At Last, an Instrument That Truly Prepares a Child for Band. Introducing the All New
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Winter NAMM 2014 Press Kit BOOTH #3582
1 Winter NAMM 2014 Press Kit BOOTH #3582 2 ToneRite Inc. 2014 Company Fact Sheet ToneRite Inc. is a leading research and development firm in the field of Acoustical Physics. Its product, the ToneRite®, is the world's most advanced and premier play-in device. Significantly accelerating the play-in process and providing increased tone, playability, and balance, the ToneRite makes all of this available in a nearly silent, high quality, and portable manner. ToneRite Inc. manufacturers a line of ToneRite models for nine different string instruments and has just released the first model from their percussion line, ToneRite for drums. Employees 1-10 Headquarters PO Box 5271 Gainesville, FL 32601 Type Privately Held Founded 2007 Website www.ToneRite.com Key Executives Augi Lye, Inventor Valerie Sheehan, President & CEO History For centuries, well-versed musicians and luthiers have acknowledged the importance of playing instruments regularly to achieve and maintain their optimum sound. However, when accomplished musician and engineer Agapitus “Augi” Lye purchased a new cello, he lacked the time necessary to adequately play-in the instrument. Utilizing his knowledge of acoustical physics and leaning on his engineering background, Lye built a prototype that would become the ToneRite. Surprised by the tonal improvements that had occurred in Lye’s cello in such a short time his luthier, fellow musicians and professionals urged him to continue his research and it was from his exploration that ToneRite was born. Through their ambitious studies of acoustical physics, advanced signal processing, engineering, and practiced musicians, the ToneRite team have spent years perfecting the science of play-in. -
New and Lesser Known Works for Saxophone Quartet: a Recording
New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition. -
Section 1 Introduction to Alloy Phase Diagrams
Copyright © 1992 ASM International® ASM Handbook, Volume 3: Alloy Phase Diagrams All rights reserved. Hugh Baker, editor, p 1.1-1.29 www.asminternational.org Section 1 Introduction to Alloy Phase Diagrams Hugh Baker, Editor ALLOY PHASE DIAGRAMS are useful to exhaust system). Phase diagrams also are con- terms "phase" and "phase field" is seldom made, metallurgists, materials engineers, and materials sulted when attacking service problems such as and all materials having the same phase name are scientists in four major areas: (1) development of pitting and intergranular corrosion, hydrogen referred to as the same phase. new alloys for specific applications, (2) fabrica- damage, and hot corrosion. Equilibrium. There are three types of equili- tion of these alloys into useful configurations, (3) In a majority of the more widely used commer- bria: stable, metastable, and unstable. These three design and control of heat treatment procedures cial alloys, the allowable composition range en- conditions are illustrated in a mechanical sense in for specific alloys that will produce the required compasses only a small portion of the relevant Fig. l. Stable equilibrium exists when the object mechanical, physical, and chemical properties, phase diagram. The nonequilibrium conditions is in its lowest energy condition; metastable equi- and (4) solving problems that arise with specific that are usually encountered inpractice, however, librium exists when additional energy must be alloys in their performance in commercial appli- necessitate the knowledge of a much greater por- introduced before the object can reach true stabil- cations, thus improving product predictability. In tion of the diagram. Therefore, a thorough under- ity; unstable equilibrium exists when no addi- all these areas, the use of phase diagrams allows standing of alloy phase diagrams in general and tional energy is needed before reaching meta- research, development, and production to be done their practical use will prove to be of great help stability or stability. -
Jazzflits.Nl
1 12de JAARGANG, NR. 227 24 NOVEMBER 2014 IN DIT NUMMER: 1 NIEUWS 4 JAZZ OP PAPIER 5 JAZZ OP DE PLAAT Kim Versteynen, Pieter Bast, Rick Kostelijk, Ivo Perelman, Branford Marsalis, Wadada Leo Smith e.a. 15 JAZZ OP DE PLANKEN Medeski, Scofield, Martin & Wood, November Music, JIR 2014 e.a. EN VERDER ONDER MEER: 21 New York Calling (Roos Plaatsman) 22 JF in Belgrado (Schot, Huguenin) 26 JF in Boston (Bart Hollebrandse) JAZZ FLITS 228 staat 8 DECEMBER op http://www.jazzflits.nl JAZZFLITSEN ONAFHANKELIJK JAZZMAGAZINE SINDS 2003 EDISON NATIONAAL VOOR SEBASTIAAN VAN BAVEL Pianist Sebastiaan van Bavel krijgt Monk Competition-winnaar Marquis Hill. (Persfoto) voor zijn album ‘As The Journey Begins’ de Edison Jazz Nationaal MARQUIS HILL WINT THELONIOUS MONK 2014. De onderscheiding wordt op 27 november in Eindhoven uitge- INTERNATIONAL JAZZ TRUMPET COMPETITION reikt. De Amerikaanse trompettist Marquis Hill is 9 november in Brad Mehldau & Mark Guiliana ontvan- Los Angeles uitgeroepen tot de winnaar van de Thelonious Monk International Jazz Trumpet Competition gen de Edison Jazz Internationaal voor 2014. De Thelonious Monk Jazz Competition is een zeer hun cd ‘Mehliana: Taming The Dragon’. prestigieuze wedstrijd. De winnaar doet in de regel nog Miles Davis’ album ‘The Original Mono van zich spreken. Recordings’ is volgens de Edison-jury de beste historische uitgave. De categorie Marquis Hill (27) komt uit Chicago. Hij geeft daar les op de Jazz Vocaal heeft nog geen winnaar. Die University of Illinois en speelt in het Chicago Jazz Orchestra. wordt later bekendgemaakt. Hill maakte enige albums voor onafhankelijke labels. Als winnaar In de Edison-jury zaten dit jaar Cor Bak- van de Monk Competition mag hij nu een cd voor Concord ker, Michelle Kuypers, Mijke van Wijk, Records maken. -
Aluminium Alloys Chemical Composition Pdf
Aluminium alloys chemical composition pdf Continue Alloy in which aluminum is the predominant lye frame of aluminum welded aluminium alloy, manufactured in 1990. Aluminum alloys (or aluminium alloys; see spelling differences) are alloys in which aluminium (Al) is the predominant metal. Typical alloy elements are copper, magnesium, manganese, silicon, tin and zinc. There are two main classifications, namely casting alloys and forged alloys, both further subdivided into heat-treatable and heat-free categories. Approximately 85% of aluminium is used for forged products, e.g. laminated plates, foils and extrusions. Aluminum cast alloys produce cost-effective products due to their low melting point, although they generally have lower tensile strength than forged alloys. The most important cast aluminium alloy system is Al–Si, where high silicon levels (4.0–13%) contributes to giving good casting features. Aluminum alloys are widely used in engineering structures and components where a low weight or corrosion resistance is required. [1] Alloys composed mostly of aluminium have been very important in aerospace production since the introduction of metal leather aircraft. Aluminum-magnesium alloys are both lighter than other aluminium alloys and much less flammable than other alloys containing a very high percentage of magnesium. [2] Aluminum alloy surfaces will develop a white layer, protective of aluminum oxide, if not protected by proper anodization and/or dyeing procedures. In a wet environment, galvanic corrosion can occur when an aluminum alloy is placed in electrical contact with other metals with a more positive corrosion potential than aluminum, and an electrolyte is present that allows the exchange of ions. -
“Atheists and Believers”
“Atheists and Believers” Available as Ltd. Edition CD Digipak (with special packaging), 180g 2 LP Gatefold Edition (incl. etching on side 4 and the album on CD) and as Digital Album Release Date: March 22nd, 2019 The Mute Gods deliver hard-hitting message on future of the planet in Atheists and Believers Third album from Nick Beggs (Steven Wilson and Steve Hackett), Roger King (Steve Hackett) and Marco Minnemann (The Aristocrats and The Sea Within) features guest appearances from Alex Lifeson, guitarist with Rush, drummer Craig Blundell (Frost* and Steven Wilson) and multi-instrumentalist Rob Townsend (Steve Hackett). As global populism continues to lead humanity down sinister, self-serving alleyways and truth is an irrelevance, does anyone have the capability of saving this planet? Have humans forgotten their responsibilities to each other, especially to those millions of people left homeless and displaced by conflict, while arms sales to warmongering nations carry on abated? These are some of the powerful themes that The Mute Gods put under the spotlight on Atheists and Believers . This is the third album in a trilogy of pulsating, turbulent rock compositions, that delves even deeper into the machinations that are driving mankind further towards an abyss of its own making. The metal-edged, menacing wake-up calls to humanity are tempered by three gentler, more sentimental compositions in which Beggs reflects on love and loss, mortality and marriage. “The album’s key message is that we now empower stupid people and don’t listen to educated, informed experts anymore because truth is no longer fashionable,” explains Beggs. -
Bryan Beller Is Suddenly Every- Where at Once
PHOTOS BY GRIFF PETERS, SCOTT CHATFIELD, JT LAMBERT/STAGES PHOTOGRAPHY, GLEN LAFERMAN PHOTOGRAPHY, JT LAMBERT/STAGES CHATFIELD, GRIFF PETERS, SCOTT BY PHOTOS 28 bassplayer.com / october2012 QUICKENINGTHE AFTER 20 YEARS OF METICULOUSLY CRAFTING A MULTI-FACETED CAREER, BRYAN BELLER IS SUDDENLY EVERY- WHERE AT ONCE. BY E.E. BRADMAN IT’S 12:30 ON A WEDNESDAY AFTERNOON, AND I’M TALKING TO BRYAN BELLER, who’s on his way to the helicopter that will take him to tonight’s sold-out Dethklok show. Klokateers, the band’s hooded helpers, will be at the door to pass out Dethklok tattoos, and bartenders will serve drinks with specially made cocktail napkins. Eight hours later, the band is scheduled to take the stage, kick ass, and accept the adulation of the thousands of rabid fans who snapped up tickets in time. Beller’s got a million things on his mind—there are albums to mix, sessions to plan, and tours in the balance—but his primary job tonight will be to make William Murderface, the bassist of Dethklok, sound good to a Comic-Con audience full of hardcore metal fans. And as anyone who’s ever seen Adult Swim’s hit cartoon series Metalocalypse knows, that’s a mighty Herculean task. Lucky for him, Beller has a skill set heavy enough to inspire a fictional character: He’s a rocker’s rocker bassplayer.com / october2012 29 CS BRYAN BELLER with superhuman chops, ears of gold, a tone all his own, an intense work ethic, and a sense of humor that just won’t quit. -
International Alloy Designations and Chemical Composition Limits for Wrought Aluminum and Wrought Aluminum Alloys
International Alloy Designations and Chemical Composition Limits for Wrought Aluminum and Wrought Aluminum Alloys 1525 Wilson Boulevard, Arlington, VA 22209 www.aluminum.org With Support for On-line Access From: Aluminum Extruders Council Australian Aluminium Council Ltd. European Aluminium Association Japan Aluminium Association Alro S.A, R omania Revised: January 2015 Supersedes: February 2009 © Copyright 2015, The Aluminum Association, Inc. Unauthorized reproduction and sale by photocopy or any other method is illegal . Use of the Information The Aluminum Association has used its best efforts in compiling the information contained in this publication. Although the Association believes that its compilation procedures are reliable, it does not warrant, either expressly or impliedly, the accuracy or completeness of this information. The Aluminum Association assumes no responsibility or liability for the use of the information herein. All Aluminum Association published standards, data, specifications and other material are reviewed at least every five years and revised, reaffirmed or withdrawn. Users are advised to contact The Aluminum Association to ascertain whether the information in this publication has been superseded in the interim between publication and proposed use. CONTENTS Page FOREWORD ........................................................................................................... i SIGNATORIES TO THE DECLARATION OF ACCORD ..................................... ii-iii REGISTERED DESIGNATIONS AND CHEMICAL COMPOSITION -
Émergence Des Auto-Oscillations Dans Un Instrument De Musique À Anche Simple
Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple Fabrice Silva sous la direction de J. Kergomard, Ch. Vergez et Ph. Guillemain Laboratoire de Mécanique et d’Acoustique & Université de Provence Projet ANR Consonnes 7 décembre 2009 Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 1 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 2 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 3 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives -
Aluminium Wires for Electrical and Mechanical Applications TRIMET Aluminium SE – an Independent Family-Run Enterprise for More Than 30 Years
YEARS TRIMET Aluminium SE Aluminium wires for electrical and mechanical applications TRIMET Aluminium SE – an independent family-run enterprise for more than 30 years TRIMET Aluminium SE is an innovative family-run We provide enterprise. The medium-sized company devel- you with aluminium in all formats, qualities and ops, produces, recycles, casts, and sells modern alloys. Short-and long-term price and supply light metal aluminium products with some 2,900 models to meet all your aluminium require- employees at eight production locations. ments. We are your local partner in a global marketplace – around the clock. TRIMET serves and supplies the entire industry- oriented value chain for the aluminium sector We produce with customized products from a single source. special alloys in our smelters exclusively for With four production plants, two recycling you according to your requirements and not plants, four foundries, a marketing and trading commodities. division, and state-of-the-art research and de- velopment laboratories, TRIMET offers its cus- We recycle tomers a broad product portfolio. It ranges from your aluminium to be able to offer it back to you liquid aluminium through aluminium wire, rolling in the sizes and qualities you require. We help ingots, extrusion billets, and cast alloys to high- you bring your recyclables efficiently back into quality die-cast components. The medium-sized circulation. company is a reliable partner to its customers and a modern and dependable employer for its We cast staff. sophisticated castings for all applications. From the development, design, model and mould, casting, and finishing right through to the finished casting. -
Arc Welding of Nonferrous Metals Arc Welding of Nonferrous Metals
Arc Welding of Nonferrous Metals Arc Welding of Nonferrous Metals Published by The Arc Welding of Nonferrous Metals KOBE STEEL, LTD. is a textbook for providing information to assist welding personnel study © 2015 by KOBE STEEL, LTD. the arc welding technologies commonly 5-912, Kita-Shinagawa, Shinagawa-Ku, applied in the equipment made from Tokyo, 141-8688 Japan aluminum, aluminum alloys, copper, copper alloys, nickel, and nickel alloys. All rights reserved. No part of this book may be reproduced, Reasonable care is taken in any form or by any means, without in the compilation and publication of permission in writing from this textbook to insure authenticity of the publisher the contents. No representation or warranty is made as to the accuracy or reliability of this information. Forewords Nonferrous metals are non-iron-based metals such as aluminum and aluminum alloys, copper and copper alloys, nickel and nickel alloys, titanium and titanium alloys, and magnesium and magnesium alloys. Today, nonferrous metals are used in various welding constructions for diverse industrial applications. However, their weldability is quite different from that of steel, due to specific physical and metallurgical characteristics. Therefore, the welding procedure for nonferrous metals should be thoroughly examined taking into account the inherent characteristics of the particular nonferrous metal to be welded, in order to get sound weldments. This textbook focuses on the arc welding of aluminum, aluminum alloys, copper, copper alloys, nickel, and nickel alloys that are used more extensively over other nonferrous metals for industrial applications. This textbook consists of three chapters: Chapter 1: Arc Welding of Aluminum and Aluminum Alloys Chapter 2: Arc Welding of Copper and Copper Alloys Chapter 3: Arc Welding of Nickel and Nickel Alloys iii Chapter 1 Arc Welding of Aluminum and Aluminum Alloys Contents Introduction 2 1. -
Alfred 2008-2009
Alfred 2008-2009 Percussion Catalog • 2008-2009 PERCUSSION learn•teach•play music CATALOG Alfred Publishing Co., Inc. USA/Canada: P.O. Box 10003, Van Nuys, CA 91410-0003 Asia: 15 Queen St. #04-08, Tan Chong Tower, Singapore 188537 30% total recycled fi ber Australia: P.O. Box 2355, Taren Point NSW 2229 Printed in USA Germany: Hansestraße 99, 51149 Köln U.K.: Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX U(a38081*MRTMRp(u alfred.com 00-104085 / wo 82110 Alfred Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com 08 percussion catalog cover 2_kp.indd 1 4/11/08 8:48:58 AM CONTENTS 1 DW DVDs ...............................................................................................................................2 Personality Titles A—Z .........................................................................................................4 Drumset Methods, Collections, Duets/Solos .................................................................19 Drum & Snare Drum Methods, Collections, Duets/Solos .................................................................................................32 Keyboard Percussion Methods, Collections, Solos, Duets/Trios, Ensembles ........................................................................................38 Percussion Ensemble Collections ...................................................................................43 Individual Percussion Ensembles ...................................................................................44 Multiple Percussion Solos