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N O T E ---A Special Lok Adalat Is Going to Be Held on 07.05.2016 (SATURDAY) in the Premises of This Hon R
file:///C:/Users/Administrator/Desktop/New folder (2)/2016_05_06_o_m.htm N O T E ------------------------ A Special Lok Adalat is going to be held on 07.05.2016 (SATURDAY) in the premises of this Hon’ble High Court headed by Hon'ble Mr. Justice K. Kannan in court room no. 20 at 11:00 a.m. All the cases which were earlier listed for 02.04.2016(Saturday) and adjourned for 30.04.2016(Saturday) will now be taken up on 07.05.2016(Saturday). -------------------------------------------------------------------------------------------------------------------------- NOTICE ------------------------- Learned members of the Bar are hereby informed that the Hon'ble Acting Chief Justice has been pleased to order that the Criminal Revisions (10 each, from the enclosed list) shall be listed on every Wednesday and Friday from 30.03.2016 onwards, before the Hon'ble Single benches sitting in Criminal Roster except Hon'ble judges dealing exclusively with bail matters, Crime Against Women and Prevention of corruption Act cases and would be taken up on priority basis. sd/- Joint Registrar(Judicial-II) Sr.No. Type No. Year 1 CRR 27 2004 2 CRR 1084 2004 3 CRR 1169 2004 4 CRR 1651 2004 5 CRR 1464 2004 6 CRR 2002 2004 7 CRR 2637 2004 8 CRR 1911 2004 9 CRR 258 2004 10 CRR 1789 2005 11 CRR 809 2005 12 CRR 316,296 2005 13 CRR 1899 2005 14 CRR 2413 2005 15 CRR 878 2005 16 CRR 1218 2005 17 CRR 659 2005 18 CRR 1476 2005 19 CRR 1536 2005 20 CRR 879 2005 21 CRR 23 2005 22 CRR 1194 2006 23 CRR 1837 2006 24 CRR 1487 2006 25 CRR 1625 2006 26 CRR 1664 2006 27 CRR 1873 2006 -
Khorana Peepli Live FINAL
Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television. -
Attractions Management Issue 4 2010
Attractions management Attractionswww.attractionsmanagement.com management MFC(, H+)'(' M@J@FE8IPK8:K@:J The popularity of 3D and 4D continues to increase K?<LGJ ;FNEJ How have theme parks performed in 2010? C@=<@EK?<=8JKC8E< FERRARI WORLD ABU DHABI Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK Look into my eyes and… Fly Me to the Moon Pirate Story The World of Sharks Haunted House Jett and Jin TurtleVision Bugs Dinosaurs 6()=-#1+;<9-:89-:-6;:)6-=-9-?8)6,16/41*9)[email protected]=-6+97>,84-):16/B45: that maximize the WOW factor and in-your-face nature of 3D/4D cinema. For more information contact: -,91+/7,;C%-4 C)? C+1/7,;6>)=-+75C>>>6>)=-+75 )616-)3-9C%-4 C)? C2*)3-96>)=-+75 (North & South America Sales) ## … discover a universal and timeless 3D/4D attraction nWave Pictures proudly presents A 3D/4D experience inspired by Antoine de Saint-Exupéry’s The Little Prince: an eternally enchanting story. Premiere at IAAPA Attractions Expo 2010 (Booth 5159), Orlando, Florida (USA), 16-19 November azen DESIGN ASSOCIATES For us, inspired design comes naturally... immersive environments, highly naturalistic Conceptual & complete design habitats & landscapes, for zoos, aquariums museums & themed attractions. Detailed visualization & models Creative & technical specification For more information please visit our website www.lazenbydesign.com, or email Interpretive & graphic design us at [email protected] to request a fully illustrated portfolio. -
Vision Document for Haryana
1 VISION DOCUMENT FOR HARYANA The main aim of this document and policy directive is to provide general guidelines to make the State financially healthy, lead to Economic Growth, reduce borrowings by the State, and encourage industry and generate employment and job opportunities. Main Areas of Focus for development would - Industry, agriculture, service sector and development of tourism with special emphasis on religious tourism and cultural heritage. Literacy rate of Haryana shall be raised to 85%. Target would be to increase GDP growth rate to 10% plus within 5 years. The ultimate aim is to raise the Happiness index of the Citizens. Overall aim would be for “DEVELOPING ZERO DEFECT INDUSTRY WITH ZERO EFFECT ON ENVIRONMENT” in five years. Our motto “Minimum Government and Maximum Governance”. OTHER STRUCTURAL HIGHLIGHTS: We would ensure strict implementation of ban on Cow slaughter in Haryana. Separate high court would be set up for Haryana. Sutlej Yamuna Link Canal would be completed. URBAN FOCUS AND NCR - The overall development of all the districts through empowered local bodies and Panchayats. NCR Development Authority will be set for special emphasis on the development of NCR and its economic advantages. SEPARATE CAPITAL OF HARYANA SHALL BE SET UP AS A SMART CITY WITH HIGH TECHNOLOGY. 2 GURGAON NCR DEVELOPMENT AUTHORITY: Gurgaon NCR Development Authority would be created for areas comprising of the district of Gurgaon, Faridabad and Rewari for enabling the integrated development of these areas. SONEPAT NCR DEVELOPMENT AUTHORITY: Sonepat NCR Development Authority would be created for areas comprising of the districts of Sonepat, Rohtak and Jhajhar to enable integrated development of these areas. -
Integrated Mobility Plan for Gurgaon Manesar Urban Complex
December 2010 Department of Town and Country Planning (DTCP), Government of Haryana Integrated Mobility Plan for Gurgaon Manesar Urban Complex Support Document 5th Floor ‘A’ Wing, IFCI Tower Nehru Place New Delhi 110019 www.umtc.co.in Integrated Mobility Plan for Gurgaon- Manesar Urban Complex TABLE OF CONTENTS 1 PRIMARY DATA COLLECTED ............................................................................. 2 1.1 Traffic Surveys Conducted .............................................................................. 2 1.2 Survey Schedule .......................................................................................... 2 1.3 Road Network Inventory ................................................................................. 6 1.4 Screen - line Volume Counts ............................................................................ 7 1.5 Cordon Volume Counts & RSI Surveys .................................................................. 9 1.6 Road Side Interview Surveys ........................................................................... 13 1.7 Occupancy ................................................................................................ 15 1.8 Intersection Classified Volume Counts ............................................................... 17 1.9 Speed and Delay Surveys ............................................................................... 31 1.10 On- street Parking Surveys ............................................................................. 34 1.11 Off - Street Parking Surveys -
17Th October, 2007
German rights for Peepli Live acquired before official Berlinale Special Screening Mumbai, 15 February 2010: After rave audience and critics reviews at the Sundance Film Festival, Peepli Live, directed by Anusha Rizvi, co‐produced by UTV Motion Pictures & Aamir Khan Productions has just been picked up by specialty film German distribution company Rapid Eye Movies. Theatrical release for Peepli Live in Germany is planned for third quarter of 2010. Rapid Eye has also acquired the Home Video and Television for the territory. Stephan Holl, founder of Rapid Eye Pictures commented on his acquisition, "We are thrilled to bring to the German audience a true Indian art house film that entertains whilst telling a serious story" Amrita Pandey, VP, International Distribution and Syndication, UTV Motion Pictures, said, "Rapid Eye is an ideal distribution partner for us to plan a theatrical Germany release for the film." Peepli Live is Anusha Rizvi’s first feature. It is a fresh and intelligently spun satire of the real‐life epidemic of farmer suicides that have plagued India for the past decade. With a deft hand, Rizvi infuses humor and buoyancy in depicting this tragic predicament, illuminating the true colors of many corridors of Indian society. Peepli Live, is the first Indian film ever to be selected at the Sundance Film Festival (World Cinema Dramatic competition) and is also screening in out of competition at the Berlin Film Festival. Critics who have watched the film say: “A peppy screwball comedy with elements of social satire... Debuting writer‐director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.” – Rob Nelson, VARIETY “A comic gem set in India's beleaguered rural communities.. -
Chindia's Energy Curse
COMMENTARY little can be done about rural indebtedness Now, on the other hand, corporate entities 3 There are nonetheless some dissenting voices which are heartening. For instance, see Kanitkar (2010). (except shedding tears) b ecause its eco- and groups have a wide range of economic 4 Apart from receiving the Padma Bhushan in 2010, nomic/political causes cannot be identi- interests and most of them are also Aamir Khan has also shared a platform on educa- tion with visiting US Secretary of State Hillary Clin- fied. The “public” acclaim for the film will i ncreasingly involved in the media. This ton, something which could not have happened perhaps reinforce the government’s5 faith means that capital presents a united front without the government’s tacit approval. The reason was apparently his film Taare Zameen Par (2007) in gestures – the same kind of gestures that against social and economic criticism, as it about educating a mentally disadvantaged child. Peepli Live blandly criticises it for making. were. If this is granted, there is perhaps a 5 Ronamai (2010) also notes that LK Advani was also all praise for Aamir Khan. The acceptance of the To conclude, it will be useful to specu- greater degree of censorship today – at the film by politicians of different ideological hues (the late briefly about why, despite its concern, level of ideation – although the censoring Congress as well as the BJP) confirms that Peepli Live is politically and economically non-committal. Peepli Live is more timid in its social criti- authority is not the State but the economy. -
Desertion of Rural Theme from Hindi Cinema: a Study
International Journal of Humanities & Social Science Studies (IJHSSS) A Peer-Reviewed Bi-monthly Bi-lingual Research Journal ISSN: 2349-6959 (Online), ISSN: 2349-6711 (Print) Volume-III, Issue-V, March 2017, Page No. 335-339 Published by Scholar Publications, Karimganj, Assam, India, 788711 Website: http://www.ijhsss.com Desertion of Rural theme from Hindi Cinema: A Study Neema Negi Research Scholar, Department of Journalism and Communication, Dev Sanskriti Vishwavidyalaya, Hardwar, U.K., India Abstract Hindi Cinema caters different themes from last 100 glorious years and in earlier phase it reflects the nation’s conflict, difficulties and struggle of a common man in a true manner. In past era one of the major themes rural has been an integral part of Bollywood storytelling. However over the year’s Hindi cinema has changed in terms of film making, content, representation of issues and technological changes. But during the transition of modern Cinema some of the popular themes have vanished. Cinema become bold and creative today and brings different genres with ample of independent filmmakers. The present paper deals with the study of films which depicted the village theme and also explore the causes of disappearance of village theme. Keywords: village theme, Hindi Cinema, farmers, social issues, vanished I- Disappearance of village theme: Indian Cinema acknowledged for the largest producer of films which caters the widest themes and genres from past 100 magnificent years. In every era Hindi cinema represents the social relevant issues in a very different narrative style. In the past six decades Hindi cinema has played a significant role in nation-building, constructing a national awareness, portraying an ideal family system, attacking terrorism, criticizing class prejudice and propagating various phenomena such as globalization, westernization, urbanization and modernization in India. -
Semester: Fall 2015 Office Hours: MW 12-1, PAR 27
UGS 303 Bollywood, India, and After Instructor: Shingavi, S – Cross-lists: N/A [email protected] Flags: N/A Unique #: 61495, 61500, 61505, 61510, 61515, TA: 61520 Computer Instruction: N Semester: Fall 2015 Office Hours: MW 12-1, PAR 27 Description: Bollywood cinema became a global phenomenon sometime after the economic liberalization of India. It became, in many ways, the cultural ambassador for an “India Shining,” the impossible dream of uninterrupted growth, for the rest of the world. But Bollywood’s roots were much grittier, with the social films of the 60s and the “Angry Young Men” films of the 1970s and 1980s, the progressive theater, and more. This long history of Bollywood is also in many ways a reflection of important historical changes that India has undergone: urbanization, globalization, uneven economic development. This class is broken up (more or less) into four historical periods: 1947-1975 (the era of high nationalism); 1975-1991 (the Emergency to the Economic Reforms); 1991-2004 (from Mandir, Masjid, Mandal to “India Shining”); and 2004-present. We will trace representations of India in cinema by looking at three classic landscapes: the country, the city (Bombay), and the slums. The goal of organizing the class in this way is not only to provide a sort of filmic history of India, but also to see how changes in the economy and in the social organization of India affected cultural representations of stock figures (the peasant, the slum dweller, the super-rich urbanite, etc.). We will also be particularly interested in considering representations of women, Muslims, and the lower castes (also called scheduled or backward castes). -
FILMS and SOCIETY One of My Previous Students from South Korea Had Posed a Question
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 2 April 2018 | ISSN: 2320-2882 Ms Swagata Chakravorty Assistant Professor of the Department of Languages. T.John College,Bangalore University B-402,Casa Ansal Apartment,No 18,Bannerghatta Road,Bangalore-560076 FILMS AND SOCIETY One of my previous students from South Korea had posed a question, ``Madam, I have watched plenty of Hindi movies. A lot of skin exposure and violence is usually what the film focuses on. But during my visit into this country, I found a sharp contrast between the reality and the reel world. People here are austere, bent towards religiousness and extremely moralistic. Why then do you portray a misleading image to the rest of the world.’’ The question struck me and I got immersed in a realm of musing and pondering. Was it our sundry, vibrant, ever evolving society which has been the backdrop of our films since time immemorial Or Is it the nitty- gritty of the movies which in the long run shape, modify and redefine society. Citizens often criticise the recent movies as the source of crime and moral degradation. Late back in 1963 Gaban (written by Munshi Premchand) portrayed a clerk’s deteriorating moralistic values.Shatranj ke khiladi(written by Munshi Premchand) is another masterpiece which reminds us the fatal downfall of the royal families engrossed in chess, neglecting their respective duties. I should not forget to mention the name of `Parineeta’, a popular novel by Sarat Chandra Chatterjee, reviving feminist sentiments of a woman torn in between two men who are equally essential and choice worthy. -
Nov 10-14 2010
2010 $5.00/US Rehoboth beach Film Society nov 10-14 2010 PUblication 302-645-9095 / www.rehobothfilm.com 6 s T en T InsIde... Festival Dedication 7 A Word From the Governor 9 A Word From the Film Society President 10 Sponsors 12-13 A Word From the Festival Program Director 14 Board Members / Staff 15 Everything You Need to Know About the Festival 16-17 Table of Con Table Audience Awards/Film Guidance System 18 Film Schedule 20-21 Film Index 22 Film Planner 23-24 About the Cover 26 Reel Manners 27 Features 32-55 Documentaries 58-64 Shorts 66-72 Special Screenings 76 Regional Showcase 77-78 Country Spotlight: India Sidebar 80-81 Lights, Camera...ACTION! Sidebar 82 Difficult Films...Rewarding Viewing Sidebar 83 Seminars 86-89 Live in the Lounge 92-93 36 Hour Film Challenge 96 Children’s Cinema Corner 97 Fierberg Award 98 Our Thanks 100 Film Society Members 102-103 Contributors 104 Comment Form 105 Membership Application 106 Guide to Advertisers 108-109 Beyond the Festival Back Cover www.rehobothfilm.com 302-645-9095 107 Truitt avenue, Rehoboth beach, delaware 19971 The film society does its best to make this program accurate but always check the website for the most up-to-date information: www.rehobothfilm.com 7 f es TI fesTIval dedICaTIon val Dedicating the Rehoboth beach independent Film Festival is a special occasion as there have been only three such honors over the years. this year’s Festival is dedicated to the memory of founding board member lee Jones and long-time member and volunteer Roz Fierberg, both of whom passed d away earlier this year. -
Film Industry in India: New Horizons
Film industry in India: New horizons Media & Entertainment industry in India With more than 600 television channels, 100 million pay-TV auctions (phase III), expected in the near future, is expected households, 70,000 newspapers and 1,000 films produced see radio networks adding around 700 radio stations across annually, India’s vibrant media and entertainment (M&E) the country. industry provides attractive growth opportunities for global Then, there are India’s diverse content markets. The bulk of the corporations. Enticed by economic liberalization and high country’s urban consumption is from non-metro cities (the tier volumes of consumption, many of the world’s media giants have 2 and tier 3 towns) and comprises regional markets with distinct been present in the Indian market for more cultures, languages and content preferences. These markets, than two decades. However, in recent which are huge markets within markets, provide global M&E years, with near double-digit annual companies with a variety of opportunities to deliver localized growth and a fast-growing middle content. Many global film studios and TV broadcasters have class, there has been a renewed surge already entered these markets and are producing regional in investments into the country by language content. global companies. Finally, there is the evolution of consumption of digital content, Media sectors, regarded as “sunset” which is at an inflection point in India. Although internet industries in mature markets, are penetration is currently low in the country, the recent launch of flourishing in India, presenting 3G services and the eventual launch of 4G are expected to bring global media companies with exciting a late surge in wireless-based broadband adoption.