THE DEATH SCENE from the PHAEDO Plato
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Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
The Phaedo by Plato
Selections from The Phaedo by Plato The Death of Scorates, David, 1787. [The Phaedo tells the story of Socrates’ final moments spent, as one would expect, in philosophical dialogue with his friends. The main subject of the dialogue is the immortality of the soul. The Phaedo is one of Plato’s middle period dialogues and, as such, reveals much of Plato’s own philosophy. In the arguments Socrates puts forth for the immortality of the soul we find a clear exposition of both Plato’s metaphysics as well as his epistemology. In the first section we find Socrates explaining to his friends why a true philosopher does not fear death. Philosophy is here described as a preparation for death.] ECHECRATES: Were you there with Socrates yourself, Phaedo, when he was executed, or 57 did you hear about it from somebody else? PHAEDO: No, I was there myself, Echecrates. ECHECRATES: Then what did the master say before he died, and how did he meet his end? I should very much like to know. None of the people in Phlius go to Athens much in these days, and it is a long time since we had any visitor from there who could give us any definite b information, except that he was executed by drinking hemlock. Nobody could tell us anything more than that. PHAEDO: Then haven't you even heard how his trial went? 58 ECHECRATES: Yes, someone told us about that, and we were surprised because there was obviously a long interval between it and the execution. How was that, Phaedo? PHAEDO: A fortunate coincidence, Echecrates. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
The Immortality of the Soul in Plato's Phaedo
Trinity University Digital Commons @ Trinity Philosophy Honors Theses Philosophy Department 5-2014 The mmorI tality of the Soul in Plato's Phaedo Julie Stayton Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/phil_honors Part of the Philosophy Commons Recommended Citation Stayton, Julie, "The mmorI tality of the Soul in Plato's Phaedo" (2014). Philosophy Honors Theses. 2. http://digitalcommons.trinity.edu/phil_honors/2 This Thesis open access is brought to you for free and open access by the Philosophy Department at Digital Commons @ Trinity. It has been accepted for inclusion in Philosophy Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Julie Stayton The Immortality of the Soul in Plato’s Phaedo In his dialogue, the Phaedo, Plato gives an account of the immortality of the soul. Plato does this through an argument commonly referred to as the “final argument.” The title stems from the fact that the final argument occurs at the finale of Plato’s dialogue and follows three less conclusive “arguments” for the immortality of the soul. My thesis is two-fold. First, I will give an interpretation of Plato’s final argument in the Phaedo, outlining the ontological presuppositions that Plato relies on for the validity of his argument. Secondly, I will discuss some of the key features of the previous three arguments in the Phaedo. It is my view that the final argument stands on its own as an analysis of the immortality of the soul. However, I believe it is useful to examine the previous three arguments in the dialogue in conjunction with the final argument, as several of the key concepts Plato uses in the final argument are introduced and expanded upon earlier. -
On the Hosiotes in Plato's Crito
PEITHO / EXAMINA ANTIQUA 1 ( 2 ) / 2011 Why Not Escape? On the Hosiotes in Plato’s Crito JOANNA KOMOROWSKA / Warsaw / 1. The swarm of questions Why does Socrates drink his hemlock? What motivates his rejection of Crito’s proposal to escape? These and similar questions concerning the decision made by the philoso- pher gave rise to a considerable number of scholarly inquiries as well as to a whole array of answers. Thus, Greenberg (1965) sought the explanation in Socrates’ “heroic temper”, while Barker (1977) argued for the decisive role of the philosopher’s elevated moral awareness. Importantly, a great deal of scholarly discussion builds on the appar- ent incompatibility of two accounts of civil duties in the Apology and Crito. In the Apol- ogy (29 c–d), we see Socrates challenge his audience and, in fact, the judges with the declaration that he will under no circumstances renounce philosophy, and that he will continue his instructing the Athenians. In the Crito, the philosopher chooses to reject his friend’s offer of help, and, when doing so, he implicitly accepts the death sentence.1 Whilst the two dialogues are often regarded as inconsistent, various attempts to explain- ing the inconsistency resulted in an impressive number of publications devoted to the 1 Quotations from the Apology and Crito in C.D.C. Reeve’s (2005) translation. Other works quoted as they appear on the Perseus Project database. 170 Joanna Komorowska / Warsaw / issue.2 The present paper will seek to contribute to this line of inquiry. When trying to ascertain why Socrates chooses to die, the article will suggest that taking into account the then Athenian customs and rituals may contribute to a better understanding of the dialogue. -
Plato's Epistemology
Plato’s Epistemology: a Coherent Account in Meno , Phaedo and Theaetetus Chuanjie Sheng Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Classics August 2015 II The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Chuanjie Sheng The right of Chuanjie Sheng to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. III Acknowledgements I appreciate all the persons that helped me to complete this thesis. I would like to express my greatest gratitude to my supervisors, Dr. Elizabeth E. Pender and Professor Malcolm F. Heath. As an enlightened teacher, Dr. Pender has offered me valuable comments and suggestions for my dissertation. Working with her is a stimulating intellectual experience. She patiently suggested on the structure of my thesis and corrected all the chapters line by line. As a wonderful friend, she brings happiness, pleasure and fruitful experience into my life in Leeds. Professor Heath has read all the chapters of my thesis and has given me feedbacks on each of the chapters. During the supervisions, he has given me valuable academic advice and comments, which has saved me from a large number of mistakes and errors in this dissertation. -
Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus
Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 10-1983 Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus Leo Sweeney S.J. Loyola University Chicago Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Sweeney, Leo S.J., "Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus" (1983). The Society for Ancient Greek Philosophy Newsletter. 123. https://orb.binghamton.edu/sagp/123 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. ss/f>s nff.3 Participation in Plato*s Dialogues: Phaedo. Parmenides» Sophist and Timaeus Lee Sweeney» S. J. Loyola 0niversify of Chicago From the time of its first technical use by Plato* "partici pation" has recurred in every period of the history of Western thought· One; can gather that fact simply from checking a bibli ography on participation- The one I consulted consists of 81 en tries and is five typed pages in length. Eesides eight general studies on participation— regarding its nature and history— and one on scholasticism in general— it lists studies on the follow ing individual philosophers: Plato (eight studies)* Aristotle, Plotinus (d. 270 A.D.), Augustine (d. -
The Influence of Plato's Crito and Phaedo on Xenophon's Apology of Socrates
Kentron Revue pluridisciplinaire du monde antique 31 | 2015 Les Socratica de Xénophon The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates Boris Hogenmüller Electronic version URL: http://journals.openedition.org/kentron/347 DOI: 10.4000/kentron.347 ISSN: 2264-1459 Publisher Presses universitaires de Caen Printed version Date of publication: 1 November 2015 Number of pages: 127-138 ISBN: 978-2-84133-747-7 ISSN: 0765-0590 Electronic reference Boris Hogenmüller, « The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates », Kentron [Online], 31 | 2015, Online since 19 October 2016, connection on 17 November 2020. URL : http://journals.openedition.org/kentron/347 ; DOI : https://doi.org/10.4000/kentron.347 Kentron is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 International License. The inFluence OF Plato’S CRITO and PHAEDO Hauteur 1 du rectangle d’empagement on Xenophon’S APOLOGY OF SOCRATES T_3_Article The relationship between Plato and Xenophon has been the subject of research for many years. During the late 19th and early 20th century, the result of this research, especially in terms of the ‘Sokratesbild’, was always the same, and Xenophon’s dependence on the logoi Sokratikoi written by Plato and Antisthenes has always been quite obvious 2. In the middle of the 20th century, however, new studies have given rise to another opinion 3, which made the case for dependence of Xenophon on other Socratics. Thus L.-A. Dorion’s statement (« Xénophon dépend des autres Socratiques : il ne constitue pas une source indépendante » 4), although he attempts to refute it 5, seems more appropriate today than ever before. -
Notes on Plato's Phaedo
Sean Hannan The Examined Life Autumn 2015 Notes on Plato’s Phaedo 1. Background a. The Phaedo tells the story of Socrates’ final days. Taking place after the events depicted in the Euthyphro, Apology, and Crito, this dialogue serves as his swansong. b. Whereas the Apology had a fairly straightforward structure, consisting mainly of Socrates’ monologues to the citizens of Athens (with a bit of back-and-forth with Meletus thrown in), the Phaedo is a full-blown dialogue. In fact, it operates as a dialogue on multiple levels. First we have the framing dialogue, which consists of the eponymous main character Phaedo’s account of Socrates’ final words, which he gives to Echecrates and others on his way home from Athens. Then we have the dialogue recounted by Phaedo, which takes place between Socrates and those who were with him in his final hours. c. First, let’s take a closer look at the framing dialogue. Phaedo (the character) is on his way back from Athens after attending the trial and execution of Socrates. As he approaches his hometown of Elis in the Peloponnese, he runs into a group of Pythagoreans, the most vocal of which is Echecrates. These men are dubbed ‘Pythagoreans’ because they follow the teachings of Pythagoras. While most of us are familiar with his theorem, Pythagoras had much more to say on the topics of philosophy and mathematics. For our purposes here, we should only note these Pythagoreans would’ve been especially open to the mathematical examples Phaedo tells them Socrates made use of in his final conversation—e.g., the difference between odd and even numbers, etc. -
The Meno, Recollection, and the Role of Hypothesis Joseph A
Binghamton University The Open Repository @ Binghamton (The ORB) The ocS iety for Ancient Greek Philosophy Newsletter 4-29-2005 The eM no, Recollection, and the Role of Hypothesis Joseph A. Novak University of Waterloo, [email protected] Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Novak, Joseph A., "The eM no, Recollection, and the Role of Hypothesis" (2005). The Society for Ancient Greek Philosophy Newsletter. 346. https://orb.binghamton.edu/sagp/346 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. The Meno, Recollection, and the Role of Hypothesis Joseph A. Novak, University of Waterloo (CANADA) Presented to the SAGP at its April 2005 meeting with the Central Division of the APA, Chicago, IL. Although memory and recollection are topics discussed by some of the chief figures in Western Philosophy, there are few treatises devoted to a thorough examination of these two. Aristotle's treatise is one exception in that it captures these two topics in its very title: De Memoria et Reminiscentia. However, this is a relatively short work and other treatments and references to these two notions within the Aristotelian corpus are not that extensive. One should not infer from this that memory does not play an important role in Aristotle's philosophy nor that memory is considered an insignificant cognitive ability. -
Plato's Phaedo: Tragedy, Philosophy, and Backstabbing
Anthós (1990-1996) Volume 1 Number 2 Article 2 1991 Plato's Phaedo: Tragedy, Philosophy, and Backstabbing Melody Wilson Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/anthos_archives Part of the Philosophy Commons Let us know how access to this document benefits ou.y Recommended Citation Wilson, Melody (1991) "Plato's Phaedo: Tragedy, Philosophy, and Backstabbing," Anthós (1990-1996): Vol. 1 : No. 2 , Article 2. Available at: https://pdxscholar.library.pdx.edu/anthos_archives/vol1/iss2/2 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. PLATO'S PHAEDO: TRAGEDY, PHILOSOPHY, AND BACKSTAl3BING Melody Wilson Oncf! a thing is committed to writing it circulates equally among those who understand the subject and those who have no business with it; a writing cannot distinguish between suitable and unsuitable reg-ders. (Socrates, Phaedrus 275c.) lthough he wrote poetry and tragedies A as a youth, upon joining Socrates Plato burned all of his manuscripts (Lesky, 507). As a philosopher, Plato can be made to say that the written word could convey the depth of meaning necessary to the understanding of the subject of philosophy. Perhaps in response to the assertions of contemporary philosophers, Plato asserted that, "no treatise by me concerning [philosophy] exists or ever will exist" (Cushman, 304). He did ultimately write, but using a form that did not violate this principle. -
PDF Download Five Dialogues Apology, Crito, Euthyphro, Meno
FIVE DIALOGUES APOLOGY, CRITO, EUTHYPHRO, MENO AND PHAEDO 1ST EDITION PDF, EPUB, EBOOK Plato | 9780915145225 | | | | | Five Dialogues Apology, Crito, Euthyphro, Meno and Phaedo 1st edition PDF Book Watch list is full. Longtime member. The Great Books programs, I decided, are a charming fringe eccentricity that shouldn't have been treated as generally representative Euthyphro and Meno, on the other hand, were remarkable for my understanding. This is a humbling experience, when we consider how foolish our own answers will appeat in the distant future. It depicts a conversation between Socrates and his wealthy friend Crito regarding justice, injustice, and the appropriate response to injustice. However silly and callow it may be, there's no point rewriting a review this old without re-reading the book. What does it mean for the human soul, and how can we, in waking life, ensure that our souls will live on in a greater and better way, after separation from the bodily shell? The obvious personal interest of his accusers in using the law to gain their own ends, and even the simple fact that the human laws of any state can easily be used to attain nearly any goal by one skilled enough in their manipulation, left me feeling that in this regard Socrates was either being willfully simple, or making an ironic comment on law itself. Five Dialogues Translated by Benjamin Jowett. Details if other :. Some of the techniques listed in Five Dialogues: Euthyphro, Apology, Crito, Meno, Phaedo may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them.