DOCSLIB.ORG

Bibliography of Woolf Studies Published in 2004 (With Addenda for Previous Years)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography of Woolf Studies Published in 2004 (With Addenda for Previous Years) International Virginia Woolf Society Bibliography of Woolf Studies Published in 2004 (with addenda for previous years). Compiled by Mark Hussey 1. ADDENDA Prior to 2003 (all categories) Banfield, Ann. “Describing the Unobserved: Events Grouped Around an Empty Center.” The Linguistics of Writing: Arguments Between Language and Literature. Eds. Nigel Fabb, Derek Attridge, Alan Durant, Colin McCabe. NY: Methuen, 1987. Campbell, Karlyn Kohrs. Three Tall Women: Radical Challenges to Criticism, Pedagogy, and Theory. The Carroll C. Arnold Distinguished Lecture, National Communication Association. Boston: Pearson Education, 2001. Graham, Jill Watson. “Skirting the Kunstlerroman: Psychoanalysis and the Transformative Artist in Virginia Woolf and Stevie Smith.” PhD U of New Brunswick, 2001. Greaves, R. Rev. Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart, and Anaïs Nin by Elizabeth Podnieks. Montreal: McGill-Queen's University Press, 2000. Review of English Studies 53.210 (May 2002): 287-89. Lassner, Phyllis. “‘The Milk of Our Mother’s Kindness Has Ceased to Flow’: Virginia Woolf, Stevie Smith and the Representation of the Jew.” Between ‘Race’ and Culture: Representations of ‘the Jew’ in English and American Literature. Ed. Bryan Cheyette. Stanford: Stanford UP, 1996. Lawrence, Karen R. “Gender and Narrative Voice in Jacob’s Room and A Portrait of the Artist as a Young Man.” James Joyce: The Centennial Symposium. Eds. Morris Beja, Phillip Herring, Maurice Harmon, and David Norris. Chicago: U of Illinois P, 1986. 31-38. -----. “Woolf’s Voyages Out: The Voyage Out and Orlando.” Penelope Voyages: Women and Travel in the British Literary Tradition. Ithaca: Cornell UP, 1994: 154-206. Levenback, Karen. Rev. The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism by Ann Banfield. NY: Cambridge UP, 2000. Albion (Spring 2002): 163-66. Lü Hongling. “The Spirit of the Age and the Conception of Androgyny in Orlando.” Foreign Literature Studies (Wuhan, China) 95 (2002): 61-65. Plate, Liedeke. “Wie is er nog bang voor Virginia Woolf? Michael Cunninghams The Hours en Virginia Woolfs imago [Who’s Still Afraid of Virginia Woolf? Michael Cunningham’s The Hours and Woolf’s Public Image].” Armada 6.1 (January 2001): 115-26. Puga, Rogério Miguel. “Orlando ou a paródia em torno dos géneros.” Op. Cit A Journal of Anglo-American Studies/Uma revista de Estudos Anglo-Americanos (Portuguese Association of Anglo-American Studies) 5 (2002): 91-125. Rodier, Carole. L’univers imaginaire de Virginia Woolf. Preface by Jean Guiguet, Postface by Gilbert Durand. Paris: Editions du Temps, 2001. Usui, Masami. “Woolf’s Search for Space in Between the Acts.” Doshisha Studies in English 72 (2000): 25-48. -----. “The Trauma Caused by Mother’s Deaths in Virginia Woolf and Kyoko Mori.” Doshisha Literature 45 (2002): 59-81. 2003 (all categories) Aiello, L. “Fedor Dostoevskii in Britain: The Tale of an Untalented Genius.” The Modern Language Review 98.3 (July 2003): 659-77. Aimone, Laura Francesca. “Waiting for a New Sun: Mr. Dalloway by Robin Lippincott.” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 9-10. Alley, Henry. “Mrs. Dalloway and The Hours: Two Narrators and a Film.” Virginia Woolf Miscellany 62 (Spring 2003): 4-5. Apstein, Barbara. “Ian McEwan’s Atonement and ‘The Techniques of Mrs. Woolf’.” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 11-12. Banfield, Ann. Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time.” Poetics Today 24.3 (Sept. 2003): 471-516. Barber, Keri. “Virginia Woolf’s Changing Vision of the Soldier from Jacob Flanders to North Pargiter.” Virginia Woolf Bulletin 14 (Sept. 2003): 26-34. Barkway, Stephen. “Note.” Virginia Woolf Bulletin 14 (Sept. 2003): 5-6. -----. “Virginia Woolf Today.” Virginia Woolf Bulletin 14 (Sept. 2003): 45-49. -----. Review of Death in the Life and Novels of Virginia Woolf by Hilary Newman; Virginia Woolf’s Wise and Witty Aunt: A Biographical Sketch of Caroline Emilia Stephen by Alister Raby; Virginia Woolf and Logan Pearsall Smith: ‘an exquisitely flattering duet’” by David H. Porter (pamphlets 32, 33, 34 in Bloomsbury Heritage Series. London: Cecil Woolf, 2002). Virginia Woolf Bulletin 14 (Sept. 2003): 57-61. Barton, Anne Ryan. “On Being a Common Reader.” Virginia Woolf Miscellany 62 (Spring 2003): 3-4. Benzel, Kathryn N. “Modern In(ter)vention: Reading the Visual.” Visual resources 19.1 (2003): 321-38. Berlatsky, Eric Lawrence. “Fact, Fiction, and Fabrication: History, Narrative, and the Postmodern Real from Woolf to Rushdie.” PhD U of Maryland College Park, 2003. Bicknell, John. Rev. Who Was Dr. Jackson? Two Calcutta Families: 1830-1855 by Mary Bennett. London: British Association for Cemeteries in South Asia, 2002. Virginia Woolf Miscellany 62 (Spring 2003): 14-15. -----. [Letter] “Treating Typhoid in Jaffna.” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 21. Booth, Allyson. Rev. The Modern Androgyne Imagination: A Failed Sublime by Lisa Rado. Charlottesville: U P of Virginia, 2000; A Route to Modernism: Hardy, Lawrence, Woolf by Rosemary Sumner. London: Palgrave Macmillan, 2000; Queering the Moderns: Poses/Portraits/Performance by Anne Herrmann. NY: Palgrave Macmillan, 2000. Virginia Woolf Miscellany 64 (Fall/Winter 2003): 16-18. Bradbury, N. Rev. Virginia Woolf and the Visible World by Emily Dalgarno. Camb: CUP, 2001. Review of English Studies 54.215 (June 2003): 430-31. Byrd, Carolyn. “An Examination of Two Wives and Mothers in The Hours.” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 5-8. Chapman, Wayne K. Rev. Modernism and Eugenics: Woolf, Eliot, Yeats, and the Culture of Degeneration by Donald J. Childs. Cambridge: Cambridge UP, 2001. Virginia Woolf Miscellany 62 (Spring 2003): 15. Clarke, Stuart N. “Editorial.” Virginia Woolf Bulletin 14 (Sept. 2003): 3. -----. “The Lord Chief Justice and the Woolfs.” Virginia Woolf Bulletin 14 (Sept. 2003): 12-25. -----. “The 1901 Census.” Virginia Woolf Bulletin 14 (Sept. 2003): 54. -----. Review of The Spoken Word–Writers/Poets: Historic Recordings of writers/poets born in the 19th century (London: British Library [National Sound Archive]). Virginia Woolf Bulletin 14 (Sept. 2003): 68-70. Clements, Elicia. “Resonant Dis-closures: Aural Strategies of Resistance in Virginia Woolf, Gertrude Stein and Ethel Smyth.” PhD York U (Canada), 2003. Conley, Tim. “Mrs. Dalloway’s Italian Lust.” Notes & Queries 50.248.3 (Sept. 2003): 328-29. Cucullu, Lois. “Exceptional Women, Expert Culture, and the Academy.” Signs: Journal of Women in Culture and Society 29.1 (Fall 2003): 27-54. Curtis, Vanessa. “Virginia Woolf and Burley.” Virginia Woolf Bulletin 14 (Sept. 2003): 50-53. -----. Review of Tracing Echoes by Nicky Bird. (Leeds: Wild Pansy, 2001). Virginia Woolf Bulletin 14 (Sept. 2003): 66-68. Daly, Theresa. “Reports of Society Events: Night and Day: The Second Annual Study Day.” Virginia Woolf Bulletin 14 (Sept. 2003): 74. Damon, Franke. “Modern Heresies: British and Irish Literature and Culture, 1883-1924.” PhD U of Iowa, 2003. Dell, Marion. Review of K: The Art of Love by Hong Ying, trans. Nicky Harman and Henry Zhao (London: Marion Boyars, 2002). Virginia Woolf Bulletin 14 (Sept. 2003): 61-63. Efron, Arthur. “Remembering Lucio Ruotolo.” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 2. Fleischer, Georgette. Rev. Virginia Woolf’s Women by Vanessa Curtis. Madison: U of Wisconsin P, 2002. Virginia Woolf Miscellany 64 (Fall/Winter 2003): 15-16 Gosden, Margaret. “A Cinematic Sense of The Moment.” Virginia Woolf Miscellany 62 (Spring 2003): 9-10. Hall, Sarah M. Review of Carlyle’s House and Other Sketches by Virginia Woolf. (London: Hesperus, 2003). Virginia Woolf Bulletin 14 (Sept. 2003): 55-57. -----. Review of Psychoanalysis, Psychiatry and Modernist Literature by Kylie Valentine (Basingstoke: Palgrave Macmillan, 2003). Virginia Woolf Bulletin 14 (Sept. 2003): 64-66. -----. Review of Classic Serial: Night and Day. BBC Radio 4, Sundays 6 and 13 July, 2003. Virginia Woolf Bulletin 14 (Sept. 2003): 70-71. Harpman, Jacqueline. “Virginia Woolf, la vérité d'Orlando.” Magazine Littéraire, 426 (Dec. 2003) 46-47. Hussey, Mark. Rev. Ethics and Aesthetics in European Modernist Literature: From the Sublime to the Uncanny by David Ellison. Cambridge: Cambridge UP, 2001. Virginia Woolf Miscellany 62 (Spring 2003): 16-17. -----. Rev. Alma and Mrs. Woolf by Anne Legault, trans. Daniel Libman. Blue Heron Theater and Arts Center, NYC, Mach 7-30, 2003. Virginia Woolf Miscellany 64 (Fall/Winter 2003): 12-13. -----. “In Memoriam [Roger Poole].” Virginia Woolf Miscellany 64 (Fall/Winter 2003): 3. -----. Kaplan, Sydney Janet. Rev. The Katherine Mansfield Notebooks: Complete Edition. Ed. Margaret Scott. Minneapolis: U of Minnesota P, 2002. Virginia Woolf Miscellany 64 (Fall/Winter 2003): 18-19. Karpay, Joyce Y. “‘This fountain and spray of life’: Virginia Woolf’s Polysemous Influence on Three Generations of Women Novelists.” PhD U of South Florida, 2003. Kelly, Shannon Jeanne. “The ‘Subject’ of Virginia Woolf’s letters: Dialogic Identity and Voice in Woolf’s Epistolary Style.” PhD U of Waterloo (Canada), 2003. Keyser, Glenn. “Transitional London: Anxiety and Urban representation in the British novel, 1859-1934.” PhD U of California, Davis, Kuno, Yoichi “Clarissa no keifu.” Eigo Seinen/Rising Generation 149.6 (Sept. 2003): 363. Levenback, Karen. Rev. Virginia Woolf Icon by Brenda Silver. Chicago: Chicago UP, 1999. Modern Philology (Aug 2003): 143-47. Levy, Heather Ann. “The House that Class Built: Desiring Spaces in Virginia Woolf’s
Load more

Recommended publications
  • Virginia Woolf's Carlylean Pilgrimages
    Revisiting a Great Man’s House: Virginia Woolf’s Carlylean Pilgrimages MARIE LANIEL LTHOU G H MANY EARLY TWENTIETH -CENTURY WRITERS TEND TO disparage Thomas Carlyle’s moral earnestness, emphatic A hero-worship, and stern authoritarianism, most of them also feel strangely compelled to express ambivalent feelings of involuntary allegiance towards the Victorian sage. Enveloped in spiritual turmoil, Bertrand Russell found comfort by reading Carlyle’s account of his own religious crisis in Sartor Resartus (1833– 34) and felt obliged to acknowledge that he was oddly “moved by rhetoric which [he] could not accept. Carlyle’s ‘Everlasting No’ and ‘Everlasting Yea’ seemed to me very splendid, in spite of my thinking that at bottom they were nonsense” (27). Such remarks help to explain Carlyle’s curiously cloaked influence in the novels of the period, ranging from E. M. Forster’s A Room with a View (1908) to D. H. Lawrence’s Women in Love (1920). In these circumstances, it was perhaps inevitable that James Joyce should recognize the advent of Carlylean rhetoric as a momentous stage in the development of English prose writing by including a true-to-life, if slightly irreverent, impersonation of the Victorian prophet in the “Oxen of the Sun” chapter in Ulysses (1922). Of all modernist writers, Virginia Woolf (1882–1941) was perhaps the most reluctant to acknowledge any debt towards Carlyle. Throughout her life she was impervious to his egotistical rhetoric and critical of his authoritarian streak. In a letter to Margaret Llewelyn-Davies (23 January 1916), Woolf derides his oracular tone and dismisses his gloomy insights as the ravings of a misguided prophet: “I’ve been reading Carlyle’s Past and Present, and wondering whether all his rant has made a scrap CSA 24 2008 118 CARLYLE STUDIE S ANNUAL of difference practically” (Letters 2: 76).
    [Show full text]
  • Sosyal Bilimler Enstitüsü Dergisi………………………………………
    Celal Bayar Üniversitesi CBÜ SOSYAL BİLİMLER DERGİSİ Yıl : 2013 Cilt :11 Sayı :2 EXPERIMENTAL MODERNISM: THE SUBVERSION OF ROMANCE FORMULAS AND THE DISMANTLING OF REALIST REPRESENTATION OF THE CITY IN VIRGINIA WOOLF’S NIGHT AND DAY Araş. Gör. Dr. Çiğdem ALP Çanakkale Onsekiz Mart Üniversitesi, Fen Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümü ABSTRACT Virginia Woolf’s second novel, Night and Day (1919), has generally been conceived as a typical example of the traditional English novel, which is characterized by the realistic rendering of common life and ordinary people. Some aspects of the book such as chronological order, omniscient narrator, and the traditional plot of love and marriage undoubtedly point to the realist tradition that the novel resides in. However, it is misleading to evaluate the text simply as a realist work because the narrative strategies Woolf employs throughout the book subvert the earlier literary conventions and signal the commencement of modernist literature that has changed the form and content of the English novel in the following decades. Throughout this work, Woolf questions both social and literary conventions by subverting romance formulas and describing psychologically-perceived London. While the subverted romance structure exposes the established views on gender and marriage, the portrayal of London through the consciousness of the characters prevents the novel from being a wholly realist work. The aim of this paper is to analyze how Woolf challenges traditional form and subject matter, and hence lays the ground for her later modernist works. Keywords: Virginia Woolf, Night and Day, realism, modernism, romance, city, feminism MODERNIZME GEÇİŞ: VIRGINIA WOOLF’UN NIGHT AND DAY ROMANINDA ROMANS GELENEĞİNİN VE REALİZMIN YIKIMI ÖZ Virginia Woolf’un ikinci romanı Night and Day (1919), edebiyat eleştirmenleri tarafından genellikle realist İngiliz romanın tipik bir örneği olarak kabul edilir.
    [Show full text]
  • Selected Primary Bibliography (In Chronological Order of Publication)
    selected primary bibliography (in chronological order of publication) major works The Voyage Out. London: Duckworth, 1915; New York: Doran, 1920. Night and Day. London: Duckworth, 1919; New York: Doran, 1920. Jacob’s Room. London: Hogarth, 1922; New York: Harcourt, 1923. Mrs Dalloway. London: Hogarth, 1925; New York: Harcourt, 1925. To the Lighthouse. London: Hogarth, 1927; New York: Harcourt, 1927. Orlando: A Biography. London: Hogarth, 1928; New York: Harcourt, 1928. A Room of One’s Own. London: Hogarth, 1929; New York: Harcourt, 1929. The Waves. London: Hogarth, 1931; New York: Harcourt, 1931. Flush: A Biography. London: Hogarth, 1933; New York: Harcourt, 1933. The Years. London: Hogarth, 1937; New York: Harcourt, 1937. Three Guineas. London: Hogarth, 1938; New York: Harcourt, 1938. Roger Fry: A Biography. London: Hogarth, 1940; New York: Harcourt, 1941. Between the Acts. London: Hogarth, 1941; New York: Harcourt, 1941. essays and shorter fiction The Mark on the Wall. London: Hogarth, 1917. Kew Gardens. London: Hogarth, 1919. Monday or Tuesday. London: Hogarth, 1921; New York: Harcourt, 1921. Mr Bennett and Mrs Brown. London: Hogarth, 1924. The Common Reader. London: Hogarth, 1925; New York; Harcourt, 1925. The Common Reader, Second Series. London: Hogarth, 1932; The Second Common Reader. New York: Harcourt, 1932. The Death of the Moth and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1942; New York: Harcourt, 1942. A Haunted House and other Short Stories. London: Hogarth, 1944; New York: Harcourt, 1944. The Moment and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1947; New York, Harcourt, 1948. 253 254 palgrave advances in virginia woolf studies The Captain’s Death Bed and Other Essays.
    [Show full text]
  • “A Grievous Necessity”: the Subject of Marriage in Transatlantic Modern Women’S Novels: Woolf, Rhys, Fauset, Larsen, and Hurston
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2004 by Kristin Kommers Czarnecki B.A., University of Notre Dame 1991 M.A., Northwestern University 1997 Committee Chair: Arlene Elder ABSTRACT “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON My dissertation analyzes modern women’s novels that interrogate the role of marriage in the construction of female identity. Mapping the character of Clarissa in The Voyage Out (1915), “Mrs. Dalloway’s Party” (1923), and primarily Mrs. Dalloway (1925), I highlight Woolf’s conviction that negotiating modernity requires an exploratory yet protected consciousness for married women. Rhys’s early novels, Quartet (1929), After Leaving Mr. Mackenzie (1931), Voyage in the Dark (1934), and Good Morning, Midnight (1939), portray women excluded from the rite of marriage in British society. Unable to counter oppressive Victorian mores, her heroines invert the modernist impulse to “make it new” and face immutability instead, contrasting with the enforced multiplicity of identity endured by women of color in Fauset’s Plum Bun (1929) and Larsen’s Quicksand (1928) and Passing (1929).
    [Show full text]
  • Thesis Final Jan 2014
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Virginia Woolf’s Rooms and the Spaces of Modernity Zink, Gabriella Suzana Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: Virginia Woolf’s Rooms and the Spaces of Modernity Author: Gabriella Suzana Zink The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement.
    [Show full text]
  • Robert Colby
    1 Palaces Eternal and Serene: The Vision of Altamura and Isabella Stewart Gardner’s Fenway Court* Robert Colby The 8 December 1907 edition of the Boston Herald claimed to have solved the mystery of a new building at Isabella Gardner’s Fenway Court: “STOREHOUSE BUILT COSTLY AS PALACE.” It went on to explain how the building was erected to house works of art for which there was no room in the museum that had been completed only four years before. Its curious and monumental design, the paper noted, was based on that of a monastery. Like most everything at Fenway Court, the whimsical structure with its baroque detail, austere walls, and oversized trellises was the subject of intense speculation, although its chief practical function was to house carriages and motorcars. Gardner died in 1924, and over the course of the twentieth century the building fell into disrepair. The once-high walls were incrementally lowered and the trellises dismantled, leaving the impression of a stand-alone outbuilding: “the carriage house.” In July of 2009, the Isabella Stewart Gardner Museum demolished what remained of the structure in order to build a new addition. In its original design, the building referred to Altamura, an aesthetic utopia that was the subject of an essay conceived of by Bernard Berenson, Mary Smith Costelloe, and Logan Pearsall Smith.1 “Altamura” appeared in 1898 in the trio’s self-published “little periodical,” the Golden Urn, and described the yearlong liturgy of a fictive English monastery dedicated to “St. Dion” in an indeterminate Italian locale. The essay outlines a new religion, expressing the full measure of aestheticism’s philosophical potential as Epicurean materialism that was yet possessed of a transcendent dimension.
    [Show full text]
  • Virginia Woolf Miscellany, Issue 87, Spring/Summer 2015
    NUMBER 87 SPRING/SUMMER 2015 To the Readers: This is not to say that particular scholars have not 1930s Woolf – TABLE of CONTENTS – attempted to reorient discussions of the 1930s and Valentine Cunningham, in his iconic British See page 16 its literature. Most notably, Jed Esty, in his 2004 Writers of the Thirties (1988), argues against International Virginia Woolf A Shrinking Island, examines the 1930s literary the traditional characterization of the decade’s Society Column production of modernist writers, specifically T. S. literature as exclusively shaped and reflected by See page 56 Eliot, E. M. Forster, and Virginia Woolf. However, the Auden Generation. This characterization, IVWS Officers and Members-at-Large instead of integrating these canonical modernist deeply engrained in the scholarly discourse See page 55 writers into a broader examination of the 1930s by Cunningham’s 1988 publication date—and –EVENTS, INFO and CFPs– literary scene in order to investigate the reciprocal due in large part to Auden and Company’s self- MLA 2016 in Austin relationships between 1930s literary trends and mythologizing proclivities—places poetry above See page 3 modernism, Esty focuses on the development and prose, realism above modernism, and political 2016 Annual Conference on role of modernism through the 1930s. Esty argues commitment above aesthetic innovation. And, Virginia Woolf: that rather than relinquishing its position as the not surprisingly, men above women. Despite the Virginia Woolf and Heritage dominant cultural force in the decade—as many reality that Cunningham’s comprehensive text Leeds Trinity University, UK See page 4 narratives of 1930s literature seem to imply— inadvertently contributes to this traditional and modernism reorients itself.
    [Show full text]
  • London As a Principle of Structure in "Mrs
    LONDON AS A PRINCIPLE OF STRUCTURE IN "MRS. DALLOWAY" Author(s): Miroslav Beker Source: Modern Fiction Studies, Vol. 18, No. 3, VIRGINIA WOOLF NUMBER (Autumn 1972), pp. 375-385 Published by: The Johns Hopkins University Press Stable URL: https://www.jstor.org/stable/26279214 Accessed: 28-10-2019 13:26 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Modern Fiction Studies This content downloaded from 143.107.3.152 on Mon, 28 Oct 2019 13:26:54 UTC All use subject to https://about.jstor.org/terms LONDON AS A PRINCIPLE OF STRUCTURE IN MRS. DALLO WAY rrfr Miroslav Beker It has been noted by several critics that the city or locale in general is often of outstanding importance in modern fiction. In Wellek and Warren's Theory of Literature we read that "the great city (Paris, London, New York) is the most real of the characters in many a modern novel."1 And writing about Madame Bovary Percy Lubbock says that "the town [Yonville] with its life is not behind the heroine, subdued in tone to make a background: it is with her, no less fully to the front; its value in the picture is as strong as her own."2 Referring to the locale in modern fiction, Hans Meyerhoff in his study on time in literature stresses that "the identity of the city has the same face as the identity of persons in the city.
    [Show full text]
  • UNIVERSITY of CALIFORNIA RIVERSIDE Sentimentality and Gender in Virginia Woolf and Laurence Sterne a Dissertation Submitted in P
    UNIVERSITY OF CALIFORNIA RIVERSIDE Sentimentality and Gender in Virginia Woolf and Laurence Sterne A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Keri Diane Barber June 2010 Dissertation Committee: Dr. Kimberly J. Devlin, Chairperson Dr. George E. Haggerty Dr. John M. Ganim Copyright by Keri Diane Barber 2010 The Dissertation of Keri Diane Barber is approved: _______________________________________ _______________________________________ _______________________________________ University of California, Riverside ACKNOWLEDGEMENTS As with every project, there are a lot of people to thank. I would like to thank Professor Kimberly Devlin, Professor George Haggerty, and Professor John Ganim, for all their assistance. They encouraged me and helped me formulate ideas. They also guided me through the process and gave feedback on drafts. All of them have made my experience at UCR a memorable and productive one. I would also like to thank them for being on my Exam Committee as well as Professor Steven Axelrod and Professor Marguerite Waller. I would like to thank both David Armenta and Max Armenta. In many ways, this project is dedicated to David Armenta and the family he left behind. He is one of many lost soldiers, and his zest for life inspired the project and my work on war and soldiers. I would also like to thank Kim Palmore and Mikage Kuroki who befriended me year one of the Ph.D. program and have been valuable colleagues. Prior to my adventures at UCR, I would like to thank some Professors who paved the way for me to begin advanced studies: Madelyn Detloff, Ruben Quintero, Marilyn Elkins, and Anne B.
    [Show full text]
  • Edited by Jessica Berman
    EDITED BY JESSICA BERMAN A Companion to Virginia Woolf Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published Recently 75. A Companion to Sensation Fiction Edited by Pamela K. Gilbert 76. A Companion to Comparative Literature Edited by Ali Behdad and Dominic Thomas 77. A Companion to Poetic Genre Edited by Erik Martiny 78. A Companion to American Literary Studies Edited by Caroline F. Levander and Robert S. Levine 79. A New Companion to the Gothic Edited by David Punter 80. A Companion to the American Novel Edited by Alfred Bendixen 81. A Companion to Literature, Film, and Adaptation Edited by Deborah Cartmell 82. A Companion to George Eliot Edited by Amanda Anderson and Harry E. Shaw 83. A Companion to Creative Writing Edited by Graeme Harper 84. A Companion to British Literature, 4 volumes Edited by Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher 85. A Companion to American Gothic Edited by Charles L. Crow 86. A Companion to Translation Studies Edited by Sandra Bermann and Catherine Porter 87. A New Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 88. A Companion to Modernist Poetry Edited by David E.
    [Show full text]
  • International Virginia Woolf Society Bibliography of Woolf Studies Published in 2005 (With Addenda for Previous Years). Compiled
    International Virginia Woolf Society Bibliography of Woolf Studies Published in 2005 (with addenda for previous years). Compiled by Mark Hussey Please send additions and corrections to Celia Marshik, Historian/Bibliographer: [email protected] BOOKS (including those with significant reference to Woolf) Alter, Robert. Imagined Cities: Urban Experience and the Language of the Novel. New Haven: Yale UP, 2005. [see chapter 6 “Woolf: Urban Pastoral”] Bivar, Antonio. Bivar na Corte de Bloomsbury. Sao Paulo: A Girafa Editoria, 2005. Briggs, Julia. Virginia Woolf: An Inner Life. Orlando: Harcourt, 2005 Caine, Barbara. From Bombay to Bloomsbury: A Biography of the Strachey Family. NY: Oxford UP, 2005. Castle, Terry. The Literature of Lesbianism: A Historical Anthology from Ariosto to Stonewall. NY: Columbia UP, 2005. Curtis, Vanessa. The Hidden Houses of Virginia Woolf and Vanessa Bell. London: Robert Hale, 2005. Dalrymple, Theodore. Our Culture, What’s Left of It: The Mandarins and the Masses. Chicago: Ivan R. Dee, 2005. Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity. NY: Columbia UP, 2005. Gruber, Ruth. Virginia Woolf: The Will to Create as a Woman. NY: Carroll & Graf, 2005. Hall, Sarah M. Before Leonard: Virginia Woolf’s Unsuitable Suitors. London: Peter Owen 2005. Humm, Maggie. Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell. New Brunswick: Rutgers UP, 2005. Kostkowska, Justyna. Virginia Woolf's Experiment in Genre and Politics 1926-1931: Visioning and Versioning The Waves. Lewiston: Edwin Mellen, 2005. Kottler, Jeffrey. Divine Madness: Ten Stories of Creative Struggle. San Francisco: Jossey-Bass, 2005. Kukil, Karen V., ed. Woolf in the Real World: Selected Papers from the Thirteenth International Conference on Virginia Woolf.
    [Show full text]
  • The Smith, H.W. Mss., 1817-1987, Consist Primarily of Letters Of
    The Smith, H.W. mss., 1817-1987, consist primarily of letters of Hannah (Whitall) Smith,1832-1911, her two daughters Mary (Smith) Berenson, 1864-1945, and Alys Whitall Pearsall (Smith) Russell, 1867-1951, and Mary's two daughters Ray (Costelloe) Strachey, 1887- 1940, and Karin (Costelloe) Stephen, 1889-1953. Hannah and her husband Robert settled in the Quaker community of Germantown, Pennsylvania after their marriage in 1851. Hannah began preaching and writing on religious subjects, and later became involved in the temperance and suffrage movements. When Mary married an English barrister in 1888, the family moved to England where Hannah continued her work. It was there that Alys married philosopher Bertrand Russell. Alys joined her mother in working for women's rights and had a keen interest in political issues. Meanwhile Mary's marriage to Frank Costelloe failed soon after the birth of their second daughter Karin. Mary left England to tour the museums and cathedrals of Europe with her future husband, art critic Bernard Berenson. Mary's daughters Ray and Karin stayed in England with their father and thrived under the influence of their grandmother Hannah. Ray became the third generation of "Whitall" women to devote her life to women's issues, while Karin became a pioneer in Freudian psychoanalysis and one of Britain's first psychoanalysts. The circle of friends and relatives broadened further when Ray married into the Strachey family and Karin wed Virginia Woolf's brother Adrian Stephen. The correspondence is mostly among these five women, but included is correspondence with other members of the Smith family, extended relations and friends both in the U.S.
    [Show full text]