John Coltrane, Paul Quinichette

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John Coltrane Cattin' With Coltrane And Quinichette mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Cattin' With Coltrane And Quinichette Country: US Released: 2016 MP3 version RAR size: 1378 mb FLAC version RAR size: 1102 mb WMA version RAR size: 1241 mb Rating: 4.3 Votes: 874 Other Formats: VOX DTS AA AIFF VQF MIDI RA Tracklist 1 Cattin' 7:25 2 Sunday 7:03 3 Exactly Like You 6:51 4 Anatomy 8:54 5 Vodka 9:10 6 Tea For Two 8:08 Credits Bass – Julian Euell Drums – Ed Thigpen Piano – Mal Waldron Tenor Saxophone – John Coltrane, Paul Quinichette Notes 2016 Remaster Other versions Category Artist Title (Format) Label Category Country Year John Coltrane And Paul Quinichette - John Coltrane Cattin' With 7158 And Paul Prestige 7158 US 1959 Coltrane And Quinichette Quinichette (LP, Album, Mono) John Coltrane And Paul Quinichette - John Coltrane Cattin' With SMJ-6542(M), Prestige, SMJ-6542(M), And Paul Coltrane And Japan 1977 SMJ-6542M Prestige SMJ-6542M Quinichette Quinichette (LP, Album, Mono, Promo, RE) John Coltrane, John Coltrane, Paul 32-101 Paul Quinichette - Cattin’ Esquire 32-101 UK Unknown Quinichette (LP, Album, Mono) John Coltrane And Paul Quinichette - John Coltrane SMJ-6542(M), Cattin' With Prestige, SMJ-6542(M), And Paul Japan 1977 SMJ-6542M Coltrane And Prestige SMJ-6542M Quinichette Quinichette (LP, Album, Mono, RE) John Coltrane & Paul Quinichette - John Coltrane Cattin' With PRLP 7158 & Paul Prestige PRLP 7158 US 1964 Coltrane And Quinichette Quinichette (LP, Album, Mono, RE) Related Music albums to Cattin' With Coltrane And Quinichette by John Coltrane John Coltrane - The Mastery Of John Coltrane / Vol. I Feelin' Good Red Garland With John Coltrane / John Coltrane - By The Numbers Paul Quinichette - Et Son Swingtette John Coltrane Featuring Paul Quinichette And Mal Waldron - Wheelin' Kenny Burrell / John Coltrane - Kenny Burrell/John Coltrane Wardell Gray / Dexter Gordon - Paul Quinichette And His Orchestra - The Chase And The Steeple Chase John Coltrane - The Best of John Coltrane His Greatest Years Paul Quinichette - For Basie.

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French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
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Swingville Label Discography
Swingville Label Discography: 2000 Series: SVLP 2001 - Coleman Hawkins and The Red Garland Trio - Coleman Hawkins and The Red Garland Trio [1960] It’s a Blue World/I Want to Be Loved/Red Beans/Bean’s Blues/Blues For Ron SVLP 2002 - Tiny In Swingville - Tiny Grimes with Richardson [1960] Annie Laurie/Home Sick/Frankie & Johnnie/Down with It/Ain’t Misbehaving/Durn Tootin’ SVLP 2003 - Tate's Date - Buddy Tate [1960] Me ‘n’ You/Idling/Blow Low/Moon Dog/No Kiddin’/Miss Ruby Jones SVLP 2004 - Callin' the Blues - Tiny Grimes [1960] Reissue of Prestige 7144. Callin’ the Blues/Blue Tiny/Grimes’ Times/Air Mail Special SVLP 2005 – Coleman Hawkins’ All Stars - Coleman Hawkins with Joe Thomas and Vic Dickenson [1960] You Blew Out the Flame/More Bounce to the Vonce/I’m Beginning to See the Light/Cool Blue/Some Stretching SVLP 2006 - The Happy Jazz of Rex Stewart - Rex Stewart [1960] Red Ribbon/If I Could Be with You/Four or Five Times/Rasputin/Please Don’t Talk About me When I’m Gon/San/You Can Depend on Me/I Would Do Most Anything For You/Tell Me/Nagasaki SVLP 2007 - Buck Jumpin' - Al Casey [1960] Buck Jumpin’/Casey’s Blues/Don’t Blame Me/Ain’t Misbehavin’/Honeysuckle Rose/Body & Soul/Rosetta SVLP 2008 - Swingin' with Pee Wee - Pee Wee Russell [1960] What Can I Say Dear/Midnight Blue/Very Thought of You/Lulu’s Back in Town/I Would Do Most Anything For You/Wrap Your Troubles in Dreams/Englewood SVLP 2009 - Yes Indeed! - Claude Hopkins [1960] It Don’t Mean a Thing/Willow Weep For Me/Yes Indeed/Is It So/Empty Bed Blues/What Is This Thing Called Love/Morning Glory SVLP 2010 – Rockin’ in Rhythm - Swingville All Stars (Al Sears, T.
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05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue ab baars Charles Gayle woody herman Coleman Hawkins kidd jordan joe lovano john and bucky pizzarelli lou marini Daniel smith 2012 Critic’s poll berlin jazz fest in photos Volume 39 Number 1 Jan Feb March 2013 SEATTLE’S NONPROFIT earshotCREATIVE JAZZ JAZZORGANIZATION Publications Memberships Education Artist Support One-of-a-kind concerts earshot.org | 206.547.6763 All Photos by Daniel Sheehan Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED January, February, March 2013 IN CADENCE Vol. 39 No. 1 (403) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b: bass Cadence Media LLC, b cl: bass clarinet P.O. Box 13071, Portland, OR 97213 bs: bass sax PH 503-975-5176 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Transcriptions: Colin Haney, Paul Rogers, Rogers Word flt: flute Services Fr hn: French horn Art Director: Alex Haney g: guitar Promotion and Publicity: Zim Tarro hca: harmonica Advisory Committee: kybd: keyboards Jeanette Stewart ldr: leader Colin Haney ob: oboe Robert D. Rusch org: organ perc: percussion p: piano ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and pic: piccolo Discover accepted. rds: reeds POSTMASTER: Send address change to Cadence Magazine, P.O.
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History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz.
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Prestige Label Discography
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New Jazz Label Discography
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John Jenkins
1 The ALTOSAX of JOHN JENKINS Solographer: Jan Evensmo Last update: May 4, 2020 2 Born: Chicago, Jan. 3, 1931 Died: July 12, 1993 Introduction: I have to admit I had never heard of John Jenkins until into my mature years, but then I found his personal style very interesting and he certainly deserves his solography and recognition. Through a brief period of seven months in 1957, he participated in several recording sessions with the cream of his contemporaries, and he was obviously considered a great talent. Why he quit in the middle of success is not known. History: Jenkins initially studied clarinet in high school but switched to saxophone after six months on the instrument. He played in jam sessions led by Joe Segal at Roosevelt College from 1949-1956. He played with Art Farmer in 1955 and led his own group at the Bee Hive in Chicago in December that year. In 1957 he played with Charlie Mingus and recorded two albums as a leader. He played as a sideman with Johnny Griffin, Donald Byrd, Hank Mobley, Paul Quinichette, Clifford Jordan, Sahib Shihab and Wilbur Ware in 1957 (not the late 1950s and early 1960s as stated), but essentially dropped out of music after 1962, aside from a few dates with Gloria Coleman. After leaving the jazz world he worked as a messenger in New York and dabbled in jewelry; he sold brass objects at street fairs in the 1970s. After 1983 he began practicing again and playing live on street corners; shortly before his death he played with Clifford Jordan (Wikipedia).
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Thad Jones Chronology Copy
Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also
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Count Basie and His Bands
NEW YORKJAZZ MUSEUM , . (:OU~T 13A,I~ and 171,13A~u, _.......-- · ' - . -~•,.,. - (:OU~T 13Ail~ and I-iii 13A~l)i Edited by Dan Morgenstern and Jack Bradley Biographies by Bill Esposito Dan Morgenstern Arnold J. Smith © Copyright 1975 by New York Jazz Museum Cover photo/Phil Stern Cover design/ Fran Greenberg WILLIAM "COUNT" BASIE A PROFILE OF HIS LI FE & MUSIC 1904 Born , August 21, at Red Bank, N.J. 1917 Starts as a drummer, switches to piano. 1919-20 Plays in local bands and stage shows in N. Y. and N.J. Takes lessons from Fats Waller. 1925-27 Tours theaters accompanying variety acts: Kate Crippen and Her Kids, Sonny Thompson Band, Gonzelle White. Vaudevillians ; first hears Kansas City style music in Tulsa, Walter Page Blue Devils; Gonzelle White Show folds in Kansas City; Accompanies Whitman Sisters in Kansas City . 1928 Join s Blue Devils in Dallas, Texas in July. 1929 Plays briefly with Elmer Payne and his Ten Royal Americans (summer). 1930 Basie and members of the Blue Devils join Benny Mote.n's band. 1934 Leaves Moten early in year to lead own band (under Mote.n's auspices) in Little Rock, Arkansas, then rejoins Moten. 1935 Death of Moten breaks up the famous Kansas City unit, after working a short time under Mote.n's brother Buster's leadership; returning to Kansas City, · works as a single, then with own trio before jointly leading "Barons of Rhythm" with altoist, Buster Smith. 1936 Broadcasts over Station WIXBY and is heard by John Hammond, famed jazz buff and sponsor, who initiates the band's first national tour; plays at Grand Terrace in Chicago - not a rousing success - then the Vendome Hotel in Buffalo, N.Y.
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The Prestige All Stars Basie Reunion Mp3, Flac, Wma
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Paul Quinichette for Basie Mp3, Flac, Wma
Paul Quinichette For Basie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: For Basie Country: Japan Released: 1974 MP3 version RAR size: 1380 mb FLAC version RAR size: 1805 mb WMA version RAR size: 1881 mb Rating: 4.1 Votes: 254 Other Formats: AIFF ADX XM MP1 AHX MP4 MIDI Tracklist A1 Rock-a-Bye Basie A2 Texas Shuffle A3 Out The Window B1 Jive At Five B2 Diggin' For Dex Credits Bass – Walter Page Cover – Marc Rice Drums – Jo Jones Guitar – Freddie Green Piano – Nat Pierce Recorded By – Rudy Van Gelder Supervised By – Bob Weinstock Tenor Saxophone – Paul Quinichette Trumpet – Shad Collins Notes Rare promo japan promo record Other versions Category Artist Title (Format) Label Category Country Year Paul For Basie (LP, Prestige 7127 Prestige Prestige 7127 US 1957 Quinichette Album, Mono) Paul For Basie (LP, 32-067 Esquire 32-067 UK 1957 Quinichette Album, Mono) For Basie (LP, Paul PR-7127 Album, RE, Prestige PR-7127 US Unknown Quinichette RM) LPM 2058, PRLP Paul For Basie (LP, Music, LPM 2058, PRLP Italy Unknown 7127 Quinichette Album, Mono) Prestige 7127 Original OJCCD-978-2, Paul For Basie (CD, Jazz OJCCD-978-2, US 1998 P-7127 Quinichette Album) Classics, P-7127 Prestige Related Music albums to For Basie by Paul Quinichette The Prestige All Stars - Basie Reunion John Coltrane, Paul Quinichette - Cattin' With Coltrane And Quinichette Paul Quinichette - Et Son Swingtette John Coltrane Featuring Paul Quinichette And Mal Waldron - Wheelin' Wardell Gray / Dexter Gordon - Paul Quinichette And His Orchestra - The Chase And The Steeple Chase Count Basie And His Orchestra - Count Basie And His Orchestra Paul Quinichette, Jo Jones, Shad Collins, Nat Pierce, Walter Page, Freddie Green - For Basie Count Basie Big Band - Count Basie Big Band.
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