BY GENEVIEVE HEGNEY AND CATHERINE MOORE

22 JUNE – 21 JULY 2018

WELCOME WE HOPE YOU ENJOY UNQUALIFIED! If you are looking for a hilarious, original, Janine Watson, the pleasure of bringing beautifully judged, side-splitting comedy UNQUALIFIED to the stage is all ours – written and performed by two of the most and I trust yours. unique talents on stage today then I refer you has a commitment to to Catherine Moore and Genevieve Hegney. developing new work, and particularly new UNQUALIFIED is a wild ride of mishaps comedies – and I can’t wait to reveal next and laugh-out-loud situations but it’s year’s line-up in early August. In the meantime, also a touching story of friendship, trust, enjoy this comedic feast and thank you for and of refusing to give up in the face of supporting our theatre for everyone. adversity. With a wonderful creative team Mark Kilmurry under the guidance of super smart director Artistic Director

BY GENEVIEVE HEGNEY AND CATHERINE MOORE

22 JUNE – 21 JULY 2018

DIRECTOR’S NOTE from their sad and pathetic existence then all When Mark Kilmurry, in an act of supreme they would be is that, sad and pathetic. Cut trust, asked me to direct UNQUALIFIED to some months later, on the set of , by Gen Hegney and Cath Moore starring Gen and Cath told Claudia Karvan about Gen Hegney and Cath Moore it occurred to their little idea for a show, she said, write it. me that I would spend 4-5 weeks laughing at So they did. Because if Claudia tells you to Gen Hegney and Cath Moore. So I said yes. do something, you do it. Gen and Cath have written a six part comedy series which has WRITERS’ NOTES yet to be produced. Enter Mark Kilmurry. He Eight years ago Gen and Cath went way out suggested that the ladies adapt their series west to help cater at a backyard wedding. into a play. Gen and Cath had never written Cath had to look after a bunch of kids down a play before but were open to the challenge. “the side of the house”, one of them threw The greatest being, how to turn a six part tv up into her hands. Gen was recognised from series with a cast of 50 into an 80 minute play her stint as Cindy from the Rocket Club in with a cast of 2. Under the expert guidance Home and Away and was forced to sign the of Mark Kilmurry and Janine Watson, they happy couples wedding certificate. Gen and believe they have achieved this. And they Cath agreed that if they didn’t make “art” hope that you find it funny.

RUNNING TIME APPROX 90 MINUTES NO INTERVAL

PROGRAMS: $2 which helps enormously with the cost of printing.

CAST CREATIVES JOANNE TRUEBODY GENEVIEVE HEGNEY DIRECTOR JANINE WATSON FELICITY BACON CATHERINE MOORE ASSISTANT DIRECTOR LIZ ARDAY SET & COSTUME DESIGNER SIMON GREER THANK YOU LIGHTING DESIGNER ALEXANDER BERLAGE Genevieve and Catherine would like to thank SOUND DESIGNER THOMAS E. MOORE Claudia Karvan and Jacquelin Perske for their STAGE MANAGER REBECCA POULTER unwavering support in the early days. Our COSTUME SUPERVISOR MARGARET GILL PRODUCTION MANAGER SLADE BLANCH agent Lisa Mann for always having our backs. DIGITAL SCENIC ART CHERYL WARD Mark Kilmurry, the nicest guy ever to run a SPECIAL THANKS BELINDA CRAWFORD, theatre company, for his guidance in shaping Lotto Ball Construction our play and for his belief in us. Our husbands Matt and Drayton for encouraging us and laughing at all our jokes. And David Williamson for allowing us to use an excerpt from Don's Party and for being a National Treasure. Rehearsal images: Prudence Upton Rehearsal

CREATIVES DIRECTOR JANINE WATSON ASSISTANT DIRECTOR LIZ ARDAY SET & COSTUME DESIGNER SIMON GREER LIGHTING DESIGNER ALEXANDER BERLAGE SOUND DESIGNER THOMAS E. MOORE STAGE MANAGER REBECCA POULTER COSTUME SUPERVISOR MARGARET GILL PRODUCTION MANAGER SLADE BLANCH DIGITAL SCENIC ART CHERYL WARD SPECIAL THANKS BELINDA CRAWFORD, Lotto Ball Construction Rehearsal images: Prudence Upton Rehearsal GENEVIEVE HEGNEY CELESTIAL AVENUE. Her work in Cabaret PLAYWRIGHT / includes THE HYMN THAT WE SHOUT - A JOANNE TRUEBODY JACQUES BREL CABARET and WEILL WOMEN - A KURT WEILL CABARET, winning A graduate of NIDA ‘Best Cabaret’ at the 2004 Melbourne Fringe Genevieve, has worked Festival and a Green Room nomination. extensively in theatre, film Catherine is the voice of Janey Springs in the and tv. Film roles include: very popular BORDERLANDS video game Margot in RIPTIDE, THE LITTLE DEATH, series. BURNING MAN, PRESERVATION, HAPPY FEET, Film Festival’s 2017 Lexus JANINE WATSON shorts OUTBREAK GENERATION and RED DIRECTOR INK. Her television credits include: DOCTOR DOCTOR (Series 2-3), THE KETTERING Janine was the a INCIDENT, JANET KING (Series 2), HERE recipient of the inaugural COME THE HABIBS! (Series 1 & 2), READY Ensemble Theatre Sandra FOR THIS, THE MOODY’S, CAMP, DEVIL’S Bates Directing Award. DUST, RAKE, SPIRITED. Her theatre credits UNQUALIFIED is her include: INFLUENCE, and TOT MUM, directed mainstage directing debut. Also for the by Steven Soderbergh for STC, Ensemble she was Assistant Director on Nina GIRLS for Belvoir, TWELFTH NIGHT, Rayne’s TRIBES, Alan Ayckbourn’s RELATIVELY ANTONY & CLEOPATRA, JULIUS CAESAR SPEAKING, and she directed a staged and MUCH ADO ABOUT NOTHING for the reading of Michael Gow’s AWAY. Following Bell Shakespeare Company. Genevieve also UNQUALIFIED, for Bell Shakespeare’s Learning co-wrote, co-produced and acted in THE arm, Janine will direct ROMEO AND JULIET, AMBER AMULET which won numerous awards which will be performed at the Sydney Opera worldwide including a Crystal Bear at the House and the Victorian Arts Centre. Previous Berlin International Film Festival and the 2013 directing credits include: CRIMES OF THE AWGIE for Best Screenplay in a Short Film. HEART (Old Fitz 2017), EIGHT (International Screen Academy 2017); DOLORES (Old Fitz CATHERINE MOORE 2015 co-directed with Kate Box), INFINITY PLAYWRIGHT / TASTER (Old Fitz 2015); AGATHA (Melbourne FELICITY BACON Fringe 2010). Janine is a graduate from the National Theatre Drama School and has Catherine graduated from trained with the SITI Company in New York. VCA, where she received Her most recent acting credits include, for the Irene Mitchell Award Television: THE CODE (Shawn Seet). Feature for Most Outstanding Film: THAT’S NOT ME (Gregory Erdstein). Actor. Theatre credits include: BECKY SHAW, Theatre: A VIEW FROM THE BRIDGE (Iain CASANOVA, AND THE COW JUMPED Sinclair),ANTONY AND CLEOPATRA, THE OVER THE MOON, YOU TALKIN’ TO ME? DREAM (Peter Evans) ANTIGONE (Damien THE DIARY OF AN OLYMPIC CABBIE for Ryan), THREE SISTERS (Kevin Jackson); THE Ensemble Theatre, FAR AWAY for Black Swan, HAPPY PRINCE, DRACULA, DANGEROUS MOTORTOWN and THE SEVEN NEEDS for LIAISONS (Stephen Nicolazzo); Janine won Griffin, AS YOU LIKE IT and THE COMEDY the GLUG Award for Best Supporting Actress OF ERRORS for Bell Shakespeare. TV credits for A VIEW FROM THE BRIDGE, and was include: JANET KING, THE KETTERING nominated for a Sydney Theatre Award for the INCIDENT, HOME AND AWAY, THE MOODY’S, same show. She was nominated for a Green CROWNIES, RAKE, SPIRITED, CHANDON Room award for Best Actress for her work in PICTURES and the telemovie BIG REEF. Film MKA’s TRIANGLE.. credits include: BEING GAVIN, JULIAN and LIZ ARDAY SIMON GREER ASSISTANT DIRECTOR SET & COSTUME DESIGNER Liz Arday is the 2018 recipient of the Ensemble Simon graduated with Theatre Sandra Bates a Bachelor of Dramatic Director's Award. For Art in Production Design Ensemble Theatre, Liz was from NIDA in 2001 and has Assistant Director under Shannon Murphy for designed over 100 productions. Recent design CIRCLE MIRROR TRANSFORMATION in 2012 credits include the set design for the acclaimed and will assist Mark Kilmurry on THE NORMAN production of IN THE HEIGHTS for Blue Saint CONQUESTS trilogy in 2018. Liz’s other Productions at the Hayes, set and costume Assistant Director credits include BEACHED design for SPRING AWAKENING at ATYP for Griffin Theatre, THE LUNCH HOUR and and the set design for VIOLET at the Hayes AS YOU LIKE IT for Siren Theatre, and THE Theatre, which was nominated for a Sydney VOICES PROJECT: THE ONE SURE THING for Theatre Award. He also designed the set for ATYP. As Director, Liz’s credits include YOURS GREY GARDENS and MAN OF LA MANCHA THE FACE, DEBRIS, THE EISTEDDFOD, A for Squabbalogic at the , the WOMAN ALONE for LZA Theatre), RIDE for Australian Premiere of THE MOUSETRAP at Red Scarf Theatre, London, LOVELY UGLY the Zenith Theatre for Bump In Productions, for Griffin Theatre, HEDDA GABLER, THREE Premiere of MARJORIE PRIME at SISTER, JESUS, YOUR HEART IS MY PIÑATA, Ensemble Theatre and the set design for ROPE THIS IS BABY DOLL for Factotum. Liz will and, AND THEN THERE WERE NONE, also direct a rehearsed reading of Tracey Trinder’s for Bump In Productions. Simon has designed new work KILLING KATIE: CONFESSIONS OF the set and costumes for Merrigong Theatre A BOOK CLUB for Ensemble Theatre in August Company’s productions of FOUR PLAYS 2018. Liz is a graduate of the VCA Director’s ABOUT WOLLONGONG and VALLEY Course and also holds a Bachelor of Arts from SONG, SKATE for ATYP, LA BOHEME for Opera Macquarie University. South and ANGEL CITY for Tamarama Rock Surfers at the Old Fitzroy. Simon has designed over 20 productions for for Young People and 3 plays for NSW State School Drama Company. Simon has been a regular design judge for the Rock Eisteddfod Challenge and has tutored Production Design for NIDA Open Programme. Simon was a finalist in the Young Australian of the Year Award 1999 and the 1999 Australia Day Youth Awards for Arts.

AUSTRALIAN PREMIERE

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BOOKINGS Box Office 02 9929 0644 OR 26 JULY – 1 SEPTEMBER Bayly’s Bistro 02 9956 8250

ENSEMBLE THEATRE TEAM

Artistic Director Mark Kilmurry Front of House Manager James Birch Chief Financial Officer David Balfour Wright J.P. Front Of House Supervisors Cate Broomfield, Executive Director Loretta Busby Hannah-Rae Meegan, Jessica Sullivan & Artistic Producer Claire Nesbitt-Hawes Rosemary Wildie Casting & Events Merran Regan Head Chef Nathan Jackson Literary Manager Brian Meegan Restaurant Manager Camille Hugon Accounts Gita Sugiyanto Caretaker Bing Barry Administration Anitza Vlahos Production Manager Simon Greer ENSEMBLE LIMITED BOARD Head Technician Adam Chapman Chair Graham Bradley, Hamish Balnaves, Production Assistant Slade Blanch John Bayley, Narelle Beattie, Mark Kilmurry, Marketing Consultant Margo Weston Anne-Marie McGinty, James Sherrard Marketing Manager Sophie Withers Acting Marketing Coordinator Charlotte Burgess ENSEMBLE FOUNDATION BOARD Marketing Assistant Emma Garden Media Relations Susanne Briggs Chair Graham Bradley, Diane Balnaves, Ticketing Manager Spiros Hristias Joanne Cunningham, Ross Gavin, Mark Kilmurry, Ticketing Coordinator Mireille Vermulst Peter Lowry, Victoria Pollard, Deborah Thomas, Box Office Team Emily Kimpton, Belinda Margo Weston Hodgson, Anita Jerrentrup & Kathryn Siely

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02 9929 0644 The management reserves the right to make any alteration to cast which may be rendered necessary by illness or any other unavoidable cause. ensemble.com.au Patrons are reminded that out of consideration for others, latecomers 78 McDougall St, Kirribilli cannot be admitted until a suitable place in the performance. for the Kings Collective at KXT, BRIGHT ALEXANDER BERLAGE THOSE CLAWS THAT MAR THE FLESH for LIGHTING DESIGNER The Hermetic Theatre Company at the Old Alexander Berlage is a Fitz, DIRTY PEOPLE with Jack Rabbit Theatre Sydney-based Lighting for The Depot Theatre and WE WERE ONCE Designer and Director. KINGS for Third Culture Kids at the Blue Room Recent credits include: Theatre in Perth. Thomas has worked in audio as Lighting Designer: post-production with Soundfirm Sydney and LETHAL INDIFFERENCE, CLOUD NINE for the West Australian Screen Academy, also STC, GOOD COOK. FRIENDLY. CLEAN, as venue technician with Fringe World Perth NOSFERATUTU OR BLEEDING AT THE BALLET and audio crew for PENNSYLVANIA AVENUE for Griffin, MARJORIE PRIME, BUYER AND with MTC. He currently works as an audio CELLAR, THE KITCHEN SINK for Ensemble technician for Carriageworks, most notably Theatre, VICTORY OVER THE SUN for Sydney with Sydney Dance Company and as senior Chamber Opera, THE EFFECT, THERE WILL technician for Björk Digital. Thomas’ greatest BE A CLIMAX, VERTICAL DREAMING, 4:48 passion is live music and jazz recording, and PSYCHOSIS, DOUBT, CRIMES OF THE HEART, has worked extensively in Perth’s live music THE JUDAS KISS, THE BITTER TEARS OF scene and festivals including live mix for PETRA VON KANT, THE WHALE, MEN, FREAK DOWNSYDE and stage crew for EMPIRE OF WINDS, HOWIE THE ROOKIE for Old Fitz, THE SUN. HOME INVASION, THE BLOCK UNIVERSE, REBECCA POULTER HILT. MOTH, WAR CRIMES, BETWEEN US, STAGE MANAGER LUKE LLYOD for ATYP, ALIENOID for Old 505 Theatre, PPY15 REVEALED for Sydney Rebecca is a graduate of Dance Company, HIGH FIDELITY, DOGFIGHT, NIDA (Production). As Stage EVERYBODY LOVES LUCY for Hayes Manager: BUYER AND Theatre, SONGS FOR THE FALLEN, 4000 CELLAR, TWO, RELATIVELY MILES, STONES IN HIS POCKETS for Critical SPEAKING, THE GOOD Stages. As Director: THERE WILL BE A CLIMAX DOCTOR, MOTHERS AND SONS, EDUCATING for Old Fitz, HOME INVASION for Old 505/ RITA, DREAM HOME, BLUE/ORANGE, An Assorted Few, THE VAN DE MAAR PAPERS RICHARD III, CLYBOURNE PARK, CAMP for for An Assorted Few. Alexander won the Ensemble Theatre; MY FIRST TIME for Kay & 2017 Sydney Theatre Award for Best Lighting McLean Productions at , Designer of an Independent Production for his SONGS FOR THE FALLEN for Arts Centre work on 4:48 PSYCHOSIS by Sarah Kane. He Melbourne/Critical Stages, THE VERY HUNGRY has previously also received nominations for CATERPILLAR SHOW at Sydney Opera House, his work on THE WHALE, THE BITTER TEARS Brisbane and Adelaide for Michael Sieders OF PETRA VON KANT and DOUBT. Presents. Rebecca has also stage managed at Company, Performing THOMAS E. MOORE Lines, The Hayloft Project/Critical Stages, SOUND DESIGNER Dead Puppet Society, Return Fire Productions, Sydney Chamber Opera, Red Line Productions, Thomas is a 2014 graduate MKA, Milk Crate Theatre, Q Theatre and of the Western Australian Tamarama Rock Surfers. As Assistant Stage Academy of Performing Manager: DANCE BETTER AT PARTIES, Arts in Sound Production. @ensembletheatre AUSTRALIA DAY, BLOOD WEDDING, ZEBRA!, His sound design credits TRUE WEST and THE COMEDY OF ERRORS include CRIMES OF THE HEART for Imperial for Sydney Theatre Company, INTERPLAY- Artistry at the Old Fitz, AFTER THE END & International Tour, COUNTERMOVE for Sydney THE WONDERFUL WORLD OF DISSOCIA Dance Company, STRANGE INTERLUDE, THYESTES for Belvoir, BLOOD WEDDING for Malthouse Theatre. As Production Manager: CYRANO DE BERGERAC – IPAC & Seymour Centre for Sport for Jove, KAGE/Chunky Move/Adelaide Cabaret Festival, MTC Neon, fortyfivedownstairs, Little Ones Theatre, TheatreWorks. As Production Stage Manager: Griffin Theatre Company. As Technical Stage Manager: Melbourne International Comedy Festival.

MARGARET GILL COSTUME SUPERVISOR Margaret is a freelance theatre milliner, costume cutter/maker. Film: AUSTRALIA, THE GREAT GATSBY, X MEN ORIGINS, WOLVERINE, UNBROKEN, PETER RABBIT, LADIES IN BLACK. Theatre: SEMINAR, CAMP, A YEAR WITH FROG AND TOAD, OTHER DESERT CITIES, DARK VOYAGER, LADIES IN LAVENDER, RELATIVELY SPEAKING, THE GOOD DOCTOR, SIX DANCE LESSONS IN SIX WEEKS, DREAM HOME, WHO’S AFRAID OF VIRGINIA WOOLF?, EDUCATING RITA, THE ANZAC PROJECT, THE SHOE-HORN SONATA, LIP SERVICE, DIPLOMACY and MARJORIE PRIME for Ensemble Theatre, FAME for John Frost, KING KONG for Global Creatures, HENRY V for Bell Shakespeare, HOW TO TRAIN YOUR DRAGON for Global Creatures/Dreamworks, THE IMPORTANCE OF BEING EARNEST for Sport for Jove, THE NUTCRACKER for Australian Ballet, ALADDIN for Disney, MY FAIR LADY for Gordon Frost/ Opera Australia, THE KING & I and THE MERRY WIDOW for Opera Australia, LET’S MISBEHAVE, SEVEN, LIFE AS WE KNOW IT for Nigel Shaw Designs. TV: SO YOU THINK YOU CAN DANCE, A PLACE TO CALL HOME, DANCE BOSS. In 2017 Margaret had the pleasure of working on the soon to be released film LADIES IN BLACK as costume maker. Margaret is currently working on DANCE BOSS for Channel 7 as a costume cutter/maker. Philip & Norma Freeman & Norma Philip Frye J. 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