Various Adventures in Dub: Essential Bassline Business Mp3, Flac, Wma

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Various Adventures In Dub: Essential Bassline Business mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Adventures In Dub: Essential Bassline Business Country: UK Released: 2006 Style: Reggae, Dub MP3 version RAR size: 1789 mb FLAC version RAR size: 1651 mb WMA version RAR size: 1947 mb Rating: 4.4 Votes: 862 Other Formats: VQF AIFF MP1 DMF MP4 AC3 MP2 Tracklist 1-1 –King Tubby & Tommy McCook & Ron Wilson* Tubby's At The Control 1-2 –Jackie Edwards & King Tubby & The Aggrovators The Invasion (Version) 1-3 –King Tubby & The Aggrovators Jah Version 1-4 –Lee Perry & The Upsetters Dubbing In The Back Seat –King Tubby & Keith Hudson & Horace Andy & 1-5 Don't Think About Dub Mafia All Stars* 1-6 –Ansel Collins Stalag 17 1-7 –The Now Generation Musical Drum Sound Version 1-8 –Tommy McCook & The Supersonics Stupid Doctor 1-9 –King Tubby & Lee Perry & The Upsetters Elephant Rock 1-10 –Ronnie Davis & King Tubby The Power Of Love 1-11 –Augustus Pablo & Keith Hudson Satan Side Version (Kiss 14) 1-12 –Rupie Edwards & King Tubby Dr. Satan's Echo Chamber 1-13 –The Upsetters Bad Lamp 1-14 –The Chuckles Darkest Night Version 1-15 –King Tubby A Noisy Place 1-16 –King Tubby's* Psalms Of Dub 1-17 –Truth, Fact & Correct Jungle Fever 1-18 –King Tubby & The Observers Casanova Dub 1-19 –Johnny Clarke & King Tubby & The Aggrovators A Ruffer Version Coming Home (Version To No More Will 1-20 –Dennis Brown & King Tubby & The Observers I Roam) 2-1 –Alton Ellis & Dennis Alcapone Big Bad Boy (Version) 2-2 –Dennis Brown & The Crystalites Concentration Version 3 2-3 –King Tubby & The Observer All Stars* Silver Bullet 2-4 –Keith Hudson & The Chuckles Melody Maker Version 2 2-5 –The Upsetters Tipper Special 2-6 –Leroy "Horsemouth" Wallace Herb Vendor 2-7 –The Upsetters Washroom Skank 2-8 –Augustus Pablo Curly Dub 2-9 –Max Romeo & Lee Perry & The Upsetters I Know Something 2-10 –The Upsetters Influenza Version 2-11 –The Upsetters Stay Dread Version King Tubby's Version (Please Officer 2-12 –Talent Crew* Version) 2-13 –King Tubby & The Aggrovators This Is The Hardest Version 2-14 –King Tubby King Tubby's In Fine Style 2-15 –King Tubby & Dirty Harry* & The Aggrovators The Poor Barber 2-16 –King Tubby & Aggrovators* I Trim The Barber 2-17 –Lee Perry & The Upsetters Dub & Praise 2-18 –Scientist & The Roots Radics Caring For My Sister 2-19 –Prince Jammy Throne Of Gold 2-20 –Prince Jammy Shaolin Temple Barcode and Other Identifiers Barcode: 6 98458 70962 2 Related Music albums to Adventures In Dub: Essential Bassline Business by Various King Tubby - Opportunity Dub Cornell Campbell / King Tubby & The Aggrovators - Undying Love Ras Demo / King Tubby & King Jammy - Trials & Tribulation / King Tubby`s Dubplate Style Lee Scratch Perry And King Tubby - In Dub Confrontation, Vol. 2 King Jammy - Dubbing at King Tubby's Morwell Unlimited, King Tubby - Morwell Unlimited Meet King Tubby's Dub Me King Tubby - Presents The Roots Of Dub Various - If Deejay Was Your Trade (The Dreads At King Tubby's 1974-1977) King Jammy - Dub Kings (King Jammy At King Tubby's) Sly & Robbie / King Tubby - Sly & Robbie Meet King Tubby.

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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
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Jah Stitch, Pioneering Reggae Vocalist, Dies Aged 69
‘Original raggamuffin’ Jah Stitch, pioneering reggae vocalist, dies aged 69 Sound system toaster, DJ and selector, known for his understated delivery and immaculate dress died in Kingston David Katz Thu 2 May 2019 15.03 BSTLast modified on Fri 3 May 2019 09.47 BST FROM: https://www.theguardian.com/music/2019/may/02/original-raggamu ffin-jah-stitch-pioneering-reggae-vocalist-dies-aged-69 Jah Stitch on Princess Street, downtown Kingston in 2011. Photograph: Mark Read The Jamaican reggae vocalist Jah Stitch died in Kingston on Sunday aged 69, following a brief illness. Although not necessarily a household name abroad, the “original raggamuffin” was a sound system toaster and DJ who scored significant hits in the 70s, later working as an actor and appearing in an ad campaign for Clarks shoes. Born Melbourne James in Kingston in 1949, he grew up with an aunt in a rural village in St Mary, northern Jamaica, since his teenage mother lacked the financial means to care for him. He later joined her in bustling Papine, east Kingston, but conflict with his father-in-law led him to join a community of outcasts living in a tenement yard in the heart of the capital’s downtown – territory aligned with the People’s National party and controlled by the notorious Spanglers gang, which James became affiliated with aged 11. As ska and rock steady gave way to the new reggae style on the nascent Kingston music scene, young James became a regular fixture of sound system dances. He drew his biggest inspiration from the Studio One selections presented by Prince Rough on Sir George the Atomic, based in Jones Town, and the microphone skills of Dennis Alcapone on El Paso, based further west at Waltham Park Road.
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The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.
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CD REVIEWS “Songs of the Martin” KEVIN Mcccormick Mirabilis Records Produced, Mixed & Mastered by Kevin Mccormick Review by Greg Forest
CD REVIEWS “Songs of the Martin” KEVIN McCCORMICK Mirabilis Records Produced, Mixed & Mastered by Kevin McCormick Review by Greg Forest Kevin McCormick is well known for his work in a wide variety of musical styles ranging from classical to jazz. His previous five CDs showcased both his guitar virtuoso and composition skills. He has stepped off the farm a bit for this collection of cherished cover songs covering a two century span. Not only that but Kevin brings real authenticity to the project by performing the whole CD on an original 1840s C.F. Martin guitar. Old Songs. Old guitar. The rich tone of the instrument exemplifies why Martin guitars have been the go to instrument of choice of fine acoustic musicians. McCormick shares some evergreens beloved by all like “Georgia on My Mind,” “Danny Boy,” and “What a Wonderful World,” in addition to more classical pieces like “Etude No. 22,” “Gymnopedie No. 3,” and “Bossa Triste.” Kevin will also be performing live around the Hill Country this holiday season with a special Holiday offering a great mix of beloved Christmas songs. Check out his web site at kevin-mccormick.com. This CD would make a great stocking stuffer and is available online at amazon.com, iTunes, CD Baby and through his web site. “Sign Time” KINGMAN & JONAH Sunking Records Produced by Claudius Linton & Review by Jack Armstrong The 2008 release of Sign Time by the Roots Reggae founder Claudius ‘Kingman’ Linton is being called ‘The Unearthed Holy Grail of Reggae’ by DJs, reviewers and music lovers worldwide of the released CD collection of his essential 1970’s reggae hits, Roots Master: The Vintage Roots Reg- gae Singles Vol.
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Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
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King Tubby and the Aggrovators
King Tubby Shalom Dub mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Shalom Dub Country: Jamaica Style: Dub MP3 version RAR size: 1907 mb FLAC version RAR size: 1482 mb WMA version RAR size: 1952 mb Rating: 4.4 Votes: 416 Other Formats: FLAC MMF MOD VQF AHX VOX RA Tracklist A1 Natty Dub A2 Lee's Dub A3 Wonder Why Dub A4 I'm Gone Dub A5 Country Boy Dub A6 True Believer Dub A7 Care Free Dub A8 Rasta Train Dub B1 Move Out Of Babylon Dub B2 Give A Little Man A Great Big Hand Dub B3 Feel So Good Dub B4 For The Rest Of My Life Dub B5 When Will I Find My Way Dub B6 I'm Leaving Dub B7 Feel Lost Dub B8 Dawn Dub Companies, etc. Mixed At – King Tubby's Studio Marketed By – Basement Inc. Distributed By – Ravensquire Ltd. Credits Backing Band [Musical Rhythms] – The Aggrovators Engineer – King Tubby Producer – Bunny Lee Sleeve – Logo Barcode and Other Identifiers Matrix / Runout (Side A): BMST-002-A - SHALOM DUBB - K.K. MASTERING Matrix / Runout (Side B): BMST-002-B - SHALOM DUBB - K.K. MASTERING Other versions Category Artist Title (Format) Label Category Country Year King Tubby And The King Tubby And KLP 9002 Aggrovators - Shalom Klik KLP 9002 UK 1975 The Aggrovators Dub (LP, Album) King Tubby And The King Tubby And Radiation RROO313 Aggrovators - Shalom RROO313 Italy 2017 The Aggrovators Roots Dub (LP, Album, RE) King Tubby And The King Tubby And Jamaican JRCD038 Aggrovators - Shalom JRCD038 UK 2010 The Aggrovators Recordings Dub (CD, Album, RE) King Tubby's* And The King Tubby's* And RNCD2107 Aggrovators - Shalom Rhino Records RNCD2107 Europe 1995 The Aggrovators Dub (CD, Album, RE) King Tubby And The King Tubby And Jamaican JRLP038 Aggrovators - Shalom JRLP038 UK 2010 The Aggrovators Recordings Dub (LP, Album, RE) Related Music albums to Shalom Dub by King Tubby Various - Dub Harry Mudie Meet King Tubby - In Dub Conference Vol.
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Order Form Order Form
CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL.
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United Reggae Magazine #7
MAGAZINE #14 - December 2011 INTERVIEW Ken Boothe Derajah Susan Cadogan I-Taweh Dax Lion King Spinna Records Tribute to Fattis Burrell - One Love Sound Festival - Jamaica Round Up C-Sharp Album Launch - Frankie Paul and Cocoa Tea in Paris King Jammy’s Dynasty - Reggae Grammy 2012 United Reggae Magazine #14 - December 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Bob Harding from King Spinna Records 10 • I-Taweh 13 • Derajah 18 • Ken Boothe 22 • Dax Lion 24 • Susan Cadogan 26 3/ REVIEWS • Derajah - Paris Is Burning 29 • Dub Vision - Counter Attack 30 • Dial M For Murder - In Dub Style 31 • Gregory Isaacs - African Museum + Tads Collection Volume II 32 • The Album Cover Art of Studio One Records 33 Reggae lives on • Ashley - Land Of Dub 34 • Jimmy Cliff - Sacred Fire 35 • Return of the Rub-A-Dub Style 36 This year it has been five years since the inception of United Reggae. Our aim • Boom One Sound System - Japanese Translations In Dub 37 in 2007 was to promote reggae music and reggae culture. And this still stands. 4/ REPORTS During this period lots of things have happened – both in the world of reg- • Jamaica Round Up: November 2011 38 gae music and for United Reggae. Today United Reggae is one of the leading • C-Sharp Album Launch 40 global reggae magazines, and we’re covering our beloved music from the four • Ernest Ranglin and The Sidewalk Doctors at London’s Jazz Cafe 41 corners of the world – from Kingston to Sidney, from Warsaw to New York.
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Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
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The Dub Issue 29 October 2018
1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited.
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The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1
Popular Music (2006) Volume 25/3. Copyright © 2006 Cambridge University Press, pp. 447–470 doi:10.1017/S0261143006000997 Printed in the United Kingdom The riddim method: aesthetics, practice, and ownership in Jamaican dancehall1 PETER MANUEL† and WAYNE MARSHALL‡ †127 Park Ave, Leonia, NJ 07605, USA ‡88 Holworthy Street, Cambridge, MA 02138, USA Abstract The Jamaican system of recording and performance, from the 1950s to the present, constitutes a distinctive approach to notions of composition, originality and ownership. Emerging from a tradition of live performance practice mediated by (and informing) sound recordings, the relative autonomy of riddims and voicings in the Jamaican system challenges conventional ideas about the integrity of a song and the degree to which international copyright law applies to local conceptions, as enshrined in decades of practice, of musical materials as public domain. With the spread of the ‘riddim method’ to the sites of Jamaican mass migration, as evidenced by similar approaches in hip hop, reggaeton, drum’n’bass and bhangra, reggae’s aesthetic system has found adherents among artists and audiences outside of Jamaica. This paper maps out, through historical description, ethnographic data, and musical analysis, the Jamaican system as a unique and increasingly inﬂuential approach to music-making in the digital age. The advent of commercial, mass-mediated popular music genres in the twentieth century has contributed to the spread, in many music cultures worldwide, of a certain conventional ‘mainstream’ form of song, comprising an original, autonomous and reproducible entity with a relatively unique integration of lyrics, melody and chordal accompaniment. In mainstream Western music culture, the thirty-two-bar AABA structure, perhaps repeated twice or thrice with some sort of variation, constituted a quintessential type of this conventional song form.
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Anti-Blues Music, Dub and Racial Identity
Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s.
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