Old Master Paintings Wednesday 10 April 2013 at 1Pm Knightsbridge, London Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No

Old Master Paintings Wednesday 10 April 2013 at 1pm Knightsbridge, London Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Old Master Paintings Wednesday 10 April 2013 at 1pm Knightsbridge, London

Bonhams Enquiries Customer Services Montpelier Street [email protected] Monday to Friday 8.30am to 6pm Knightsbridge +44 (0) 20 7468 8307 +44 (0) 20 7447 7447 London SW7 1HH www.bonhams.com Specialists Please see back of catalogue Andrew McKenzie for important notice to bidders Viewing +44 (0) 20 7468 8261 Sunday 7 April 11am to 3pm [email protected] Illustrations Monday 8 April 9am to 4.30pm Front cover: Lot 100 (detail) Caroline Oliphant Tuesday 9 April 9am to 4.30pm Back cover: Lot 159 (detail) Wednesday 10 April 9am to 11am +44 (0) 20 7468 8271 [email protected] Live online bidding is Bids David Dallas available for this sale +44 (0) 20 7447 7448 +44 (0) 20 7468 8336 Please email [email protected] +44 (0) 20 7447 7401 fax [email protected] with “Live bidding” in the subject To bid via the internet please visit line 48 hours before the auction www.bonhams.com Lisa Greaves to register for this service. +44 (0) 20 7468 8325 Please provide details of the lots [email protected] on which you wish to place bids at least 24 hours prior to the sale. Carlotta Mascherpa New bidders must also provide +44 (0) 20 7468 8307 proof of identity when submitting [email protected] bids. Failure to do this may result in your bids not being processed. Poppy Harvey-Jones +44 (0) 20 7468 8308 Sale Number: 20611 [email protected]

Catalogue: £18 Consultant Brian Koetser

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Central Sale Information Middlesex Hospital Park Royal

Coronation Road W Bonhams,

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Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A

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West Acton Horn Lane Bids Collection & shipment Station Handling & Important Notice +44 (0) 20 7447 7448 Sold lots marked with a special storage charges A surcharge of 3% is applicable +44 (0) 20 7447 7401 fax symbol W will be only retained when using Mastercard, Visa and To bid via the internet please visit at Bonhams, until 5:30pm on Please Note overseas debit cards. www.bonhams.com Wednesday 10 April 2013. Lots For sold W lots removed to not collected by then will be Bonhams warehouse there will be The following symbol is used Payments removed to Bonhams Park Royal no transfer and storage charges for to denote that VAT is due on warehouse. lots collected between Friday 12 the hammer price and buyer’s Buyers April 2013 and close of business premium +44 (0) 20 7447 7447 The sold lots marked with a Wednesday 1 May 2013. +44 (0) 20 7447 7401 fax special symbol W will be available † VAT 20% on hammer price for collection from Bonhams Transfer and storage charges will and buyer’s premium warehouse as from 9.30am on commence on Thursday 2 May Sellers VAT on imported items at Payment of sale proceeds Friday 12 April 2013. See Handling 2013. * a preferential rate of 5% on +44 (0) 20 7447 7447 and Storage section for charges. hammer price and the prevailing +44 (0) 20 7447 7401 fax The charges levied by Bonhams Lots maybe released from Bonhams are as follows: rate on buyer’s premium warehouse on production of the Valuations, taxation collection order obtained from Paintings and Frames marked W These lots will be removed & heritage cashier’s office at Bonhams and a with W to Bonhams Park Royal after +44 (0) 20 7468 8340 form of photographic ID. If a third the sale. Please read the sale +44 (0) 20 7468 5860 fax party is collecting on behalf of information page for more details [email protected] Transfer per lot £20.00 the client, the client must provide Daily storage per lot £3.40 Bonhams with written authority Y These lots are subject to CITES Catalogue subscriptions prior to collection. The third party All other paintings and frames regulations, please read the To obtain any Bonhams catalogue must present a photographic form information in the back of the or to take out an annual of ID when collecting. Transfer per lot £10.00 catalogue subscription: Daily storage per lot £1.70 Subscriptions Department All sold lots not marked with W a Buyers from within the EU: VAT +44 (0) 1666 502200 will only be held at Bonhams All the above charges are is payable at the prevailing rate +44 (0) 1666 505107 fax Knightsbridge for 14 days. exclusive of VAT on just the Buyer’s Premium [email protected] Lots not collected by then (NOT the Hammer Price). will be transferred to Bonhams Handling & storage Shipping Park Royal warehouse on Buyers from outside the EU: For information and estimates Wednesday 24 April 2013. payment VAT is payable at the prevailing All charges due Bonhams must on domestic and international Transfer and storage charges will rate on both Hammer Price and be paid by the time of collection shipping as well as export licenses commence Thursday 2 May 2013. Buyer’s Premium. If a Buyer, please contact Bonhams Shipping from Bonhams’ warehouse. having registered under a non-EU Department on: address, decides that the item is Bonhams Warehouse Payment in advance +44 (0) 20 8963 2849 Address: not to be exported from the EU, +44 (0) 20 8963 2850 Tel: +44 (0) 20 7447 7447 to then he should advise Bonhams Unit 1, Sovereign Park ascertain amount due by: cash, +44 (0) 20 7629 9673 fax Coronation Road immediately. [email protected] cheque with banker’s card, Park Royal, London NW10 7QP credit card, bank draft or Tel: +44 (0) 87 0811 3867 traveller’s cheque. Hours of opening 9.30am to 4.30pm Monday to Friday Payment at time of collection By credit card / debit card 1 1 Jacobus Buys (Amsterdam 1724-1801) The Banishment of Hagar signed and dated ‘J.Buys/f1781’ (lower right) oil on panel 31.5 x 26.5cm (12 3/8 x 10 7/16in). £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: In the family of the present owner since the 1950s

Old Master Paintings | 3 2

2 W Follower of Peter Tillemans (Antwerp 1684-1734 Norton) Figures departing for the hunt with an extensive river landscape beyond oil on canvas 76 x 138cm (29 7/8 x 54 5/16in). £2,500 - 3,500 €2,900 - 4,100

3 Circle of Allan Ramsay (Edinburgh 1713-1784 Dover) Portrait of a lady, said to be Lettice Berridge, half-length, in a white satin dress, embellished with a rose corsage, within a painted oval oil on unlined canvas 76.3 x 63.8cm (30 1/16 x 25 1/8in). £2,000 - 3,000 €2,300 - 3,500

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4 W Attributed to Nicholas Thomas Dall (active England 1748-1776) A capriccio view of London with Saint Paul’s Cathedral in the distance oil on canvas 82 x 126cm (32 5/16 x 49 5/8in). £2,000 - 3,000 €2,300 - 3,500

5 W John Vanderbank (London 1694-1739) Portrait of a gentleman, three-quarter-length, in a red velvet coat, standing before a column signed and dated ‘J. Vanderbank. Fecit/ 1722’ (lower left) oil on canvas 127 x 101cm (50 x 39 3/4in). £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: Sale, Christie’s London, 23 October 1942, lot 99

Old Master Paintings | 5 6 7

6 Circle of Pieter Coecke van Aelst the Elder (Aelst 1502-1550 Brussels) The Madonna and Child oil on panel 41.5 x 28cm (16 5/16 x 11in). unframed £2,000 - 3,000 €2,300 - 3,500

7 Flemish School, circa 1600 The Pietà oil on copper 30.5 x 22.5cm (12 x 8 7/8in). unframed £500 - 700 €580 - 810

PROVENANCE: The Property of a Private European Collector

8 Workshop of Georges de La Tour (Vic-sur-Seille 1593-1652 Lunéville) A Hermit contemplating the Crucifix oil on canvas 8 101 x 81cm (39 3/4 x 31 7/8in). unframed £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: The Property of a Private European Collector

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9 W Mexican School, early 17th Century Saint Michael guiding the souls at The Last Judgment oil on panel, oval 92.8 x 120.3cm (36 9/16 x 47 3/8in). £2,000 - 3,000 €2,300 - 3,500

10 Peeter de Kempener, called Pedro de Campagna (Brussels circa 1503-circa 1580) The Penitent Magdalen oil on panel 93.5 x 63cm (36 13/16 x 24 13/16in). unframed £5,000 - 7,000 €5,800 - 8,100

PROVENANCE: The Property of a Private European Collector

Peeter de Kempener worked in Seville circa 1548.

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11 Flemish School, 18th Century The Rest on the Flight into Egypt oil on canvas 30.5 x 62.5cm (12 x 24 5/8in). £700 - 1,000 €810 - 1,200

12 Flemish School, 18th Century Portrait of two children, in grey, holding hands oil on panel 58 x 44cm (22 13/16 x 17 5/16in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: With Kunsthandel Pieter de Boer, Amsterdam, where purchased by the present owner, 1983

13 After Sir Peter Paul Rubens, 17th Century Drovers and cattle on a country path, before an open landscape oil on panel 64.5 x 99cm (25 3/8 x 39in). unframed £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: The Property of a Private European Collector

The present painting is derived from an original composition by Sir 12 Peter Paul Rubens and Cornelis Saftleven, formerly in the Fairfax-Lucy Collection, sold at Christie’s, London, June 1945, lot 36 (bought by William Hallsborough) and whereabouts unknown at present (see: M. Jaffe, Rubens (Milan, 1989), cat no. 992).

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14 Studio of Justus Sustermans (Antwerp 1597-1681 Florence) Portrait of Charles de Lorraine, Duc de Guise, bust-length, in armour and a white lace collar oil on canvas 64.5 x 49cm (25 3/8 x 19 5/16in). £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: Acquired by William Drury Lowe of Locko Park on one of the occasions when he visited Italy with his wife between 1839 and 1865 and thence by descent to the present owner

LITERATURE: J.P. Richter, Catalogue of Pictures at Locko Park (London, 1901), no. 116, p. 48 (as in the manner of Sustermans)

The composition is taken from the original work by Sustermans in the Galleria degli Uffizi, Florence. Charles Duc de Guise (1571-1640) was a staunch supporter of Henri IV of France, who appointed him Governor of Provence and later created him Grand Master of France and Admiral of the Levant, so that he became one of France’s most distinguished military leaders both on land and sea.

Old Master Paintings | 9 15 16

15 W English School, 18th Century Figures beneath a tree oil on canvas 105.7 x 76cm (41 5/8 x 29 15/16in). £2,000 - 3,000 €2,300 - 3,500

The subject of the present painting may relate to the story of Old Hamlet’s death by a snakebite in the ear. The ghost of his father later tells Hamlet the truth of his death:

Now, Hamlet, hear. ‘Tis given out that, sleeping in my orchard, A serpent stung me..... But know, thou noble youth, The serpent that did sting thy father’s life Now wears his crown.

16 Charles Philips (London 1708-1747) Portrait of a gentleman, full-length, in a green coat, and a groom holding a hunter in the background indistinctly signed and dated ‘***inx/1732’ (on rock, lower right) oil on canvas 48 x 32cm (18 7/8 x 12 5/8in). £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: Sale, Bonhams, London, 28 October 2009, lot 211, where purchased by 17 the present owner

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17 English School, 18th Century Portrait of Walter Radcliffe, half-length, in a brown velvet coat, within a painted oval; and Portrait of Admonition Radcliffe, half-length, in a blue silk dress and a white chemise, within a painted oval the former bears inscription ‘Walter Radcliffe’ (centre left) and the latter bears inscription ‘Admonition Radcliffe’ (centre left) a pair, oil on canvas 77 x 64cm (30 5/16 x 25 3/16in). (2) £2,000 - 3,000 €2,300 - 3,500

Walter Radcliffe (1693- 1752) was the fifth son of Jasper Radcliffe of Franklyn House, Exeter and Hockworthy Court, Devon. He married Admonition Bastard (1701-1758) in 1721 by whom he had six sons and six daughters.

18 W German School, circa 1800 Elegant figures conversing in an ornamental garden oil on canvas 80.5 x 105cm (31 11/16 x 41 5/16in). £2,000 - 3,000 €2,300 - 3,500

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19 W Studio of Sebastiano Florigerio (Conegliano Veneto 1510-circa 1564 Udine) The Entombment oil on canvas 134 x 150cm (52 3/4 x 59 1/16in). unframed £3,500 - 4,500 €4,100 - 5,200

PROVENANCE: The Property of a Private European Collector

A version of the present composition, by Sebastiano Florigiero, was offered for sale at Semenzato, Venice, 27 May 1986, lot 66.

20 Follower of Giuseppe Cesari, called il Cavalier d’Arpino (Rome 1568-1640) The Pietà oil on copper 29 x 22.7cm (11 7/16 x 8 15/16in). £1,000 - 1,500 €1,200 - 1,700

A painting of the same composition, also on copper, was offered at Dorotheum, Vienna, 13 December 2012, lot 73.

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21 Attributed to Lambert Sustris (Amsterdam 1515-1595) An infant holding a tambourine oil on canvas 66 x 106cm (26 x 41 3/4in). unframed £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: The Property of a Private European Collector

The right-hand side of the present composition is derived from a work in the Kunsthistorisches Museum, Vienna, which has been the subject of some debate and was once ascribed to Titian. Possibly having been cut down in the past, this latter painting was also previously thought to be by Paolo Veronese. A copy with variations is also recorded to have been in the collection of O. Kosek of Nice which has been attributed to Sustris.

22 After Raffaello Sanzio, called Raphael, circa 1800 The Madonna of Divine Love oil on canvas 96.5 x 73.5cm (38 x 28 15/16in). £1,000 - 1,500 €1,200 - 1,700

The present work is a copy after Raphael’s original painting, now in the Museo di Capodimonte, Naples.

Old Master Paintings | 13 23 24

23 Circle of Melchior de Hondecoeter (Utrecht 1636-1695 Amsterdam) A cockerel, hen and other decorative fowl in a farmyard oil on canvas 82.5 x 71.2cm (32 7/16 x 28in). £3,000 - 5,000 €3,500 - 5,800

An alternative attribution to Adrian van Oolen (Amsterdam, died 1694) has been suggested.

24 Circle of Michael Dahl (Stockholm 1659-1743 London) Portrait of a lady, half-length, in a blue dress and white chemise, within a painted oval oil on canvas 76 x 64cm (29 15/16 x 25 3/16in). £1,000 - 1,500 €1,200 - 1,700

25 Circle of Hans Hysing (Stockholm 1678-1752 London) Portrait of William Bastard, half-length, in a blue velvet coat and a white jabot bears date and inscription ‘1725’ (centre left) and ‘Wm Bastard Esqr’ (centre right) oil on canvas 76.2 x 64.2cm (30 x 25 1/4in). £800 - 1,200 €930 - 1,400

25 The sitter, William Bastard of Kitley, was the brother of Admonition Bastard (1701-1758) who married Walter Radcliffe (1693-1752) of Franklyn House, Exeter and Warleigh, Devon.

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26 W Circle of Sir Peter Lely (Soest 1618-1680 London) Portrait of Elizabeth, Countess of Northumberland (1646-1690), three- quarter-length, standing beside a stone urn, in a gold dress and holding a flower bears monogram ‘PL’ (lower left) oil on canvas 126 x 103cm (49 5/8 x 40 9/16in). in a carved and gilt frame £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: Sale, Bonhams, London, 10 December 1992, lot 1, where purchased by the present owner

The youngest daughter of Thomas Wriothesley, Earl of Southampton, Lord High Treasurer of England, the sitter married Joceline, 11th Earl of Northumberland in 1662, and secondly, in 1671, the Duke of Montagu.

27 Augustinus Terwesten (The Hague 1711-1781) Putti playing before an open landscape signed and dated ‘A: Terwesten pinxit 1753.’ (lower centre) oil on canvas, shaped lower edge 102 x 101.5cm (40 3/16 x 39 15/16in). £3,000 - 5,000 €3,500 - 5,800

28 W Hamlet Winstanley (Lancashire 1698-1756) Portrait of William Clayton, three-quarter-length, in a blue velvet coat and waistcoat, standing in a landscape bears inscription ‘Wm Clayton Esqr./ Ham: Winstanley Pinxt.’ (lower left) and signed and dated ‘Hamlet Winstanley/ fecit 1734’ (lower right) and ‘Wm: Clayton of Adlington Esqr. (2.d Son of Richard/ Clayton Esr. 28 & Martha his Wife, daughter of Joshua Horton/ of Chaderton Esq.r) he dyed the 19:th of June 1735. aged 36’ (on reverse, presumably PROVENANCE: transcribed from the original canvas) The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, oil on canvas Kent, circa 1920-1958, and thence by descent to the present owner 128 x 102cm (50 3/8 x 40 3/16in). £2,500 - 3,500 €2,900 - 4,100

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29 30 Circle of Antonio Ponce (Valladolid 1608-1677 Madrid) School of Madrid, circa 1700 Tulips, peonies, carnations and other flowers in a glass vase on a stone Lemons and pomegranates in a maiolica tazza, with jasmine and tulips ledge; and Roses, convolvulus, lilies and other flowers in a glass vase on in a maiolica albarello and other fruits and flowers on a table top; and a stone ledge Pears and apples in a maiolica tazza, with tulips and roses in a maiolica a pair, oil on canvas albarello, and other fruits and flowers on a table-top 41.8 x 27.2cm (16 7/16 x 10 11/16in). (2). two of a set, oil on canvas £6,000 - 8,000 73 x 100.8cm (28 3/4 x 39 11/16in). (2). €7,000 - 9,300 £15,000 - 20,000 €17,000 - 23,000

PROVENANCE: Acquired by the present owner’s family for a country house in Aragon and thence by descent

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31 Follower of Agostino Buonamico, called Agostino Tassi (Perugia circa 1579-1644 Rome) An Italianate landscape with Tobias and the Angel; and A rocky coastline with the Calling of Saint Peter a pair, oil on canvas laid down on panel, ovals 13 x 18.4cm (5 1/8 x 7 1/4in). (2) £1,000 - 1,500 €1,200 - 1,700

32 W Studio of Jusepe de Ribera (Jativa 1588-1656 Naples) Aesop oil on canvas 123 x 92cm (48 7/16 x 36 1/4in). unframed £5,000 - 7,000 €5,800 - 8,100

PROVENANCE: The Property of a Private European Collector

Another version of the present painting, ascribed to Ribera, is now in the Real Monasterio de San Lorenzo, El Escorial (see: A. E. Perez Sanchez and N. Spinosa, L’Opera Completa del Ribera (Cleveland, 1981), cat. no. 394). Given that the majority of Ribera’s subjects were copied on numerous occasions, it is highly unusual to find only two known versions of the present composition. 32

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33 Follower of Giacinto Brandi (Poli 1623-1691 Rome) The Penitent Magdalen oil on canvas 98 x 73.2cm (38 9/16 x 28 13/16in). unframed £1,000 - 1,500 €1,200 - 1,700

The present painting follows the original by Brandi offered at Wannenes, Genoa, 31 May 2011, lot 59.

Old Master Paintings | 19 34

34 Circle of Alessandro Salucci (Florence 1590-circa 1655 Rome) Two architectural capricci with scenes from the Life of Christ a pair, oil on canvas laid down on board 71 x 126cm (27 15/16 x 49 5/8in). (2) unframed £8,000 - 12,000 €9,300 - 14,000

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35 Circle of Elisabetta Marchioni (active Italy, 1740-1780) Roses, a tulip, chrysanthemums and other flowers in a bronze urn on a stone ledge; and Roses, narcissi, chrysanthemums and other flowers in a bronze urn with a bird on a stone ledge a pair, oil on canvas, oval 68 x 56cm (26 3/4 x 22 1/16in) and 68 x 57cm (26 3/4 x 22 7/16in). (2) £3,000 - 5,000 €3,500 - 5,800

Old Master Paintings | 21 36

36 Jan Peeter Verdussen (Antwerp circa 1700-1763 Avignon) A huntsman offering game to a lady on horseback; and Huntsmen on horseback before a ruined arch the latter indistinctly signed with initials (lower right) a pair, oil on canvas 22.5 x 29cm (8 7/8 x 11 7/16in). (2) £3,000 - 5,000 €3,500 - 5,800

37 W Circle of John Vanderbank (London 1694-1739) Portrait of Martha Radcliffe, three-quarter-length, in a red dress and a blue wrap, seated at a table bears inscription and date ‘Martha Radcliffe/1726’ (centre left) oil on canvas 126 x 100.2cm (49 5/8 x 39 7/16in). £1,500 - 2,000 €1,700 - 2,300

The sitter, Martha Radcliffe (1688-1727), was the seventh daughter of Jasper Radcliffe (1635-1704) of Franklyn House, Exeter, and Hockworthy Court, Devon, and Jane Andrew. She married the Reverend John Fursman, chancellor and canon residentiary of Exeter Cathedral, in 1721. They had one daughter, Martha Fursman (1723-1741).

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38 * Circle of Michael Dahl (Stockholm 1659-1743 London) Portrait of a lady, bust-length, in a green and gold silk dress oil on canvas, oval, all four corners made up 76 x 63.5cm (29 15/16 x 25in). unframed £1,200 - 1,800 €1,400 - 2,100

Old Master Paintings | 23 39

39 Hendrik Jacobsz. Dubbels (Amsterdam circa 1620-1676) A dune landscape with figures standing on the shore oil on canvas 49 x 63.5cm (19 5/16 x 25in). £5,000 - 7,000 €5,800 - 8,100

A similar group of figures, depicted in the foreground, can be compared to those in two other paintings, one of which is in the Museé du Louvre, Paris (see: U. Middendorf, Hendrick Jacobsz. Dubbels (Freren, 1989), p. 143, ill. pl. 86 and 87).

40 Jacob van Toorenvliet (Leiden circa 1635-1719) An old woman handing a coin to a street seller oil on canvas, laid down on panel 40 x 33.5cm (15 3/4 x 13 3/16in). £1,500 - 2,000 €1,700 - 2,300

The present painting belongs to the artist’s later year (circa 1710) and shows the broad treatment typical of this period.

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41 Manner of Pieter Jacobsz. Duyfhuysen, 18th Century Peasants cooking in a barn interior oil on panel 35.8 x 44.5cm (14 1/8 x 17 1/2in). £2,000 - 3,000 €2,300 - 3,500

42 Circle of Cornelis Pietersz. Bega (Haarlem circa 1631-1664) A peasant couple in an interior oil on panel 39.1 x 30cm (15 3/8 x 11 13/16in). £800 - 1,200 €930 - 1,400

PROVENANCE: With James H. Starkey Galleries, Yorkshire (according to a label on the reverse)

Old Master Paintings | 25 43

43 Circle of Jacques-Albert Senave (Loo 1758-1823 Paris) Peasants in a tavern interior oil on panel 35 x 44cm (13 3/4 x 17 5/16in). £1,000 - 1,500 €1,200 - 1,700

44 Jacques François Joseph Swebach-Desfontaines (Metz 1769-1823 Paris) A horseman galloping oil on panel 28.3 x 24.2cm (11 1/8 x 9 1/2in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: Sale, Canon Frome Court, 17 April 1942 (according to an inscription on the reverse)

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45 François van Knibbergen (The Hague 1597-circa 1665 Amsterdam), and Jan Martsen de Jonge (Haarlem circa 1609-1647) Bandits on a country path, an open landscape in the distance indistinctly signed ‘F k f’ (lower left) oil on panel 37.8 x 55.8cm (14 7/8 x 21 15/16in). unframed £2,500 - 3,500 €2,900 - 4,100

The figures in the present painting are by Jan Martsen de Jonge.

46 Attributed to Jacob Jansz. van Velsen (Delft circa 1625-1656 Amsterdam) A man smoking a pipe in an interior oil on panel 29 x 22cm (11 7/16 x 8 11/16in). £1,200 - 1,800 €1,400 - 2,100

PROVENANCE: Sale, Sotheby’s, London, 18 September 1997, lot 229

Old Master Paintings | 27 47

47 William Jones of Bath (active Britain 1738-1749) A squirrel eating cobnuts with strawberries, grapes and peaches on the table-top bears signature and date ‘PGallis/1665’ (lower right) oil on canvas 43 x 53.2cm (16 15/16 x 20 15/16in). £2,000 - 3,000 €2,300 - 3,500

48 English School, circa 1840 Portrait of a gentleman, three-quarter-length, in black costume, standing beside a table oil on canvas 60 x 50cm (23 9/16 x 19 5/8in). £700 - 1,000 €810 - 1,200

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49 Circle of Jan Baptist Weenix (Amsterdam 1621-circa 1660 Deutecum) A dead hare and various birds on a table-top, with hunting paraphernalia oil on canvas 76 x 91cm (29 15/16 x 35 13/16in). £1,200 - 1,800 €1,400 - 2,100

50 Attributed to John Hoppner, R.A. (London 1758-1810) Portrait of Peter Leopold Nassau Cowper, 5th Earl Cowper, bust-length, in Peer’s robes oil on canvas 76.2 x 63.5cm (30 x 25in). £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: The Cowper Family, Panshanger House, Hertfordshire Lady Desborough (1867-1952), and thence by descent to the present owner

A portrait of Lord Cowper is recorded in the sale of John Hoppner’s unfinished works on 31 May, 1823, lot 29.

Old Master Paintings | 29 51

51 German School, circa 1730 An elegant company departing for the hunt; and A stag hunt in a wooded landscape a pair, oil on canvas 43 x 73cm (16 15/16 x 28 3/4in). (2) £2,500 - 3,500 €2,900 - 4,100

52 W After Pompeo Girolamo Batoni, 18th Century Portrait of Prince Edward Augustus, Duke of York, three-quarter-length, in a blue velvet coat with gold-trimmed lapels and the Star and Sash of the Order of the Garter, standing in a loggia with a view of the Colosseum beyond oil on canvas 119 x 103.5cm (46 7/8 x 40 3/4in). £2,000 - 3,000 €2,300 - 3,500

The present composition is a direct copy of Pompeo Batoni’s original, now in the Collection of Her Majesty the Queen.

30 | Bonhams 51 53 Circle of John Astley (Shropshire circa 1730-1787 Duckenfield) Portrait of a gentleman, half-length, in a green velvet coat, seated at a table with a bowl of soup, a music score, a pair of dividers and books oil on canvas 57 x 50.7cm (22 7/16 x 19 15/16in). £2,000 - 3,000 €2,300 - 3,500

Old Master Paintings | 31 54

54 Attributed to Jacob Bouttats (active Antwerp, 1700) The Sacrifice of Noah oil on panel stamped on reverse with panelmaker’s mark 29 x 40cm (11 3/8 x 15 11/16in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: Sale, Sotheby’s, London, 17 April 1996, lot 635 (as attributed to Fredrik Bouttats the Elder)

Two further versions of this composition were offered at auction: the first at Dorotheum, Vienna, December 1972, lot 15 (as Jacob Bouttats) and the second at Karl und Faber, Munich, 5 June 1986, lot 178 (as Flemish School, circa 1580).

55 Antwerp School, circa 1540 Noli me Tangere oil on panel 55 x 44.5cm (21 5/8 x 17 1/2in). £2,000 - 3,000 €2,300 - 3,500

32 | Bonhams 56

56 Flemish School, 17th Century Pewter dishes filled with sweetmeats with an earthenware carafe and glass of wine on a table top oil on panel 14 x 20cm (5 1/2 x 7 7/8in). £3,000 - 5,000 €3,500 - 5,800

57 Workshop of Marten de Vos (Antwerp 1532-1603) The Crucifixion with donors oil on panel 82.5 x 61.7cm (32 1/2 x 24 5/16in). £2,500 - 3,000 €2,900 - 3,500

PROVENANCE: The Collection of Thomas Ford By whom donated to the Church of Saint Luke, Southport, circa 1900 (according to a label on the frame)

Old Master Paintings | 33 58

58 Abraham van Cuylenborch (Utrecht circa 1610-1658) Cherubs carrying the Cross oil on panel 15.9 x 21.4cm (6 1/4 x 8 7/16in). £1,500 - 2,000 €1,700 - 2,300

59 Circle of Job Berkheyde (Haarlem 1630-1693) Portrait of a collector, seated before a window oil on canvas 42.5 x 33.7cm (16 3/4 x 13 1/4in). £2,000 - 3,000 €2,300 - 3,500

34 | Bonhams 60

60 Circle of Franz de Paula Ferg (Vienna 1689-1740 London) Figures in an Italianate landscape, before ruins oil on panel 35 x 42.7cm (13 3/4 x 16 13/16in). £4,000 - 6,000 €4,600 - 7,000

61 Attributed to Arnold Boonen (Dordrecht 1669-1729 Amsterdam) A young boy holding a tambourine, at an arched window oil on panel 22.2 x 20.5cm (8 3/4 x 8 1/16in). £3,000 - 5,000 €3,500 - 5,800

Old Master Paintings | 35 62

62 Richard Wilson (Penegoes 1714-1782 Colomendy) Portrait of Robert Wynne as a boy, half-length, in a grey coat, within a painted oval bears inscription and signature ‘Robert Wynne (the third present) of Garthewin Aet 9/ Richard Wilson pinxit 1741’ (on reverse, presumably transcribed from the original canvas) oil on canvas 76 x 63cm (29 15/16 x 24 13/16in). £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: Sale, Christie’s, London, 14 April 1989, lot 114 With David Cook, Rye, where purchased by the present owner

36 | Bonhams 63

63 Sir Joshua Reynolds (Plympton 1723-1792 London) Portrait of Mrs Thomas Wodehouse, half-length, in a white dress with gold embroidery, within a painted oval oil on canvas 76.2 x 63.5cm (30 x 25in). £6,000 - 8,000 €7,000 - 9,300

PROVENANCE: ENGRAVED: A.J. Sulley Charles Turner, 1823 His Sale, Christie’s, London, 1 June 1934, lot 21 (bought by Agnew’s) F. Hunter Sale, Christie’s, London, 16 June 2005, lot 248 (where purchased by the present owner) The sitter, Sarah, was the only daughter of Pryse Campbell of Cawdor Castle, and sister of John, 1st Lord Cawdor. In 1782 she married Thomas LITERATURE: Wodehouse, a barrister who was the brother of Lord Wodehouse of W. Cotton, Sir Joshua Reynolds and his Works (London, 1856), p. 80 Kimberley Hall, Norfolk. A. Graves & W.V Cronin, Sir Joshua Reynolds (London, 1899), vol. III, pp. 1063-4 The present painting must date from between 1782 when Sarah became Sir W. Armstrong, Reynolds (London, 1900), p. 236 Mrs Wodehouse and 1792 when Sir Joshua Reynolds died. There is D. Mannings, Sir Joshua Reynolds; A complete catalogue of his paintings another portrait of Sarah by Reynolds recorded under her maiden name (London, 2000), p. 119, no. 305a of Campbell.

Old Master Paintings | 37 64

64 W Edward Collier (Breda circa 1640-circa 1706 London) A vanitas still life with a globe, court jewels in a casket, a sword, a miniature portrait of King Charles I and other objects on a draped table signed and dated ‘E.Collier fec. 1691’ (on sheet, lower right) oil on canvas 100 x 125.8cm (39 3/8 x 49 1/2in). £6,000 - 8,000 €7,000 - 9,300

A second, later version, dated 1705, appeared at Sotheby’s, London, 16 October 2002, lot 44 (the Robertson Collection).

65 Circle of Sir Godfrey Kneller (Lübeck 1646-1723 London) Portrait of a gentleman, said to be Henry, Lord of Overkirk, bust-length, in armour, within a painted oval oil on canvas 71.8 x 55.9cm (28 1/4 x 22in). £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: The Cowper Family, Panshanger House, Hertfordshire Lady Desborough (1867-1952), and thence by descent to the present owner

38 | Bonhams 66

66 * Marmaduke Cradock (Somerset 1660-1717 London) A peacock, pheasant, turkey and jay by a river oil on canvas 31.5 x 36.2cm (12 3/8 x 14 1/4in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: Sale, Christie’s, South Kensington, 11 December 2009, lot 131 (as Circle of Marmaduke Craddock)

67 W Thomas Hudson (Devon 1701-1779 Twickenham) Portrait of The Reverend John Fursman, three-quarter-length, in clerical robes, holding a book, standing before a window oil on canvas 125.8 x 100.5cm (49 1/2 x 39 9/16in). £4,000 - 6,000 €4,600 - 7,000

The sitter, The Reverend John Fursman (1680-1759) of Franklyn House, Exeter, and Hockworthy Court, Devon, married the seventh daughter of Jasper Radcliffe and Jane Andrew in 1727.

Old Master Paintings | 39 68

68 Studio of Jean-Baptiste Monnoyer (Lille 1636-1699 London) A peacock, a turkey, a purple gallinule, partridges and a squirrel in a landscape signed ‘Baptiste’ (lower right) oil on canvas 50.2 x 117cm (19 3/4 x 46 1/16in). £2,000 - 3,000 €2,300 - 3,500

The present work is part of a group of pictures, of a similar subject, all signed ‘Baptiste’. The artist may well have been a member of the studio of Jean-Baptiste Monnoyer (Lille 1636-1699 London).

69 Follower of Hyacinthe Rigaud (Perpignan 1659-1743 Paris) Portrait of a gentleman, half-length, in a red cloak oil on canvas, oval 74 x 59.5cm (29 1/8 x 23 7/16in). £2,000 - 3,000 €2,300 - 3,500

40 | Bonhams 70

70 French School, 18th Century A shepherd and shepherdess tending their flock in a rocky landscape oil on canvas 28.5 x 37cm (11 1/4 x 14 9/16in). £1,500 - 2,000 €1,700 - 2,300

71 Follower of Claude Lefebvre (Fontainebleau 1632-1675 Paris) Portrait of Simon Arnauld, Marquis de Pomponne (1618-1699), half- length, in a black coat with a lace jabot bears inscription ‘M.r De Pomponne’ (on the reverse) oil on panel, oval 69.5 x 57.5cm (27 3/8 x 22 5/8in). £3,000 - 5,000 €3,500 - 5,800

Old Master Paintings | 41 72

72 Pieter Snayers (Antwerp 1592-1667 Brussels) A cavalry skirmish oil on panel stamped on reverse with Antwerp panelmaker’s mark 48.8 x 73.5cm (19 3/16 x 28 15/16in). unframed £4,000 - 6,000 €4,600 - 7,000

73 Circle of George Jamesone (Aberdeen circa 1589-1644) Portrait of a gentleman, half-length, in a black tunic and a lace collar inscribed and dated ‘ANO. DONI. 1631:’ (upper left) and ‘AETS.SUA. 31’ (upper right) oil on panel 77.5 x 63cm (30 1/2 x 24 13/16in). £2,000 - 3,000 €2,300 - 3,500

42 | Bonhams 74

74 Circle of Sebastian Vrancx (Antwerp 1573-1647) The Battle between officers Bréauté and Gerard Abrahamsz., called Lekkerbeetje, at Vught, 5 February 1600 oil on panel 44.5 x 64cm (17 1/2 x 25 3/16in). £5,000 - 7,000 €5,800 - 8,100

The present composition is based on a presumed original composition by Vrancx, of which several versions are known but none of which has been fully accepted.

The painting depicts a celebrated incident that occurred during the Dutch War of Independence after Bréauté, a French nobleman in the service of Prince Maurits of Orange, had insulted the Lord of Grobbendonck, the Governor of the pro-Spanish city of s’Hertogenbosch. A duel between the two was subsequently arranged, but it was soon realised that Grobbendonck had sent his lieutenant, Lekkerbeetje, in his place. Furious, Bréauté immediately killed him and a violent battle ensued in which the Frenchman was eventually defeated and killed.

75 English School, circa 1600 Portrait of a gentleman, half-length, in a black doublet and white lace collar, within a painted oval oil on canvas 74 x 62cm (29 1/8 x 24 7/16in). £1,500 - 2,000 €1,700 - 2,300 75 PROVENANCE: Sale, Christie’s, London, 27 May 1988, lot 98 (as circle of Cornelis Jonson van Ceulen)

Old Master Paintings | 43 76 77

PROVENANCE: The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, Kent, circa 1920-1958, and thence by descent to the present owner

It is possible the painter of this portrait can be identified with Edward Haytley, who, according to Ellis Waterhouse ‘painted portraits on the scale of life’ and spelt his name ‘Heatley’ as well as ‘Haytley’ (see: E. Waterhouse, The Dictionary of British 18th Century Painters in Oils and Crayons (Suffolk, 1981), p. 166).

77 Circle of John Thomas Seton (London circa 1738-circa 1806 Edinburgh) Portrait of Lieutenant General Sir Thomas Bawser, K.C.B, three-quarter- length, in a scarlet coat and white ruff, standing before a colonial fort oil on canvas 43.1 x 35cm (16 15/16 x 13 3/4in). £2,000 - 3,000 €2,300 - 3,500

The sitter, Lieutenant-General Sir Thomas Bawser, K.C.B, (died 1833) is believed to have joined the Madras European Regiment in 1773-1797 and was twice made Commander-in-Chief of the Madras army. He served in all wars in India until his departure for Europe in 1826.

78 Circle of George Romney (Beckside 1734-1802 Kendal) Portrait of a young lady, three-quarter-length, in a white dress with a pink sash and a feathered hat, standing before a tree in an open 78 landscape oil on canvas 76 W 98 x 92cm (38 9/16 x 36 1/4in). ** Heatley £3,000 - 5,000 Portrait of John Clayton, three-quarter-length, in a blue coat and red €3,500 - 5,800 waistcoat, standing beside a fox hound in a landscape bears inscription ‘John Clayton Esq.r/ Married Eliz: Goodwin/ Daughter of A 19th century pastel portrait, bust-length, showing the same figure, the Rev.d/ Dr. Goodwin./ Heatley Pinxt.’ (lower left) was in the collection of Mr A. Beit, suggesting that perhaps both are oil on canvas based on a now lost Romney portrait. 127 x 102cm (50 x 40 3/16in). £3,000 - 5,000 €3,500 - 5,800

44 | Bonhams 79 80

79 W Hamlet Winstanley (Lancashire 1698-1756) Portrait of Edward Clayton, three-quarter-length, in a red coat and breastplate, standing beside his helmet in a landscape bears inscription ‘Edwd. Clayton Esq.r/ Ham. Winstanley Pinxt.’ (lower left) and ‘Edward the 4th Son of Richd Clayton/ of Adlington Esq & Martha his wife. Daughter of Joshua Horton of Chaderton Esqr./ W. Whitehead/ Restorer 1871 (on reverse, presumbably transcribed from original canvas) oil on canvas 128.5 x 103cm (50 9/16 x 40 9/16in). £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, Kent, circa 1920-1958, and thence by descent to the present owner

80 William Keeble (East Anglia circa 1714-1774 Bologna) Portrait of a gentleman, half-length, in a blue coat and red waistcoat, within a painted oval oil on canvas 77 x 62.5cm (30 5/16 x 24 5/8in). £3,000 - 4,000 €3,500 - 4,600

PROVENANCE: With Historical Portraits, London

81 Circle of Charles Philips (London 1708-1747) Portrait of a lady, full-length, in a white silk dress, seated on a terrace 81 oil on canvas 69.8 x 49.5cm (27 1/2 x 19 1/2in). £3,000 - 4,000 PROVENANCE: €3,500 - 4,600 Sir Hughes Stanton, R.A. Purchased by the Wadsworth Athenaeum with funds from The Ella Gallup Summer and Mary Catlin Summer Collection Fund, 1940 Sale, Sotheby’s, New York, 28 May 1999, lot 70 (as one of a pair)

Old Master Paintings | 45 82

82 W Italian School, 17th Century An Allegory of Summer oil on canvas 128 x 179.5cm (50 3/8 x 70 11/16in). £5,000 - 7,000 €5,800 - 8,100

83 W Circle of Ippolito Scarsella, called Scarsellino (Ferrara(?) 1550-1620) The Rest on the Flight into Egypt oil on canvas 180.7 x 122.8cm (71 1/8 x 48 3/8in). £3,000 - 5,000 €3,500 - 5,800

46 | Bonhams 84

84 W Veneto-Cretan School, 18th Century The Adoration of the Magi oil on unlined canvas 79.4 x 127.8cm (31 1/4 x 50 5/16in). £1,000 - 1,500 €1,200 - 1,700

85 W Follower of Giovanni Antonio Sogliani (Florence 1492-1544) The Madonna and Child oil on canvas 114 x 74.1cm (44 7/8 x 29 3/16in). in an Italian 17th Century mecca gilded frame £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: In the collection of a noble family, Corfu, since the early 18th century

The Madonna and Child in the present work are based on those figures in Sogliani’s painting of the same subject for the Cathedral of Santa Maria Assunta, Pisa.

Old Master Paintings | 47 86

86 Manner of Annibale Carracci, 18th Century Fishermen in a Italianate river landscape with figures on a bridge oil on canvas 63.5 x 76.3cm (25 x 30in). £2,000 - 3,000 €2,300 - 3,500

87 Studio of Giuseppe Cesari, called il Cavalier d’Arpino (Rome 1568- 1640) The Giants storming Mount Olympus oil on canvas 77.5 x 62.5cm (30 1/2 x 24 5/8in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: With Heim Galleries, London, 1968 Sale, Christie’s, London, 1999 (according to Röttgen)

LITERATURE: Herrwarth Röttgen, Il Cavaliere Giuseppe Cesari D’Arpino (Rome, 2002), no. 208, p. 439, ill.

The present composition, which Röttgen dates to 1620/25, is derived, with small differences, from Cavalier d’Arpino’s original, now in the Kunsthistorisches Museum, Vienna.

48 | Bonhams 88

88 Workshop of the Bassano Family, circa 1600 The Agony in the Garden oil on slate 36 x 36.5cm (14 3/16 x 14 3/8in). £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: A.E. Popham Esq. and thence by descent to the present owner

89 Attributed to Antonio Vassilacchi, called L’Aliense (Milo 1556-1629 Venice) The Transfiguration oil on canvas 100 x 82cm (39 3/8 x 32 5/16in). unframed £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: The Property of a Private European Collector

Old Master Paintings | 49 90

90 Christian Georg Schütz II (Florsheim 1758-1823 Frankfurt) A Rhenish river landscape with figures crossing a bridge, a town in the distance; and A Rhenish river landscape with figures loading a barge a pair, oil on panel 20 x 26cm (7 7/8 x 10 1/4in). (2) £5,000 - 7,000 €5,800 - 8,100

91 * Circle of John Riley (London 1646-1691) Portrait of a gentleman, bust-length, in a green coat and brown silk wrap, within a painted oval oil on canvas 76.5 x 64cm (30 1/8 x 25 3/16in). £1,000 - 1,500 €1,200 - 1,700

50 | Bonhams 90

92 * Circle of Sir Peter Lely (Soest 1618-1680 London) Portrait of a lady, half-length, in an orange silk dress and a brown wrap, within a painted stone cartouche oil on canvas, oval 74 x 63.5cm (29 1/8 x 25in). £1,000 - 1,500 €1,200 - 1,700

Old Master Paintings | 51 93 93

93 Neapolitan School, 18th Century The Archangel Michael; The Archangel Gabriel; The Archangel Raphael; and The Archangel Oriel a set of four, oil on canvas 29.7 x 24.5cm (11 11/16 x 9 5/8in). (4) £3,000 - 5,000 €3,500 - 5,800

94 After Carlo Innocenzo Carlone, 18th Century Saint Michael defeating the Devil oil on canvas 110.8 x 79.8cm (43 5/8 x 31 7/16in). £2,000 - 3,000 €2,300 - 3,500

The present composition is very close to a signed preparatory sketch for Carlo Innocenzo Carlone’s altarpiece in Saint Michael’s Church, Passau, which is now in the Museo Civico di Belle Arti, Lugano (see: P. O. Kruckmann, Carlo Carlone 1686-1775. Der Ansbacher Auftrag, exh. cat. (Landshut/Ergolding, 1990), pp. 134-135)

52 | Bonhams 93 93

95 Follower of Giovanni Battista Pittoni (Venice 1687-1767) Saint Francis before a vision of the Immaculate Conception oil on canvas 56 x 34cm (22 1/16 x 13 3/8in). unframed £3,000 - 5,000 €3,500 - 5,800

Old Master Paintings | 53 96

96 Attributed to Dirck van Delen (Heusden 1605-1671 Arnemuyden) Elegant figures making music and reading in a palace interior oil on panel 50.5 x 64.8cm (19 7/8 x 25 1/2in). £4,000 - 6,000 €4,600 - 7,000

The figures seated around the table on the left are based on an engraving by Jacques Callot of circa 1629 and which is sometimes known as Le Brelan.

97 German School, circa 1528 Portrait of a gentleman, half-length, in a fur-trimmed mantle holding a sword inscribed ‘AETATIS SUAE 44’ (upper centre), signed and dated ‘1520/ AS’ (lower left) and bears inscription ‘Thomas Morus/Gros Kanzler von./ England hingericht/ A1535/gemahelt/durch Hans Asper/von Zurich’ (on the reverse) oil on panel 46.3 x 34.2cm (18 1/4 x 13 7/16in). £3,000 - 5,000 €3,500 - 5,800

EXHIBITED: National Portrait Exhibition, 1866 (as Portrait of Sir Thomas More, Lent by Locko Park)

LITERATURE: J. P. Richter, Catalogue of Pictures at Locko Park (London, 1901), no. 153, p. 67 97

54 | Bonhams 98

98 Studio of Dirck Hals (Haarlem circa 1591-1656) An elegant company merrymaking in an interior oil on panel 30.7 x 40.6cm (12 1/16 x 16in). £2,000 - 3,000 €2,300 - 3,500

99 Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, said to be a member of the Dyntreg family, half- length, in a fur-trimmed black coat, his hand resting on a skull dated and inscribed ‘.1622./.AET. 58.’ (upper right) and charged with the sitter’s coat-of-arms (upper left) oil on panel 89 x 62.7cm (35 1/16 x 24 11/16in). £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: Sale, Christie’s, London, 18 March 1932, lot 116

Old Master Paintings | 55 100

100 W Circle of Wybrand Simonsz. de Geest (Leeuwarden 1592-1659) PROVENANCE: Portrait of a boy, full-length, in red costume, standing beside a spaniel The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, on a terrace Kent, circa 1920-1958, and thence by descent to the present owner oil on canvas 112.5 x 86cm (44 5/16 x 33 7/8in). £6,000 - 8,000 €7,000 - 9,300

56 | Bonhams 101

101 W Circle of William Larkin (London circa 1580-1619) PROVENANCE: Portrait of a lady, three-quarter-length, in a black embroidered dress, From the collection of William Drury Lowe of Locko Park and thence by white lace collar and cuffs and coral jewellery, standing before a red descent to the present owner curtain oil on panel LITERATURE: 110.6 x 83.7cm (43 9/16 x 32 15/16in). J.P. Richter, Catalogue of Pictures at Locko Park (London, 1901), no. 161, £15,000 - 20,000 p. 70, ill. (as ascribed to Lucas de Heere, purported to depict Mrs Lowe) €17,000 - 23,000

Old Master Paintings | 57 102

102 Attributed to Jan Baptist Wolfaerts (Antwerp 1625-circa 1687) Shepherds tending to their flocks oil on panel 47.5 x 63.5cm (18 11/16 x 25in). unframed £2,000 - 3,000 €2,300 - 3,500

103 Follower of Robert Walker (? circa 1607-circa 1658 London) Portrait of Oliver Cromwell, half-length, in armour, before a besieged town oil on canvas 74 x 61.5cm (29 1/8 x 24 3/16in). in a carved giltwood antique frame £1,500 - 2,000 €1,700 - 2,300

The figure of Cromwell is based on Robert Walker’s portrait now in the National Portrait Gallery, London.

103

58 | Bonhams 104

104 Circle of Abraham Jansz. Begeyn (Leiden 1637-1697 Berlin) A drover watering his horse and a young woman carrying a bundle of firewood oil on canvas 36 x 54.1cm (14 3/16 x 21 5/16in). £800 - 1,200 €930 - 1,400

105 W Follower of Willem Key (Breda circa 1515-1568 Antwerp) Portrait of an elderly lady of the van Heemstra family of Friesland, three- quarter-length, holding a pair of gloves and with her right hand resting on a skull inscribed and dated ‘AETAT.70/1617’ (upper right) and charged with the coat-of-arms of the Martena de Burmania and the van Heemstra families of Friesland (upper left) oil on panel 102 x 80.8cm (40 3/16 x 31 13/16in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: The Cowper Family, Panshanger House, Hertfordshire Lady Desborough (1867-1952), and thence by descent to the present owner

105

Old Master Paintings | 59 106

106 Dutch School, circa 1800 Huntsmen and their dogs before a village inn oil on panel stamped on reverse with panelmaker’s mark 30.5 x 37.5cm (12 x 14 3/4in). £1,200 - 1,800 €1,400 - 2,100

107 After Govaert Flinck, 18th Century Portrait of a gentleman, bust-length, in clerical robes oil on canvas 67 x 52cm (26 3/8 x 20 1/2in). £1,000 - 1,500 €1,200 - 1,700

The present painting is after Govaeart Flinck’s original, now in the Rijksmuseum, Amsterdam.

107

60 | Bonhams 108

108 W Studio of Claude Vignon (Tours 1593-1670 Paris) A warrior presented with a sword oil on canvas 94.5 x 120cm (37 3/16 x 47 1/4in). unframed £5,000 - 7,000 €5,800 - 8,100

PROVENANCE: The Property of a Private European Collector

109 Leiden School, circa 1630 Portrait of a bearded man oil on canvas laid down on panel 54 x 47.5cm (21 1/4 x 18 11/16in). £1,000 - 1,500 €1,200 - 1,700

109

Old Master Paintings | 61 110

110 Attributed to Lendert de Laeff (active Amsterdam 17th Century) Solomon worshipping the Idols; and The Queen of Sheba before Solomon a pair, oil on canvas 61 x 72cm (24 x 28 3/8in). (2) £5,000 - 7,000 €5,800 - 8,100

111 Attributed to Pieter Borsselaer (Middelburg circa 1640-1731) Portrait of Grace Bampfylde, bust-length, in a gold dress and a lace headdress, within a painted stone cartouche bears inscription ‘Grace Bampfylde, married/ to Sir Wm Bastard & Grandmother/ to Admonition Radcliffe’ (centre left) and ‘Daughter of Gertrude Copleston, one/ of the Coheiresses of John Copleston/ of Warlegh Esqr marrd to Sir John/ Bampfylde Bart.’ (centre right) oil on canvas 77 x 63.5cm (30 5/16 x 25in). £1,000 - 1,500 €1,200 - 1,700

111

62 | Bonhams 110

112 Circle of John Greenhill (Salisbury 1644-1676 London) Portrait of Sir William Bastard of Gerston, bust-length, in armour and a white jabot, within a painted stone cartouche bears inscription ‘Sir Wm Bastard of Gorston/Knt Grandfather of/ Admonition Radcliffe’ (centre left) oil on canvas 77 x 63.3cm (30 5/16 x 24 15/16in). £1,000 - 1,500 €1,200 - 1,700

The sitter, Sir William Bastard, was High Sheriff of Devon in 1676. He married Grace Bampfylde and had a son, William Bastard.

112

Old Master Paintings | 63 113

113 * Attributed to Heinrich Wilhelm Schweickardt (Brandenburg 1746- 1797 London) A winter landscape with figures skating on a frozen river bears monogram ‘HS’ (lower left) oil on panel 28.5 x 37.6cm (11 1/4 x 14 13/16in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: Sale, Christie’s, London, 4 July 1991, lot 527

114 Circle of Philippe Mercier (Berlin 1689-1760 London) A young lady at her desk, before an open landscape oil on panel 30.5 x 23.2cm (12 x 9 1/8in). £1,000 - 1,500 €1,200 - 1,700

114

64 | Bonhams 115

115 Manner of Antonio Canal, called il Canaletto, 19th Century The Grand Canal, Venice oil on canvas 60 x 96cm (23 9/16 x 37 3/4in). £3,000 - 5,000 €3,500 - 5,800

116 After Jean Baptiste Greuze, 19th Century Portrait of a young girl, bust-length, in a white dress oil on canvas 47 x 38.5cm (18 1/2 x 15 3/16in). £1,000 - 1,500 €1,200 - 1,700

The present composition is a detail after Greuze’s original painting recorded in the collection of Sir Ian Forbes-Leith, Fyvie Castle, Aberdeenshire.

116

Old Master Paintings | 65 117

117 Circle of Margherita Caffi (Cremona 1650-1710 Milan) Roses, tulips, orange blossom and other flowers in a basket on a stone ledge; and Narcissi, carnations, roses and other flowers in a basket on a stone ledge, a landscape beyond a pair, oil on canvas 50.2 x 62.5cm (19 3/4 x 24 5/8in). (2) £7,000 - 10,000 €8,100 - 12,000

118 Giuseppe Nogari (Venice 1699-1763) The Moneylender inscribed ‘Soi de Farinelio’ (on the reverse) oil on canvas 60.5 x 45cm (23 13/16 x 17 11/16in). £5,000 - 7,000 €5,800 - 8,100

PROVENANCE: The Collection of Visconti-Venosta, Milan and thence by descent to the present owner

118

66 | Bonhams 117

119 * Circle of Jusepe de Ribera (Jativa 1588-1656 Naples) The Penitent Saint Peter oil on canvas 51 x 43.5cm (20 1/16 x 17 1/8in). £3,000 - 5,000 €3,500 - 5,800

119

Old Master Paintings | 67 120

120 W Studio of Jacques Blanchard (Paris 1600-1638) An Allegory of Charity oil on canvas 98.5 x 140cm (38 3/4 x 55 1/8in). unframed £4,000 - 6,000 €4,600 - 7,000

The present composition is partly influenced by Jacques Blanchard’s Charity in the Museé du Louvre, Paris. An alternative attribution to Gabriel Blanchard has been suggested.

121 W Attributed to Giacomo Antonio Boni (Bologna 1688-1766 Genoa) Venus and Adonis oil on canvas, oval 105 x 82cm (41 5/16 x 32 5/16in). £2,500 - 3,500 €2,900 - 4,100

Giacomo Antonio Boni was a pupil of Marcantonio Franceschini and later of Carlo Cignani in Forlì. He returned to Bologna and followed Franceschini to Genoa, then Crema, Piacenza, Parma, and Rome.

121

68 | Bonhams 122

122 W Spanish School, 19th Century Christ leaning on the Cross with instruments of The Passion oil on unlined canvas 120 x 160cm (47 1/4 x 63in). £3,000 - 5,000 €3,500 - 5,800

123 Italian School, 18th Century The Christ Child oil on canvas 59.5 x 48.6cm (23 7/16 x 19 1/8in). unframed £1,000 - 1,500 €1,200 - 1,700

123

Old Master Paintings | 69 124

124 Circle of Cornelius II Buys (Alkmaar circa 1500-1546) The Adoration of the Magi oil on panel 54 x 80.7cm (21 1/4 x 31 3/4in). £10,000 - 15,000 €12,000 - 17,000

70 | Bonhams 125

125 School of Constance, circa 1450 The Crucifixion; The Immaculate Conception; The Pietà; Saint Francis; and The Mass of Saint Gregory oil on linen, laid down on board 67.5 x 97cm (26 9/16 x 38 3/16in). unframed £10,000 - 15,000 €12,000 - 17,000

PROVENANCE: The Property of a Private European Collector

Old Master Paintings | 71 126 (actual size, 6 of 8)

126 Italian School, 17th Century Saint Anthony; Saint Sebastian; Saint John the Baptist; Saint Bonaventura; Saint Anthony Abbot; Saint Francis; Saint Elizabeth; and Saint Eugenius each with identifying inscription a set of eight, oil on copper 4.1 x 4.9cm (1 5/8 x 1 15/16in). (8) unframed £800 - 1,200 €930 - 1,400

127 Italian School, 19th Century The Madonna and Child tempera on gold-ground panel, in a shaped arch 66 x 42cm (26 x 16 9/16in). in an integral frame £800 - 1,200 €930 - 1,400

PROVENANCE: The Property of a Private European Collector

127

72 | Bonhams 128

128 After Sir Peter Paul Rubens, 18th Century The daughters of Cecrops finding Erichthonius oil on panel stamped on reverse with panelmaker’s mark 25 x 33cm (9 13/16 x 13in). unframed £800 - 1,200 €930 - 1,400

PROVENANCE: With Eric Turquin, Paris Sale, Hotel Drouot, Paris, 22 June 2011, lot 96

The present painting is a copy after a fragment of a lost original by Sir Peter Paul Rubens’s The Daughters of Cecrops finding Erichthonius in the Allen Memorial Art Museum, Oberlin College, Ohio. The original composition is known through a copy by Boucher in the Nationalmuseum, Stockholm.

129 Veronese School, 17th Century Saint Lucy oil on alabaster 16 x 12cm (6 5/16 x 4 3/4in). £2,000 - 3,000 €2,300 - 3,500

129

Old Master Paintings | 73 130

130 Jacques d’Arthois (Brussels 1613-after 1686) Figures and cattle on a track in a wooded landscape, with heron by a pond oil on canvas 88 x 112cm (34 5/8 x 44 1/8in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: Sale, Bonham’s, London, 5 July 2000, lot 80

The attribution was confirmed by Marijke de Kinkelder of the RKD when the painting was offered in 2000. She also suggested that the figures may be by a different hand.

131 Circle of Pieter Jacobsz. Codde (Amsterdam 1599-1678) Portrait of a gentleman, bust-length, in a black coat and a white lawn collar oil on copper engraving plate, oval 7.6 x 5.6cm (3 x 2 3/16in). £500 - 700 €580 - 810 131 (actual size)

74 | Bonhams 132

132 Lucas van Uden (Antwerp circa 1595-circa 1673) A mountainous landscape with travellers seated around a camp fire oil on panel 27.8 x 40cm (10 15/16 x 15 3/4in). £1,200 - 1,800 €1,400 - 2,100

A version of this composition was offered at Christie’s, New York, 12 January 1994, lot 222.

133 * English School, 18th Century Portrait of a gentleman, bust-length, in 17th Century costume, within a painted stone oval oil on canvas 76.5 x 63.5cm (30 1/8 x 25in). £1,500 - 2,000 €1,700 - 2,300

133

Old Master Paintings | 75 134

134 Circle of Karel Beschey (Antwerp 1706-1776) Travellers on a country path, a river landscape beyond oil on canvas 31 x 38cm (12 3/16 x 14 15/16in). £2,000 - 3,000 €2,300 - 3,500

135 * Studio of David Teniers the Younger (Antwerp 1610-1690 Brussels) Figures outside a tavern; and Figures before a château the latter bears initials ‘D.T’ (on rock, lower right) a pair, oil on panel stamped on reverse with panelmaker’s mark of Franchois de Bont the Elder 24.4 x 19.2cm (9 5/8 x 7 9/16in). (2) £1,000 - 1,500 €1,200 - 1,700

A version of the latter composition was offered at Dorotheum, Vienna, 19 November 1992, lot 398.

135

76 | Bonhams 136

136 Circle of Joseph van Bredael (born 1688-1739 Paris) Figures and carts on a country path, in a river landscape oil on copper 21 x 26.5cm (8 1/4 x 10 7/16in). £1,500 - 2,500 €1,700 - 2,900

135

Old Master Paintings | 77 137

137 W Circle of Giacomo del Po (Palermo 1652-1726 Naples) The Battle of Gideon against the Midianites oil on canvas 71 x 122cm (27 15/16 x 48 1/16in). £1,200 - 1,800 €1,400 - 2,100

138 Circle of Antoine Coypel (Paris 1661-1722) Bacchus and Ariadne oil on canvas, laid down on panel 33.2 x 25.4cm (13 1/16 x 10in). £1,000 - 1,500 €1,200 - 1,700

138

78 | Bonhams 139

139 Circle of Giovanni Battista Crosato (Treviso 1697-1756 Venice) An Allegory of the Triumph of the Word of God, a sketch for a ceiling oil on canvas 44.5 x 60.5cm (17 1/2 x 23 13/16in). £2,000 - 3,000 €2,300 - 3,500

140 Italian School, 18th Century The Martyrdom of Saint Dorothy oil on canvas 31 x 22.5cm (12 3/16 x 8 7/8in). unframed £1,000 - 1,500 €1,200 - 1,700

140

Old Master Paintings | 79 141

141

80 | Bonhams 142

141 142 August Querfurt (Wolfenbuttel 1696-1761 Vienna) Studio of Sebastian Vrancx (Antwerp 1573-1647) A cavalry skirmish; and A cavalry skirmish with figures firing from the A village skirmish in the Eighty Years’ War rooftop oil on panel the former bears inscription ‘august Querfurt. fec/2 ****’ (on the 52.5 x 85.5cm (20 11/16 x 33 11/16in). reverse, presumbably transcribed from the original canvas) £10,000 - 15,000 a pair, oil on canvas €12,000 - 17,000 51.5 x 74cm (20 1/4 x 29 1/8in). (2). £6,000 - 8,000 PROVENANCE: €7,000 - 9,300 Acquired by the present owner’s family approximately 20 years ago and thence by descent PROVENANCE: The Collection of Leg. Rot Dr. Krippl- Redlich (according to a label on the reverse)

Three other versions of the former composition are known: Dorotheum, Vienna, March 1973, lot 100 (19.5 x 29.5 cm., as A. Querfurt); Scheele, Malmö, November 1980 (19.5 x 30 cm., as Augustus Querfurt, expertise Dr. Bernt); and Bloomsbury, Rome, 20 November 2008, lot 33 (50.5 x 80.5 cm., as August Querfurt, expertise Giancarlo Sestieri). A further version of the latter scene was offered at Dorotheum, Vienna, December 1974, lot 111 (51 x 74 cm.).

Old Master Paintings | 81 143

143 Circle of Johannes Lingelbach (Frankfurt 1622-1674 Amsterdam) Galley slaves taking water at a fountain; and Merchants on a quay with galley slaves nearby a pair, oil on canvas 40 x 67cm (15 3/4 x 26 3/8in). (2) £4,000 - 6,000 €4,600 - 7,000

144 * Luigi Garzi (Pistoia 1638-1721 Rome) The Apotheosis of Saint Mary Magdalen oil on canvas 65.2 x 48.5cm (25 11/16 x 19 1/8in). £2,000 - 3,000 €2,300 - 3,500

In a letter dated 24 April, 2012 Professor Giancarlo Sestieri writes that the authorship of Luigi Garzi for this painting is ‘immediate and clear’. Sestieri dates the present work to the late 1680s, when Garzi painted the two frescoes of the Faith and Musician Angels in Glory for the Church of Santi Ambrogio e Carlo al Corso, Rome, showing the clear influence of Giovanni Lanfranco. He further observes that the angels in the present painting are almost interchangeable with Domenichino’s angels of the Evangelists at Sant’Andrea della Valle in Rome, which were copied by Garzi. Garzi’s painting Fucina del Vulcano, now in the Lemme Collection, which is a preparatory sketch for the same subject in Palazzo Bonaccorsi, Macerata, contains the same angels.

144

82 | Bonhams 143

145 W Bartolomeo Guidobono (Savona 1654-1709 Turin) and Domenico Guidobono (Savona 1670-1746 Naples) The Rape of Ganymede oil on canvas 205 x 155cm (80 11/16 x 61in). unframed £7,000 - 10,000 €8,100 - 12,000

PROVENANCE: The Property of a Private European Collector

Bartolomeo Guidobono’s style brought a lighter, more graceful spirit to late Baroque painting in Genoa, which had previously been dominated by the work of his friend and master, Domenico Piola. His treatment of folded drapery, soft lighting and sweet-faced figures influenced by Correggio were immediately received with enthusiasm by the public. By the early 1690s his work was influenced by Giovanni Benedetto Castiglione, such as the scenes he painted in a small passageway of the Palazzo Rosso, which include figures framed by animals and still-life. It is possible that the animals in the present composition were painted by Domenico Guidobono.

145

Old Master Paintings | 83 146

146 W English School, 18th Century A still life of a lobster, mackerel, pike, grapes on a table top with a dish of peaches and a basket of wild strawberries oil on canvas 79.5 x 135cm (31 5/16 x 53 1/8in). £2,000 - 3,000 €2,300 - 3,500

147 English School, 17th Century Portrait of Jane Andrew, bust-length, in a brown dress, within a painted oval; and Portrait of Jasper Radcliffe, half-length, in a purple embroidered mantle and a white jabot, within a painted oval the former bears inscription ‘Jane Andrew Daughter of Solomon/ Andrew Esqr Dorset marrd to/ Jasper Radcliffe Esqr’ (centre left) a pair, oil on canvas 76 x 64cm (29 15/16 x 25 3/16in). (2) £1,000 - 1,500 €1,200 - 1,700

Jasper Radcliffe (1635-1704), was the only son of Jasper Radcliffe of Exeter (1584-1675) and Mary Franklyn. He married Jane Andrew, 3rd daughter of Solomon Andrew of Lyme Regis, in 1673 and together they had five sons and eight daughters. 147

84 | Bonhams 148

148 Circle of Christian Reder (Leipzig 1656-1729 Rome) Horsemen departing from a riverside village oil on canvas 50 x 63.5cm (19 11/16 x 25in). £1,500 - 2,000 €1,700 - 2,300

147

Old Master Paintings | 85 149 150

149 Attributed to Louis Tessier (Paris 1719-1781) Roses, poppies, honeysuckle and other flowers in a porcelain vase on a table-top oil on canvas 33 x 25.5cm (13 x 10 1/16in). £3,000 - 5,000 €3,500 - 5,800

150 W Dutch School, 18th Century An Allegory of Hope oil on canvas, oval, en grisaille 121.3 x 92.5cm (47 3/4 x 36 7/16in). £1,000 - 1,500 €1,200 - 1,700

151 Michael Willmann (Königsberg 1630-1706 Leibus) The Assumption of the Virgin oil on canvas, laid down on card, extended upper edge 32 x 22.5cm (12 5/8 x 8 7/8in). unframed £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: Sale, Sotheby’s, Monaco, 23 February 1986, lot 527 (as attributed to Johann Wolfgang Baumgartner) The Property of a Private European Collector 151

86 | Bonhams 152 153

152 W Circle of Jacob de Wit (Amsterdam 1695-1754) Venus and Adonis oil on canvas, arched top, en grisaille 166 x 101.8cm (65 3/8 x 40 1/16in). £4,000 - 6,000 €4,600 - 7,000

153 W Flemish School, 18th Century An Allegory of Spring remains of signature and dated ‘***/1746.’ (lower left) oil on canvas 122 x 81.2cm (48 x 31 15/16in). £2,000 - 3,000 €2,300 - 3,500

154 Italian School, 17th Century Christ in the Garden of Gethsemane oil on canvas 56 x 41cm (22 1/16 x 16 1/8in). unframed £1,000 - 1,500 €1,200 - 1,700

154

Old Master Paintings | 87 155

155 North Italian School, 18th Century An architectural capriccio with an arch, a statue and other buildings, with a village in the distance oil on canvas 58.3 x 76.5cm (22 15/16 x 30 1/8in). £800 - 1,200 €930 - 1,400

156 Circle of Enoch Seeman (Danzig circa 1694-1745 London) Portrait of a lady, said to be Lady Sarah Cowper, bust-length, in a white silk dress and a blue wrap, within a painted oval oil on canvas 63.5 x 50.8cm (25 x 20in). £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: The Cowper Family, Panshanger House, Hertfordshire Lady Desborough (1867-1952), and thence by descent to the present owner

156

88 | Bonhams 157

157 Circle of Alberto Carlieri (Rome 1672-circa 1720) Elegant figures amongst classical ruins oil on canvas 73.8 x 99cm (29 1/16 x 39in). unframed £2,000 - 3,000 €2,300 - 3,500

158 French School, 17th Century Portait of Jasper Radcliffe, bust-length, in a black mantle and a white lace jabot, within a painted oval bears inscription and date ‘Jasper Radcliffe Esqr./ Paris 1657’ (centre left) oil on canvas 76.3 x 64cm (30 1/16 x 25 3/16in). £800 - 1,200 €930 - 1,400

The sitter, Jasper Radcliffe (1635-1704), was the only son of Jasper Radcliffe of Exeter (1584- 1675) and Mary Franklyn. He married Jane, 3rd daughter of Solomon Andrew of Lyme Regis, in 1673 and they had five sons and eight daughters.

158

Old Master Paintings | 89 159

159 Giulio Carpioni (Venice 1613-1679 Vicenza) The poet and his muse oil on canvas 60.5 x 73.5cm (23 13/16 x 28 15/16in). £5,000 - 7,000 €5,800 - 8,100

90 | Bonhams 160 160

160 Francesco della Questa (Naples 1639-1723) Tulips, peonies, jasmine and other flowers in a classical carved stone urn, before an open landscape; and Roses, carnations, convolvulus and other flowers in a classical carved stone urn, on a table the latter signed ‘F.O Q.TA’ (lower right) a pair, oil on canvas 76 x 63cm (29 15/16 x 24 13/16in). (2). £7,000 - 10,000 €8,100 - 12,000

Old Master Paintings | 91 161 162

161 Circle of Pietro di Francesco degli Orioli (Siena 1458-1496) The Magdalen oil on panel 70 x 49.5cm (27 9/16 x 19 1/2in). unframed £1,000 - 1,500 €1,200 - 1,700

PROVENANCE: The Property of a Private European Collector

162 Italian School, circa 1700 The Virgin and Joachim; and Christ appearing to Saint Francis Xavier two of a set, oil on alabaster 32.5 x 23.5cm (12 13/16 x 9 1/4in). (2) £1,500 - 2,000 €1,700 - 2,300

163

92 | Bonhams 162 164

163 164 Dutch School, circa 1700 Italian School, 17th Century The Crucifixion The Mocking of Christ signed with initials ‘P.v.W.’ (at the foot of the cross) oil on canvas oil on canvas 92 x 63cm (36 1/4 x 24 13/16in). 116.5 x 86.3cm (45 7/8 x 34in). £1,500 - 2,000 unframed €1,700 - 2,300 £4,000 - 6,000 €4,600 - 7,000

PROVENANCE: The Property of a Private European Collector

Old Master Paintings | 93 165

165 Italian School, circa 1800 Roses, carnations and other flowers in a porcelain vase on a table; and Narcissi, peonies and other flowers in a porcelain vase on a table a pair, oil on canvas 48 x 62.5cm (18 7/8 x 24 5/8in). (2) £5,000 - 7,000 €5,800 - 8,100

166 W Circle of Juan de Valdes Léal (Seville 1622-1690) The Moorish King of Seville, Al-Jataf, surrendering the keys of the city to Ferdinand III, King of Castille and Leon oil on canvas 196 x 119.3cm (77 3/16 x 46 15/16in). £3,000 - 5,000 €3,500 - 5,800

The surrender of Seville to Ferdinand III (1200-1252) by Al-Jataf occurred on 23 November 1248.

PROVENANCE: Sale, Sotheby’s Olympia, 16 April 2002, lot 362, where purchased by the present owner

166

94 | Bonhams 165

167 W After Alessandro di Cristofano Allori, 17th Century Judith with the head of Holofernes oil on canvas 141 x 109cm (55 1/2 x 42 15/16in). unframed £5,000 - 7,000 €5,800 - 8,100

The present work is based on the composition by Allori, known in several versions, one of which is in the Palazzo Pitti, Florence.

167

Old Master Paintings | 95 168

168 Attributed to Jean-Jacques de Boissieu (Lyon 1736-1810) A man playing the shawm before two shepherd boys, with a lamb on his lap oil on canvas 26.3 x 33.2cm (10 3/8 x 13 1/16in). £2,000 - 3,000 €2,300 - 3,500

The present painting follows the engraving by de Boissieu, first published in 1782.

169 Circle of Arthur Devis (Preston 1712-1787 Brighton) Portrait of Baroness Sunden, Lady Clayton of Adlington Hall, full length, in a white silk dress, in a park landscape bears inscription ‘Baroness Sunden Lady Clayton/ Adlington Hall’ (upper left) oil on canvas 61.5 x 46cm (24 3/16 x 18 1/8in). £2,500 - 3,500 €2,900 - 4,100

PROVENANCE: The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, Kent, circa 1920-1958, and thence by descent to the present owner

169

96 | Bonhams 170

170 Richard Westall, R.A (Hertford 1765-1836 London) ‘The Peasant’s Return to his Family in the Evening’ signed ‘R. Westall’ (on step, lower right) oil on canvas 52 x 61.5cm (20 1/2 x 24 3/16in). £2,000 - 3,000 €2,300 - 3,500

EXHIBITED: Royal Academy, London, 1800, no. 67

ENGRAVED: Richard Westall, soft-ground etching

171 After Nathaniel Hone, RA, circa 1800 Portrait of La Signora [Anna] Zamperini in the Character of Cecchina in La Buona Figliuola, three-quarter-length, in a white and pink dress and bonnet oil on canvas 77 x 63.5cm (30 5/16 x 25in). £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, Kent, circa 1920-1958, and thence by descent to the present owner

The present composition is after John Finlayson’s mezzotint after Hone. A similar composition by Hone, in which the sitter holds a mask, is now in the Collection of the Earl of Scarsdale at Kedleston Hall. La Buona Figliuola was an opera buffa by Niccolò Piccini. The libretto, by Carlo 171 Goldoni, was based on Samuel Richardson’s Pamela. Zamperini sang in England and was popular in London.

Old Master Paintings | 97 172 (actual size)

172 Studio of Joseph van Bredael (born 1688-1739 Paris) Figures and carts on a country path, a windmill in the distance oil on copper laid down on panel, oval 6 x 8.2cm (2 3/8 x 3 1/4in). unframed £800 - 1,200 €930 - 1,400

173 Attributed to Pieter Lisaert (Antwerp 1574-circa 1604) The Crucifixion oil on panel 48 x 32cm (18 7/8 x 12 5/8in). £1,000 - 1,500 €1,200 - 1,700

173

98 | Bonhams 174

174 Circle of Pieter Bout (Brussels 1658-1719) Travellers halting at a village inn with drovers watering their animals nearby oil on canvas 51.5 x 62cm (20 1/4 x 24 7/16in). £3,000 - 5,000 €3,500 - 5,800

175 Circle of Jacob van Oost I (Bruges 1601-1671) Portrait of a lady, bust-length, in a black dress and headdress oil on canvas 60 x 44.8cm (23 5/8 x 17 5/8in). £1,500 - 2,000 €1,700 - 2,300

PROVENANCE: William Drury Lowe of Locko Park circa 1865 and thence by descent to the present owner

175

Old Master Paintings | 99 176 177

176 W Otto Vaeltl (Moosburg 1885-1977 Seeshaupt), after Bartolomé Esteban Murillo The Fruit Seller inscribed, dated and signed ‘Alten Pinakothek/ Murillo/ 20. Februar 1928/ Dr.r.d Bercken/ Otto Vaeltl/ Kopie nach Murillo:/”Die Kleine obsthändlerin”/cop. von Otto Vaeltl München’ (on the reverse) oil on canvas 148 x 113cm (58 1/4 x 44 1/2in). £2,000 - 3,000 €2,300 - 3,500

The present composition is after Murillo’s original, now in Alte Pinakothek, Munich.

177 Circle of Giulio Cesare Procaccini (Bologna circa 1570-1625 Milan) The Holy Family with Angels oil on panel, the corners added 42 x 33cm (16 9/16 x 13in). unframed £1,000 - 1,500 €1,200 - 1,700

178 * English School, 18th Century Portrait of a boy, half-length, in a cream smock oil on canvas 52 x 38cm (20 1/2 x 14 15/16in). £1,000 - 1,500 €1,200 - 1,700

178

100 | Bonhams 179 180

179 Manner of Philips Wouwerman, 18th Century Figures and horses gathered on a country path, a town beyond bears intials ‘P.S.W’ (on log, lower left) oil on panel 37 x 28.2cm (14 9/16 x 11 1/8in). unframed £1,200 - 1,800 €1,400 - 2,100

180 Circle of Frans van Mieris the Younger (Leyden 1689-1763) A bearded man reading, seated at a casement window oil on panel 27 x 24cm (10 5/8 x 9 7/16in). £1,500 - 2,000 €1,700 - 2,300

181 Circle of Vittore Giuseppe Ghislandi, called Fra’ Galgario (Bergamo 1655-1743) Portrait of a gentleman, half-length, in a gold coat, his dog beside him oil on canvas 82.5 x 70cm (32 1/2 x 27 9/16in). £1,000 - 1,500 €1,200 - 1,700

181

Old Master Paintings | 101 182

182 Nicolaes Pietersz. Berchem (Haarlem 1620-1683 Amsterdam) A man tending to a horse in a forge oil on canvas, laid down on panel 22 x 27.5cm (8 11/16 x 10 13/16in). £2,000 - 3,000 €2,300 - 3,500

183 W Flemish School, 17th Century Portrait of a gentleman, three-quarter-length, in black with a red sash, holding a standard, before a column charged with the sitter’s coat-of-arms (upper right) and indistinctly inscribed and dated ‘A**AE6*/ **NO1656’ (upper right) oil on canvas 115.5 x 79cm (45 1/2 x 31 1/8in). £1,200 - 1,800 €1,400 - 2,100

PROVENANCE: With Galerie J. & A. LE ROY Frères, Brussels, 1920s (according to label on the reverse)

183

102 | Bonhams 184

184 Attributed to François de Nomé (Metz 1593-circa 1644 Naples) An architectural capriccio of a coastal town oil on panel 38.2 x 69cm (15 1/16 x 27 3/16in). £1,500 - 2,000 €1,700 - 2,300

François de Nomé was previously identified as the artist Monsù Desiderio, an artist believed to have painted architectural scenes in a distinctive style in Naples in the early seventeenth century. Monsù, a corruption of the French term monsieur, was often used by Neapolitan historians to denote a painter of foreign origin.

In the mid-twentieth century, art historians identified the works previously attributed to Desiderio as being by at least three different painters: François de Nomé, Didier Barra, both originally from Metz, and a third artist, whose name is unknown.

185 Circle of Peeter Neeffs the Elder (Antwerp circa 1578-circa 1661) A church interior bears signature ‘HENDRICK VAN STIENWYCK’ (on flagstone, lower right) oil on panel 68 x 59cm (26 3/4 x 23 1/4in). £1,500 - 2,000 €1,700 - 2,300

185

Old Master Paintings | 103 186

186 Niccolò Guardi (Venice 1715-1785) The Grand Canal from the Palazzo Foscari to the Church of the Carità, Venice oil on canvas 73.3 x 84.7cm (28 7/8 x 33 3/8in). £10,000 - 15,000 €12,000 - 17,000

This view of Venice falls into the same category as those that Dr. Dario Succi suggests are by Niccolò Guardi. It may be compared favourably with the View of the Rialto Bridge on the Grand Canal, which was sold at Phillip’s, London, 6 December 1994, lot 18. The latter painting was sold with a certificate by Dr. Dario Succi. The present painting also shows the influence of Francesco Guardi, both in the figures in the right foreground, and those in the gondola.

104 | Bonhams 187

187 W Follower of Alessandro Magnasco, called Lissandrino (Genoa 1667-1749) An extensive wooded landscape with a hermit, travellers and other figures by a river with a bridge oil on canvas 116 x 146cm (45 11/16 x 57 1/2in). £7,000 - 10,000 €8,100 - 12,000

PROVENANCE: Sale, Christie’s, London, 8 July 1983, lot 22 (as Alessandro Magnasco) Sale, Christie’s, London, 2 November 2001, lot 89 Sale, Christie’s, London, 11 December 2005, lot 131

Old Master Paintings | 105 188

188 Attributed to Agostino Buonamico, called Agostino Tassi (Perugia circa 1579-1644 Rome) A classical capriccio with a shepherd tending his flock and other figures before the Mausoleum of Cecilia Metella oil on canvas 73 x 97cm (28 3/4 x 38 3/16in). unframed £2,000 - 3,000 €2,300 - 3,500

189 After Jusepe de Ribera, 17th Century Saint Jerome and the Angel oil on copper 33 x 25.5cm (13 x 10 1/16in). £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: A.E. Popham Esq. and thence by descent to the present owner

The present composition is after a lost original by Ribera now known through a print (see: Bartsch, vol. 44, p. 272)

189

106 | Bonhams 190

190 Circle of Paolo Anesi (Rome circa 1700-circa 1761) A river landscape with figures beside a waterfall oil on canvas 19 x 24.2cm (7 1/2 x 9 1/2in). £2,500 - 3,500 €2,900 - 4,100

191 Follower of Jusepe de Ribera (Jativa 1588-1656 Naples) Saint Jerome oil on canvas 132 x 118cm (51 15/16 x 46 7/16in). unframed £2,000 - 3,000 €2,300 - 3,500

191

Old Master Paintings | 107 192

192 Attributed to Sir Nathaniel Dance Holland, Bt. PROVENANCE: (London 1734-1811 Winchester) Possibly lot 43, Sotheby’s, New York, 12 June 1975, described as Portrait of Lucy Hanstead, three-quarter-length, in a white dress with a ‘Attributed to Nathaniel Dance Holland, a daughter of Colonel Booth red sash, leaning on a pillar, within a painted oval Hanstead’ oil on canvas With William Drown, from whom purchased by the current owner 76.5 x 63.5cm (30 1/8 x 25in). around 1985 £7,000 - 10,000 €8,100 - 12,000

108 | Bonhams 193

193 Nicolaes van Veerendael (Antwerp 1640-1691) A bouquet of roses, thistles, narcissi and other flowers bears inscription ‘Verendael’ (on reverse) oil on canvas 56 x 41.8cm (22 1/16 x 16 7/16in). £7,000 - 10,000 €8,100 - 12,000

Old Master Paintings | 109 194

194 Italian School, early 18th Century Soldiers resting in a landscape, with a battlefield beyond oil on canvas 79 x 98cm (31 1/8 x 38 9/16in). unframed £2,000 - 3,000 €2,300 - 3,500

195 Circle of Vincenzo Campi (Cremona 1532-1591) A young woman cooking meat in a kitchen interior oil on canvas 72 x 46.7cm (28 3/8 x 18 3/8in). £800 - 1,200 €930 - 1,400

195

110 | Bonhams 196

196 Circle of Jacques Courtois, called il Borgognone (Saint-Hyppolite 1621-1676 Rome) A cavalry skirmish oil on canvas 35 x 45.7cm (13 3/4 x 18in). £1,200 - 1,800 €1,400 - 2,100

197 W Neapolitan School, 18th Century Tulips, roses, chrysanthemums and other flowers in an urn on a stone ledge oil on canvas 101 x 78.5cm (39 3/4 x 30 7/8in). £3,000 - 5,000 €3,500 - 5,800

197

Old Master Paintings | 111 198

198 Follower of Pieter Bout (Brussels 1658-1719) Drovers tending to cattle in an open landscape oil on panel 34 x 43.5cm (13 3/8 x 17 1/8in). £1,200 - 1,800 €1,400 - 2,100

199 W After Sir Anthony van Dyck, 17th Century Portrait of a lady, three-quarter-length, in a blue silk dress and brown sash, seated before a window oil on canvas 134 x 105cm (52 3/4 x 41 5/16in). £3,000 - 4,000 €3,500 - 4,600

The present painting is based on van Dyck’s portrait of Dorothy, Countess of Leicester, now at Petworth House, West Sussex.

199

112 | Bonhams 200

200 Mathys Balen (Dordrecht 1684-1766) Figures resting on the banks of a river, with mountains in the distance oil on panel 27 x 40.5cm (10 5/8 x 15 15/16in). £1,000 - 1,500 €1,200 - 1,700

201 Attributed to Aelbert Jansz. van der Schoor (Utrecht circa 1603-circa 1672) Portrait of a lady, bust-length, in a black dress with a white lace shawl oil on panel 63 x 48cm (24 3/4 x 18 7/8in). £1,500 - 2,000 €1,700 - 2,300

201

Old Master Paintings | 113 202

202 Giovanni Stanchi (Rome 1608-circa 1673) The inscription on the reverse, presumably transcribed from an earlier An iris, a peony, love-in-a-mist, tulips, pinks and other flowers in a silver canvas, may refer to Francis Boyle Shannon Wilder (born 1785) of urn Busbridge Hall, near Godalming, Surrey. inscribed ‘59 F:B:S: Wilder’ (on the reverse) oil on canvas An identical silver urn appears in other compositions by Giovanni 67.7 x 50cm (26 5/8 x 19 11/16in). Stanchi, as can be seen in the group of four flower still lifes illustrated in £6,000 - 8,000 L. Ravelli, Stanchi dei Fiori (Bergamo, 2005), nos. 10-13, p. 53. He also €7,000 - 9,300 repeated the same flowers in other compositions (see: op cit. no. 13, p. 53).

114 | Bonhams 203

203 Workshop of Bartolomeo Schedoni (Modena 1578-1615 Parma) PROVENANCE: The Holy Family with the Infant Saint John the Baptist Spoervelt Collection (?) (according to an inscription on the reverse) oil on panel With P. & D. Colnaghi and Co., London, 1952 40 x 32.5cm (15 3/4 x 12 13/16in). A.E. Popham Esq. and thence by descent to the present owner £7,000 - 10,000 €8,100 - 12,000 LITERATURE: F. Dallasta and C. Cecchinelli, Bartolomeo Schedoni: pittore emiliano The present work is based on Schedoni’s Holy Family now in the (Modena 1578-Parma 1615) (Parma, 1999), p. 163, no. 5, illus.p. 355, Hermitage, Saint Petersburg, with the major difference being in the fig.62f position of Saint Joseph. It comes closest in composition to an engraving E. Negro and N. Roio, Bartolomeo Schedoni 1578-1615 (Modena, 2000), by Sisto Badalocchio after Schedoni. p. 83

Old Master Paintings | 115 204

204 North Italian School, 18th Century The Tower of Babel oil on panel, extended on lower edge 30.5 x 63.3cm (12 x 24 15/16in). unframed £2,000 - 3,000 €2,300 - 3,500

205 After Giovanni Battista Salvi, called il Sassoferrato, 19th Century The Madonna at Prayer oil on canvas 51 x 40cm (20 1/16 x 15 3/4in). £2,000 - 3,000 €2,300 - 3,500

The present work is after Sassoferrato’s original composition now in the National Gallery, London.

205

116 | Bonhams 206

206 * Circle of Salvator Rosa (Arenella 1615-1673 Rome) Three soldiers in a rocky landscape oil on canvas 48.3 x 74.9cm (19 x 29 1/2in). £1,000 - 1,500 €1,200 - 1,700

PROVENANCE: Sale, Nagel, Stuttgart, 29 March 2006, lot 428 Sale, Christie’s, New York, 9 June 2010, lot 89

207 Florentine School, 17th Century The Madonna oil on canvas 40.5 x 34.1cm (15 15/16 x 13 7/16in). £1,500 - 2,000 €1,700 - 2,300

207

Old Master Paintings | 117 208

208 Circle of Johannes Cornelis de Bruyn (Utrecht 1800-1844) A lemon, orange and cherries in a pewter dish with a crab, roemer and a bunch of grapes on a draped table top oil on canvas 40.8 x 55.3cm (16 1/16 x 21 3/4in). £2,000 - 3,000 €2,300 - 3,500

209 English School, circa 1740 Portrait of a lady, full-length, in a white and pink dress, seated beside her son, wearing a green suit, in an interior oil on canvas 50.5 x 36cm (19 7/8 x 14 3/16in). £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: The Collection of Sir Philip and Lady Haldin, Lympne Place, Lympne, Kent, circa 1920-1958, and thence by descent to the present owner

209

118 | Bonhams 210

210 * Manner of Michele Marieschi, 20th Century The Church of San Giorgio Maggiore, Venice oil on canvas 75 x 97cm (29 1/2 x 38 3/16in). £3,000 - 5,000 €3,500 - 5,800

211 Circle of Charles Philips (London 1708-1747) Portrait of a gentleman, full-length, in a blue coat and gold embroidered waistcoat, seated before an avenue of trees oil on canvas 69.8 x 49.5cm (27 1/2 x 19 1/2in). £1,000 - 2,000 €1,200 - 2,300

PROVENANCE: Sir Hughes Stanton, R.A. Purchased by the Wadsworth Athenaeum with funds from The Ella Gallup Summer and Mary Catlin Summer Collection Fund, 1940 Sale, Sotheby’s, New York, 28 May 1999, lot 70 (as one of a pair)

211

Old Master Paintings | 119 212

212 W Circle of Cornelis van der Voort (Antwerp 1576-1624 Amsterdam) Portrait of a gentleman, three-quarter-length, in a black coat and fur- trimmed mantle; and Portrait of a lady, three-quarter-length, in a black dress and fur-trimmed mantle the former dated ‘A: 1612.’ (upper right) and the latter indistinctly inscribed and dated ‘1612’ (upper left) a pair, oil on panel 104 x 75cm (40 15/16 x 29 1/2in). (2) £8,000 - 12,000 €9,300 - 14,000

PROVENANCE: Sale, Christie’s, London, 22 July 1988, lot 163 Sale, Phillips, London, 2 July, 1996, lot 158 (as studio of Jan Anthonisz. van Ravesteyn)

120 | Bonhams 213

213 W Huybert van Westhoven (Amsterdam 1643-1687) A still life of hawking paraphernalia indistinctly signed ‘Hv.WF**’ (lower left) oil on canvas 108.8 x 88cm (42 13/16 x 34 5/8in). £10,000 - 15,000 €12,000 - 17,000

We are grateful to Fred Meijer of the Rijksbureau voor Kunsthistorische Documentatie for confirming the attribution and comparing the subject matter with a painting offered at Dorotheum, Vienna, 7 April 2006, lot 97.

Old Master Paintings | 121 214

214 215 Jean Victor Bertin (Paris 1767-1842) Circle of Franz Sigrist (Alt-Brisach 1727-1803 Vienna) A view of Tivoli with drovers crossing a bridge in the foreground The Ascension, The Resurrection, The Adoration of the Shepherds and oil on canvas The Pietà 47 x 30cm (18 1/2 x 11 13/16in). a polyptych, oil on silvered metal, two central panels with shaped top £2,000 - 3,000 central panels 32 x 19.5cm (12 5/8 x 7 11/16in), wings 29 x 19cm (11 €2,300 - 3,500 7/16 x 7 1/2in). (4) unframed bear indistinct inscriptions on the reverse £5,000 - 7,000 €5,800 - 8,100

PROVENANCE: The Property of a Private European Collector

122 | Bonhams 215

Old Master Paintings | 123 216 217

Old Master Drawings

216 217 Italian School, 19th Century Circle of Giuseppe Cesari, called il Cavalier d’Arpino Minerva before Envy (Rome 1568-1640) inscribed ‘Minerva corre a ricercare dell’Invidia, e trova la Casa di questa Head of a bearded man in profile to the left furia in una valle profonda. La furia dunque si presenta a Minerva, ed’ inscribed ‘39’ (upper left) Ella gli comanda/ che attacchi Aglauro con la sua face pestifera per red chalk on paper gastigarla di aver trasgredito ai suoi divieti’ (in the lower margin in pen 12 x 9.2cm (4 3/4 x 3 5/8in). and ink) £500 - 700 black chalk, pen and brown ink, pen and brown ink double framing lines €580 - 810 on paper, watermark an elaborate shield with initials ‘Go../Liv/ Q.ma’ 60.5 x 39.2cm (23 13/16 x 15 7/16in). PROVENANCE: £700 - 1,000 Sale, Christie’s, London, 15 April 1980 €810 - 1,200

The present work is by the same hand as lot 227.

124 | Bonhams 218 219

218 Italian School, 17th Century A man writing at a desk red chalk on paper 24.5 x 19.1cm (9 5/8 x 7 1/2in). unframed £600 - 800 €700 - 930

219 Italian School, 18th Century The Madonna and Child with the Infant Saint John the Baptist watercolour on vellum, laid on board 30.6 x 25.4cm (12 1/16 x 10in). unframed £500 - 700 €580 - 810

220 Attributed to Giovanni Andrea Sirani (Bologna 1610-1670) Virtue banishing Vice black chalk, pen and brown ink, brown and grey wash on paper 24.3 x 19.2cm (9 9/16 x 7 9/16in). £600 - 800 €700 - 930

220

Old Master Paintings | 125 221

221 Circle of Antonio Tempesta (Florence 1555-1630 Rome) An elephant hunt pen and brown ink and wash on paper, watermark an angel 17.5 x 29.5cm (6 7/8 x 11 5/8in). £500 - 700 €580 - 810

PROVENANCE: A.E. Popham Esq. and thence by descent to the present owner

222 Attributed to Marten de Vos (Antwerp 1532-1603) Christ on the Mount of Olives black chalk, pen and brown ink and wash on paper, squared for transfer in black chalk 26.5 x 21cm (10 7/16 x 8 1/4in). unframed £500 - 700 €580 - 810

PROVENANCE: Unidentified collector’s mark

222

126 | Bonhams 223

223 Attributed to Eduard Dubois (Antwerp 1619-1697 London) Sixteen different figure studies pen and brown ink and brush, heightened with white on paper prepared with brown wash 21 x 29cm (8 1/4 x 11 7/16in). unframed £500 - 700 €580 - 810

224 Giovanni Battista Discepoli, called lo Zoppo da Lugano (Castagnola 1590-1660 Milan) A standing monk in profile, gesturing to the left inscribed with a colour notation (upper right) black and white chalk on light brown paper 37.5 x 19.2cm (14 3/4 x 7 9/16in). unframed £600 - 800 €700 - 930

PROVENANCE: Giuseppe Vallardi (1794-1863)

The present drawing is a study, with differences, for the figure of Saint Bernard in the altarpiece The Virgin and Child appearing to Saint Gratus of Aosta and Saint Bernard, in the Oratorio di San Grato, Lortallo di Ameno, of circa 1639.

224

Old Master Paintings | 127 225 226 (1 of 3)

225 226 * Gabriel Weyer (Nuremberg 1576-1632) Circle of Johann Mathias Kager (Munich 1575-1634 Augsburg) Saint Sebastian Allegories of the Months of February, March, and December black ink, pen and black wash on paper the first inscribed ‘Februarius.’ (upper left) and ‘Horning’ (upper right); the 30 x 17.5cm (11 13/16 x 6 7/8in). second inscribed ‘Martius.’ (upper left) and ‘Merg’ (upper right); and the unframed third inscribed ‘December.’ (upper left) and ‘Christmonat’ (upper right) £500 - 600 three of a set, pen, ink and grey wash on paper, two squared for transfer €580 - 700 13.4 x 13.4cm (5 1/4 x 5 1/4in). (3) £800 - 1,200 PROVENANCE: €930 - 1,400 Eugen Susini (bears his mark, not in Lugt) Sale, Sotheby’s, New York, 26 January 2005, lot 60

At the time of the Sotheby’s sale in 2005, the attribution was kindly suggested by Dr. Lee Hendrix.

128 | Bonhams 227

227 Italian School, 19th Century A Banquet of the Gods inscribed ‘Pinelli’ (on the verso) black chalk, pen and brown ink, pen and brown ink framing lines on paper, watermark an elaborate shield with initials ‘Go../Liv/ Q.ma’, 41.5 x 59cm (16 5/16 x 23 1/4in). £700 - 1,000 €810 - 1,200

The present work is by the same hand as lot 216.

Old Master Paintings | 129 228

228 Nikolaus Knüpfer (Leipzig circa 1603-1655 Utrecht) The attribution to Knüpfer has been confirmed by Jo Saxton and Peter The Liberation of Saint Peter Schatborn, on the basis of photographs. Mrs Saxton observes that it black chalk, pen and brown ink and wash on paper, verso leg studies in comes closest in style to Knüpfer’s monogrammed drawing, now in black chalk a private collection in Germany, which served as preparation for his 36.4 x 30.5cm (14 5/16 x 12in). painting of Abdalonymous now in the Rijksmuseum, Amsterdam (see: J. £3,000 - 5,000 Saxton, Nicolaus Knüpfer, Doornspijk, 2005, cat. no. D23 and illus. D23). €3,500 - 5,800

130 | Bonhams 229

229 Barbara Regina Dietzsch (Nuremberg 1706-1783) A spider spinning a web amongst gooseberries gouache on paper laid down 30.1 x 23cm (11 7/8 x 9 1/16in). £3,000 - 5,000 €3,500 - 5,800

PROVENANCE: Micklefield Hall, Herts, and thence by descent

Old Master Paintings | 131 230

230 Circle of Leonard Bramer (Delft 1596-1674) Christ preaching to the poor black chalk, pen and brown ink and wash on paper with pen and brown ink framing lines, verso sketch of a torso in black chalk 20.5 x 28.3cm (8 1/16 x 11 1/8in). unframed £500 - 700 €580 - 810

231 Paulo Landriani (Milan 1755-1839) Design for a monument inscribed ‘Paolo Landriani’ and ‘PL’ (lower edge) black chalk, pen and black ink and watercolour on paper 43 x 29.8cm (16 15/16 x 11 3/4in). unframed £700 - 1,000 €810 - 1,200

PROVENANCE: Angela Prada

231

132 | Bonhams 232

232 * Attributed to Daniel Nikolaus Chodowiecki (Danzig 1726-1801 Berlin) The Duel inscribed ‘D. Chodowiecki del’ (lower left) pencil, pen and ink on paper, watermark cartouche surmounted by a crown 17.8 x 22.8cm (7 x 9in). £600 - 800 €700 - 930

233 Johan Jacob Schubler (Nuremberg 1689-1741) A design for a chapel black chalk, pen and brown ink and wash on paper 36 x 22.8cm (14 3/16 x 9in). unframed £1,000 - 1,500 €1,200 - 1,700

A letter from Hans Tietze attributing the drawing to the artist is sold with this lot.

233

Old Master Paintings | 133 234

234 William Lock the Younger (Norbury 1767-1847 Mickleham), after Lelio Orsi The Rape of Ganymede signed, dated and inscribed in pen and ink ‘W Lock pinx March 20 1808/ Memorandum of a Picture in distemper by Lelio Orsi/ da Novellara’ (in lower margin) pen and brown ink and framing lines 32 x 24cm (12 5/8 x 9 7/16in). £600 - 800 €700 - 930

PROVENANCE: With P. & D. Colnaghi and Son, London A.E. Popham Esq. and thence by descent to the present owner

134 | Bonhams 235

235 William Lock the Younger (Norbury 1767-1847 Mickleham) A disbound album containing 44 tipped-in drawings, studies after the old masters, history pieces, landscapes, scenes from literature, studies of figures in 18th Century dress, studies from sculpture and anatomical subjects some signed and dated between 1780 and 1787 graphite, red and black chalk or pen and brown ink on paper together with two framed landscape drawings (3) £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: By descent through the family of William Gilpin

William Lock (or Locke) was the son of an amateur artist and connoisseur-patron by the same name. Lock junior was a pupil and friend of Henry Fuseli who dedicated his lectures on painting to him and whose influence is clearly evident in some of the present drawings. 235

Old Master Paintings | 135 Thomas Kerrich was an antiquary, librarian of Cambridge University and Vicar of Dersingham and Hemisby in his native Norfolk, but he combined this with being an artist both of ability and great versatility. Following his graduation from Magdalene College, Cambridge, he was elected one of Wort’s travelling bachelors, taking him to France, the Low Countries and Italy. Evidence of these travels is found in some of the inscriptions in the present collection, and various juvenile works also confirm his very early interest in drawing. Kerrich was an accomplished miniaturist and one of the earliest lithographers, but his most remarkable trait is the breadth of subject matter that he drew, evidence of an unusually enquiring mind. This group of drawings includes studies of human anatomy, the effects of weather and light on landscape (including, unusually, moonlight studies), portraiture, architecture, life studies, studies after the antique and old master paintings.

He was a discerning collector, and left a group of early royal portraits to the Society of 236 Antiquaries. Various of his other collections went to the British Museum and the Fitzwilliam Museum, Cambridge. These museums also hold works by Kerrich in their collections, including his original drawings for Gough’s Sepulchral Monuments.

236 Thomas Kerrich (Norfolk 1748-1828) The inside of Thomas Kerrich’s room at Magdalen College, Cambridge bears inscription ‘T. Kerrich pinxt/ framed by Albert Hartshorne 1872’ (on reverse) oil on board 22.3 x 30.3cm (8 3/4 x 11 15/16in). together with a landscape study of Ditton, Cambridge, and a signed drawing of a hermit saint by the same hand (3) £1,000 - 1,500 €1,200 - 1,700

PROVENANCE: The artist’s daughter Frances (m. Rev Charles Hartshorne) Her son Albert Hartshorne, and thence by descent to the present owner

237

136 | Bonhams 237 Thomas Kerrich (Norfolk 1748-1828) A disbound album of landscape, cloud and moonlight studies, many inscribed and dated 1819, coloured chalk on blue-grey paper, together with a group of chalk studies of cats and other animals, landscape studies of Southwold, Benet College Chapel, studies of hands and feet, an oil study on paper of Kerrich’s room at Cambridge and several watercolours by other hands including two gouaches by M.Keene after Thomas Walmsley dated 1799 and a number of unframed, rolled works by Kerrich all unframed, (quantity) £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: The artist’s daughter Frances (m. Rev Charles Hartshorne) Her son Albert Hartshorne, and thence by descent to the present owner

238 Thomas Kerrich (Norfolk 1748-1828) Portrait study of Peter Delcour, signed verso 238 ‘T.Kerrich delin/Antwerp’ and inscribed with the sitter’s name, black and white chalk on blue-grey paper, 49 x 25.6 cm; and a quantity of figure studies, anatomical studies, studies of hands, copies after old master paintings, history subjects and portraits, including studies of Michael Tyson, Susan Briggs, Joseph Freeman, Dr Jobson and John Brandish, many signed and dated from 1765 onwards, in red or black chalk, pen, ink and wash on paper, some with additional inscriptions by Kerrich’s grandson Albert Hartshorne; and a small album of notes and sketches all unframed (quantity) £2,000 - 3,000 €2,300 - 3,500

PROVENANCE: The artist’s daughter Frances (m. Rev Charles Hartshorne) Her son Albert Hartshorne, and thence by descent to the present owner

238

Old Master Paintings | 137 Index

Artist Lot No

A E Allori, Alessandro di Cristofano 167 English School 15, 17, 48, 75, 133, 146, 147, 178, 209 Anesi, Paolo 190 Antwerp School 55 F Arthois, Jacques d' 130 Ferg, Franz de Paula 60 Astley, John 53 Flemish School 7, 11, 12, 56, 153, 183 Flinck, Govaert 107 B Florentine School 207 Balen, Mathys 200 Florigerio, Sebastiano 19 Bassano Family 88 French School 70, 158 Batoni, Pompeo Girolamo 52 Bega, Cornelis Pietersz. 42 G Begeyn, Abraham Jansz. 104 Garzi, Luigi 144 Berchem, Nicolaes Pietersz. 182 Geest, Wybrand Simonsz. de 100 Berkheyde, Job 59 German School 18, 51, 97 Bertin, Jean Victor 214 Gheeraedts the Younger, Marcus 99 Beschey, Karel 134 Ghislandi, Vittore Giuseppe 181 Blanchard, Jacques 120 Greenhill, John 112 Boissieu, Jean-Jacques de 168 Greuze, Jean Baptiste 116 Boni, Giacomo Antonio 121 Guardi, Niccolò 186 Boonen, Arnold 61 Guidobono, Bartolomeo 145 Borsselaer, Pieter 111 Bout, Pieter 174, 198 H Bouttats, Jacob 54 Hals, Dirck 98 Bramer, Leonard 230 Hondecoeter, Melchior de 23 Brandi, Giacinto 33 Hone, Nathaniel 171 Bredael, Joseph van 136, 172 Hoppner, John 50 Bruyn, Johannes Cornelis de 208 Hudson, Thomas 67 Buys, Cornelius II 124 Hysing, Hans 25 Buys, Jacobus 1 I C Italian School 82, 123, 126, 127, 140, 154, 162, 164, 165, Caffi, Margherita 117 194, 216, 218, 219, 227 Campi, Vincenzo 195 J Canaletto, Antonio Canal, called il 115 Jamesone, George 73 Carlieri, Alberto 157 Jones of Bath, William 47 Carlone, Carlo Innocenzo 94 Carpioni, Giulio 159 K Carracci, Annibale 86 Kager, Johann Mathias 226 Cesari, Giuseppe 20, 87, 217 Keeble, William 80 Chodowiecki, Daniel Nikolaus 232 Kempener, called Pedro de Campagna, Peeter de 10 Codde, Pieter Jacobsz. 131 Kerrich, Thomas 236, 237, 238 Coecke van Aelst the Elder, Pieter 6 Key, Willem 105 Collier, Edward 64 Kneller, Sir Godfrey 65 Courtois, Jacques 196 Knibbergen, François van 45 Coypel, Antoine 138 Knüpfer, Nikolaus 228 Cradock, Marmaduke 66 Crosato, Giovanni Battista 139 L Cuylenborch, Abraham van 58 Laeff, Lendert de 110 Landriani, Paulo 231 D Larkin, William 101 Dahl, Michael 24, 38 Lefebvre, Claude 71 Dall, Nicholas Thomas 4 Leiden School 109 Dance Holland, Bt., Sir Nathaniel 192 Lely, Sir Peter 26, 92 Delen, Dirck van 96 Lingelbach, Johannes 143 Devis, Arthur 169 Lisaert, Pieter 173 Dietzsch, Barbara Regina 229 Lock, William 234, 235 Discepoli, called lo Zoppo da Lugano, Giovanni Battista 224 Dubbels, Hendrik Jacobsz. 39 M Dubois, Eduard 223 Madrid, School of 30 Dutch School 106, 150, 163 Magnasco, called Lissandrino, Alessandro 187 Duyfhuysen, Pieter Jacobsz. 41 Marchioni, Elisabetta 35 Marieschi, Michele 210 Mercier, Philippe 114 Mexican School 9 Mieris the Younger, Frans van 180 T Monnoyer, Jean-Baptiste 68 Tassi, Agostino Buonamico, called 31, 188 Neapolitan School 93, 197 Tempesta, Antonio 221 Teniers the Younger, David 135 N Terwesten, Augustinus 27 Neeffs the Elder, Peeter 185 Tessier, Louis 149 Nogari, Giuseppe 118 Tillemans, Peter 2 Nomé, François de 184 Toorenvliet, Jacob van 40 North Italian School 155, 204 Tour, George de la 8

O U Oost I, Jacob van 175 Uden, Lucas van 132 Orioli, Pietro di Francesco degli 161 V P Vaeltl, Otto 176 Philips, Charles 16, 81, 211 Valdes Léal, Juan de 166 Pittoni, Giovanni Battista 95 van Dyck, Sir Anthony 199 Po, Giacomo del 137 Vanderbank, John 5, 37 Ponce, Antonio 29 Vassilacchi, called Aliense, Antonio 89 Procaccini, Giulio Cesare 177 Veerendael, Nicolaes van 193 Velsen, Jacob Jansz. van 46 Q Veneto-Cretan School 84 Querfurt, August 141 Verdussen, Jan Peeter 36 Questa, Francesco della 160 Veronese School 129 Vignon, Claude 108 R Voort, Cornelis van der 212 Ramsay, Allan 3 Vos, Marten de 57, 222 Raphael, Raffaello Sanzio, called 22 Vrancx, Sebastian 74, 142 Reder, Christian 148 Reynolds, Sir Joshua 63 W Ribera, Jusepe de 32, 119, 189, 191 Walker, Robert 103 Rigaud, Hyacinthe 69 Weenix, Jan Baptist 49 Riley, John 91 Westall, R.A, Richard 170 Romney, George 78 Westhoven, Huybert van 213 Rosa, Salvator 206 Weyer, Gabriel 225 Rubens, Sir Peter Paul 13, 128 Willmann, Michael 151 Wilson, Richard 62 S Winstanley, Hamlet 28, 79 Salucci, Alessandro 34 Wit, Jacob de 152 Sassoferrato, Giovanni Battista Salvi, called il 205 Wolfaerts, Jan Baptist 102 Scarsellino, Ippolito Scarsella, called lo 83 Wouwerman, Philips 179 Schedoni, Bartolomeo 203 School of Constance 125 Schoor, Aelbert Jansz. van der 201 Schubler, Johan Jacob 233 Schütz II, Christian Georg 90 Schweickardt, Heinrich Wilhelm 113 Seeman, Enoch 156 Senave, Jacques-Albert 43 Seton, John Thomas 77 Sigrist, Franz 215 Sirani, Giovanni Andrea 220 Snayers, Pieter 72 Sogliani, Giovanni Antonio 85 Spanish School 122 Stanchi, Giovanni 202 Sustermans, Justus 14 Sustris, Lambert 21 Swebach-Desfontaines, Jacques François Joseph 44 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. 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You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/3.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 3% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/3.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 3% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 3% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 10 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/3.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/3.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/3.13 8 FAILURE TO PAY FOR THE LOT all sums due to the Seller and to Bonhams, within waiver given to you in writing. Any such waiver will 28 days of receipt of such monies by him or on his not affect the Seller’s ability subsequently to enforce 8.1 If the Purchase Price for a Lot is not paid to Bonhams behalf. any right arising under the Contract for Sale. in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented agreement of Bonhams but without further notice to from performing that party’s respective obligations you, to exercise one or more of the following rights 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond (whether through Bonhams or otherwise): damage caused by the Lot after the fall of the its reasonable control or if performance of its Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances 8.1.1 to terminate immediately the Contract for Sale of the give rise to a significantly increased financial Lot for your breach of contract; 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such of the express undertaking provided in paragraph circumstances prevail, be required to perform such 8.1.2 to resell the Lot by auction, private treaty or any 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the other means on giving seven days’ written notice to of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. you of the intention to resell; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.3 to retain possession of the Lot; otherwise. under the Contract for Sale must be in writing and may be delivered by hand or sent by first class 8.1.4 to remove and store the Lot at your expense; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.5 to take legal proceedings against you for any sum in the Catalogue (marked for the attention of the due under the Contract for Sale and/or damages for 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or breach of contract; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.6 to be paid interest on any monies due (after as well or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the as before judgement or order) at the annual rate or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received of 5% per annum above the base rate of National any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. Westminster Bank Plc from time to time to be in relation to the Lot made by or on behalf of calculated on a daily basis from the date upon which the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract such monies become payable until the date of actual the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such payment; conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or 8.1.7 to repossess the Lot (or any part thereof) which has the remainder of the relevant term. not become your property, and for this purpose 9.3.2 the Seller will not be liable for any loss of Business, (unless the Buyer buys the Lot as a Consumer from Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, the Seller selling in the course of a Business) you reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ hereby grant an irrevocable licence to the Seller by time on the part of the Buyer or of the Buyer’s officers, employees and agents. himself and to his servants or agents to enter upon management or staff or, for any indirect losses or all or any of your premises (with or without vehicles) consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale during normal Business hours to take possession of any case of the nature, volume or source of the loss are for convenience only and will not affect its the Lot or part thereof; or damage alleged to be suffered, and irrespective interpretation. of whether the said loss or damage is caused by 8.1.8 to retain possession of any other property sold to you or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means by the Seller at the Sale or any other auction or by breach of contract, statutory duty, restitutionary “including, without limitation”. private treaty until all sums due under the Contract claim or otherwise; for Sale shall have been paid in full in cleared funds; 10.9 References to the singular will include reference to 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one 8.1.9 to retain possession of, and on three months’ written in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. notice to sell, Without Reserve, any of your other or representation in respect of it, or this agreement property in the possession of the Seller and/or of or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a Bonhams (as bailee for the Seller) for any purpose an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. (including, without limitation, other goods sold to remedy or in any way whatsoever, the Seller’s liability you) and to apply any monies due to you as a result will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 of such Sale in satisfaction or part satisfaction of any exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports amounts owed to the Seller or to Bonhams; and Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the 8.1.10 so long as such goods remain in the possession of alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. the Seller or Bonhams as its bailee, to rescind the irrespective of whether the liability arises from any contract for the Sale of any other goods sold to negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity you by the Seller at the Sale or at any other auction duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the or by private treaty and apply any monies received responsibility and/or liability of the Seller, it will also from you in respect of such goods in part or full 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit of Bonhams, satisfaction of any amounts owed to the Seller or to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries Bonhams by you. directly or indirectly) any person’s liability or excluding of such holding company and the successors and or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 8.2 You agree to indemnify the Seller against all legal respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and and other costs of enforcement, all losses and other caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Expenses and costs (including any monies payable under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or to Bonhams in order to obtain the release of the legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts Lot) incurred by the Seller (whether or not court the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the proceedings will have been issued) as a result of 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Bonhams taking steps under this paragraph 8 on a may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. full indemnity basis together with interest thereon (after as well as before judgement or order) at the 10 MISCELLANEOUS rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until 10.1 You may not assign either the benefit or burden of payment by you. the Contract for Sale.

8.3 On any resale of the Lot under paragraph 8.1.2, the 10.2 The Seller’s failure or delay in enforcing or exercising Seller will account to you in respect of any balance any power or right under the Contract for Sale will remaining from any monies received by him or on not operate or be deemed to operate as a waiver of his behalf in respect of the Lot, after the payment of his rights under it except to the extent of any express

NTB/MAIN/3.13 11 GOVERNING LAW writing, including in the Catalogue or on Bonhams’ 4.2 You must collect and remove the Lot at your own Website, or by conduct, or otherwise), and whether expense by the date and time specified in the Notice All transactions to which the Contract for Sale applies made before or after this agreement or prior to or to Bidders, or if no date is specified, by 4.30pm on and all connected matters will be governed by and during the Sale. No such Description or Estimate is the seventh day after the Sale. construed in accordance with the laws of that part incorporated into this agreement between you and of the United Kingdom where the Sale takes place us. Any such Description or Estimate, if made by us 4.3 For the period referred to in paragraph 4.2, the Lot and the Seller and you each submit to the exclusive or on our behalf, was (unless Bonhams itself sells can be collected from the address referred to in the jurisdiction of the courts of that part of the United the Lot as principal) made as agent on behalf of the Notice to Bidders for collection on the days and times Kingdom, save that the Seller may bring proceedings Seller. specified in the Notice to Bidders. Thereafter, the against you in any other court of competent Lot may be removed elsewhere for storage and you jurisdiction to the extent permitted by the laws of 2 PERFORMANCE OF THE CONTRACT FOR SALE must enquire from us as to when and where you can the relevant jurisdiction. Bonhams has a complaints collect it, although this information will usually be set procedure in place. You undertake to us personally that you will out in the Notice to Bidders. observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale 4.4 If you have not collected the Lot by the date specified APPENDIX 2 in respect of the Lot. in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a BUYER’S AGREEMENT 3 PAYMENT contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then IMPORTANT: These terms may be changed in advance of the 3.1 Unless agreed in writing between you and us or as current standard terms and conditions agreed Sale of the Lot to you, by the setting out of different terms in otherwise set out in the Notice to Bidders, you must between Bonhams and the Storage Contractor the Catalogue for the Sale and/or by placing an insert in the pay to us by not later than 4.30pm on the second (copies of which are available on request). If the Lot Catalogue and/or by notices at the Sale venue and/or by oral working day following the Sale: is stored at our premises storage fees at our current announcements before and during the Sale at the Sale venue. daily rates (currently a minimum of £3 plus VAT per You should be alert to this possibility of changes and ask in 3.1.1 the Purchase Price for the Lot; Lot per day) will be payable from the expiry of the advance of bidding if there have been any. period referred to in paragraph 4.2. These storage 3.1.2 a Buyer’s Premium in accordance with the rates set fees form part of our Expenses. 1 THE CONTRACT out in the Notice to Bidders, and 4.5 Until you have paid the Purchase Price and any 1.1 These terms govern the contract between Bonhams 3.1.3 if the Lot is marked [AR], an Additional Premium Expenses in full the Lot will either be held by us as personally and the Buyer, being the person to whom which is calculated and payable in accordance with agent on behalf of the Seller or held by the Storage a Lot has been knocked down by the Auctioneer. the Notice to Bidders together with VAT on that sum Contractor as agent on behalf of the Seller and if applicable so that all sums due to us are cleared ourselves on the terms contained in the Storage 1.2 The Definitions and Glossary contained in Appendix funds by the seventh working day after the Sale. Contract. 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also 3.2 You must also pay us on demand any Expenses 4.6 You undertake to comply with the terms of any be provided by us on request. Where words and payable pursuant to this agreement. Storage Contract and in particular to pay the charges phrases which are defined in the List of Definitions (and all costs of moving the Lot into storage) due are used in this agreement, they are printed in italics. 3.3 All payments to us must be made in the currency under any Storage Contract. You acknowledge and Reference is made in this agreement to information in which the Sale was conducted, using, unless agree that you will not be able to collect the Lot from printed in the Notice to Bidders, printed in the otherwise agreed by us in writing, one of the the Storage Contractor’s premises until you have paid Catalogue for the Sale, and where such information methods of payment set out in the Notice to the Purchase Price, any Expenses and all charges due is referred to it is incorporated into this agreement. Bidders. Our invoices will only be addressed to the under the Storage Contract. registered Bidder unless the Bidder is acting as an 1.3 Except as specified in paragraph 4 of the Notice to agent for a named principal and we have approved 4.7 You will be wholly responsible for packing, handling Bidders the Contract for Sale of the Lot between you that arrangement, in which case we will address the and transport of the Lot on collection and for and the Seller is made on the fall of the Auctioneer’s invoice to the principal. complying with all import or export regulations in hammer in respect of the Lot, when it is knocked connection with the Lot. down to you. At that moment a separate contract is 3.4 Unless otherwise stated in this agreement all also made between you and Bonhams on the terms sums payable to us will be subject to VAT at the 4.8 You will be wholly responsible for any removal, in this Buyer’s Agreement. appropriate rate and VAT will be payable by you on storage, or other charges for any Lot not removed all such sums. in accordance with paragraph 4.2, payable at our 1.4 We act as agents for the Seller and are not current rates, and any Expenses we incur (including answerable or personally responsible to you for any 3.5 We may deduct and retain for our own benefit from any charges due under the Storage Contract), all of breach of contract or other default by the Seller, the monies paid by you to us the Buyer’s Premium, which must be paid by you on demand and in any unless Bonhams sells the Lot as principal. the Commission payable by the Seller in respect event before any collection of the Lot by you or on of the Lot, any Expenses and VAT and any interest your behalf. 1.5 Our personal obligations to you are governed by this earned and/or incurred until payment to the Seller. agreement and we agree, subject to the terms below, 5 STORING THE LOT to the following obligations: 3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the We agree to store the Lot until the earlier of your 1.5.1 we will, until the date and time specified in the Purchase Price, or any other sum due to us in removal of the Lot or until the time and date set out Notice to Bidders or otherwise notified to you, store accordance with this paragraph 3, we will have the in the Notice to Bidders, on the Sale Information the Lot in accordance with paragraph 5; rights set out in paragraph 7 below. Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the 1.5.2 subject to any power of the Seller or us to refuse to 3.7 Where a number of Lots have been knocked down to Sale) and, subject to paragraphs 6 and 10, to be release the Lot to you, we will release the Lot to you you, any monies we receive from you will be applied responsible as bailee to you for damage to or the loss in accordance with paragraph 4 once you have paid firstly pro-rata to pay the Purchase Price of each Lot or destruction of the Lot (notwithstanding that it is to us, in cleared funds, everything due to us and the and secondly pro-rata to pay all amounts due to not your property before payment of the Purchase Seller; Bonhams. Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no 1.5.3 we will provide guarantees in the terms set out in 4 COLLECTION OF THE LOT date is specified, by 4.30pm on the seventh day paragraphs 9 and 10. after the Sale) we may remove the Lot to another 4.1 Subject to any power of the Seller or us to refuse location, the details of which will usually be set out 1.6 We do not make or give and do not agree to make to release the Lot to you, once you have paid to us, in the relevant section of the Catalogue. If you have or give any contractual promise, undertaking, in cleared funds, everything due to the Seller and not paid for the Lot in accordance with paragraph 3, obligation, Guarantee, warranty, representation of to us, we will release the Lot to you or as you may and the Lot is moved to any third party’s premises, fact in relation to any Description of the Lot or any direct us in writing. The Lot will only be released on the Lot will be held by such third party strictly to Estimate in relation to it, nor of the accuracy or production of a buyer collection document, obtained Bonhams’ order and we will retain our lien over the completeness of any Description or Estimate which from our cashier’s office. Lot until we have been paid in full in accordance with may have been made by us or on our behalf or by paragraph 3. or on behalf of the Seller (whether made orally or in

NTB/MAIN/3.13 6 RESPONSIBILITY FOR THE LOT 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably costs, all losses and all other Expenses (whether or practicable after you have become aware that the Lot 6.1 Only on the payment of the Purchase Price to us not court proceedings will have been issued) incurred is or may be a Forgery, and in any event within one will title in the Lot pass to you. However under the by us as a result of our taking steps under this year after the Sale, that the Lot is a Forgery; and Contract for Sale, the risk in the Lot passed to you paragraph 7 on a full indemnity basis together with when it was knocked down to you. interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition 6.2 You are advised to obtain insurance in respect of the the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by Lot as soon as possible after the Sale. same until payment by you. written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such Lot. AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3 Paragraph 9 will not apply in respect of a Forgery if: 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where 9.3.1 the Entry in relation to the Lot contained in the accordance with this agreement, we will without you have purchased more than one Lot pro-rata to Catalogue reflected the then accepted general further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any opinion of scholars and experts or fairly indicated more of the following rights (without prejudice to other sums due to us. that there was a conflict of such opinion or reflected any rights we may exercise on behalf of the Seller): the then current opinion of an expert acknowledged 7.4 We will account to you in respect of any balance we to be a leading expert in the relevant field; or 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in breach of contract; respect of any Sale of the Lot under our rights under 9.3.2 it can be established that the Lot is a Forgery only this paragraph 7 after the payment of all sums due to by means of a process not generally accepted for 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of use until after the date on which the Catalogue was all such sums paid to us. published or by means of a process which it was 7.1.3 to remove, and/or store the Lot at your expense; unreasonable in all the circumstances for us to have 8 CLAIMS BY OTHER PERSONS IN RESPECT OF employed. 7.1.4 to take legal proceedings against you for payment THE LOT of any sums payable to us by you (including the 9.4 You authorise us to carry out such processes and Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot tests on the Lot as we in our absolute discretion contract; is the subject of a claim by someone other than consider necessary to satisfy ourselves that the Lot is you and other than the Seller (or that such a claim or is not a Forgery. 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in 9.5 If we are satisfied that a Lot is a Forgery we will (as rate of 5% per annum above the base lending rate any manner which appears to us to recognise the principal) purchase the Lot from you and you will of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties transfer the title to the Lot in question to us, with to be calculated on a daily basis from the date upon involved and lawfully to protect our position and full title guarantee, free from any liens, charges, which such monies become payable until the date of our legitimate interests. Without prejudice to the encumbrances and adverse claims, in accordance actual payment; generality of the discretion and by way of example, with the provisions of Sections 12(1) and 12(2) of we may: the Sale of Goods Act 1979 and we will pay to you 7.1.6 to repossess the Lot (or any part thereof) which has an amount equal to the sum of the Purchase Price, not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or Buyer’s Premium, VAT and Expenses paid by you in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to respect of the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or servants or agents, to enter upon all or any of your 9.6 The benefit of paragraph 9 is personal to, and premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or incapable of assignment by, you. business hours to take possession of any Lot or part thereof; 8.1.3 commence interpleader proceedings or seek any 9.7 If you sell or otherwise dispose of your interest in the other order of any court, mediator, arbitrator or Lot, all rights and benefits under this paragraph will 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or cease. treaty or any other means on giving you three months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in 9.8 Paragraph 9 does not apply to a Lot made up of or return for pursuing a course of action agreed to by including a Chinese painting or Chinese paintings, a 7.1.8 to retain possession of any of your other property in you. motor vehicle or motor vehicles, a Stamp or Stamps our possession for any purpose (including, without or a Book or Books. limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10 OUR LIABILITY 8.2.1 may be exercised at any time during which we have 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at 10.1 We will not be liable whether in negligence, other purpose whether at the time of your default or at any time after such possession, where the cessation tort, breach of contract or statutory duty or in any time thereafter in payment or part payment of of such possession has occurred by reason of any restitution or under the Misrepresentation Act 1967 any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, or in any other way for lack of conformity with or arbitrator or government body; and any inaccuracy, error, misdescription or omission in 7.1.10 on three months’ written notice to sell, Without any Description of the Lot or any Entry or Estimate Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there in respect of it, made by us or on our behalf or by or under our control for any purpose (including other exists a serious prospect of a good arguable case in or on behalf of the Seller (whether made in writing, goods sold to you or with us for Sale) and to apply favour of the claim. including in the Catalogue, or on the Bonhams’ any monies due to you as a result of such Sale in Website, or orally, or by conduct or otherwise) and payment or part payment of any amounts owed to 9 FORGERIES whether made before or after this agreement or prior us; to or during the Sale. 9.1 We undertake a personal responsibility for any 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this 10.2 Our duty to you while the Lot is at your risk and/or reject a bid from you at any future Sale or to require paragraph 9. your property and in our custody and/or control is to you to pay a deposit before any bid is accepted by us exercise reasonable care in relation to it, but we will at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: not be responsible for damage to the Lot or to other to apply such deposit in payment or part payment, as persons or things caused by: the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom which you are the Buyer. the original invoice was made out by us in respect of 10.2.1 handling the Lot if it was affected at the time of Sale the Lot and that invoice has been paid; and to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

NTB/MAIN/3.13 10.2.2 changes in atmospheric pressure; nor will we be 11.4 Any notice or other communication to be given APPENDIX 3 liable for: under this agreement must be in writing and may be delivered by hand or sent by first class post or DEFINITIONS AND GLOSSARY 10.2.3 damage to tension stringed musical instruments; or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the Where these Definitions and Glossary are incorporated, the 10.2.4 damage to gilded picture frames, plaster picture address or fax number of the relevant party given following words and phrases used have (unless the context frames or picture frame glass; and if the Lot is or in the Contract Form (unless notice of any change otherwise requires) the meanings given to them below. The becomes dangerous, we may dispose of it without of address is given in writing). It is the responsibility Glossary is to assist you to understand words and phrases notice to you in advance in any manner we think fit of the sender of the notice or communication to which have a specific legal meaning with which you may not and we will be under no liability to you for doing so. ensure that it is received in a legible form within any be familiar. applicable time period. 10.3.1 We will not be liable to you for any loss of Business, LIST OF DEFINITIONS Business profits, revenue or income or for loss of 11.5 If any term or any part of any term of this agreement Business reputation or for disruption to Business or is held to be unenforceable or invalid, such “Additional Premium” a premium, calculated in accordance wasted time on the part of the Buyer’s management unenforceability or invalidity will not affect the with the Notice to Bidders, to cover Bonhams’ Expenses or staff or, if you are buying the Lot in the course of enforceability and validity of the remaining terms or relating to the payment of royalties under the Artists Resale a Business, for any indirect losses or consequential the remainder of the relevant term. Right Regulations 2006 which is payable by the Buyer to damages of any kind, irrespective in any case of Bonhams on any Lot marked [AR] which sells for a Hammer the nature, volume or source of the loss or damage 11.6 References in this agreement to Bonhams will, where Price which together with the Buyer’s Premium (but excluding alleged to be suffered, and irrespective of whether appropriate, include reference to Bonhams’ officers, any VAT) equals or exceeds 1000 euros (converted into the said loss or damage is caused by or claimed employees and agents. the currency of the Sale using the European Central Bank in respect of any negligence, other tort, breach of Reference rate prevailing on the date of the Sale). contract, statutory duty, bailee’s duty, a restitutionary 11.7 The headings used in this agreement are “Auctioneer” the representative of Bonhams conducting the claim or otherwise. for convenience only and will not affect its Sale. interpretation. “Bidder” a person who has completed a Bidding Form. 10.3.2 Unless you buy the Lot as a Consumer, in any “Bidding Form” our Bidding Registration Form, our Absentee circumstances where we are liable to you in 11.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. respect of a Lot, or any act, omission, statement, without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or representation in respect of it, or this agreement assigns. Bonhams is also referred to in the Buyer’s Agreement, or its performance, and whether in damages, for 11.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the an indemnity or contribution or for a restitutionary the plural (and vice versa) and reference to any one words “we”, “us” and “our”. remedy or in any way whatsoever, our liability will be gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book limited to payment of a sum which will not exceed Sale. by way of maximum the amount of the Purchase 11.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. Price of the Lot plus Buyer’s Premium (less any sum paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the you may be entitled to recover from the Seller) Auctioneer. The Buyer is also referred to in the Contract for irrespective in any case of the nature, volume or 11.11 Save as expressly provided in paragraph 11.12 Sale and the Buyer’s Agreement by the words “you” and source of any loss or damage alleged to be suffered nothing in this agreement confers (or purports to “your”. or sum claimed as due, and irrespective of whether confer) on any person who is not a party to this “Buyer’s Agreement” the contract entered into by Bonhams the liability arises from negligence, other tort, agreement any benefit conferred by, or the right to with the Buyer (see Appendix 2 in the Catalogue). breach of contract, statutory duty, bailee’s duty, a enforce any term of, this agreement. “Buyer’s Premium” the sum calculated on the Hammer Price restitutionary claim or otherwise. at the rates stated in the Notice to Bidders. 11.12 Where this agreement confers an immunity from, “Catalogue” the Catalogue relating to the relevant Sale, You may wish to protect yourself against loss by and/or an exclusion or restriction of, the responsibility including any representation of the Catalogue published on obtaining insurance. and/or liability of Bonhams, it will also operate in our Website. favour and for the benefit of Bonhams’ holding “Commission” the Commission payable by the Seller to 10.4 Nothing set out above will be construed as excluding company and the subsidiaries of such holding Bonhams calculated at the rates stated in the Contract Form. or restricting (whether directly or indirectly) any company and the successors and assigns of Bonhams “Condition Report” a report on the physical condition of a Lot person’s liability or excluding or restricting any and of such companies and of any officer, employee provided to a Bidder or potential Bidder by Bonhams on behalf person’s rights or remedies in respect of (i) fraud, or and agent of Bonhams and such companies, each of the Seller. (ii) death or personal injury caused by our negligence of whom will be entitled to rely on the relevant “Conditions of Sale” the Notice to Bidders, Contract for Sale, (or any person under our control or for whom we are immunity and/or exclusion and/or restriction within Buyer’s Agreement and Definitions and Glossary. legally responsible), or (iii) acts or omissions for which and for the purposes of Contracts (Rights of Third “Consignment Fee” a fee payable to Bonhams by the Seller we are liable under the Occupiers Liability Act 1957, Parties) Act 1999, which enables the benefit of a calculated at rates set out in the Conditions of Business. or (iv) any other liability to the extent the same may contract to be extended to a person who is not a “Consumer” a natural person who is acting for the relevant not be excluded or restricted as a matter of law, or party to the contract, and generally at law. purpose outside his trade, Business or profession. (v) under our undertaking in paragraph 9 of these “Contract Form” the Contract Form, or vehicle Entry form, as conditions. 12 GOVERNING LAW applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. 11 MISCELLANEOUS All transactions to which this agreement applies “Contract for Sale” the Sale contract entered into by the and all connected matters will be governed by and Seller with the Buyer (see Appendix 1 in the Catalogue). 11.1 You may not assign either the benefit or burden of construed in accordance with the laws of that part “Contractual Description” the only Description of the Lot this agreement. of the United Kingdom where the Sale takes (or (being that part of the Entry about the Lot in the Catalogue is to take) place and we and you each submit to which is in bold letters, any photograph (except for the colour) 11.2 Our failure or delay in enforcing or exercising any the exclusive jurisdiction of the courts of that part and the contents of any Condition Report) to which the Seller power or right under this agreement will not operate of the United Kingdom, save that we may bring undertakes in the Contract of Sale the Lot corresponds. or be deemed to operate as a waiver of our rights proceedings against you in any other court of “Description” any statement or representation in any under it except to the extent of any express waiver competent jurisdiction to the extent permitted by way descriptive of the Lot, including any statement or given to you in writing. Any such waiver will not the laws of the relevant jurisdiction. Bonhams has a representation relating to its authorship, attribution, condition, affect our ability subsequently to enforce any right complaints procedure in place. provenance, authenticity, style, period, age, suitability, quality, arising under this agreement. origin, value, estimated selling price (including the Hammer DATA PROTECTION – USE OF YOUR INFORMATION Price). 11.3 If either party to this agreement is prevented from “Entry” a written statement in the Catalogue identifying the performing that party’s respective obligations Where we obtain any personal information about you, we shall Lot and its Lot number which may contain a Description and under this agreement by circumstances beyond only use it in accordance with the terms of our Privacy Policy illustration(s) relating to the Lot. its reasonable control or if performance of its (subject to any additional specific consent(s) you may have “Estimate” a statement of our opinion of the range within obligations would by reason of such circumstances given at the time your information was disclosed). A copy of which the hammer is likely to fall. give rise to a significantly increased financial our Privacy Policy can be found on our Website www.bonhams. cost to it, that party will not, for so long as such com or requested by post from Customer Services Department, circumstances prevail, be required to perform such 101 New Bond Street, London W1S 1SR, United Kingdom or obligations. This paragraph does not apply to the by email from [email protected]. obligations imposed on you by paragraph 3.

NTB/MAIN/3.13 “Expenses” charges and Expenses paid or payable by “Standard Examination” a visual examination of a Lot by a (3) This subsection applies to a contract of sale in the case Bonhams in respect of the Lot including legal Expenses, non-specialist member of Bonhams’ staff. of which there appears from the contract or is to be banking charges and Expenses incurred as a result of an “Storage Contract” means the contract described in inferred from its circumstances an intention that the electronic transfer of money, charges and Expenses for loss and paragraph 8.3.3 of the Conditions of Business or paragraph seller should transfer only such title as he or a third damage cover, insurance, Catalogue and other reproductions 4.4 of the Buyer’s Agreement (as appropriate). person may have. and illustrations, any customs duties, advertising, packing or “Storage Contractor” means the company identified as such shipping costs, reproductions rights’ fees, taxes, levies, costs of in the Catalogue. (4) In a contract to which subsection (3) above applies there testing, searches or enquiries, preparation of the Lot for Sale, “Terrorism” means any act or threatened act of terrorism, is an implied term that all charges or encumbrances storage charges, removal charges, removal charges or costs whether any person is acting alone or on behalf of or in known to the seller and not known to the buyer have of collection from the Seller as the Seller’s agents or from a connection with any organisation(s) and/or government(s), been disclosed to the buyer before the contract is made. defaulting Buyer, plus VAT if applicable. committed for political, religious or ideological or similar “Forgery” an imitation intended by the maker or any other purposes including, but not limited to, the intention to (5) In a contract to which subsection (3) above applies person to deceive as to authorship, attribution, origin, influence any government and/or put the public or any section there is also an implied term that none of the following authenticity, style, date, age, period, provenance, culture, of the public into fear. will disturb the buyer’s quiet possession of the goods, source or composition, which at the date of the Sale had a “Trust Account” the bank account of Bonhams into which all namely: value materially less than it would have had if the Lot had not sums received in respect of the Purchase Price of any been such an imitation, and which is not stated to be such Lot will be paid, such account to be a distinct and separate (a) the seller; an imitation in any description of the Lot. A Lot will not be a account to Bonhams’ normal business bank account. Forgery by reason of any damage to, and/or restoration and/ “VAT” value added tax at the prevailing rate at the date of the (b) in a case where the parties to the contract intend or modification work (including repainting or over painting) Sale in the United Kingdom. that the seller should transfer only such title as a having been carried out on the Lot, where that damage, “Website” Bonhams Website at www.bonhams.com third person may have, that person; restoration or modification work (as the case may be) does not “Withdrawal Notice” the Seller’s written notice to Bonhams substantially affect the identity of the Lot as one conforming to revoking Bonhams’ instructions to sell a Lot. (c) anyone claiming through or under the seller or the Description of the Lot. “Without Reserve” where there is no minimum price at that third person otherwise than under a charge “Guarantee” the obligation undertaken personally by which a Lot may be sold (whether at auction or by private or encumbrance disclosed or known to the buyer Bonhams to the Buyer in respect of any Forgery and, in the treaty). before the contract is made. case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out GLOSSARY (5A) As regards England and Wales and Northern Ireland, the in the Buyer’s Agreement. term implied by subsection (1) above is a condition and “Hammer Price” the price in the currency in which the Sale is The following expressions have specific legal meanings with the terms implied by subsections (2), (4) and (5) above conducted at which a Lot is knocked down by the Auctioneer. which you may not be familiar. The following glossary is are warranties.” “Loss and Damage Warranty” means the warranty described intended to give you an understanding of those expressions in paragraph 8.2 of the Conditions of Business. but is not intended to limit their legal meanings: “Loss and Damage Warranty Fee” means the fee described “artist’s resale right”: the right of the creator of a work of art in paragraph 8.2.3 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the “Lot” any item consigned to Bonhams with a view to its Sale original Sale of that work by the creator of it as set out in the at auction or by private treaty (and reference to any Lot will Artists Resale Right Regulations 2006. include, unless the context otherwise requires, reference to “bailee”: a person to whom goods are entrusted. individual items comprised in a group of two or more items “indemnity”: an obligation to put the person who has offered for Sale as one Lot). the benefit of the indemnity in the same position in which “Motoring Catalogue Fee” a fee payable by the Seller to he would have been, had the circumstances giving rise to Bonhams in consideration of the additional work undertaken the indemnity not arisen and the expression “indemnify” is by Bonhams in respect of the cataloguing of motor vehicles construed accordingly. and in respect of the promotion of Sales of motor vehicles. “interpleader proceedings”: proceedings in the Courts to “New Bond Street” means Bonhams’ saleroom at 101 New determine ownership or rights over a Lot. Bond Street, London W1S 1SR. “knocked down”: when a Lot is sold to a Bidder, indicated by “Notional Charges” the amount of Commission and VAT the fall of the hammer at the Sale. which would have been payable if the Lot had been sold at the “lien”: a right for the person who has possession of the Lot to Notional Price. retain possession of it. “Notional Fee” the sum on which the Consignment Fee “risk”: the possibility that a Lot may be lost, damaged, payable to Bonhams by the Seller is based and which is destroyed, stolen, or deteriorate in condition or value. calculated according to the formula set out in the Conditions “title”: the legal and equitable right to the ownership of a Lot. of Business. “tort”: a legal wrong done to someone to whom the wrong “Notional Price” the latest in time of the average of the doer has a duty of care. high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, SALE OF GOODS ACT 1979 the Reserve applicable to the Lot. “Notice to Bidders” the notice printed at the back or front of The following is an extract from the Sale of Goods Act 1979: our Catalogues. “Purchase Price” the aggregate of the Hammer Price and VAT “Section 12 Implied terms about title, etc on the Hammer Price. “Reserve” the minimum price at which a Lot may be sold (1) In a contract of sale, other than one to which subsection (whether at auction or by private treaty). (3) below applies, there is an implied term on the part of “Sale” the auction Sale at which a Lot is to be offered for Sale the seller that in the case of a sale he has a right to sell by Bonhams. the goods, and in the case of an agreement to sell he “Sale Proceeds” the net amount due to the Seller from the will have such a right at the time when the property is to Sale of a Lot, being the Hammer Price less the Commission, any pass. VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising. (2) In a contract of sale, other than one to which subsection “Seller” the person who offers the Lot for Sale named on (3) below applies, there is also an implied term that- the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the (a) the goods are free, and will remain free until person named on the Contract Form acts as an agent for a the time when the property is to pass, from any principal (whether such agency is disclosed to Bonhams or not), charge or encumbrance not disclosed or known “Seller” includes both the agent and the principal who shall be to the buyer before the contract is made, and jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”. (b) the buyer will enjoy quiet possession of the goods “Specialist Examination” a visual examination of a Lot by a except in so far as it may be disturbed by the specialist on the Lot. owner or other person entitled to the benefit “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or Specialist Stamp Sale. known.

NTB/MAIN/3.13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom)

UNITED KINGDOM Representatives: Representative: Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Isle of Man Via Boccaccio 22 London Bill Allan Felicity Loughran 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 +44 1624 822 875 +39 (0)2 4953 9020 Daniel Claramunt London W1S 1SR +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia Channel Islands [email protected] 220 San Bruno Avenue +44 20 7447 7400 fax San Francisco Brazil Bury St. Edmunds Jersey Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street 39 Don Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds St.Helier 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG JE2 4TR +39 (0)6 48 5900 +44 20 7393 3905 fax +44 1284 716 190 +44 1534 722 441 +39 (0)6 482 0479 fax Los Angeles • +44 1284 755 844 fax +44 1534 759 354 fax [email protected] 7601 W. Sunset Boulevard ASIA South East Los Angeles England Norfolk Representative: Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Guernsey de Lairessestraat 123 +1 (323) 850 7500 Carson Chan Brighton & Hove Reepham +44 1481 722 448 1075 HH Amsterdam +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 Scotland +31 20 67 09 702 fax New York • 88 Queensway BN3 2JN +44 1603 872 973 fax [email protected] 580 Madison Avenue Admiralty +44 1273 220 000 Edinburgh • New York, NY Hong Kong +44 1273 220 335 fax Midlands 22 Queen Street Spain - Madrid 10022 +852 2918 4321 Edinburgh Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle EH2 1JX Madrid +1 (212) 644 9007 fax [email protected] Millmead, The Old House +44 131 225 2266 28001 Guildford, Station Road +44 131 220 2547 fax +34 91 578 17 27 Representatives: Beijing Surrey GU2 4BE Knowle, Solihull [email protected] Arizona Hongyu Yu +44 1483 504 030 West Midlands Glasgow Terri Adrian-Hardy Room A515 +44 1483 450 205 fax B93 0HT 176 St. Vincent Street, Switzerland - 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G-NET/2/13 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments UK Porcelain & Pottery Memorabilia UK Jon Baddeley Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 USA Jonathan Snellenburg Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK Greer Adams Greek Art Automobilia Michael Moorcroft +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 American Paintings +44 20 7468 8314 Toby Wilson U.S.A African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 Philip Keith Memorabilia Kurt Forry +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art U.S.A UK +44 1244 353123 Giles Peppiatt Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker U.S.A. Penny Day +44 8700 273616 Sporting Guns American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 +1 212 644 9039 Impressionist & +44 8700 273621 Chinese & Asian Art Modern Art Toys, Dolls & Chess Antiquities UK Deborah Allan Musical Instruments Leigh Gotch Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 U.S.A Islamic & Indian Art Travel Pictures Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veronique Scorer UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 207 393 3962 David Williams HONG KONG Claudia Florian +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art U.S.A +852 2918 4321 UK Gareth Williams Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 +1 415 503 3360 Clocks +44 20 7468 8368 UK UK U.S.A Andrew Mckenzie Watches & Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK Harvey Cammell U.S.A Mark Fisher Paul Maudsley +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 +1 212 461 6530 UK U.S.A. Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 UK UK U.S.A +44 20 7468 8360 HONG KONG Mark Oliver John Millensted Susan Abeles Carson Chan +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 U.S.A U.S.A AUSTRALIA U.S.A Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK Martin Green Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A +61 2 8412 2222 UK Veronique Scorer +44 20 7393 3985 Joseph Hyman Gareth Williams +44 207 393 3962 +1 917 206 1661 Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam James Hendy Sharon Goodman Squires +1 917 206 1697 Rupert Worrall +852 3607 0004 +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8262 Mechanical Music U.S.A Wine Books, Maps & Costume & Textiles Jon Baddeley Judith Eurich UK Manuscripts Claire Browne +44 20 7393 3872 +1 415 503 3259 Richard Harvey UK +44 1564 732969 +44 (0) 8700 273622 Matthew Haley Modern, Contemporary Russian Art U.S.A +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Daniel Lam +44 20 7393 3844 Yelena Harbick +852 3607 0004 British & European Glass U.S.A +1 212 644 9136 UK Catherine Williamson Simon Cottle +1 323 436 5442 +44 20 7468 8383 U.S.A. Ethnographic Art Suzy Pai Jim Haas +1 415 503 3343 +1 415 503 3294

SD05/2013-03 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Old Masters Pictures Sale date: 10 April 2013

Sale no. 20611 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 3% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/08/12 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Sale date:

Sale no. Sale venue: Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/08/12 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax