Dipinti Antichi Dipinti
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I Pittori Veronesi Del 600 Secondo Bartolomeo Dal Pozzo
INDICE 1. Le fonti di storia dell’arte veronese posteriori a Giorgio Vasari e Carlo Ridolfi ................. Pag. 3 1.1 Bartolomeo Dal Pozzo ....................................................................................................." 6 1.2 Diego Zannandreis ..........................................................................................................." 9 2. Gli artisti veronesi dell’ultima generazione del Cinquecento secondo Bartolomeo Dal Pozzo e Diego Zannandreis..........................................................................." 13 2.1 Santo Creara....................................................................................................................." 16 2.2 Pasquale Ottino ................................................................................................................" 29 2.3 Marcantonio Bassetti........................................................................................................" 49 2.4 Dario Pozzo......................................................................................................................" 74 2.5 Pietro Bernardi ................................................................................................................." 77 3. Conclusioni .............................................................................................................................." 87 BIBLIOGRAFIA ........................................................................................................................." 89 1 1. Le fonti di storia -
Exhibition Checklist: a Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022
UPDATED: 8/11/2020 10:45:10 AM Exhibition Checklist: A Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022 The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings National Gallery of Art; Piero Boccardo, superintendent of collections for the City of Genoa; and Franco Boggero, director of historic and artistic heritage at the Soprintendenza Archeologia, Belle Arti e Paesaggio, Genoa. The exhibition is organized by the National Gallery of Art, Washington, and the Scuderie del Quirinale, Rome, with special cooperation from the City and Museums of Genoa. The exhibition is made possible by the Robert Lehman Foundation. Additional funding is provided by The Exhibition Circle of the National Gallery of Art. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Press Release: https://www.nga.gov/press/exh/5051.html Order Press Images: https://www.nga.gov/press/exh/5051/images.html Press Contact: Laurie Tylec, (202) 842-6355 or [email protected] Object ID: 5051-345 Valerio Castello David Offering the Head of Goliath to King Saul, 1640/1645 red chalk on laid paper overall: 28.6 x 25.8 cm (11 1/4 x 10 3/16 in.) National Gallery of Art, Washington, Rosenwald Collection Object ID: 5051-315 Giovanni Benedetto Castiglione The Genius of Castiglione, before 1648 etching plate: 37 x 24.6 cm (14 9/16 x 9 11/16 in.) sheet: 37.3 x 25 cm (14 11/16 x 9 13/16 in.) National Gallery of Art, Washington, Gift of Ruth B. -
Renaissance Art and Architecture
Renaissance Art and Architecture from the libraries of Professor Craig Hugh Smyth late Director of the Institute of Fine Arts, New York University; Director, I Tatti, Florence; Ph.D., Princeton University & Professor Robert Munman Associate Professor Emeritus of the University of Illinois; Ph.D., Harvard University 2552 titles in circa 3000 physical volumes Craig Hugh Smyth Craig Hugh Smyth, 91, Dies; Renaissance Art Historian By ROJA HEYDARPOUR Published: January 1, 2007 Craig Hugh Smyth, an art historian who drew attention to the importance of conservation and the recovery of purloined art and cultural objects, died on Dec. 22 in Englewood, N.J. He was 91 and lived in Cresskill, N.J. The New York Times, 1964 Craig Hugh Smyth The cause was a heart attack, his daughter, Alexandra, said. Mr. Smyth led the first academic program in conservation in the United States in 1960 as the director of the Institute of Fine Arts at New York University. Long before he began his academic career, he worked in the recovery of stolen art. After the defeat of Germany in World War II, Mr. Smyth was made director of the Munich Central Collecting Point, set up by the Allies for works that they retrieved. There, he received art and cultural relics confiscated by the Nazis, cared for them and tried to return them to their owners or their countries of origin. He served as a lieutenant in the United States Naval Reserve during the war, and the art job was part of his military service. Upon returning from Germany in 1946, he lectured at the Frick Collection and, in 1949, was awarded a Fulbright research fellowship, which took him to Florence, Italy. -
The Power of Drawings
The Power of Drawings Cortona Fine Art © Copyright 2020 Cortona Fine Art Corso Monforte, 38 - 20122 Milano Tel. +39 02784617 [email protected] www.galleriacortona.com © Copyright 2020 Edifir-Edizioni Firenze via de’ Pucci, 4 – 50122 Firenze www.edifir.it Responsabile del progetto editoriale / Managing editor Simone Gismondi Responsabile editoriale / Design and production editor Elena Mariotti Stampa / Printing Pacini Editore Industrie Grafiche, Ospedaletto (Pisa) Referenze fotografiche / Photographs Andrea Parisi Traduzioni / Translation Theresa Davis Le schede sono di Luca Fiorentino, ad eccezione della n. 13, che è di Donatella Biagi Maino / Entries written by Luca Fiorentino, with the exception of no. 13, by Donatella Biagi Maino. Ringraziamenti / Thanks Cortona Fine Art e Luca Fiorentino ringraziano sentitamente per i loro consigli e suggerimenti / Cortona Fine Art and Luca Fiorentino warmly thank for their advice and suggestions: Federico Berti, Donatella Biagi Maino, Jonathan Bober, Marco Ciampolini, Theresa Davis, Marzia Faietti, Carlo Falciani, Gabriele Fattorini, Valentina Frascarolo, Luca Gracis, Carlo Montanaro, Sebastian Neerman, Mary Newcome Schleier, Carlo Orsi, Jacopo Ranzani, Cristiana Romalli, Giovanni Serafini, Chiara Sestini, Chiara Travisonni. ISBN: 978-88-9280-017-5 In copertina / On the cover Giovan Battista Tiepolo, Studio per una testa di ragazzo / Study for a boy’s head, 1750 ca., 245x185 mm (n. 15) In IV di copertina / On IV of cover Giovan Battista Tiepolo, Studio per uno scudo ed una testa di mucca / Studies for a shield and a cow head (recto), particolare / detail, 222x238 mm (n. 14) Fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. -
Old Master Paintings Wednesday 5 December 2012, at 2Pm New Bond Street, London
Old Master Paintings Wednesday 5 December 2012, at 2pm New Bond Street, London Old Master Paintings Wednesday 5 December 2012, at 2pm New Bond Street, London Bonhams Bids Enquiries Customer Services 101 New Bond Street +44 (0) 20 7447 7448 +44 (0) 20 7468 8307 Monday to Friday 8.30am to 6pm London W1S 1SR +44 (0) 20 7447 7401 fax [email protected] +44 (0) 20 7447 7447 www.bonhams.com To bid via the internet please visit www.bonhams.com Specialists Please see back of catalogue Viewing Andrew McKenzie for important notice to bidders Sunday 2 Dec 2012 Please note that bids should be +44 (0) 20 7468 8261 11am to 3pm submitted no later than 24 hours [email protected] Illustrations Monday 3 Dec 2012 before the sale. New bidders Front cover: 103 9am to 4.30pm must also provide proof of identity Caroline Oliphant Back cover: 55 Tuesday 4 Dec 2012 when submitting bids. Failure to do +44 (0) 20 7468 8271 Inside front cover: 40 (one of a pair) 9am to 4.30pm this may result in your bids not [email protected] Inside back cover: 40 (one of a pair) Wednesday 5 Dec 2012 being processed. 9am to 12pm Carlotta Mascherpa +44 (0) 20 7468 8307 [email protected] Sale number: 20030 Live online bidding is available for this sale Poppy Harvey-Jones Catalogue: £25 Please email [email protected] with “Live bidding” in the subject +44 (0) 20 7468 8308 line 48 hours before the auction [email protected] to register for this service. -
Genoa and Its Treasures
Comune di Genova - Ufficio sviluppo e Promozione del Turismo Palazzo delle Torrette - Via Garibaldi, 12r [email protected] www.genova-turismo.it Tourist Information Centres (T.I.C.) IAT Via Garibaldi Useful info: Via Garibaldi 12r Ph. +39 010 55 72 903/ 751 Genoa Aquarium Fax +39 010 55 72 414 www.acquariodigenova.it (7/7 - h. 9.00 - 18.30) C. Colombo Airport [email protected] Ph. +39 010 60 151 - www.airport.genova.it IAT De Ferrari City sightseeing open top bus Largo Pertini 13 Genova in Tour Pesci Viaggi Ph. +39 010 86 06 122 Ph. +39 010 53 05 237 - Mobile +39 328 98 55 419 Fax +39 010 86 06 476 www.pesciviaggi.it (7/7 - h. 9.00 - 13.00 / 14.30 - 18.30) [email protected] Hop-on hop-off city tour CITYSIGHTSEEING GENOVA IAT C. Colombo Airport (arrivals area) Ph. +39 010 86 91 632 Genova - Sestri Ponente www.genova.city-sightseeing.it Ph./Fax +39 010 60 15 247 (7/7 - h. 9.00 - 13.00 / 13.30 - 17.30) Genoa Museums [email protected] www.museidigenova.it - www.rolliestradenuove.it Radio Taxi Walking guided tour to the historical centre Ph. +39 010 5966 - www.cooptaxige.it and the Palazzi dei Rolli, UNESCO World Heritage Visit of the city with little train Every weekend you can visit the historical city Trenino Pippo centre and discover the fascination of some of Ph. +39 328 69 42 944 - www.treninopippo.it the famous Palazzi dei Rolli. Trains More information about costs and languages Ph. -
Valerio Castello Genio Moderno
Depliant 16x16 Mostra 4-02-2008 15:31 Pagina 1 Dove Genova Genio Moderno Mostra L’arte di Valerio Castello apre le porte alla Valerio, affiancato da un’attiva cerchia di col- 100 DIPINTI LA CERCHIA TEATRO FALCONE CITY TOUR grande stagione barocca genovese. laboratori, da quadraturisti e, soprattutto, dal gio- La mostra presenta per la prima volta al gran- Una sezione è riservata agli artisti della cer- La sede della mostra è il Teatro del Falcone La visita alla mostra potrà estendersi poi alla Genio assoluto della pittura di metà Seicento, vane Domenico Piola (che alla sua morte sarà de pubblico cento capolavori di Valerio Castello chia di Valerio: Stefano Magnasco, Bartolomeo all’interno del Palazzo Reale di Genova. città, col suo centro storico medievale da scopri- Valerio Castello è l’interprete di una nuova e più l’erede deputato dei numerosi cantieri avviati in- provenienti dall’Italia e dall’estero: New York, Biscaino, Giovanni Battista Merano, Giovanni Il moderno allestimento offre al visitatore l’in- re, le chiese romaniche, la cattedrale, le nobili libera concezione dello spazio dipinto. sieme), fu dunque l’esponente audace di un at- Londra, Parigi, San Pietroburgo, Budapest, Varsavia, Paolo Cervetto e Antonio Lagorio. tero corso della carriera artistica di Valerio Castello strade, i palazzi e le loro preziose quadrerie, Ebbe il merito di spingere il naturalismo fi- teggiamento culturale anticlassico. Al rigore del- Caen, Nantes, Roma, Firenze e Genova. con dipinti, disegni, opere di confronto e appa- l’Acquario, il Porto Antico. gurativo dei suoi celebri predecessori d’inizio se- la forma preferirà il ritmo dinamico e musicale rati didattici. -
Domenico Piola and His Drawings
DOMENICO PIOLA AND HIS DRAWINGS: A STUDY OF HIS FRESCO PREPARATIONS By TESSA MARIECHEN TER HORST Bachelor of Arts, 2017 University of Denver Denver, CO Submitted to the Faculty Graduate Division of the College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 DOMENICO PIOLA AND HIS DRAWINGS: A STUDY OF HIS FRESCO PREPARATIONS Thesis Approved: Major Professor, Dr. Babette Bohn, Professor of Art History Dr. Jessica Fripp, Assistant Professor of Art History Dr. Nancy Edwards, Curator of European Art, Kimbell Art Museum Dr. Joseph Butler, Associate Dean, College of Fine Arts ii iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my primary thesis advisor, Dr. Babette Bohn, for her support and guidance through the thesis process. I also want to thank my other thesis committee members, Dr. Jessica Fripp and Dr. Nancy Edwards, whose expertise and advice greatly enhanced my thesis. I would like to thank the staff of the Palazzo Rosso, the British Museum, the Victoria and Albert Museum, the Blanton Museum of Art, and the Morgan Library for aiding my primary research at their collections. A special thanks to Dr. Margherita Priarone at Palazzo Rosso for kindly directing me through their collection- Grazie! I would like to express my gratitude to Dr. Lori Diel, Dr. Mark Thistlethwaite, and Dr. Frances Colpitt for their continued support throughout the program. Thank you to Edith Riley- Peinado, Taylor Day, and Hannah Plank in the Visual Resource Library for their constant encouragement and help with any issues, technological or otherwise. -
Dipinti Antichi Dipinti
Genova 14 Novembre 2018 14 Novembre Genova Dipinti Antichi Dipinti ASTA 366 DIPINTI ANTICHI 14 NOVEMBRE 2018 DIPINTI ANTICHI ESPERTO DI DIPARTIMENTO GIANNI MINOZZI ASSISTENTE DI DIPARTIMENTO MARTINA MINETTI ASTA 366 MERCOLEDÌ 14 NOVEMBRE 2018 ORE 15.00 • LOTTI 1 - 259 ESPOSIZIONE GENOVA CASTELLO MACKENZIE VENERDÌ 9 NOVEMBRE 2018 ORE 10-19 SABATO 10 NOVEMBRE 2018 ORE 10-19 DOMENICA 11 NOVEMBRE 2018 ORE 10-19 LUNedÌ 12 NOVEMBRE 2018 ORE 10-19 CONDITION REPORT Lo stato di conservazione dei lotti non è indicato in maniera completa in catalogo; chi non potesse prendere visione diretta delle opere è invitato a richiedere un condition report all’indirizzo e-mail: The state of conservation of the lots is not completely specified in the catalog. Who cannot personally examine the objects can request a condition report by e-mail: [email protected] GENOVA DIPARTIMENTI Castello Mackenzie Mura di S. Bartolomeo 16 - 16122 Genova Argenti Antichi Tel. +39 010 8395029 Carlo Peruzzo Fax +39 010 879482 [email protected] [email protected] Arte Moderna e Contemporanea Michela Scotti MILANO [email protected] Daniele Palazzoli Via San Marco 22 - 20121 Milano [email protected] Tel. +39 02 36590462 Fax +39 02 87240060 Arte Orientale [email protected] Dario Mottola [email protected] ROMA Arti Decorative del XX secolo Via Margutta 1A - 00187 Roma Marco Arosio Tel. +39 06 95215310 [email protected] [email protected] Auto d’Epoca Claudio Rava [email protected] Design RAPPRESENTANZE Piermaria Scagliola [email protected] -
Alessandro Magnasco and the Painterly Picaresque Charles Preston Mclane
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Alessandro Magnasco and the Painterly Picaresque Charles Preston McLane Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE ALESSANDRO MAGNASCO AND THE PAINTERLY PICARESQUE By CHARLES PRESTON MCLANE A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2006 The members of the Committee approve the dissertation of Charles Preston McLane, defended on October 18, 2006. ____________________________ Robert Neuman Professor Directing Dissertation ____________________________ David F. Johnson Outside Committee Member ____________________________ Karen A. Bearor Committee Member ____________________________ Jack Freiberg Committee Member Approved: ______________________________________________________________ Richard K. Emmerson, Chair, Department of Art History ______________________________________________________________ Sally E. McRorie, Dean, College of Visual Arts, Theatre and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I wish to extend my sincerest thanks to all of the faculty and staff of the Department of Art History at Florida State University. The generous welcome I enjoyed upon my arrival has never abated, and I am supremely grateful for the opportunity I have had to study in the company of so many brilliant and talented people. For the crucial financial support that I have received from both the Department and the University, I am deeply grateful. I am especially indebted to Robert Neuman, the chair of my dissertation committee, without whose guidance and support this dissertation would not have been written. -
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
THE HISTORY OF PAINTING IN ITALY, FROM THE PERIOD OF THE REVIVAL OF THE FINE ARTS, TO THE END OF THE EIGHTEENTH CENTURY: TRANSLATED gmn tj)e O^rtgtnal Btaltan OF THE ABATE LUIGI I.ANZI. By THOMAS ROSCOE. IN SIX VOLUMES. VOL. VI. CONTAINING THE INDEXES. LONDON: PKINTED FOR W. SIMPKIN AND R. MARSHALL, STATIONERS'-HALL COURT, LUDGATE STREET. 1828. ND }. IVl'Cieery, Tooks Court, Cliancery-Iane, Londou. J. PAUL GETTY MUSEUM UBRABX CONTENTS OF THE SIXTH VOLUME. Page Index I. Professors of Painting mentioned in the 1 worJc ; together with the dates, 8fc. ... Index II. Historical and Critical Publications re- lating to the Art, cited in the Work . .167 Index III. Of some of the most important Matters contained in the Work 197 that ** ^''itft regard to the Abbreviations of words adapted in the above Indexes, to dates birth, and that d. to the deaths of artists. The rest »f b. is applied of of lUill be perfectly intelligible to the English reader. FIRST INDEX. Artists referred to in this work, noting the periods of their Birth and Death, and the authoritiesfor the dates. A. Abate (!') Ciccio, v. Solimene. Abati, or dell' Abate, Niccolo, a Modenese, b. 1509 or 1512, d. 1571. Tiraboschi. Vol. iv. p. 46, and vol. v. pp. 48, 57. • Giovanni, his father, d. 1559. Tiraboschi. iv. 48. Pietro Paolo, brother of Niccolo. Tiraboschi. iv. 48. — Giulio Camillo, son of Niccolo. Tiraboschi. ib. Ercole, son of Giulio, d, 1613. Tiraboschi. ib. Pietro Paolo, son of Ercole, d. 1630, aged 38. Tira- boschi. iv. 50. Abatini, Guido Ubaldo, of Cittk di Castello, d. -
REAL ENIGMAS Portraits and Still Lifes of the Poletti Collection and Gallerie Nazionali Barberini Corsini
ENGLISH REAL ENIGMAS Portraits and still lifes of the Poletti Collection and Gallerie Nazionali Barberini Corsini 1 REAL ENIGMAS GEO POLETTI AND THE REASONS Portraits and still lifes of the Poletti Collection FOR THE EXHIBITION and Gallerie Nazionali Barberini Corsini Curated by Paola Nicita Gallerie Nazionali di Arte Antica – Galleria Corsini 24 October 2019 – 2 February 2020 One of the most renowned 18th-century galleries, owned by Florentine Pope Clement XII and his cultured nephew Cardinal Neri Maria, designed and built by the architect Ferdinando Fuga to house their vast collection of paintings, will be hosting some pieces from the collection of Geo Poletti, educated in Milan, London and Lugano starting in the 1950s. The aim is not to compare the two collections, which are very different in terms of their size, time, places, tastes and styles. Yet there are certainly some surprising similarities. The intention is to reflect on the theme of collecting, both as a practice and as a cultural category, by dis- 9 playing an assortment of pieces belonging to one of the most original contemporary collectors. The exhi- bition also presents some unresolved problems, without wishing to offer any new attributions at all costs, allowing them to remain in anonymity, where names and dates are unknown. This exhibition continues the 8 7 6 5 4 series of shows that Galleria Corsini in Rome has dedicated to collecting, a theme that is fundamental to the identity of Gallerie Nazionali in Rome. For the first time in Rome, the most significant still lifes from the Poletti collection will be on display along with another four paintings from his collection.