Barron, T.A. the Lost Years of Merlin Series Great Tree of Avalon Series

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Barron, T.A. the Lost Years of Merlin Series Great Tree of Avalon Series

Haddix, Margaret Peterson. Just Ella (Cinderella after the ball) Hale, Shannon. The Goose Girl (Goose Girl) Levine, Gail Carson. These are tales that are written in full Fairest (Snow White isn’t the novel form, with intricately developed fairest of them all) plots and characters. Sometimes Marillier, Juliet. the version is altered, such as taking Wildwood Dancing (The Frog place in a different location or being Prince and Twelve Dancing told through the eyes of a Princesses, set in different character. Transylvania) Barron, T.A. Martin, Rafe. The Lost Years of Merlin Birdwing (A continuation of series Six Swans) Great Tree of Avalon series Masson, Sophie. Cabot, Meg. Serafin (Puss in Boots, only Avalon High (King Arthur) the cat is an angel in Crossley-Holland, Kevin. disguise) Arthur trilogy McKinley, Robin. Coombs, Kate. Beauty (Beauty & the Beast) The Runaway Princess Rose Daughter (Beauty & the Beast) (A new twist on old tales) Dokey, Cameron. Spindle’s End (Sleeping Golden (Rapunzel) Beauty) Beauty Sleep (Sleeping Napoli, Donna Jo. Beast (Beauty & the Beast, set Beauty) and others Donoghue, Emma. in Persia, told from Beast’s Kissing the Witch (13 tales point of view) loosely connected to each Bound (Chinese Cinderella) other) Breath (Pied Piper) Crazy Jack (Jack and the Farmer, Nancy. Beanstalk, Jack’s looking for Sea of Trolls (Jack & Jill his dad) meets Beowulf) Sirena (Greek myth) Flinn, Alex. Zel (Rapunzel, told from Beastly (Beauty & the Beast) multiple points of view) Galloway, Patricia. The Magic Circle (Hansel & Truly Grim Tales Gretel -- the witch’s story) (The horrifying side of fairy Pattou, Edith. tales) East (East of the Sun, West of Geras, Adele. the Moon) The Tower Room (Rapunzel) Stone, David Lee. Gruber, Michael The Ratastrophe Catastrophe The Witch’s Boy (Many tales (The Pied Piper of Hamelin) including Rumplestiltskin and Thesman, Joan. Little Red Riding Hood) Singer (The Children of Lir) MS 9-08 .

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Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry.
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