Madworld Official Soundtrack Lyrics
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The Normal Heart
THE NORMAL HEART Written By Larry Kramer Final Shooting Script RYAN MURPHY TELEVISION © 2013 Home Box Office, Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, reproduced, sold or distributed by any means or quoted or published in any medium, including on any website, without the prior written consent of Home Box Office. Distribution or disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does not alter any of the restrictions previously set forth. 1 EXT. APPROACHING FIRE ISLAND PINES. DAY 1 Masses of beautiful men come towards the camera. The dock is full and the boat is packed as it disgorges more beautiful young men. NED WEEKS, 40, with his dog Sam, prepares to disembark. He suddenly puts down his bag and pulls off his shirt. He wears a tank-top. 2 EXT. HARBOR AT FIRE ISLAND PINES. DAY 2 Ned is the last to disembark. Sam pulls him forward to the crowd of waiting men, now coming even closer. Ned suddenly puts down his bag and puts his shirt back on. CRAIG, 20s and endearing, greets him; they hug. NED How you doing, pumpkin? CRAIG We're doing great. 3 EXT. BRUCE NILES'S HOUSE. FIRE ISLAND PINES. DAY 3 TIGHT on a razor shaving a chiseled chest. Two HANDSOME guys in their 20s -- NICK and NINO -- are on the deck by a pool, shaving their pecs. They are taking this very seriously. Ned and Craig walk up, observe this. Craig laughs. CRAIG What are you guys doing? NINO Hairy is out. -
May July June August
19861986 MAY JUNE 1. Greatest Love Of All…Whitney Houston 1. On My Own…Patti LaBelle & Michael McDonald 2. Addicted To Love…Robert Palmer 2. Live To Tell…Madonna 3. West End Girls…Pet Shop Boys 3. Crush On You…The Jets 4. Why Can’t This Be Love…Van Halen 4. I Can’t Wait…Nu Shooz 5. What Have You Done For Me Lately…Janet Jackson 5. All I Need Is A Miracle…Mike + The Mechanics 6. If You Leave…Orchestral Manoeuvres In The Dark 6. A Different Corner…George Michael 7. Harlem Shuffle…Rolling Stones 7. Nothin’ At All…Heart 8. Your Love…The Outfield 8. I Wanna Be A Cowboy…Boys Don’t Cry 9. Take Me Home…Phil Collins 9. Vienna Calling…Falco 10. Something About You…Level 42 10. Rain On The Scarecrow…John Cougar Mellencamp 11. Bad Boy…Miami Sound Machine 11. One Hit (To The Body)…The Rolling Stones 12. Is It Love…Mr. Mister 12. The Love Parade…The Dream Academy 13. Be Good To Yourself…Journey 13. Out Of Mind Out Of Sight…Models 14. Move Away…Culture Club 14. The Finest…The S.O.S. Band 15. American Storm…Bob Seger 15. I Must Be Dreaming…Giuffria 16. Never As Good As The First Time…Sade' 16. Headed For The Future…Neil Diamond 17. Rough Boy…ZZ Top 17. Listen Like Thieves…INXS 18. Tomorrow Doesn’t Matter Tonight…Starship 18. Don Quichotte…Magazine 60 19. Mothers Talk…Tears For Fears 19. Living On Video…Trans-X 20. All The Things She Said…Simple Minds 20. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
17 22 @Annieareyouokay Because We Each Have a Place That Makes
17 22 View conversation Jahar @J_tsar · 16 Jul 2012 @AnnieAreYouOkay because we each have a place that makes us who we are, why live by what was instead of what is annie. 18 39 View conversation Jahar retweeted #Muslim @hash_Muslim · 16 Jul 2012 #Ramadan picks us up from our slackness, recharge our faith, and give us a push towards our Creator. 142 49 Jahar @J_tsar · 16 Jul 2012 @therealAbdul_ for the blind and the lazy 1 4 Jahar retweeted Stewie Griffin @itStewieGriffin · 13 Jul 2012 In a Grammar class : Teacher: "HE does not like girls" What is 'He' in this sentence. ?? . Student : Gay. !! 62 20 Jahar retweeted Stewie Griffin @itStewieGriffin · 16 Jul 2012 You take "the" out of psychotherapist 71 33 Jahar @J_tsar · 16 Jul 2012 just gotta get away from reality and dream a little 81 109 Jahar @J_tsar · 16 Jul 2012 bed time is the best time 71 87 Jahar @J_tsar · 15 Jul 2012 whats all the fucking fussin for because im grubbing more? 10 26 Jahar @J_tsar · 15 Jul 2012 breaking bad tonight #bestshow 19 26 Jahar retweeted Words @funnyortruth · 15 Jul 2012 You're probably naked under all those clothes. You slut. 928 269 Jahar @J_tsar · 15 Jul 2012 too waved to even fall asleep #thespins 9 23 9 23 Jahar @J_tsar · 15 Jul 2012 so much hate i need a ak 82 88 Jahar retweeted Kat @KizzMcDutchie · 15 Jul 2012 Just saw a fat topless homeless woman bang out another fat white homeless woman in central sq lmfaooo 1 3 Jahar @J_tsar · 14 Jul 2012 byyyyyyyyyyaaaaaaaaaaahh 18 25 Jahar retweeted Alan Garner @AlanHungover · 14 Jul 2012 Oh look, it's raining outside. -
February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious. -
Daniel Hall Presents Episode 55 How to Create a Really Simple Product to Get Started Selling Online Fast with Bruce Jones
Daniel Hall Presents Episode 55 How to Create a Really Simple Product to Get Started Selling Online Fast With Bruce Jones Welcome to the Real Fast Results podcast! This episode features Bruce Jones, who is a #1 bestselling author, graphic designer, and product developer. Bruce actually writes, speaks, and consults on publishing, social media, blogging, video, and general marketing. He’s also the creator of WorldofMaps.com. One of the things that’s interesting about this site is that it is partially built upon the use of public domain materials. Essentially, he created editable PowerPoint maps and now sells them worldwide to individuals, corporations, educational institutions, and even the federal government. He’s also an illustrator of maps, and his maps have been used for business and sales presentations worldwide. Bruce is the author and/or creator of 40 books on geography, music, business, children’s and coloring. He also practices Tai Chi. With the release of Seven Steps to Publishing Your Book, Bruce has been able to bring forth his experience and knowledge to the world. © 2016 Real Fast Results Discover How to Make and Sell Simple Products The promise today is that you’ll learn how to make and sell a simple product to get started making money online. This is going to be a very simple way that people can just introduce themselves to: how to make a product where to put it how to get it up online in order to make their first dollar If you can learn the first step to doing something very simple. -
I'm Gonna Keep Growin'
always bugged off of that like he always [imi tated] two people. I liked the way he freaked that. So on "Gimme The Loot" I really wanted to make people think that it was a different person [rhyming with me]. I just wanted to make a hot joint that sounded like two nig gas-a big nigga and a Iii ' nigga. And I know it worked because niggas asked me like, "Yo , who did you do 'Gimme The Loot' wit'?" So I be like, "Yeah, well, my job is done." I just got it from Slick though. And Redman did it too, but he didn't change his voice. What is the illest line that you ever heard? Damn ... I heard some crazy shit, dog. I would have to pick somethin' from my shit, though. 'Cause I know I done said some of the most illest rhymes, you know what I'm sayin'? But mad niggas said different shit, though. I like that shit [Keith] Murray said [on "Sychosymatic"]: "Yo E, this might be my last album son/'Cause niggas tryin' to play us like crumbs/Nobodys/ I'm a fuck around and murder everybody." I love that line. There's shit that G Rap done said. And Meth [on "Protect Ya Neck"]: "The smoke from the lyrical blunt make me ugh." Shit like that. I look for shit like that in rhymes. Niggas can just come up with that one Iii' piece. Like XXL: You've got the number-one spot on me chang in' the song, we just edited it. -
The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Interview Key
Interviewee: Alf Larson Interviewer: Thomas Saylor Date of interview: 8 November 2004 Location: living room of Mr. Larson’s residence in Crystal, MN Transcribed by: Linda Gerber, January 2005 Edited by: Thomas Saylor, February 2005 Alf Larson was born 29 July 1918, in Orebro, Sweden. He came to the United States with his parents in 1922; the Larson family settled in Duluth, Minnesota, where Alf grew up. In 1937, he graduated from Morgan Park High School. Alf then spent some time in the Civilian Conservation Corps in Minnesota (1938-39). In March 1939, Alf volunteered for the US Army Air Corps. In 1939, he was sent to the Philippines with his unit, with the 27th Materiel Squadron. Alf was here when the Pacific War began in December 1941. Alf was among the thousands of American troops captured at Bataan in April 1942. He survived the infamous Bataan Death March and a short period at Camp O’Donnell, used by the Japanese as a POW facility. Alf’s POW odyssey (April 1942 – September 1945) Clark Field, by Manila, May 1942 – June 1944. Construction work. On freighter Noto Maru, transport to Japan, August – September 1944 Namachi, Japan, September 1944 – September 1945. Machine shop worker. At war’s end, Alf was evacuated to the United States, where he spent several months recovering in military hospitals. He was married in 1946 (wife Jane) and re-enlisted in the Army, 1948-54. Alf then attended college and worked as an engineer until retiring in 1982. Oral History Project: World War II Years, 1941-1946 - Alf Larson Interview © 2004 by Thomas Saylor 1 Interview key: T = Thomas Saylor A = Alf Larson [text] = words added by editor, either for clarification or explanation (***) = words or phrase unclear NOTE: interview has been edited for clarity Tape 1, Side A. -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
I Know Why the Caged Bird Sings by Maya Angelou
y f !, 2.(T I Know Why the Caged Bird Sings MAYA ANGELOU Level 6 Retold by Jacqueline Kehl Series Editors: Andy Hopkins and Jocelyn Potter Contents page Introduction V Chapter 1 Growing Up Black 1 Chapter 2 The Store 2 Chapter 3 Life in Stamps 9 Chapter 4 M omma 13 Chapter 5 A New Family 19 Chapter 6 Mr. Freeman 27 Chapter 7 Return to Stamps 38 Chapter 8 Two Women 40 Chapter 9 Friends 49 Chapter 10 Graduation 58 Chapter 11 California 63 Chapter 12 Education 71 Chapter 13 A Vacation 75 Chapter 14 San Francisco 87 Chapter 15 Maturity 93 Activities 100 / Introduction In Stamps, the segregation was so complete that most Black children didn’t really; absolutely know what whites looked like. We knew only that they were different, to be feared, and in that fear was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the employer; and the poorly dressed against the well dressed. This is Stamps, a small town in Arkansas, in the United States, in the 1930s. The population is almost evenly divided between black and white and totally divided by where and how they live. As Maya Angelou says, there is very little contact between the two races. Their houses are in different parts of town and they go to different schools, colleges, stores, and places of entertainment. When they travel, they sit in separate parts of buses and trains. After the American Civil War (1861—65), slavery was ended in the defeated Southern states, and many changes were made by the national government to give black people more rights.