. HINKLEY Bath, Maine Copyright 1968 Marlene A. Hinkley FOREWARD The main purpose in mind in compiling this genealogy was to combine research material obtained from many sources into one book to be of assistance to others in searching their ancestry. As will be seen, there are many family lines throughout this book about which nothing could be found, due to the lack of public records in many instances. Many abbreviations have been used in this book, some of which are as follows: b. born d. died m. married (marriage unm. unmarried int. intentions div. divorced res. resided (residence) emp. employed use U.S. Census The system used in compiling the information in this book is a rela tively easy one to follow. Each child is listed under his or her parent, in order of birth, if known, and, if the child bad issue which is not listed on the same page, that child is given a number which is inserted in the margin to the left of his or her name. Further information concerning that child and his or her children may be obtained by following through the book the numbers to the extreme left of each page, indicating those descendants who are heads of a household. There is an index at the end of this book which consists of the names of all persons contained herein. Any particular ancestor may be easily found by checking this index. A list of all sources from which material and information have been obtained for the preparation of this book may be found at the very end just preceding the index. -
Convicts, Characters, and Conventions of Acting in Timberlake Wertenbaker's Our Country's Good1
Connotations Vol. 7.3 (1997/98) Convicts, Characters, and Conventions of Acting in Timberlake Wertenbaker's Our Country's Good1 VERNA N. FOSTER Few plays endorse the social and cultural value of theatre as explicitly as Timberlake Wertenbaker's Our Country's Good. like Thomas Keneally's novel The Play maker, on which it is based, Our Country's Good recounts an historical event, the first production of a play in Australia: The Recruiting Officer, performed by convicts in Sydney Cove in 1789. The convicts' participation in the rehearsal and performance of George Farquhar's play reforms their manners, enables them to become a community that cares about and is prepared to make sacrifices for something larger than the individual, allows them to undermine at least in small ways oppressive authority, and gives to each of the actors a sense of self worth and hope for the future. The production of the play also transforms Ralph Clark, the officer who directs it.2 From a timid, self-serving individual who originally undertakes the task to curry favor with the Governor, he becomes someone willing to make a personal sacrifice for the play and able to appreciate the convicts as individuals with their own points of view. Our Country's Good concludes with the beginning of the first scene of The Recruiting Officer performed to the music of Beethoven's Fifth Symphony and the laughter and applause of the First Fleet audience, in which the actual theatre audience joins. In accordance with the author's wishes, Wertenbaker's play shows ''how theater can be a humanizing force" for victims of brutalization.3 Theatre critics in both London and New York have generally praised Our Country's Good as a celebration of "the redemptive powers of theatre.,,4 Several academic critics, however, have noted some problematic erasures and unresolved tensions underlying the optimistic progress and triumphant conclusion of Our Country's Good. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Download Version of Record (PDF / 142Kb)
Open Research Online The Open University’s repository of research publications and other research outputs Book reviews: Performance and Literature in the commedia dell’arte (Robert Henke); Music and Women of the commedia dell’arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell’arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall) Journal Item How to cite: Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell’arte (Robert Henke); Music and Women of the commedia dell’arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell’arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81. For guidance on citations see FAQs. c 2004 Cambridge University Press Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.1017/S0307883303211275 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. -
Dates to Remember
_,,, _ _ PATRON: Her Excellency, Professor Marie Bashir, AC, CVO, Governor of New South Wales Volume 39 Issue Jan/Feb 2008 'Resolutions', what do they say? 'are made to be broken'; why do we think like that? Inside this issue: If we were serious about doing something positive, or on the other hand to give up doing something that is affecting us, .either way we have shown that we want to do 'ews of Members 2 things differently, or at least attempt to improve what we do, or how we say it. The service we provide for example is one of the improvements we can make, the goods or articles we produce, the information we give to others and the way we give it, can Hulks Exhibition 3 always be improved. Nance Irvine Tribute 4 So, this year having reached in human terms, the prime of life, ie, being 40 years old, should mean that we have got it all together. HAPPY BIRTHDAY!!! Fellowship of First Fleeters. Our anniversary is on the 27 March 2008. See the invitation on page 10. Australia Day Lunch 5 Returning to my topic of 'resolutions', having digressed slightly, being responsible Photos 6-7 adults we should put our heads together and think about ways that we can improve what we do within the Fellowship and how we perform in the estimation of others. Raffle Winners 8 Can I call upon you each one for help? Please consider the way you feel about the Australia's First Constable Fellowship, and if you have some helpful suggestions about things we do or don't do, (continued) 9-10 put pen to paper, or fingers to the key-board, and let me know. -
Our Country's Good
Otterbein University Digital Commons @ Otterbein 1999-2000 Season Productions 1991-2000 2-1-2000 Our Country's Good Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1999-2000 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Our Country's Good" (2000). 1999-2000 Season. 2. https://digitalcommons.otterbein.edu/production_1999-2000/2 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1999-2000 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. Ottt Country's Go^ by Timberlake Wertenbaker ' :-T FEBRUARY 1-10,2000 Cowan Hall «'* ■^■■■^ '?S Directed by Dcniiis Romcr Scenic i Lighting Design by J) dgn vlSa&biU, Jf Costume Design by J)ayi(| Sound Design by Kcya MycFS-Alkii Dialect Coaching by Phil Thompson ,X- Our Country's Good is presented through special arrangement with DRAMATIC PUBLISHING. Cast JOHN WISEHAMMER & CAPTAIN ARTHUR PHILLIP............................Joe Dallacqua ABORIGINAL AUSTRALIAN & BLACK CAESAR...................................................Jason Marion CAPTAIN WATKIN TENCH & JOHN ARSCOTT............................................ AylerEvan CAPTAIN DAVID COLLINS & ROBERT SIDEWAY..............................Micah Fitzgerald 2nd LIEUTENANT RALPH CLARK...........................................................