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Methcognition: Taking the Information to the Front Lines
1 Methcognition: Taking the Information to the Front Lines Authors: *Eric S. See, *George E. Hendricks, and **Christopher M. Bellas *Methodist University, NC; **Youngstown State University, OH ABSTRACT Methamphetamine abuse has cost the United States billions of dollars and put the health and lives of countless children at risk. This research explores whether those professionals who work with children the most understand how methamphetamine is produced and consumed, as well as the potential risk it presents. It is hypothesized that those professionals who come into contact with children the most (criminal justice, social services, and community activists) will lack a general knowledge about methamphetamine, thereby increasing a child’s exposure to primary and secondary victimization. Data was collected utilizing a convenience survey sample of statewide North Carolina juvenile service professionals on their knowledge of methamphetamine use and its production in the year 2012. The findings show a disconnect between what the respondents think they know about methamphetamine and what they actually know about the drug’s production and use. The results suggest that their deficient knowledge about methamphetamine increases childrens’ exposure to victimization. The Methamphetamine Epidemic The goal of society should be to protect its children. While drug use is not a new social phenomenon, there has been one drug, methamphetamine, which has grown in popularity over the last decade. Methamphetamine, commonly referred to as meth, is a powerful drug and a central nervous system stimulant which is part of a larger family of stimulant drugs that includes cocaine, and ecstasy. The growing popularity of this substance derives from the fact that it can be easily and inexpensively manufactured without the need for extensive knowledge or background and requires few supplies for manufacturing (Weisheit & Wells, 2010). -
SCENE ONE (An Empty Stage. There Is a Podium and a Projector Screen
SCENE ONE (An empty stage. There is a podium and a projector screen emblazoned with the logo “WELLSTONE PROJECT.” A spotlight comes up on STEPHEN, who stands at the podium, dressed in formal attire. He carries a drink in his hand.) STEPHEN Thank you all for being here tonight – for your support – for honoring my brother’s life and legacy. (as HE speaks, the screen behind him flashes a portrait of Paul Wellstone) It would mean the world to them – Paul, and Sheila (the screen flashes a photo of Paul and Sheila together) – to see you all here tonight. (he sips his drink liberally and shakes himself out) I just want to apologize in advance – I never had my brother’s knack for public speaking. (HE chuckles nervously) But I always said… I always said my brother had a way of bringing people together… Sometimes in ways we might not expect. But – (the screen flashes a photo of a beach in Maryland) One way or another, it all leads back… to this. (without looking backward, the screen raises out of view, and the set changes to the beach seen in the photo, complete with a sunbathing SHEILA, reclining on a beach chair, reading a book) The beaches our parents took us to as kids… I haven’t set foot here in years, but I can still see it all like it was yesterday. (HE mimes to various parts of the set) The stand where they used to sell popsicles on hot days. (another) And over there, see? That’s where I built the biggest sandcastle you’d ever seen… Until Paul stepped in it. -
Barefacts-1080-100904
Issue 1080 10 09 04 relive the highlights of your summer... celebrate the launch of Rubix... distract yourself from study... ... all in your new fortnightly barefacts! contents 1 editorial 2 The new year brings some new developments... So... the first issue of barefacts this year. You may have noticed it’s changed rather since 6 Neil Christie summarizes the summer that was 2004 the last edition. Change for change’s sake is never a particularly good idea, and changing 9 Try something new this year... get volunteering the longstanding tradition of barefacts as a tabloid newspaper was a hard decision to 10 Another year, another bout of elections take. However, having spoken to many of you during campaigning it became clear that 13 Happy 2nd birthday DAVE barefacts needed a facelift of sorts. 15 Paul Canning reveals a new national phobia Its reduction to a fortnightly publication comes from the realisation that as a weekly paper, it 16 Ben Supper exposes the humble mortarboard not only demanded continuous attention and resources from the VP Comms but also left 20 Music reviews albums, singles and the festivals regular contributors with little time between editions to fully research features and news 25 Literature checks out some escapist fiction items. By going to print every other week, the opportunity exists not only for more extensive 26 Film reviews the holiday blockbusters journalistic reporting to be undertaken by the editorial team, but also for a wider 28 GU2 returns to the airwaves range of articles to be collated from different constituent members and the possibility for 30 Computers needn’t be all work, work, work more ambitious design formats, both in terms of editorial time available and also through 32 Amy Price introduces the Alumni Office the redistribution of budget resources. -
U2 Tour 2010/2011
U2 360° TOUR 2010/2011 EUROPE: 06-August Turin, Italy Stadio Olimpico Kasabian 10-August Frankfurt, Germany Commerzbank-Arena Kasabian 12-August Hannover, Germany AWD Arena Kasabian 15-August Horsens, Denmark Casa Arena Snow Patrol 16-August Horsens, Denmark Casa Arena Snow Patrol 20-August Helsinki, Finland Olympiastadion Razorlight 21-August Helsinki, Finland Olympiastadion Razorlight 25-August Moscow, Russia Luzhniki Stadium Snow Patrol 30-August Vienna, Austria Ernst Happel Stadion OneRepublic 03-September Athens, Greece O.A.K.A Olympic Stadium Snow Patrol 06-September Istanbul, Turkey Atatürk Olympic Stadium Snow Patrol 11-September Zurich, Switzerland Stadion Letzigrund OneRepublic 12-September Zurich, Switzerland Stadion Letzigrund OneRepublic 15-September Munich, Germany Olympiastadion OneRepublic 18-September Paris, France Stade de France Interpol 22-September Brussels, Belgium King Baudouin Stadium Interpol 23-September Brussels, Belgium King Baudouin Stadium Interpol 26-September San Sebastian, Spain Estadio de Anoeta Interpol *30-September Seville, Spain Estadio Olímpico de Sevilla Interpol *please note change of date – tickets for previously scheduled performance valid at the door 02-October Coimbra, Portugal Estadio Cidade Coimbra Interpol 03-October Coimbra Portugal Estadio Cidade Coimbra Interpol 08-October Rome, Italy Stadio Olimpico. Interpol AUSTRALIA / NEW ZEALAND: Nov. 25 Auckland, NZ Mt. Smart Stadium Jay-Z Nov. 26 Auckland, NZ Mt. Smart Stadium Jay-Z Dec. 01 Melbourne, AU Etihad Stadium Jay-Z Dec. 03 Melbourne, AU Etihad Stadium Jay-Z Dec. 08 Brisbane, AU Suncorp Stadium Jay-Z Dec. 09 Brisbane, AU Suncorp Stadium Jay-Z Dec. 13 Sydney, AU ANZ Stadium Jay-Z Dec. 14 Sydney, AU ANZ Stadium Jay-Z Dec. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Still Competition : the Listeners Guide to Cheap Trick Kindle
STILL COMPETITION : THE LISTENERS GUIDE TO CHEAP TRICK PDF, EPUB, EBOOK Professor of Psychology Robert Lawson | 282 pages | 20 Nov 2017 | Friesenpress | 9781525512261 | English | none Still Competition : The Listeners Guide to Cheap Trick PDF Book Nice book of different licks alot of what Rick uses in his music. Refresh and try again. View Product. The Joe Budden Network. Questlove Supreme. A must read for hardcore Cheap Trick fans and even for the casual fan or, especially any new, first-time fans. About this product Product Information Guitar Educational. Although, the author doesn't pull any punches about some of CT's failings in the mid thru late '80s. Short and sweet, about 25 minutes per. Fresh new killer format for a rock book - I learned a ton about Cheap Trick from this book. Barstool Sports. Pepper Live. Surrender Outtake Carlton Duff. Highly recommend this publication. Return to Book Page. Apparently the co. Obviously, the song makes the story sound like it's about a young woman. Rush: The Illustrated History 4. Lawson, but the Cheap Trick fan community, too. June 9 Ken can I buy you a beer?! Since the s, Cheap Trick has entertained countless audiences across the world with their unique brand of rock 'n' roll, featuring the eccentric stylings of guitarist Rick Nielsen. Mind you, I understand personal opinions will vary tremendously when it comes to music. December 8, Format: Paperback This book is a must buy! Still Competition : The Listeners Guide to Cheap Trick Writer Cheeeek that out dude. Warner Bros. Add Comment. Help Learn to edit Community portal Recent changes Upload file. -
Montana Kaimin, January 27, 1989 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 1-27-1989 Montana Kaimin, January 27, 1989 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, January 27, 1989" (1989). Montana Kaimin, 1898-present. 8100. https://scholarworks.umt.edu/studentnewspaper/8100 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MONTANA University of Montana Missoula, Montana Frlday/January 27, 1989 KAIMIN ROTC seeks funding from ASUM By Bob LaCasse Kalmln Reporter Two groups In UM’s ROTC department will seek money from ASUM for the first time in their histories, the military science department chairman said Thursday. Lt. Col. Rodney Smith said that the Associa tion for the United States Army, AUSA, and the Corps of Cadets Just became recognized by ASUM as campus organizations this year but have not requested money from ASUM before. The two groups are seeking funds from ASUM to help with programs that are not fed erally funded, he said. ASUM Business Manager Sonia Hurlbut said she hasn’t' seen their requests yet, but “the philosophical question Is: Why does ASUM have to fund something that’s already funded?” Smith said even though both groups are affili ated with the ROTC, which receives federal funding from the U.S. -
Financial Aid Delay Upsets Students
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 1-20-1983 Current, January 20, 1983 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, January 20, 1983" (1983). Current (1980s). 82. https://irl.umsl.edu/current1980s/82 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Jan. 20, 1983 · UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 440 Financial aid delay upsets students October, he became somewhat Richard Stillwagon, director funds in October; late changes in Jeff Kuchno It was the late notification of concerned when November rolled of student financial aid in Mis financial aid eligibility require- ' . no funds available that irked around and he realized that his souri, pointed out that some ments made by the federal Seibel the most. David Seibel was expecting to check had not arrived. students occasionally confuse government; and a new data pro see some good news about his $300 "1 went to [the Office of Stu tentative eligibility notices with cessing system used in Jefferson "It's a great inconvenience," financial aid check when he dent] Financial Aid and they told an actual award. City to process the information said Seibel, who added that he opened a letter from the Mis me that if I'm eligible, I'll get p "Students did not understand on eligible students. -
A Diary Manifesto for Oil Painters Amy Wing
RHYTHYM AND THE MONSTROUS: A DIARY MANIFESTO FOR OIL PAINTERS AMY WING-HANN WONG A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN VISUAL ARTS YORK UNIVERSITY TORONTO, ONTARIO MAY 2015 © AMY WONG 2015 ABSTRACT I’M GOING TO TRY DESPARATELY TO FOLLOW OPRAH’S MEDIA TACTIC HERE. INTRO: what I am about to tell you BODY: TELL IT. END: summarize what I just told you. The invisible threads that form identity politics are especially messy today. Through the lens of a transnational/intersectional/feminist sensibility, my thesis paper and body of work weaves influences from both visual and music culture. Socio-political agency is explored through reconfiguration. Both thesis and artwork are informed by the organizational principles of collage logic - specifically through the contrast in texture and rhythm, and employing the notion of the monster as a harmony of incongruence. All in all, this is an account of the struggles of Diaspora Repping and artistic practice, and the dilemma of ensuing ‘rep sweats’. ii ACKNOWLEDGEMENT I would like to express sincere thanks to my power trio thesis committee - Janet Jones, Brandon Vickerd and Suzanne Carte for their incredible insight, feedback and support. I would like to thank all my mentors and colleagues throughout my artistic and academic career. Thank you to my mom Regina, my dad Paul, my sister Polly, my brother Chris. And my fabtabulous BFFs at home and abroad. Together we make up this electric web of equal parts craziness and unconditional love, and without this I would not be able to do what I do. -
A Symposium on Quadrophenia
Here by the Sea and Sand: A Symposium on Quadrophenia sponsored by the Centre for Modernist Studies, the Centre for Visual Fields, the Centre for Research into Childhood and Youth, University of Sussex, and the Interdisciplinary Network for the study of Subcultures, Popular Music and Social Change Thursday 10 July 6-8 Showing of Quadrophenia at Duke of York’s Cinema, Brighton Franc Roddam (director of Quadrophenia) and Alan Fletcher (story consultant on the film) will lead a Q and A session after the showing. Friday 11 July 9:00-9:45 Registration: Fulton Building, University of Sussex (All talks in Fulton A) 9:45-10:30 Conference welcome by Pam Thurschwell followed by Paolo Hewitt reading from The Sharper Word: A Mod Anthology 10:30-11:45 Mods and Quads: International perspectives Christine Feldman-Barrett (Griffith University, Australia): Beyond Brighton, Beyond Britain: Quadrophenia and the Post-1960s Mod Diaspora Suzanne Coker: Quad to Run: on Quadrophenia and Born to Run Simon Wells: 11:45-12:15 Coffee/Tea break 12:15-1:30 “You’re watching movies trying to find the feelers”: Quadrophenia as Cult Film Dolores Tierney (University of Sussex) :Quadrophenia as a ‘new’ cult musical Stephen Glynn (De Montfort University): “Dressed Up Better Than Anyone”: Quadrophenia and the Cult Film Experience Andy Medhurst (University of Sussex): From Soho down to Brighton: Capital, Coast and Quadrophenia 1:30-2:15 Lunch 2:15-3:30 The Who in History Keith Gildart (University of Wolverhampton): Class, Youth and Dirty Jobs: Exploring continuity and change -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Guitar TAB Anthology
Guitar TAB Anthology Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1100-7 ISBN-13: 978-1-4706-1100-2 Cover photo used by permission Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • The Who Sell Out © 1967 MCA Records • Tommy © 1969 MCA Records • Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International • Quadrophenia © 1973 MCA Records • The Who by Numbers © 1975 MCA Records • Who Are You © 1978 MCA Records • Face Dances © 1981 MCA Records • It’s Hard © 1982 MCA Records CONTENTS Title Album Page 5:15 ................................... Quadrophenia ............................... 4 Baba O’Riley ........................... Who’s Next ................................ 15 Bargain ................................ Who’s Next ................................ 22 Behind Blue Eyes ....................... Who’s Next ................................ 35 Eminence Front ........................ It’s Hard ................................... 42 Happy Jack ............................ 1966 single ................................ 48 I Can See for Miles