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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Trib061047p1002.Pdf
~ICACO DAILY TRIBUNEI' . how to organize Bn.tn~est~uctible'IBUSINESS GIVES CENTENNIAL EDmON TRIBUNE AD MEN jBdmlratlOn and affectlon for CoL 2 *** Tuesday, JuaelO, 1947 IIIN IS:W S S U H M A • 1l unconquerable organization. M:cCormic:k,who has guided To ". ••••• 11:•• 1CIAfIOGK." _ Concerning these and other trib- GIVE PLAQUE TO TRIBUNEto its period of sreatest colonel has got." It brought down T.aMy •••••• 10. 1947 utes, the colonel said that he could CAN BE MAILED TO ALL achievements. the house. only pray that he would be able to R0 S E S SCROLL COL McCORMICKI "Practically all of Ull began our A true repres ntatlve of Amerl- accept them with Christian humil- • association with THE 1fRIBUNEsince can thought W8I the picture drawn LOCAL I DOMESTIO ity and that he would be able to , PARTS OF U S FOR IOe A copper plaque bearing the sig·,Col. McCormick took Its helm in of THE TRIBUNEby Gen. Wood, a Tribune Stages Great Centennial House votes to double state school live up to them. I· • natures of 441 membe~s of the Chi'11911,,,the message continued. "Be- paper which fought the New Deal Show Tonight. ••••.• I·ald sranta. Pace I Speaks for Departed IN TESTIMONIALI Chicago readers of THE TRIBUNIcago. Tribune advertising depart- cause of the friendly relations from its start against an intrenched CitYs Leaders Tender Birthday Clalms accused pastor wanted a Cc?l.McCormick recalled that he may order copies of today's Cen- rgett Rw:s presented ye~terday. to Iwhich have at al~ times existed be- bur 0 era c y, and never pulled a DInner to THETRmt1NE. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
SCOREBOARD Basketball
20—MANCHESTER HERALD. Monday. March 4.1991 SCOREBOARD TUESDAY Royd 1-2, Wood 52), Los Angslaa 2-10 (DIvac 24, Alabama 30) dki not play. NExt: vs. (Instigator, fighting), 13:53; Nolan, Qua, rnidor 1-1, Wbrthy 16, EJohnaon 51, ParMna 51, Florida at Naahvll, j, Tsnn, Friday. (fightaig), 13:53; Sokic, Qua (hooking), 1536; Tstiola 51, Scott 06). Foulad out-Nons. 25. Virginia (2310) did not play. NExt va. Hockey Gmis, QuE (charging), 1 6 3 8 Coif Basketball Rabounda—Houston 62 (1-Smith 22), Los An- Wbka ForEst at Chartotts, N C.. Frkfoy. Third PEriod—8 QuEbEc, Hough 10 (Hikoc, galas S3 (Worthy 10). AaaUts—Houaton 13 Sakic), 1362 (pp). 6, QuEbEc, M lEr 4 (Sakic, LOCAL NEWS INSIDE How women’s Top 25 fared Hough), 19:34. PEnaltiEs—JEnnings, Har (Maxwal. tCSmito. F l^ 13), Los AngoIss 24 Doral Open scores NBA standings (EJohnaon 8). Total touls-Houaton 23. Los How IhE AssociatEd PrEss' Top 25 womEn's NHL standings (rougNng), 136; Raglan, QuE, doubla minor Angaiss 20. Tachnicals—Houaton illogal Mam s farEd Sunday: W ALES CO N FER EN CE (rougNng), 136; Brown, Hor (unaportsmaNIkE MIAMI (AP) — Full and partial acor^ Sunday i A m i M C O N FE R E N C E dsfonaa 3, Los Angalaa Bagal datartas. Wordy. P a trick D iv isio n condiict), 239; Qillip QuE (unaportamaNHw during thE lightning-suspEndEd ktorth round of ■ Parkade subdivision approved. AtlMUeDIvtaton 1. Virginia (27-2) lost to dam son 65-62. A— 17,506. 2. Pann StatE (231) did not play. -
The Graduate School and University Center of the City University of New York Ph.D
The Graduate School and University Center of The City University of New York Ph.D. Program in Art History FALL 2003 - COURSE DESCRIPTIONS N.B. Lecture classes are limited to 20 students, Methods of Research is limited to 15 and seminar classes are limited to 12 students. Three overtallies are allowed in each class but written permission from the instructor and from the Executive Officer and/or the Deputy Executive Officer is required. ART 70000 - Methods of Research GC: Tues., 11:45 A.M.-1:45 P.M., 3 credits, Prof. Bletter, Rm. 3416, [45689] The course will examine the power of visual imagery over text first as a pre-literate, then as a populist, seemingly non-elitist system of information that dominates our culture today. It will deal with the impact of scientific rationalism (the role of perspective and axonometric projections) and Romanticism on the understanding of perception in general (Goethe, Friedrich, and Schinkel will be used as case studies). Notions of mimesis will be introduced through an analysis of the panorama, diorama, photography, and theories of polychromy. The psychological and social developments of perception and their formative influence on theory and practice of art in the nineteenth century will be stressed, as well as the impact of phenomenology and Gestalt psychology in the twentieth century. Jonathan Crary’s approach in Techniques of the Observer will be problematized through examples that contradict his thesis, such as the central place of emotive states in Charles Fourier’s social utopianism, the anti-rationalist program of the 19th c. pre-school and education reform movement (Pestalozzi, Froebel, Montessori) through its emphasis on the emotive (Cizek’s and Itten’s art classes for children in Vienna, Frank Lloyd Wright’s Froebel toys); and the influence of synaesthesia (Symbolism, Art Nouveau, Expressionism), and primitivism (Fauves, New Brutalists, etc.). -
Collecting Policy Lake Forest College Archives and Special Collections Updated March 4, 2020
Collecting Policy Lake Forest College Archives and Special Collections Updated March 4, 2020 Purpose and Mission The purpose of the Lake Forest College Archives and Special Collections is threefold: to support and strengthen the pursuit of academic excellence by the students at the College, to collect, preserve, and provide access to College permanent records for use in College business and by researchers, and to promote a sense of community. Teaching and Learning As stated in the College’s five-year plan, the College seeks to strengthen the quality of academic programs and prepare students effectively for careers. The College Archives and Special Collections assists in these endeavors by providing research opportunities, instruction sessions, and exposure to a broad array of historical primary source material. To integrate the Archives and Special Collections into the curriculum, manuscript and rare book collection development will be in part faculty-driven. Faculty are encouraged to inform the archivist of subjects of long term interest, and identify manuscript collections and rare books related to the curriculum through connections with individuals and organizations. College Records The Archives will collect College records of all formats and media, from the founding of the College to the present. These collections will be made available to College employees and other researchers depending on necessary restrictions. A records management policy and concomitant records schedules will guide offices in transferring files to the Archives and Special Collections. Papers of faculty and alumni will be considered for the College Archives, with collections related to the College and curricular needs being of special interest. The Archives will not collect faculty publications. -
National Register of Historic Places Registration Form
NFS Form 10-900 0MB No. 1024-0018 (Rev. 8-66) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property historic name McGraw-Hill Building_______________________________________ other names/site number 2. Location street & number 330 West 42nd Street I I not for publication city, town New York T I vicinity state NPW York code N.Y. county New York code 061 zip code 10036 3. Classification Ownership of Property Category of Property Number of Resources within Property I"x1 private [X] building(s) Contributing Noncontributing ri public-local I I district 1 ____ buildings I I public-State I I site ____ ____ sites I I public-Federal I I structure ____ ____ structures I I object ____ ____ objects _J__ ____Total Name of related multiple property listing: Number of contributing resources previously listed in the National Register _______ 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this EH nomination EH request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
National Register of Historic Places Inventory Nomination
NPS Form 10-900 (3-82) OMB No. 1024-0018 Expires 10-31-87 United States Department off the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections____________ 1. Name historic Rockefeller Center and or common 2. Location Bounded by Fifth Avenue, West 48th Street, Avenue of the street & number Americas, and West 51st Street____________________ __ not for publication city, town New York ___ vicinity of state New York code county New York code 3. Classification Category Ownership Status Present Use district public x occupied agriculture museum x building(s) x private unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible _ x entertainment religious object in process x yes: restricted government scientific being considered yes: unrestricted industrial transportation no military other: 4. Owner of Property name RCP Associates, Rockefeller Group Incorporated street & number 1230 Avenue of the Americas city, town New York __ vicinity of state New York 10020 5. Location of Legal Description courthouse, registry of deeds, etc. Surrogates' Court, New York Hall of Records street & number 31 Chambers Street city, town New York state New York 6. Representation in Existing Surveys Music Hall only: National Register title of Historic Places has this property been determined eligible? yes no date 1978 federal state county local depository for survey records National Park Service, 1100 L Street, NW ^^ city, town Washington_________________ __________ _ _ state____DC 7. Description Condition Check one Check one x excellent deteriorated unaltered x original s ite good ruins x altered moved date fair unexposed Describe the present and original (iff known) physical appearance The Rockefeller Center complex was the final result of an ill-fated plan to build a new Metropolitan Opera House in mid-town Manhattan. -
HOUSE of REPRESENTATIVES ARIZONA Edith A
.6872 :coNGRESSIONAL RECORD~HOUSE AUGUST 17 Albert Kualii Brickwood Lyman KENTUCKY Mabel B. McConnico, Port Lavaca. •Tames Kirk Zaidee G. Neville, Arlington. Guy E. Warren, Refugio . J ames Kerr Crain Edward W. Cubbage, Clarkson. John A. Nicholson, Sanger. John Elliott Wood Ralph E. Vaughn, Greensburg. John T. Davis, Jr., Throckmorton. Herbert Daskum Gibson' Frances W. LyeJl, Hickory. Emma S. Vick, Valentine. Edmund Bower Sebree Dalph E. Creal, Hodgenville. Margaret E. Lasseter, Westbrook. Joseph Nicholas Dalton May K. Hall, Island. UTAH Anthony Clement McAuliffe Amelia B. Samuels, Lebanon Junction. Elbridge Gerry Chapman, Jr. Theophilus B. Terry, Sonora. Wells P. Starley, Fillmore. George Pierce Howell Homer B. Burks, Upton. WEST VIRGINIA Hugh Joseph Gaffey Reginald William Buzzell MARYLAND Leo B. Ott, Terra Alta. Jacob R . L. Wink, Manchester. Kenneth Frank Cramer WISCONSIN Henry Cotheal Evans Charles W. Carney, Mount Savage. Edwin Whiting Jones Malcolm F. Caplan, St. Michaels. Helen A. Tuttle, Balsam Lake. George Heiderer, Butternut. Alexander Gallatin Paxton MASSACHUSETTS Nat Smith Perrine George J. Armbruster, Cedarburg. Frances A. Rogers, Billerica. Leo J. Ford, Janesville. Ralph Clifford Tobin John R . McManus, Concord. Hanford MacNider Edward F. Smith, King. Charles L. Goodspeed, Dennis. Leo M. Meyer, Loyal. Joseph Wilson, Byron William J . Farley, Hanson. John Reed Kilpatrick Levy Williamson, Mineral Point. · Mary E. Sheehan, Hatfield. Albert Hansen, New Lisbon. IN THE NAVY Josephine R. McLaughlin, Hathorne. Frank·J. Horak, Oconto. TEMPORARY SERVICE Harry T. Swett, Manchester. Gregory C. Flatley, Oconto Falls. Gladys V. Crane, Merrimac. Richard S. Edwards to be a vice admiral in Meridan D. Anderson, Omro. Veronica Manning, Minot. Rudolph I. -
Theories of Architecture Lecture-11- Architecture After World War I
Theories of Architecture Lecture-11- Architecture after World War I ART DECO & Rationalism Prepared by Tara Azad Rauof 1 This lecture Context: The Origin of ART DECO Key Ideas Characteristics of ART DECO Famous Art Deco Building Rationalism Rationalism in Architecture Pioneer of Rationalism in Europe 2 ART DECO [The Origin]: Art Deco, sometimes referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. Art Deco influenced the design of buildings, furniture, jewelry, fashion, cars, movie theatres, trains, ocean liners, and everyday objects such as radios and vacuum cleaners. Art Deco practitioners were often influenced by such as Cubism, De Stijl, and Futurism. Art Deco was a pastiche of many different styles, sometimes contradictory, united by a desire to be modern. From its outset, Art Deco was influenced by the bold geometric forms of Cubism and the bright colors of de Stijl. The Art Deco style originated in Paris, but has influenced architecture and culture as a whole. Art Deco works are symmetrical, geometric, streamlined, often simple, and pleasing to the eye. This style is in contrast to avant-garde art of the period Key Ideas: * Art Deco, similar to Art Nouveau, is a modern art style that attempts to infuse functional objects with artistic touches. This movement is different from the fine arts (painting and sculpture) where the art object has no practical purpose or use beyond providing interesting viewing. * With the large-scale manufacturing, artists and designers wished to enhance the appearance of mass-produced functional objects - everything from clocks to cars and buildings. -
Vol IV No 1 2018.Pages
Vol. IV, No. 1, 2018 The Chrysler Building at 405 Lexington Avenue. Created by William Van Alen, it is considered Manhattan’s “Deco monument.” See “New York City’s Art Deco Era—with Anthony W. Robins,” p. 2. Photo credit: Randy Juster. "1 Vol. IV, No. 1, 2018 Contents New York City’s Art Deco Era— with Anthony W. Robins P. 2 New York City’s Art Deco by Melanie C. Colter Era—with Anthony W. Robins, by Melanie C. Colter After the Paris World’s Fair of 1925, Art Deco and Style P. 8 R.I. Inspires the Visual Moderne principles spread rapidly across the globe. Between Arts: Edward Hopper’s 1923 and 1932, Art Deco transformed the New York City Blackwell’s Island skyline into its present iconic spectacle, thrusting our city into the modern era. P. 9 Announcing the Roosevelt Island Historical Society 40th Anthony W. Robins is a 20-year veteran of the New York City Anniversary Raffle Landmarks Preservation Commission, and has worked extensively with the Art Deco Society of New York to bring P. 10 Metropolitan Doctor, New York’s modern architectural legacy to the attention of Part 4 city dwellers and visitors alike. In December, as a part of the Roosevelt Island Historical Society’s public lecture series, P. 12 RIHS Calendar; What Are Robins discussed the origins of the Art Deco style and gave Your Treasures Worth? Become an overview of some of New York’s finest Deco buildings. a Member and Support RIHS We encourage you to discover more of our city’s Art Deco period with Robins’ recent book, New York Art Deco: A Guide to Gotham’s Jazz Age Architecture, (SUNY Press, Excelsior Editions, 2017), which features fifteen thoughtful, self-guided walking tours (available at the Roosevelt Island Visitor Center Kiosk). -
P Opaganda Battlefront
Sec. 562, P. L & R. U. S. POSTAGE PAID New York, N. Y. Permit No. 3870 T Il E P OPAGANDA BATTLEFRONT Issued by: FRIENDS OF DEMOCRACY, INC. Eastern Regional Office: 137 East 57th Street, New York 22, N. Y. April 29, 1944 VOL. II, No. XVI The New York Daily News—Mouthpiece of the Disloyal Opposition Before December 7, 1941, the America First prospect. The Fascists wrote letters to Mr. Pat- ...Comiiikteg.,..was the rallying ground for the Amer- terson. Soon his letters - to - the - editor column ican Fascist movement. reeked with notes like this:. "The millions who love From Joe McWilliams in New York to Her- the truth ... love and listen to Father Coughlin." mann Schwinn in California, the Fascists extolled Lindbergh as America's "man on a white horse." The Nazi-Fascist recog- THE FASCISTS WORK Father Charles E. Coughlin urged readers of Social FOR PATTERSON nition of Patterson as a Justice to invade the Committee; Elizabeth Dilling fellow traveler dates marched her women to Washington to urge Con- back to 1939 when the Deutscher W'eckruf mid gress to follow the America. First line. Beobachter, organ of the German American Bund, In Wichita, Kansas, E. J. Garner praised Lind- praised the New York Daily News for saying bergh for calling "a spade a spade." In California, Danzig was not "worth the life of a single Eng- Coughlinite groups and the German American lishman" or of one French "poilu." Bund practically closed up shop so that their mem- The affection became more pronounced as the bers might work for America first.