Reality Game January 2008

Total Page:16

File Type:pdf, Size:1020Kb

Reality Game January 2008 Reality Game January 2008 Hello. Thank you very much! It has been almost twenty-five years since Andy Kaufman died. I realize now that I never really got to know him in an in-depth way back then. This became clear to me on a snowy day last month when I watched Jim Carrey portray him in a movie called, The Man on the Moon. Watching the film brought back memories of Andy on Saturday Night Live goofin’ on Elvis (http://www.youtube.com/watch?v=a0csJyL5ERI), singing the chorus line of the Mighty Mouse theme or playing the bongos. These sketches accelerated his career. Later, I personally enjoyed the old Taxi series where Andy played Latka Gravas, the immigrant taxi mechanic. Andy had his own take on sitcoms and comedy. The role of Latka evolved from one of his early characters called “foreign man.” Kaufman hated sitcoms and was not thrilled with the idea of being on one. In order to allow Kaufman to demonstrate some comedic range, his character was given multiple personality disorder, which allowed him to randomly portray other characters. In one episode, for example, Kaufman's character came down with a condition which made him act like Alex Reiger, the main character played by Judd Hirsch. Another such recurring character played by Kaufman was the womanizing Vic Ferrari. Andy didn’t want to be referred to as a comedian either. He felt that put pressure on people to laugh when they were supposed to rather than in an authentic way. He disdained telling jokes and engaging in comedy as it was traditionally understood; instead, he saw himself as a practitioner of anti-humor or absurdist performance art. He preferred to be called a song and dance man. I lost touch with the song and dance man after that as he morphed into Tony Clifton, an abusive lounge singer, who began opening for Kaufman at comedy clubs and eventually even performed concerts on his own around the country. Sometimes it was Andy performing as Clifton, sometimes it was his brother Michael or his friend Bob Zmuda. Later, during his dark wrestling period, I just stopped watching him all together. Kaufman began wrestling women during his act and was the self-proclaimed, Inter-Gender Wrestling Champion of the World, taking on an aggressive and ridiculous personality based upon the characters invented by professional wrestlers. He offered a $1,000 reward to any woman who could pin him. He made several appearances on mainstream talk shows during the time where the show’s host watched in complete horror Kaufmann’s politically incorrect antics not knowing if it was funny or serious. He also was involved in a feud at this time with a male professional wrestler (Jerry Lawler). The feud erupted on The David Letterman Show and Andy supposedly broke his neck during a physical confrontation with the wrestler. © 2008 John Mirocha & Associates, Inc. It got really dark, confusing and absurd… just like Andy probably wanted it to be. You see, Andy Kaufmann was playing with the delicate line between reality and absurdity and our perceptions of it. There were times during his later performances, for example, when attendees wanted him to do Latka or Elvis, when he would slip into a quasi-intellectual persona (which he often said was his real personality), pull out the book The Great Gatsby, and read it from start to finish. As people left his performance, he would sometimes ask them if they preferred that he continue reading or play a record. If they asked him to play a record, the record would be him reading from The Great Gatsby. He never told us who he really was, if his gags were real or the negative repercussions of his many offenses to people were intended or not. Were some people in on it? Yes. It was all an elaborate hoax. Some followers even believe he faked his own death and that he and Elvis hang out together! Andy’s career, and the film that documented it, reminds us that many things around us are staged. They are staged to influence our thinking on a specific issue, cause us to pay more or less attention to something, motivate us, manipulate our emotions, get us to act in certain ways, or to let us know just how predictable we are as Andy Kaufmann showed me personally. I have a very different reaction to Andy and his act now probably because I am a bit older and wiser. He is not the only song and dance man that has fooled me. I have been fooled by presidents, corporate executives, clients, friends, colleagues and others. I have also seen how the political correctness issue has strangled the breath out of genuine conversation that needs to take place to deal with the song and the dance of life. Not knowing what is real and being afraid to address the depth and breadth of a perceived issue in an important situation often confounds me. If I don’t know if something is real and can suffer career or interpersonal consequences as a result of how I approach it is …. well… challenging to say the least. I think we have three alternatives for dealing with the reality game. Option one is to remain naïve and suffer via the manipulation of the gamers. Option two is to be aware of the hoax, manipulation or perceptual slant and do nothing which allows the absurdness to continue. Option three is to confront your perception of reality by addressing the issue and those associated with it in order to get closer to the truth. It takes courage to do this but it must be done. This option can lead to a clearer view of what is real. It can also get you ostracized in some settings or make you a hero in others or both at the same time as I have recently experienced. Play the reality game with insight, awareness and integrity. Let the chips fall not for personal gain but for purposeful illumination of important issues and situations so individuals and groups can move forward with confidence on the clarity and rightness of their perceptions and direction. Key Things Learned: 1. Triple; no quadruple your check on reality in important situations. 2. Keep your radar up even in seemingly unimportant situations. 3. Work on your courage to confront situations and people where what is real is unclear. 4. The great song and dance men can help us learn a lot about courage, reality and integrity, and how, in the final analysis, reality is actually defined. © 2008 John Mirocha & Associates, Inc. .
Recommended publications
  • Joe-Thinking Sideways Is Not Brought to You by Crawfish Boxing. Instead, It Is Supported by the Generous Contributions of People Like You, Our Listeners, on Patreon
    Joe-Thinking Sideways is not brought to you by crawfish boxing. Instead, it is supported by the generous contributions of people like you, our listeners, on Patreon. Visit patreon dot com slash thinking sideways to learn more. [Intro] Steve-Why, hey there! And welcome again to another episode of Thinking Sideways. As always, I'm Steve, joined, of course, by... Devin-Devin... J-And Joe. S-And once again, we've got a mystery. D-What? J-Uh huh. S-Yeah. We do. J-It's a pretty scary one, too. S-It, well, no it isn't, but you know what the thing is? I had so much fun last week, or not last week, last time that I hosted doing a wrestling episode, that I decided we'd do another one. D-It seems like it's been a million years since that, we did that episode. S-It really does. D-Yeah. S-Cause in our world, it's been a month. D-At least, at least. J-Uh huh. D and S-Yeah. J-Three weeks. S-Ok, well we're not actually going to do a wrestling story. D-Well, a little bit. S-Kinda. It's kind of, kind of a wrestling story. D-Yeah. S-We are, this week, for anyone for who, as Devin would say, didn't read the episode title, going to be talking about Mr. Andy Kaufman. J-Yeah. S-And you might say, “Well, why?” Well, the mystery is is Andy Kaufman really dead or not? D-Dun dun dun! S-Cause he's one of those people who has had sightings of him for years.
    [Show full text]
  • Benbella Fall2014 Edelweissc
    BenBella Fall 2014 Body Respect What Conventional Health Books Get Wrong, Leave Out, and Just Plain Fail to Understand about Weight Linda Bacon and Lucy Aphramor Summary Mainstream health science has let you down. Weight loss is not the key to health, diet and exercise are not effective weight-loss strategies and fatness is not a death sentence. You’ve heard it before: there’s a global health crisis, and, unless we make some changes, we’re in trouble. That much is true—but the epidemic is NOT obesity. The real crisis lies in the toxic stigma placed on certain bodies and the impact of living with inequality—not the numbers on a scale. In a mad dash to shrink our bodies, many of us get so caught up in searching for the perfect diet, exercise program, or surgical technique that we lose sight of our original goal: improved health and well-being. Popular methods for weight loss don’t get us there and lead many people to feel like failures when they can’t match BenBella Books unattainable body standards. It’s time for a cease-fire in the war against 9781940363196 Pub Date: 9/2/2014 obesity. $14.95 US/$17.50 CAN Trade Paperback Dr. Linda Bacon and Dr. Lucy Aphramor’s Body Respect debunks common myths about weight, including the misconceptions that BMI can accurately measure 232 Pages Print Run: 15K health, that fatness necessarily leads to disease, and that dieting will improve Health & Fitness / Diet & Nutrition health. They also help make sense of how poverty and oppression—such as Trim: 5.5x8.25 racism, homophobia, and classism—affect life opportunity, self-worth, and Selling territory: World even influence metabolism.
    [Show full text]
  • Download Detailseite
    Wettbewerb/IFB 2000 MAN ON THE MOON DER MONDMANN MAN ON THE MOON Regie: Milos Forman USA 1999 Darsteller Andy Kaufman Jim Carrey Länge 102 Min. George Shapiro Danny DeVito Format 35 mm, Lynne Margulies Courtney Love Cinemascope Bob Zmuda Paul Giamatti Farbe Maynard Smith Vincent Schiavelli Ed Weinberger Peter Bonerz Stabliste Jerry Lawler Jerry Lawler Buch Scott Alexander Stanley Kaufman Gerry Becker Larry Karaszewski Janice Kaufman Leslie Lyles Kamera Anastas Michos Barbesitzer George Shapiro Kameraassistenz Steven J.Winslow J.Alan Kaufman J.Alan Kaufman Schnitt Christopher Tellefsen Jack Burns Bob Zmuda Lynzee Klingman „Taxi“-Schauspieler Judd Hirsch Adam Boome Marilu Henner Ton Chris Newman Christopher Lloyd Tonschnitt Ron Bochar Jeff Conawy Musik Michael Stipe Carol Kane Mike Mills David Letterman David Letterman Peter Buck (R.E.M.) Production Design Patrizia von Jim Carrey Brandenstein Ausstattung James Truesdale Ray Kluga DER MONDMANN Kostüm Jeffrey Kurland Andy Kaufman, 1949 in New York geboren, gehörte in den späten 70er Jah- Regieassistenz David McGiffert ren zu den populärsten Komikern Amerikas – zugleich war er der meist Aufnahmeleitung James R.Maceo gehaßte. Aufgewachsen auf Long Island, tat er sich schon auf Kinderge- Produzenten Danny DeVito burtstagen als Alleinunterhalter hervor. Als er später durch die New Yorker Michael Shamberg Stacey Sher Clubs tingelte, verwirrte er das Publikum mit stümperhaften Parodien pro- Executive Producers George Shapiro minenter Zeitgenossen. Seine Masche bestand darin, das Publikum nicht Howard West zum Lachen zu bringen: „Ich bin kein Komiker. Ich mache keine Witze. Ich Michael Hausman weiß nicht mal, was komisch ist.“ Ab 1978 gehörte er (neben Danny DeVi- Co-Executive Producer Bob Zmuda to) zum Personal der TV-Sitcom „Taxi“, in der er den in unverständlichem Associate Producers Scott Ferguson Pamela Abdy Englisch radebrechenden Mechaniker Latka Gravas verkörperte.
    [Show full text]
  • Man on the Moon 1999
    '•MAM ON TEE MOON" Written by Scott Alexander and Larry Karaszewski FIRST DRAFT December 8, 1997 * - FADE IN: Ijp*>\ INT. VOID - DAY Sitting in a nonexistent set is ANDY KAUFMAN, looking a bit nervous. Wide-eyed, tentative, he stares at us with a needy, unsettling cuteness. His hair is slicked-down, and he wears his father's loud blazer. Finally, Andy speaks — in a peculiar FOREIGN ACCENT. ANDY (AS FOREIGN MAN) Hallo. I am Andy. Welcoom to my movie. (beat; he gets upset) It was very good of you to come... but now you should leave. Because this movie ees terrible 1 It is all LIES! Tings are out of order... people are mixed-up... I rue the day I signed dat release! (he composes himself) So... just go. Tell de manager you want your mooney back. If you leave right now, he has to give you a refund. (he thinks) Or just sneak into another theater. Maybe they have one of those "event" movies. Well, bye-bye. Long pause. Andy sits patiently and HUMS... watching his imaginary audience leave and march up the aisles. Beat — then a sly smile. Andy leans in and WHISPERS. ANDY (AS FOREIGN MAN) Okay, good. Just my friends are left. I wanted to get rid of dose other people... they would have laughed in de wrong places. (beat) I was only kidding about de movie... it is actually VERY GOOD! It shows everything... from me as a little boy until my death — (his eyes pop; he covers his mouth) Oops!! I wasn't supposed to talk about that! Oh.
    [Show full text]
  • {Download PDF} Taxi Ebook, Epub
    TAXI PDF, EPUB, EBOOK Khaled Al Khamissi,Jonathan Wright | 192 pages | 05 Sep 2011 | Bloomsbury Qatar Foundation Publishing | 9789992178713 | English | Doha, Qatar Taxi PDF Book Louie De Palma episodes, Lives in: Phoenix Arizona. We provide airport transportation along with all your other luxury…. Jeff Bennett 70 episodes, Jeff Conaway Read the answers. This allows you to plan ahead and get to your destination on time. TAXI's reputation and member success stories are second to none. Bobby Wheeler 69 episodes, We've been building relationships since and our database reads like a Who's Who of the music business. Latka is not allowed to talk for a week after a run-in with Tony. Jp's Taxi Taxis. Yellow Cab does not discriminate on basis of sex, race, physical ability or socio-economic status. A true wonder. Plot Keywords. Charter All Digital Cable Taxis. We serve everyone. Lives in: Scottsdale Arizona. GB This company went out of their way to get me to the airport to catch my flight when nobody else would. It doesn't happen very often, but from time to time in history the human race has managed to create something so supreme, so perfect and so outstanding that not even does it become a wonder, but it also lifts the entire creativity in man to a higher level and sets a new standard according to what people are able to create and how they evolve. I'll definitely call them the next time I…. Tv Shows to Watch. Use the HTML below. TL Custom cab is the best around they are very good to my mom, they treat her with respect and will wait for her as long as they need to.
    [Show full text]
  • Jak Napsat Formalistickou Analýzu Filmu
    Masarykova universita Filozofická fakulta Ústav filmu a audiovizuální kultury Lukáš Pešák PADOUCH MR. HOLLYWOOD Wrestler jako dominantní složka hvězdného obrazu Andyho Kaufmana mezi lety 1979-1984 BAKALÁŘSKÁ DIPLOMOVÁ PRÁCE Brno 2017 Prohlášení o samostatnosti: Prohlašuji, že jsem tuto práci vypracoval samostatně s využitím všech uvedených pramenů a literatury. V Brně dne 23. ledna 2017 …………………………………… Lukáš Pešák Poděkování: velmi rád poděkoval především Mgr. Šárce Gmitterkové, za to, že se ujala vedení mojí práce, za její cenné rady a podněty. Dále bych chtěl poděkovat Pavlíně Andresové za pomoc při jazykové přípravě. Nemalý dík patří též ostatním blízkým, kteří mě při psaní jakkoli podporovali. OBSAH 1. Úvod .................................................................................................................................. 1 2. Teoreticko-metodologický úvod........................................................................................ 2 2.1. Význam metodologie výzkumu hvězd a hvězdných systémů - Star studies ........ 2 2.2. Filmová hvězda jako sociální fenomén a jako významný prvek produkce .......... 3 2.3. Složky herectví v jevištní i běžné prezentaci ....................................................... 4 2.4. Wrestling jako forma hereckého vystoupení postav................................................... 7 3. Kontextuální úvod ....................................................................................................... 9 3.1. Rozdělení Kaufmanovy kariéry ........................................................................
    [Show full text]
  • Andy Kaufman, Artist?
    Boucher, Brian. Andy Kaufman, Artist?. Art in America. December 13 2013. Andy Kaufman, Artist? By Brian Boucher Elvis impersonator. Latka Gravas, taxi driver. Tony Clif- ton, abusive lounge singer. These are among the alter egos of legendary comedian Andy Kaufman, who died of cancer in 1984. Was he also an artist? Next month, New York’s Maccarone Gallery opens “On Creating Reality, by Andy Kaufman” (Jan. 12-Feb. 16), an exhibition organized by artist Jonathan Berger. Screenings and events will also take place at East Vil- lage gallery Participant Inc. and at MoMA PS1. It’s the first time Maccarone’s newly expanded gallery space will be fully open to the public. The show features an archive of Kaufmania, including ephemera such as performance notes, photographs, three novels he wrote by hand, materials related to his practice of transcendental meditation, thousands of pieces of hate mail, his record collections, show post- ers, his address book (which has the phone numbers for Woody Allen and Robin Williams), his X rays, and videos of unseen performances. Speaking with A.i.A. on Wednesday, Berger said that the show is not so much concerned with whether Kaufman was an artist. “It’s more about questions than about statements,” he said. “How can we, the contemporary art culture or the com- edy field, acknowledge the work of those whose genre or format we don’t understand?” “His influence on contemporary art is undeniable, and this show acknowledges that,” Berger continued. “It’s a fact that he’s influenced people like Paul McCarthy, Mike Kelley, Trisha Donnelly, Laurie Simmons and Maurizio Cattelan.” Berger discovered the materials in the garage of Lynne Margulies, Kaufman’s girlfriend, who was then in Los Angeles.
    [Show full text]
  • Other Cities Eye Nyc Cap
    OCTOBER 2018 www.taxiliverytimes.com Vol.19 No. 10 Lea los artículos en & español. An Insider’s Look at Both NYC TLC Regulated Industries OTHER CITIES EYE NYC CAP OOTTRRAASS CCIIUUDDAADDEESS EESSTTUUDDIIAANN EELL TTOOPPEE EENN LLAA CCIIUUDDAADD DDEE NNUUEEVVAA YYOORRKK TLC Publishes Livery Driver Cab Passengers Stay Extra 2018 Murderer Forget How Focused on Factbook Convicted to Pay Halloween TAXI & LIVERY TIMES 2 • • OCTOBER 2018 TLC DRIVER SERVICES, INC. TLC DRIVER SCHOOL All TLC Summonses TLC DRIVER SCHOOL DMV Traffic Tickets Offering AALLLL Required TLC Driver Classes The TLC Driving Institute was founded by industry experts to provide the highest level of education A dedicated team of lawyers for Black Car / For-Hire Vehicle (FHV), SHL and providing the necessary Taxi Drivers. It is also our mission to deliver the expertise, knowledge and experience to effectively most convenient and accommodating classes represent all licensees – and programs in NYC. including drivers, vehicle owners & base owners – in the transportation industry. New TLC Base Applications 718-729-4700 It’s about time that you defend yourself 3 Convenient Locations and protect your Long 3Island1-00 47th City, Avenue NY 11101 DMV & TLC License! (Inside the TLC Building-1st floor) 60-19 Woodside,Roosevelt Avenue NY 11377 - 2nd floor 7 Train to Woodside-61st St Stop Gregory Gallo Bronx,135 Lincoln NY 10454 Ave., Attorney at Law 6 Train to 138th Street Station 718-255-9500 We handle all 2244 HOURHOUR CLASSESCLASSES TLC and DMV DAYDAY && NIGHTNIGHT CLASSESCLASSES matters! CUSTOMIZABLECUSTOMIZABLE SCHEDULESSCHEDULES FINALFINAL EXAMEXAM TESTINGTESTING Our goal is to give you the best legal WHEELCHAIRWHEELCHAIR (WAV)(WAV) CLASSCLASS defense available and to keep your license protected at all times.
    [Show full text]
  • Film List-2013.Pdf
    2013 RED ROCK FILM FESTIVAL AND MARKET FILM DESCRIPTIONS AND SHOWTIMES —————————————————— 10,000 Hours (10,000 Hours) In English Western States Premiere International & US YOUNG FILMMAKER Competition — Narrative Fiction (USA) 4 min. (2013) Other - NTSC (1.78:1) DIR Nick Rua, PRO Nick Rua, SCR Nick Rua, CIN Nick Rua, EDIT Nick Rua, MUS , CAST Nick Rua The Beatles, Bill Gates, Spielberg, virtuoso pianists and hall of fame athletes, all share a similar background: approximately 10,000 hours of dedicated practice before their mid-20’s. The Beatles played 7 nights a week, eight hours a night in Hamburg; Gates programmed non-stop for 7 years through his teens and college days. Spielberg, Howard Stern, Steve Martin, all started their careers as kids doing what they love to do, not waiting for permission or certification. When Malcolm Gladwell wrote ‘Outliers’, his chapter on 10,000 Hours helped Nick Rua understand the journey he has been on, and the road ahead. Nick s ‘10,000 Hours’ combines archive footage, poetry, philosophy, and the hopes and fears of a talent on the cusp of adulthood. He bares his soul and body, honoring those who pursue their dreams with dedication. The film itself is a testament to the message delivered. plays with Young Filmmaker Shorts Director Nick Rua has been writing, directing, shooting and editing short films since he was 12 years old (2006). 10,000 Hours is Nick’s 108th film/video project. Previous work includes a 30 minute sitcom pilot, dramatic and comedic shorts, music videos, PSA’s, broadcast commercials, documentaries, corporate video for a Fortune 500, and numerous festival appearances.
    [Show full text]
  • Andy Kaufman Sheds Light on the Cult Comedian's Art Influence
    Slenske, Michael. Foreign Man. Modern Painters. February 10, 2013. Show on the “Real” Andy Kaufman Sheds Light on the Cult Comedian’s Art Influence By Michael Slenske “This is a man who creates extraordinary humor. The substance, the content, the timing is something very different from what we’re normally used to,” says Tom Cottle, seated in a living room set wearing his signature tweed coat and salt-and-pepper Afro as he introduces the guest for the May 26, 1983, episode of Tom Cottle: Up Close. “He sort of turns the world upside down from time to time and asks us to kind of stand on our heads to even grasp what it is that he is doing, and we do, and we seem to love it. Now, who is this creator of all this comedic stuff? Who is this man, Andy Kaufman? Quite frankly, I don’t know, but I’m going to do my best to find out.” Though Cottle had no way of knowing it then, his seductively probing interview would open perhaps the biggest public window into the artistic process of one of the 20th century’s most enigmatic entertainers. “It’s amazing. Full-on, artist-talk amazing,” says Jonathan Berger, the artist and curator who culled this rarely seen clip — along with dozens of others — for two three-years-in-the-making New York exhibitions, “On Creating Reality, by Andy Kaufman” at Maccarone gallery, which runs through February 16, and a series of screenings, “Andy Kaufman’s 99-Cent Tour” at Participant Inc., on view through February 24.
    [Show full text]
  • Man on the Moon
    LYCÉENS ET APPRENTIS AU CINÉMA 173 MAN ON THE MOON dossier enseignant Un film de Miloš Forman 1 Fiche technique 1 Réalisateur 2 Filmer les hommes sur scène Genre 3 Déconstruire le biopic Portrait 5 Andy Kaufman, météorite droits réservés Tous STUDIOS. © 1999 UNIVERSAL : du rire américain Genèse 6 Couverture Le spectacle brûle à Hollywood Découpage narratif 7 Récit 8 Sauver les apparences Mise en scène 10 Le monde en scène Filmer le spectacle Le spectacle-monde Séquence 14 La spectaculaire destruction du spectacle Point de vue 16 Dupes ou complices ? Histoire 17 ● Rédacteur du dossier L'art du stand-up au prisme hollywoodien Critique au magazine Chronic'art et à la revue Carbone, Guillaume Orignac a réalisé plusieurs courts Acteur 18 métrages et un documentaire. Jim et Andy : le vertige des masques Il a enseigné le cinéma à l'École spéciale d'architecture. Il est, par ailleurs, l'auteur du livre Document 20 David Fincher ou l'heure numérique L'éclairage pop (Capricci), ainsi que du dossier pédagogique consacré à Panique de Julien Duvivier pour Lycéens et apprentis au cinéma. ● Rédacteurs en chef Camille Pollas et Maxime Werner sont respectivement responsable et coordinateur éditorial des éditions Capricci, spécialisées dans les livres de cinéma (entretiens, essais critiques, journalisme et documents) et les DVD. 2 Fiche technique ● Générique EN AVANT-SÉANCE MAN ON THE MOON États-Unis | 1999 | 1 h 57 Un court métrage est présenté en avant-séance pour renouer avec les séances de cinéma d'autrefois et ouvrir de nouvelles pistes d'exploration entre court et long métrage. Réalisation Distribution Miloš Forman Warner Bros.
    [Show full text]
  • Brought Him Fame, Financial Independence and a Television Special
    Smith, Roberta. A Comedian As Artist, The New York Times, February 9, 2015 By Roberta Smith When Andy Kaufman, the entertainer, so-called anti-comic and Elvis imper- sonator extraordinaire, died in 1984 at 35, he left behind two very distinct if connected personas. The better known is Andy Kaufman, the television star who provided some of the funniest moments on the popu- lar sitcom “Taxi” in the guise of the loopy auto mechanic Latka Gravas, he of the high-pitched voice, unidentifi- able accent and alternate sense of real- ity. As Latka, Kaufman appeared on all Jeffrey Sturges five seasons of “Taxi” (1978 to 1983); it brought him fame, financial independence and a television special. (This was stipulated in his first contract.) But Kaufman didn’t like the sitcom format and agreed to stay on the show only when the writers allowed Latka to develop multiple-personality disorder so he could play other characters. The second persona is Andy Kaufman, the stand-up innovator, politically incorrect satirist and cult figure revered by comedians and artists alike — an artist in his own right. This Kaufman, who had been obsessed since child- hood with professional wrestling, invited women to wrestle with him onstage, to the outrage of many feminists. He behaved unpredictably on talk shows, often leaving his hosts semi-flummoxed. He led perplexed audiences in grade-school-like singalongs and once invited the audience members at the Improv in New York to touch a cyst on his neck, albeit only after they washed their hands. Following his ineffably odd evening “Andy Kaufman Plays Carnegie Hall,” he took the entire audience for milk and cookies.
    [Show full text]