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Review/Reseña the Lion King Vs. Evo Morales?
Vol. 6, No. 2, Winter 2009, 258-267 www.ncsu.edu/project/acontracorriente Review/Reseña Jeff D. Himpele, Circuits of Culture: Media, Politics, and Indigenous Identity in the Andes. Minneapolis: University of Minnesota Press, 2008. The Lion King vs. Evo Morales? Adventures in the Andean Vision World José Antonio Lucero University of Washington Jeff Himpele is not only an anthropologist; he has also played one on TV. (Sorry about that, I could not resist). Commercial clichés aside, Himpele has written an excellent and challenging book that deserves a broad readership. A visual anthropologist and filmmaker, Himpele provides a series of remarkable vantage points from which to observe the circulation of images, discourses, and ideas of indigeneity in Bolivia. This book offers a theoretically informed history of key moments in Bolivian The Lion King vs. Evo Morales 259 film history, a fascinating ethnography of a Bolivian television program that seems something like an Andean answer to both Oprah and The People’s Court, and an original contribution to our understanding of the converging processes of “popularizing indigenism” and “indigenizing the popular” that has culminated in (among other things) the election of Evo Morales as president of Bolivia. For scholars of Bolivia, visual anthropology, and indigeneity, Circuits of Culture is a must-read. Between his introductory and concluding chapters, Himpele divides his book into three parts. For those who are looking for new teaching materials on Bolivia, it should be noted that one of the virtues of this book is that these three parts read well together, but they can also stand independently quite nicely. -
Evo Morales and Printer Who Doesn’T and to What Degree
Harvard University non-profit org David Rockefeller Center for Latin American Studies u.s. postage 1730 Cambridge St. paid boston, ma Cambridge, MA 02138 permit no. 1636 contributors 40 Gonzalo Alaiza is the director of Pro Mujer in Bolivia. 18 Xavier dad Mayor de San Simón in Cochabamba. 34 Juan Antonio Morales, Albó is a linguist, anthropologist and Jesuit priest who has lived for professor of economics at the Universidad Católica San Pablo in La Paz, many years in El Alto. 58 Nigel Asquith was a 2009-10 Giorgio Ruf- was president of the Central Bank of Bolivia for more than ten years. folo Fellow in Sustainability Science at Harvard Kennedy School. 95 86 Alcides Parejas Moreno is a Bolivian historian who has written more Fernando Berguido (Nieman ’11) is the editor of La Prensa in Panama. than thirty books. 45 Félix Patzi Paco, Bolivian Education Minister 28 Kate McGurn Centellas is Croft Assistant Professor of Anthropology 2006-07. is a professor at the Universidad Mayor de San Andrés in La at the University of Mississippi. 81 Miguel Centellas is Croft Visiting Paz. 15 Tom Pegram is an interdisciplinary research fellow at New York Assistant Professor of Political Science at the University of Mississippi. University School of Law. 30 Paula Peña Hasbún is the director of the 9 Gonzalo Chávez A. is the director of the School of Production and Museo de Historia y Archivo Histórico de Santa Cruz. 12 Raúl Peñaran- Competivity at the Universidad Católica San Pablo in La Paz. 54 David da U. (Nieman ’08) is the editor-in-chief of Pagina Siete. -
Affinities #92
Affinities #92 Table of Contents #92 Directors Amaru Villanueva Rance, Ivan Rodriguez Petkovic, Rodrigo Affinities Barrenechea, Sharoll Fernandez, Caroline Risacher Partners Sponsored By: Jack Kinsella, Xenia Elsaesser Editorial Team Caroline Risacher, Matthew Grace, Juan Victor Fajardo BX docunit Sergio Suárez, Changtse Quintanilla, Raquel Jiménez, Paul Etienne Printing and Advertising Manager Ivan Rodriguez Petkovic Commercial Manager Rodrigo Barrenechea Coordinator Wilmer Machaca Social Coordinator Renata Lazcano Head of Production Adriana L. Murillo Argandoña Head of Design Luis Aranda Beer to Stay? Photography Instructor 08 Michael Dunn Caceres Journalists Mia Cooke-Joshi, Elin Donnelly, Alicja Hagopian, Will Turner Our Cover Alejandro Muñoz Follow Us Photo: Changtse Quintanilla Think You’ve Cine Marketing Rodrigo Barrenechea It All? Advertise With Us 16 [email protected] Address Calle Prolongación Armaza, # 2957, Sopocachi, La Paz Phone 78862061- 76561628 - 70672031 Contact [email protected] Always Ready Thanks to: Fundación Cinemateca Boliviana, MUSEF 28for Action La Paz – Bolivia March 2019 Bridging Many Worlds /Bolivianexpress 14 @Bolivianexpress @Bolivianexpress Crazy Carnaval 20Days and Nights www.boliviaunlimited.org If You Zamponnabe My 34Lover 4 Affinities 5 Editorial #92: Affinities By: Caroline Risacher hen asked about what access to the territory. Bolivian President and equally susceptible to be attacked by unifies them as a nation, Evo Morales reacted, saying, ‘Bolivia will savage children with foamy water. In the Bolivians agree on three never give up’, a sentiment undoubtedly abandonment that’s typical during this things: a yearning for shared by the rest of the country. riotous holiday, all Bolivians – rich and poor, access to the sea, a love of young and old – forget their differences and Wdancing and celebrations (during which beer The sea belongs to Bolivia’s collective celebrate just being Bolivian. -
Dr. Sc. Mario Županović Odsjek Za Iberoromanske Studije Sveučilište U
dr. sc. Mario Županović Odsjek za iberoromanske studije Sveučilište u Zadru Izvorni znanstveni rad Deconstructing Cholaje in Peruvian and Bolivian Cinema Abstract The paper analyzes two films from Peru and Bolivia: Ukamau and The Milk of Sorrow from the perspective of deconstruction of cholaje evident in the dramaturgy of both films. Research concentrates on the notion of how was cholaje represented as the byplay and how it was subversively deconstructed as the affirmative social and ideological paradigm in Peru and in Bolivia. Using the formal and stylistic film methodology the paper focuses on the aspects of deconstructing of cholaje executed through associative montage principle in the case of Ukamau and through anthropological and ethnographical coding in the case of The Milk of Sorrow. The research also accentuated the notion of indianismo as the ideology opposed to cholaje which becomes a national and indigenous way of the future in Ukamau while in The Milk of Sorrow it elaborates feminist point of view and vehicle for the emancipation for the main character. Keywords: cholaje, indianismo, acculturation, oppressed, mestizaje, emancipation 1 Deconstructing Cholaje in Peruvian and Bolivian Cinema The goal of this paper is to perceive the deconstruction of the concept of cholaje in two seminal films from Peruvian and Bolivian cinema: Ukamau directed by Bolivian Jorge Sanjines from 1966 and The Milk of Sorrow (La teta asustada) directed by Peruvian Claudia Llosa from 2009. The link between two films, however distant they are from each other in terms of aesthetic or poetic features is the deconstruction of the cholaje and the establishment of the ideology of indianismo, which was/is almost nonexistent in other Peruvian or Bolivian films. -
The Actuality of Communism the Actuality of Communism
The Actuality of Communism The Actuality of Communism BRUNO BOSTEELS VI'.RSO First published by Ve rso 2011 © Bruno Bosteels 2011 All rights reserved Themoral rights of the author have been asserted 1 3 5 7 9 10 8 642 Verso UK: 6 Meard Street, London WIF OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New LeftBoo ks ISBN-13: 978-1- 84467-695- 8 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record fo r this book is available from the Library of Congress Typeset in Bodoni Book by Hewer Text UK Ltd, Edinburgh Printed in the US by MapJe Vail Contents Introduction The Ontological Turn 42 2 Politics, Infrapolitics, and the Impolitical 75 3 Leftism and Its Discontents 129 4 In Search of the Act 170 5 TheActuality of Communism 225 Conclusion 269 Acknowledgments 289 Index 291 Introduction Communism is the solution of the riddle of history, and knows itself to be the solution. - Karl Marx, Economic and Philosophic Manuscripts of 1844 More than a solution to the problems we are facing today, communism is itself the name of a problem: a name for the difficult task of breaking out of the confines of the market -and -state framework, a task for which no quick formula is at hand. - Slavoj Zizek, First as Tragedy, Thenas Farce In the Name of Communism "Of What Is Communism the Name?" Such was the guid ing question behind a recent special dossier of ContreTemps, the French journal of communist critique co-founded by the late Daniel Bensa"id. -
On the Road Towards Empowerment: Ayllu-Community Values
ON THE ROAD TOWARDS EMPOWERMENT: AYLLU-COMMUNITY VALUES AND PRACTICES IN AN URBAN SETTING. THE CASE OF THE COMMUNITY OF URBAN AYMARAS OF PAMPAJASI, LA PAZ, BOLIVIA by ELENA CARMEN RAQUEL MONTENEGRO A THESIS Presented to the Interdisciplinary Studies Program: International Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2008 11 "On the Road Towards Empowerment: Ayllu-Community Values and Practices in an Urban Setting. The Case ofthe Community ofUrban Aymaras ofPampajasi, La Paz, Bolivia," a thesis prepared by Elena Carmen Raquel Montenegro in partial fulfillment of the requirements for the Master ofArts degree in the Interdisciplinary Studies Program: International Studies. This thesis has been approved and accepted by: Carlos Aguirre, Chair ofthe Examining Committee Date Committee in Charge: Carlos Aguirre, Chair Lynn Stephen Brian Klopotek Accepted by: Dean ofthe Graduate School .. _').- 111 © 2008 Elena Cannen Raquel Montenegro IV An Abstract ofthe Thesis of Elena Carmen Raquel Montenegro for the degree of Master ofArts in the Interdisciplinary Studies Program: International Studies to be taken June 2008 Title: ON THE ROAD TOWARDS EMPOWERMENT: AYLLU-COMMUNITY VALUES AND PRACTICES IN AN URBAN SETTING. THE CASE OF THE COJvLMUNITY OF URBAN AYMARAS OF PAMPAJASI, LA PAZ, BOLIVIA Approved: _ Carlos Aguirre Using historical and theoretical insights, this thesis explores how the urban grassroots organization Community ofUrban Aymaras ofPampajasi (CAUP) has used elements ofthe rural ayllu-community to gain agency towards the empowerment ofits members and explores the roles played by activism and strategic support. The research for this thesis took place in Pampajasi, a neighborhood ofLa Paz, between 2006 and 2007.