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FP 24.2 Summer2004.Pdf (5.341Mb)
The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 24, Number 2 Summer 2004 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 24, Number 2 (Summer 2004) Periodical literature is the culling edge ofwomen'sscholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is pUblished by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajor feministjournals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first pUblication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. SUbscription address. 5. Current editor. 6. -
The Exclusion of Conservative Women from Feminism: a Case Study on Marine Le Pen of the National Rally1 Nicole Kiprilov a Thesis
The Exclusion of Conservative Women from Feminism: A Case Study on Marine Le Pen of the National Rally1 Nicole Kiprilov A thesis submitted to the Department of Political Science for honors Duke University Durham, North Carolina 2019 1 Note name change from National Front to National Rally in June 2018 1 Acknowledgements I would like to extend my deepest gratitude to a number of people who were integral to my research and thesis-writing journey. I thank my advisor, Dr. Michael Munger, for his expertise and guidance. I am also very grateful to my two independent study advisors, Dr. Beth Holmgren from the Slavic and Eurasian Studies department and Dr. Michèle Longino from the Romance Studies department, for their continued support and guidance, especially in the first steps of my thesis-writing. In addition, I am grateful to Dr. Heidi Madden for helping me navigate the research process and for spending a great deal of time talking through my thesis with me every step of the way, and to Dr. Richard Salsman, Dr. Genevieve Rousseliere, Dr. Anne Garréta, and Kristen Renberg for all of their advice and suggestions. None of the above, however, are responsible for the interpretations offered here, or any errors that remain. Thank you to the entire Duke Political Science department, including Suzanne Pierce and Liam Hysjulien, as well as the Duke Roman Studies department, including Kim Travlos, for their support and for providing me this opportunity in the first place. Finally, I am especially grateful to my Mom and Dad for inspiring me. Table of Contents 2 Abstract …………………………………………………………………………………………4 Part 1 …………………………………………………………………………………………...5 Introduction ……………………………………………………………………………..5 Purpose ………………………………………………………………………………..13 Methodology and Terms ……………………………………………………………..16 Part 2 …………………………………………………………………………………………..18 The National Rally and Women ……………………………………………………..18 Marine Le Pen ………………………………………………………………………...26 Background ……………………………………………………………………26 Rise to Power and Takeover of National Rally ………………………….. -
PRESS and FESTIVAL INQUIRIES: [email protected]
FOR DISTRIBUTION, PRESS AND FESTIVAL INQUIRIES: [email protected] Promo photos available here NAUGHTY BOOKS A Documentary by Austen Eleanore Rachlis Sex sells…until it doesn’t Naughty Books is a feature-length documentary about the boom of self-published romance novels in the wake of Fifty Shades of Grey. It follows three authors who became millionaires in under a year using pen names to sell erotica online for $1.99. Along the way, they upended the book industry, challenged ideas of female sexuality, and re-imagined the American Dream for the 21st century. *** In 2011, British television producer E.L. James published the erotic novel Fifty Shades of Grey. It became a cultural phenomenon, selling 100 million copies worldwide and taking erotica mainstream. Once a genre consumed in secret, explicit romances were now being read on the subway, by the pool, and on the treadmill. As it turned out, women weren’t only reading erotica in large numbers; they were also writing it. Thanks to Amazon’s Kindle store, which allowed writers to upload directly to the marketplace, women were able to publish independently, bypassing traditional gatekeepers like agents and editors. Readers were hungry for books like Fifty Shades, but the major publishers responded slowly. Self-published authors filled the void, flooding the market with $1.99 books about innocent women and bad-boy billionaires falling in love and having steamy sex. Readers devoured them. The authors became a force, challenging conventional feminist ideas and disrupting publishing. Naughty Books follows three writers who experienced overnight success, gaining tens of thousands of fans and securing lucrative deals with major publishers. -
1+1 National Library
National Library Bibliothèque nationale 1+1 of Canada du Canada Acquis:tions and Direction des acquisitions et Bibliographic services Branch des services bibliographiques 395 Welhnglon Sueet 395. rue Welllnglon OUawa. Onlario On:lwa (Onlario) K'AON4 K1AON4 NOTICE AVIS The quality of this microform is La qualité de cette microforme heavily dependent upon the dépend grandement de la qualité quality of the original thesis de la thèse soumise au submitted for microfilming. microfilmage. Nous avons tout Every effort has been made to fait pour assurer une qualité ensure the highest quality of supérieure de reproduction. reproduction possible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec· l'université degree. qui a conféré le grade. Sorne pages may have indistinct La qualité d'impression de print especial1y if the original certaines pages peut laisser à pages were typed with a poor désirer, surtout si les pages typewriter ribbon or if the originales ont été university sent us an inferior dactylographiées à l'aide d'un photocopy. ruban usé ou si l'université nous a fait parvenir une photocopie de qualité inférieure. Reproduction in ful1 or in part of La reproduction, même partiel1e, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, à la Loi canadienne sur le droit R.S.C. 1970, c. C-30, and d'auteur, SRC 1970, c. C-30, et subsequent amendments. ses amendements subséquents. " Canada • Qf Shadowboxinq and Straw-Women: Postfeminist Texts and Contexts Aurora wallace Graduate Program in Communications McGill university Montréal, Québec August, 1994 A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Master of Arts. -
2. Informed: “I Don't Know. I Gotta Get the Best One”
Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Joseph Reagle Published on: Apr 08, 2019 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Being a consumer is like a job. You have to make sure you get the best one. If you get a Blu-ray player, you gotta do research.… You gotta go on Amazon and read a really long review written by an insane person who’s been dead for months … because he shot his wife and then himself after explaining to you that the remote is counter-intuitive. “It’s got really small buttons on the remote,” he said … before he murder-suicided his whole family. And now you’re reading it and going, “I don’t know. I don’t know which one to get, I don’t know. I gotta get the best one.” Who are you, the King of Siam, that you should get the best one ever? Who cares? They’re all the same, these machines. They’re all made from the same Asian suffering. There’s no difference. —Louis C.K., “Late Show: Part 1,” Louie, season 3, episode 10, August 30, 2012 Despite the name, Boston’s Micro Center isn’t small—nor is it in Boston. It is, instead, an electronics supermarket on the Cambridge shore of the Charles River. It attracts customers from all over eastern Massachusetts, but I live a few minutes away. -
The Public Eye, Winter 2017
WINTER 2017 The Public Eye In this issue: Religious Freedom is a Progressive Value • Birth of the Alt Right • Mobilizing Misogyny • Right Moves: Interview with Jason Stahl editor’s letter BY FREDERICK CLARKSON After the November election, the growing concern among progressives about the “Alt THE PUBLIC EYE Right”—an ideology that draws together White supremacism, misogyny, antisemitism, QUARTERLY and authoritarianism in an irony- and meme-fueled movement—became a sense of emer- gency. Followers of the movement were Sieg Heiling in Washington D.C. hotels, and a spate PUBLISHER Tarso Luís Ramos of attacks against minority groups and people of color were reported across the country. It seemed as though the worst elements of President Trump’s base had emerged en masse to EDITOR mark their victory with virulent displays of intolerance. But as with confronting any threat, Kathryn Joyce effective response first requires understanding it. COVER ART Nansi Guevara In this issue, as well as in a rapidly-expanding list of online-exclusive reports, stories, and LAYOUT profiles, PRA is doing what it does best: digging into the fraught subject of the White na- Gabriel Joffe tionalist Alt Right with meticulous research and broad historical context. This edition of PRINTING The Public Eye includes two full-length features concerning the Alt Right. The first of these Red Sun Press is David Neiwert’s “Birth of the Alt Right” (pg. 4). Neiwert, who with journalist Sarah EDITORIAL BOARD Posner investigated the movement over the course of the presidential race, delves into the Frederick Clarkson • Alex DiBranco deep backstory of how the Alt Right came to be. -
Sisters at Odds
REVIEW Sisters at odds DIANA SCHAUB hadUST itsas Jacobinsthe movement, so too forthe"Libertyfeminist, Equality,movement, Fraternity"with its parallel call for women's liberation, the equality of the sexes, and politically conceived sisterhood. According to Christina Hoff Sommers, it is the final term of the triad that has in- spired dangerous radicalism in the feminist camp and led to something on the order of feminism's own Reign of Terror. Liberty and equality, yes--those are the hallmarks of what Sommers terms "equity" or "First Wave" feminism: "the tradi- tional, classically liberal, humanistic feminism that was initi- ated more than 150 years ago." Original feminism demanded and won fundamental political rights for women and opened up educational and economic opportunity. Sommers considers herself and most Americans to be feminists of this sort--heirs to the Enlightenment and its principles of individual justice. Her quarrel is with the "Second Wave" or "gender" feminists who have abandoned universalism for gynocentrism and traded enfranchisement for seemingly permanent victim status. Soli- darity with women has come to mean hostility to men, and particularly to that alleged system of male dominance: the "heteropatriarchy." Who Stole Feminism? How Women Have Betrayed Women _ is an attempt to reclaim feminism from these female Jacobins (prominent among them, Catherine MacKinnon, Naomi Wolf, Andrea Dworkin, Alison Jaggar, Susan Faludi, and Catherine Stimpson). In her Girondist dissent, Sommers joins a growing number of women, from Katie Roiphe to Camille Paglia, trying to wrest power from the radical Montagnards. Sommers claims that "misandrism [man-hating] ... was not a notable feature of the women's movement until our own times"; indeed, she finds that "the idea that women are in a gender _Simon and Schuster. -
Place and Persona in the Essays of Joan Didion And
CALIFORNIA DREAMING: PLACE AND PERSONA IN THE ESSAYS OF JOAN DIDION AND EVE BABITZ Claire Elizabeth Christoff Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English, Indiana University December 2019 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee ______________________________ Robert Rebein, MFA, PhD, Chair ______________________________ Karen Kovacik, PhD ______________________________ Kyle Minor, MFA ii ACKNOWLEDGMENTS Firstly, thank you to Dr. Robert Rebein, without whom this project would not have been possible. I am grateful not just for your time, patience, and thoughtful honesty, but for teaching me, way back in the fall of 2015, about the boundless possibilities of creative nonfiction. Thanks to Dr. Karen Kovacik for the invaluable guidance, patience, editorial help, and psychic hand-holding—I will forever want to be you when I grow up. Last but not least, thanks to Kyle Minor for all the advice and all the crazy ideas. I am totally indebted to each of you for your mentorship and support over the years. Thank you also to Dan Wakefield for the stories, the pep talks, so many cups of coffee, and the idea for the title of this thesis. iii Claire Elizabeth Christoff CALIFORNIA DREAMING: PLACE AND PERSONA IN THE ESSAYS OF JOAN DIDION AND EVE BABITZ Joan Didion, a native of Sacramento, California, is the author of many acclaimed collections of journalism and memoir, the first of which were Slouching Towards Bethlehem (1968) and The White Album (1979). -
Diss Title Page
Touch Me, I’m Sick: Hysterical Intimacies | Sick Theories by Margeaux Feldman A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of English University of Toronto © Copyright by Margeaux Feldman 2021 ! Touch Me, I’m Sick: Hysterical Intimacies | Sick Theories Margeaux Feldman Doctorate of Philosophy Department of English University of Toronto 2021 Abstract This dissertation develops what I call a “sick theories” approach to the long history of labeling girls, women, and femmes – and their desires – as hysterical, sick, pathological, and in need of a cure. My approach builds on the insight that repressed trauma can lead to chronic illness, which was discovered in the early twentieth century with the emergence of the figure of the hysteric: a girl or woman experiencing inexplicable symptoms, from a persistent cough to full body seizures. Drawing on recent work in trauma studies, I offer a new lens to disability studies by reclaiming the figure of the hysteric, who has been largely neglected in this field. By examining a range of literary and cultural texts, I trace new connections between those who are living with trauma, chronic illness, and pathologized desire, and develop a language for imagining new forms of community and care, which I call “hysterical intimacies.” Each chapter builds on my sick theories approach, outlined in Chapter One, to analyze a different sick girl. Chapter Two looks at Jesmyn Ward’s novel Salvage the Bones to challenge the state’s narrative that the pregnant Black teen is part of an epidemic and reveal new dimensions of state sponsored anti-Black violence. -
2017-Year-In-Review-Peakprosperity
2017 Year in Review Markets Fiddle While Rome Burns David B. Collum Betty R. Miller Professor of Chemistry and Chemical Biology Cornell University Email: [email protected] Twitter: @DavidBCollum Introduction “He is funnier than you are.” ~David Einhorn, Greenlight Capital, on Dave Barry’s Year in Review Every December, I write a survey trying to capture the year’s prevailing themes. I appear to have stiff competition—the likes of Dave Barry on one extreme1 and on the other, Pornhub’s marvelous annual climax that probes deeply personal preferences in the world’s favorite pastime.2 (I know when I’m licked.) My efforts began as a few paragraphs discussing the markets on Doug Noland’s bear chat board and monotonically expanded to a tome covering the orb we call Earth. It posts at Peak Prosperity, reposts at ZeroHedge, and then fans out from there. Bearishness and right-leaning libertarianism shine through as I spelunk the Internet for human folly to couch in snarky prose while trying to avoid the “expensive laugh” (too much setup).3 I rely on quotes to let others do the intellectual heavy lifting. PeakProsperity.com 1 “Consider adding more of your own thinking and judgment to the mix . most folks are familiar with general facts but are unable to process them into a coherent and actionable framework.” ~Tony Deden, founder of Edelweiss Holdings, on his second read through my 2016 Year in Review “Just the facts, ma’am.” ~Joe Friday By October, I have usually accrued 500 single-spaced pages of notes, quotes, and anecdotes. -
Violence Against Women
Violence Against Women Karen F. Balkin, Book Editor Daniel Leone,President Bonnie Szumski, Publisher Scott Barbour, Managing Editor Helen Cothran, Senior Editor CURRENT CONTROVERSIES San Diego • Detroit • New York • San Francisco • Cleveland New Haven, Conn. • Waterville, Maine • London • Munich © 2004 by Greenhaven Press. Greenhaven Press is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Greenhaven® and Thomson Learning™ are trademarks used herein under license. For more information, contact Greenhaven Press 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our Internet site at http://www.gale.com ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of the publisher. Every effort has been made to trace the owners of copyrighted material. Cover credit: © Najlah Feanny/CORBIS SABA LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Violence against women / Karen F. Balkin, book editor. p. cm. — (Current controversies) Includes bibliographical references and index. ISBN 0-7377-2042-5 (pbk. : alk. paper) — ISBN 0-7377-2041-7 (lib. bdg. : alk. paper) 1. Women—Violence against. 2. Women—Violence against—United States. I. Balkin, Karen F., 1949– . II. Series. HV6250.4.W65V536 2004 362.88'082—dc21 2003048328 Printed in the United States of America Contents Foreword 8 Introduction 10 Chapter 1: Is Violence Against Women in the United States a Serious Problem? Chapter Preface 15 Yes: Violence Against Women in the United States Is a Serious Problem Violence Against Women Is a Serious Problem by Patricia Tjaden and Nancy Thoennes 17 Physical violence against women in America is widespread, injurious, and sometimes deadly. -
Redefining Female Success and Empowerment in a Post-Feminist Landscape
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Fall 2013 The Personal, Political, and the Virtual? Redefining emaleF Success and Empowerment in a Post-feminist Landscape Linda Elizabeth Chardon University of New Hampshire - Main Campus Follow this and additional works at: https://scholars.unh.edu/honors Part of the Business and Corporate Communications Commons, Communication Technology and New Media Commons, Film and Media Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, Social Media Commons, and the Women's Studies Commons Recommended Citation Chardon, Linda Elizabeth, "The Personal, Political, and the Virtual? Redefining emaleF Success and Empowerment in a Post-feminist Landscape" (2013). Honors Theses and Capstones. 202. https://scholars.unh.edu/honors/202 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Linda Chardon The Personal, Political and the Virtual? Redefining Female Success and Empowerment in a Post-feminist Landscape Choice. Consumerism. Success. These are what define modern women’s liberation. This is the feminism of today. It is broken. The private and professional spheres are so immeasurably separated that women are left empty and unsatisfied. They don’t understand. They feel that women have progressed and moved forward, but the modern woman doesn’t see why progress doesn’t feel more progressive.