Lyn C. Wiltshire

Total Page:16

File Type:pdf, Size:1020Kb

Lyn C. Wiltshire Lyn C. Wiltshire University of Texas at Austin, Department of Theatre and Dance Winship 2.132E, Campus Code D3900 Austin, TX 78712 Phone: 512-232-5331, Fax: 512-471-0824, E-Mail: [email protected] EDUCATION B.A. Dance Studies, State University of New York (Empire State College) ACADEMIC/PROFESSIONAL WORK EXPERIENCE University of Texas at Austin 1995 - Present Professor and Head of Dance 2010 - Present Associate Chair and Head of Performance Unit and Dance Program 2007 - 2010; Associate Professor of Dance 2001 - Present Associate Chair of Undergraduate Education 2003 - 2005 Assistant Director of Undergraduate Education 2005 - Present Head of Dance Program 2000 - 2004 Assistant Professor of Dance 1995 - 2000 L'A.R.T. Dance Project 2004 - Present Artistic Director Ball State University 1992 - 1995 Assistant Professor Butler University 1991 - 1995 Adjunct Instructor Rehearsal Assistant Purdue University 1991 - 1995 Guest Artist in Residence CHOREOGRAPHY (My Repertory of Ballets consists of 60 Works from 1987-2008. A complete chronology and video excerpts are available upon request) 2006, 2007, 2008 Hora Tango Alexandra Ballet Company, St. Louis, Missouri, 2008; Mi Di Te Salzburg International Ballet Workshop - Salzburg, Austria; Fantasie European Dance Arts - EDAS Cyprus 2008, Restaged: Salzburg International Ballet Workshop; Psalm European Dance Arts - EDAS Cyprus; All Holy Children Sing: European Dance Arts - EDAS Cyprus; Tous Les Nous Dance Repertory Theatre, Tanzsommer Austria; Paralyzed Dance Repertory Theatre, Tanzsommer Austria; Remembering Qualities Dance Repertory Theatre, University of Texas at Austin; HeartSteps Central Indiana Dance Ensemble, Mid-States Regional Festival 2008; General Truths: based on limited and incomplete evidence Dance Repertory Theatre, University of Texas at Austin, 2006 Tanzsommer Austria, Restaged for: Ballet East Dance Theatre 2006; Designer Genes Dance Repertory Theatre, University of Texas at Austin 2006 1 Lyn C. Wiltshire Lyn C. Wiltshire PROFESSIONAL LICENSURE/CERTIFICATIONS • Zena Rommett Floor-Barre® Technique Teacher Training 1998, 1999, 2002 • Yoga: Main Module (10 day Intensive, 47 hours) 1999 • Anatomy of Yoga (30 hours) 2003 • Pilates: Grandfathered Certificate 1992 • Shaolin-Do Martial Arts Kung Fu: Black Belt 2002 Tai Chi: Black Sash 2002 COURSES TAUGHT Areas of Interest: All levels of Contemporary, Ballet and Jazz Dance Technique; all levels of Improvisation, Composition and Choreography, Performance and Repertory, Pedagogy Theory, Practicum and Teacher Training, Floor-Barre®, Pilates, Yoga, Tai Chi University of Texas at Austin, Austin, Texas 1995 - Present Department of Theatre and Dance Contemporary Dance Technique; Advanced Project in Performance and Repertory; Intermediate Contemporary Dance Technique; Choreography II; Independent Projects; Topics in Dance Technique; Dance Pedagogy: Theory; Advanced Contemporary Dance Technique; Experiential Anatomy; Somatics; Topics in Dance and Movement; Ballet Technique; Movement Improvisation and Composition I; Floor-Barre Technique; Projects in Dance Movement Studies; Jazz; Ballet Technique; Ballet II Nonmajor; Jump Into Jazz Plus; Dance Forms: Int/Adv Ballet Technique; Dance Lab; Choreography I; Dance Forms: The Theory and Practice of Classical Technique; Visions of Ellington (Topics Course); Floor-Barre™ Fundamentals (Computer Course); Movement and Physical Conditioning Lab Butler University, Indianapolis, Indiana 1995 -1991 Department of Dance Intermediate Ballet; Dance Teaching Practicum; Pilates Mat; Ball State University, Muncie, Indiana 1995-1992 Department of Theatre and Dance Performance Modern 1; Modern 5; Modern 6 PERFORMANCES Sharir+Bustamante 2003 “Sentinal” - Performer ~ Choreography: Kent DeSpain McCullough Theatre, Austin, TX Sophisticated Ellington: Symphony and Swing 1995 - 2002 National Tour: Featured Dancer; Mercedes Ellington Performed with more than 40 Symphony Orchestras and Pops Conductors across the United States and Hawaii Invitation to the Dance – Saint Louis Symphony Orchestra 2000 St, Louis, Missouri, Guest Artist, conducted by Maestro Richard Hayman. Holiday Magic – Alabama Symphony Orchestra 1998 Birmingham, Alabama, Featured Dance Gotta Dance – Pittsburgh Symphony Orchestra Pittsburgh, Pennsylvania, Guest Artist Lyn C. Wiltshire 2 Lyn C. Wiltshire Celebrate Bach! University of Texas at Austin, Austin, Texas 1997 Soloist, B. Iden Payne Theatre. Yuletide Celebration Indianapolis, Indiana 1985-1996 Dancer/Dance Captain Young Audiences of Indiana Indianapolis, Indiana 1983-1995 Performing Artist Team Leader, S.A.Y. (Summer Arts for Youth) Coordinator and Director Dance Kaleidoscope Indianapolis, Indiana 1983-1992 Featured Dancer/Instructor Warner Bros. “The Bugs Bunny Show” Extensive Tour of 1982-1983 Venezuela Roger Hess Productions Featured Dancer Walter Nicks Dance Company Extensive Tour of France 1982 Alvin Ailey American Dance Theatre New York, New York 1979-1981 Hudson Valley Dance Theatre Poughkeepsie, New York 1978-1979 Children’s Arts Festival New York and Washington, DC 1978 “The Me Nobody Knows” choreographed by Patricia Birch Kennedy Center. Hospital Audiences, NYC District Schools New York State 1977-1979 Joan Miller’s Dance Players New York, New York 1977-1978 Universal Pictures “The Wiz” National and International 1977 Filmed in all dance sequences of the movie “The Wiz” Dance Theatre of Harlem New York, New York 1973-78 Apprentice/Stipend Scholarship Student MASTER CLASSES/ WORKSHOPS Salzburg Experimental Academy of Dance – SEAD, Salzburg, Austria, International University “Global Theatre Experience” – IUGTE, Leitring bei Leibnitz, Austria; Salzburg International Ballet Workshop – SIBA, Salzburg, Austria; European Dance Arts – EDAS Israel @ Thelma Yellin International Performing Arts School, Tel Aviv, Israel; University of Nice Sofia Antipolis, Nice, France; European Dance Arts – EDAS Cyprus; El Colegio del Cuerpo - Cartagena de Indias, Cartagena, Colombia; Mid-States Regional Dance America Festival, Carmel, In; Mid-States Regional Dance America Festival, Indianapolis, IN; Young Tanzsommer! Austria; American College Dance Festival Association; Ballet East Dance Company Theatre; The Glenda Brown Choreography Project; 7thh Annual African American Dance Festival, State Theater, Austin, TX; 6th Annual African American Dance Festival; Regional Dance America Southwest Festival 2002, Monroe, Louisiana; 41st, 40th, 39th Annual Craft of Choreography Performance Conference; Regional Dance America, University of Texas at Austin; American Ballet Theatre Summer Intensive; Indianapolis Dance Company, Indianapolis, IN; Tapestry Dance Company, Austin, TX; San Antonio Metropolitan Ballet, San Antonio, TX; Regional Dance America “Nationals 97” Houston, TX; University of Texas at Austin, Austin, TX; Fort Wayne Ballet Fort Wayne, IN; Judith Svalander School of Ballet Crystal Lake, IL; San Antonio “Dances”, San Antonio, TX; Lexington Ballet Lexington, KY; University of Nebraska, Lincoln and Omaha, NE; University of Iowa, Iowa City, IA; Rollins College; Winter Park, FL; Anderson Young Ballet Theatre, Anderson, IN; Ball State University; Muncie, IN; Indiana University; Bloomington, IN; Jordan College Academy of Dance, Indianapolis, IN; Dans Ethnik, Indianapolis, IN; Fort Wayne Dance Collective Fort Wayne, IN; Walter Nicks Residencies Chaumont, Limoges, Biarritz and Paris, France; Kenwood-Kenmont Camp Connecticut; Y.M.H.A., New York, NY; Allegra Kent School of Dance, New York, NY Lyn C. Wiltshire 3 Lyn C. Wiltshire PRESENTATIONS/ LECTURES Salzburg Experimental Academy of Dance 2009 Salzburg, Austria Ballet and Floor-Barre® University of Nice Sophia Antipolis Nice, France Ballet and Floor-Barre® Thelma Yellin National Performing Arts School Givatayim, Israel, Contemporary and Repertory International University “Global Theatre Experience” (IUGTE) Leitring bei Leibnitz, Austria Floor-Barre® Hawaii International Conference on Arts and Humanities 2007 Honolulu, Hawaii Defining the Movement Imprint: Imprinting the Movement Definition Young Tanzsommer Austria 2004, 2006, 2008 Repertory - Austria and Italy Hawaii International Conference on Arts and Humanities 2005 Honolulu, Hawaii, The Zena Rommett Floor-Barre Technique® Pulses and Impulses of Dance in the Community 2004 Almada, Portugal, The Zena Rommett Floor-Barre Technique® International Council for Health, Physical Education, Recreation, 2002 Sport and Dance (ICHPER*SD), Scientific Committee for the 44th World Congress Taiwan, The Zena Rommett Floor-Barre Technique® Professional Development Series – Performing Arts Center 2008 Presented and moderate a day long seminar with AISD high school teachers Dancing in the Millennium Conference 2000 Washington, DC, The Zena Rommett Floor-Barre Technique® 9th and 10th Annual Meeting of the International Association of Dance 1999, 2000 Medicine and Science (IADMS) (Tring, England) and (Miami, Florida), The Zena Rommett Floor-Barre Technique® RESEARCH ACTIVITIES/ FELLOWSHIPS/ GRANTS University of Texas at Austin Department of theatre and Dance Teaching Excellence award 2008 - 2009 • Department of Theatre and Dance – University of Texas at Austin College of Fine Arts Dean’s Fellow 2008 - 2009 • College of Fine Arts – University of Texas at Austin Creative Research Summer Stipend 2007 • College of Fine Arts – University of Texas at Austin Grace Hill Milam Fellowship 2001 - 2002; 1997 - 1998 • College of Fine Arts – University of Texas at Austin Research Grant 2000 • Office of the Vice President for Research – University
Recommended publications
  • UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT of NEW YORK ------X in Re : Chapter 11 : MOTORS LIQUIDATION COMPANY, Et Al., : Case No
    UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------x In re : Chapter 11 : MOTORS LIQUIDATION COMPANY, et al., : Case No. 09-50026 (REG) f/k/a General Motors Corp., et al., : : Debtors. : (Jointly Administered) : ------------------------------------------------------------------x AMENDED AFFIDAVIT OF SERVICE STATE OF NEW YORK ) ) ss: COUNTY OF SUFFOLK ) I, Barbara Kelley Keane, being duly sworn, depose and state: 1. I am an Assistant Director with The Garden City Group, Inc., the claims and noticing agent for the debtors and debtors-in-possession (the “Debtors”) in the above-captioned proceeding. Our business address is 105 Maxess Road, Melville, New York 11747. 2. Between August 19, 2010 and August 20, 2010, at the direction of Weil, Gotshal & Manges LLP, counsel for the Debtors in the above-captioned case and pursuant to the Notice of Debtors’ Seventy- Fourth Omnibus Objection to Claims [Docket No. 6684], I caused to be served a customized Notice of Objection to Individual Debt Claims, a copy of which is annexed hereto as Exhibit “A”, upon each of the parties set forth in Exhibit “B” annexed hereto (affected parties) by depositing same in a sealed, postage paid envelope at a United States Post Office for delivery by the United States Postal Service via First Class Mail. /s/ Barbara Kelley Keane Barbara Kelley Keane Sworn to before me this 9th day of September 2010 /s/ Eamon Mason_______________ Eamon Mason Notary Public, State of New York No. 01MA6187254 Qualified in Manhattan County Commission Expires: May 19, 2012 EXHIBIT A PLEASE CAREFULLY REVIEW THIS NOTICE AS IT WILL AFFECT YOUR CLAIM IN THE GENERAL MOTORS CORPORATION (NOW MOTORS LIQUIDATION COMPANY) BANKRUPTCY CASE UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------x : In re : Chapter 11 Case No.
    [Show full text]
  • Welcome Letter 2013 Samuel H. Scripps American Dance Festival
    Welcome Letter 2013 Samuel H. Scripps American Dance Festival Award Lin Hwai-min The ADF wishes to thank the late Samuel H. Scripps, whose generosity made possible the annual $50,000 Samuel H. Scripps American Dance Festival Award. The Award was established in 1981 as the first of its kind and honors chorographers who have dedicated their lives and talent to the creation of modern dance. The continuation of the award is made possible through the SHS Foundation and its President, Richard E. Feldman. Celebrated choreographer, director, and educator Lin Hwai-min will be presented with the 2013 Award by Joseph V. Melillo in a special ceremony on Saturday, July 27th at 8:00 pm, prior to the Forces of Dance performance at the Durham Performing Arts Center. The program will also include a performance of the solo from Lin Hwai-min’s 1998 work Moon Water, performed by Cloud Gate Dance Theatre dancer Chou Chang-ning. Mr. Lin’s fearless zeal for the art form has established him as one of the most dynamic and innovative choreographers today. His illustrious career as a choreographer has spanned over four decades and has earned him international praise for his impact on Chinese modern dance. He is the founder, choreographer, and artistic director of both Cloud Gate Dance Theatre of Taiwan (founded in 1973) and Cloud Gate 2 (founded in 1992), and his choreography continues to be presented throughout the United States, Europe, and Asia. While his works often draw inspiration from traditional elements of Asian culture and aesthetics, his choreographic brilliance continues to push boundaries and redefine the art form.
    [Show full text]
  • Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
    Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ......................................................................................................................................
    [Show full text]
  • ROUTES, a Guide to Black Entertainment January 1978 As
    Pub isher SStatement s you start the new year with new paths of hope. ROUTES Magazine at your As the Publisher of ROUTES A fingertip , think not of starting Magazine, I promise that the entire a new year per se, but think of begin­ ROUTES family will work hard to ning a new way of living. At this period make 1978 a year in which your leisure of time, most of us reflect on what has time can be used to the fullest and a occurred in the past year. It is a time to year that will be as entertaining for you calculate and assess your gains and it is as it will be for us . a time to realize that perhaps there were Our wish is that as you turn the pages of no losses after all. It is a time to place ROUTES, you will find just the right the events of the past year in their activity, product or message. proper perspectives. Realizing that no We warmly welcome our new subscrib­ matter how fruitless or no matter how ers and advertisers. We wish each of vain, you have gained some ground by you a HAPPY NEW YEAR. traveling new routes of new values and PUBLISHER 4 ROUTES, A Guide to Black Entertainment, January 1978 ROUTES MAGAZINE, A Guide to Black Entertainment. Our cover was photographed by Anthony Barboza. Furs provided by Alvin Campbell, 352 Seventh Avenue. Dress provided by D. Willis of F.I.D.C., 253 West 26th Street. Male attire provided by Van Gils, Inc., 40 West 55th Street.
    [Show full text]
  • Window Dancing
    In Memoriam Harold Francis McKinney May 28, 1917 – November 7, 2006 The Talented Tenth “The problem of education, then, among Negroes must first of all deal with the Talented Tenth: it is the problem of developing the best of this race that they may guide the mass away from the contamination of the worst, in their own and other races.” W.E.B. DuBois FOREWORD Generations “A term referring to an approximation between the age of parents and the time their children were born.” The issue is, what has ensued during the generational time span of 20-25 years and how prepared were and are parents to provide the necessary educational, emotional, spiritual, physical and economic assets required for the development of the oncoming generations? What have been the experiences, accomplishments and perhaps inabilities of the parent generation and how will this equation impact upon the newcomers entering the world? The constant quest for human development is hopefully not supplanted by neglect, per- sonal or societal and therefore the challenge for each generation; are they prepared for their “turn” at the wheel of anticipated progress? How does each generation cope with the accomplishments and deficiencies from the previ- ous generation, when the baton is passed to the next group competing in the relay race of human existence? Despite the challenge of societal imbalance to the generations, hope and effort remain the constant vision leading to improvement accompanied and reinforced by determination and possible occurrences of “good luck,” to assist the generations and their offspring, neigh- bors and other members of the human family, towards as high a societal level as possible, in order to preserve, protect and project the present and succeeding generations into posi- tions of leverage thereby enabling them to confront the vicissitudes of life, manmade or otherwise.
    [Show full text]
  • Dance Faculty
    Department of Dance Contact Information 2011-2012 3500 R Street, NW Washington, DC 20007 Main Office: 202-298-1777 Dance Department Office:: 202-337-7958 and/or 202-282-1104 FAX: 202-337-7847 E-Mail: [email protected] Website: www.Ellingtonschool.org Head of School: Rory Pullens 1 Just to dance -- Just to soar -- Just to whirl -- Just to pose -- Just to prance -- Just to yearn -- With body sculpted, statuesque, step in flawless syncopation with the corps in tight formation, making time with every heartbeat, every turn…to be poetry in motion, with disciplined devotion. JUST TO DANCE! Excerpts from “Just to Dance” Linda Staten 2 TABLE OF CONTENTS INTRODUCTION .............................................................................................................. 4 MISSION STATEMENT ................................................................................................. 5 VISION STATEMENT .................................................................................................... 5 ABOUT THE DANCE DEPARTMENT ........................................................................ 5 DANCE FACULTY .......................................................................................................... 7 AUDITION ........................................................................................................................ 9 STUDIO DRESS REQUIREMENTS ........................................................................... 10 PROPER CLASSROOM & STUDIO DECORUM FOR DANCERS ....................... 11 SELECTION
    [Show full text]
  • JACOB's PILLOW THEMES | ESSAYS​- INDEX to CONTENT Dance of the African Diaspora​
    Jacob’s Pillow Dance Interactive - Themes | Essays - Index to Dance of the African Diaspora JACOB’S PILLOW THEMES | ESSAYS - INDEX TO CONTENT ​ Dance of the African Diaspora - Curated by John Perpener ​ ​ BLACK DANCERS IN THE BERKSHIRES Videos: ​ - Nuria Olive-Belles’ documentary about Joanna Haigood's Invisible Wings 1998 (4 ​ ​ ​ ​ excerpts) - Zaccho Dance Theatre in Joanna Haigood's Invisible Wings 1998 (2 excerpts) ​ ​ ​ ​ Images: ​ - Joanna Haigood's Invisible Wings, 2007 (5 photos) ​ ​ - Asadata Dafora - Jawole Willa Jo Zollar - Urban Bush Women in Jawole Willa Jo Zollar’s Shelter ​ - Charles Moore in Asadata Dafora’s Awassa Astrige ​ TRACING SOCIAL AND POLITICAL ACTIVISM Videos: ​ - Katherine Dunham teaching a Master Class to students of The School at Jacob's Pillow assisted by Walter Nicks and Theodore Jamison, 2002 (2 excerpts) - Ronald K. Brown’s In Gratitude, a tribute to Katherine Dunham, 2002 (excerpt) ​ ​ Images: ​ - Pearl Primus in African Ceremonial, ca. 1945 ​ ​ - Helen Tamiris at Jacob's Pillow, 1942 - Donald McKayle - Katherine Dunham - Katherine Dunham with students of The School at Jacob's Pillow, 2002 - Members of the Alvin Ailey American Dance Theater, 1961 - Alvin Ailey with Lester Horton Dance Theater in Horton’s Bal Caribe, 1954 ​ ​ - Carmen de Lavallade and Alvin Ailey in Ailey’s Blues Suite ​ - Alvin Ailey American Dance Theater in Ailey’s Blues Suite (2 photos) ​ ​ - Alvin Ailey and Myrna White in Ailey’s Revelations, 1961 ​ ​ - Alvin Ailey, Ella Thompson, and Myrna White in Ailey’s Revelations ​ - Alvin Ailey
    [Show full text]
  • Alvin Ailey's Embodiment of African American Culture
    DeFrantz.00 FM 10/20/03 2:50 PM Page ii Alvin Ailey’s Embodiment of African American Culture 1 2004 DeFrantz.00 FM 10/20/03 2:50 PM Page iii DANCING REVELATIONS THOMAS F. DEFRANTZ DeFrantz.00 FM 10/20/03 2:50 PM Page iv 1 Oxford New York Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data DeFrantz, Thomas Dancing revelations : Alvin Ailey’s embodiment of African American culture / Thomas F. DeFrantz. p. cm. Includes bibliographical references and index. ISBN 0-19-515419-3 1.Ailey, Alivn. 2. Dancers—United States—Biography. 3.Choreographers— United States—Biography. 4.Alvin Ailey American Dance Theater. 5.African American dance. I. Title. GV1785.A38 D44 2003 792.8'028'092—dc21 2002156670 Credits: Photographs: frontispiece and pages 5, 8, 19, 47, 63, 95, 101 courtesy and copyright by Jack Mitchell; cover illustration and pages 11, 12,courtesy and copyright by J.
    [Show full text]
  • Billboard 1976-02-21
    February 21, 1976 Section 2 m.,.., 'ti42 CONTEMPORARY GORDON LIGHTFOOT LOGGINS & MESSINA KIP ADDOTA MAZING RHYTHM ACES MAHAVISHNU ORCHESTRA ANNA MARIA ALBERGHETTI M'3ROSIA TAJ MAHAL THE ALLEN FAMILY AMERICA MAHOGANY RUSH AB CALLOWAY LYNN ANDERSON ROGER MILLER ICK CAPRI RTFUL DODGER TIM MOORE ETULA CLARK HE ASSOCIATION MARIA MULDAUR AT COOPER BURT BACHARACH ANNE MURRAY ORM CROSBY EACH BOYS JUICE NEWTON AND ILLY DANIELS SILVERSPUR EFF BECK OHN DAVIDSON BLOOD, SWEAT & TEARS OLIVIA NEWTON -JOHN HILLIS DILLER TONY ORLANDO & DAWN PAT BOONE LIFTON DAVIS GILBERT O'SULLIVAN DAVID BOWIE BILLY ECKSTINE PARIS CAMEL BARBARA EDEN BILLY PAUL CAPTAIN & TENNILE KELLY GARRETT POINTER SISTERS ARAVAN THE GOLDDIGGERS PRELUDE ERIC CARMEN BUDDY GRECO PRETTY THINGS CARPENTERS KATHE GREEN ALAN PRICE CLIMAX BLUES BAND OEL GREY LOU RAWLS BILLY COBHAM ICK GREGORY RENAISSANCE NATALIE COLE LORENCE HENDERSON RETURN TO FOREVER LINT HOLMES GENE COTTEN Featuring COREA, B.J. COULSON CLARKE, DIMEOLA. UDSON BROTHERS CROWN HEIGHTS AFFAIR WHITE ALLY KELLERMAN MAC DAVIS LINDA RONSTADT EORGE KIRBY DE FRANCO FAMILY DAVID RUFFIN RANKIE LAINE THE 5TH DIMENSION FRED SMOOT HARI LEWIS BO DONALDSON PHOEBE SNOW AL LINDEN & THE HEYWOODS TOM SNOW HIRLEY MACLAINE KENNY ROGERS STAPLE SINGERS McMAHON AND THE FIRST EDITI STATUS QUO ONY MARTIN & FLEETWOOD MAC RAY STEVENS CYD CHARISSE FLO & EDDIE AND AL STEWART ARILYN MICHAELS THE TURTLES ILLS BROTHERS RORY GALLAGHER STEPHEN STILLS SWEET IM NABORS BOBBY GOLDSBORO JAMES TAYLOR OB NEWHART GRAND FUNK RAILROAD LILY TOMLIN NTHONY NEWLEY AL GREEN
    [Show full text]
  • DANCING REVELATIONS Defrantz.00 FM 10/20/03 2:50 PM Page Ii
    DANCING REVELATIONS DeFrantz.00 FM 10/20/03 2:50 PM Page i DeFrantz.00 FM 10/20/03 2:50 PM Page ii Alvin Ailey’s Embodiment of African American Culture 1 2004 DeFrantz.00 FM 10/20/03 2:50 PM Page iii DANCING REVELATIONS THOMAS F. DEFRANTZ DeFrantz.00 FM 10/20/03 2:50 PM Page iv 1 Oxford New York Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data DeFrantz, Thomas Dancing revelations : Alvin Ailey’s embodiment of African American culture / Thomas F. DeFrantz. p. cm. Includes bibliographical references and index. ISBN 0-19-515419-3 1.Ailey, Alivn. 2. Dancers—United States—Biography. 3.Choreographers— United States—Biography. 4.Alvin Ailey American Dance Theater. 5.African American dance. I. Title. GV1785.A38 D44 2003 792.8'028'092—dc21 2002156670 Credits: Photographs: frontispiece and pages 5, 8, 19, 47, 63, 95, 101 courtesy and copyright by Jack Mitchell; cover illustration and pages 11, 12,courtesy and copyright by J.
    [Show full text]
  • JRDD Annual Report 2018
    JEROME ROBBINS DANCE DIVISION ANNUAL REPORT FY18 All featured photographs are courtesy of Jose Tutiven and were taken on the American Tap Dance Foundation’s annual Copasetic Boat Ride. Special thanks to dancers Margaret Morrison, Sharon Lavi, Reginald “Reggio” McLaughlin, Tony Waag, Jonas Nermyr, Max Bremner, Amber Scheluchin, Sophia Lowe, Luke Nonas-Hunter, Case Prime, Tanya Bagnato, Brenda Bufalino, Katherine Kramer, Lisa La Touche, Kelly Steele, Leonardo Sandoval, Naomi Funaki, Tamii Sakurai, Elizabeth Burke, Harriet Leigh Spence, Elijah Meader, Claire Sheen, Jestina Mandy, Kennedy, Larry Saperstein, Tanya B & Nicholas Young for their participation in the shoot. Tap books featured in the photos and available for check out are: Tapping into the force by Ann Miller. Call number: B Miller The souls of your feet : a tap dance guide for rhythm explorers by Acia Gray. Call number: 793.35 G The tap dance dictionary by Mark Knowles. Call number: 793.35 K Fred Astaire by Joseph Epstein. Call number: B Astaire E Tap dancing America : a cultural history by Constance Valis Hill. Call number: 793.35 H Gene Kelly : a life of dance and dreams by Alvin Yudkoff. Call number: B Kelly Y What the eye hears : a history of tap dancing by Brian Seibert. Call number: 793.35 S The Jerome Robbins Dance Division connects artists, scholars, and dance lovers to the world of movement. Our commitment is to preserve and provide free access to our unequaled collections of resources, ranging from multi-camera recordings of dance performances to rare manuscripts. As the active memory of the dance community, the Dance Division honors the past and offers inspiration for the future.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Sylvia Waters
    Finding Aid to The HistoryMakers ® Video Oral History with Sylvia Waters Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Waters, Sylvia Title: The HistoryMakers® Video Oral History Interview with Sylvia Waters, Dates: August 27, 2010 and October 24, 2016 Bulk Dates: 2010 and 2016 Physical 8 uncompressed MOV digital video files (3:42:32). Description: Abstract: Artistic director and dancer Sylvia Waters (1940 - ) was a principal dancer with the Alvin Ailey American Dance Theater, and served as the artistic director for the Ailey II dance company for 38 years. Waters was interviewed by The HistoryMakers® on August 27, 2010 and October 24, 2016, in Chicago, Illinois and New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2010_108 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Artistic director and dancer Sylvia Waters was born in New York on January 22, 1940. She began dancing in junior high school and joined an after school dance group when she was twelve years old. Waters went on to attend The Juilliard School, where she studied with Martha Graham, José Limón, and Anthony Tudor. She received her B.S. degree from Juilliard in 1962, continuing her studies at the Martha Graham School of Contemporary Dance. Waters began dancing with Donald McKayle’s dance company before touring Europe, performing in Langston Hughes’ Black Nativity in 1964. Waters then settled in Paris, France for three years, where she appeared on television and danced in the Paris Opera Ballet under Michel Descombey.
    [Show full text]