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FUNDING IMPACT UPDATE Xxxx AUTUMN 2019

FUNDING IMPACT UPDATE AUTUMN 2019 1 Introduction

Glyndebourne Festival 2019 Jakub Józef Orliński, who local people of all ages, featured house will meet our needs for celebrated the 25th anniversary was awarded Young Artist alongside professional artists. decades to come, the 25-year- of the ‘new’ theatre and opened of the Year at this year’s It captivated audiences and old backstage systems do with the thrilling spectacle Gramophone Classical Music recently claimed the prize for need to be replaced. Work has of Berlioz’s La damnation Awards. What a season. To all Best Participatory Project at the commenced on a complete de Faust, brought to life by those supporters who made Young Audiences Music Awards automation to ensure we director Richard Jones and these productions a reality, we (YAMawards) – bravo to all remain at the forefront of opera Glyndebourne’s music director are immensely grateful. involved, and to our pioneering for the next 25 years. Robin Ticciati. Annabel Arden’s education team. 2016 production of Rossini’s Glyndebourne Tour 2019 is greatest comedy Il barbiere delighting audiences around In the 25th anniversary year di Siviglia was revived with the country with three of the ‘new’ opera house at James Bellorini a thrilling young cast, and contrasting Italian operas. Glyndebourne, a special thank Andrew Higgins Massenet’s Cinderella (Cendrillon) Verdi’s dark tragedy, Rigoletto, you goes to our Founder Director of Development made a magical Festival debut staged for the first time in Members, past and present, in a production originally Glyndebourne’s history, is seen whose generosity made it Cover image: Agreed 2019 conceived by Fiona Shaw and through a fresh Hollywood possible. Whilst the opera Photo: Robert Workman Glyndebourne would not be the directed this summer by lens by director Christiane extraordinary place it is without Fiona Dunn. Lutz, making her UK debut, the backing of its generous with South African soprano supporters. Your contributions Dvořák’s mystical Rusalka, Vuvu Mpofu, winner of the 2019 enable us to continue to create revived from 2009, immersed John Christie Award, in her world-class productions, audiences in a heartbreaking Glyndebourne debut principal support talented artists and tale of love against the odds in role as Gilda. Donizetti’s L’elisir production teams and bring Melly Still’s imaginative staging d’amore shines in a revival of audiences of all ages to opera. and Glyndebourne welcomed Annabel Arden’s production creative duo Barbe & Doucet and, fresh from a successful We are delighted to share our to the Festival for the first revival at the Festival, Rinaldo second Funding Impact Update time, to create a spectacular also took to the road. with you. It presents a complete new production of Mozart’s look at our achievements Die Zauberflöte. The season The spring of 2019 saw the over the last 12 months; finale, Robert Carsen’s 2011 world premiere of Agreed on the covering talent development production of Handel’s Rinaldo, Glyndebourne stage. Written programmes, digital initiatives, cycled to new heights with an by Howard Moody and directed education projects and the unforgettable Glyndebourne by Simon Iorio, the new Festival and Tour seasons. debut from Polish countertenor commission was performed by Workman Robert Il barbiere di Siviglia, Festival 2019

FUNDING IMPACT UPDATE AUTUMN 2019 1 Core Programmes

Developing Future Audiences 3-4 Performances for Schools Under 30s programme Investment in filmed content

Education and Community Work 5-7 Glyndebourne Youth Opera New work Glyndebourne Academy Glyndebourne Junior Performers Local partnerships Raise Your Voice

Securing Artistic Excellence 8-10 Production Hub Debut and Cover Artist Schemes Chorus Development Scheme Jerwood Young Artists Balancing the Score Pit Perfect The Glyndebourne Opera Cup

Opera Seasons 11-14 Glyndebourne Tour 2018 Glyndebourne Festival 2019

Looking Ahead 15 Robert Workman Robert Zara McFarlane as Kronos in Agreed 2019

FUNDING IMPACT UPDATE AUTUMN 2019 2 Developing Future Audiences

Performances for Schools Under 30s programme IMPACT AT A GLANCE The 2019 Tour programme includes dedicated schools’ performances 2,451 Festival 2019 tickets were sold for £30 to young people through • Since October 2018 we of a new production of Rigoletto and the revival of L’elisir d’amore at our Under 30s programme. This provided access to 12 performances have reached over 5,000 Glyndebourne, and four matinee performances across our touring across four of the productions during the Festival season (Il barbiere students and teachers venues of L’elisir d’amore (Canterbury, Milton Keynes, Liverpool and di Siviglia, Cendrillon, Rusalka and Rinaldo). In October 2019, as part of from over 140 school Norwich). By November 2019, over 3,500 tickets had been sold to over our commitment to nurture the next generation of opera goers, and groups through our 100 different school groups, including a performance in March 2019 of to build on the successful engagement with our Under 30s members, schools programme. the world premiere of our new opera, Agreed. Furthermore, this year we launched ‘Fortissimo’, a new membership open to anyone up to • 2,451 Festival 2019 tickets we introduced three school groups comprising of over 80 students to the age of 40. were sold for £30 each Glyndebourne through full-day visits that included backstage tours to audiences aged 16-29 and participation workshops resulting in each pupil achieving an through the Under 30s Arts Award Discover. Investment in filmed content programme. • Three productions were A further five teacher workshops are taking place over the Three full-length broadcasts took place over the summer: Cinderella screened in over 150 2019 autumn touring season with the aim of reaching over 120 (Cendrillon) on 30 June, Die Zauberflöte on 4 August (both live) and cinemas across the UK participants. These workshops form a vital part of our engagement Il barbiere di Siviglia (recorded from 2016) in July. These were shown during the summer and with schools and our strategy to raise awareness of opera in in over 150 cinemas across the UK and online in partnership with were made available formal education, and support the development of creative the Telegraph Media Group. We also filmed the revival ofRusalka in worldwide for free at at cultures within schools. August. Die Zauberflöte will be broadcast on the BBC this Christmas, glyndebourne.com. and DVDs will be produced of all three recordings.

FUNDING IMPACT UPDATE AUTUMN 2019 3 Developing Future Audiences

1. Agreed, Performance for Schools audience members, March 2019 2. Under 30s audience members 3. Die Zauberflöte (The Magic Flute), Festival 2019 4. Rusalka, Festival 2019 James Bellorini James Bellorini 1. 2. Bill Cooper Kenton Tristram 3. 4.

FUNDING IMPACT UPDATE AUTUMN 2019 4 Education and Community Work

Glyndebourne Youth Opera New work

There have been various exceptional opportunities for young people Glyndebourne won the inaugural YAMawards prize for Best to perform on the main stage at Glyndebourne over the last year. Participatory Project for its 2019 new opera, Agreed. The YAMawards 19 young singers from Glyndebourne Youth Opera (GYO) performed are part of the Young Audiences Music initiative and are intended to alongside the Glyndebourne Chorus in two Christmas concerts on recognise the very best musical performance for young audiences 8 and 9 December 2018, 25 performed in the community chorus of annually. We were nominated alongside some truly superb work Agreed in March and 16 were selected to perform in La damnation de from across Europe. In the citation for Agreed the jury highlighted Faust during Festival 2019, within the off-stage children’s chorus or as the life-changing impact of our work and the exceptional quality at acting extras. Each singer worked with Glyndebourne’s vocal talent which it is delivered. We held four performances of Agreed, featuring consultant Mary King and French language coach Florence Daguerre 75 people, aged 11 to 71, who formed the community chorus, nine de Hureaux before joining the main company production rehearsals. young musicians alongside a professional orchestra, a mix of onstage world musicians, a dancer and five soloists, including jazz singer Zara McFarlane. Composed and conducted by Howard Moody, Agreed ‘ I have had such an amazing time being part of GYO for Faust. gave fantastic opportunities to emerging professionals, for example, From the workshops, to the audition, to the excitement of musicians from the OAE Experience scheme, aspiring soloists such as opening night, I have loved every minute. I am really looking exciting soprano Nazan Fikret, director Simon Iorio, librettist Anna Moody, making her opera debut, and movement director Caitlin forward to my next opportunity to be a part of GYO again!’ Fretwell Walsh. Howard Moody has been shortlisted for Agreed in this La damnation de Faust participant year’s Ivors Composer Awards (formerly the British Composer Awards) under the category of Amateur or Young Performers. Winners are announced on 4 December.

In May, Sian Edwards conducted a new piece created and performed by women and children called Eye to Eye, commissioned by Brighton Festival and produced in partnership with Glyndebourne. Eye to Eye is a choral work about motherhood and childhood. The commission received its world premiere at Brighton Dome on 11 May with a subsequent performance on 12 May. It featured a chorus of 76 women including mothers, grandmothers and children drawn from the greater Brighton community, recruited and carefully trained by a Glyndebourne music team.

FUNDING IMPACT UPDATE AUTUMN 2019 5 Education and Community Work

Glyndebourne Academy Glyndebourne Junior Performers IMPACT AT A GLANCE Glyndebourne Academy is a biennial project that has been running 12 young people have been selected for the 2019-20 Glyndebourne • There have been 64 since 2012 and supports young singers with exceptional vocal Junior Performers programme. Between September 2019 and July performance roles in potential who have faced barriers to developing their singing careers. 2020 they will receive specialist training in disciplines including Glyndebourne productions In 2019 we had 40 first-round auditionees in Leeds, Liverpool and voice, language, music, drama and movement. They will also for children and young people London and 16 were selected for a two-day residential workshop at have the opportunity to meet singers and opera professionals from the local community in Glyndebourne. Eight exciting young singers aged between 17 and involved in Glyndebourne Tour and Festival productions to gain the last year. 27 were selected to take part in the final programme, including a an insight into the professional world of opera. Glyndebourne • 40 young singers auditioned summer residential at Chichester University, concluding in a finale Junior Performers is open to talented young singers in our local for Glyndebourne Academy performance in front of an invited audience at Glyndebourne in area aged between 14 and 19. and 16 were selected for initial October 2019. stages of the programme. • 84 adults and young people Local partnerships performed as part of Agreed ‘ It’s hard to single out one particular highlight from in the chorus and orchestra Glyndebourne Academy, but for me what I have loved the Glyndebourne also partnered with East Sussex Music Hub to alongside professional soloists most is the opportunity to work with some of the highest deliver the Big Sing project, involving over 2,000 children and and musicians. young people. Two Big Sing concerts were held on our main calibre professionals in the industry. I have learned so much stage in December 2018 featuring 530 Key Stage 2 children and • Our new opera, Agreed, about singing and have enjoyed and gained confidence in attracting an audience of 1,591 people. reached a live audience of performing, even the dancing!’ 3,643 through three public performances and a further Glyndebourne Academy Student 2019 726 children and young people Raise Your Voice from 20 different school groups who attended the dedicated We continued our established Raise Your Voice programme, performance for schools. It which is an opera project in East Sussex for local people living was also viewed online by an with dementia and their carers. 20 participatory workshops were audience of 2,200. delivered during 2019 to 32 participants throughout the year, as well as a summer picnic event and the opportunity to attend • 530 children took part in Glyndebourne rehearsals. the Big Sing concerts on the Glyndebourne main stage with a total audience of 1,591.

FUNDING IMPACT UPDATE AUTUMN 2019 6 Education and Community Work

1. Raise Your Voice picnic, 2019 2. Agreed, 2019 3. Nicholas Bosworth working with Frankie Bounds, Glyndebourne Academy, 2019 4. Glyndebourne Youth Opera (GYO) Christmas concert rehearsal, 2019 Clare Park Clare Workman Robert 1. 2. James Bellorini James Bellorini 3. 4.

FUNDING IMPACT UPDATE AUTUMN 2019 7 Securing Artistic Excellence

Production Hub Chorus Development Scheme

Glyndebourne’s new Production Hub opened in February 2019. Indian baritone Darwin Prakash was the first Glyndebourne We are thrilled with the space and the flexibility it gives us. The Academy participant to make their Glyndebourne Festival debut, Hub is a state-of-the-art facility with new props, wigs and costume performing with the 2019 Chorus. Darwin was on the Academy workshops, additional music practice rooms and a new rehearsal programme in 2015. space – we are in the minority of arts organisations that have been able to invest in such a world-class on-site facility such as this. It has been the largest building project we have undertaken Jerwood Young Artists since the rebuild of the opera house in 1994 and will help ensure Glyndebourne’s future in continuing to produce opera that is out of Through the Jerwood Young Artist Programme talented emerging the ordinary. soloists receive coaching from the very best professionals around the world. In 2019 the Jerwood Young Artists were mezzo soprano Stephanie Wake Edwards, tenor Frederick Jones, tenor Sahel Salam, Debut and Cover Artist Schemes baritone Harry Thatcher and bass-baritone Sam Carl.

Our Debut Artists Scheme nurtures exciting talent by giving artists debut roles in Glyndebourne productions. Possibly the most notable ‘ Jerwood Young Artists are tested from the first week until the debut in Festival 2019 was from Polish countertenor Jakub Józef end of the Festival. I no longer know the limits of my abilities Orliński who performed the title role in Rinaldo. Jakub recently because I’ve grown so much… I’m capable of taking on more claimed the Gramophone Classical Music Award for the Young Artist work and detailing my work to a far more extensive degree, of the Year. South Afrian soprano Vuvu Mpofu was the 2019 recipient of the prestigious John Christie Award. Vuvu performed the role of and I believe that being a Jerwood Young Artist prepared me for First Nymph in Rusalka in the Festival and returned in the autumn in the rigour necessary to develop myself into the most complete the principal role of Gilda in the new production of Verdi’s Rigoletto artist that I can be.’ for the Tour. Jerwood Young Artist, 2019

FUNDING IMPACT UPDATE AUTUMN 2019 8 Securing Artistic Excellence

Balancing the Score

Glyndebourne launched Balancing the Score in 2018 with the aim of bringing more female composers into the industry. Four composers were selected for the two-year scheme – Anna Appleby, Ninfea Crutwell-Reade, Cecilia Livingston and Ailie Robertson. All four of the composers will have the opportunity to create new song cycles to be performed by soloists. In August, mezzo-soprano Stephanie Wake- Edwards and pianist Matthew Fletcher performed Anna Appleby’s From the River, setting to music words by Elizabeth Barrett Browning. Ninfea Crutwell-Reade’s work will receive its premiere during Glyndebourne Festival 2020, alongside new works from the other composers on the scheme.

Pit Perfect Bill Cooper Jacqueline Stucker in the role of Armida, Rinaldo, Tour 2019 We successfully piloted Pit Perfect in 2018, a new scheme supporting recently graduated professional instrumentalists. 11 players were The Glyndebourne Opera Cup selected for the 2019 programme taking place during the autumn touring season. The programme supports emerging musicians Since we launched The Glyndebourne Opera Cup in 2018 the with mainstage performance opportunities on the Tour alongside competition finalists have gone on to develop exciting careers; the additional support such as music lessons, mentoring and seminars. winner, American mezzo-soprano Samantha Hankey, made her Pit Perfect will run from September to December each year. Metropolitan Opera debut this season and three of the 2018 finalists will perform at Glyndebourne in 2019 and 2020. After winning second place in 2018 soprano Jacquelyn Stucker returned to Glyndebourne to take on the role of Armida in our Tour 2019 production of Handel’s Rinaldo. The Audience Prize winner, Elbenita Kajtazi, makes her Glyndebourne debut as Adina in the Festival 2020 production of L’elisir d’amore.

FUNDING IMPACT UPDATE AUTUMN 2019 9 Securing Artistic Excellence

1. Jerwood Young Artists 2019 L-R: Sahel Salam (tenor), Frederick Jones (tenor), Stephanie Wake-Edwards (mezzo-soprano), Harry Thatcher (baritone), Sam Carl (bass-baritone) 2. Balancing the Score composers L-R: Ninfea Crutwell-Reade, Cecilia Livingston, Ailie Robertson and Anna Appleby. 3. Elbenita Kajtazi won the Audience Prize at the 2018 Glyndebourne Opera Cup and will sing the role of Adina in

James Bellorini James Bellorini L’elisir d’amore in Festival 2020 1. 2. 4. Jacqueline Stucker came second at the 2018 Glyndebourne Opera Cup and sang the role of Armida in the Tour 2019 production of Rinaldo. Richard Hubert Smith Richard Hubert Smith Richard 3. 4.

FUNDING IMPACT UPDATE AUTUMN 2019 10 Opera seasons: Tour 2018

In 2018 we celebrated 50 years 169 singers, musicians, actors, and Luis Gomes our Violetta For the first time, we IMPACT AT A GLANCE of the Glyndebourne Tour dancers and creative and and Alfredo in La traviata, all programmed two Christmas with 36 performances of three coaching staff were employed of whom are very talented and Concerts on our main stage in • A total audience of 44,158 productions: a new production for the 2018 Tour. A further 87 gave first-class performances. December 2018, which involved was reached through our of Massenet’s Cinderella amatuer singers from local The exciting British conductor our Chorus, a youth choir 2018 Tour and recent main (Cendrillon), director Tom Cairns’ choirs in our touring venue Ben Glassberg, 24, was formed of local young people stage education works. La traviata and La traviata: locations performed as part of appointed to the role of and the Glyndebourne Tour • 256 people, including Behind the Curtain presented the onstage choir for La traviata: principal conductor of the Orchestra. Despite this being a performers, creative teams by comedian and actor Chris Behind the Curtain. Through the Glyndebourne Tour for the next new initiative we were delighted and 87 amateur singers Addison. We also held a 50th Tour we gave 18 choristers small three years. that these events achieved 90% from local choirs, were anniversary concert in London roles, a strong endorsement of and 92% cash capacity, with a involved in productions and two Christmas concerts on our policy of promoting young Our 2018 Tour and main stage total audience of 1,984. Of the on the 2018 Tour. our main stage. talented soloists through the education works reached a 850 ticket bookers, 25% were • 70 musicians performed chorus. Nine principal singers total audience of 44,158 with new to the database and this in the Glyndebourne Tour ‘ A wonderful evening, made their Glyndebourne activity at Glyndebourne was their first ticket booking at Orchestra in 2018. This debuts and a further nine and in Canterbury, Woking, Glyndebourne. Cendrillon was a new opera included 9 postgraduate gifted postgraduate musicians Norwich, Milton Keynes musicians on our new Pit (for us), outstandingly performed in the orchestra and London. This included Perfect programme. produced, directed, sung and under the newly launched Pit audiences attending Tour acted. A great orchestra. Perfect programme. productions (32,638), schools’ We took friends who have performances (2,272), two chorus The Tour introduced a number concerts (1,984), East Sussex never been to Glyndebourne of new artists to the UK, Big Sing concerts (1,591), our before – they will be back namely Glyndebourne Opera 50th anniversary concert (1,112), without a doubt!’ Cup finalist Eléonore Pancrazi three public performances of our (Prince Charming) and Alix le new opera Agreed (3,643) and a Audience member, Tour 2018 Saux (Cinderella) in Cinderella programme of talks and study (Cendrillon) and Mané Galoyan days (918).

FUNDING IMPACT UPDATE AUTUMN 2019 11 Opera seasons: Tour 2018

1. Chris Addison presented La traviata: Behind the Curtain, Tour 2018 2. Maria Bochmanova sang the role of Violetta Valéry in La traviata: Behind the Curtain, Tour 2018 3. Alix Le Saux in the title role of Cinderella (Cendrillon), Tour 2018 4. Noel Bouley (Giorgio Germont) and Fabrizio Paesano (Alfredo Germont) in La Traviata, Tour 2018 Tristram Kenton Tristram Workman Robert 1. 2. Richard Hubert Smith Richard Workman Robert 3. 4.

FUNDING IMPACT UPDATE AUTUMN 2019 12 Opera seasons: Festival 2019

89,763 tickets were sold for the 14 members given solo roles. IMPACT AT A GLANCE 2019 Glyndebourne Festival There were 49 principal singers, season across 77 performances including 18 Glyndebourne • 89,763 tickets sold for of six productions. Three debutants. the 2019 Glyndebourne full-length screenings also Festival. took place across the Festival ‘ This was one of the most • 279 singers and musicians season, including Cinderella enjoyable evenings I have performed across the six (Cendrillon), Die Zauberflöte and spent at Glyndebourne. Festival productions. Il barbiere di Siviglia. These were • 18 Glyndebourne debuts streamed online by The Telegraph Singing was consistently for principal singers and and available free on the first rate and Orliński 14 choristers given solo Glyndebourne website. was terrific.’ roles. ‘ It’s brilliant that Audience reaction following stage performance of Rinaldo Glyndebourne do this, so Richard Hubert Smith Richard many more people are able 1. The Glyndebourne Chorus in La ‘ The moving, beautiful music 1. damnation de Faust, Festival 2019 to watch world-class opera, in Rusalka was matched by 2. Danielle de Niese and Kate which means that those a magical production and Lindsey, Cinderella (Cendrillon), that can never afford to go, Festival 2019 brilliant cast.’ or are unable to get tickets, can see it.’ Audience reaction following stage performance of Rusalka Audience reaction following free live streaming of Die Zauberflöte At the 2019 International Opera A total of 165 musicians Awards, the 2018 Glyndebourne performed across the Festival Festival production of Vanessa, season as part of the London directed by Keith Warner, Philharmonic Orchestra (La was nominated for best new damnation de Faust, Il barbiere di production, and following his Siviglia, Cendrillon and Rusalka) involvement in Festival 2018, and the Orchestra of the Age of conductor Ben Glassberg, now Richard Hubert Smith Richard Enlightenment (Die Zauberflöte our Tour Principal Conductor, 2. and Rinaldo). 65 singers formed was nominated for best the Glyndebourne Chorus, with newcomer.

FUNDING IMPACT UPDATE AUTUMN 2019 13 Opera seasons: Festival 2019

1. Hera Hyesang Park (Rosina) and Alessandro Corbelli (Dr Bartolo), Il barbiere di Siviglia, Festival 2019 2. Jakub Jósef Orliński in the title role, Rinaldo, Festival 2019 3. Die Zauberflöte (The Magic Flute), Festival 2019 4. La damnation de Faust, Festival 2019 Robert Workman Robert Jack Robbie 1. 2. Bill Cooper Hubert Smith Richard 3. 4.

FUNDING IMPACT UPDATE AUTUMN 2019 14 Looking ahead

The Glyndebourne Tour visited will be held on 7 March 2020 and David Hockney. Completing ‘ Working with the education team on our GYO 2020 project the Empire Theatre in Liverpool will once again be broadcast the season are revivals of David has been thought-provoking, energising and fun. Talk about for the first time in 40 years live by Sky Arts. The focus of McVicar’s insightful production teamwork: there are four composers working on this project, this autumn. Glyndebourne’s the 2020 competition will be of Mozart’s landmark work Die so we’re building something really special – I don’t think last visit to the city was in the on Mozart, Rossini and 19th Entführung aus dem Serail and 1970s. We have been working century French music and the Annabel Arden’s colourful there’s ever been anything quite like it! I can’t wait to develop with other arts organisations London Philharmonic Orchestra production of Donizetti’s it with GYO’s amazing young singers. It’s going to be beautiful, in Liverpool to develop opera will accompany the semi- romantic comedy L’elisir d’amore. and hilarious, and might even be quite scary…’ audiences year-round in the finalists and finalists. city. This includes a series of Balancing the Score composers Cecilia Livingston, Balancing the Score composer Glyndebourne screenings at Glyndebourne’s first – Anna Appleby, Ninfea The Philharmonic Hall, an production of Poulenc’s Crutwell-Reade, Cecilia important element of this Dialogues des Carmélites will Livingston and Ailie Robertson strategy. Over 38,000 tickets for open Glyndebourne Festival – will be teaming up to create the 2019 Glyndebourne Tour 2020 – directed by Barrie Kosky, an exciting new work to be had been sold prior to visiting returning to the company with performed by Glyndebourne our first touring venue – The a new prodcution for the first Youth Opera (GYO) in November Marlowe Theatre in Canterbury. time since his triumphant 2020. This new four-way The Tour also visits Milton production of Handel’s Saul commission is very much a Keynes, Woking and Norwich, as in 2015. Also making its first Glyndebourne first, and as well as Liverpool. appearance at Glyndebourne well as providing our four is Handel’s Alcina, directed by composers with the perfect Following the successful launch Francesco Micheli and the third compositional challenge at the in 2018, the Glyndebourne new production of the 2020 end of their residencies, it will Opera Cup returns in 2020, season is Beethoven’s Fidelio, provide a fantastic opportunity providing an opportunity for directed by Frederic Wake- for talented young performers the best young opera singers Walker. The Festival sees the aged between 9 and 19 in GYO from all over the world to return of John Cox’s definitive to demonstrate their quality. compete in an international 1975 staging of Stravinsky’s singing competition. The final The Rake’s Progress, designed by

FUNDING IMPACT UPDATE AUTUMN 2019 15 With thanks to the generous individuals and organisations that have shown support to Glyndebourne and who help ensure we can continue to be a special place where world-class opera is created and enjoyed. James Bellorini

Pit Perfect players formed part of the Glyndebourne Tour Orchestra in Tour 2019

Glyndebourne Productions Limited Registered No. 358266 England Registered as a Charity No. 243877

Glyndebourne Lewes, East Sussex BN8 5UU England +44 (01273) 812 321 glyndebourne.com Design: Kate Benjamin

FUNDING IMPACT UPDATE AUTUMN 2019 16