Maximum Margin Reward Networks for Learning from Explicit and Implicit Supervision

Total Page:16

File Type:pdf, Size:1020Kb

Maximum Margin Reward Networks for Learning from Explicit and Implicit Supervision Maximum Margin Reward Networks for Learning from Explicit and Implicit Supervision Haoruo Peng1 Ming-Wei Chang2 Wen-tau Yih2 1University of Illinois, Urbana-Champaign 2Microsoft Research, Redmond [email protected] 2 minchang,scottyih @microsoft.com { } Abstract Q: Who played Meg in Season 1 of Family Guy? 휆푥. ∃푦. 푐푎푠푡 FamilyGuySeason1, 푦 ∧ 푎푐푡표푟 푦, 푥 Neural networks have achieved state-of- the-art performance on several structured- KB Lacey Chabert, Seth MacFarlane, Alex Borstein, output prediction tasks, trained in a fully Seth Green, John Viener, Alec Sulkin supervised fashion. However, annotated examples in structured domains are of- ten costly to obtain, which thus limits A: Lacey Chabert the applications of neural networks. In Figure 1: Learning a semantic parser using im- this work, we propose Maximum Mar- plicit supervision signals (labeled answers). Since gin Reward Networks, a neural network- there are no gold parses, a model needs to explore based framework that aims to learn from different parses, where their quality can only be both explicit (full structures) and implicit indirectly verified by comparing retrieved answers supervision signals (delayed feedback on and the labeled answers. the correctness of the predicted structure). On named entity recognition and seman- tic parsing, our model outperforms previ- comparing the derived answers from the knowl- ous systems on the benchmark datasets, edge base and the provided labeled answers. CoNLL-2003 and WebQuestionsSP. This setting of implicit supervision increases the difficulty of learning a neural model, not only 1 Introduction because the signals are vague and noisy, but also Structured-output prediction problems, where the delayed. For instance, among different semantic goal is to determine values of a set of inter- parses that result in the same answers, typically dependent variables, are ubiquitous in NLP. Struc- only few of them correctly represent the meaning tures of such problems can range from simple se- of the question. Moreover, the correctness of an- quences like part-of-speech tagging (Ling et al., swers corresponding to a parse can only be eval- 2015) and named entity recognition (Lample et al., uated through an external oracle (e.g., executing 2016), to complex syntactic or semantic analysis the query on the knowledge base) after the parse such as dependency parsing (Dyer et al., 2015) and is fully constructed. Early model update before the semantic parsing (Dong and Lapata, 2016). State- search of a full semantic parse is complete is gen- of-the-art methods of these tasks are often neu- erally infeasible.1 It is also not clear how to lever- ral network models trained using fully annotated age implicit and explicit signals integrally during structures, which can be costly or time-consuming learning when both kinds of labels are present. to obtain. Weakly supervised learning settings, In this work, we propose Maximum Margin Re- where the algorithm assumes only the existence of ward Networks (MMRN), which is a general neu- implicit signals on whether a prediction is correct, ral network-based framework that is able to learn are thus more appealing in many scenarios. from both implicit and explicit supervision sig- For example, Figure 1 shows a weakly super- nals. By casting structured-output learning as a vised setting of learning semantic parsers using search problem, the key insight in MMRN is the only question–answer pairs. When the system 1Existing weakly supervised methods (Clarke et al., 2010; generates a candidate semantic parse during train- Artzi and Zettlemoyer, 2013) often leverage domain-specific ing, the quality needs to be indirectly measured by heuristics, which are not always available. 2368 Proceedings of the 2017 Conference on Empirical Methods in Natural Language Processing, pages 2368–2378 Copenhagen, Denmark, September 7–11, 2017. c 2017 Association for Computational Linguistics special mechanism of rewards. Rewards can be posed (Daume´ and Marcu, 2005; Daume´ et al., viewed as the training signals that drive the model 2009), which casts the structured prediction task to explore the search space and to find the cor- as a general search problem. Most recently, rect structure. The explicit supervision signals can recurrent neural networks such as LSTM mod- be viewed as a source of immediate rewards, as els (Hochreiter and Schmidhuber, 1997) have been we can often instantly know the correctness of the used as a general tool for structured output mod- current action. On the other hand, the implicit su- els (Vinyals et al., 2015). pervision can be viewed as a source of delayed re- Latent structured learning algorithms address wards, where the reward of the actions can only be the problem of learning from incomplete labeled revealed later. We unify these two types of reward data (Yu and Joachims, 2009; Quattoni et al., signals by using a maximum margin update, in- 2007). The main difference compared to our spired by structured SVM (Joachims et al., 2009). framework is the existence of the external envi- The effectiveness of MMRN is demonstrated on ronment when learning from implicit signals. three NLP tasks: named entity recognition, entity Upadhyay et al. (2016) first proposed the idea of linking and semantic parsing. MMRN outperforms learning from implicit supervision, and is the most the current best results on CoNLL-2003 named related paper to our work. Compared to their lin- entity recognition dataset (Tjong Kim Sang and ear algorithm, our framework is more principled De Meulder, 2003), reaching 91.4% F1, in the and general as we integrate the concept of margin close setting where no gazetteer is allowed. It also in our method. Furthermore, we also extend the performs comparably to the existing state-of-the- framework using neural models. art systems on entity linking. Models for these two tasks are trained using explicit supervision. 3 Search-based Inference For semantic parsing, where only implicit super- vision signals are provided, MMRN is able to learn In our framework, predicting the best structured from delayed rewards, improving the entity link- output, inference, is formulated as a state/action ing component and the overall semantic parsing search problem. Our search space can be de- framework jointly, and outperforms the best pub- scribed as follows. The initial state, s0, is the lished system by 1.4% absolute on the WebQSP starting point of the search process. We define dataset (Yih et al., 2016). γ(s) as the set of all feasible actions that can In the rest of the paper, we survey the most be taken at s, and denote s0 = τ(s, a) as the related work in Sec. 2 and give an in-depth dis- transition function, where s0 is the new state af- cussion on comparing MMRN and other learning ter taking action a from s. A path h is a se- frameworks in Sec. 7. We start the description of quence of state–action pairs, starting with the ini- tial state: h = (s , a ),..., (s , a ) , where our method from the search formulation and the { 0 0 k k } state–action spaces in our targeted tasks in Sec. 3, si = τ(si 1, ai 1), i = 1, . , k. We denote ; − − ∀ followed by the reward and learning algorithm in h sˆ, if sˆ = τ(sk, ak), the final state which the Sec. 4 and the detailed neural model design in path h leads to. A path essentially is a partial or Sec. 5. Sec. 6 reports the experimental results and complete structured prediction. For each input x, we define (x) to be the set of all possible paths Sec. 8 concludes the paper. H for the input. We also define (x) = h h E { | ∈ (x), h ; s,ˆ γ(ˆs) = , which is all possible 2 Related Work H ∅} paths that lead to terminal states. Structured output prediction tasks have been stud- Given a state s and an action a, the scoring func- ied extensively in the field of natural language pro- tion fθ(s, a) measures the quality of an immediate cessing (NLP). Many supervised structured learn- action with respect to the current state, where θ is ing algorithms has been proposed for capturing the model parameters. The score of a path h is the relationships between output variables. These defined as the sum of the scores for state-action k models include structured perceptron (Collins, pairs in h: fθ(h) = i=0 fθ(si, ai). During test 2002; Collins and Roark, 2004), conditional ran- time, inference is to find the best path in (x): P E dom fields (Lafferty et al., 2001), and structured arg maxh (x) fθ(h; x). In practice, inference is SVM (Taskar et al., 2004; Joachims et al., 2009). often approximated∈E by beam search when no effi- Later, the learning to search framework is pro- cient algorithm exists. 2369 In the remaining of this section, we describe 휆푥. ∃푦. 푐푎푠푡 FamilyGuySeason1, 푦 ∧ 푎푐푡표푟 푦, 푥 the states and actions in the targeted tasks in this ∧ 푐ℎ푎푟푎푐푡푒푟(푦,MegGriffin) work: named entity recognition, entity linking and Meg Griffin semantic parsing. The the model and learning al- gorithm will be discussed in Sec. 4 and Sec. 5. Family Guy Season 1 cast y actor x 3.1 Named entity recognition Figure 2: Semantic parses in λ-calculus (top) and The task of named entity recognition (NER) is to query graph (bottom) of the question “who played identify entity mentions in a sentence, as well as meg in season 1 of family guy?” to assign their types, such as Person or Location. Following the conventional setting, we treat it as a sequence labeling problem using the standard 3.3 Semantic parsing BIOES encoding. For instance, a “B-LOC” tag Our third targeted task is semantic parsing (SP), on a word means that the word is the beginning of which is a task of mapping a text utterance to a for- a multi-word location entity.
Recommended publications
  • Activision Publishing and Twentieth Century Fox Consumer Products Family Guy: Back to the Multiverse in Retail Stores Today
    Activision Publishing And Twentieth Century Fox Consumer Products Family Guy: Back To The Multiverse In Retail Stores Today MINNEAPOLIS, Nov. 20, 2012 /PRNewswire/ -- Universes are about to collide as Activision Publishing, Inc., a wholly owned subsidiary of Activision Blizzard, Inc. (NASDAQ: ATVI), and Twentieth Century Fox Consumer Products announced today that Family Guy: Back to the Multiverse is now available at retail outlets nationwide. The console video game takes the source material from the Family Guy series, including its hilarious sense of humor and outrageous spirit, to offer fans an unforgettable, interactive third-person action experience. Family Guy: Back to the Multiverse introduces an all-new original story written and voiced by Family Guy talent and influenced by the famous Family Guy season eight episode, "Road to the Multiverse", where Stewie and Brian travel on an out- of-this-world journey through Quahog's bizarre parallel universes. Gamers will travel through all-new settings on a mission to save Quahog and stop the destructive schemes of Bertram, Stewie's nemesis. Playing as either Stewie or Brian, each equipped with unique special weapons and abilities, gamers will encounter an array of Family Guy characters, references and gut-busting jokes. Additionally, fans can share this hilarious experience and invite friends and family to jump into the wild Family Guy world through drop-in/drop-out co-op multiplayer mode and competitive multiplayer challenges. Family Guy: Back to the Multiverse is now available for the Xbox 360® video game and entertainment system from Microsoft and PlayStation®3 computer entertainment system for a suggested retail price of $59.99, and is rated M (Mature) by the ESRB.
    [Show full text]
  • Ted 2 – Pressbook Italiano
    Ted 2 – pressbook italiano 1 Ted 2 – pressbook italiano UNIVERSAL PICTURES e MRC Presentano Una Produzione FUZZY DOOR / BLUEGRASS FILMS Un film di SETH MACFARLANE MARK WAHLBERG, SETH MACFARLANE, AMANDA SEYFRIED in con GIOVANNI RIBISI, JOHN SLATTERY, JESSICA BARTH e MORGAN FREEMAN Sceneggiatura di SETH MACFARLANE & ALEC SULKIN & WELLESLEY WILD Prodotto da SCOTT STUBER SETH MACFARLANE JASON CLARK JOHN JACOBS Produttori Esecutivi ALEC SULKIN e WELLESLEY WILD Direttore della Fotografia MICHAEL BARRETT Uscita Italiana: 25 Giugno 2015 Durata del Film: 119 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com http://www.ted2-ilfilm.it/ twitter.com/TedRiviene Facebook: https://www.facebook.com/tedilfilm Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Simone Raineri – [email protected] 2 Ted 2 – pressbook italiano Note di Produzione Nel 2012 un adorabile - seppur incredibilmente sboccato - orsacchiotto ha avuto un successo travolgente in tutto il mondo. Dietro l’aspetto del classico e dolce peluche, ha mostrato una spavalderia senza pari ed un umorismo con espliciti riferimenti alla droga e al sesso, diventando l’indiscusso protagonista che ha catapultato la small comedy della Universal Pictures e Media Right Capital incentrata su un tipo vizioso ed il suo miglior amico, in cima alla classifica dei più alti incassi di una commedia vietata ai minori di tutti i tempi. Quest’ estate, SETH MACFARLANE torna in veste di autore, regista e protagonista vocale in Ted 2, il follow-up del film campione d’incassi che ha lanciato la carriera dell’orsacchiotto più scandaloso del mondo.
    [Show full text]
  • 1.1 Background of the Study
    CHAPTER 1 INTRODUCTION This chapter presents the background of the study, the research problem, the purpose of the study, scope and limitation, and also the definition of key terms. 1.1 Background of the Study Language, a framework of ordinary talked, manual, or composed images by implies of which human creatures, as individuals of a social bunch and members in its culture, express themselves. By utilizing the language, individuals could pass on their thought, their excitement, and all kind of the emotions (Wardhaugh, 2006). The capacities of the language incorporating with communication, the expression of personality, inventive expression, and enthusiastic discharge with others. Each person or a gather individuals has differentiating way and language utilize in their everyday discussion. The distant foundation such a social structures and an environment make them diverse with each other. In contempt of they have a few contrast class structure and atmosphere, English as an worldwide dialect acts joining together dialect between nations. English gets to be one of the foremost basic dialects to be examined as numerous magazines, song, objective books, novel, and indeed motion pictures are all design in English. The basic highlights that could be learned in English is about Sociolinguistics. How the language can influence the social perspective. Viewpoints that are included such as social standards, suspicions, setting, how the dialects is utilized, what are the feedbacks of the language within the society. The concerned of the sociolinguistics which are exploring the trade between the language and society with the objective being an improved understanding of the structure and how the language obligation in communication achieve the proportionate objective within the human science, beside attempting tp recognize how the social structures can be superior caught on throught the 1 study about language, how the exact phonetic highlight serve to characterize specific social arrangements (Wardhaugh, 2006).
    [Show full text]
  • Alzheimer's Association
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1077314 Filing date: 08/24/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91245121 Party Plaintiff Alzheimer's Disease and Related Disorders Association Correspondence SHIMA ROY Address BAKER & MCKENZIE LLP 300 E RANDOLPH STREET SUITE 5000 CHICAGO, IL 60601 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 312-861-8005 Submission Testimony For Plaintiff Filer's Name Shima Roy Filer's email [email protected], [email protected] Signature /Shima Roy/ Date 08/24/2020 Attachments Wendy Vizek NOTICE OF FILING EXHIBITS T-AA.pdf(361075 bytes ) EXHIBIT T - Part 1- annual-report-2019.pdf(4034396 bytes ) EXHIBIT T - Part 2- annual-report-2019.pdf(3320276 bytes ) EXHIBIT T - Part 3- annual-report-2019.pdf(3558381 bytes ) EXHIBIT T - Part 4- annual-report-2019.pdf(4500187 bytes ) EXHIBIT U - Corporate Philanthropy Report.pdf(96077 bytes ) EXHIBIT V - P2P2016.pdf(487285 bytes ) EXHIBIT W - P2P30-2017-RELEASE-2.25.18.pdf(94516 bytes ) EXHIBIT X - P2P_Top_30_2018_Quick_Reference_Guide.pdf(875439 bytes ) EXHIBIT Y - P2P2019.pdf(2540882 bytes ) EXHIBIT AA - AA000270-000271.pdf(117213 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD : Alzheimer’s Disease and Related : Disorders Association, Inc. : : Opposer, : : Opposition No. 91245121 v. : : Alzheimer’s New Jersey, Inc. : : Applicant. : : OPPOSER'S NOTICE OF FILING OF EXHIBITS T-AA IN SUPPORT OF TRIAL TESTIMONY OF WENDY F. VIZEK PLEASE TAKE NOTICE that pursuant to 37 C.F.R.
    [Show full text]
  • Nomination Press Release
    Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick,
    [Show full text]
  • 2021 CAE Presenters Release
    FOR IMMEDIATE RELEASE FIRST GROUP OF PRESENTERS ANNOUNCED FOR 2021 CREATIVE ARTS EMMY® AWARDS SEPT. 11 AND 12 Debbie Allen, Alex Borstein, Tony Goldwyn, Bear Grylls, Paris Jackson, Daniel Dae Kim, Marlee Matlin and RuPaul Slated to Present Awards (NOHO ARTS DISTRICT, Calif. — Aug. 26, 2021) — The Television Academy and Executive Producer Bob Bain today announced the first group of presenters for the 2021 Creative Arts Emmy® Awards, hosted over two consecutive days on Saturday, Sept. 11, and Sunday, Sept. 12. The presenters reflect the most dynamic talent and storytellers across the television industry and represent some of the year's most distinctive and acclaimed programs. Presenters include: Debbie Allen (Dolly Parton’s Christmas on the Square), Alex Borstein (Family Guy; The Marvelous Mrs. Maisel), Yvette Nicole Brown (A Black Lady Sketch Show), Carl Clemons-Hopkins (Hacks), Tony Goldwyn (The Hot Zone: Anthrax), Bear Grylls (Running Wild With Bear Grylls), Brendan Hunt (Ted Lasso), Paris Jackson (American Horror Stories), Daniel Dae Kim (The Hot Zone: Anthrax), Thomas Lennon (Reno 911!), Marlee Matlin (CODA), Folake Olowofoyeku (Bob Hearts Abishola), Angelica Ross (American Horror Story), RuPaul (RuPaul’s Drag Race), Roselyn Sánchez (Fantasy Island) and J.B. Smoove (Maplewood Murders). The 2021 Creative Arts Emmy Awards will be presented during three ceremonies the weekend of Sept. 11 and 12 at L.A. LIVE: Saturday at 5:00 PM and Sunday at 1:00 PM and 5:00 PM. An edited presentation will be broadcast on Saturday, Sept. 18 (8:00 PM ET/PT) on FXX. All three shows will be produced by Bob Bain Productions.
    [Show full text]
  • A Million Ways to Die in the West
    1 A Million Ways to Die in the West A review by Garry Victor Hill A Million Ways to Die in the West. Produced by Seth MacFarlane, Scott Stuber and Jason Clarke. Directed by Seth MacFarlane. Screenplay by Seth MacFarlane, Alec Sulkin and Wellesley Wild. Photography by Michael Barrett. Music by Seth Linn. Length: 116 minutes. Production Company: Media Rights Capitol and Fuzzy Door Productions. Bluegrass Films. Universal Pictures Distribution. Cinematic Release May 2014. Available on DVD. Rating *** 30% 2 All images are taken from the Public Domain using Google requested permission steps and are legal for review purposes. CAST Albert Stark: Seth MacFarlane Anna: Charlize Theron Louise: Amanda Seyfried Clinch Leatherwood: Liam Neeson Edward: Giovanni Ribisi Ruth: Sarah Silverman Foy: Neal Patrick Harris Lewis: Evan Jones Sherriff: Rex Linn Millie: Alex Borstein Old Time Miner: Matt Clark Cochise: Wes Studi Albert’s Father: Christopher Hagen The Pastor: John Alword Dan: Ralph Garman Abraham Lincoln: Gilbert Gottifried Django: Jamie Foxx Usually this reviewer is a pushover for Hollywood westerns, not this time. If only three adjectives could be applied to this film they would be puerile, crass and disappointing. 3 A Million Ways to Die in the West begins promisingly. We are faced with the action straight away as a sheep farmer Albert Stark (played by director/ star/ co-producer/ co-writer Seth MacFarlane) reluctantly faces a main street gunfight. The smiling crowds are gathered hopefully expecting a bloody shootout and are disappointed when Albert chickens out. He loses his girlfriend Louise (Amanda Seyfried) over this and when in the bar with his friends Ruth (Sarah Silverman) and Edward (Giovanni Ribisi) reveals that he hates the West and wants a city life in San Francisco.
    [Show full text]
  • 70Th Emmy Awards Nominations Announcements July 12, 2018 (A Complete List of Nominations, Supplemental Facts and Figures May Be Found at Emmys.Com)
    70th Emmy Awards Nominations Announcements July 12, 2018 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Nominations Previous Wins 70th Emmy Nominee Program Network to date to date Nominations Total (across all categories) (across all categories) LEAD ACTRESS IN A DRAMA SERIES Claire Foy The Crown Netflix 1 2 0 Tatiana Maslany Orphan Black BBC America 1 3 1 Elisabeth Moss The Handmaid's Tale Hulu 1 10 2 Sandra Oh Killing Eve BBC America 1 6 0 Keri Russell The Americans FX Networks 1 3 0 Evan Rachel Wood Westworld HBO 1 3 0 LEAD ACTOR IN A DRAMA SERIES Jason Bateman Ozark Netflix 2* 4 0 Sterling K. Brown This Is Us NBC 2* 4 2 Ed Harris Westworld HBO 1 3 0 Matthew Rhys The Americans FX Networks 1 4 0 Milo Ventimiglia This Is Us NBC 1 2 0 Jeffrey Wright Westworld HBO 1 3 1 * NOTE: Jason Bateman also nominated for Directing for Ozark * NOTE: Sterling K. Brown also nominated for Guest Actor in a Comedy Series for Brooklyn Nine-Nine LEAD ACTRESS IN A COMEDY SERIES Pamela Adlon Better Things FX Networks 1 7 1 Rachel Brosnahan The Marvelous Mrs. Maisel Prime Video 1 2 0 Allison Janney Mom CBS 1 14 7 Issa Rae Insecure HBO 1 1 NA Tracee Ellis Ross black-ish ABC 1 3 0 Lily Tomlin Grace And Frankie Netflix 1 25 6 LEAD ACTOR IN A COMEDY SERIES Anthony Anderson black-ish ABC 1 6 0 Ted Danson The Good Place NBC 1 16 2 Larry David Curb Your Enthusiasm HBO 1 26 2 Donald Glover Atlanta FX Networks 4* 8 2 Bill Hader Barry HBO 4* 14 1 William H.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • The Paley Center for Media Announces Festival Lineup for Paleyfest Ny, October 6-16
    THE PALEY CENTER FOR MEDIA ANNOUNCES FESTIVAL LINEUP FOR PALEYFEST NY, OCTOBER 6-16 TV’s Ultimate Fan Festival Adds Special Screenings and Cast Events with Black Mirror, Blue Bloods, and Late Night with Seth Meyers Festival to Include a Reunion with the Cast of the Groundbreaking Television Program Oz Tickets On Sale September 12 NEW YORK, NY – September 12, 2017 – The Paley Center for Media today announced the schedule for PALEYFEST NY 2017, which will take place October 6-16, 2017. This eleven-day celebration of television brings together the cast and creative teams of today’s most acclaimed and popular TV shows for screenings and interactive panel discussions taking place at The Paley Center for Media in New York City. Added to PaleyFest NY’s stellar lineup are discussions with the cast and creatives behind: Black Mirror from Netflix (October 6); black-ish: A Conversation with Tracee Ellis Ross from ABC (October 9); Fear the Walking Dead from AMC (October 8); Late Night with Seth Meyers from NBC (October 10); and Blue Bloods from CBS (October 16). Previously announced participants include Family Guy from Fox (October 7); Star Trek: Discovery from CBS All Access (October 7); and Full Frontal with Samantha Bee from TBS (October 12). A special addition to this incredible lineup of shows will be a reunion with the cast of HBO’s acclaimed television show Oz, featuring series creator Tom Fontana and original castmembers Edie Falco, Craig muMs Grant, Terry Kinney, Lee Tergesen, Eamonn Walker, and Dean Winters. 2017 marks the twentieth anniversary of the show’s premiere.
    [Show full text]
  • Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
    November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.
    [Show full text]
  • Outstanding Animated Program (For Programming Less Than One Hour)
    Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J.
    [Show full text]