Guide to the William Russo Collection College Archives & Special Collections
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ATHANASIOS ZERVAS | BIOGRAPHY BRIEF BIOGRAPHY ATHANASIOS ZERVAS is a prolific composer, theorist, performer, conductor, teacher, and scholar. He holds a DM in composition and a MM in saxophone performance from Northwestern University, and a BA in music from Chicago State University. He studied composition with Frank Garcia, M. William Karlins, William Russo, Stephen Syverud, Alan Stout, and Jay Alan Yim; saxophone with Frederick Hemke, and Wayne Richards; jazz saxophone and improvisation with Vernice “Bunky” Green, Joe Daley, and Paul Berliner. Dr. Athanasios Zervas is an Associate Professor of music theory-music creation at the University of Macedonia in Thessaloniki Greece, Professor of Saxophone at the Conservatory of Athens, editor for the online theory/composition journal mus-e-journal, and founder of the Athens Saxophone Quartet. COMPLETE BIOGRAPHY ATHANASIOS ZERVAS is a prolific composer, theorist, performer, conductor, teacher, and scholar. He has spent most of his career in Chicago and Greece, though his music has been performed around the globe and on dozens of recordings. He is a specialist on pitch-class set theory, contemporary music, composition, orchestration, improvisation, music of the Balkans and Middle East, and traditional Greek music. EDUCATION He holds a DM in composition and an MM in saxophone performance from Northwestern University, and a BA in music from Chicago State University. He studied composition with M. William Karlins, William Russo, Stephen L. Syverud, Alan Stout, and Jay Alan Yim; saxophone with Frederick Hemke and Wayne Richards; jazz saxophone and improvisation with Vernice ‘Bunky’ Green, Joe Daley, and Paul Berliner; and jazz orchestration/composition with William Russo. RESEARCH + WRITING Dr. -
Brevard Live Live March 2020
Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Full Orchestra 2021.Pdf
Full Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ..................................../Leidig; Niehaus ............49063 .....E .........45.00 Artist's Life, Op. 316 ...........................Strauss, Jr./Muller .........38001 .....MD ......80.00 Φ Aboriginal Rituals ...............................DelBorgo ......................30172 .....M.........59.00 As Summer Was Just Beginning Abduction from the Seraglio: Overture ..Mozart/Meyer ...............33192 .....ME ......59.00 (Song for James Dean) ....................Daehn ...........................49044 .....M.........68.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 As Time Goes By ...............................Hupfeld/Lewis ...............13708 .....MD ......50.00 Academic Festival Overture, Op. 80 ..Brahms/Leidig ..............33029 .....MD ......73.00 Ashford Celebration ...........................Ford ..............................30240 .....MD ......60.00 Academic Festival Overture, Op. 80 ..Brahms/Muller ..............38000 .....MD ......45.00 Φ Ashokan Farewell ...............................Ungar/Cerulli ................47093 .....ME ......65.00 Academic Festival Overture, Op. 80 ..Brahms/Simpson ..........57085 .....D .........90.00 Ashton Place ......................................Niehaus ........................49051 .....MD ......60.00 Academic Procession .........................Daniels .........................60005 .....ME ......55.00 Aspen Fantasy ...................................Feese -
Brevard Live May 2006
Brevard Live May 2006 - 2 - Brevard Live May 2006 Brevard Live May 2006 - - Brevard Live May 2006 FAVORITE ORIGINAL BAND FAVORITE COVER BAND FAVORITE VOCALIST ❑ Black Eyed Soul ❑ John Quinlivan Band ❑ David Andrew Spilker ❑ Such Is Life ❑ Medusa ❑ Brian Maxwell ❑ Pinch ❑ Wunderdogs ❑ Brenda (Medusa) ❑ Medusa ❑ Ozone ❑ Ken Moores (JQB) ❑ Swamp Fox ❑ Paradym Shift ❑ Greg Caputo (Pinch) FAVORITE GUITARIST FAVORITE BASSIST FAVORITE DRUMMER ❑ John Quinlivan (JQB) ❑ Terry Wallace (JQB) ❑ Mike St. Pete (JQB) ❑ Mike McMullen (Ozone) ❑ Eric Nyman ❑ Randy Crouch (APB) ❑ Darren (Medusa) ❑ Vince McGee (Medusa) ❑ Pat Bautz (Middle Finger) ❑ ❑ John Bernam (Middle Finger) ❑ Kerry Morris (Middle Finger) Crak Staton (BES) ❑ Greg Caputo (Pinch) ❑ Mike Della Cioppa (BES) ❑ John Frank (Pinch) FAVORITE KEYBOARD FAVORITE MISC ENTERTAINER OF THE YEAR ❑ Ken Moores (JQB) ❑ Ken Moores (JQB) ❑ Black Eyed Soul ❑ Glen Hess (Medusa) ❑ Will Powers (Middle Finger) ❑ John Quinlivan Band ❑ Dave Hoag ❑ Bobby Mills (Mills Bros) ❑ Medusa ❑ Misty Dureault (BES) ❑ Anthony Darmana ❑ Middle Finger Band ❑ J.B. Daniels (Middle Finger) ❑ Rene (AB) ❑ Pinch Brevard Live May 2006 - 6 - Brevard Live May 2006 Marchseries 4, 1953 - THOSE WERE PART VIII August 20, 2005 on drums, and Calvin on bass until Mark Glisson joined as The Glory Days bass player and played for so HHHHHHHHHHHHHHHHHHHHHHHHHH by Judy Tatum Lane many years with the Groove Monsters and became very close to Dave. Dave kept hanges in music and had just recorded an album. when my husband John Lane the Groove Monsters going Csociety were happening The group was none other sat in on bass for them (Ken- after Austin and Steve Miller at such a tremendously fast than a version of “New Days ny played sax, which was his parted from the band, and the pace. -
Extracts from Nick Gravenite's Book
EXTRACTS FROM NICK GRAVENITE’S BOOK- “BAD TALKING BLUESMAN” It's not so easy to introduce Nick Gravenites because the man has done so many things that one can easily write a book or build a web site only dedicated to Gravenites who is singer, songwriter, guitarist, and producer in one person. Subsequently everything found on this page concerning Nick can only be described as incomplete. Nevertheless let's start with a short introduction Taxim Records added to one of their Bay Area Blues Sampler 'More Bay Area Blues' which contains the song 'Hard Thing' by Nick. 'Nick Gravenites grew up on the southside of Chicago hanging out in the mid- 50's with a coterie of misfit white kids - Elvin Bishop, Paul Butterfield, Michael Bloomfield - who went on to form that protean powerhouse of watershed white blues, The Paul Butterfield Blues Band. Learning their lessons first-hand from the southside greats - Muddy Waters, Buddy Guy, Howlin' Wolf, Jimmy Reed, Otis Rush - Gravenites & Co. burst open the seams of the scene with a feverish intensity and undeniable authenticity, redefining the blues with as much impact as the introduction of electric instrumentation had 15 years earlier. From the late 50's through the mid 60's, Gravenites gravitated between Chicago and San Francisco, establishing himself in the Bay Area in 1965. In addition to authoring the classic "Born In Chicago" and the groundbreaking "East West" for Butterfield, Gravenites scribed hits for Janis Joplin and has his songs recorded by Big Brother and the Holding Company, Michael Bloomfield, the Electric Flag (of which Gravenites was a founding member), Pure Prairie League, Tracy Nelson, Roy Buchana, Jimmy Witherspoon as well as blues giants Howlin' Wolf, Otis Rush, and James Cotton. -
ARET(I) JACKSON FIVE, "LOOKIN' THROUGH the WIN- (Pundit,BMI)
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR eoo, MAY27, 1972 ciif , WHO IN THE WORLD 04, Southern Gentleman Sonny James, s. - t' 3 0 4 Left, Has Signed A Long -Term 4 34' o Contract With Columbia Records, ti 47,27(. 4 Where, No Doubt, He Will Add 41 To His String Of 28 Consecutive Number One Country Singles. On Right Is Columbia President Clive Davis, Who Flew To Nashville To Announce The Signing. For More Details, Turn To Page 3. HITS T HA FRANKLIN,"ALLTHE KING'S HORSES." cg CANDI STATON, "IN THE GHETTO."(Screen 1.11ARET(i) JACKSON FIVE, "LOOKIN' THROUGH THE WIN- (Pundit,BMI). The latest from the Gems-Columbia/ElvisPresley,BMI). DOWS." The Jacksons,firmlyentrenchedin O undisputedQueenofSoul isas Pa Even though this Mac Davis -penned althe minds of the public, consistently come up different from "Day Dreaming" as w songishardly anoldie,theper- 'elwith winning efforts. Huge sales must be ex- that was from her earlier works. An - formance here is convincing enough pected,sincethisgiftedfamily alwaysde- co other assured smash. Atlantic 2883. tomake ithappenagain.Fame livers."LittleBittyPrettyOne"included. 91000 (UA). Motown M750L. NILSSON, "COCONUT." (Blackwood, BMI). Follow- FLASH, "SMALL BEGINNINGS."(Colgems/Black- THE BEACH BOYS, "PET SOUNDS/CARL AND THE upto "JumpInto The Fire"isa claw, ASCAP). Flash, very much like PASSIONS -SOTOUGH." Applausetoeveryone whimsical story from the outstand- Yes,should makeiton AM just concerned for this specially -priced doubleal- ing"Nilsson Schmilsson."Terrific, as they will on FM. This should be bum. "Pet Sounds," recordedin1966, was a and commercial enoughtogoall thefirsthitfromthebestnew recent purchase from Capitol. -
CONTACT: (312) 371 -5179 EMAIL: [email protected]
ROB STONE &THE C•NOTES CONTACT: (312) 371 -5179 EMAIL: [email protected] www.robstone.com MANAGEMENT: Michael Frank AT Earwig Music Company TEL: (773)262-0278 EMAIL: [email protected] www.earwigmusic.com A LIVE PERFORMANCE BY ROB STONE CAN TRANSPORT THE LISTENER BACK TO THE HEYDAY OF CHICAGO BLUES. Fronted by Harp-playing vocalist ROB STONE and held together by a rock-solid rhythm section, the group is comprised of seasoned professionals with well over half a century of combined blues playing experience. They’ve paid their dues in the smoky Chicago blues joints and toured coast to coast across North America and Europe, as well as the Hawaiian islands and Japan, playing countless blues festivals, club dates and television appearances. Separately, the members of the group have recorded for the respected Alligator, Evidence, Hightone, Ice House, Marquis, Appaloosa and Magnum blues labels, and received national recognition in countless blues publications. These musicians have performed with and learned from many of the greats...and it shows from the first note. They are all authentic showmen with pure abil- ity to tear up a stage, as evidenced by their prominent role in the recent Martin Scorsese-produced “Godfathers and Sons” episode of The Blues series that aired recently on PBS stations natiowide. Together they now have a brand new release on Chicago’s Earwig label. As a vocalist Rob Stone is powerful, yet relaxed and natural; as a harmonica player he evokes the sounds of greats like Little Walter, Sonny Boy Williamson and Walter Horton. This band navigates their way effortlessly through one lean arrangement after another, from a soulful slow blues to a ferocious, driving slide guitar workout recalling past greats like Elmore James, Earl Hooker, and Muddy Waters, as well as all the blues harp legends from the hey- day of Chicago blues. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
The Legacy of S Ta N K E N to N
THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS The Legacy of S TA N K ENTON Washington, D.C. “The Musical Ambassadors of the Army” he Jazz Ambassadors is the Concerts, school assemblies, clinics, T United States Army’s premier music festivals, and radio and televi- touring jazz orchestra. As a component sion appearances are all part of the Jazz of The United States Army Field Band Ambassadors’ yearly schedule. of Washington, D.C., this internation- Many of the members are also com- ally acclaimed organization travels thou- posers and arrangers whose writing helps sands of miles each year to present jazz, create the band’s unique sound. Concert America’s national treasure, to enthusi- repertoire includes big band swing, be- astic audiences throughout the world. bop, contemporary jazz, popular tunes, The band has performed in all fifty and dixieland. states, Canada, Mexico, Europe, Ja- Whether performing in the United pan, and India. Notable performances States or representing our country over- include appearances at the Montreux, seas, the band entertains audiences of all Brussels, North Sea, Toronto, and New- ages and backgrounds by presenting the port jazz festivals. American art form, jazz. The Legacy of Stan Kenton About this recording The Jazz Ambassadors of The United States Army Field Band presents the first in a series of recordings honoring the lives and music of individuals who have made significant contri- butions to big band jazz. Designed primarily as educational resources, these record- ings are a means for young musicians to know and appreciate the best of the music and musicians of previous generations, and to understand the stylistic developments leading to today’s litera- ture in ensemble music. -
Chicago Reader | June | Volume Number
CHICAGO’SFREEWEEKLYSINCE | JUNE CHICAGO’SFREEWEEKLYSINCE Photos of Black fatherhood W.D. Floyd 12 The early years of gay liberation in Chicago Albert Williams 15 LUCY The city’s best drag mom uses a favorite vintage store to make a point about showing STOOLE: up for your community. a good look for Chicago By TTRBE27 THIS WEEK CHICAGOREADER | JUNE | VOLUME NUMBER IN THIS ISSUE T R - CITYLIFE 12 PhotoAphotographercaptures @ 04 SightseeingTakeourquizon quietmomentsofBlackfatherhood Chicagounderworldslangandfi nd outwhatcackleberriesare PTB IEC SKKH DEKS FILM C LSK 21 FestivalCinepocalypsereturnsto D P JR CEAL theMusicBoxwithafreshcropof M EP M horrorfi lmsandcultclassics A EJL 22 PrideThecaseforaccurate 34 SecretHistoryofChicago SWDI BJ MS LGBTQrepresentationinmovies MusicDiscodivaLoleatta SWMD L G 23 ReviewShotsfocusestoo Hollowaygotasecondwindfrom EA SN L muchontheLaquanMcDonald housemusic G D D C S MEBW FOOD&DRINK shootingattheexpenseof 36 EarlyWarningsCiara M L C NEWS&POLITICS 10 RestaurantReviewTwo McDonaldhimself EyehategodSleaterKinneyand S C -J 05 Joravsky|PoliticsDon’tgive powerfulnewcontendersonthe 24 MoviesofnoteTheDeadDon’t morejustannouncedshows FL CPF TA ECS uponanelectedschoolboard hotfriedchickenfront DiedirectssatiricalbarbsatTrump 36 GossipWolfBodymilkTapes CN B MayorLightfoot eraracismTheLastBlackManin invitesacrowdofqueerand D C LCI 06 Isaacs|CultureSomuchfor SanFranciscotakesapoeticview transmusicianstoNoisePromII G AG KT ARTS&CULTURE HR H JH gamblingofthepeoplebythe 15 PrideA‘freakingfag