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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Film and Media Studies Commons Recommended Citation Semenza, Timothy, ""The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen" (2012). Honors Scholar Theses. 241. https://opencommons.uconn.edu/srhonors_theses/241 Semenza 1 Timothy Semenza "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Semenza 2 Timothy Semenza Professor Schlund-Vials Honors Thesis May 2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Preface Choosing a topic for a long paper like this can be—and was—a daunting task. The possibilities shot up out of the ground from before me like Milton's Pandemonium from the soil of hell. Of course, this assignment ultimately turned out to be much less intimidating and filled with demons than that, but at the time, it felt as though it would be. When you're an English major like I am, your choices are simultaneously extremely numerous and severely restricted, mostly by my inability to write convincingly or sufficiently about most topics. However, after much deliberation and agonizing, I realized that something I am good at is writing about film. -
The Humorous View of a Psychotic Break in Raising Arizona, by the Coen Brothers
The Humorous View of a Psychotic Break in Raising Arizona, by the Coen Brothers Thoughts on the bizarre object. Robert A.W. Northey Raising Arizona, the second film by the now well known writer/director duo, Joel and Ethan Coen, was released in 1987. Many of the actors in the film were relatively unknown at the time. The young Nicolas Cage had just caught attention starring beside Cher in Moonstruck, with a few smaller roles in some feature films before that. Holly Hunter was relatively unknown. Frances McDormand had recognition for her stage acting with one Tony nomination, otherwise a few television series and one feature film, Blood Simple, the first Coen brothers film (know that she is married to Joel Coen). John Goodman had been in a few films, but his fame from the TV series Rosanne was still ahead of him. Raising Arizona is a film I know well, first seeing it shortly after it was released, and having re- watched it at least a dozen times since then. The quirky comedy speaks to my sense of humour, and it was an early lesson to me about the art of making film, and of telling a story. Reviewing it more recently from a psychoanalytic perspective has brought me great joy as I was able to discover yet more in this film that I love. Could this story be told in any other way than a comedy? Certainly a story of a childless couple, devastated by their inability to have a child, kidnapping a baby to try and fill the need, hiding the crime from inquiring friends, and being hunted by police and bounty hunters, might be possible as a drama; but would it be watchable or relatable or on any level believable? I would suggest that the story as a comedy nullifies believability as a concern. -
Et Tu, Dude? Humor and Philosophy in the Movies of Joel And
ET TU, DUDE? HUMOR AND PHILOSOPHY IN THE MOVIES OF JOEL AND ETHAN COEN A Report of a Senior Study by Geoffrey Bokuniewicz Major: Writing/Communication Maryville College Spring, 2014 Date approved ___________, by _____________________ Faculty Supervisor Date approved ___________, by _____________________ Division Chair Abstract This is a two-part senior thesis revolving around the works of the film writer/directors Joel and Ethan Coen. The first seven chapters deal with the humor and philosophy of the Coens according to formal theories of humor and deep explication of their cross-film themes. Though references are made to most of their films in the study, the five films studied most in-depth are Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and A Serious Man. The study looks at common structures across both the Coens’ comedies and dramas and also how certain techniques make people laugh. Above all, this is a study on the production of humor through the lens of two very funny writers. This is also a launching pad for a prospective creative screenplay, and that is the focus of Chapter 8. In that chapter, there is a full treatment of a planned script as well as a significant portion of written script up until the first major plot point. iii TABLE OF CONTENTS Page Chapter - Introduction VII I The Pattern Recognition Theory of Humor in Burn After Reading 1 Explanation and Examples 1 Efficacy and How It Could Help Me 12 II Benign Violation Theory in The Big Lebowski and 16 No Country for Old Men Explanation and Examples -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Suburbicon Imdb Parents Guide
Suburbicon imdb parents guide Continue SuburbiconTheatrical release posterDirected byGeorge ClooneyProduced George Clooney Grant Heslov Joel Silver Teddy Schwartzman Author Joel CoenEthan Cohen George Clooney Grant Heslov Starring Matt Damon Julianne Moore Noa Jupe Oscar Isaac Music Alexandra DesplatCinematographyRobert ElswitEd byStephen MirrioneProductioncompany Pictures October 27, 2017 (2017-10-27) (United States of America) Duration 105 minutes (3)CountryUnited StatesLanguageEnglishBudget $25 million and co-written by the Coen brothers and Grant Heslov. The film stars Matt Damon, Julianne Moore, Noah Jupe and Oscar Isaac, and he follows a father with gentle manners who must face his demons after invading the house, shaking up his quaint neighborhood in 1959. It is based on a 1957 incident in Levittown, Pennsylvania, when a black-chain family moved to a previously fully white neighborhood, leading to racism and violence against the family. The main photo began in October 2016 in Los Angeles. Suburbicon premiered in the main section of the 74th Venice International Film Festival on September 2, 2017, then aired at the Toronto International Film Festival in 2017 and was theatrically released in the United States on October 27, 2017. He received mixed reviews and criticism for his story, and earned only $12 million at the box office against his $25 million budget. Plot In 1959, the peaceful, all-white suburbicon neighborhood shocked by the arrival of an African-American family, Myers. Gardner Lodge, a mild-mannered family man, lives with his paralyzed wife Rose, their son Nicky and twin sister Rose Margaret in Suburbicon. One night, two robbers, Sloan and Louis, break into the Lodge family home, tie up the whole family and kill Rose with a chloroform overdose. -
Name Genre Streaming IMDB Link 8 1/2 Classic Amazon/Hulu
Name Genre Streaming IMDB Link Academy Library SF Library 8 1/2 Classic Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 Drama Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 World Cinema Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 10 Items or Less Independent on disc http://www.imdb.com/title/tt0065214/ X 2001: A Space Odyssey Sci Fi Amazon/iTunes http://www.imdb.com/title/tt0062622/ X X 28 Days Later Horror Amazon/iTunes http://www.imdb.com/title/tt0289043/ X 39 Steps Romance Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 39 Steps Thriller Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 42nd STREET Musical Amazon/iTunes http://www.imdb.com/title/tt0024034/ X 500 Days of Summer Romantic Comedy Amazon/iTunes http://www.imdb.com/title/tt1022603/ X A CLOCKWORK ORANGE Classic Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A CLOCKWORK ORANGE Drama Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A Hard Day's Night Comedy Amazon /Hulu/iTunes http://www.imdb.com/title/tt0058182/ X X A Night at the Opera Classic Amazon http://www.imdb.com/title/tt0026778/ X X A Night at the Opera Comedy Amazon http://www.imdb.com/title/tt0026778/ X X A PLACE IN THE SUN Classic Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X A PLACE IN THE SUN Drama Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X Absolute Beginners Musical Amazon http://www.imdb.com/title/tt0090585/ X X Adam’s Rib Comedy Amazon/iTunes http://www.imdb.com/title/tt0041090/ X X Adam’s Rib Romance Amazon/iTunes -
The Big Lebowski: the First Gulf War and Masculinity
EnterText 6.2 DANIEL KEYES The Big Lebowski: The First Gulf War and Masculinity The Coen Brothers’ film The Big Lebowski (1997; hereafter cited as Lebowski) reconstructs the Los Angeles of 1991, with the Gulf War as an allegorical backdrop for an idiosyncratic synthesis of cinematic representational modes: the Western, pornography, film noir, art house cinema, 1940s dance/musical, the buddy flick, and the white male rampage movie.1 This cinematic pastiche serves as an ironic lament for a “stable” and normative identity for the white American male with an implied critique of America’s foreign policy. To argue that a movie set largely in a bowling alley where the hero attempts to restore a carpet operates as a metaphor for the first Gulf War may seem implausible, but this film does cohere with a handful of Gulf War films produced by Hollywood in the 1990s. An uncanny dream sequence in Lebowski has the hero being offered a pair of golden shoes by Saddam Hussein in a bowling alley. This hallucination curiously resonates with a few genre-blurring comedies that represent a strange carnivalised Hussein as a way of asserting that the business of Iraq is unfinished. Hollywood’s default mode for depicting the first Gulf War, which has often been characterised as a television 2 war, is to find humour in this quick little war that seems to occur not in Iraq or Kuwait Daniel Keyes: The Big Lebowski 109 EnterText 6.2 but in a self-parodic electronic elsewhere.3 Hot Shots (1991) provides a parody of Top Gun (1986) that includes an aerial bombing with precision: like the doomed coyote in the Road Runner cartoon, “Hussein” relaxing by a swimming pool at a palace catches a large America bomb that explodes.This film while satirizing the high tech melodrama of Top Gun embraces the dream of smart bombs that only hit the dictator and not his citizens. -
1 This Copy of the Thesis Has Been Supplied on Condition That Anyone
This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 1 blank 2 COLLABORATION AND INTEGRATION: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production Two volumes: volume 1 Randall Barnes A thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy November 2005 3 Randall Barnes COLLABORATION AND INTEGRATION: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production For the majority of cinema history, the film industry has treated sound as a less integral ingredient in the filmmaking process. This has translated into working practices that have marginalised sound's contribution and have divided personnel. Joel and Ethan Coen's mode of production stands in contrast to a majority of those currently working in the film industry. They foreground sound's contribution by priming their scripts for sound, involving their sound personnel sooner and by encouraging close collaboration between those responsible for the soundtrack. The Coens' model serves as a way of highlighting sound's importance and as way of generating more integrated soundtracks. As such, filmmakers should build upon their mode of production; a notion supported by other professionals and educational institutions. By advocating this alternative way of working, future filmmakers can be encouraged to reassess sound's role in film construction. -
The Coen Brothers: Serious Men?
The Coen Brothers: Serious Men? Outline Programme exploiting them by making a new version every ten years or so. Paramount, one of the original studio majors, holds 10.30 Introduction to the Coen Brothers: the distribution rights for both True Grit fi lmslms –– andand hashas re-re- ‘independence’, genre and ‘playfulness’. released the John Wayne version on DVD and Blu-Ray. 12.15 Lunch break The Coens’ statements about True Grit areare perhaps an indication of what some critics have called their 12.50 Screening of True Grit (Pictureville Cinema) ‘playfulness’ – the ‘ludic’ quality in their work. In this case they are ‘playing’ with ideas about what is a mainstream 15.00 Discussion of True Grit and analysis of its movie and how it is different from an independent movie. In reception, relationship to the western genre and American some of their fi lms, the play is with ideas of genre so that identity. the fi lms themselves purport to be one thing but turn out to be another. We will probably want to argue this point after 16.30 Close seeing True Grit – is it, as they say,say, a historical story (a girl’sgirl’s adventure story perhaps) set in Arkansas in 1872, or is it a Introduction ‘western’? Joel and Ethan Coen are unusual fi gures in American Cinema. First of all they have managed to achieve longevity Coens background as fi lmmakers in a cut-throat industry where as the old Joel (b. 1954) and Ethan (b. 1957) were born and schooled adage goes “you are only as good as your last movie” in Minnesota. -
A Historicist Proposal. Blood Simple, Neo-Noir at the End of The
A HISTORICIST PROPOSAL: BLOOD SIMPLE, NEO-NOIR AT THE END OF THE AMERICAN CENTURY Fabián Orán Llarena A bstract This paper focuses on Joel and Ethan Coen’s debut film Blood Simple (1984), one of the main exponents of the neo-noir. After a surveying overview of the historical discussion on neo- noir’s main wellspring (classical film noir), I move on to contextualize the film historically, providing a critical account of the decade of the 1970s. Thus, the aim of the following pages is to analyze neo-noir by paying attention to the cultural, social, and political discourses that permeate into the film. By considering that the conjunction between the immediate past of the film and the narrative and stylistic repertoire of film noir is the main informing force of Blood Simple; its close reading intends to configure an alternative historicist approach to a generic form dominated mostly by discussions that disregard the chronotope of the films. Key words: film noir, neo-noir, the 1970s, Blood Simple, James M. Cain. Resume «Una propuesta historicista: sangre fácil, neo-noir en el final del siglo americano». Este artículo se centra en la ópera prima de Joel y Ethan Coen, Sangre fácil (1984), uno de los máximos exponentes del nuevo cine negro. Tras compendiar brevemente la discusión histó- rica a la que ha sido sometida la principal influencia del género (el cine negro clásico), paso 133 a contextualizar el film en sus coordenadas históricas, dando un repaso crítico a los años 1970. Así, el propósito de las páginas que vienen a continuación es analizar el nuevo cine negro en relación a los discursos políticos, sociales y culturales que permean la película. -
(50491)—Special Topics in Film Studies “The Cinematic Worlds of the Coen Brothers”
ENG 720.001 (50491)—Special Topics in Film Studies “The Cinematic Worlds of The Coen Brothers” Summer II 2015 TR—1:00-5:00 pm Room: HL 203 Instructor: (Christopher Gonzalez, PhD – Assistant Professor) Office Location: Hall of Languages (HL) 225 Office Hours: TR 11:00 am-1:00 pm and by appointment Office Phone: 903.886.5277 Office Fax: 903.886.5980 University Email Address: [email protected] NOTE: I reserve the right to revise the contents of this syllabus as I deem necessary. COURSE INFORMATION Materials – Textbooks, Readings, Supplementary Readings: Required Reading List: All required reading will be provided via PDF files. Suggested Reading List: The Philosophy of The Coen Brothers, edited by Mark Conard (University Press of Kentucky) ISBN- 0813134455. Film: A Very Short Introduction by Michael Wood (Oxford University Press) ISBN- 0192803530. Film Studies: An Introduction by Ed Sikov (Columbia University Press) ISBN- 0231142935. Films Blood Simple (1984) Raising Arizona (1987) Miller’s Crossing (1990) Fargo (1996) The Big Lebowski (1998) O Brother, Where Art Thou? (2000) No Country for Old Men (2007) A Serious Man (2009) Inside Llewyn Davis (2013) Note: Students must have access to the films beyond class meetings if they are absent. These films may be available for rental at local video stores, Netflix, Amazon, and so on. All films discussed will be screened during class, but students are encouraged to screen other Coen brothers films on their own time. (ENG 720 catalogue description): ENG 720 Sptc: in Film Studies Hours: 3 Special Topics in Film Studies - Three semester hours Extended investigation of major subjects and issues in cinema and other media; topics vary but may include studies of author/directors, historical movements, critical approaches, and themes.