March, April, May 2018 611 Main Street Winnipeg Manitoba Canada R3B 1E1 204-949-9490 |
[email protected] | www.mawa.ca A W A M t a s r e h t o M t s i t r Some of the Artist Mothers Group with Shayani Ann Turko (right) exploring photographing with light, led by Carolina Araneda (with camera), January 2018 A CURATOR-IN-PROCESS: Towards Discovering a Collaborative Curatorial Practice The act of curating is one of caring. Stemming from the medieval complexity and dilemma of my transnational identity is further Latin word curatus , the word was first applied in medieval Europe in heightened as it takes place within the broader framework of the the context of religious clergy who were tasked with the sacred charge Indigenous projects of decolonization and sovereignty, of which I am of caring for the spiritual well-being of their parish. However, with slowly gaining awareness. Being in-between cultures and identities is the rise of secularism and the institution of museums, this sacred charge uncomfortable; yet hidden within the gift of discomfort is the capacity was transferred to lay individuals and sites where the material culture to be present to multivalent perspectives, the reminder of one’s own of Europe was preserved and displayed to demonstrate the imperial partiality and limitations, and the knowledge of one’s need of and inter- power and cultural dominance of European nation-states. Thus, in the dependence with community. 18th and 19th centuries, the role of the curator involved overseeing, To make things more interesting, I step into the role of curator managing and guarding public and private collections.