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2010-2011 Newsletter
Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way. -
American Creativity at Risk Restoring Creativity As a Priority in Public Policy, Cultural Philanthropy, and Education
American Creativity at Risk Restoring creativity as a priority in public policy, cultural philanthropy, and education A narrative report on a symposium directed toward opinion leaders, policy makers, and creative thinkers in business, government, education, arts and culture, and the sciences November 8–10, 1996 BROWN UNIVERSITY and RHODE ISLAND SCHOOL OF DESIGN Providence, Rhode Island The American Creativity At Risk Symposium was organized by the Alliance of Artists Communities and supported by grants from: Evelyn Stefansson Nef The Pew Charitable Trusts Thank you to the many people who made this The John D. and Catherine T. symposium possible, especially to the Symposium Project MacArthur Foundation Director and author of this report, Tricia Snell, Executive The National Endowment for the Arts Director of the Alliance of Artists Communities. The Andy Warhol Foundation for the Visual Arts The Alliance of Artists Communities also acknowledges and thanks the following people for joining a National The California Tamarack Foundation Task Force that advised us during the early months The Lubo Fund, Inc. of planning for the symposium: Judith Barber, Linda and an anonymous donor Blumberg, Ann Chamberlain, Jennifer Dowley, Mary Griffi n, Garrett Hongo, Sam Miller, Gina Murtagh, We are profoundly grateful to them, Craig Pleasants, Harriet Sanford, Fred Schroeder, Susan and to Brown University and the Rhode Schwartzenberg, Jim Sitter, William Smart, M. Camille Island School of Design for their support Thomas, Anthony Vasconcellos, and Lori Wood. and hospitality. For copies of this report and for transcripts, contact: Special Thanks to the Andy Warhol Alliance of Artists Communities Foundation for The Visual Arts and 255 South Main Street the Geraldine R. -
Journal of the Clark, Volume 15 As of December 31, 2014
Board of Trustees Journal of the Clark, Volume 15 as of December 31, 2014 Campaign for the Clark continued Gilda and Henry Buchbinder Michael Ann Holly, Keith Moxey, and Kelly Pask and Richard Rand Peter S. Willmott Frank Martucci Mary Carswell Judith and Frederick Buechner Nick Holly in memory of Alexander Holly Sally and Lamson Rheinfrank President Ancramdale, New York Honorary Trustee Madeline Burke-Vigeland and Nils Vigeland Janet and Edwin Hopton Rise ARCADIS Chicago, Illinois New York, New York Hiram Butler and Andrew Spindler-Roesle Christina and Russell Howard MC and Eric Roberts Alix and Brian Cabral Kristen Johanson and Tom Green Ann and Alfred Ruesch Paul Neely Mary Jo and Russell Carpenter Isabel F. Jacobs William T. Ruhl Frederick W. Beinecke Scottsdale, Arizona Jane Forbes Clark Carr Hardware Edwin and Lola Jaffe Joan and Michael Salke New York, New York Honorary Trustee Jane and Michael Cary Christopher and Joan Jones Mimi and Morty Schapiro Sandra M. Niles Cooperstown, New York Susan Brissette and David Cass Rachel and Mike Judlowe Barbara and Al Schiavetti José E. Fernández Sherborn, Massachusetts Kay and Elliot Cattarulla In memory of Philip and Pokey Kalker Dr. and Mrs. David Schottenfeld Robert J. Geniesse Julie and Stuart Chase Lisbeth Tarlow and Stephen Kay Dr. and Mrs. R. Michael Scott San Juan, Puerto Rico Honorary Trustee Christie’s Howard A. (Woody) Knight and Family Irwin and Bernice Shainman Francis Oakley Washington, DC The Ciulla Family Joan and Paul Kopperl Mary Anne and Bob Sharkey Michael Govan Williamstown, Massachusetts Richard and Robin Clutz Julie Kosarin Jennifer and David Sims Los Angeles, California Elizabeth Cohen Jessie Kravitz Wendy and John Skavlem Robert G. -
Conference Program
I WEDNESDAY PM 2:OO-5:OO Art Libraries Versailles Terrace Chairman: Elizabeth R. Usher / Metropolitan Museum of Art Bibliographical Reports: ART bibliographies / Roger Bilboul 1European Bibliographical Center Planning for the Center for Advanced Studies in the Visual Arts I.I. M. Edelstein 1 National Gallery of Art Centro di Documentation / Alessandra Marchi / Centro di Documentation, Florence RiLA / Michael Rinehart / Sterling and Francine Clark Art Institute / Judy Ann Goldman and AntoinettePeterson Panel Discussion: The Art Library-Today and in the Future Moderator: Gerd Muehsarn / Queens College Panel: The Viewpoint of the Professor / Scholar User / Hanna Deinhard / Queens College The Viewpoint of the University Art Librarian / Jean L. Finch 1 Stanford University Libraries The Viewpoint of the Small Art Museum Librarian / Barbara Lipton I The Viewpoint of the Artist/Scholar User / Alvin Smith / Queens College The Viewpoint of the Large Art Museum Librarian 1 Frank Sommer I Winterthur Museum The Viewpoint of the Curator/Specialist/Scholar User I Louise A. Svendsen / Guggenheim Museum The Viewooint of the Curator/Scholar User / Georoe Szabo /The Lehman Open house at studios and galleries Information available at Social Events Desk 3:OO-6:00 Reception The Century Association Limited to300 persons 1 Invitations available at Social Events Desk 7 West 43rd Street An opportunity to view the Century Club's collection of New York, New York 19th century American painting WEDNESDAY PM 6:OO-9:OO Convocation The Metropolitan Grace Rainev, Rooers- -
Mathaf: Arab Museum of Modern Art
16 MAT-haff MATHAF: ARAB MUSEUM OF MODERN ART Adam Henein Al-Safina (‘The Ship’), (20082010-) Located in front of Mathaf: Arab Museum of Modern Art © Mathaf: Arab Museum of Modern Art “Mathaf”: Arab Museum of Modern Art. An foot), located in a former school building in Doha’s unprecedented new center for Arab culture and Education City, “Mathaf” has a collection that creativity. represents the major trends and sites of production “Mathaf” (pronounced MAT-haff, meaning of modern Arab art spanning the 1840s through the “museum” in Arabic) is the first institution of its kind present. Offering a rare comprehensive overview of in the region. “Mathaf” fosters creativity, promote modern Arab art, the new museum is presented three dialogue and inspire new ideas about modern and inaugural exhibitions, including the first survey of its contemporary Arab art. unparalleled collection of more than 6,000 works. Suited in 5,500-square-meter (59,000-square- Equally important, “Mathaf” is presenting programs MAT-haff 17 that engage the local and international community, presented as collaboration between Mathaf and as well as encourage research and scholarship, AMCA (Association for Modern and Contemporary contributing to the cultural landscape of the Gulf Art of the Arab World, Iran and Turkey). Scholars region, the Middle East and the Arab Diaspora. and artists discussed topics including major genres of The inaugural ceremony on December 14 featured Arab modern art, the history and implications of art a program of live entertainment and musical education in the Arab world, the function of critics performances spearheaded by Yassin Alsalman (aka and curators in defining the field, and the growing The Narcicyst) under the heading Identity Card: role of multi-nationalism and markets. -
CONTACT: Ruth Kaplan (202) 842-6356 Washington, D.C., July
FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565. 737-4215/842-6353 CONTACT: Ruth Kaplan (202) 842-6356 ** FOR IMMEDIATE RELEASE ROGER HANDLE NAMED SUCCESSOR TO DEPUTY DIRECTOR OF THE NATIONAL GALLERY OF ART Washington, D.C., July 13, 1988 - The Board of Trustees of the National Gallery of Art today elected Roger Mandle as deputy director of the National Gallery. Mr. Mandle is director of Ohio's Toledo Museum of Art. He will move to Washington in the fall to succeed outgoing deputy director John Wilmerding. In addition to his directorship of the Toledo Museum, Mr. Mandle is chairman of the executive committee of the American Federation of Arts and played a key role in its recent merger with the Art Museum Association of America, of which he was president. He serves on both the Museum Advisory Panel and the Indemnity Panel of the National Endowment for the Arts. "We are delighted that Roger Mandle will be joining the National Gallery as our new deputy director," said J. Carter Brown, the Gallery's director. "His experience as director of one of the country's finest museums will be invaluable in assuming this very important role." Mr. Mandle will exercise the responsibilities of the director in his absence and act at all other times as his overall deputy, having charge of eight (more) MANDLE NAMED AS SUCCESSOR TO DEPUTY DIRECTOR ... page two major departments, including supervision of art care, exhibitions, and related activities. John Wilmerding, who leaves the National Gallery in September to become Sarofim professor in American art at Princeton University, said today, "I can't think of a more appropriate replacement to take on the complex tasks of this post. -
Journal of the Clark, Volume 20 the Woodcut Foxgloves Was Among the Most Complex Technical and Visual Achievements of Nikolai Astrup’S Printmaking Career
Journal of the Clark, Volume 20 The woodcut Foxgloves was among the most complex technical and visual achievements of Nikolai Astrup’s printmaking career. It depicts a dense birch forest with pink foxglove flowers in the foreground, two young girls in red dresses picking berries and animals drinking from a flowing stream in the middle ground, and a mountainous landscape in the distance. Of the five known impressions of this woodcut, each is different in color selection and in the shape of the mountain in the distance, but the main components remain the same. The fact that the artist at one point titled it Foxglove Children—The Mystique indicates the scene was intended to suggest a mysterious quality inherent in nature from a child’s perspective. Created using a different block of wood for each color, Foxgloves was extremely laborious to make. Astrup mimicked the Japanese ukiyo-e manner of color woodcut production whereby the artist put a piece of paper over the block and used a tool to rub the back side of the paper by COVER: Nikolai Astrup (Norwegian, 1880–1928), Foxgloves, hand instead of using a printing press. Because Astrup used 1927. Color woodcut on paper, 27 9/16 x 30 11/16 in. oil-based inks, the drying time for each color was substantial. (70 x 78 cm). The Savings Bank Foundation DNB/The Astrup The raised texture of these layered inks, as well as the artist’s Collection/KODE Art Museums of Bergen. additional hand-coloring, make for a tapestry-like effect. Journal of the Clark, Volume 20 Journal of the Clark Art Institute (ISSN 1534-6323) is published annually by the Clark Art Institute, 225 South Street, Williamstown, Massachusetts 01267. -
RHODE ISLAND JEWISH HISTORICAL NOTES VOLUME 12 NOVEMBER 1997 NUMBER 3 PUBLICATIONS COMMITTEE Seebert J
RHODE ISLAND JEWISH HISTORICAL NOTES VOLUME 12 NOVEMBER 1997 NUMBER 3 PUBLICATIONS COMMITTEE Seebert J. G oldowsky, M.D., Chairman Stanley Abrams Sidney G oldstein, Ph.D. Geraldine S. F oster E leanor F. H orvitz Bonnie N. Goldowsky Terry Kantorowitz Shaffer Jerome B. Spunt The Library of Congress National Serials Data Program (NSDP), Washington, D.C. 20540, which operates the U.S. Serials Data System, has assigned the following International Standard Serial Number (ISSN) to the Rhode Island Jewish Historical Notes, a publication of the Rhode Island Jewish Historical Association: ISSN 0556-8609. F ront C over Seebert J. Goldowsky, M.D. (1907-1997) and Judith Weiss Cohen (1923-1997) RHODE ISLAND JEWISH HISTORICAL NOVEMBER, 1997 VOLUME 12, NUMBER 3 Copyright © 1997 by the RHODE ISLAND JEWISH HISTORICAL ASSOCIATION 130 SESSIONS STREET, PROVIDENCE, RHODE ISLAND 02906-3444 RHODE ISLAND JEWISH HISTORICAL ASSOCIATION 130 Sessions Street, Providence, Rhode Island 02906 D avid C harak Adelman (1892-1967), Founder EXECUTIVE COMMITTEE A aron Cohen ................. ......................President E ugene W einberg........ ... First Vice President Robert Berkelhammer Second Vice President Sylvia Factor.............. ......................Secretary L illian Schwartz........ .... Assistant Secretary Jack F radin.................... ..................... Treasurer H erbert L. R o sen........ .... Assistant Treasurer Honorary M embers of the E xecutive Committee Bonnie N. Goldowsky L ynn Stepak M elvin Z urier P ast Presidents Stanley Abrams Benton H. R osen Geraldine S. Foster B eryl Segal (1898-1980) Seebert J. Goldowsky, M.D. (1907-1997) Jerome B. Spunt Robert A. Kotlen E rwin Strasmich M arvin Ptiterman, Ph.D. M embers-at-large of the Executive Committee Kenneth A brams R ita M ichaelson Herbert Brown Herbert Iventash, O.D. -
Making Progress | Spring 2009 Inside Risd, Reality and the Downturn
making progress | spring 2009 inside risd, reality and the downturn departments features publishing director The reality of my first year as president Given these new challenges, the Board of START HERE gatherings this spring, I have Becky Bermont at RISD is a lot like President Obama’s first Trustees and I have resolved to act decisively. been speaking to hundreds of alumni and few months in office – not what we expected. We will slice $10M (8%) from our previously friends about “The RISD Triangle of Engage- 2 5 editor I came here humbled and inspired to begin projected operating budget for next year ment.” The concept is quite simple, really: hillside making progess Liisa Silander working with our creative community to through a combination of operating and say RISD, hire from RISD and give to RISD. what’s up on campus This issue focuses on a new sense of energy and possibility shared design / production reinterpret our fine college and museum for capital expense cuts, salary freezes, benefits by members of the RISD community – in spite of global economic • Remember to mention RISD in all forms 18 Elizabeth Eddins ’00 GD a new era. And despite the murky economy, changes and reductions in employees uncertainties. of casual conversation. New students engagement @ risd that’s still what inspires me every day. (through attrition, retirement incentives writers won’t continue to apply here if they’ve news from alumni relations 6 and, unfortunately, some layoffs). As the Anna Cousins Though I never imagined that financial never heard of us. design we can believe in academic year comes to a close, we will 20 Delia Kovac ’02 PR concerns would cloud the forecast so Many RISD people contributed their creative talents to help elect know how much belt-tightening is necessary portfolio Liisa Silander • If you’re able to hire an intern or a RISD President Obama and are now equally committed to turning the quickly, RISD – like the world at large – news of alumni going forward. -
National Endowment for the Arts Annual Report 1973
National Endowm~nt_. for the Arts National Council on the Arts Annual Report Fiscal Year 1973 Washington, D.C. For sale by the Superintendent of Documents, U.S. Government Pr~nt~ng Office, Washington, D.C., 20402 Price: $1.60. Stock Number 3600-00018 TO THE CONGRESS OF THE UNITED STATES: It is my great pleasure to transmit to the Congress C~ the Annual Report of the National Council on the Arts and the National Endowment for the Arts for Fiscal Year 1973. The cultural heritage of this Nation -- enormously rich and diverse -- is a strength to millions of Americans who turn to the arts for inspiration, communication, and creative self-expression. This ~nnual Report reflects the vital role which the government performs in making the arts more available to all our people, by encouraging original fresh expression and sus taining the great traditions of our past artistic accomplish ments. The National Endowment for the Arts has en exceptional record of achievement in advancing the broad artistic develop ment of this Nation, reeching into every state and special jurisdiction. Its funding at $38,200,000 in Fiscal Year 1973 was neerly e third more than the previous year, and with these additionel monies the Endowment wes able to continue end expand critically important support for our orchestres, operas, theetres, dance compenies, end museums es well es encourage our artists, and open new opportunities for telented young ectors end performers. With the bicentenniel near et hand, the creative gifts of our ertists and the production and presentation skills of our great institutions will be important and indispensable components of the national celebration.