Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Warren Durrett Orchestra Collection

SIZE: 14 linear feet

DATE RANGE: 1945 ‐ 1986

ACQUISITION: Collection was donated to Special Collections and the Marr Sound Archives by Jan Durrett, widow of Warren Durrett in December 2006.

ACCESS: This is a non‐circulation collection. Listening stations are available in the archives.

COPYRIGHT: Requests for permission to publish material from this collection should be discussed with the Special Collections Librarian or other authorized agent.

ACCEPTED BY: Chuck Haddix

PROCESSED BY: Flannery Cashill/Cody Kauhl

SUPERVISING ARCHIVIST: Kelley Martin

BIOGRAPHICAL SKETCH:

Warren R. Durrett was born in Lebanon, KS, December 28, 1920, the youngest of seven children. His parents were Benjamin H. Durrett and Wilma Myers Durrett. He attended colleges at the University of Oklahoma and Maryville, MO, before graduating in 1951 from Kansas City University with a Bachelor of Arts degree. His schooling was self financed using earnings from playing in college dance bands. In 1945, he started his own band of ten pieces playing weekends at the Continental Hotel Sky Hy Roof at 11th and Baltimore. The band grew rapidly in popularity playing single‐night private parties and dinner dances at hotels, country clubs, area colleges, and ball rooms like the Pla‐Mor where they set an attendance record for a local band of 1200 admissions in one night. Durrett also expanded the size of the band which grew to 18 pieces by the 1960s and then occasionally to 25 pieces by adding six strings and two singers. During the last years of performance part of the schedule involved performing as the KJLA Music of Your Life Orchestra for ballroom dancing at the Adams Mark Hotel. Durrett retired the big band when he reached the age of 65. The final performance was a public dance held at the Marriott Hotel in Overland Park sponsored by KJLA radio featuring his 25 piece orchestra. The event was sold out three weeks in advance and marked Durrett's 42nd year as a band leader. During the following 14 years he wrote a 312 page book entitled "A Chronology of the Warren Durrett Big Band in Kansas City‐1945‐86" with pictures and discussions of band personnel and jobbing dates by decades. From 1949 to 1967 Warren operated Durrett Productions, a musical advertising company which composed and arranged music for advertising agencies for use in radio and television commercials throughout the Midwest. In 1960 he started a career in real estate investment and land development. He formed and directed several syndicates and corporations in this field. He was a member of the National Home Builders Association of Greater Kansas City and the Olathe Chamber of Commerce. He was a member of the Village Presbyterian Church where he sang in the choir for 16 years. In 1991 he was awarded the annual Distinguished Achievement award by Conservatory of Music of the University of Missouri at Kansas City. Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

There was a tribute evening held for Durrett November 17, 2001, at the American Jazz Museum, 18th and Vine, at which time Warren Durrett Orchestra memorabilia was donated to the museum. Warren Durrett died Sunday, March 24, 2002. He is survived by his spouse of 30 years, Janice Moses Durrett, and a sister, Vivian Durrett Lowe, El Cajon, CA, sister‐in‐law, Helen M. Campbell, Albuquerque, NM, three step children, Sherry Scott Collins, Mercer Island, WA, Alan Rush Scott, Phoenix, AZ, and Linda Sue Scott, San Francisco, CA, two step grandchildren, Tanny Scott, Tucson, AZ, and Casey Collins, Mercer Island, WA. He is survived by nieces, Diane Knudsen Zabel, Chicago, IL, Carol Knudsen, El Cajon, CA, Suzanne Knudsen Parups, Gladstone, MO, Linda Blades Henry, Redmond, WA, and nephews, Rodney Durrett, El Cajon, CA, Richard Durrett, Los Angeles, CA, and Robert Durrett of Madison, AL, and numerous grandnephews and nieces. His musical family is large and very dear to Warren. Over 250 musicians played with his band through the years.

Source Obituary. Kansas City Star 28 March 2002. NewsBank NewsFile Collection. 2 Aug 2007. .

COLLECTION DESCRIPTION: Warren Durrett was a successful local band leader, playing in Kansas City and the surrounding area from 1945 ‐ 1986. Collection includes reel to reel tapes of performances beginning in 1958 through 1986. The collection also includes audio tapes and acetate discs of jingles produced by Durrett Productions in the late 50s and 60s.

SERIES DESCRIPTIONS:

SERIES I: Reel to Reel Tapes Primarily consists of the recordings of The Warren Durrett Orchestra Performances throughout the Kansas City area and jingles recorded from 1958–1978.

SERIES II: Non‐Commercially Recorded Discs Primarily consists of the jingles recorded by Durrett productions and performances of The Warren Durrett Orchestra from 1947–1973.

SERIES III: Cassette Tapes Primarily consists of the recordings of The Warren Durrett Orchestra Performances throughout the Kansas City area from 1983‐1986.

# Date Content Notes Reel to Reel Tapes Box 1: Barcode #040‐113293631 1 6/1953 Note on back: Reel No. 1 1. Carl McGriffin ‐ Durrett 2. Don Price (singing) & Durrett 3. Mori Greiner singing "Time You Tried" 4. Marilyn May ‐ Calypso comm. (?) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

5. Mrs. Wilma E. Durrett ‐ Topkea, June 1953 6. Linda Blades 7. Barney Blades 8. Polly, Dad, etc. Note on side: 1953 2 Note on front: Traders 7½ ips 1. Bossa Nova Instrumental 2. Tijuana Instrumental 3. Waltz Instrumental 4. Bossa Nova Vocal 5. Tijuana Brass Vocal 6. Waltz Vocal 7. Waltz with Instrumental Tag 3 Note on attached stationary paper: #1 Tommy Dorsey Band w/ Buddy Morrow #2 Full, Faith & Credit Big Band Note on front: Reginald Buckner The Jazz Clan, Track 3, 7 1/2 Note on back: Date: 1/28, Speed: 7 1/2, Stereo 4 Note on back: Ted Heath ‐ "All Time Top Twelve" Arr. ‐ Johnny Keating [London #1716] 1. September Song 2. Stardust 3. Tea for Two 4. On the Sunny Side of the Street 5. I've Got the World on a String 6. My Blue Heaven 7. Begin the Beguine 8. April in Paris 9. 'S Wonderful 10. Autumn Leaves 11. Someone Loves Me 5 12/21/1956 Note on back: Warren Durrett Orchestra, December 21, 1956, Tape #2 You Stepped Out of a Dream Christmas Song, Popo East of the Sun My Pet Brunette 70 Medley You Belong to Me Happy Birthday Blue Lou Two Different Worlds Temptation Note on side: Subject: 11A554 6 12/21/1956 Note on back: Warren Durrett Orchestra, December 21, '56, Tape #1 These Foolish Things Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Christmas Song 155 Medley I Hadn't Anyone 'Till You I Can't Give You Anything but Love Two Different Worlds One Alone Over the Rainbow Note on side: Subject: 11A554 7 5/8/1954 Note on back: Jeepers Creepers, Jealousie, I May Be Wrong, Tea for Lou, Medley, Sunday, Medley, Reel No. 3, Date 5‐8‐54, Speed 3 3/4, random selections of Warren Durrett orchestra taken at Pla Mor Ballroom, Kansas City Mo on May 8, '54 Note on side: Reel No. 3, Date: 5‐8‐54 8 10/26/1957 Note on front: Warren: This is priceless entertainment & you can now play it on any machine large or small. If you ever want to throw a "whing ding" for the talent, and do not have a machine, I'll lend one n/c, Regards, Vic. Note on back: Single track, 7 1/2 copy, New Master Tape, KWMT Durrett Productions, Session at Damon Recording Studios Inc., Oct. 26, 1957, Best 4 takes are at start. This contains everything of interest. Obviously the lengthy Oct. 24 session could not be included. This will play on any single or double track, or Stereophonic tape recorder at standard 7 1/2 I.P.S. speed. 9 5/17/1958 Note on back: From the Desk of Warren Durrett, (Patti Tucker singing), Ralph Aldridge‐tenor 18 pc band, Sigma Chi Sweetheart Ball outside at K.U. Sat. May 17, 1958 (rained out) I Didn't Know What Time it Was You Belong to Me That Old Feeling I Can't Give You Anything But Love East of the Sun [‐ Good] Don't Take Your Love from Me Jeepers Creepers [‐ Good] (RAIN) 10 6/29/1958 Note on back: Family Reunion, June 29, 1958. 11 11/5/1959 Note on back: From the Desk of Warren Durrett, Dance for Kansas Teachers Convention Shawnee‐Mission H.S. Thur. Nov. 5, 1959 (3‐1/2 IPS) Side Two Nearness of You [‐ Busey] Side by Side My Love, My Love Charmaine One Night of Love Here 'Tis [‐ Busey] 155. Medley Brief & Breezy Moonlight in Vermont Short Stop See You in my Dreams Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Side One (000) Don't Take Your Love from Me Mack the Knife (045) 192 Medley (096) That Old Feeling (124) Bubbles in the Wine (159) Jeepers Creepers (194) Hour of Parting Cha‐Cha (237) One Alone (269) I Hadn't Anyone 'Til You [‐ Ralston] ( Stumblin'‐Josephine (362) Mack the Knife (420) Splanky [‐ Good Busey] (496) I Only Have Eyes for You (543) You Never Say Yes [‐ Ralston] (604) Who (656) Tenderly [‐ DeWeerdt] (760) Beer Barrell Pola Band personnel Saxes 1. Marshall DeMuynck 2. Dick Busey 3. Joe Gilliland 4. Dennis Hall 5. Jerry Breitag Trumpets 1. Sherman Gibson, 2. Danny Overholt, 3. Bill Trumbauer trombones 1. Bill Drybread, 2. Arch Martin, 3. Ozzie Miller bass, Irwin Manady piano, Warren Durrett accordion, Gus DeWeerdt guitar, Ted Painter drums, Robbie Wilcox singers, Janice O'Dell, Jim Ralston 12 5/8/1968 Note on reel: 1800', Side 1‐ 5‐8‐68, Side 2‐ 5‐9‐68. 13 8/28/1960 Note on back: True‐Klemp Sales Revival Music (Recorded August 28, 1960 by Ed Roche at World War II Memorial Bldg. auditorium) 000 "Selling Days are Here Again" 027 "The Masters Had the Methods" 076 "You've got to Prospect to Get That Gold 127 "A Wonderful Way to Start a Sale" 157 "Gee, But Its Great to be a Salesman" 200 "You've Got to Ask For the Order" 240 "When the Customer Says No!" 278 "I‐D‐E‐A‐S Make the Salesman Great" Note on reel: True‐Klemp, 8‐28‐60. 14 3/6/1960 Note on front: Warren: This monaural copy N/C Should you decide at any time to go stereo, I'll make a stereo tape duplicate for you. regards Note on back: Full single track, monaural copy from Damon stereo Speed: 7 1/2, "Light the Way" composed and conducted by Warren Durrett, Time 6:48 Istvan Gladics, flute, Lavergne Friday, organ, sung by the Village Church Choir, Prairie Village, Kansas, first performance, Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

March 6, 1960. 15 Note on back: Tape copy of "Best Band" Record album, Horizon Studio 1962. Note on reel: Warren Durrett Orchestra 16 5/27/1962 Note on back: Original Recording Session Tape on: Traders Bank, Big Band, Instrumental Cuts, #1 thru 10 ‐ 15 ips, #11 ‐ 7 1/2 ips, Midwest Recording 5‐27‐62 (World War II Mem. Bldg.) Note on side: Durrett Traders Bank 17 10/26/1962 Note on back: Warren Durrett Orchestra Concert, for Choir Party at Village Church, Oct. 29. 1962. 18 11/20/1963 Note on back: Air‐check, single track, 7 1/2, KMBC Radio Program, 1005 to 1030 PM November 20 1963 featuring: Warren Durrett, his Orchestra and Commercials by Durrett Productions. 19 12/05/1963 Note on back: Single track, 7 1/2, Off‐the‐Air Tape Transcription, KMBC Radio 1030 to 1100 P.M. Dec. 5‐1963, Sponsored by: Warren Durrett, his Orchestra and Durrett Productions. Note on inside: Hello Warren: I wonder if KMBC, for convenience, dubbed a couple of numbers from your record. Those two cuts had record scratch and the record I gave you had absolutely no scratch. Many thanks, Vic 20 8/20/1965 Note on back: Reel No. 1, single track, 7 1/2, Broadcast Pickup of: Warren Durrett and his Big Band (working band) at the Landing WDAF, Aug. 20, 1965, Damon Air Check 21 8/20/1965 Note on back: Reel No. 2, single track, 7 1/2, Warren Durrett and his Big Band (working band) at the Landing WDAF, Aug. 20‐1965 22 8/20/1965 Note on back: Warren Durrett orch. Broadcast from WDAF at the Landing, Aug. 20, 1965 copy, by "Beatty Hi‐Fi" Note on Inside: Warren Durrett Orchestra, Live remote broadcast on WDAF Radio from outdoor stage at THE LANDING Shopping Center, 63rd & Troost, Kansas City, MO. on August 20, 1965. Broadcast recorded by Beatty Hi‐Fi. Trumpets: Sherman Gibson, Dan Overholt, Wayne Ruppenthal, Ron Rabon Trombones: Arch Martin, Jim Ralston, Harold Blevins, Richard Rogers Saxes: Bob Ousley, Bob Burns, Joe Gilliland, Dennis Hall, Ed Boyle Drums: Robbie Wilcox; Bass: Gerald Allee; Piano: Warren Durrett; Singer: Julie Turner. Program Solos: Teddy the Toad... Arch Martin Keepin' Outa Mischief Now... Arch Martin Don't Lose Your Peace of Mind... Sherm Gibson Cute... Robbie Wilcox Moon River... Joe Gilliland At Long g Last Love...Joe Gilliland Makin' Whoopie... Julie Turner Cuckoo in the Clock Medley... ‐‐‐‐‐‐‐‐‐‐ Scuba Du Twist... Dan Overholt ending highs Speak Low... Arch Martin & W.D. Don't Be That Way... Bob Ousley ‐ Arch Martin Body & Soul... Arch Martin Well Alright Okay You Win... Julie Turner 23 5/1/1966 Note on Front: 1966 Jazz Festival ‐ May 1, '66, Warren Durrett Orch. 5 trumpets, 5 trombones, 5 rhythm, [good "Broadway"] Note on Inside: K.C. Jazz Festival ‐ May 1, 1966 1. Bargain Basement 2. A Slight Fufuishness Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

3. Tiajuana Loser 4. The Message 5. Broadway [‐ GOOD!] 24 4/30/1966 Note on back: 7 1/2 IPS stereo Note on reel: Durrett 66 Note in box: K.C. Jazz Festival‐ May 1, 1966 1. Bargain Basement, 2. A Slight Fufuishness 3. Tiajuana Loser 4. The Message 5. Broadway [Rehearsal ‐ "The Place", Sat. Apr. 30, '66] 25 4/30/1966 Note on back: 7 1/2 IPS stereo Note in box: K.C. Jazz Festival ‐ May 1, 1966 1. Bargain Basement 2. A Slight Fufuishness 3. Tiajuana Loser 4. The Message 5. Broadway [Rehearsal‐ "The Place", Sat. Apr. 30, '66] 26 11/26/1966 Note on back: W. Durrett Orch. Broadcast from Tan‐Tara on Nov. 26, 1966, ‐ KCMO Aircheck ‐ 27 4/2/1967 Note on front: 1967 Jazz Festival, Apr. 2 '67 Warren Durrett Orch. 5 trumpets, 4 trombones, 5 saxes, 5 rhythm [over] Note on back: Contents: 1. Kick Out of You 2. Viva Bilardo 3. Just One of those Things 4. The Message 5. And Four to Go 28 Note on reel: Latest in 1968, side 2 blank. 29 4/28/1968 Note on front: 1968 Jazz festival, April 28, '68 1. My Foolish Heart 2. Shake a Plenty 3. My Heart Stood Still 4. Who Can I Turn To [‐ Good Juliet.] 5. Thruway [‐ Pretty Good]. Note on reel: Durrett 67 30 4/27/1969 Note on front: K.C. Jazz Festival, 4‐27‐69 1. Here's that Rainy Day 2. Goin' on to Detroit 3. All of Me (Peg Barnes) 4. Deep Purple 5. Red Beans 31 12/20/1969 Note on back: W. Durrett Orch. Reel 1, Taped on job at K.C. Country Club, 12‐20‐69. Note on reel: Warren Durrett Orch. K.C. Country Club, Dec. 20, 1969, Reel 1 Side 1 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note inside: K.C.C.C., 12‐20‐69 Red Roses for a Blue Lady, good, Clean‐ Piano Solo Lacks Presence, This Guy's in Love‐ Good, Clean, Where or When Medley‐ Good, good, Love Walked In‐ good, I Concentrate on You (struck), too slow, On Clear day (struck), No Flute Presence, White X‐mas, good, except presence, Scarborough Fair, Good, " " " ". Reel 1, Side 2, My Shawl‐ Good, 224. Medley‐ Good, What Is There to Say‐ Good to End (1st tube blow out), Medley‐ I I Cover the Waterfront (struck), good from 2nd chorus on, Many, Many Tears ago (vocal) (struck), I Will Wail for you (Bad flutes) (struck), 128. (Basic arr.), not too clean (struck), Cherry Pink and Apple Blossom Turnip (struck). Reel 2, Side 1, I've Gotta Be Me (Peggy Barnes) (blown), (struck), More and More (good), Dancing Medley (good), Who Can I Turn to (Peggy Barnes) intro blown and last note, (good) except last note Jada (Dixieland band), Christmas Song‐ good, Peace of Mind (good), Mame‐ good, I Hadn't Anyone til You (good) turn up tr. 1, Bubbles in the Wine‐good, Sunny (Peg Barnes), very good, Chaser. Reel 2, side 2, Fly Me Medley (very good, except for flute bauble in chos.), Kansas City (louder vocal), very good, Jealous Cha‐Cha‐ fair (struck), Alphie‐ Very Clear (alto a bit soft), (Basie) Fun Time‐ Pretty good, L‐O‐V‐E (Gibson frpt., solo) very good, except 1st chos. Flute, Stella Medley‐ Beautiful Ensemble, Bring me Sunshine‐ Very good, Chaser‐ Very Good. Reel 3, Side 1 Tenderly, good saxes and Gibson, Spinning Wheel‐ little rough, good bone solo (1st playing) (struck), Somewhere my Love‐ So‐so, bad piano solo (struck), For Once in my Life‐ Weak piano lead (struck), Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Alley Cat‐ Piano (Struck), Switch in time‐ Good Bone Solo‐ fair, Watch What Happens‐ Okay (Speaker Cut Outs) (struck), What is There to Say (Cut outs) So‐so (struck). Reel 3, side 2‐ orch, good bone, (edit), 228. Role 'em Pete‐ Good Bone and Clear, Solos, Some cut outs on ens. (struck), Roll Em Pete‐ Good, This Guy's in Love‐ Bad Recording (struck), Please be kind‐ " " (struck), Games‐ " ", not good (struck), Moon River‐ good, It's a Wonderful World‐ good, chaser. 32 12/20/1969 Note on back: W. Durrett Orch. Reel 2, Taped on job at K.C. Country Club, 12‐20‐69 Note on reel: Warren Durrett 12‐20‐69‐2. 33 12/20/1969 Note on back: W. Durrett Orch. Reel 3, Taped on job at K.C. Country Club, 12‐20‐69 Note on reel: Warren Durrett [3]. 34 1/24/1970 Note on back: Warren Durrett Orch., KCMO Broadcast, Wentworth Military Ball 1‐24‐70 35 6/7/1969 Note on back: "Open my Eyes", Village Church, Apr. 1970, (A) Mono, (B) Stereo. Note inside: This tape was in a envelope with sheet music "Open my Eyes" & "Response #3", Durrett 6‐7‐ 69 36 4/23/1970 Note on back: Durrett Rehearsal, 4‐23‐70, Warren Durrett Orch. (Master) 1970 Jazz Festival Stella by Starlight Bayou Slim Stanberry Cobler 1969 Jazz Festival Deep Purple Red Beans [(not there)] Note on reel: Warren Durrett Orchestra (Master) 1970 Jazz Festival Stella by Starlight (John Park) Bayou Slim (Frank Patterson & Park) Stanberry Cobler (Arch Martin & Park) 1969 Jazz Festival Deep Purple (Jim Sellards) Red Beans (Arch Martin) Play on 4‐track stereo 37 4/26/1970 Note on front: K.C. Jazz Festival, Apr. 26, 1970 1. Stella by Starlight 2. Bayou Slim 3. Stanberry Cobler 38 5/23/1970 Note on back: #1 Count Durrett, Muchlebach Hotel, 23 May. Note inside: 5‐23‐70, M. Imperial, Reel 1, Side 1, More and More‐ recording experimentation, Time Medley, I Gotta be Me‐ Damn good, Jada‐ Bad bass 1st chorus, Blue Moon‐ Patterson solo (good 2nd chorus + out), Night Life‐ good (mechanical goof last chorus), All‐ pretty good (rough intro), Kansas City‐ Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Damn good, In the Hood‐ good (bass screw up near end), Wonderwhere‐ Good (5‐19‐70 better). 5‐23‐70, Reel 1, Side 2, Spanish Eyes‐ pretty good (drums heavy), On a Clear Day‐ quite good (piano down), Switch in time‐ " " " ", Beer Barrel Polka ‐ Okay, Brookfield Rock‐ Good (" "), San Jose‐ " ", A Time for Love‐ quite good, Walkin' Happy‐ good after piano bridge (sax unison?), Sentimental Journey‐ not bad, piano hot, Poor Butterfly Miller Medley‐ quite good, out of tape end. 5‐23‐70, Reel 2, side 1, What is There to Say‐ very good, Love and Peace‐ pretty bad, Somewhere my Love‐ Pretty Fair, Basically Yours‐ Good, Up, Up and Away‐ Too much Piano (and drums), Bring me Sunshine (Lousy Opening) Bal. okay, Jealous Cha‐Cha‐ very good (piano too loud), Basie Straight Ahead‐ good‐ but too much piano, Bye‐bye Blackbird‐ okay for fake. 5‐23‐70, reel 2, side 2, Mellow Yellow‐ Piano too hot, What is there to say‐ wake up ending, Light my Fire‐ too much piano, Misty‐ quite good, Didn't We‐ very good, Watch What Happes‐ good (heavy piano), Bag of Blues‐ ruined by piano, Goodnight Medley‐ Light Comedy, Good Chaser. Note on reel: Warren Durrett Orch., Muehlebach Imperial Blrm. 5/23/70, Reel 1 ‐ Side 1 Box 2: Barcode #040‐113293622 40 5/23/1970 Note on back: #2 Count Durrett, Muechlebach Hotel, 23 May 70. Note on reel: Warren Durrett Orch., Muehlebach Imperial Blrm. 5/23/70, Reel 2 ‐ Side 1 41 4/16/1971 Note on back: Military BaII, 16 Apr 71, #1, Kansas National Guard Armory Note on reel: Warren Durrett Orch., Nat. Guard Armory 4/16/71, Reel 1, Side 1 Note inside: KS. Nat. Guard Armory, Apr. 16, '71, Reel #1, Side 1, Boost track on early side of band, More and More‐ No good, Hay Burner‐ good, Light my Fire‐ very good, I Hadn't Anyone 'Til You‐ good (except bass on intro), Walkin' Happy‐ sax unison not good (bal. good), This Guy's in Love‐ very good, Somewhere, my Love‐ pretty fair (piano solo not much), Good Things are Happening‐ good, Where or When Medley‐ good (so‐so piano solo), Up, Up and Away ‐ pretty good, Armory, 4‐16‐71, Reel 1, Side 2, Boost Track on Bary Side, Begin the Beguine‐ pretty good, I've Got A Right to Sing the Blues‐ very good, Please be Kind‐ good, One Step Above‐ pretty good, One Step Above‐ pretty good, Poor Butterfly Medley‐ saxes not good on 1st chos., On a Clear Day‐ very good, Jada‐ (2 chos. each, drums heavy), Show me the Way to San Jose‐ bad intro, rest okay, Watch What Happens‐ mike squealing, so‐so, What is There to Say‐ good. Armory 4‐16‐71, Reel 2, Side 1, Sweet Wom. B II‐ Ragged 1st chos., very good after, Red Roses for Blue Lady‐ pretty good, Sunny‐ pretty good, Spanish Eyes‐ bad ('bone 8va, etc.), A Time for Love‐ good, Red Phantom Rides Again‐ moves good (trumpets little ragged), Stella Medley‐ rough start, pretty good, What is this Thing Called Love‐ Great 'Bone Solo, good clear moves, Body and Soul‐ pretty good. Armory 4‐16‐71, Reel 2, Side 2, You Gotta Try‐ very good, Chaser‐ good, Indian Love Call‐ so‐so, Kansas City‐ good jazz solo, pretty good, Moonlight Serenade‐ tempo little bright, pretty good, Some Night of Love, Anniversary Waltz‐ Juiced Bones, etc., Bring me Sunshine‐ good, Roll 'em Pete‐ swings, Blue Moon‐ Frank Patterson solo (good), Armory 4‐16‐71, Reel 3, Side 1, I Get a Kick Out of You‐ terrible, I Gotta be Me‐ too bright, so‐so, O Sole Mio‐ much 'bone jazz, but sloppy, Cuddle Up a Little Closer‐ vocal, see you in my dreams, Chaser. 42 4/16/1971 Note on back: Military Ball, 16 Apr 71, #2, Kansas Nat. Guard Armory Note on reel: Warren Durrett Orch. Armory, Apr. 16, 1971, Reel 2, Side 1. 43 4/16/1971 Note on back: Military Ball, 16 Apr 71, #3, Ks. Nat. Guard Armory Note on reel: Warren Durrett Orch. Armory, Apr. 16, 1971, Reel 3, Side 1. 44 8/7/1971 Note on front: Brookridge C.C., 8‐7‐71, Reel 1. Note on reel: Warren Durrett Orch., Brookridge C. C., Aug. 7, 1971, Reel 1, Side 1. Note inside: J. Gilliland, Bob Burns, 8‐7‐71, Brookridge CC, Reel 1, Side 1, Doin Basie's Thing‐ terrible pick up, Good Things are Happening‐ Too slow‐ fair, Begin the Beguine‐ quite good, Proud Mary‐ Takes Off‐ Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Good Patterson‐ little rough, A Time for Love‐ Pretty good, Slaughter on Tenth Ave.‐ Good, Bring me Sunshine‐ very good (almost), Watermelon Man‐ terrible, Beer Barrel Polka‐ Not good, Love Story Theme‐ only fair, All‐ little rough, Sunny‐ bad, Look of Love‐ poor recording, On a Clear Day‐ pretty good (but variable volume). 8‐7‐71 Brookridge C.C., Reel 1, Side 2, 42, Queen Bee‐ Very good, Brookfield Rock‐ good, Watch What Happens‐ good, Didn't We‐ good (after intro.), Basie Straight Ahead‐ good, Chaser, Mellow Yellow‐ no left track (good arch solo), Alphie‐ good, I Gotta Be Me‐ very good, Games‐ pretty good but goofed piano chords behind tmb. + trpy., Deep Purple‐ good (little short of solo presence), What is There to Say‐ very good. 8‐7‐71 Brookridge C.C., Reel 2, Side 1, Misty‐ good, Who Can I Turn To‐ very good, One O'Clock Jump‐ good, Finis. Note on reel: Warren Durrett Orch., Brookridge C.C., Aug. 7, 1971, Reel 1, Side 1. 45 8/7/1971 Note on front: Brookridge C.C., Aug. 7, '71, Reel 2. Note on reel: Warren Durrett Orch., Brookridge Country Club August 7, 1971, Reel 2, Side 1 46 5/19/1970 Note on back: #1 Durrett ‐ Muehlebach Hotel, 19 May 70 Note on reel: Warren Durrett Orch., Muehlebach Grand Blrm. May 19, 1970, Reel 1 Side 1 Note inside: 5‐19‐70 Muehlebach, Reel 1, Side 1, Days of Wine and Roses‐ good (string down a bit), Spanish Eyes‐ good (" "), Fly Me Medley‐ (" "), Queen Bee‐ Clean (but Stanton Tenor), Happy Birthday, " "‐ " ", Sunny‐ Good Band (no vocal presence), Wonder Where‐ very nice, San Jose‐ band okay (drums changing styles), Where or When Medley‐ very nice, For Love of Ivy‐ very good. Reel 1, Side 2, What is There to Say‐ (bad ending) Gibson presence, September Song Medley‐ after 1st bridge, strings down, It's a Wonderful World‐ no vocal (out of tune last vocal note), Somewhere my Love‐ good, L‐O‐V‐E, very good, On Clear Day‐ good (strings down), In the Mood‐ okay, but Stanton's tenor, When I Fall in Love‐ strings down, I Gotta Be Me‐ no vocal. Reel 2, Side 1‐ Jada‐ dixieland, Brookfield Rock, Beer Barrel Polka‐ good, Spanish Eyes‐ good, better than reel 1), This Guy's in Love‐ so‐so (good after 1st. Chos. Piano bridge), All‐ bass hung up, Serenade in Blue Medley‐ nice, Look of Love‐ good, Time for Love‐ new pope apr. 1st time thru. Reel 2, Side 2: Makin' Whooppee, Josephine, Fun Time‐ nice, Red Sails in the Sunet, Bernie's Time (Phil Knowland Flute), Kansas City‐ no vocal, Helena Polka, Spinning Wheel‐ good, See You in my Dreams Medley, chaser. 47 5/19/1970 Note on back: #2 Durrett Muehlebach Hotel, 19 May 70 Note on reel: Warren Durrett Orch., Muehlebach Grand, 5/19/70, Reel 2, Side 1 48 12/1/1971 Note on back: Plaza Inn Hotel, Wed., Dec. 1, 1971, Reel 1 Note on reel: Warren Durrett Orch., Plaza Inn Hotel, 12/1/71, Reel 1, Side 1. Note inside: Plaza Inn Hotel, Wed., Dec. 1, 1971, Reel 1, Side 1, All Tape Shaky, Watermelon Man‐ pretty good, A Time For Love‐ " " (little shaky tape), Good Things Are Happening‐ band okay (vocal mike trouble), Begin the Beguine‐ not good (shaky tape), What Are You The Rest of My Wife‐ " " " ", Joy to the World‐ okay, Love Theme‐ pretty fair, Me 'n Hog‐ pretty good (tenor lost). Plaza Inn Hotel, Wed. Dec. 1, 1971, Reel 1, Side 2, On a Clear Day‐ (live sound), Bring Me Sunshine (good band‐ but "nanny"), For Once in my Life‐ (guitar melody), Doin' Basie's Thing‐ pretty good, In the Mood‐ good (in "Nanny" sound), What Is There to Say‐ good, Its Not Unusual‐ tempo slow, fair. Plaza Inn Hotel, Tue. Dec. 1, 1971, Reel 2, Side 1, My Foolish Heart‐ little rough, One O'Clock Jump‐ leaps, Chaster, Moonlight Serenade‐ so‐so, Proud Mary‐ good‐ really goes, Satin Doll‐okay, I Gotta Be Me‐ good, Plaza Inn Hotel, Dec. 1, 1971, Reel 2, Side 2, L‐O‐V‐E‐ okay, Spanish Eyes‐ not bad, Slaughter on Tenth Ave.‐ so‐so, Watermelon Man‐ not so good, too fast, bad ending, Watch What Happens‐ okay, Mellow Yellow‐ not bad‐ many drum misses, Jada Dixie‐ happy‐ good solos, Didn't We‐ too fast, good guitar, Blue Mood‐ good tenor and guitar. 49 12/1/1971 Note on back: Plaza Inn Hotel, Wed., Dec. 1, 1971, Reel 2 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on reel: Warren Durrett Orch. Plaza Inn 12/1/71, Reel 2, Side 1. 50 12/7/1971 Note on back: Theme for Balance, 2:30 What is there to Say, 2:35 I Gotta Be Me, 3:35 Joy to the World, 3 ½? 3? 4 Begin the Beguine. Note on spine and reel: #1 Warren Durrett 12‐7‐71 Note inside: Ov. Pk. Xmas Dance, Brookridge, C.C., 12‐7‐71, Moonlight Serenade… faulty guitar and bar, Spanish Eyes‐ not too good, What Is There to Say‐ very good, I've Gotta Be Me‐ vocal down, too fast, band okay, Joy to the World‐ too fast, ten. Down On a Clear Day‐ flute solo down, okay, Time Medley‐ pretty good, Begin the Beguine‐ clar. Good, band so‐so. 12‐7‐71, Reel 2, Turn up Channel 2, Red Roses for a Blue Lady‐ very good, Happy Birthday Bob Davis‐ good, It's Not Unusual‐ scrambled balance, A Time for Love‐ very good, nice bal. as a DJ, Watermelon Man‐ good 'bone, fills too fast, Show Me The Way to San Jose‐ too fast, rough start, What Are You Doing The Rest of Your Life‐ too fast, good guitar bridge, band so‐so, Bubbles in the Wine‐ rough reeds, Watch What Happens‐ not bad, Me 'n Hog‐ so‐so, unrelaxed. 12‐7‐71, Reel 3, I Hadn't Anyone 'Til You (Turn Up Channel 1)‐ Good Alto but Off Mike, Good Things Are Happening‐ Okay (hectic intro), Alley Cat‐ gorgeous piano, More and More‐ good (3rd alto little strong), Up, Up and Away‐ good bal., little ragged, Brookfield Rock‐ good 'bone, If I Had You (Fake)‐ great guitar jazz, Basically Blues‐ so‐so, Chaser. 12‐7‐71, Reel 4, Turn up Tr. II a lot, For Once in my Life‐ very good, melodic guitar, Cheatin' Heart‐ okay, Love Story‐ good, good melodic guitar, Jada‐ fake‐ good guitar, All‐ pretty good, 69. Mack the Knife‐ " ", Chaser‐ very good. 12‐7‐71, Reel 5, I Gotta Right to Sing the Blues‐ 'bone, so‐so, The Masquerade is Over‐ not bad, Stardust‐ Patterson, Metheny & Durrett, You and Me‐ pretty good, Cuddle Up (vocal), See You in my Dreams‐ good guitar bridge. 51 12/7/1971 Note on back: Blue lady, 3 Happy Birthday It's Not Unusual, 2:00, 3:55 Watermelon Man, 3, San Jose, 2:35, 3?, 215 change music, 3:00, vocal, 3:15, 54. Note on spine: #2 Warren Durrett 12‐7‐71 Note on reel: Warren Durrett Orch., Brookridge C.C., 12/7/71, [Reel 2] 52 12/7/1971 Note on back: 3:00, What's Good for Me, 1:45, Piano, 2:10, 32, 2:00, 107, 3:00, 165, 4:45, Dixieland, 4:50, 59, 3:55, chaser Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on spine and reel: #3, Warren Durrett, 12‐7‐71. 53 12/7/1971 Note on back: 57, 2:10, 225, 2:20, 27, 3:15, Jada, 3:20, 210, 2:30, 69, 3:05, chaser, :15, not quite filled Note on spine and reel: #4, Warren Durret, 12‐7‐71. 54 12/7/1971 Note on back: 202, 2:50, vocal, 2:30, Stardust, 3:45, 237, 2:20, 73, 2:00, chaser Note on spine and reel: #5, Warren Durret, 12‐7‐71. 55 2/5/1972 Note on front: Warren Durrett Orchestra Dance at Plaza Inn Hotel 2/5/72 (Kansas City, Missouri) Wonder Where Close to You You 'n Me Joy to the World Blue World It's Not Unusual Watermelon Man All Good Things Are Happening A Time for Love Naptown Blues Satin Doll Proud Mary What Are You Doing the Rest of Life Slaughter on Tenth Ave. Me 'n Hog Side 1, 4 track stereo Note on back: Warren Durrett Orch., 2/5/72 dance, Bring Me Sunshine Chaser Alphie Doin' Basie's Thing For Once in My Life Begin the Beguine This Guy's in Love Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Walkin' Happy Mellow Yellow Fatback, Jones & Smith Side 2 Note on reel: Warren Durrett Orch. 2/5/72, Side 1 56 2/5/1972 Note on front: [Pat Metheny ‐ guitar] Dance at Plaza Inn Hotel, Feb. 5, 1972, Warren Durrett Orch. Partial Selections only: Wonder Where (slow ballad) Close To You (Med. bossa‐nova) You 'N Me (med. 4‐beat) Joy to the World (rock) It's Not Unusual (vocal‐brite 4) Love Story (slow bossa‐n.) Watermelon Man (medium shuffle) Good Things Are Happening (vocal‐med. 4) A Time For Love (ballad) Naptown Blues (bright 4‐beat‐guitar‐feature) Satin Doll (medium 4‐beat) Proud Mary (rock) What Are You Doing The Rest of Your Life (ballad) Bring Me Sunshine (vocal‐brite 4) Alphie (ballad‐alto solo) For Once In My Life (med. ballad) This Guy's in Love (med. 4) Moonlight Serenade (slow ballad‐Glen Miller) Fatback, Jones & Smith (rock) Didn't We (medium 4) Chaser (goodnite) Note on reel: Warren Durrett Orch., Plaza Inn Hotel, February 5, 1972, 4‐track stereo, 1 side only, Warren Durrett Orchestra (18‐ 1), 3 hours‐‐‐ $1,000. 57 2/5/1972 Note on front: Warren Durrett Orchestra Dance at Plaza Inn Hotel, Kansas City, Missouri, February 5, 1972 Wonder Where (Ruppenthal original) Close To You (Ousley flute) You 'n Me (A. Martin 'bone) Joy to the World (Pat Metheny guit.) Blue World, It's Not Unusual (Peg Barnes vocal) Watermelon Man All (Gibson trpt.) Good Things Are Happening (vocal) A Time For Love (John Pope arr.) Naptown Blues (Metheny guitar) Satin Doll Proud Mary What Are You Doing the Rest of Life Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Slaughter on Tenth Ave. Me 'n Hog (Dave Zoller original) Side 1, 4‐track stereo [over] Note on back: Warren Durrett Orchestra, 2/5/72 dance Bring Me Sunshine (vocal) Chaser Alphie (Bob Ousley alto) Doin' Basie's Thing For Once in my Life (guitar lead) Begin the Beguine (Ousley clarinet) This Guy's in Love Walkin' Happy (vocal) Mellow Yellow (Zoller chart) Fatback, Jones & Smith (Zoller rock original) Side 2, 4‐track stereo. Note on reel: Warren Durrett Orch., Feb. 5, 1972, Side 1. 58 2/5/1972 Note on front: Warren Durrett Orchestra Dance at Plaza Inn Hotel, Kansas City, Missouri, February 5, 1972 Wonder Where (Ruppenthal original) Close To You (Ousley flute) You 'n Me (A. Martin 'bone) Joy to the World (Pat Metheny guit.) Blue World It's Not Unusual (Peg Barnes vocal) Watermelon Man All (Gibson trpt.) Good Things Are Happening (vocal) A Time For Love (John Pope arr.) Naptown Blues (Metheny guitar) Satin Doll Proud Mary What Are You Doing the Rest of Life Slaughter on Tenth Ave. Me 'n Hog (Dave Zoller original) Side 1, 4‐track stereo [over]. Note on back: Warren Durrett Orchestra, 2/5/72 dance Bring Me Sunshine (vocal) Chaser Alphie (Bob Ousley alto) Doin' Basie's Thing For Once in my Life (guitar lead) Begin the Beguine (Ousley clarinet) This Guy's in Love Walkin' Happy (vocal) Mellow Yellow (Zoller chart) Fatback, Jones & Smith (Zoller rock original) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Side 2, 4‐track stereo Note on reel: Warren Durrett Orch. Feb. 5, 1972, Side 1. 59 2/5/1972 Note on front: Warren Durrett Orchestra Dance at Plaza Inn Hotel, Kansas City, Missouri, February 5, 1972 Wonder Where (Ruppenthal original) Close To You (Ousley flute) You 'n Me (A. Martin 'bone) Joy to the World (Pat Metheny guit.) Blue World It's Not Unusual (Peg Barnes vocal) Watermelon Man All (Gibson trpt.) Good Things Are Happening (vocal) A Time For Love (John Pope arr.) Naptown Blues (Metheny guitar) Satin Doll Proud Mary What Are You Doing the Rest of Life Slaughter on Tenth Ave. Me 'n Hog (Dave Zoller original) Side 1, 4‐track stereo [over] Note on back: Warren Durrett Orchestra, 2/5/72 dance Bring Me Sunshine (vocal) Chaser Alphie (Bob Ousley alto) Doin' Basie's Thing For Once in my Life (guitar lead) Begin the Beguine (Ousley clarinet) This Guy's in Love Walkin' Happy (vocal) Mellow Yellow (Zoller chart) Fatback, Jones & Smith (Zoller rock original) Side 2, 4‐track stereo Note on reel: Warren Durrett Orch., Feb. 5, 1972. Side 1 60 2/5/1972 Note on front: Warren Durrett Orchestra Dance at Plaza Inn Hotel, Kansas City, Missouri, February 5, 1972 Wonder Where (Ruppenthal original) Close To You (Ousley flute) You 'n Me (A. Martin 'bone) Joy to the World (Pat Metheny guit.) Blue World It's Not Unusual (Peg Barnes vocal) Watermelon Man All (Gibson trpt.) Good Things Are Happening (vocal) A Time For Love (John Pope arr.) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Naptown Blues (Metheny guitar) Satin Doll Proud Mary What Are You Doing the Rest of Life Slaughter on Tenth Ave. Me 'n Hog (Dave Zoller original) Side 1, 4‐track stereo [over] Note on back: Warren Durrett Orchestra, 2/5/72 dance Bring Me Sunshine (vocal) Chaser Alphie (Bob Ousley alto) Doin' Basie's Thing For Once in my Life (guitar lead) Begin the Beguine (Ousley clarinet) This Guy's in Love Walkin' Happy (vocal) Mellow Yellow (Zoller chart) Fatback, Jones & Smith (Zoller rock original) Side 2, 4‐track stereo Note on reel: Warren Durrett Orch., Feb. 5, 1972. Side 1 61 2/5/1972 Note on front: W.D. Orch., Plaza Inn, Feb. 5, 1972, Reel 1 Note on back: Plaza Inn 5 Feb 72, Tape #2 Note on reel: Warren Durrett Orch., Plaza Inn Hotel, 2/5/72, Reel 1, Side 1. Note inside: Plaza Inn, Feb. 5, 1972, Reel 1, Side 1, Turn 1 Tr. Up Wonder Where ‐ ‐ ‐ good easy sound Close to You ‐ ‐ very good You 'n Me (2 'bone) ‐ ‐ ‐ good Joy to the World ‐ (Great Metheny) ‐ good (couple bad notes) Where or When Medley ‐ good It's Not Unusual ‐ good Love Story ‐ ‐ ‐ good (typographical errors in altos) Watermelon Man ‐ ‐ ‐ good from guitar on All ‐ ‐ ‐ ‐ ‐ good (clean) Plaza Inn Hotel, Feb. 5 '72, Reel 1, Side 2 Good Things are Happening ‐ good Time for Love ‐ ‐ ‐ ‐ very good Naptown Blues ‐ ‐ wow good Satin Doll ‐ ‐ ‐ ‐ good (questionable Leisenring 'bone) Proud Mary ‐ ‐ ‐ ‐ great (not perfect) What Are You Doing the Rest of My Life ‐ good Slaughter on Tenth Avenue – good Me 'n Hog ‐ ‐ ‐ ‐ ‐ ‐ romps good If I Had You ‐ ‐ fake clar. & trpt. only Plaza Inn Hotel, Feb. 5, 1972, Reel 2, Side 1 Bring me Sunshine ‐ very good Chaser ‐ ‐ ‐ ‐ ‐ ‐ good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Alphie ‐ ‐ ‐ ‐ ‐ very good Doin' Basie's Thing ‐ ‐ ‐ good drive saxes rough For Once in my Life ‐ ‐ ‐ ‐ good Begin the Beguine ‐ too fast ‐ not bad This Guy's in Love ‐ ‐ ‐ pretty good ‐ little fast Walkin' Happy ‐ ‐ ‐ ‐ ‐ good (little fast) Mellow Yellow ‐ ‐ ‐ ‐ ‐ good Plaza Inn Hotel, Feb. 5, 1972, Reel 2, Side 2 Moonlight Serenade ‐ ‐ clean ‐ fair Fatback, Jones, and Smith ‐ good Didn't We ‐ ‐ ‐ ‐ ‐ ‐good Gentle on Mind Bad ‐ little rough (good guitar) On a Clear Day ‐ ‐ ‐ ‐ good One O'Clock Jump ‐ ‐ ‐ fair good ‐ swings Chaser ‐ ‐ ‐ ‐ good 62 2/5/1972 Note on front: W.D. Orch., Plaza Inn, Feb. 5, 1972, Reel 2 Note on reel: Warren Durrett Orch., Plaza Inn Hotel, 2/5/72, Reel 2, Side 1. 63 2/7/1972 Note on front: Warren Durrett Orchestra, Kansas City, unedited first 1 1/2 hrs. of dance at Brookridge Country Club, Tuseday, December 5, 1972 Darn that Dream [medley ‐ 4:29] You 'n Me [2:56] What are you Doing the Rest of Your Life [4:36] Good Things are Happening [vocal 1:41] Red Roses for a Blue Lady [2:55] One o'clock Jump [6:10] Chaser 2nd Time Around Medley [3:35] Joy to the World [2:48] Watch What Happens [(v.) 3:25] Spanish Eyes [3:16] What is There to Say [2:54] Roll 'em Pete [5:20] Where or When Medley [3:56] Who Can I Turn To [vocal 2:35] More & More [2:15] Begin the Beguine [2:24] Serenade in Blue Medley [5:00] Moonlight Serenade [1:20] Proud Mary [2?] Side 1, 7 1/2 ips Note on back: Warren Durrett Orchestra Dance job at Plaza Inn Hotel, Kansas City ‐ Feb. 5, 1972 Bring me Sunshine [vocal 2:58] Wonder Where [3:47] Close to You [3:34] It's Not Unusual [3:19] Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

All [2:56] A Time for Love [4:03] Naptown Blues [2:45] Slaughter on Tenth Ave [2:31] Alphie [3:01] Doin' Basie's Thing [7:07] This Guy's in Love [2:52] Walkin' Happy [3:00] Mellow Yellow [4:24] Didn't We [3:31] On a Clear Day [3:57] May 19, 1970 ‐ Muehlebach Hotel Sunny [vocal 2:07] May 23, 1970 ‐ Muehlebach I've Gotte Be Me [4:03 approx.] Poor Butterfly Medley [tape ran out at 3:10] [7 1/2 ips, Side 2, Bill Miller ‐ 472‐8242] Note on reel: Warren Durrett Orchestra, Kansas City, Side 1. 64 4/12/1972 Note on back: Lousy 4‐12‐72 rehearsal at Union for Jazz Festival 65 6/20/1972 Note on front: "Shower Song", Final ‐ Damon's, 6/20/72. 66 12/5/1972 Note on back: Tue., Dec. 5, 1972, Brookridge, C.C. (Ov. Pk. Chamber Xmas) Reel 1 Note on reel: Warren Durrett, Orch., Brookridge C.C., Tue., Dec. 5, 1972, Reel 1, Side 1 Note inside: Brookridge, C.C. Tue. Dec. 5, 1972, Reel 1, Side 1 22. Darn that Dream Medley ‐ good 237. You 'n Me ‐ good (slight goof on ending) 55. What Are You Doing the Rest of Your Life ‐ good (1 bar bad saxes) 146. Good Things are Happening ‐ good 56. Red Roses for Blue Lady ‐ good (but bass got lost) 66. One O'Clock Jump ‐ good 1. Chaser ‐ good 25. 2nd Time Around Medley ‐ very good 19. Joy to the World ‐ pretty good (good tenor) Brookridge C.C. Tue. Dec. 5, 1972, Reel 1, Side 2 87. Watch What Happens ‐ (vocal) good 221. Spanish Eyes ‐ good 90. What is There to Say ‐ band very good, trpt, solo fair 228. Roll 'Em Pete ‐ swings ‐ good 44. Where Or When Medley ‐ very good 60. Who Can I Turn To ‐ good (but 1 bar) 32. More & More ‐ good (but weak piano solo) 171. Begin the Beguine ‐ good Alley Cat (fake) ‐ Tucker Piano ‐ R. Wilson Trpt. Brookridge C.C. Tue., Dec. 5, '72, Reel 2, Side 1 130. O Sole Mio ‐ so‐so 160. Serenade in Blue Medley ‐ good 118. Proud Mary ‐ so‐so Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

240. Moonlight Serenade ‐ so‐so 4. Bring Me Sunshine ‐ very good 105. Mellow Yellow ‐ screwed up ‐ (good parts) 251. Lonely Street (alto solo) so‐so 242. Small Talk ‐ good tenor ‐ tape incomplete Brookridge C.C., Tue., Dec. 5 '72, Reel 2, Side 2 92. Goin' Out of my Head ‐ so‐so 52. Kansas City – {Childers Trpt., Cole Bary, Demuynch Alto., Sam Tucker Piano} so‐so 73‐c. See You In My Dreams 67 12/5/1972 Note on back: Tue., Dec. 5, 1972, Brookridge, C.C., Reel 2, W. Durrett Orch. Note on reel: Warren Durrett Orch., Brookridge C.C., Tue. Dec. 5, 1972, Reel 2, Side 1. 68 4/23/1972 Note on front: Kansas City Jazz Festival, April 23, 1972, Warren Durrett Orch. with Pat Metheny Fatback, Jones & Smith [‐ 5 ½] Here's that Rainy Day [‐ 4:40] Proud Mary Naptown Blues Note on reel: K.C. Jazz Festival, 4/23/72, Warren Durrett Orch.‐Metheny 69 3/10/1974 Note on back: Recorded at 3 ¾ IPS – See log sheet for contents – All contents announced RE: Library, Title, Artist, Arrange where known and recorded source – mixed mono and stereo – some recorded sources (tapes) are as much as a 3rd or 5th generation copy ‐ Note on reel: No. 62‐R, For: Warren Durrett, see recording sheet Note inside (abbreviated, see pdf): “Selected record copy charts from Stage & Dance Band library belonging to Harry Gilenberger, Seattle, Wash‐ produced for Warren Durrett, Leawood Kansas.” 1019 Dual Changer – Panasonic 8 track ‐ Sony TC121 Cassette‐ to‐ Fisher 440T‐ To Ampex 1455 R‐to‐R‐ Settings varied but average around 12 0’clock position. Announcement: “Tape 62‐R, produced March 1974 ‐ for Warren Durrett, Leawood Kansas. Contents: Recordings of selected charts in the Feb. 1974 issue for the “Stage & Dance band library” belonging to H.R. Gilenberger, Seattle, Washington ‐ charts are for a min. of 8 brass, 5 reeds and 3 rhythm ‐ Each chart will be announced by library no., title, artist and/or arranger where known – and ‐ the recorded source‐“. Side 1 6, X‐9, ‐T‐4‐2 (Les Brown) – M, 29 (insert) “ insert by ‘doc’ Ely ‐ S Capitol T‐812 “Dancers Choice”, Band Cassette 6/25/73. 54, X‐10, Dancing in the Dark (Ray Anthony), M, Capitol T362, “Anthony’s Campus Rumpus”. 80, X‐33, In a Sentimental Mood (Bill Holman), S, Creative World Record 1053 “Bill Holmans Big Band”. 113, X‐38, Cheers (Mancini), S, RCA LSP‐3557, “Best of Mancini‐ Vol. 2”. 148, X‐41, I Left my Heart in San Francisco (Count Basie), S, Reprise R9‐6070 “Hits of the 50’s & 60’s‐ Basie”. 176, X‐48, Autumn Leaves (Ted Heath), M, London LL1716 “All Time Top Twelve”. 198, X‐62, Tenderly (Ray Anthony), M, Capitol H373 (33 1/3 10 inch) “Young Man with a Hero”. 225, X‐77, The Sweetest Sounds (Les Brown), M, Columbia HL7335 “L/B‐ Hits from Sound or Music, etc.). 254, X‐78, Midnight Sun (Les Brown), M, Coral CRL, 57001, “Les Brown Concert at the Hollywood Paladium”. The tune on the tape is the same as that on Stage Band Library No. V‐4, however the arrangement of the tape bears no resemblance to that of V‐6. Also V‐4’s tape is faster. 290, X‐83, Begin the Beguine (Ted Heath), Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

319, X‐84, “Woild” on a String (Ted Heath), M, London LL 1716 “All Time Top Twelve”. 353, X‐91, Here’s the Rainey Day (Kenton), S, Band Cassette ‐ Rehearsal 6/25/79. 393, X‐93, Speak Low (Bill Holman), 465, Ol’ Man River (Bill Holman), 523, W‐4, Spinuette (Bill Holman), S, Creative World 1053. 592, X‐107, Come Fly with Me (Basie), 644, X‐82, Awl of Me (Basie), S, Verve V‐V6 8563 Basie‐ More Hits of the 50’s and 60’s 695, ‐, ‐ (Reversing signal) – Side 2 (0), X‐111, Thank Heaven for Little Girls (Les Brown), S, 8 track cartridge recording of R/R of “L/B’s Lerner & Lowe Bandbook” ‐‐‐‐(Resume Master Taping March 13, 1974)‐‐‐‐ (28), X‐112, You Go to My Head (McKinley), S, 8 track Cartridge RCA P8S 1055, “Glenn Miller Time”. (56), V‐9, Our Love is Here to Stay (vocalist: Jean Turner/ Kenton), (82), V‐10, Love Walked In (vocalist: Jean Turner/Kenton), S, Record: Capitol ST2051 “The Exciting Voice of Jean Turner”. (118), 1, I Love Being Here with You (vocalist: Marjorie McCoy), M, Record: Viva V‐6007, “I am Marjorie McCoy”. (157), X‐121, Billy Boy (Richard Maltry), (193), Nobody Knows the Trouble I’ve Seen (Richard Maltby), (230), Red River (Maltby), S, Reel‐to‐Reel, No. 49‐R, Note: The Recordings on this tape (62‐R) are now about 5th generation. The source of the 49‐R tape was a demonstration tape organized from Maltby Publications.” (263), X‐107, Come Fly With Me (Basie), S, Band Cassette ‐ 6/28/73, Rehearsal. ‐‐‐‐Resume Master Taping on March 17, 1974‐‐‐‐ (320), S‐37, Let me Love You, (363), V‐15, Teach me Tonight, (434), S‐40, Anema E Core, Arranger: Glenn Osser, M, Record: Decca DL4241 “Swinging Big Sound: Don Jacoby and the College all Stars”, * Plus Partials of “Lover Man” and “End of Luv Affair” (480), S‐62, Nancy’s Dream (arr. Bob Lowden), (541), S‐137, Les & Larry (comp & arr by: Carrol Decamp), S, Band Rehearsal Cassette 6/25/73. (590), Something to Live for, Vocal: Ruth Price, Band: Charlie Barnet, Arr: Bill Byers, (651), Introduction to an Ending, comp & arr: Bill Holman, Band: Charlie Barnet (Partial), S, Recorded: Creative World ST 1056, “Charlie Barnet‐ Big Band 1967” Personnel: TRPTS: Porcino, Pete & Conti Condoli, Dalton Smith, Jack Laubach, Larry McGuire BONES: Bob Fitzpatrick, Dick Hyde, Pete Mewlers, Ernie Tack, REEDS: Willie Smith, Bob Jung, Willie Maiden, Lennie Mitchell, Al Lasky, DRUMS: Jack Soerling, PIANO: Jack Wilson Jr., BASS: Mark Bennett. 70 2/22/1975 Note on front and reel: Warren Durrett Orchestra, Alameda Plaza Hotel, February 22, 1975 Note inside: Side 1 Warren Durrett Band, Alameda Plaza Hotel, Kansas City, MO, Sat. Feb. 22, '75. San Francisco ‐ good, fair tenor solo, Polka Dots & Moonbeams ‐ good, good trpt. solo, April in Paris medley ‐ good, bit slow Watermelon Man ‐ saxes goof soli entry late, pretty good Leisenring tmb. solos, Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Lollipops & Roses ‐ good, DeMuynck Alto, Bad, Bad, LeRoy Brown ‐ trpts. weak on intro, Pat Gerken vocal, good Arch tmb., Chaser, Look for the Silver Lining ‐ good, no presence on piano solo, good R. Wilson trpt.‐ fine ens., Let's Dance ‐ kicked off too slow, Ousley a little rough, If ‐ pretty good, Thank Heaven for Little Girls ‐ good, I Only Have Eyes for You ‐ good, Pat Gerken vocal (good), Side 1 Cont., Last Tango in Paris ‐ good, You Go To My Head ‐ fair, strong lead trpt., A Train ‐ good, Chaser, Darn that Dream Medley ‐ good, Whatever Lola Wants ‐ good, Pat Gerken vocal, String of Pearls ‐ good, fine Arch. tmb., Mother Earth‐ good, too slow, Gibson solo, Tie a Yellow Ribbon ‐ good loose dixie, Airport ‐ good, Stardust ‐ fake, F. Paterson, R. Wilson, W.D., Cold Tater Stomp ‐ good, weak last 2 bars, Chaser Side II, This Guy's in Love ‐ good, Sunny ‐ good, Pat Greken vocal, Meditation ‐ good, good 'bone soli & solo, San Francisco ‐ good, Pat Gerken vocal, Who's Sorry Now ‐ good, Sellards missed last note (high G), Chaser, Mellow Mood ‐ good, bary. solo, Speak Low ‐ pretty good, kicked off slow (picked up), Evil Ways, so‐so (1st time played), Don't Take Your Love From Me ‐ good, gerken vocal, Satin Doll good (Leisenring 'bone), Watch What Happens good, (Gerken vocal), 272. Keepin' Outa Mischief Now good (great Arch), Goodnight Medley 71 12/5/1974 Note on front and reel: Warren Durrett Orch., Alameda Plaza Hotel, Thurs., December 5, 1974 (Home Builders Christmas party) Note inside: Side 1, Warren Durrett Orch., Alameda Plaza Hotel, Thur. Dec. 5, 1974 1. April in Paris Medley ‐ so‐so 2. Bad, Bad, Leroy Brown ‐ good (Pat Gerken vocal) 3. Lollipops & Roses ‐ good (DeMuynck Alto) 4. Day by Day ‐ too fast ‐ not bad (new) 5. Take the "A" Train ‐ so‐so 6. Chaser Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

7. Polka Dots & Moonbeams ‐ saxes rough ‐ good trpt. solo 8. Speak Low ‐ so‐so 9. You are the Sunshine of my Life ‐ good (Pat Gerken) 10. Who's Sorry Now ‐ pretty good 11. Mother Earth ‐ (Gibson solo) quite good 12. Watermelon Man ‐ so‐so 13. Christmas Song (Pat Gerken) ‐ okay 14. Begin the Beguine ‐ (Ousley) 15. Chaser 16. Moonlight Serenade ‐ so‐so 17. Look for the Silver Lining ‐ pretty good (good piano) 18. Proud Mary ‐ good 19. I Only Have Have Eyes ‐ bad vocal start (vocal) 20. On a Clear Day ‐ bad flute start in the wrong key ‐ good 21. What Are You Doing the Rest of Your Life? ‐ so‐so 22. I Gotta Be Me ‐ vocal off mike (Pat Gerken) ‐ good 23. Chaser Side 2 1. Last Tango ‐ good 2. Theme from Airport ‐ so‐so (Dave Cambrell on piano sitting in) 3. Blues for Dottie ‐ too fast ‐ so‐so (Cambrell piano) 4. Merry Christmas Medley ‐ too slow 5. Beer Barrell Pola ‐ so‐so 6. Satin Doll ‐ (Leisenring Trombone) (Good Patterson tenor) ‐ pretty fair 7. For Once in my Life ‐ good (Pat Gerken vocal) 8. Joy to the World ‐ pretty good 9. White Christmas‐ " " 10. All of Me ‐ changed key too soon, band okay (Pat Gerken vocal) 11. Chaser 12. If ‐ too fast ‐ so‐so 13. Charleston ‐ bad 14. Don't Let it Get You Down ‐ pretty good 15. Cold Tater Stomp ‐ swings 16. Chaser ??? 72 73 74 3/16/1975 Note on front: Side 1, Warren Durrett Orchestra, K.C. Jazz Festival ‐ Mar. 16, 1975 A Train Bad, Bad LeRoy Brown (Pat Wilson) Mother Earth (Sherman Gibson) Who's Sorry Now A Time for Love (John Park) Cold Tater Stomp Jazz Festival, March 16. 1975 Side I: Warren Durrett Orchestra, Guest ‐ John Park. Side II: John Park & Geo. Salisbury. Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Side II: 3/16/75 John Park Group Note on reel: Reel I ‐ Side I Warren Durrett Orch. K.C. Jazz Festival Music Hall, 3/16/75, Guest‐ John Park Reel I, Side II K.C. Jazz Festival Music Hall 3/16/75, John Park with Geo. Salisbury, Leon Brady, Milt Abel 75 3/16/1975 Note on front: Jazz Festival March 16, 1975, Side I, A ‐ Gary Foster, Clare Fischer, John Tirabasso, Jim Hughart, B ‐ Clare Fischer & K.C. Kix Band, Side II ‐ Teddy Wilson. Note on reel: Reel II, Side 1, Gary Foster group, K.C. Kix Band w/ Claire Fischer, Reel II, Side II, Teddy Wilson. 76 12/12/1975 Note on front: Warren Durrett Orchestra, Dance at Carriage Club, Fri., Dec. 12, 1975. Note on reel: Side 1, W. Durrett Band Carriage Club, 12/12/75, Side 1. Note inside: Side I, Warren Durrett Orch., Fri. Dec. 12, '75, Carriage Club. Sophisticated Lady ‐ pretty fair Doodle's Noodle ‐ pretty good, bit slow Aprils in Paris Medley ‐ not bad The Way We Were (Vocal) ‐ not bad, good piano (ending out of tune) Polka Dots & Moonbeams ‐ good Well Alright, Okay You Win (Vocal) ‐ good piano, good Chaser Fanfare Ruben's Elves ‐ good Release Me (Vocal) ‐ pretty good (good piano) Speak Low ‐ pretty good (tenor, not too good) Tales from Vienna Woods ‐ pretty good Day By Day (Nestico) ‐ pretty good Mac the Knife ‐ good But Beautiful ‐ good Late Date ‐ sloppy phrasing start ‐ too fast ‐ fair On a Clear Day ‐ good Cuckoo in the Clock Medley ‐ good Alley Cat ‐ good Bad, Bad LeRoy Brown (Vocal) ‐ pretty good Chaser Side II, Warren Durrett Orch., Fri. Dec. 12, 1975, Carriage Club. San Francisco ‐ good (only fair tenor solo) It's DeLovely (Vocal) ‐ good Look for the Silver Lining ‐ good Christmas Medley (Vocal) ‐ pretty fair, bit slow Don Matthews Adventure ‐ Ruppenthal original, dull My One & Only Love ‐ rough Foggy Day ‐ rough, bit slow Meditation ‐ good, good piano solo and trumpet solo Proud Mary ‐ dull Lollipops and Roses ‐ okay ‐ good alto (DeMuynck) Killing Me Softly (Vocal) ‐ bad} new drummer audition‐ bad! Darn that Dream Medley ‐ very good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Day By Day (Vocal) ‐ only fair Goodnight Medley Chaser 77 12/31/1975 Note on front: Warren Durrett Orchestra, New Years Eve, 12/31/75 Morman Church ‐ 82nd & Holmes, K.C. Mo. Note on reel: Warren Durrett Orch, Dec. 31, 1975, Side 1 Note inside: Warren Durrett Orch., Dec. 31, 1975, Mormon Church, Side I Girl Talk (Kenton) ‐ not played too well Rupe Orig. ‐ quite good I Only Have Eyes For You (vocal) ‐ good Serenade in Blue Medley ‐ damn good (vocal) You are the Sunshine of my Smile ‐ no vocal presence 'til bridge Fun Time ‐ good cut (vocal) The Way We Were ‐ very good Keepin' Outa Mischief Now ‐ very good (great Arch) Helena Polka‐ pretty good But Beautiful ‐ opening ‘bones rough Bad, Bad Leroy Brown ‐ so‐so Polka Dots & Moonbeams ‐ very good Late Date ‐ little slow Joy to the World ‐ very good Sophisticated Lady ‐ very good Reuben's Blues ‐ very good (bass mod. little off) Moonlight Serenade ‐ very good (Vocal) Release Me ‐ good cut Foggy Day ‐ fair (bad ending) Shadow of Your Smile ‐ pretty good (but trpts. too much in hats) On a Clear Day ‐ very good (vocal) Well Alright Okay You Win ‐ pretty good Chaser Side II, All Lead Trpt., Warren Durrett Orchestra, December 31, 1975 (Mormon Church, 82nd & Holmes, K.C.MO) Lollipops & Roses, okay ‐ Marsh alto good (vocal) Killing me Softly ‐ very good Thank Heaven for Little Girls ‐ good Wilson solo ‐ couple rough ens. spots, Day By Day (Nestico) ‐ not too good The Hustle ‐ what the hell My One & Only Love ‐ good Ousley alto solo ‐ & band okay from that point on (pick up on 2nd 8 'bone solo 1st chos.), Meditation ‐ quite good Begin the Beguine – clar. solo bit flat – ens. pretty good Chaser (good) (vocal) San Francisco ‐ good vocal ‐ band okay Proud Mary ‐ not too bad Darn that Dream Medley ‐ pretty fair Some Night of Love, Anniv. Waltz ‐ not bad (broken tape ending) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

(vocal) Kansas City ‐ good (but Sellards little sloppy) In the Mood ‐ good Arch ‐ bad ten. Solo ‐ rest questionable Auld Land Syne ‐ typical fake Alley Cat ‐ very good (except last bar) Don't Let it Get You Down ‐ very good Wonder Where (Rupe) ‐ not bad A Train ‐ good Arch ‐ real fair Shadow of Your Smile ‐ fair Doodle's Noodle ‐ very good Mercy, Mercy, Mercy ‐ 'bit rough Beer Barrel Polka ‐ very well played April in Paris medley ‐ not bad (vocal) I've Gotta Be Me ‐ quite good Goodnight Chaser 78 6/18/1977 Note on front: KCUR FM, 5100 Rockhill Road, Kansas City, Missouri 64110, Parker Jazz Jam, Warren Durrett Orch., Part One, Two Track Air Check, Reel No: x, Prgm Series No: x, Tape No. 1 of 2, Reel Time: 30:00+, Prgm time: 40:00 +, Record date: 6‐18‐ 77, Special, Stereo, 7 1/2, Local, NPR. Note inside: Warren Durrett Orchestra, Charlie Parker Benefit, Sat. Night, June 18, 1977, 1. Scott's Place arr. by Sam Nestico ‐ soloist, Frank Patterson (tenor sax) 2. Day by Day, arr. by Sam Nestico for Warren Durrett 3. The One I Love, arr. by John Pope, vocal soloist, Lloyd Schad ‐ trombone solo, Arch Martin 4. Manhattan, arr. by Warren Durrett ‐ trumpet soloist, Richard Wilson; trombone solo, Arch Martin 5. Proud Mary, arr. by Dave Zoller ‐ ten soloist, Frank Patterson 6. The Way We Were, arr. by Warren Durrett ‐ vocal solist, Pat Wilson 7. Late Date, arr. by Warren Durrett ‐ trumpet solo by Richard Wilson 8. Sophisticated Lady, arr. by Lennie Neihaus, Arch Martin, trombone solo 9. My Heart Stood Still, arr. by Manny Labam 10. Who's Sorry Now, arr. by Sam Nestico for Warren Durrett ‐ trombone solo, Arch Martin 11. Our Day Will Come, arr. by Warren Durrett ‐ vocal solist, Lloyd Schad, trumpet solo by Sherman Gibson 12. Foggy Day, arr. by Lennie Neihaus ‐ trumpet solo, Richard Wilson, clarinet solo, Bob Ousley Alternate numbers: (94.) Basie, Straight Ahead, (98.) Thank Heaven for Little Girls, (144.) Meditation, (90.) What is There to Say 79 6/18/1977 Note on front: KCUR FM, 5100 Rockhill Road, Kansas City, Missouri 64110, Parker Jazz Jam, Warren Durrett Orch., Part One, Two Track Air Check Reel No: x, Prgm Series No: x, Tape No. 2 of 2, Reel Time: 15:00+, Prgm time: 40:00 +, Record date: 6‐18‐ 77, Special, Stereo, 7 1/2, Local, NPR. 80 7/21/1978 Note on back: Title: Rob McConnell and the Boss Brass, "Big Band Jazz", Date: 7‐21‐78. 7 1/2 ips, stereophonic, 4 tracks, disk. Umbrella Label: UMB‐DD4 ‐ 1977 Toronto, Special Limited Edition, Direct‐to‐ disc recording Trumpets: Arnie Chycoski, lead, Erich Traugott, lead, Guido Basso and Flugal Horn, Bruce Cassidy and Flugal Horn, Sam Nolo_ Trombone: Ian McDougall, lead, Bob Livingston, lead, Dave McMurdo, Ron Hughes_ French horns: Brad Warnaar, George Stimpson Saxes: Moe Koffman, piccolo, flute, alto & soprano_Jerry Toth, flute, clar. & alto_ Eugene Amaro, flute, Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

clar & tenor_Rick Wilkins, clar & tenor_Gary Morgan, flute, bass clar. & baritone Rhythm: Ed Bickert, guitar, Don Thompson, acoustic and electric bass_Jimmy Dale, acoustic & electric piano_Terry Clarke, drums_Marty Morell, percussion_ I. 1. Just friends, 6:13 2. Keep me in your heart, 4:00 3. Runaway Hormones, 5:00, 4. Street of Dreams, 6:53, 5. Dirty Man, 3:36, 6. A Tribute to Art Fern, 5:02 II. 1. Fred, 5:59, 2. Good Morning Irene, 4:09, 3. No More Blues, 5:58, 4. Porgy and Bess Sutie, 15:03 Note on reel: Rob McConnell and The Boss Brass, 7 1/2 ips, stereo, 4 tracks Box 3: Barcode #040‐113293640 81 5/18/1973 Note on front: Producer/Client: Warren Durrett, Artist: Warren Durrett, Reel no. 1, #1 A Time for Love, 1/3:50, 2/FS, 3/3:59, out a reel #2 Day by Day, 1/FS, 2/3:50, 3/FS, 4/FS, 5/FS, 6/3:44, out a reel #3 Last Tango in Paris, 1/FS, 2/2:41, 3/FS, 4/2:44, 5/FS, 6/LLFS, 2/2:241 16 track, Studio A, CSD, Mach. No. 108, dry, Engineer: Hugh GH, 5‐18‐73. 82 Note on front: Producer/Client: Bill Miller/Warren Durrett, Artist: Warren Durrett, Reel No. 2 #3 Last Tango in Paris, 8/FS, 9/FS, 10/2:41, Out to a reel #4 This Guy's in Love With You, 1/2:42, out to a reel #5 Night and Day, 1/2:27, 2/LFS, 3/FS, 4/2:24, 5/2:24, 5/2:26, out to a reel #6 What is There to Say, 1/2:42, 2/FS, 3/2:44, 4/FS, 5/2:36, out to a reel, intro 16 track, Studio A, CSD, Mach. no. 108, dry, Engineer: Hugh Gene, 5‐18‐73. Note on side: 16 track, Capitol, 5, 20, 70. 83 5/19/1973 Note on front: Producer/Client: A&R Miller, Artist: Warren Durrett 7 Who Sorry Now, 1/2:45, 2/FS, 3/FS, 4/2 UD, 5/2:45, Out to a Reel 8 Spanish Eyes, 1/3:00, 2/FS, 3/2:59, Out to a reel 9 Who Can I Turn To, 1/FS, 2/2:21, 3/FS, 4/2:23, Out to a reel 10 Watch What Happen, 1/3:15, 2/2 FS, 3/LES 16 track, Studio A, CSD, Engineer: Hugh Genie, Date: 5‐19‐1973, Mach. no: 108. dry. 84 5/18/1973 Note on front: Project No.: Warren Durrett, Producer/Client: A&L Miller, Artist: Warren Durrett. Title or description: 16 track master #1 A Time for Love, 3/3:59 #2 Day by Day, 6/3:44 3 Last Tango in Paris, 10/2:41 4 This Guy's in Love With You, 1/2:52 5 Night and Day, 5/2:26 7 Who Sorry Now, 5/2:45 8 Spanish Eyes, 3/2:59 9 Who Can I Turn To, 4/2:23 [Out to Warren] 10 Watch What Happen, 4/2:09 This tape is: 16 track, Studio A, CSD, Mach. No. 108, Dry, Hugh Gene, 5‐18‐73. 85 6/7/1973 Note on front and inside: Tape copy made from 2‐track master at Kanu radio, Lawrence, K. on 6‐15‐73. Capitol Records, Inc., June 7th, 1973, Coupling for Warren Durrett Album Side 1 Night & Day, 2:26 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Last Tango in Paris, 2:41 Who Can I Turn To, 2:23 A Time for Love, 3:59 What is There to Say, 2:36 14:21 Side 2 Day by Day, 3:44 This Guy's in Love, 2:52 Who's Sorry Now, 2:45 Watch What Happens, 3:09 Spanish Eyes, 2:59, 15:29 Bill Miller, producer, 0:04 sec. spreads‐pliz. 86 Note on front: Durrett Note on back: Warren Durrett Orchestra, Technisonic Studios, Inc., 1201 Brentwood Blvd., St. Louis 17, Missouri Note on side: N80P‐0750‐0751 Note on reel: Time‐4:30‐9:00 87 1/1962 Note on back: Durrett, Original Tape "Best Band" Album ‐ Jan '62, 15 ips Note on reel: Warren Durrett Orchestra, Technisonic Studios, Inc., Parkview, 7‐1055, 1201 Brentwood Blvd., St. Louis, MO, Tail out. 88 5/18/1973 Note on front: Producer/client: Warren Durrett, Artist: Warren Durrett, Reel No. 1 #1 A Time for Love, 1/3:50, 2/FS, 3/3:59, out a reel, #2 Day by Day, 1/FS, 2/3:50, 3/FS, 4/FS, 5/FS, 6/3:44, out a reel #3 Last Tango in Paris, 1/FS, 2/2:41, 3/FS, 4/2:44, 5/FS, 6/LLFS, 2/2:41, On end of Reel, Day by Day, 6/3:44, 2‐track, Studio A, CSD, Mach. No. 87, Hugh GH, 5‐18‐73, wet. 89 5/18/1973 Note on front: Producer/client: Bill Miller/Warren Durrett Artist: Warren Durrett, Reel No. 2 #3 Last Tango in Paris, 8/FS, 9/FS, 10/2:41, out to a reel #4 This Guy's in Love With You, 1/2:52, out to a reel #5 Night & Day, 1/2:27, 2/LFS, 3/FS, 5/2:24 (edited to take 6, 8‐9‐72 CTJ), 5/2:26, out to a reel #6 What is There to Say, 1/2:42, 2/FS, 3/2:41, 4/FS, 5/2:36, intro, out to a reel 2‐track, Studio A, CSD, Mach. No. 87, wet, Engineer: Hugh Gene, 5‐18‐73. Box 4: Barcode #040‐113293613 90 5/19/1973 Note on front: Producer/client, A & R Miller, Artist, Warren Durrett 7 Who Sorry Now, 1/2:45, 2/FS, 3/FS, 4/2:45, 5/2:45, out to a reel 8 Spanish Eyes, 1/3:00, 2/FS, 3/2:59, out to a reel 9 Who Can I Turn To, 1/FS, 2/2:21, 3/FS, 4/2:23 10 Watch What Happen, 1/3:15, 2/FS, 3/LES 2 track, Studio A, CSD, Mach. No. 87, wet, Engineer: Hugh Gene, Date, 5‐19‐73. 91 92 Note on front and reel: [Returned from Young & Rubicam] Musical Advertising for Radio and TV Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Durrett Productions, 1015 Walnut, Kansas City 6, MO Note inside: Durrett Productions, 1015 Walnut, KC 6 MO, Hedrick 2, 6942, Victor 2 6580, Musical Advertising for Radio‐TV, Price List‐ Effective March 1, 1959, Audition Recording, on tape or disc… $75.00*, Includes: Composition of music and lyrics, where needed: Two‐to‐three different, original, rough treatments of lyric and melody recorded with voice and piano, Recommendation for instrumental and vocal handling of final production, Estimate of final production costs, *Audition charge applied to final cost. Examples of final production costs on typical productions: Vocalists Instruments Local Use** 5 to 7 acappella 0 $276 to $330, 1 1 $330 5 3 $587 5 5 $690 1 7 $740 5 7 $918 5 10 $1185 5 15 $1560 **For regional use add 25 per cent, national use 50 per cent. Durrett productions uses Ampex high fidelity, 3‐track stereophonic recorders, Telefunken Microphones, and Scully disc‐cutting machines. Durrett Productions guarantees quality of musical production. “Sell it with Music” Representative Clients: Allen Chevrolet, Allen’s Drive‐In, American Sheep Producers, Bespakt Frozen Foods, Betty Rose Coats & Suits, Butternut Bread, Byers Homes, Commerce Acceptance Corp., Commerce Trust Co., Cook Paints, Dolly Madison Cakes, Downtown, Inc., Elbel Construction Co., El Reco Gasoline, Faultless Starch, Forum Cafeterias, Gold Bond Turkeys, Goldman Diamonds, Hill Bros. Shoes, Holiday Inn Motel Chain, Holsum Bread, Hotshot Bug Killers, Jones Department Store, K.C. Public Service Co., Kitty Clover Potato Chips, Lover’s Lane Meats, Maytag Washers, Metropolitan Savings & Loan, M‐F‐A Mutual Insurance, Mission Ford, Novi Auto Air Conditioners, Old Southern Barbecue Sauce, Plaza Bowl, Progress Beer, Royal Crown Cola, Safeway Stores, Sendol, Skelly Oil Co., Sur‐Lay Hairdressing, Sweet Lumber Co., Union National Bank, Val‐O‐Milk Candy Bar, Wasson Seat Covers, Westbrooke Homes, Western Auto, Wishbone Salad Dressing. Note inside: Durrett Productions 1015 Walnut Street, Kansas City 6 Mo, call Warren Durrett, Hedrick 2‐ 6942, Victor 2‐6580 Musical Audition Tape Contents Client Length (seconds) Singers Musicians 1. Guy's Potato Chips... 59 3 10 2. Holsum Buttermilk Bread... 20 5 ‐‐ 3. Holsum Bread... 20 2 7 4. Skelly Oil... 60 ‐‐ 11 5. Skelly Oil... 8 1 8 6. Elbel Homes... 33 7 6 7. Gold Bond Turkeys... 20 2 3 8. Safeway Sav‐a‐Tape... 60 5 4 9. Coker Town Pontiac... 53 4 3 10. Peter Pan Bread... 59 1 12 11. City National Bank... 16 5 3 12. Hotshot Bug Killer... 23 4 4 13. Western Auto Wizard Batteries. 24 5 5 14. Shop Downtown... 60 5 7 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

15. Mayfair Shopping Center... 10 6 ‐‐ 16. Hill Bros. Shoes... 26 5 7 17. Kentucky Terminix... 21 1 2 18. a.) Commerce Trust Original... 60 5 4 b.) Commerce Trust Mambo... 58 1 8 c.) Commerce Trust Dixieland... 5 1 7 d.) Commerce Trust Piano 8‐beat 49 1 3 19. KCMO Week End Show... 43 5 7 20. Western Auto Anniversary... 134 2 7 94 Note on front and reel: Musical Advertising for Radio and TV, Durrett Productions, 1015 Walnut, Kansas City 6, MO. Note inside: same inserts as Box #93 95 Note on spine: 600P. 96 Note on spine: 600P. 97 Note on spine: 600P. 99 Note on spine: 600P. 100 Note on spine: 600P. 101 Note on spine: 600P. 102 Note on spine: 600P. 103 Note on spine: 600P. 104 Note on spine: 600P. 105 Note on spine: 600P. 106 Note on spine: 600P. 107 Note on spine: 600P. 108 Note on back: Horizon Note on reel: Title, Plan Jingle, Warren Durrett, B.G., 7 1/2 ips 109 Note on back: Jingle demo tape of the late 1950's. Note on reel: Warren Durrett Production, 7 1/2 copy from master 110 8/24/1968 Note on back: Cavern Rec., Rail Sales, 8‐24‐68, U Tote 'em aud 111 Note on back: Vic: Where's my station break master tape? ‐W. Durrett [Hello Warren: Here is your master tape. I Have made a copy with which I hope sooner or later to sell some jobs, Many thanks, Vic] Note inside: Samples of Radio Station Promotion Jingles, by: Durrett Productions, 1015 Walnut, Kansas City 6, Missouri, #. Station, City, Series No., Length, No. Singers, No. Musicians, Description 1. KFAB, Omaha, 1, 50 sec., 5, 4, Morning Watch Program 2. KFAB, Omaha, 4, 48 sec., 5, 4, Morning Watch Program… closeout 3. KFAB, Omaha, 5, 67 sec., 5, 4, Morning Watch Program 4. KFAB, Omaha, 6, 70 sec., 5, 4, Morning Watch Program 5. KFAB, Omaha, 7, 59 sec., 5, 4, Morning Watch Program 6. KFAB, Omaha, 8, 73 sec., 5, 4, Johnny Carver Show 7. KFAB, Omaha, 9, 19 sec., 5, 0, Ken Headrick time & weather 8. KCMO, Kansas City, 1, 23 sec., 4, 4, High Noon Revue 9. KCMO, Kansas City, 2, 38 sec., 5, 3, Mr. Music Show 10. KCMO, Kansas City, 4, 13 sec., 6, 0, general i.d. 11. KCMO, Kansas City, 3, 28 sec., 5, 4, Musical Timekeeper Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

12. KCMO, Kansas City, 5, 42 sec., 5, 7, Week End Show 13. KCMO, Kansas City, 6, 54 sec., 4, 8, Night Owl Show 14. KCMO, Kansas City, 7, 14 sec., 5, 7, general i.d.‐ sax section‐ “I Say Dial 810…” 15. KCMO, Kansas City, 8, 11 sec., 5, 7, general i.d.‐ clarinets‐ “For the best in sports…” 16. KCMO, Kansas City, 9, 18 sec., 5, 7, general i.d.‐ reeds‐ “Keep listenin’ when you’re on the go…” 17. WIVK, Knoxville, 6, 23 sec., 4, 3, general i.d.‐ piano‐ “The best sound in town on radio…” 18. WQOK, Greenville, 7, 6 sec., 3, 7, general i.d.‐ “WQOK, Greenville, S.C.” 19. KFAB, Omaha, 11, 12 sec., 1, 2, general i.d.‐ “Eleven ten, eleven ten…” 20. KFAB, Omaha, 13, 8 sec., 5, 3, general i.d.‐ “This is KFAB in Omaha” 21. KFAB, Omaha, 14, 9 sec., 5, 3, general i.d.‐ “You’re listenin’ to KFAB in Omaha, Nebr.” 22. KFAB, Omaha, 15, 7 sec., 1, 11, general i.d.‐ pizz. strings “This is KFAB, Omaha!” 23. KFAB, Omaha, 16, 13 sec., 5, 7, general i.d.‐trombones‐ “You’re listening to KFAB…” 24. KFAB, Omaha, 17, 13 sec., 1, 7, general i.d.‐ clarinets‐ “For the rest in music ‘round the…” 25. KNCM, Moberly, 1, 16 sec., 1, 4, 10th anniversary promotion 26. KNCM, Moberly, 2, 25 sec., 1, 2 10th anniversary promotion 27. KFAB, Omaha, 20, 8 sec., 3, 15, w/ strings‐ “Ahead of the rest because its best…” 28. KFAB, Omaha, 22, 47 sec., 1, 6, cha‐cha‐ “The best sound in town on radio…” 29. KFAB, Omaha, 21, 42 sec., 1, 7, Dixieland‐ “The best sound in town on radio…” 112 Note on back: Early tape master, 7 ½ ips, approx. 40 min, jingle demo tape, master of the early 1950's 113 Note on front: (000) 12/7/58, Home Savings Dixieland 12/7/58, Home Savings Polka (037) 1/4/59, Van DeKamps (055) 1/3/59, Starling Franks – TV 1/3/59, Starling Sausage – TV 1/3/59, Starling Franks – Radio (108) 1/3/59, Starling Sausage – Radio (126) 12/9/58, Derby Gasoline (audition) (146) 11/30/58, State Savings & Loan (Topeka) 11/30/58, State Savings & Loan (Topeka) ‐tag (157) 11/25/58, KFAB #10 (161) 11/23/58, Western Auto Golden Anniv. (204) 9/6/58, Otasco Anniversary Sale (215) 8/26/58, Kerr's Dept. Store (Okla. Cy) 8/6/58, Brown‐Dunkin Dept. Store ('Record Days are Here Ag'n) (237) 7/26/58, Sun Mart Groc. (Cedar Rapids) 10/26/58, Otasco X‐mas (265) 9/24/58, Ford‐Ideal Laundry 9/20/58 Ray Smith Ford 9/20/58 Ray Smith Ford – tag (289) 12/2/58, Coker Town Pontiac (Okla. Cy.) 12/2/58, Coker Town Pontiac (Okla. Cy.) version #2 (329) 11/18/58, B.C. Clark's Jewelry‐ X‐mas (350) 9/1/58, Seidlitz Paint ‐ Cha‐Cha (375) 8/27/58, Union LP Gas 8/27/58, Union LP Gas –tag Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

9/8/58, Elbel $59 a month (394) 10/28/58, Elbel sexy voice 10/5/58, Betty Rose ‐ w/ harp (426) 10/5/58, Betty Rose ‐ w/4 trombones 10/20/58 Berbiglia Hep Jazz Kangaroo (476) 9/8/58 Chef Dog Food ‐ 20 sec. 9/8/58 Chef Dog Food ‐ 60 sec. (514) 10/5/58 "Come on Downtown" #5 ('bones) (544) 7/13/58 Commerce Trust ‐ b‐beat (570) 7/13/58 “(Thomas)” – Dixieland (600) 7/13/58 “(Carr)” ‐ Mambo (634) 9/25/58, Big Red Holsum Bread 9/25/58, Big Red Holsum Vital quality (657) 9/9/58 United Funds Campaign (681) 12/9/58, WIVK #4‐a ‐ Dixie 12/9/58, WIVK #5‐a ‐ Cha‐Cha (737) 12/9/58, WIVK #6‐a ‐ Boogie‐Rock 12/9/58, WIVK #7‐a, 8 sec. Dixie (760) 11/18/58 Elbel trumpet fanfare #1 11/18/58 Elbel trumpet fanfare #2 (766) 11/18/58 Elbel trumpet fanfare #3‐a 11/18/58 Elbel trumpet fanfare #3‐b 2 Note on reel: Musical Advertising for Radio‐TV Durrett Productions, 1015 Walnut, Kansas City 6, MO. 2 114 Note on back: Durrett Productions 9/3/66, KMTV, Omaha "Old Time Movie Opener" 9/3/66, KMTV, Omaha "Old Time Movie Opener" ‐ Instru. Only 6/29/66, Play a Day in Kansas 6/5/66, "Lady is a Tramp"‐ Dennis Corcoran, singer, 6/5/66, "Where Love Has Gone"‐ Dennis Corcoran, singer, 2/5/66, City National Savings & Loan ‐ Dave Thomas 1/24/66, Mel Hilliard audition 1/24/66, Ireland Chevrolet ‐ (5 voices) ‐ 30 second 1/24/66, Ireland Chevrolet ‐ (5 voices) ‐ 60 second 10/31/65, Hartsdel Homes 9/27/65, Otasco X‐mas, "... its a magic world called Toyland at 0. 9/27/65, Economy Auto “...its E.Auto’s magic world called Toyland 8/10/65, MFA Livestock Hogs ‐ versions A, B, C, D 6/17/65, Wyckford Estates 5/24/65, Ni‐Pack Fertilizer 5/22/65, KCOB‐Maytag Promo spot #1 5/22/65, KCOB‐Maytag Promo spot #2 5/22/65, KCOB‐Maytag Promo spot #3 5/22/65, MFA Insurance ‐ sig ‐ vocal 5/22/65, MFA Insurance ‐ sig ‐ instrum. & humming Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

5/22/65, MFA Insurance ‐ sig ‐ instru. only 11/28/64, Central National Bank ‐ 10 sec., 60 sec., & 60 sec. instru. 11/28/64, Del Farm Food Store 9/18/64, STP Winterize your car 8/13/64, STP Summerize your car 8/8/64, City National Bank (Okla. Cy.) remake of 3/2/64 spot 8/15/64, Ostaco & Economy Auto X‐mas "S. Claus knows all girls & boys" 8/5/64, Ostaco & Economy Auto X‐mas ‐ celeste&girl ‐ not used 7/20/64, Raticate audition #1 ‐ not used 7/20/64, Raticate audition #2 ‐ not used 7/3/64, KMA Radio Wonderful Weekend ‐ Spot #8 7/3/64, KMA Radio Wonderful Weekend ‐ Spot #9 6/21/64, Frank Waters Pontiac 11 115 Note on back: Durrett Productions (000) 1/29/61, Holsum Bread‐ 5 clar. 3 fl. (019) 1/29/61, Holsum Bread‐ 5 sax 1 fl. (039) 1/29/61, Holsum Bread‐ 4 sax,xylo. (060) 1/29/61, Holsum Bread piano, vibes, clar. ten. (080) 1/29/61, Holsum Bread bells, chimes, celeste & marimba (102) 1/15/61 Northern Natural Gas #1 (124) 1/15/61 Northern Natural Gas #2 (147) 1/15/61 Northern Natural Gas #3 (171) 12/15/60 PLAN (189) 10/27/60 B.C. Clark 12/13/60 remake with celeste & 2 part girl (213) 11/22/60, Vigo‐Vittles Dog Food (236) 10/27/60 B.C. Clark 11/17/60 remake with 2 phrases redone (260) 11/13/60 H & R Block ‐ open (265) 11/13/60 H & R Block ‐ close (271) 10/31/60 Skelly "free air" aud. (not used) (278) 10/31/60 Skelly ‐ KT‐3 ‐ 20 sec. (288) 10/31/60 Skelly ‐ 10 sec. (294) 10/28/60 The Savings Bank (320) 10/27/60 B.C. Clark ‐ original (rejected) (345) 10/27/60 B.C. Clark ‐ original shortie (used) (355) 10/18/60 Otasco Toys (365) 10/12/60 Commerce Trust Scottish #1 (391) 10/12/60 Commerce Trust Scottish #2 (418) 9/15/60 Kitty Clover ‐ TV #1 (426) 9/15/60 Kitty Clover ‐ TV #2 (437) 9/18/60 United Campaign (466) 8/8/60 MFA Insurance ‐ Dixie (remake) (480) 8/8/60 MFA Insurance ‐ vibes (496) 9/1/60 American Beauty Macaroni (527) 7/27/60 Sinclair Tru‐Flame LP Gas Remake (560) 8/28/60 Briarwood Homes ‐ full Dixie Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

(585) 8/28/60 Briarwood Homes ‐ tag only (591) MFA Ins. Original reject (510) MFA Ins. Original reject (627) 7/1/60 Barq‐s Drink (647) 7/27/60 Sinclair Tru‐Flame LP Gas original reject 6 116 Note on back: Single‐track 7 1/2 KCMO 1‐2‐3‐4‐5‐6‐7‐8‐9 Note on reel: 7 1/2 ips, Durrett Productions for KCMO 117 Note on back: (000) 6/16/62, Anchor Saving & L (010) 6/10/62 City National Bank‐60 sec. ‐ radio #1 (031) 6/10/62 City National Bank‐60 sec. ‐ radio #2 (053) 6/10/62 City National Bank‐60 sec. ‐ radio #3 (073) 6/10/62 City National Bank‐18 sec. TV #1 (082) 6/10/62 City National Bank‐18 sec. TV #2 (090) 6/10/62 City National Bank‐18 sec. TV #3 (101) 6/10/62 City National Bank‐60 sec.‐ radio #4 (123) 6/10/62 City National Bank‐18 sec. TV #4 (134) 6/10/62 City National Bank‐60 sec. instru. only (159) 6/10/62 City National Bank‐18 sec. TV‐instru. (179) 1/26/62 Cherry Mash Candy Bar (207) 6/4/61 Metropolitan Savings Theme (231) 3/19/61 Guy's‐ 20 sec. instrumental only (246) 3/19/61 Guy's‐ 20 sec.w/ vocal (260) 3/19/61 Guy's‐ 60 sec. instrumental only (283) 3/19/61 Guy's‐ 60 sec.w/ vocal (308) 3/19/61 Guy's‐ 60 sec.original instru. (339) 9/5/60 Professional Egg Atoms (370) 2/16/60 American Lamb ‐ 60 sec. w/ announcer (396) 2/16/60 American Lamb ‐ part A (not used) (404) 2/16/60 American Lamb ‐ jingle instru. only (420) 2/16/60 American Lamb ‐ jingle w/ vocal group (434) 2/16/60 American Lamb ‐ stringer note only (436) 11/29/59 Russell Stover Candy ‐ w/ vocals (467) 11/29/59 Russell Stover Candy ‐ instru. only (496) 8/23/59 Criterion Laundry (525) 3/12/59 Guy's Potato Chips (556) 7/30/59 Progessional Egg Atoms with Durashell (591) 8/2/59 Cook's Timbertone (607) 8/3/59 Superior Feeds ‐ instru. only (625) 8/3/59 Superior Feeds ‐ w/ vocal (637) 8/9/59 Commerce Acceptance ‐ shuffle (674) 8/9/59 Commerce Acceptance – march (711) 8/9/59 Commerce Acceptance ‐ waltz 58 sec. (749) 8/9/59 Commerce Acceptance ‐ waltz 56 sec. (787) 8/9/59 Commerce Acceptance ‐ waltz 53 sec., Century #1. Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

118 5/21/1956 Note on back: May 21 '56, tape master, 15 ips, approx 12 1/2 min, 15" ips jingle, avd. tape master, May 21, 1956. Note on side: Property of Warren Durrett Note on reel: 15 i.p.s., Warren Durrett master tape, May 21 '56, part one, divide at Durrett spot, Part two, 11 min 10 sec, special rate on 10" dif. 33 1/3 LP's now 3:30 each 119 Note on back: Durrett Productions (000) 2/4/62 Better Homes & Gardens‐full‐#1, (019) 2/4/62 Better Homes & Gardens‐vocal only (027) 2/4/62 Better Homes & Gardens‐tag only (032) 2/4/62 Better Homes & Gardens‐full‐#2 (051) 2/4/62 Better Homes & Gardens‐vocal only (062) 2/4/62 Better Homes & Gardens‐tag only (068) 2/11/62 Skelly Gasoline‐full‐open brass (091) 2/11/62 Skelly Gasoline‐full‐muted trpts. (112) 2/11/62 Skelly Gasoline‐vocal only w/ intro (116) 2/11/62 Skelly Gasoline‐vocal only‐no intro (124) 2/8/62 1st Nat. Bank‐Omaha‐Maye vocal remake (134) 1/25/62 Calectric Power (158) 1/16/62 Holsum Bread w/ Verve‐ (A) (164) 1/16/62 Holsum Bread w/ Verve‐ (B) (173) 1/16/62 Holsum Bread w/ Verve‐ (C) (182) 1/16/62 Holsum Bread w/ Verve‐ (D) (189) 1/16/62 Holsum Bread w/ Verve‐ (E) (210) 1/16/62 Holsum Bread w/ Verve‐ (F) (218) 1/12/62 Christman Meats (228) 1/14/62 Uniongas (252) 1/14/62 KFAB #25 Jubilee Year (266) 1/14/62 KFAB #25 Jubilee Year‐instrum track only (282) 12/11/61 Northern Natural Gas‐cool fuel (312) 12/10/61 Gates Dept. Store (341) 11/19/61 Thriftway Stores‐ (A) (368) 11/19/61 Thriftway Stores‐ (B) (401) 11/8/61 Ireland Chevrolet (433) 10/31/61 Gold Cone Christmas Tree (464) 10/12/61 United Campaign ‐ choral wordless (500) 9/2/61 1st bank & trust ‐ Jacksonville, Fla. (535) 8/13/61 Gooch's Best w/ chimes (575) 8/13/61 Gooch's Best w/o chimes (613) 5/2/61 Woodmen of the World aud. #1‐ instr. (645) 5/2/61 Woodmen of the World aud. #2‐ instr. (686) 5/2/61 Woodmen of the World aud. #3‐ instr. (716) 5/2/61 Woodmen of the World aud. #4‐ instr. (748) 7/23/61 1st Nat. bank‐ Omaha (Myra Whorton) (771) 6/4/61 Jenkins Music Co. Theme, 8. 120 Note on back: Century‐ Reel #2 60 sec. band spot #1 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

60 sec. band spot #2‐ 60 sec. band spot #1‐ w/ announcer 60 sec. band spot #2‐ w/announcer "Don't Lose Your Peace of Mind"‐ slow "Don't Lose Your Peace of Mind"‐ faster, look ahead Broadway Motors #2, Broadway Motors #1 "Enthusiasm"‐ fast full, "Enthusiasm"‐ slower, "Enthusiasm"‐ shortened, Kitty Klover, Gen. Mills ‐ "Ideas", Surlay #1, Surlay #2. 121 Note on back: Durrett Productions (000) 3/12/59 Guy's Potato Chips 4/26/59 Derby Gasoline 4/26/59 Derby Gasoline (061) 5/17/59 Bankers Trust 5/17/59 Bankers Trust (full) 5/28/59 Otasco Doodle Dandy 4/23/59 Savex Green Gas (125) 4/11/59 Wesbanco Office Supplies 2/22/59 Fleet 500 Gasoline (4/20/59 remake) (145) 4/7/59 Commerce Trust – composer 4/7/59 Commerce Trust – Doctor 4/7/59 Commerce Trust – player piano roll (208) 4/7/59 Commerce Trust – sax teacher 4/7/59 Commerce Trust – trained seal (259) 4/12/59 B.C. Clark jewelers – close 4/12/59 B.C. Clark jewelers – open 4/12/59 B.C. Clark jewelers – open w/bell (269) 3/17/59 Ohse Wieners 3/20/59 Macy's Magic (Joplin) 3/1/59 Peter Pan‐B (Glen Miller) (319) 3/10/59 KFAB #11 3/10/59 KFAB #11 – tag 3/1/59 Peter Pan‐A (Glen Miller) 3/1/59 Ark Bread‐A (Glen Miller) (382) 3/1/59 Holsum Bread‐ A (Glen Miller) 3/2/59 KSTT Radio (Davenport) 2/25/59 City National Bank (Okla. City) 2/22/59 Fleet 500 Gasoline (original) (444) 2/9/59 KCOB‐Maytag Dixieland (2/22/59 remake) (465) 2/22/59 Otasco Spring Sale 2/22/59 Skelly Keotane "Just by Driving"‐ boy & girl (488) 2/22/59 Kentucky Terminix 2/16/59 Mayfair Shopping Center (508) 2/12/59 Hill Bros. Shoes 2/9/59 KCOB‐Maytag (orig.) Dixieland 2/9/59 KCOB‐Maytag Polka (584) 2/11/59 Whink Steam Iron Cleaner Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

2/8/59 Ark tag (Miller) 2/8/59 Holsum B (Miller) 2/8/59 Holsum tag (Miller) (645) 2/5/59 Whink Rust Remover 1/24/59 Dibbles Supermarket (676) 1/18/59 1st Nat. Bank (Beatrice, Neb.), 3 Note on reel: Musical Advertising for Radio ‐ TV: Durrett Productions, 1015 Walnut, Kansas City 6, MO. 122 Note on back: Durrett Productions (000) 6/18/84 Central Trust Co. (021) 7/3/64 KMA Radio ‐ Spot #1 ‐ "We're in Iowa, basically…" (032) 7/3/64 KMA Radio ‐ Spot #2 ‐ "Your four‐state constant companion…" (038) 7/3/64 KMA Radio ‐ Spot #3 ‐ "We're in Iowa, that's not all…" (048) 7/3/64 KMA Radio ‐ Spot #4 ‐ Springtime radio (054) 7/3/64 KMA Radio ‐ Spot #5 ‐ Summertime radio (058) 7/3/64 KMA Radio ‐ Spot #6 ‐ Golden Fall radio (063) 7/3/64 KMA Radio ‐ Spot #7 ‐ Winter Wonderland Radio (071) 5/23/64 Founders National Bank ‐ (Okla. Cy.) (078) 3/2/64 City National Bank ‐ (Okla. Cy.) (100) 11/16/63 Callaway Bank ‐ (Fulton, Mo.) (120) 11/16/63 Gold Cup Bread (143) 11/1/63 MFA Insurance ‐ male quartet, "You can save on your in. w/ MFA…" (154) 10/31/63 Savings Bank ‐ (2 vocal, 5 AFM) (175) 10/31/63 Savings Bank Home Loan (200) 10/30/63 Otasco X‐mas ‐ girl duet & clar. sound track (220) 10/30/63 Economy Auto X‐mas ‐ girl duet & clar. Sound track (244) 10/8/63 French Market (262) 9/24/63 Holsum Bread ‐ "Who Stole the Holes in Holsum Bread" ‐ remake (286) 9/24/63 Holsum Bread ‐ "Who Stole the Holes in Holsum Bread" ‐ reject (311) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #1 ‐ open (318) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #1 ‐ close (325) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #2 ‐ open (332) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #2 ‐ close (340) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #3 ‐ open (345) 8/27/63 Skelly Neotane ‐ "big, big difference…" ‐ #3 ‐ close (356) 8/10/63 Andy Anderson's ‐ weather forecast & fashion forecast, too (384) 8/10/63 Andy Anderson's ‐ weather forecast & sportsman's forecast, too (413) 7/31/63 Ohse Meats ‐ aud., not sold (425) 8/3/63 Bill Neale Motors (455) 4/8/63 Evans Home Furnishings (open) (463) close (476) 1/13/63 H & H Chevrolet (509) 1/6/63 Home Savings barbershop‐banjo #1, 2, 3, 4 (616) 12/30/62 Stokes Chili (638) 9/23/62 International Home Furnishing Show (657) 9/23/62 Milgram audition (663) 9/5/62 Macy's Anniversary Sale (670) Innis Anniversary Sale (682) 8/12/62 John Deere Fertilizer Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

(730) 7/29/62 KFAB Radio spots #26, 27, 28 (calypso girl), 10 Note on reel: 10 123 Note on back: Stage 3 Sound Prod., Everything's Coming up Robo, City Nat. Aud. 124 Note on back: Durrett Productions (000) 7/22/62 Oklahoma City More Beautiful ‐ #1 (020) 7/22/62 Oklahoma City More Beautiful ‐ #2 (031) 6/21/62 Armstrong's Dept. Store ‐ (more highs added) (050) 6/21/62 Armstrong's Dept. Store ‐ (as recorded) (077) 6/21/62 Armstrong's Dept. Store ‐ rejected by client (106) 5/27/62 Traders Bank ‐ #1 (119) 5/27/62 Traders Bank ‐ #2 (131) 6/1/62 Beardmore Chevrolet #1 (146) 6/1/62 Beardmore Chevrolet #2 (164) 5/23/62 Katz Beer dialogue (ring‐ring) (187) 5/23/62 Katz Beer dialogue (strike three) (210) 5/23/62 Katz Beer dialogue (honk honk) (234) 5/23/62 Katz Beer dialogue (knock knock) (263) 5/20/62 Speas Apple Juice (take 12) (272) 5/20/62 Speas Apple Juice (take 14) (280) 5/20/62 Speas Apple Juice instrumental only (295) Merchants National Bank ‐ Calypso 4/15/62 (306) Merchants National Bank ‐ Calypso (tag) (313) Merchants National Bank ‐ Dixieland (325) Merchants National Bank ‐ Dixieland (tag) (333) Merchants National Bank ‐ Twist (344) Merchants National Bank ‐ Twist (tag) (350) Merchants National Bank ‐ Waltz (359) Merchants National Bank ‐ Waltz (tag) (371) Merchants National Bank ‐ Calypso reject (381) Merchants National Bank ‐ Calypso (tag) (389) Merchants National Bank ‐ Dixieland (duplicate) (403) Merchants National Bank ‐ Dixieland (duplicate) (tag) (410) Merchants National Bank ‐ piano boogie ‐ reject (424) 4/15/62 Central Motor Bank (458) 3/20/62 Regency Park Homes ‐ (saxes) (487) 3/20/62 Regency Park Homes ‐ (Shearing) (532) 3/3/62 Frigette Auto‐Airconditioning ‐ (alto flute) (570) 3/8/62 City National Savings & Loan (613) 6/1/62 Beardmore Chevrolet audition ‐ not sold (635) 1/11/62 AOK (Ahern, O'Donnell & Kirby) insurance (654) 1/11/62 AOK (Ahern, O'Donnell & Kirby) insurance (tag) (664) 2/25/62 MFA Insurance ‐ radio (691) 2/25/62 MFA Insurance ‐ tag for TV, 9 Note on reel: 9 125 Note on back: Durrett Production (000) 5/28/61 Girl Curl Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

(019) 5/28/61 Lucky Tiger (instr. Track) (037) 5/28/61 Lucky Tiger (original spot) (056) 4/18/61 Savings Bank Loans (078) 5/24/61 Peter Pan Hot Dog Buns (100) 5/14/61 Hanlon's Car Sponge (122) 5/7/61 Traders Bank (136) 5/2/61 U.S. National Bank (159) 4/23/61 State Federal S. & L. (169) 4/18/61 Savings Bank Loans (original, remade above on 6/1/61 for Damon) (191) 4/10/61 Charl‐Mont Cafeterias (216) 3/19/61 Helzberg's ‐ 58 sec. (Carl Wilcox final) (238) 3/19/61 Helzberg's ‐ 30 sec. (Carl Wilcox final) (250) 3/19/61 Helzberg's ‐ 8 sec. (Carl Wilcox final) (250) 3/19/61 Helzberg's ‐ 8 sec. instr. (261) 3/19/61 Helzberg's ‐ 58 sec. (Nadine Thurman orig.) (286) 3/19/61 Helzberg's ‐ 30 sec. (Nadine Thurman orgi.) (302) 2/12/61 Better Homes & Gardens Theme – w/vocal (320) 3/11/61 Davis Paint (344) 3/11/61 Derby Gasoline ("You can feel the D. diff.) (350) 2/19/61 KFAB #31 ‐ Dixie w/girl (372) 2/19/61 KFAB #22 ‐ ChaCha w/girl (396) 2/19/61 KFAB #19 ‐ male quartet ‐ piano (407) 2/19/61 KFAB #20 ‐ male trio & strings (459) 2/19/61 KFAB #23 ‐ Musical Timekeeper (474) 2/19/61 KFAB #24A ‐ P.M. Show (497) 2/19/61 KFAB #24B ‐ P.M. Show (512) 2/19/61 KFAB #24C ‐ P.M. Show (535) 2/19/61 KFAB #24D ‐ P.M. Show Tag (547) 2/12/61 Better Homes & Gardens ‐ Instr. Only (586) 2/12/61 Merchants National Bank (624) 2/5/61 Skelly (17 pcs w/strings) "Farmer in the Dell" ‐ 60 sec. (661) 2/5/61 Skelly (17 pcs w/strings) "Farmer in the Dell" ‐ 10 sec. (673) 2/5/61 Skelly (17 pcs w/strings) Latin " ‐ 60 sec, 7 Note on reel: 7 126 Note on back: Durrett Productions (000) 7/2/60 Ranch House Dinner (016) 7/2/60 Ranch House Dinner (all instr.) (039) 7/25/60 Speedy Vine Beater (047) 7/1/60 Barq's drink (058) 6/26/60 Kitty Clover Potato Chips (067) 6/28/60 Patrons Bank (087) 6/28/60 Olathe Shopping Center (107) 6/5/60 Vickers Imported China (A) (128) 6/5/60 Vickers Imported China (B) (150) 6/27/60 Hill Bros. shoes ('bones‐new lyrics) (161) 6/6/60 Commerce Trust March Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

(184) 6/9/60 Kansas City, a Great Place for Growing (Damon) (191) 6/9/60 Kansas City, a Great Place for Growing (tag) (Damon) (196) 6/9/60 Kansas City, a Great Place for Growing (full) (WDAF) (205) 6/9/60 Kansas City, a Great Place for Growing (tag) (Damon) (211) 6/10/60 Iowa Mutual Tornado Ins. (221) 5/22/60 Elect James Herrod #1 (227) 5/22/60 Elect James Herrod #2 (234) 5/13/60 Walnut Hill Plaza Shopping Center (247) 5/13/60 Eureka Federal Savings & Loan (258) 5/8/60 Shop at Safeway (Omaha) (267) 4/24/60 Feld Chevrolet (291) 4/4/60 KFAB Radio #18 remake (300) 4/24/60 KNCM Radio #1, (308) 4/24/60 KNCM Radio #2 (321) 4/24/60 KNCM Radio #3 (326) 4/4/60 Vickers Amerall (A) brass (353) 4/4/60 Vickers Amerall (B) vibes‐clar. (382) 4/3/60 Gracemor Homes (409) 4/4/60 KFAB Radio #16 (417) 4/4/60 KFAB Radio #17 (427) 4/4/60 KFAB Radio #17 (437) 3/27/60 Carjoy (466) 3/20/60 Central Federal Saving & Loan (497) 3/16/60 Rolling Ridge Homes (527) 3/13/60 Otasco Shower of Values (538) 1/31/60 Frigette Autoairconditioning (570) 1/31/60 Penn Square Shopping Center (581) 1/31/60 Payway Feeds (598) 1/18/60 Miracle Flame Firestarter (632) 1/11/60 Mustang Engines #1 (652) 1/11/60 Mustang Engines #2 (672) 1/11/60 Mustang Engines #3 (697) 12/30/59 Park Lane Shopping Center (741) 12/20/59 Dixie Homestead S. & L. (790) 12/13/59 Home Savings Hawaiian, 5 Note on reel: 5 127 Note on back: Commerce Trust, "Comin Thru the Rye" Note inside: Surlay Hairdressing Bill Ireland Pontiac ‐ 60, Bill Ireland Pontiac ‐ 30 MFA, MFA (w/o instru. intro) Bank A‐Mer‐I‐Card Aud. Jim Shaffer ‐ instr. only, Jim Shaffer ‐ w/ vocal KFAB teens, KFAB home style (vocal) KFAB home style, KFAB bossa nova (vocal), KFAB bossa nova, KFAB sports, KFAB news, KFAB general (w/ vocal), KFAB general Skelly Skeltane Gasoline, Skelly's New Skeltane Gasoline Montclaire Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

128 Note on back: Durrett Productions (000) 12/3/59 Videon Corp. (021) 11/29/59 Greg's of Groton (35 sec) 11/29/59 Greg's of Groton (22 sec) 11/29/59 Greg's of Groton (12 sec) 11/29/59 Greg's of Groton (6 sec) (050) 11/17/59 Speedy Mfg. Co.‐Sprayers 11/17/59 Speedy Mfg. Co.‐Twine (090) 11/17/59 Speedy Mfg. Co.‐Shredders (114) 11/17/59 Speedy Mfg. Co.‐Corn Cribs (140) 11/8/59 General Acceptance Co. 11/8/59 General Acceptance Co. (full) (168) 11/8/59 First Nat. Bank (Canton, O.) 11/8/59 Darlington Hills (Tulsa, Okla.) (209) 10/14/59 Vickers Gasoline Amerall 10/14/59 Otasco‐Philco (253) 10/14/59 Otasco‐Philco (inst. track) (278) 10/11/59 Holsum Jazz‐A 10/11/59 Holsum Jazz‐B (325) 10/11/59 Holsum Jazz‐tag (329) 9/23/59 Holsum Western (354) 9/27/59 MFA Insurance ‐ open (367) 9/27/59 MFA Insurance – close (374) 9/20/59 Holsum Latin‐A (402) 9/20/59 Holsum Latin‐B 9/20/59 Holsum Latin‐tag (433) 9/21/59 Holsum‐G. Miller w/ D. Thomas (460) 7/3/59 Safeway Stores "The Name to Remember" (489) 9/3/59 KFAB #15 (494) 6/4/59 Paris Fabric Shop 6/4/59 Paris Fabric Shop ‐ tag (509) 8/28/59 C.U. Family Security Plan (539) 6/29/59 KFAB #12 6/29/59 KFAB #13 6/29/59 KFAB #14 (560) 7/3/59 Topco Gasoline (575) 6/29/59 "Constantly Think of You" (Marj Fuqua demo) (638) 7/2/59 Savex Clean Gas (671) 7/1/59 Brownlee‐Moore Bank (Brookfield, Mo.) (686) 8/11/59 Skelly girl quickie #1 8/11/59 Skelly girl quickie #2 8/11/59 Skelly girl quickie #3 8/11/59 Skelly girl quickie #4 (713) 7/24/59 Joe Falk Toys "Wishing Well" 7/24/59 Joe Falk Toys "Wishing Well" ‐ tag, 4 Note on reel: 4 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

129 6/11/1968 Note on front: KFAB Series, abbreviated remains from 6‐11‐68 session NYC KFAB I.D.'s 7 1/2 IPS Note on reel: KFAB abbreviated 130 Note on back: KCMO series complete Note on reel: Durrett prod., KCMO Series Box 5: Barcode #040‐113293659 131 Note on back: KCMO station break series Note on reel: KCMO 7,8,9,9‐B, Durrett 132 1959 Note on back: Excellent Bill Brewer narrated audition tape presentation to secure Russell Stover jingle job for Potts‐Woodbury & Durrett Productions. [1959] Note inside: Briefly, we have attempted to show you the cometance (sic) of our musical director. Here now is how we work with him. When we have arrived at an approved approach...approoved (sic) copy line, slogans and so forth, we meet with our musical director and gave him this material explaining the how and whys. We tell him the basic "FEEL" we want as far as musical treatment is concerned. He woodsheds it and submits a simple piano vocal audition. often he explains the instrumentation and vocal colorings he desires to create the final effect. First we are going to play for you the piano‐vocal audition submitted for Braniff Airways. The the (sic) finished spot. You'll note how vastly different the are. Obviously an audition can only give a melodic structural idea. We most confidently await finished production to appreciate the real and full value of the spot in question. Here is an audition for Goetz Beer...and we have to admitt (sic) "it's pretty pedestrian. But see what Les Brown and the Band of renown did for this simple melody. Now... lets (sic) get down to cases. Here, then...are three ideals for Russell Stover Candies. We have OUR favorite...let's see if you agree. What you are hearing is a musical commercial produced under the supervision of Potts Woodbury Advertising by Kansas City producer Warren Durrett. If you listen to the radio at all, you will be familiar with some...or many...or all of the examples of Durrett's work which is to follow. In order to conserve your valuable time we wont (sic) play these examples in their entirety...instead we will play only enough of each to give you an example of Durretts versitility (sic) in creative musical commercials. When these examples are finished...we will attempt to illustrate how we work with such a producer... and how we solve the age‐old problem of auditions. Now here's more of Durrett's work. 133 8/1965 Note on front and reel: Musical Advertising for Radio – TV, Durrett Productions, 1015 Walnut, Kansas City 6, Mo. Note on back: D.P. Aud., tape master, Aug. 1965. 134 Note on back: Reel No. 2, 7 1/2 ips, Durrett Productions, Storm Music Series 0, 1‐ Skelly Oil Co. Guarranteed Start Series, 2‐ ", 3‐ ", 4‐ ", 5‐ ", 6‐ " 155, 7‐ Original Commerce Trust Jingle 186, 8‐ Mambo 9‐ Dixieland ‐ Girls 249, 10‐ Dixieland ‐ Boy 282, 11‐ Piano ‐ 8‐beat. Note on reel: Reel no. 2, 7 1/2 ips, Durrett Productions. 135 Note on back: Reel No. 1, single track, 7 ½ 000, 1. Nall Hills 028, 2. Built Well by Ed Bell 048, 3. M.H.A. Mutual Jingle 059, 4. M.H.A. Tag 066, 5. 3 takes of KFAB 9 095, 6. Countryside Insurance Jingle Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

095, 6. Countryside Insurance Jingle 105, 7. Countryside Tag 111, 8. Progress Beer 124, 9. Jitney Jingle Jingle 158, 10. Allen Chevrolet 191, 11. Royal Organ Jingle 211, 12. Union National 247, 13. Bowman the Honest Plumber 264, 14. Bowman the Honest Plumber 15. Bowman the Honest Plumber 275, 16. Hairlane Jingle, 289, 17. Hairlane Tag Note on spine: Reel No. 1, Durrett Productions. Note on reel: Reel No. 1, Durrett Productions, 17 tracks, 7 1/2 ips. 136 Note on back: 7 1/2 ips, single track, Betty Rose (copy), 1‐2‐3‐4‐5‐6‐7‐8‐9‐10‐11‐12, Produced by Durrett, recorded by Damon Note on reel: 7 1/2 ips, Betty Rose, 1‐2‐3‐4‐5‐6‐7‐8‐9‐10‐11‐12. 137 Note on back: Nightengale Speech 138 8/10/1960 Note on back: Warren Durrett Speech to Plaza Optimist Breakfast Club, Wed. morning, August 10, 1960 at the Embassy Restrauant Empire Room in the Country Club Plaza, Kansas City, Missouri, Club president ‐ Jack Robinson, Program chairman ‐ Dick Arnold Note on reel: Date 3‐21‐59, Durrett Productions 139 2/6/54 Note on back: All this tab is a 40 minute interview of Warren Durrett on Radio Station KUDL Kansas City, MO on Feb. Feb 6 '54 with announcer Stanley Wack., 17A980. 140 2/28/68 Note on back: Speech Tape for Plaza Optimist, 2‐28‐68. Non‐Commercially Recorded Discs Box #1 142 2/23/1957 Note on side 1: Damon Recording Studios, 78 RPM 1. New Downtown Jingle Vocal [2‐23‐57] 2. New Downtown Jingle Instrumental 3. New Metropolitan Tag [1‐25‐57] 4. New Metropolitan Jingle 5. Thriftway [2‐26‐57] 6. Traders Motor Bank [1‐30‐57], Warren Durrett Productions Note on side 2: Damon Recording Studios, 78 RPM 1. Valomilk #14, 2. Valomilk #10, 3. Reprise, 4. 20 sec. version, 5. Acappella [3‐2‐57] 6. Greenlease O'Neill, Warren Durrett Productions [2‐12‐57] 143 1/8/1957 Note on Side 1: Damon Recording Studios, 78 RPM 1. North American Savings [1‐8‐57] 2. North American A & B, Instrumental Composite [3‐4‐57] 3. Allen Version Chevrolet Time, Warren Durrett Productions [2‐13‐57] Note on Side 2: Damon Recording Studios, 78 RPM 1. Sweet Lumber Jingle [2‐9‐57] 2. Michael Motors [2‐6‐57] 3. Hill Brothers Shoes [2‐19‐57] Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

4. Fenwick Sings "A" for Allen [1‐11‐57], Warren Durrett Productions. 144 9/13/1957 Note on Side 1: Damon Recording Studios, 78 rpm 1 ‐ Rushkin Hills [9‐13‐57] 2‐3‐4 ‐ WSNY [10‐15‐57] 5 ‐ Holsum Bread 60 sec. [10‐19‐57], Durrett Productions Note on Side 2: Damon Recording Studios, 78 rpm 1 ‐ Boeing Aud. [8‐23‐57] 2 & 3 ‐ Wasson [8‐27‐57] 4 ‐ Blank 5 & 6 KFAB [9‐4‐57], Durrett Productions 145 2/18/1957 Note on Side 1: Damon Recording Studios, 78 rpm 1 ‐ Safeway Savatape [2‐18‐57] 2 ‐ Safeway Federal Savings [3‐21‐57] 3 ‐ Mission ‐ Ford [3‐24‐57] 4 ‐ Vickers Gasoline [3‐26‐57] 5 ‐ Vickers Tag., by Durrett Productions Note on Side 2: Damon Recording Studios, 78 rpm 1 ‐ Holiday Inn Jingle #1 [3‐28‐57] 2 ‐ Holiday Inn Jingle #2 3 ‐ Westbrook Homes [3‐29‐57] 4 ‐ Skelly Keotane [4‐9‐57], by Durrett Productions 146 7/22/1957 Note on Side 1: Damon Recording Studios, 78 RPM 1. Hill Brothers Shoes [7‐22‐57] 2. WQOK #1 [7‐22‐57] 3. WQOK #2 4. WIVK #1 5. WIVK #2 6. Westerner Barbeque Aud. [7‐1‐57] 7. Kitty Clover [7‐1‐57] 8. Kitty Clover, Warren Durrett Productions Note on Side 2: Damon Recording Studios, 78 RPM 9. Pearson's [4‐17‐57] 10. Southtown Motors 60 [5‐6‐57] 11. Southtown Motors 20 12. Sendol #1 [5‐16‐57] 13. Sendol #1 (repeat) 14. Sendol #2 15. Home Savings [5‐23‐57], Warren Durrett Productions 147 11/30/1956 Note on Side 1: Damon Recording Studios, 78 RPM, STD. Wide Groove 1. Home Savings & Loan Ass'n. [11‐30‐56] 2. Land‐Sharp Chevrolet [10‐15‐56] 3. Land‐Sharp Chevrolet, Warren Durrett Productions. Note on Side 2: Damon Recording Studios, 78 RPM 1 ‐ 2. Peter Pan Bread 3 ‐ 4. Davis Oldsmobile [11‐3‐56] 5. Goldman's [10‐16‐56], Warren Durrett Productions Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

148 9/30/1956 Note on Side 1: Damon Recording Studios, 78 RPM, STD. Wide Groove C.J. Patterson Company [9‐30‐56], Ark Bread Wheat Jingle, Produced by Warren Durrett Productions 149 9/3/1956 Note on Side 1: Damon Recording Studios, 78 RPM, STD. Wide Groove 1. KFBI [9‐3‐56,] 2. KFBI 3. Holiday Hills [9‐3‐56] 4. KGBX [9‐6‐56] 5. Anchor Savings [9‐14‐56], Warren Durrett Productions Note on Side 2: 1. Sam Molen, Anchor Savings [9‐14‐56] 2. Blue Star Foods [9‐12‐56] 3. Blue Star Foods, Warren Durrett Productions 150 Note on Side 1: Damon Recording Studios, 78 RPM, #3, Artists' Personal Audition Recording, Betty Rose Spots, 5 and 6, [Berbiglia‐Piccolo & Bass, Horn] Note on Side 2: Damon Recording Studios, 78 RPM, Side 4 1. Warren Durrett Radio Spot 2. Warren Durrett Radio Spot 3. North American Savings 4. Gold Bond 151 Note on Side 1: Damon Recording Studios, 78 RPM 1. Golden Wedding Coffee 2. North American Sav. & Ln. 3. Berbiglia (Rocking Chair) 4. Berbiglia (Horse Race), Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM, Gorman's 1. Ragtime, 2. Amigo, 3. Dixieland, 4. Bop, 5. Tag, Warren Durrett 152 Note on Side 1: Damon Recording Studios, 78 RPM, Carter Oil Company Spots #208, 205, 211, 202[, 204], Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1 & 2, Betty Rose Spots 1‐2 1953 3 4 5 Carter Oil Musicals, #206‐207‐&‐209, Warren Durrett. 153 10/22/1953 Note on Side 1: Damon Recording Studios Berbiglia #11, Berbiglia #12, Gormans "Dragnet" [10‐22‐53] Note on Side 2: Damon Recording Studios, 78 RPM 1 ‐ Berbiglia (Desert) [8‐29‐53] 2 ‐ Berbiglia (Bride) 3 ‐ Davidsons [10‐12‐53] 4. Peoples Spot 8, Warren Durrett. 154 4/5/1953 Note on Side 1: Damon Recording Studios, 78 RPM, continuous 1. Berbiglia Theme, 2. Berbiglia Cecilia, 3. Berbiglia Romantic Stonewall Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM, Carter Oil Company 1, 2, 3, Separate Minute Spots, April 5 '53, Warren Durrett 155 Note on Side 1: Damon Recording Studios, 78 RPM 1 ‐ North American Sav. & Loan 2 ‐ North American Sav. & Loan Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

3 ‐ Berbiglia Crystal Ware 4 ‐ Carter Uniflo 5 ‐ Allen Chevrolet, Warren Durrett 156 6/21/1953 Note on Side 1: Damon Recording Studios, 78 RPM 1 ‐ Berbiglia Calypso Singer [6‐21‐53] 2 ‐ Berbiglia Mocking Bird [7‐25‐52] 3 ‐ Berbiglia Hearts & Flowers 4 ‐ Berbiglia Floppy 5 ‐ Channel Nine [7‐27‐53] Note on Side 2: 26, 27, Damon Recording Studios, 78 RPM, [all 6‐21‐53] Berbiglia 1 ‐ "Way to a Man's Heart" 2 ‐ "Steamboat Bill" 3 ‐ "Basin Street" 4 ‐ "Hep Cat", Warren Durrett 157 Note on Side 2: Damon Recording Studios, 33 1/3 R.P.M., STD. Wide Groove, Hi‐Fidelity, Radio & TV, B Side, Side 2, Skelly Oil Company, 1961, Music Produced for Bruce B. Brewer & Co. by Warren Durrett 158 Note on Side 1: Damon Recording Studios, 33 1/3 R.P.M., STD. Wide Groove, Hi‐Fidelity, Radio & TV, A Side, Side 1, Skelly Oil Company, 1961, Music Produced for Bruce B. Brewer & Co. by Warren Durrett 159 Note on Side 1 & 2: Bruce B. Brewer & Co., D‐12273‐A&B, Skelly Oil Company, "Guaranteed Start Series", Standard Wide Grooves, 33 1/3 RPM, Minute Spots 1‐2‐3‐4‐5‐6, Original Music by Durrett Productions 160 Note on Side 1: Damon Recording Studios, Outside Start, Lateral 33 1/3 R.P.M., N.A.B. Characteristics, 100% Synchronous, Produced by Paul Scott, Words and Music by Rogers & Smith, Betty Rose Hit Parade, Starring... Warren Durrett, Ellen White, Don Price, the Uptowners, the Three Belles 1. That Model in the Magazine... 51 seconds 2. You'll be Enchanting... 45 seconds 3. Nothin'‐to‐Wear Blues... 51 seconds 4. Lady, Be Loved... 51 seconds 5. Sleeping Beauty... 53 seconds 6. I'm in Love with the Way You Look... 51 seconds, Stern‐Slegman‐Prins Warren R. Durrett, 7114 Woodland, Kansas City 10, Missouri [D‐12106‐A, Vic Damon, B‐8950] Note on Side 2: Damon Recording Studios, Outside Start, Lateral 33 1/3 R.P.M., N.A.B. Characteristics, 100% Synchronous, Produced by Paul Scott, Words and Music by Rogers & Smith, Betty Rose Hit Parade, featuring... Janet Ewing, Lotus Dysart, Ken Heady 1. Dramatic... 50 seconds, 2. Dramatic... 52 seconds, 3. Dramatic... 53 seconds 4. Dave Barry... 49 seconds, 5. Dave Barry... 49 seconds, 6. Dave Barry... 47 seconds Stern‐Slegman‐Prins, Kansas City, Missouri [D‐12106‐B, Vic Damon, B‐8951] 161 Note on Side 1: 1. Mambo Betty Rose‐musical‐50 seocond. 2. Mambo Betty Rose‐musical narrative‐50 second. 3. The Lady Has Lots of Class‐musical‐50 second. 4. Do You Look Your Best‐musical‐53 second. 5. One Touch Will Tell You‐dramatic‐47 second. 6. If Clothes Could Talk‐dramatic‐53 second. Betty Rose Sales, Commercials, Paul Scott‐Production, Rod Frazier‐Direction, Warren Durrett‐musical direction, Outside Start, 33 1/3 RPM, Damon Recording Studios, Inc. Kansas City, Missouri, D‐12201‐A, Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Dealer: Betty Rose Coats and Suits, [B‐14236, D‐12201‐A “Mamba Betty Rose” Vic Damon] Note on Side 2: 1. Ramblin' Heart‐musical‐50 second. 2. Ramblin' Heart‐musical narrative‐50 second. 3. That Model in the Magazine‐musical‐52 second. 4. Why Am I Feelin' So Low‐down‐musical‐51 second. 5. If You Have an Eye for Elegance‐announcement‐48 second. 6. Here's a Girl Who Knows Good Clothes‐dramatic‐50 second. Betty Rose Sales, Betty Rose Sales, Commercials, Paul Scott‐Production, Rod Frazier‐Direction, Warren Durrett‐musical direction, Outside Start, 33 1/3 RPM, Damon Recording Studios, Inc. Kansas City, Missouri, D‐12201‐B, Dealer: Betty Rose Coats and Suits, [B‐14237, D‐12201‐B “Ramblin’ Heart” Vic Damon] 162 Note on Side 1: Damon Recording Studios, Kansas City, Missouri, Outside Start, Lateral 33 1/3 R.P.M., N.A.B. Characteristics, 100% Synchronous, Betty Rose 1953 Hit Parade, Produced by Paul Scott, Words and Music by Rogers & Smith, Rogers & Smith Incorporated, Chicago, Kansas City, Dallas, D‐12146‐A Six Hit Commercials: Betty Rose Suits the Stars; The Lady Sets Hearts on Fire; Lovelier You; Baby, You Look Mighty Cute; Betty Rose Enchantment; The Magic Touch [D‐12146‐A Vic Damon A, B‐10213] Note on Side 2: Damon Recording Studios, Kansas City, Missouri, Betty Rose Movie Star Parade, 1. Corrine Calvet, 2. Corinne Calvet, 3. Rhonda Fleming, 4. Rhonda Fleming, 5. Jan Sterling, 6. Jan Sterling, D‐12146‐B, outside start, lateral 33 1/3 RPM, N.A.B. characteristics, 100% synchronous [D‐12146‐B Vic Damon, B‐12214, A] 163 Note on Side 1: Bruce B. Brewer & Co., D‐12360‐A, Skelly Regular Gasoline (Winter 1961) 33 1/3 STD. ,Wide Groove, 60 second commercials, #SRW‐60‐1, #SRW‐60‐2, #SRW‐60‐3, #SRW‐60‐4, #SRW‐60‐5 [D‐ 12360‐A Vic Damon, B24662] Note on Side 2: Bruce B. Brewer & Co., D‐12360‐B, Skelly Regular Gasoline (Winter 1961) 33 1/3 STD., Wide Groove, 10 second commercials, #SRW‐10‐1A, 5 Identical Cuts, [D‐12360‐B Vic Damon, B24663] Box 6: Barcode #040‐113293668 164 Note on Side 1: Betty Rose "feature fashions" musical commercials, produced by Durrett Productions, Kansas City, Missouri, Side 1, 33 1/3 RPM, Standard Wide Groove Stern Slegman Prins Co., Kansas City, Missouri 6 hit commercials 1. Date Line #3308... 51 seconds 2. Thoroughbred #4920... 51 seconds 3. Fair Lady #4602... 55 seconds 4. Love‐that‐Paisley #2900... 51 seconds 5. Sophisticate #4305... 51 seconds 6. Couturier #3305... 55 seconds, D‐12281‐A [D‐12281‐A a Vic Damon recording, B‐20307] Note on Side 2: Betty Rose "feature fashions" musical commercials, produced by Durrett productions, Kansas City, Missouri, Side 2, 33 1/3 RPM, Standard Wide Groove, Stern Slegman Prins Co., Kansas City, Missouri 6 hit commercials 7. Town Topic #4904... 55 seconds 8. Beau Ideal #4600... 55 seconds 9. Bravado #1902... 55 seconds 10. Gadabout #1602... 51 seconds 11. Luxor #3300... 55 seconds Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

12. Leading Lady #1610... 51 seconds, D‐12281‐B [D‐12281‐B a Vic Damon recording, B‐20308] 165 Note on Side 1: Bruce B. Brewer & Co., Skelly Oil Company, Side 1, 33 1/3 RPM, Standard, 1959, Just by Driving, 1‐minute, Cuts 1,2,3,4,5 [Vic Damon, D‐12288‐A, B‐20795] Note on Side 2: Bruce B. Brewer & Co., Skelly Oil Company, Side 2, 33 1/3 RPM, Standard, 1959, Just by Driving, 10‐second, Cuts, 1,2,3,4,5,6,1,2,3,4,5,6 (2 sets identical cuts) [Vic Damon, D‐12288‐B, B‐20796] 166 Note on Side 1: 1. Mambo Betty Rose‐musical‐50 second. 2. Mambo Betty Rose‐musical narrative‐50 second. 3. The Lady Has Lots of Class‐musical‐50 second. 4. Do You Look Your Best‐musical‐53 second. 5. One Touch Will Tell You‐dramatic‐47 second. 6. If Clothes Could Talk‐dramatic‐55 second. Betty Rose Sales, Commercials, Paul Scott‐production, Rod Frazier‐direction, Warren Durrett‐musical direction, Outside Start, 33 1/3 RPM, Damon Recording Studios, Inc. Kansas City, Missouri, D‐12201‐A, Dealer: Betty Rose Coats and Suits [B‐14236, D‐12201‐A “Mamba Betty Rose”, Vic Damon] Note on Side 2: 1. Ramblin' Heart‐musical‐50 second. 2. Ramblin' Heart‐musical narrative‐50 second. 3. That Model in the Magazine‐musical‐52 second. 4. Why Am I Feelin' So Low‐Down‐musical‐52 second. 5. If You Have an Eye for Elegance‐announcement‐48 second. 6. Here's a Girl Who Knows Good Clothes‐dramatic‐50 second. Betty Rose Sales, Commercials, Paul Scott‐production, Rod Frazier‐direction, Warren Durrett‐musical direction, Outside Start, 33 1/3 RPM, Damon Recording Studios, Inc. Kansas City, Missouri, D‐12201‐B, Dealer: Betty Rose Coats and Suits [B‐14237, D‐12201‐B “Ramblin’ Heart”, Vic Damon] 167 10/10/1954 Note on Side 1: Damon Recording Studios, 78 RPM 1 & 2 American Beauty Chili‐Roni [10‐10‐54] 3‐4‐5‐6 Carter Oil Co. [9‐29‐54] by Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1 & 2 Mortonhouse Chicken Pie [11‐21‐54] 3‐4 & 5, Servs Bread [11‐3‐54] 6 North American TV [10‐25‐54] 7. Berbiglia TV, by Warren Durrett 168 10/7/1954 Note on Side 1: Damon Recording Studios, 78 RPM 1 ‐ Chevrolet for 1955 [10‐7‐54] 2 ‐ Chevrolet for 1955 [9‐20‐54] 3 ‐ Holsum Bread [8‐29‐54] 4 ‐ Peter Pan Bread 5 ‐ Ark Bread, Warren Durrett 169 6/29/1954 Note on Side 1: Damon Recording Studios, 78 RPM, [All 6‐29‐54] 1. Berbiglia (bicycle), 2. Peoples 905 (baseball), 3. People's 905 (vacation) Music by Warren Durrett Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side 2: Damon Recording Studios, 78 RPM, [All 5‐24‐54] Berbiglia: "Driver", Berbiglia: “Soap Box", Berbiglia: "Black Book" Music by Warren Durrett 170 9/16/1954 Note on Side 1: Damon Recording Studios, 78 RPM, 1. Warren Durrett '54 Radio Spot [9‐16‐54] 2. Rich Made Margerine [8‐29‐54] 3. Rich Made Mergerine Note on Side 2: Damon Recording Studios, 78 RPM, all spots play thru continuously, Speedy Mfg. Co., [8‐ 14‐54], music & musical direction by Warren Durrett 171 10/29/1953 Note on Side 1: [38] Damon Recording Studios, 78 RPM 1 ‐ Berbiglia (Blackie), 2 ‐ Berbiglia (Xmas Jingle) [11‐20‐53], 3 ‐ Jones Bread, 4 ‐ Jones Bread [12‐2‐53], Warren Durrett Note on Side 2: [All 10‐29‐53] Drummond #1, Drummond #2, North American Savings 172 Note on Side 1: [37] Damon Recording Studios, 1. "Phoenix Loan #1", 2. "Phoenix Loan #2", 3. "Tastemark Ice Cream", 4. "Capitol Federal & Savings", Warren Durrett Note on Side 2: Damon Recording Studios, “Co‐op Oil,” “Helmers,” “Berl Berry,” Warren R. Durrett, 32. Warren R. Durrett, 3940 Locust, Kansas City 4, Mo. 173 Note on Side 1: [31] Damon Recording Studios, 78 RPM 1‐ Metropolitan Savings Ass'n 2‐ Berbiglia, 3‐ Berbiglia, 4‐ Berbiglia, 5‐ Berbiglia (Bottles), Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM, Western Auto Supply Company Profit Jubilee ‐‐‐‐ plays through continuously (double introduction as produced for the client), Warren Durrett 174 12/22/1953 Note on Side 1: [35] Damon Recording Studios, 78 RPM #1‐ Berbiglia [12‐22‐53] #2‐ Berbiglia [12‐22‐53] #3‐ K.C. Power & Light [4‐8‐54] Note on Side 2: [30] Damon Recording Studios #1‐ Berbiglia [4‐10‐54] #2‐ Peoples 905 [4‐10‐54] #3‐ Carter Oil Co. [4‐16‐54] 175 11/2/1957 Note on Side 1: Damon Recording Studios, 78 RPM #1 Oct. 29 '57 Holsum Bread #2 Skelly Hot Spark [11‐2‐57] #3 Gold Bond Turkey [11‐6‐57] #4 & 5 Old Southern Barbecue Sauce Southern Spots [9‐10‐57] Durrett Productions Note on Side 2: Damon Recording Studios #1 Downtown Jingle #4 [10‐22‐57] #2‐3‐4‐5 KWMT Jingles [10‐26‐57] 10‐24‐57, Durrett Productions 176 9/8/1957 Note on Side 1: Century Recording Studios, Kansas City, Missouri, 78 rpm 1‐ Interstate Bakeries, Pee Wee Hunt Instrumental [9‐8‐57] 2‐ Blue Seal, 50 secs. 3‐ Weber's, 30 secs. 4‐ Butternut, 20 secs. Note on Side 2: Century Recording Studios, Kansas City, Missouri, 78 rpm 1‐ American Royal [10‐3‐57] 2‐ American Royal (no intro.) 3‐ Cook Paint Polka [10‐26‐57] 4‐ Cook Tag Only Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

5‐ Cook Instrumental 177 2/13/1958 Note on Side 1: Damon Recording Studios, Our 25th Year of Service & Leadership, 78 R.P.M., STD. Wide Groove, Hi‐Fidelity 100% Synchronous [2‐13‐58] 1 ‐ 2 General Automotive Muffler Shop 3 ‐ Johnny Carver Show KFAB, 4 ‐ Johnny Carver Show KFAB (tightened) Note on Side 2: 1. Sportswrite [?], 2. Hot Shot, Buy Kelly, 3., Lasater‐Ford, 4‐5. Shamco, 6. Gen. Automotive. 178 12/15/1957 Note on Side 1: 78 RPM, Durrett Productions, Surlay #1,2,3, Century 12/15/57. Note on Side 2: 78 RPM, Durrett Productions Dumas Milner 3/5/58, Forum 2/16/58, Drive‐In Movie 2/12/58, Lovers Lane, 2/14/58 179 5/14/1958 Note on Side 1: 78 RPM, Durrett Productions, El Reco Gas 5/4/58, Plaza Bowl 5/12/58, Peoples Bank, 5/14/58 Note on Side 2: 78 RPM, Durrett Productions, 1 & 2 Novi 3/19/58, 3 & 4 Go modern, gomovie, 4‐9‐58, 5 & 6, "Buy it Now", 4/11/58 180 4/22/1958 Note on Side 1: Damon Recording Studios, 78 RPM 25th Anniversary, Hi‐Fi Commercial #1 El Bel "Click" [4‐22‐58] #2 Faultless Starch Jingle [3‐23‐58] #3 & #4 Faultless Spots. Durrett Productions Note on Side 2: Damon Recording Studios,78 RPM, 25th Anniversary, Hi‐Fi Commercial #1 Faultless Marching Jingle [3‐25‐58] #2 Faultless Marching Fade Ending #3 Channel "5" 4[‐22‐58] #4 Byers Better Built Homes [3‐2‐58] #5 Big "60" on 860 Jingle [2‐26‐58] Durrett Productions 181 Note on Side 1: [25] Damon Recording Studios, Artists' Personal Audition Recording #1, Starting Outside: 1 & 2 Gold Bond Poultry, 3 & 4 Helmers, 78 RPM Note on Side 2: [14, 15, 16, 17] Damon Recording Studios, Artists' Personal Audition Recording #2, Betty Rose Spots, 1,2,3,4, 78 RPM. 182 Note on Side 1: [18,19,20] Damon Recording Studios, Betty Rose, 1953, 1, 2, 3, 4, Warren Durrett. Note on Side 2: [21] Damon Recording Studios, 78 RPM, Betty Rose, 1953, 5, 6, 7, 8, 9, (#9 is speech only), Warren Durrett 183 4/14/1953 Note on Side 1: Damon Recording Studios, 78 RPM, cuts, 1‐2‐3 play continuously, Gorman's, Warren Durrett. Note on Side 2: [22] Damon Recording Studios, 78 RPM, April 14, 1953, Gorman's minute spots: 4, 5, 6 (with bounce echo added during dubbing job), Warren Durrett 184 Note on Side 1: [33] 1. Maguires, 2. Carter, 3. Carter, 4. Carter, Rogers & Smith. Note on Side 2: [24] Warren R. Durrett, 3940 Locust, Kansas City 4, MO. 5. Carter, 6. Westport Clock, 8. Joe Falk, Rogers & Smith [Joe Falb Toys, 78 R.P.M. 185 3/22/1954 Note on Side 1: [9, 10, 11] Damon Recording Studios, 78 RPM 1. Peoples 905 Beer [3‐7‐54], 2. Peoples 905 Beer 3. Carter Oil Jingle [3‐22‐54] 4. Carter Oil Jingle 5. Carter Oil Jingle, musical production by Warren Durrett Note on Side 2: [28‐36] Damon Recording Studios, 78 RPM 1 Berbiglia (Mechanical Monster) [2‐26‐54] Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

2. Berbiglia (Next Spot) 3. Kelly‐Williams [2‐18‐54] by Warren Durrett 186 8/21/1956 Note on Side 1: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1. Peter Pan Buttermilk Bread [8‐21‐56] 2. American Beauty [8‐21‐56] 3 & 4. Ryan‐Buick [8‐9‐56] 5. Elbel [8‐22‐56] Warren Durrett Productions Note on Side 2: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1 [8‐20‐56] 2 [8‐17‐56] 3 [8‐17‐56] 4 [8‐20‐56] W H O Jingles 5‐6 Builderama [8‐19‐56], Warren Durrett Productions 187 7/14/1956 Note on Side 1: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1‐ Ark Bread, 60 sec. [7‐10‐56] 2‐ Holsum Bread, 20 sec. 3‐ Ryan Buick, 20 sec. [8‐9‐56] Warren Durrett Productions Note on Side 2: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1‐ Town and Country DeSoto [7‐23‐56] 2‐ Western Auto Wizard [6‐4‐56] 3‐ Southtown [6‐15‐56] 4‐Wishbone Salad Dressing [7‐14‐56] Warren Durrett Productions 188 5/21/1956 Note on Side 1: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1‐ Kansas City Public Service [5‐21‐56] 2‐ Hayward‐Talbert [5‐7‐56] 3‐ Steffens Ice Cream [6‐14‐56] 4‐ WCUE Instrumental Vocal #3 [7‐6‐56] music and arrangements by Warren Durrett Note on Side 2: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous WCUE Instrumental‐Vocal Jingle #1 [7‐6‐56] WCUE Instrumental‐Vocal Jingle #2 WCUE Instrumental‐Voacl #3 also see other side WICE all vocal jingle #1 [7‐9‐56] music & arrangements by Warren Durrett 189 2/11/1956 Note on Side 1: Damon Recording Studios, 78 RPM 1‐ Rice's Chili [2‐11‐56] 2‐ Rice's Mush 3‐ Rice's 4‐ Wishbone Salad Dressing [4‐21‐56] music by Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1‐ "Ow" Instrumental [4‐15‐56] 2‐ "Barcelona Wine" [4‐29‐56] music by Warren Durrett 190 3/11/1956 Note on Side 1: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1 ‐ JR. C. of C. Cleanup Spot [3‐11‐56] 2 ‐ WCUE Mar. 18 '56 [3‐17‐56] 3 ‐ Vickers [3‐25‐56] 4 ‐ Vickers 5 ‐ Skelly Oil [3‐24‐56] 6 ‐ Holsum Buttermilk Bread [4‐7‐56] music by Warren Durrett Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side 2: Damon Recording Studios, 78 R.P.M., STD. Wide Groove, Hi‐Fidelty, 100% Synchronous 1 ‐ Western Auto Supply [1‐21‐56] 2 ‐ Western Auto Supply 3 ‐ North American Savings [2‐8‐56] 4 ‐ Muehlebach Bubble Spot [2‐4‐56] 5 ‐ W C U E [2‐11‐56] 6 ‐ Fox Theatres [1‐24‐56] 7 ‐ Muehlebach Aud. [3‐31‐56] music by Warren Durrett 191 11/6/1955 Note on Side 1: Damon Recording Studios, 78 RPM Takes 1‐2‐3‐4 Kjay Jingles [11‐6‐55] 5‐6 Holsum Bread [12‐4‐55] 7‐8 Downtown Jingle #2 [1‐14‐56] music by Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1 ‐ Meadowbrook Estates [8‐2‐55] 2 ‐ American Beauty Macaroni [9‐10‐55] 3 ‐ Gold Bond Turkey [9‐10‐55] 4 ‐ Peter Pan, long jingle, [9‐25‐55] 5‐ Peter Pan, short jingle, music by Warren Durrett 192 7/3/1955 Note on Side 1: Damon Recording Studios, 78 RPM 1‐2 Carter "Downtown Jingle"[7‐3‐55] 3‐4‐5 Rogers & Smith "Down Town" [6‐12‐55] musical production by Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1. Metropolitan Savings Jingle [8‐22‐55] 2. Metropolitan Savings Jingle close 3. Bluebird Cafeteria Complete [7‐24‐55] 4. Bluebird Cafeteria Complete Singing Only, Music by Warren Durrett 193 4/15/1956 Note on Side 1: Damon Recording Studios, 78 RPM, "City of the Big Muddy", Pat Dunn & Twila Comer [4‐ 15‐56], Warren Durrett Orchestra Note on Side 2: Damon Recording Studios, 78 RPM, "Down Pettycoat Lane", Patti Tucker [4‐15‐56], Warren Durrett Orchestra 194 4/17/1955 Note on Side 1: Damon Recording Studios, 78 RPM Cuts 1 & 2 Jones, open & close [4‐17‐55] Cuts 3‐4‐5 Esquire [3‐19‐55] Cuts 6 & 7 Covert Air‐Cond [4‐6‐55] Cuts 8 & 9 Piggy‐Pops [2‐5‐55], music by Warren Durrett Note on Side 2: Damon Recording Studios [4‐24‐55] 78 RPM, "Betty Rose Mambo", "Betty Rose 50 sec. comm.", music by Warren Durrett 195 8/29/1954 Note on Side 1: Damon Recording Studios, 78 RPM 1 Rich Made Margerine [8‐29‐54] 2 & 3 Sur‐Lay Hair Dressing [10‐3‐54] 4 & 5 Auto Show [9‐28‐54] Warren Durrett Note on Side 2: Damon Recording Studios, 78 RPM 1‐2‐3 Carter Oil Co. [9‐29‐54] 4 & 5, American Beauty Chili Roni [10‐10‐54], Warren Durrett. Note on tracks: Made new cuts, Vic. 196 Note on Side 1: KFAB 5‐6‐7 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side 2: Italian Old Southern ‐ Southern music, not used, KFAB #8 197 Note on Side 1: 1‐2‐3‐4, Commerce Trust Co. Jingles, 5‐6 WMT, 7‐8, KCU6 Note on Side 2: Mr. Freshie 1‐2‐3, WMT, 4‐5‐6 198 8/29/1957 Note on Side 1: 78, 1. Peeks Jingle, 2. Peeks Tag, 3. Freshie‐ pro, 4. Hobo Bread Note on Side 2: Century Recording Studios, Kansas City, Missouri, 78 RPM 1. Allen Drive‐in Jingle [8‐29‐57] 2. Allen Drive‐in Jingle Tag 3. Griffin 57‐7 [8‐19‐57] 4. Griffin 57‐8 199 Note on Side 1: KFAB #2 Note on Side 2: Home Savings repeat, Home Sav. Short, Hudson Air, KFAB #1, KFAB #3 200 Note on Side 1: Ramblin Heart, 2:36, Rambling Heart :49 Note on Side 2: 1, 2, 3, 4, early, 5, 6, 7, Peterson, 8‐ Holsum 201 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, Disc No. 1200A, 33 1/3 RPM standard groove, factory backgrounds, 1. General Factory Background‐ this track contains sounds normally heard in large machine shops, 1'00", 2. General Press Room Background‐ this strack contains sounds normally heard in very large printing plants, 1'00", 3. Bubbling Machine (fast speed.) 15", 4. Bubbling Machine (slow speed) 15". Note on Side 2: Standard Sound Effects, Hi Fi, Disc No. 1300B, 33 1/3 RPM, standard groove, Factory equipment‐ miscellaneous, 1. Metal turning lathe, sound of motor being turned on, whirring metal being turned, etc. 1'00", 2. Bench grinding machine, sound of metal being ground on an enemy wheel (not continuous), 35", 3. Litho press in operation (continuous) Big commercial type press, printing large sheets of cardboard, sound can also be used as a punch press 30", 4. Bag making machine, continuous sound as bags are being made, at 20" bell rings indicating completion of fifty bags, 30", 5. Machine Gears‐ this is a close‐up sound of smoothly running meshed gears of heavy machinery, 30" 202 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, Disc No. 1902A, 33 1/3 RPM, standard groove, Playground Sounds (children), 1. Group of children whistling and cheernig at sandlot baseball game, 06", 2. Group of children "oo‐ing and ah‐ing" 06", 3. Children cheering and rooting for batter at sandlot ball game. Hit of ball is heard in thist rack, 50", 4. Single Hit of Softball with Bat, 01", 5. Children Cheering and Rooting, 47", 6. Children Playing Games Together; Happy and Excited Mood, 47" Note on Side 2: Standard Sound Effects, Hi Fi, Disc No. 1902B, 33 1/3 RPM, standard groove, Space sounds (these are ethereal space sounds and radio signals), 1. Ethereal space sounds, 03", 2. Ethereal space sounds, 05", 3. Ethereal space sounds, 08", 4. Ethereal space sounds, 11", 5. Ethereal space sounds (continuous), 1'40". 203 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, Disc No. 1900A, 33 1/3 RPM, standard groove, Hospital, 1. Oxygen bag, sound of breathing, inhaling and exhaling of oxygen bag in operating room, 18", 2. Mixing gases by anesthetist in operating room, 29", 3. Heartbeat (normal heart), 27", 4. Slapping of surgical instruments into hands of surgeon, 11", 5. Clanking of surgical instruments in trays in operating room, 24", 6. Ambulance siren, twin type (cont.), 1'04", 7. Ambulance siren (short), 05" Note on Side 2: Standard Sound Effects, Hi Fi, 1900B, 33 1/3 RPM, standard groove, hospital, 1. Quiet operating room activity, surgeon talking, clanking of instruments, etc. 1'00", 2. Busy operating room activity, surgeon talking, etc., recorded during burst appendix operation, 58", 3. Hospital waiting room activity, general sounds during visintg hours, page calls and unidentifiable conversation, 1'00". 204 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1203A, 33 1/3 RPM, standard groove, Trucks‐ Diesel. 1. Diesel engine starting with gentle racing of motor to stop, 32", 2. Diesel engine starting as above but continuous steady idle, 27", 3. Scoop bucket on crane digging into sand pile. Swivel and dumping. Squeaking of cables and diesel engine clearly audible, 4. Starting of diesel "high ligt", engine stops while front end of bucket is being lowered into pile of earth, then backing off to fade out. Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1203B, 33 1/3 RPM, standard groove, Tractors and Road Building Machinery. 1. Earth mover being pushed by caterpillar tractor, the engines are laboring under heavy load, 50", 2. Caterpillar tractor pushing earth mover. This is a close‐up sound of the diesel engines and of clanking of machines being pushed, 30", 3. Starting of diesel caterpillar tractor engine. Racing motor. Idling then stopping, 33", 4. Starting diesel caterpillar tractor, releasing airbreakes, spiral at 8" to fade away of machine and return; gear shift, spiral at 20" to end, 43" 205 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1550A, 33 1/3 RPM, standard groove, Rain and Thunder, 1. Heavy Rain Interspersed with Brilliant Claps of Thunder, 1'30", 2. Thunder Clap, 17", 3. Thunder Clap, 17", 4. Thunder Clap, 12", Note: Each of these thunder sounds is distinctly different. Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1550B, 33 1/3 RPM, standard groove, Rain, 1. Continuous Light rain, this track contains clear, crisp sounds of rain drops, 1'30", 2. Heavy rain, this track contains continuous heavy rain with clear sounds of the rain hitting puddles, 1'26" 206 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1901A, 33 1/3 RPM, standard groove, Gag Effects, 1. Continuous coughing and hacking, 21", 2. Coughing with more effort than preceding track, 10", 3. Coughing, staccato, 03", 4. Continuous coughing with much effort, 15", 5. Bronx Cheer, 01", 6. Laugh (Heh‐Heh), 02", 7. Laugh, 04", 8. Laugh, 23", 9. Sneeze, 03", 10. Sneezes, 02", 11. Sneezes, 05" Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1901B, 33 1/3 RPM, standard groove, Gag Effects, 1. Crash with a delayed crash tag, 06", 2. Crash, 02", 3. Crash, 01", 4. "Falling Upstairs", 03", 5. "Xylophone", 02", 6. Champagne cork pop and liquid being poured, 35", 7. Slide whistles (a variety of them), 14", 8. Clank, 01", 9. Shuffling of many feet walking along cement sidewalk, 24", 10. Walking on tile hallway floor, jangling of keys, unlocking door, opening and closing, 28". 207 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1903A, 33 1/3 RPM, standard groove, Rockets and Missiles, 1. Blast‐off of rocket or missile, this track begins with a blast, into a blaring roaring noise to match band 1 of side 1903B, 21", 2. Rocket or missile in flight. The feeling is of a rocket in free flight with tonal changes as the rocket travels, 1'12", 3. Rocket or missile. Powerful and blasting. There is some sputtering near the beginning of this track as the rocket begins to warm up, 1'03". 208 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1200A, 33 1/3 RPM, standard groove, Street traffic sounds, 1. General street sounds with cars and busses passing; some horns tooting, 1'30", 2. General street sounds in rainy weather, cars splashing past, horns tooting, etc., 1'30" Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1200B, 33 1/3 RPM, standard groove, Coal Truck Unloading, 1. Coal truck being unloaded, truck being raised, coal slides out of truck at intervals, periodic raing of motor as truck is raised allowing more coal to slide out, track ends with truck driving away, portion may also be used as ready‐mix cement truck, 2'18", 2. Shoveling coal from cement street, this track may also be used for stoker room sounds, 30" 209 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1202A, 33 1/3 RPM, standard groove, Auto Garage and Elevated Trains, 1. Elevated train approaching, passing and fade away, 28", 2. Elevated trains, two Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

going in opposite directions, approach, pass and fade away, 23", 3. Automobile garage shop background. This track contains general sounds normal to large automobile shops. Brake grinding machine in background, 1'00" Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1202B, 33 1/3 RPM, standard groove, Automobiles and Trucks, 1. Cars and trucks passing on busy superhighway, 1'00", 2. Cars and Trucks passing... Medium traffic, 28", 3. Diesel truck passing at high speed, 14", 4. Diesel truck speeding along superhighway (cont.) In this track, the roar of the engine is clearly heard, the rattling of the trailer hitch and the whine of the tires on the highway near the end. A shift of gears to lower speed and fade away, 1'04" 210 Standard Sound Effects – Commercial 10” LP (currently in back‐log) Note on Side 1: Standard Sound Effects, Hi Fi, disc no. 1201A, 33 1/3 RPM, standard groove, Automobile sounds, 1. Car starter motor with strong battery (not continuous: created as motorist would use starter in short bursts), 27", 2. Car Starter Motor as battery gradually weakens (this is in short bursts), 22", 3. Car starter motor on weakened to dead battery, last spurt barely turns over starter motor, 17", 4. Hood of car being unlocked & lifted, spiral at 6" into hood being slammed shut, 07", 5. Slamming down car hood, 02", 6. Starting and racing of hotrodder car ending in stopping engine, 15", 7. Idling and pulling away of hotrodder car, 15", 8. Idling and racing motor to stop of hotrodder, 18" Note on Side 2: Standard Sound Effects, Hi Fi, disc no. 1201B, 33 1/3 RPM, standard groove, Automobile Sounds, 1. Hotrodder Racing Motor, 18", 2. Hotrodder Idling Motor (continuous), 15", 3. Car starting and pull‐away (automatic shift), normal pull‐away, 18", 4. Car starting and pull‐away... energetically (automatic shift), 14", 5. Car approach and stop, 17", 6. Car door opening and closing, 04", 7. Hotrodder starting, racing motor and tire screeches, 37" Box 7: Barcode #040‐113293677 211 Note on Side 1: Damon Recording Studios, "Tastemark Audition". 212 Note on Sleeve: Warren – This is a lousy recording but thought you might like a memory from our get‐ together last summer – Henry Note on Side 1: Warren. 213 Note on Side 1: Damon Recording Studios, Artists' Personal Audition Recording, "An Hour to Shower" Note on Side 2: Damon Recording Studios, Artists' Personal Audition Recording, "Sweets for the Queen" 214 Note on Side 1: Damon Recording Studios, 1. "It Happened in Just One, Two, Three",******, (Sylvia Singer) Ellen White, Vocal, Warren Durret Orch., Audition transcription, not licensed for radio or other commercial use Note on Side 2: Damon Recording Studios, 2. "I'm Just a Guy" (Sylvia Singer) Ellen White, vocal, Warren Durrett Orch., Audition transcription, not licensed for radio or other commercial use 215 Note on Side 1: Damon Recording Studios, Audition transcription, not licensed for radio or other commercial use, #2, "I'm Just a Guy" (Sylvia Singer) Ellen White, vocal, Warren Durret Orch. Note on Side 2: Damon Recording Studios, Audition transcription, not licensed for radio or other commercial use, #3, "I'm Just a Guy" (Sylvia Singer) Ellen White, vocal, Warren Durret Orch. 216 Note on Side 1: Damon Recording Studios, Artists' Personal Audition Recording, "Photostatic Book of Dreams", (Sylvia Singer), Arr. by: Warren Durrett, copy. 217 Note on Side 1: Damon Recording Studios, Artists' Personal Audition Recording, "Love Just You, Sweetheart", vocal: Jo Ann Tally, acc: Warren Durrett Note on Side 2: Damon Recording Studios, Artists’ Personal Audition Recording, "Maxine, Maxine", vocal: Jo Ann Tally, acc: Warren Durrett. 218 Note on Side 1 & 2: Damon Recording Studios, Artists' Personal Audition Recording, "Helmer's", Durrett Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Quartet 219 Note on Side 1: Damon Recording Studios, Artists' Personal Audition Recording, "Berl Berry Jingle", starring Warren Durrett and his direction, a Beejay Prod’n Note on Side 2: [Kema] 220 Note on Side 1: Damon Recording Studios, Artists' Personal Audition Recording, Feld Chevrolet audition, Warren Durrett Quintet 221 Note on Side 1: May You Never Be Alone Note on Side 2: 2 Remember Me 222 Note on Side 1: Durrett 223 Note on Side 1: [Checkmark symbol] Note on Side 2: Same 224 Note on Side 1: "Betty Rose" Jimmy Waters Note on Side 2: "Betty Rose" Dave Thomas 225 Note on Side 1: Illegible Note on Side 2: Durrett 226 Note on Side 1: Elec. Asso Music, Tracks 4‐5‐11 for Warren Durrett 227 3/11/1955 Note on Side 1: Century Recording Studios, Kansas City, Missouri, [Mar. 11, 1955], Kitty Clover Potato Chip Spots with Warren Durrett & Combo Note on Side 2: Kit Clover Pot chips spots with Warren Durrett & Combo 228 Note on Side 1: Recorded by Edward A. Roche, Kansas City, Missouri, Deep Freeze Note on Side 2: Wha Happen 229 Note on Side 1: Summer Vacation Note on Side 2: Recorded by Edward A. Roche, Kansas City, Missouri, It's Wonderful 230 Note on Side 1: I don't want to Note on Side 2: That's Clyde [?] 231 Note on Side 1: Beginning Life [?] 232 9/4/1957 Note on Side 1: Damon Recording Studios, 78 R.P.M., STD. Wide Groove Hi‐Fidelity, 100% Synchronous, Sample KFAB Station Jingle [9‐4‐57] for audition only, Durrett Productions Kansas City, Mo. 233 9/16/1957 Note on Side 1: Damon Recording Studios, 78 RPM, Hi‐Fi Commercial [9‐16‐57] "Rock at Teentown Saturday Night" (dyer), featuring Johnny Younghanz. 234 4/27/1958 Note on Side 1: Durrett Productions, 78 RPM, Channel 5 cuts [4‐27‐58] Note on Side 2: Durrett Productions, 78 RPM, 4/27/58, Progress Beer A, B 235 Note on Side 1: Century Recording Studios, Kansas City, Missouri, 78 rpm, Commerce Acceptance for Warren Durrett Note on Side 2: Century Recording Studios, Kansas City, Missouri, 78 rpm, Surlay Jingle for Warren Durrett, Open & Close. 236 7/8/1957 Note on Side 1: Durrett Productions, "Debbie" w/ Log Cabin Ending, 7/8/47 237 Note on Side 1: Century Recording Studios, Kansas City, Missouri, 78 rpm, Commerce Acceptance and Bestpakt Fish, Durrett Productions 238 5/11/1957 Note on Side 1: Century Recording Studios, Kansas City Missouri, [5‐11‐57], 78 rpm, "Dolly Madison Jingle" 239 6/11/1957 Note on Side 1: Durrett Productions, LAMB, 6/11/57 (Century) 240 4/1/1957 Note on Side 1: Century Recording Studios, Kansas City, Missouri, [4‐1‐57], 78 rpm, "Butternut Bread", Warren Durrett, arrangement Note on Side 2: Century Recording Studios, Kansas City, Missouri, [4‐1‐57], 78 rpm, "Mrs. Karl's Bread", Warren Durrett, arrangement 241 7/8/1957 Note on Side 1: Durrett Productions, Butternut Bread, Blue Seal Bread, 7/8/57 Note on Side 2: Durrett Productions, "Debbie" w/ Butternut ending, 7/8/57 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

242 7/8/1957 Note on Side 1: Durrett Prodcutions, Sound track only on "Debbie" w/ Butternut ending, 7/8/57 Note on Side 2: Durrett Prodcutions, 7/8/57, Sound Track Only, Lawrence Welk band, (1) Butternut end, (2) Log Cabin ending 243 7/8/1957 Note on Side 1: Durrett Prodcutions "Log Cabin Bread", 7/8/57 Note on Side 2: "Debbie" w/ Butternut ending, (7/8/57). 244 Note on Side 1: "It's True, It's True" Warren R. Durrett, 3940 Locust, Kansas City 4, Mo. Note on Side 2: "It's True, It's True" 245 Note on Side 2: Kat 2, Hamburger Audition, (commercial script included) 246 Note on Side 1: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, vocal by Ellen White, Durrett arr., Prisoner of Love, Warren Durrett and his Orchestra Note on Side 2: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, vocal by Ellen White, Durrett arr., Jealous, Warren Durrett and his Orchestra 247 Note on Side 1 & 2: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado 248 Note on Side 1: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, Exactly Like You (Durrett Arr.), Warren Durrett and his Orchestra Note on Side 2: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, Vocal by Ellen White, Durrett Arr., The Gypsy, Warren Durrett and his Orchestra 249 Note on Side 1: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, My What a Frye (stock arr.), Warren Durrett and his Orchestra Note on Side 2: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, Eddie Dix‐tenor sax, Bob Brookmyer‐trombone, Circus in Rhythm (Brookmyer Arr.), Warren Durrett and his Orchestra 250 Note on Side 1: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, Pitchin Up the Boogie (Durrett Arr.), Warren Durrett and his Orchestra Note on Side 2: KBLX Radio Recording by the Allied Electronics Company, Estes Park, Colorado, Honey (Durrett Arr.), Warren Durrett and his Orchestra 251 11/14/1948 Note on Side 1: Damon Recording Studios [11‐14‐48] "Theme", Warren Durrett and his Orchestra 252 11/17/1947 Note on Side 1: Damon Recording Studios [11‐17‐47] "Lover", Warenn [sic] Durrett and his Orchestra Note on Side 2: "Don't Take Your Love From Me", Warren Durrett and His Orchestra 253 6/13/1948 Note on Side 1: An Audition Recording made by Midwestern Recording Studios 6‐13‐48, Side One, Tone Poem for Six Saxes arranged by W. Durrett, Warren Durrett's Orchestra Note on Side 2: An Audition Recording made by Midwestern Recording Studios 6‐13‐48, Side Two, Tone Poem for Six Saxes arranged by W. Durrett, Warren Durrett's Orchestra 254 6/13/1948 Note on Side 1: An Audition Recording made by Midwestern Recording Studios 6‐13‐48, Side One, Body and Soul, arranged by W. Durrett, Warren Durrett's Orchestra, Laura Webb, vocalist 255 Note on Side 1: [11‐14‐48] "Jealous", Warren Durrett & his Orchestra, vocal by Laura Webb, audition transcription not licensed for radio or other commercial use. 256 Note on Side 1: Blue Skies, 1947 or 48 Note on Side 2: By The River St. Marie Note on included label: 2. "Blue Skies", Joe Myers and his Orchestra (Orig.), Damon Transcription Laboratory 257 6/13/1948 Note on Side 1: An Audition Recording made by Midwestern Recording Studios 6‐13‐48, No. One, But Beautiful, Arranged by W. Durrett, Warren Durrett's Orchestra, Laura Webb, vocalist Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side 2: An Audition Recording made by Midwestern Recording Studios 6‐13‐48, No. Two, Let's Fall in Love, Arranged by W. Durrett, Warren Durrett's Orchestra, Laura Webb, vocalist. 258 Note on Side 1: 3 "The Man I Love", Warren Durrett and his Orchestra, vocal: Ellen White, Arr: Warren Durrett, Original, Damon Transcription Laboratory, audition transcription not licensed for radio or other commercial use. Note on Side 2: 4 "Jealous", Warren Durrett and his Orchestra, vocal: Ellen White, Arr: Warren Durrett, original, Damon Transcription Laboratory, audition transcription not licensed for radio or other commercial use. 259 Note on Side 1: Damon Recording Studios, Cut #3, copy, "Wigless Wednesday", The Little Boppers Note on Side 2: Damon Recording Studios, copy, "Fine and Dandy", The Little Boppers. 260 Note on Side 1: "The Man I Love", Warren Durrett and his Orchestra, vocal: Ellen White, Arr: Warren Durrett, copy, a Vic Damon Recording “Hear the amazing difference” audition transcription not licensed for radio or other commercial use. Note on Side 2: "Jealous", Warren Durrett and his Orchestra, vocal: Ellen White, Arr: Warren Durrett, copy, a Vic Damon Recording “Hear the amazing difference” audition transcription not licensed for radio or other commercial use. 261 Note on Side 1: [Discarded cut] 1 "The Man I Love", Warren Durrett and his Orchestra, vocal: Ellen White, Arr: Warren Durrett, original, Damon Transcription Laboratory audition transcription not licensed for radio or other commercial use. 262 Note on Side 1: The Award Winning Warren Durrett Orchestra, Side 1, N8OP‐0750, 33 1/3 rpm LP 1. Poor Butterfly Charmaine, Bye Bye Blues 2. I Love Being Here With You 3. I Let a Song Go Out of my Heart, Don't Get Around Much Anymore 4. Indian Love Call 5. Strike Up the Bond Note on Side 2: The Award Winning Warren Durrett Orchestra, Side 2, N8OP‐0751, 33 1/3 rpm LP 6. Boy Next Door 7. Mack the Knife 8. Fever 9. Easy to Remember 10. The Touch of Your Lips, "Goodnight" Ending 263 12/17/1961 Note on Side 1: Warren Durrett Orchestra, Side 1, N8OP‐0750, 33 1/3 rpm LP 1. Poor Butterfly, Charmaine, Bye Bye Blues 2. I Love Being Here with You 3. I Let a Song Go Out of my Heart, Don't Get Around Much Anymore 4. Indian Love Call 5. Strike up the Band Side 2 6. Boy Next Door 7. Mack the Knife 8. Fever 9. Easy to Remember 10. The Touch of Your Lips, "Goodnight" Ending, not licensed for sale or commerical use Note on Side 2: Warren Durrett Orchestra, Regional Champion, Best New Dance Bands of 1961 contest, Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Omaha, Nebraska, December 17, 1961, sponsored by American Federation of Musicians, N8OP‐0751, 33 1/3 rpm LP Vocals: Julie Turner, Trumpets: Sherman Gibson, Don Overholt, Buddy Childers, Trombones: Arch Martin, Bill Drybread, Richard Rogers, Saxes: Marshall DeMuynck, Bob Ousley, Dick Busey, Eddy Dix, Joe Gilliland, Drums: Robbie Wilcox, Bass: Irwin Manaday, Piano: Warren Durrett, Arrangements: John Pope, Selections, 2, 9, Warren Durrett, selections 1,3,4,5,6,7,8,10 264 6/7/1973 Note on Side 1: Warren Durrett, 6‐7‐73, Side 1, TT 14:25 Note on Side 2: Warren Durrett, 6‐7‐73, Side 2, TT 15:46. 265 6/7/1973 Note on Side 1: Damon Recording Studios, Quality‐Service‐Leadership Since 1933, 33 1/3 R.P.M. Microgroove, Hi‐Fidelity Long Playing [3] "It's a Pity To Say Goodnight", "Hello Young Lovers", "Gone With the Wind", "Isle of Capri", "It Could Happen To You", "Goodnight Medley", Warren Durrett Orchestra. Note on Side 2: Damon Recording Studios, Quality‐Service‐Leadership Since 1933, 33 1/3 R.P.M. Microgroove, Hi‐Fidelity Long Playing [4] "Where or When Medley", "Every Day", "Kansas City Shout", "Moon River", "Up the Lazy River", "Jada Twist" "Fever", Warren Durrett Orchestra. 266 4/27/1963 Note on Side 1: Damon Recording Studios, Quality‐Service‐Leadership Since 1933, 33 1/3 R.P.M. Microgroove, Hi‐Fidelity Long Playing [1] "It's a Pity To Say Goodnight", "Hello Young Lovers", "Gone With the Wind", "Isle of Capri", "It Could Happen To You", "Goodnight Medley", Warren Durrett Orchestra. Note on Side 2: Damon Recording Studios, Quality‐Service‐Leadership Since 1933, 33 1/3 R.P.M. Microgroove, Hi‐Fidelity Long Playing [2] "Where or When Medley", "Every Day", "Kansas City Shout", "Moon River", "Up the Lazy River", "Jada Twist" "Fever", Warren Durrett Orchestra Cassette Tapes Box 8: Barcode #040‐113293560 267 12/9/1983 Note on Envelope: Warren Durrett Orch., Mission Hills Country Club, Friday, Dec. 9, 1983, Tapes 1 & 2 Note on Case: [Tape 1] Warren Durrett Orch., Mission Hills Country Club, Fri., Dec. 9, 1983. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 9, 1983, Tape 1‐A 268 12/9/1983 Note on Envelope: see # 267 Note on Case: Warren Durrett Orch., Mission Hills Country Club, Fri., Dec. 9, 1983 [Tape 2] Note on Side A: Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 9, 1983, Tape 2 ‐ Side A (other side blank) 269 12/14/1976 Note on Envelope: Brookridge Country Club, December 14, 1976 Note on Case: Warren Durrett Orch., Dec. 14, 1976, Brookridge Country Club, [I‐A,B] Note on Side A: Warren Durrett Orch., Dec. 14, 1976, Brookridge Country Club, (1‐A, 1‐B) Note inside envelope: PG ‐1‐, Tape 1, Side 1 Warren Durrett Orch., Dec. 14, 1976, Brookridge C.C. 199. (A) Santa Claus is Coming To Town (Pat Wilson) (B) Winter Wonderland Good (C) I’ll Be Home for X‐Mas 125. Polka Dots & Moonbeams, bad start, good from start of trpt. Solo 98. Thank Heaven for Little Girls, fair 148. The Way We Were, Pat Wilson (vocal), very good 39. Scotts Place, (great piano), fair, (good for ten. solo on w/ misread) 11. Manhattan (no vocal), very good 59. Bad, Bad Leroy Brown (vocal, Pat Wilson), very good (but Liesenring solo) 229. After the Lovin’ (DeMuynck alto) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

18. Feelings (instr.), very good 184. Satin Doll, very good (but Leisenring solo) 94. Basie, Straight Ahead (Demuyck [sic] alto), very good (but last 2 bars messed up) 144. Meditation (Gibson‐Leisenring), very good 30. Release Me (Pat Wilson) very good 321. Spanish Eyes, not good PG ‐2‐, Tape 1, Side 2, W.D. Orch., Dec. 14, 1976, Brookridge C.C. 22. (A) Darn that Dream (B) Spring is Here Good (C) Dream a Little Dream 151. Well Alright Okay You Win (Pat Wilson), very good 0. Chaser, very good (but P.A. hum) 231. The Masquerade is Over (Pat Wilson), pretty good (from bridge of 1st chorus on) 226. Sophisticated Lady, no 260. Rubens Blues, fair (piano too ff on mike) 80. ?, no 79. Late Date, good, (good piano solo but too loud) 137. Lollipops and Roses (R. Hathorn solo), fair 60. Who Can I Turn To (Pat Wilson), very good, (but piano too loud and distracting) PG ‐3‐, Tape 1, Side 2, W.D. Orch, 12‐14‐76 0. Chaser 6. I Have Dreamed (Gibson solo), very good (in spite of strong piano) 75. The Look of Love (R. Hathorn solo), fair 32. More and More (good too loud piano), pretty good 43. Yes, Sir, That’s my Baby (Pno. too loud), pretty good PG ‐4‐, Tape 2, Side 1, W.D. Orch. 12‐14‐76 20. Cute (Great Jack Mouse), very good (even with loud piano) 3. Kenton Ballad, no 188. It’s DeLovely (Pat Wilson), very good (except loud piano) 223. Ruppenthal Original Ballad, almost very good (piano mostly out) 76. My Heart Stood Still, very good, (even with ff piano) 73. I’ll See You in my Dreams (1 chos.), very good (even w/ ff piano) 270 12/14/1976 Note on Envelope: Brookridge Country Club, December 14, 1976 Note on Case: Warren Durrett Orch., Dec. 14, 1976, Brookridge Country Club, 2‐A, B Note on Side A: Warren Durrett Orch, Dec. 14, 1976, Brookridge Country Club, (2‐A, 2‐B) Note inside Envelope: see #269 271 12/14/1976 Note on Envelope: Selected Tape Master, W.D. Orch., Dec. 14, 1976, Brookridge C.C. Note on Side A: Selected Tape Master from W.D. Orch, 12/14/76 Brookridge C.C Note inside Envelope (w/ copy): Warren Durrett Orch., Dec. 14, 1976, Brookridge C.C. Side 1 199. Santa Claus Medley… Pat Wilson, solo 124. Polka Dots & Moonbeams… Rich Wilson, solo 148. The Way We Were… Pat Wilson, solo 39. Scott’s Place… John Anderson/W.D., solo 11. Manhattan… R. Wilson/W.D., solo 59. Bad, Bad LeRoy Brown… P. Wilson, Leisenring, solo Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

18. Feelings… M. DeMuynck/Anderson, solo 184. Satin Doll… Leisenring/Anderson, solo 94. Basie, Straight Ahead… M. DeMuynck, solo 144. Meditation (Part)… Sherm Gibson, solo Side 2 144. Meditation (continued)… Leisenring/W.D., solo 30. Release Me… DeMuynck/P. Wilson, solo 22. Darn that Dream Medley, a mike was moved at intermission which made the piano too strong and ruined most of the rest of the takes. 231. The Masquerade is Over… Pat Wilson, solo 79. Late Date… W.D./R. Wilson, solo 20. Cute… Jack Mouse, solo 76. My Heart Stood Still… R. Wilson, solo 223. Wayne Ruppenthal Ballad 73. I’ll See You in my Dreams Trumpets: R. Wilson, J. Sellards, S. Gibson, Bud Childers Trombones: P. McBride, J. Leisenring, B. Hartman, M. Young Saxes: J. Anderson, R. Hathorn, M. DeMuynck, J. Johnson, Don Hatfield Bass: Tim Rice; Drums: Jack Mouse; piano: W. Durrett, vocals: Pat Wilson 272 12/4/1982 Note on Envelope: [No] Holly Ball, Crown Center, December 4, 1982, Tapes #1 & #2 Note on Case: Tape #1, Warren Durrett Orch., Holly Ball, 12/4/82, Crown Center Note on Side B: Tape #1, Warren Durrett Orch., Holly Ball, 12/4/82, Crown Center Note inside Envelope: Side #1‐A, Holly Ball 12‐4‐82 Crown Center 68. If Ever I Should Leave You ‐ pretty fair 85. Until the Real Thing Comes Along (vocal) – okay 254. Prelude to a Kiss ‐ good 54. More (strings) ‐ okay 142. Dancing Medley ‐ good 58. We’ve Only Just Begun (Marsh) ‐ good 80. Emily ‐ good 71. Come In From the Rain (vocal) ‐ good 258. Days of Wine & Roses (strings) ‐ “ 67. White X‐mas ‐ “ 143. Endless Love (vocal) ‐ “ 194. The More I See You ‐ “ 140. Shiny Stockings ‐ “ 139. What I Did For Love (vocal) – Side #1‐B 199. X‐mas Medley (vocals) ‐ good (fast) 201. On a Clear Day (strings) ‐ “ 203. X‐mas Song (vocal) ‐ “ 262. Medley ‐ Melancholy Baby ‐ “ 88. New York, New York ‐ “ 145. Stardust (good) ‐ all alto II 316. Girl From Ipanema (vocal) ‐ good Pause Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

183. You Stepped Out of a Dream ‐ “ 85. Until The Real Thing Comes Along (vocal) ‐ “ 168. Nice Work ‐ “ 196. Now That We’re in Love (vocal) ‐ “ 179. Our Day Will Come ‐ “ Side #2‐A, Crown Center, Holly Ball, 12‐4‐82, All alto II on Miller 68. If I Should Ever Leave You big pause 69. Mack, the Knife ‐ rough 95. Day by Day (Nestico) ‐ “ 176. Opus One ‐ so‐so 165. I Got a Gal in Kalamazoo ‐ fair 62. Killing me Softly (vocal) ‐ okay 102. Who’s Sorry Now ‐ good 240. Moonlight Serenade ‐ bad, bal. on reeds Side #2‐B 195. “A” Train ‐ good 226. Sophisticated Lady ‐ good 106. Fun Time ‐ good 73. Goodnight medley Chaser 273 12/4/1982 Note on Envelope: [No] Holly Ball, Crown Center, December 4, 1982, Tapes #1 & #2 Note on Case: Tape #2, Warren Durrett Orch., Holly Ball 12/4/82, Crown Center Note on Side A: Tape #2, Warren Durrett Orch., Holly Ball 12/4/82, Crown Center Note inside Envelope: see #272 274 12/11/1983 Note on Envelope: Warren Durrett Orchestra, Mission Hills Country Club, Saturday, December 11, 1983, Tapes #1 & #2 Note on Case: Warren Durrett Orchestra, Mission Hills C.C., Saturday, December 11, 1983, Tape #1 Note on Side A: W. Durrett, MissionHillsC.C., 12/11/83, Tape #1 – A Note inside Envelope: Tape #1, Side A, Drums a Little Heavy, Mission Hill C.C., Sat. Dec. 11, 1983, Sellards Juiced, Page ‐1‐ 54. More.... little slow, so‐so 85. Until the Real Thing Comes Along (vocal)… good 254. Prelude to a Kiss… “ 58. We’ve Only Just Begun (march) (too slow)… weak ending 248. Cuckoo in Clock Medley… good 67. White X‐mas… good 71. Come in From the Rain (vocal)… “ 258. Days of Wine & Roses… good 143. Endless Love (vocal)… good 32. More and More… weak piano… Okay 140. Shiny Stockings… good 11. Manhattan (vocal)… incomplete…good Tape #1, Side B 263. Time Medley… good 216. Girl from Ipanema (good piano)… good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

124. Slaughter on 10th Ave… good 199. X‐Mas Medley (vocal)… good 151. Well, Alright, Okay You Win (vocal)… good cont., tape #1, Side B, Missions Hills C.C., 12‐11‐83, Page ‐2‐ 147. Thru the Eyes of Love (vocal)… good 88. New York, New York… good 217. Poor Butterfly “Miller” Medley… good 237. You & Me (2 Bones)… good 210. All (Gibson solo)… good 196. Now That We’re in Love (vocal) (weak intro)… good 137. Lollipops and Roses (alto)… good Tape #2, Side A 176. Opus One… (weak ending)… good 269. Tomorrow (vocal), no presence vocal… good 78. Just the Way You Are… good 42. Queen Bee… good 49. Last Tango… fair 61. Alley Cat… good, Sunny (vocal)… pretty good, Stardust… good Tape #2, Side B 102. Who’s Sorry Now (weak Arch)… good 252. Just One of Those Things… so‐so 68. If I Should Ever Leave You… pretty good 69. Mack the Knife… “ “ See You in my Dreams… okay “Goodnight”, Chaser, # 275 12/11/1983 Note on Envelope: see #274 Note on Case: Warren Durrett Orchestra, Mission Hills C.C., Saturday, December 11, 1983, Tape #2 (A&B) Note on Side A: W. Durrett, MissionHillsC.C., 12/11/83, Tape #2 (A&B) Note inside Envelope: see #274 276 12/10/1983 Note on Envelope: [Good] Warren Durrett Orchestra, Mission Hills C.C., Sat., Dec. 10, 1983, Tapes I & II Note stapled to Envelope: 12‐10‐83, very goods 20. Cute, 162. When I Take Sugar to Tea, 145. Stardust, 158. Speak Low Note on Case: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Sides 1‐A, 1‐B. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Tape #1, Sides A & B Note inside Envelope: Tape 1, Side A, Mission Hills C.C., Sat. Dec. 10, 1983, Pg. 1 34. Rhapsody Theme 252. So Rare… good 194. The More I See You (Schad)… good 203. Christmas Song (P. Wilson)… good 265. Where or When (Schad)… good 13. If I Had You (Drags a Little)… good 196. Now That We’re in Love (Pat Wilson)… good 54. More… good 204. Watch What Happens (Schad)… pretty good 142. Dancing in the Dark Medley… good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

20. Cute… very good Chaser #, No music on tape‐0 to 58 on Aiwa counter 162. When I Take My Sugar To Tea ‐ very good 169. Reachin’ Out ‐ Part Tape 1, Side B 3. She’s Funny That Way… good 145. Stardust… very good 52. Kansas City (Schad‐Wilson), good, Solos: Marsh (wrong key), Sellensberger, Briggs 139. What I Did For Love (Pat W.)… good 158. Speak Low… very good 184. Satin Doll (Schad vocal)… good 71. Come in From the Rain (P. Wilson) Bit slow… good 182. Life is Just A Bowl of Cherries, good vocal, very good 88. New York, New York, good 0. Chaser, # 243. The Shadow of Your Smile (Schad), good 0 to 62 (Aiwa) blank tape at end, # Tape II, Side A, Mission Hills C.C., Sat. Dec. 10, 1983, pg. 2 You are the Sunshine of my Life (Wilson) good 85. Until the Real Thing Comes Along (Wilson) good but too fast 58. We’ve Only Just Begun (Marsh), little fast, good 118. Proud Mary, pretty good 0. Chaser, #, 0 to 95 (Aiwa) blank tape 254. Prelude to a Kiss, good 149. It’s A Wonderful World (Schad), good 197. Imagination (Pat Wilson) good 176. Opus One, intro only Tape II, Side B, Blank 277 12/10/1983 Note on Envelope: see #276 Note stapled on Envelope: see #276 Note on Case: Warren Durrett Orch. Mission Hills C.C. Sat. Dec. 10, 1983 Sides 2‐A, 2‐B Note on Side A: Warren Durrett Orch. Mission Hills C.C. Sat. Dec. 10, 1984, Tape II, Side A, Side B blank. Note inside Envelope: see #276 278 10/7/1983 Note on Envelope: [No] Warren Durrett Orch. Westport Concert, Friday, October 7, 1983 Note on Case: Warren Durrett Orch., Westport Concert, Friday, October 7, 1983, Side 1 only Note on Side A: Warren Durrett Orch., Westport Concert 6‐8 p.m., 10/7/83 Note inside Envelope: Westport Concert, 10‐7‐83 34. Rhapsody 232. Keepin’ Outa Mischief Now 183. You Stepped Out of a Dream (Male vocal, 2nd chorus only) 196. Now That We’re in Love (girl vocal) 210. All (Gibson) 165. I Got a Gal in Kalamazoo 265. Where or When (male vocal) 151. Well, Alright, Okay You Win (Girl vocal) 13. If I Had You Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

164. Day by Day (male vocal) 139. What I Did for Love (girl vocal) 140. Shiny Stockings 85. Until the Real Thing Comes Along (girl vocal) 138. Just Friends (male vocal) 226. Sophisticated Lady 220. Que Sera Cha Cha 260. Ruben’s Blues 3. She’s Funny That Way, # 78. Just the Way You are 229. After the Lovin’ 225. The One I Love (male vocal) 143. Endless Love (girl vocal) 216. Girl from Ipanema (boy & girl) 168. Nice Work 71. Come in From the Rain (girl vocal) 149. It’s A Wonderful World (male vocal) # 279 5/6/1983 Note on Envelope: [Good] Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tapes #1 & #2 Note on Case: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #1 (sides A & B) Note on Side A: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #1, Side A. Note on Side B: Tape #1, Side B Note inside envelope: Tape #1, Side A, Royals Stadium Club, 5‐6‐83, pg ‐1‐ 49. Last Tango in Paris… good 120. There’s a Small Hotel… good 188. It’s DeLovely (vocal)… good 55. What Are You Doing The Rest of Your Life… good (good marsh) 242. Small Talk… good 56. Red Roses for a Blue Lady… pretty good 187. Sunny (vocal)… good, # Space 95. Day by Day… good 162. When I Take My Sugar to Tea… good 216. Girl from Ipanema (vocal) (error in reeds)… good 111. Shangri‐La… good 68. If I Should Ever Leave You… good Side 1‐B 3. She’s Funny That Way… good 143. Endless Love (vocal)… good 252. So Rare… good 197. Imagination (vocal), sloppy cut off, good 210. All (Gibson)… very good 30. Release Me (vocal)… good 136. Take Me Out To the Ball Game… fair 0. Chaser, # Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Continued Tape #1 Side B, Royals Stadium Club, 5‐6‐83, PG. ‐2‐ 157. The Continental (Missed 1st end)… good 6. I Have Dreamed (Gibson), sloppy ending, good 240. Moonlight Serenade, sloppy ending, good 161. Don’t Worry About Me (vocal)… good 249. String of Pearls… good Tape #2, Side A 161. Ruben’s Blues (Great B. Crain solo)… good 98. Thank Heaven… Fair, I’ll See You in my Dreams (vocal) 0. Chaser, Goodnight 133. This Guy’s in Love‐ ending only 140. Shiny Stockings… very good 182. Life is Just a Bowl of Cherries… good 213. One Night of Love… fair 85. Until the Real Thing Comes Along (vocal)… very good 226. Sophisticated Lady… good 193. In the Mood… good 0. Chaser Tape #2, Side B 108. Night Train… good 71. Here Comes the Rain (vocal)… good 165. I Got a Girl in Kalamazoo, sax balance not good, good 13. If I Had You… good 145. Stardust… good 66. One O’Clock Jump… good 70. April in Paris Medley… good, #. 280 5/6/1983 Note on Envelope: see #279 Note on Case: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #2 Note on Side A: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #2, Side A Note on Side B: Tape #2 ‐ Side B Note inside Envelope: see #279 281 12/10/1982 Note on Envelope: Tape #1‐A & B, Tape #2‐A Note on Case: Tape #1, Side A & B, Warren Durrett Orch., Missions Hills C.C., Fri., Dec. 10, 1982 Note on Side A: Tape #1‐A, Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 10, 1982 Note on Side B: Tape #1‐B, Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 10, 1982 Note inside Envelope: Tape #1‐A, Fri. 12‐10‐82, Mission Hills C.C., Page ‐1‐ 85. Until the Real Thing (vocal), 1 goof, good 254. Prelude to a Kiss… very good, “ 125. Polka Dots & Moonbeams… “ 67. White X‐mas… “ 140. Shiny Stockings… “ 269. Tomorrow (vocal)… pretty good 248. Cuckoo in Clock Medley… “ “ 58. We’ve Only Just Begun (alto) (bit slow)… good 111. Shangri‐La… fair 217. Poor Butterfly Medley… pretty good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

0. Chaser, # 71. Come in From the Rain (vocal)… good 165. I Got a Gal in Kalamazoo… very good 61. Alley Cat… “ “ (End Tape in Middle) Tape #1‐B 90. What is There to Say… good 145. Stardust (1 goof)…. very good 68. If I Should Ever Leave You… (too slow)… okay 148. The Way We Were (vocal) (bad ending)… very good 88. New York, New York (Sollenberger), trpt. goof… good 5. Anniversary Waltz 124. Slaughter on 10th Ave… good 199. X‐Mas Medley (vocal) Tape #1‐B (continued), Fri. 12‐10‐82, Mission Hills, C.C., page ‐2‐ 54. More (good piano)… good 139. What I Did For Love (vocal)… pretty good 293. Woodchoppers Ball… good chaser, # Tape 1‐A 263. Time Medley… good 204. Mister Bones… rough 143. Endless Love (vocal)… good 176. Opus One… good 192. Where or When medley… very good 168. Nice Work… v.g… “ “ 151. Well, Alright, Okay You Win (vocal)… “ “ Chaser, # 161. Don’t Worry ‘Bout Me (vocal)… very good 216. Girl from Ipanema (vocal)… “ “ 3. In a Mellow Tone… very bad 6. I Have Dreamed… reeds rough 190. Love Walked In… quite good I’ll See You in my Dreams (vocal) 73. Goodnight Medley, chaser, # 282 12/10/1982 Note on Envelope: Tape #1‐A & B, Tape #2‐A Note on Case: Tape #2‐A, Warren Durrett Orch., Missions Hills C.C., Fri., Dec. 10, 1982 Note on Side A: Tape #2‐A, Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 10, 1982 Note on Side B: Blank Note inside Envelope: see #281 283 1/13/1983 Note on Envelope: Warren Durrett Orchestra, Naje Concert, Hyatt Hotel, K.C. Mo., Thurs., Jan. 13, 1983 Note on Side A: Side A, NAJE concert tape, Hyatt Hotel, K.C.Mo., Thurs., Jan. 13, 1983 Note on Side B: Side B Note inside Envelope: Side #1‐A, much echo, Naje Concert Tape, Hyatt Hotel, Thur Jan. 13, 1983 232. Keepin Outa Mischief Now ‐ very good 225. The One I Love Belongs to Somebody Else (Llloyd Schad) 90. What is There to Say (Gibson) 102. Who's Sorry Now Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

All of Me These Foolish Things Buddy Tate (tenor) Jumpin' at the Woodside Side #1‐B 195. Take the "A" Train ‐ bad last note 175. Foggy Day ‐ very good 226. Sophisticated Lady 138. Just Friends (Lloyd Schad), very good, # 284 10/21/1983 Note on Envelope: Warren Durrett Orch. Adams‐Mark Hotel, Fri., Oct. 21, 1983 Note on Case: Warren Durrett Orch., Adams‐Mark Hotel, October 21, 1983 Note on Side A: Warren Durrett Orch., Adams‐Mark Hotel, Oct. 21, 1983 Note inside Envelope: Fri. 10‐21‐83, Adams Mark, Prop Mike Pick Ups 34. Rhapsody 265. Where or When (Male Vocal) 217. Poor Butterfly Medley 148. The Way We Were (girl vocal), pretty good 31. More and More 45. Baubles and Bangles (male vocal) 230. Boy Next Door, sloppy start in tempo 125. Polka Dots and Moonbeams 250. Don’t Be That Way, not too bad 139. What I Did For Love (girl vocal), very good 220. Que Sera Cha‐Cha 259. I’ll Never Smile Again (male vocal), good 254. Prelude to a Kiss, fair (too fast) 193. In the Mood, # 137. Lollipops and Roses 196. Now That We’re in Love (girl vocal) 240. Moonlight Serenade (pretty good) 149. It’s a Wonderful World (male vocal) 182. Life is Just a Bowl of Cherries 88. New York, New York ‐ good ‐ solo down 143. Endless Love (girl vocal) good ‐ low vocal 159. Bandstand Boogie ‐ good 258. Days of Wine & Roses (male vocal ‐ 1st and 3rd chorus) good instr. 69. Mac the Knife (male vocal start), fair 53. Jealous Cha‐Cha 252. So Rare 213 & 5. Waltz Medley (piano or girl vocal 2nd chos.) 151. Well Alright, Okay, You Win (girl voal) # 285 4/16/1983 Note on Envelope: Warren Durrett Orchestra, Leawood Country Club, Sat. April 16, 1983 Note on Side A: Side #1‐A, Warren Durrett Orch., Oakwood C.C., 4/16/83 Note on Side B: Side #1‐B Note inside envelope: Tape Side #1‐A, Oakwood C.C., Sat. Apr. 16, ’83, pg. ‐1‐ 85. Until the Real Thing Comes Along (vocal), good 13. If I Had You (flutes), good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

119. Go Fill Your Dreams (weak pick up on trumpets), fair 168. Nice Work If You Can Get It, good 139. What I Did For Love (vocal) (poor bal. on Miller Saxes), but good 252. So Rare, good 151. Well Alright, Okay, You Win (vocal), good 0. Chaser 103. When I Fall in Love (alto), Ousley, good 71. Come in From the Rain (vocal), good bal, good 4. Skyliner (rough intro), good 58. We’ve Only Just Begun (alto), good Tape Side #1‐B 58. We’ve Only Just Begun (finish), good 196. Now That We’re in Love (vocal) (too much alto II), good 44. Where or When Medley, “ “, so‐so 158. Speak Low, good 0. Chaser 182. Life is Just a Bowl of Cherries, fair, very good 254. Prelude to Kiss, very good, (cont. on pg. 2) Side #1‐B, Cont., Oakwood C.C., 4‐16‐83, Pg ‐2‐ 3. She’s Funny That Way… very good 145. Stardust (too much alto II), fair 84. Please Be Kind (vocal), good 162. When I Take My Sugar to Tea, good 143. Endless Love (vocal), good Memories Of You Poor Butterfly ‐ Larry Bunsick ‐ clarinet w/ rhythm Moon Glow Side #2‐A 157. The Continental, good 269. Tomorrow (vocal), good 140. Shiny Stockings, good 147. Thru the Eyes of Love (vocal), good 78. Stompin’ at the Savoy (Bunsick), bad 135. You Go to my Head (too fast), rough 78. Just the Way You Were (trumpets out on part (good crain solo), fair 54. More, fair 68. If I Should Ever Leave You (poor sax balance), so‐so 201. On a Clear Day (Ousley flute), good 231. The Masquerade is Over (vocal), good Side #2‐B 6. I Have Dreamed (Gibson), good 36. Out of Nowhere (vocal), good 73.c. See You in my Dreams (rough ending), okay 0. Chaser, # 286 4/16/1983 Note on Envelope: see #285 Note on Side A: Side #2‐A, Warren Durrett Orch., Oakwood C.C., 4/16/83 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side B: Side #2‐B Note inside Envelope: see #285 287 3/9/1984 Note on Envelope: [No] Warren Durrett Orchestra, Friday, March 9, 1984, Tape I – Side A only (partial – 8 tunes only) Note on Case: Warren Durrett Orchestra, Friday, March 9, 1984, Tape #2‐ Side A, Side B Blank Note on Side A: Warren Durrett Orch., Fri. March 9, 1984, Tape II ‐ Side A (B blank) Note inside Envelope: Fri., March 9, 1984, Adams‐Mark Hotel, Side A Only 164. Day by Day (Schad)… good 143. Endless Love (Pat Wilson)… fair 144. Meditation… pretty good 176. Opus One… fair 57. For Once in my Life (Lloyd Schad)… good 202. Love Will Keep us Together (Pat Wilson)… good 63. Misty (Marsh DeMuynck alto)… very good 52. Kansas City (part) Schad vocal w/ rhythm, Marv. Hart Tmb. Solo, Sollenberger, BTHRT, # 288 6/4/1983 Note on Envelope: Warren Durrett Orch. Folly Theater, June 4, 1983, ½ hr. 7:00 P.M. show and ½ hr. 9:30 P.M. show. Note on Case: Warren Durrett Orch., Folly Theater, Sat. June 4, 1983, ½ hour 7:00 P.M. show Note on Side A: Warren Durrett Orch., Folly Theater, Sat. June 4, 1983, 1st show‐ 7:00 p. m. Concert Program inside Envelope (abbreviated, see pdf): KJLA, The Original Four Aces, featuring Al Alberts acc. by “The Music of Your Life” Orch. June 4th, 1983, Folly Theater Introduction by John Bilyeu, KJLA Public Affairs Director & 6‐10 Host Warren Durrett and the “Music of Your Life” Orchestra: She’s Funny That Way, arranged by Warren Durrett, featuring trumpet solo by Richard Wilson and tenor sax solo by Bill Crain. Now That We’re in Love, vocals by Pat Wilson, reed section uses a Glenn Miller style. What Is There to Say, arranged by John Pope, features trumpeter Sherman Gibson. Nice Work If You Can Get It, arr. by Warren Durrett, trombone solo by Arch Martin. Endless Love, vocals by Pat Wilson, arranged by Warren Durrett. Life is Just a Bowl of Cherries, styled in a shuffle rhythm like the Jan Savitt band of the 1940’s Until the Real Thing Comes Along, vocals by Pay Wilson, arranged by Warren Durrett. Note inside Envelope: Lots of Hall Echo, Folly June, 4, ’83, She’s Funky That Way, 7:00 show: Pretty good, better ten & trp. not pro, 9:30 show: Good ‐ fair solos Now That We’re in Love, 7:00 Show: very good, good ten, 9:30 Show: very good ‐ fair ten. What Is There to Say, 7:00 Show: pretty good first two choruses, 9:30 Show: good Nice Work, 7:00 Show: pretty good first two choruses, 9:30 Show: good Endless Love, 7:00 Show: bad intro ‐ fair, 9:30 Show: good, but 1 bad vocal note Life Is Just a Bowl of Cherries, 7:00 Show: no, 9:30 Show: very good Until the Real Thing Comes Along, 7:00 Show: almost very good, 9:30 Show: very good, (Fats Waller) Keepin’ Outa Mischief Now, 7:00 Show: Very good, great arch good last chord, 9:30 Show: great take & arch but omit last chord 289 6/4/1983 Note on Envelope: see #288 Note on Case & Side A: Warren Durrett Orchestra, Folly Theater, Sat. June 4, 1983, 1st 1/2 hr. 9:30 P.M. Show Concert Program inside Envelope (abbreviated, see pdf): see #288 Note inside Envelope: see #288 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

290 1/1/1986 Note on Envelope: New Yrs. Eve, 1985, KJLA Broadcast Note on Side A: KJLA New Years 1985‐86, side one Note on Side B: KJLA New Years 85‐86, side 2. 291 1/1/1986 Note on Envelope: New Yrs. Eve, 1985, KJLA Broadcast Note on Side A: KJLA New Years 1985‐86, back side blank, side 3 292 10/5/1984 Note on Envelope: [Good] Friday, October 5, 1984, Muehlebach Hotel Imperial, Warren Durrett Orchestra, Tapes 1 & 2 – Sides 1 & B [Also Tape Master] Note on Case & Cassette: Fri. October 5, 1984, Muehlebach Imperial Blrm., Warren Durrett Orch., Tape #1, Sides A & B Envelope includes original setlist as well as photocopied setlist with handwritten notes. Typed note inside Envelope: Warren Durrett Orch. ‐ Muehlebach Hotel, 10/5/84 [Big Hall Echo – No Vocal Presence, Very Good Reed Balance] Side 1: 11. Manhattan, little fast, part [‐ drums loud on early] 6. I Have Dreamed ‐ bass got lost [‐ bass lost] 69. Mac, The Knife [‐ good drms, loud] 182. Life Is Just A Bowl of Cherries [‐ good ‐ little drms, rush] 169. Its Been A Long, Long Time [‐ very good] 90. What Is There To Say [‐ no on drums] 165. I Got A Gal in Kalamazoo [‐ very good] 145. Stardust ‐ piano goof [‐ bad] 196. Now That We’re In Love [‐ very good] 27. Mood Indigo, part 228. What’ll I Do [‐ quite good] 139. What I Did For Love [‐ no] 154. Things Ain’t What They Used To Be [‐ good ‐ drums?] 88. New York, New York Side 2: 68. If I Should Ever Leave You [‐ good] 202. Love Will Keep Us Together 161. Don’t Worry ‘Bout Me [‐ good (vocal off mike)] 115. Tangerine (optional male vocal) [no] 143. Endless Love [‐very good (vocal off mike] 218. Take the A Train [‐very good] 122. Someday My Prince Will Come [‐ no] 206. Pepito Cha‐Cha 63. Misty, last part [‐ very good] 13. If I Had You [‐ very good but drums loud] 3. She’s Funny That Way [‐ good band but drums] 168. Nice Work If You Can Get It [‐ very good] 238. Contrasts, last part [‐ very good] 188. It’s DeLovely [‐ no] 71. Come In From the rain [‐ very good] 78. Just The Way You Are, start only, warren durrett Handwritten note inside Envelope: Tape #1 – Side A, Muehlebach Imperial, Fri. Oct. 5, 1984, pg ‐1‐ 11. Manhattan (Part), good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

6. I Have Dreamed – good, but bass got lost 69. Mac, The Knife, good 182. Life is Just a Bowl of Cherries, very good 169. It’s Been a Long, Long Time, good 106. Fun Time, good, but poor piano solo 00. KJLA Chaser, #, called new set 90. What is There to Say, good 165. I Got a Gal in Kalamazoo, good 145. Stardust, piano goof, good 196. Now That We’re In Love, good 27. Mood Indigo, clar. solo?, good 220. Que Sera Cha‐Cha, good 228. What’ll I Do, 2 Bar FL. Omit, good 113. Let’s Dance, 1st ½ chos. only, fair, # Muehlebach 10‐5‐84, pg ‐2‐, Tape #1, Side B 139. What I Did For Love, very good 154. Things Ain’t What They Used to Be, good 00. KJLA Chaser, #, AIWA 180 point intermission 88. New York, New York, good 68. If I Should Ever Leave You, good 202. Love Will Keep Us Together, good 161. Don’t Worry About Me, very good 115. Tangerine (solos: Gibson, Martin, Crain, DeMuynck, W.D.), good, # Tape #1, Side A 143. Endless Love, good 218. A Train, good 122. Someday My Prince Will Come (Gibson), good 206. Peptio Cha‐Cha, good 63. Misty (Marsh.), good 13. If I Had You, good 212. Pennies from Heaven, good 00. KJLA Chaser, good, blank to end of tape # Muehlebach 10‐5‐84, 1st 12 points (AIWA) blank, pg ‐3‐, Tape #2 – Side B 30. Release Me (short band start), good 3. She’s Funny That Way, good 168. Nice Work if You Can Get It, good 238. Contrasts (Marsh.), good 188. It’s Delovely, good 71. Come in from the Rain, good 78. Just the Way You Are, good 114. Embraceable You, good 85. Until the Real Thing Comes Along (1st chos only), good, # 293 10/5/1984 Note on Envelope: see #292 Note on Case & Cassette: Friday October 5, 1984, Muehlebach Imperial, Warren Durrett Orch., Tape #2, Sides A & B Typed note inside Envelope: see #292 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Handwritten note inside Envelope: see #292 294 10/5/1984 Note on Envelope: see #292 Note on Side A: Warren Durrett Orch. Muelhebach Hotel 10/5/84, 2nd Generation Tape Master, Side 1 Typed note inside Envelope: see #292 Handwritten note inside Envelope: see #292 295 12/31/1984 Note on Envelope: [New Yrs. – ‘84] Warren Durrett Orchestra, KJLA broadcast live from Adams‐Mark Hotel 12/31/84, 10:30 p.m. to 12:15 a.m. Note on Side A: New Years Eve 12/31/84, Adams Mark Hotel, Edited 2nd Generation, Master Sides 1 & 2 Note inside Envelope: Pat Wilson vocals, Tape 1, Side A, W.D. Orch., New Years Eve 1984, Broadcast from Adams‐Mark starting 10:30 p.m., pg. 1 Rhapsody Theme, good Poor Butterfly Medley, little rough It’s Been a Long, Long Time (vocal), pretty good Polka Dots & Moonbeams, “ “ I Would Do Anything For You (Dix Solo), “ “ Now That We’re In Love (Vocal) (Dix solo), good So Rare (P. Wilson solo), good but drums rushing Shiny Stockings (Arch & Dix), good What I Did For Love (vocal), good What Is There to Say (Gibson), good Red Roses for a Blue Lady, pretty good What’ll I Do (vocal), “ “ Take the A Train (Wilson‐Dix), good Opus One, good KJLA chaser, good, # Tape 1, Side B, Talk‐‐, 11:30 P.M. Until the Real Thing Comes Along (vocal), good In the Mood (Martin‐Dix), good Pepito Cha‐Cha, good Pennies From Heaven (vocal‐Arch), very good Mac, The Knife, very good Alley Cat, “ “ Bandstand Boogie, good Kansas City (vocal) Dix‐Martin, good Love Will Keep Us Together (vocal) Arch, good Auld Lang Syne 12‐31‐84, pg. 2 Things Ain’t What They Used to Be, part only, pretty good Tape 2, Side A Things Ain’t What They Used to Be – rest ‐ good Don’t Worry ‘Bout Me (vocal), very good Stardust (Gibson), fair Straight Ahead (Dix), good KJLA Chaser, # 296 12/31/1984 Note on Envelope: see #296 Note on Case: New Years Eve 12/31/84, Adams Mark Hotel ‐ Edited 2nd Generation Master (Warren Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Durrett Orch.) Note on Side A: Tape #2 ‐ New Years Eve at Adams‐Mark Hotel, 12/31/84, Warren Durrett Orch., taped by Jan Durrett Note inside Envelope: see #296 297 4/5/1986 Note on Envelope: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tapes 1 & 2 Note on Case & Side A: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tape #1 Note inside Envelope: Kansas City Club, Sat. Apr. 5, 1986, Tape I, Side A, pg ‐1‐ Sound Quality of Recording, not too good, little vocal pick up 169. It’s Been a Long, Long Time, clean saxes, good 13. If I Had You, good 28. At Last, good sax bal. & intonation, good 196. Now That We’re in Love, good 63. Misty (Marsh.), good 206. Pepito Cha‐Cha, very good 161. Don’t Worry ‘Bout Me, “ “ 4. Skyliner, sax bal?, “ “ 0. Chaser, # Bal. of Side A ‐ no music ‐ just intermission sounds, mike between Alto I & Ten. II Tape I Side B, Kansas City Club, Pg ‐2‐ 59. Bad, Bad Leroy Brown, good 222. Tuxedo Junction, pretty fair 248. Cuckoo in Clock Medley, so so 139. What I Did For Love, good 69. Mac, The Knife, good 228. What’ll I Do, very good 46. Wang Wang Blues, 4 Fl., pretty good 240. Moonlight Serenade, very good 252. So Rare, “ “ 201. On a Clear Day (Caldwell Fl.), “ “ 151. Well, Alright, Okay You Win, “ “ 0. Chaser, #, Bal. of Side B bereft of music Tape II, Side A, K.C. Club, 4‐5‐86, pg ‐3‐ 56. Red Roses, good 218. A Train, good 122. Someday My Prince Will Come, good 85. Until the Real Thing Comes Along, good 50. I Should Do Anything For You (no 2‐beat drums), “ “ 148. The Way We Were, “ “ 220. Que Sera Sera Cha Cha, pretty good 217. Poor Butterfly Medley, “ “ 0. Chaser, #, Bal. of Tape Blank Tape II, Side B, Kansas City Club, 4‐5‐86, pg ‐4‐, Blank early part of tape 247. Peg O’ My Heart, great Arch, good 270. I’ll Be Around, okay 115. Tangerine, Marsh, Gibson, Caldwell Chos., pretty good 157. The Continental, good Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

135. You Go to my Head, good 52. Kansas City (Lohman, Caldwell, Martin), good 231. The Masquerade is Over, pretty good, # 298 4/5/1986 Note on Envelope: see #298 Note on Case/Side A: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tape #2 Note inside Envelope: see #298 299 6/27/1986 Note on Envelope: Retirement Dance, Tape Master, Marriott, 6‐27‐86 Note on case/Side A: Edited Tape Master, Warren Durrett Orch. Retirement Party, Marriott 6/27/86 Envelope includes original setlist as well as photocopied setlist with handwritten notes. Note inside Envelope: Contents of tape cassette, Warren Durrett Orch. Retirement Dance – Marriott 6/27/86 Side A 34. Rhapsody Theme [‐ no] 217. Poor Butterfly Medley [‐ no] 11. Manhattan [‐ very good] 164. Day by Day [‐ good, (Distant Schad)] 201. On a Clear Day [violins ‐ very good (" ") ‐ weak pno. Intro] 140. Shiny Stockings [‐ very good, Arch & Caldwell] 210. All [‐ very good, goof on intro] 265. Where or When [‐ good, maybe part (start last 16 bars late)] 113. Let's Dance [‐ very good, 1st chos., close 2nd chos.] 263. Time Medley ‐ start & finish [‐ last chorus only] 173. Stompin' at the Savoy [‐ very good] Side B 222. Tuxedo Junction [‐ good, maybe] 173. Come In From the Rain [‐ very good] 212. Pennies From Heaven [‐ very good] 28. At Last [‐ good opening only] 5. Anniversary Waltz 228. Days of Wine and Roses, start & [good part of] finish 216. Girl from Ipanema [very good] 220. Que Sera Cha‐Cha [good] 143. Dancing in Dark Medley [‐ very good] 171. Begin the Beguine [‐ 1st chos. Good, then some mistakes] 00. KJLA chaser [‐ okay] ceremony just before 1st intermission 300 6/27/1986 Note on Envelope: Retirement Dance, Marriott, Ov. Pk., June 27, ’86, see master tape under separate Note attached to Envelope: 6‐27‐87, Marriott very goods, 173. Come in from the Rain Note on Side A: Warren Durrett Orch. Retirement Dance‐Marriott June 27, 1986, Tape #1, Side A Note inside Envelope: Fri., 6‐27‐86, Marriott, Ov. Pk., 8‐11:30 P.M., page ‐1‐ 34. Rhapsody Theme 217. Poor Butterfly Medley 11. Manhattan (girl vocal 1st chos. Bb) 164. Day by Day (male vocal) 231. The Masquerade is Over (girl vocal) 201. On a Clear Day (male vocal 2nd. chos) 140. Shiny Stockings (solos Bill Caldwell, Arch Martin) 210. All (Sherman Gibson solo trpt.) Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

169. It’s Been a Long, Long Time (girl vocal) 265. Where or When (male vocal) 113. Let’s Dance (B. Goodman theme‐ solo Bob Ousley) 173. Stompin’ at the Savoy, time medley 222. Tuxedo Junction 212. Pennies From Heaven (girl vocal) 00. KJLA Chaser, # 28. At Last (male vocal) 258. Days of Wine & Roses (violins) 216. Girl from Ipanema (boy and girl vocal) 220. Que Sera Cha‐Cha (flute solo Bill Caldwell) 142. Dancing Medley (“Here’s that Rainy Day”‐ Schad Caldwell, “Out of Nowhere”, Pat 3rd chos.) 171. Begin the Beguine (clar. solo Bob Ousley) 248. Cuckoo Medley 95. Day by Day 225. The One I Love (male vocal) 00. KJLA Chaser *226. Leroy Brown 252. So Rare 196. Now That We’re in Love (girl vocal) 153. Helena Polka 247. Peg O’ My Heart (Bill Caldwell ten.‐arch martin tmb.) 115. Tangerine (male vocal), solos: Gibson, Marsh, Caldwell, Arch 240. Moonlight Serenade 230. Boy Next Door (4 bars piano, start at 1) 129. In a Mellow Tone (girl vocal) 145. Stardust 69. Mac, The Knife 13. If I Had You 138. Just Friends (male vocal) 00. KJLA Chaser, # 206. Pepito Cha‐Cha 139. What I Did For Love (girl vocal) 118. Proud Mary 179. Our Day Will Come (violins) 68. If I Should Ever Leave You 149. It’s a Wonderful World 176. Opus One 218. A Train 228. What’ll I Do (girl vocal) 154. Things Ain’t What They Used to Be Note inside Envelope: Very similar to previous note. Only minor comments added to second note except: Tape #2, Side B, Retirement Dance, 6‐27‐86, pg ‐4‐ Distorted & No Good, Only About 50% of Job Taped on 1st 3 Sides of Cassettes 1 and 2 301 6/27/1986 Note on Envelope: see #301 Note attached to Envelope: see #301 Marr Sound Archives Miller Nichols Library University of Missouri, Kansas City

Note on Side A: Warren Durrett Orch. Retirement Dance‐Marriott, June 27, 1986, Tape #2, Side A Notes in Envelope: see #301 302 9/9/1943 Note on Side One Label: 1. Blue Moon, 2. In The Blue of Evening, Jimmy Blair, 3. Thank Your Lucky Stars, Helen Young, 4. The Campbells are Coming, 11:30‐12 p.m., 9/9/43, Ray Scott Show, A. Note on Side Two Label: 1. How Sweet You Are, Jimmy Blair, 2. Toy Trumpet, 3. If You Please, H.X., 4. Honeysuckle Rose, Scott 9/9/43, E.H., 2. 303 11/30/1943 304 12/31/1985 Note on Envelope: Video Tape, Durrett Band 12‐31‐85 Note on Case: Warren Durrett Orchestra, Adams Mark Hotel, New Years Eve, 1985, 0 to 3563 Note on Tape: Durrett Band, 12/31/85