Preacher Episode Guide Episodes 001–043
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Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2016 Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism Myles McNutt Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Critical and Cultural Studies Commons, and the Publishing Commons Repository Citation McNutt, Myles, "Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism" (2016). Communication & Theatre Arts Faculty Publications. 15. https://digitalcommons.odu.edu/communication_fac_pubs/15 Original Publication Citation McNutt, M. (2016). Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism. Film Criticism, 40(1), 1-4. doi: 10.3998/fc.13761232.0040.120 This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. FILM CRITICISM Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism Myles McNutt Skip other details (including permanent urls, DOI, citation information) Volume 40, Issue 1, January 2016 DOI: http://dx.doi.org/10.3998/fc.13761232.0040.120 Permissions When should television criticism happen? The answer used to be pretty simple for critics: reviews were published before a series premiered, with daily or -
NOT ASHAMED a Pastor, a Boy Scout, and a Scientist Were the Only
NOT ASHAMED A pastor, a boy scout, and a scientist were the only passengers on a small plane. The pilot came back to the cabin and explained that the plane was going down but there were only three parachutes and four people. The pilot then added, "I should have one of the parachutes because I have a wife and three small children." So he took one and jumped. The scientist jumped up almost immediately and said, "I should have one of the parachutes because I am the smartest man in the world and everyone needs me." So he took one and jumped. The pastor turned to the Boy Scout and with a sad smile said, as I am sure that all of you would, "You are young and I have lived a rich life, so you take the remaining parachute, and I’ll go down with the plane." Then the Boy Scout said, "Relax, pastor, the world’s smartest man just jumped out of the plane with my backpack!" One man’s boast can be another man’s salvation. Paul had many reasons to boast but he chose to boast in the Gospel. Rom 1:16 I am not ashamed of the gospel, because it is the power of God for the salvation of everyone who believes: first for the Jew, then for the Gentile. 17 For in the gospel a righteousness from God is revealed, a righteousness that is by faith from first to last, just as it is written: "The righteous will live by faith." Today we are starting a new series called Romans -Unashamed, Undeserved, Unstoppable. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Small-Screen Courtrooms a Hit with Lawyers - Buffalo - Buffalo Business First
9/18/2018 Small-screen courtrooms a hit with lawyers - Buffalo - Buffalo Business First MENU Account FOR THE EXCLUSIVE USE OF [email protected] From the Buffalo Business First: https://www.bizjournals.com/buffalo/news/2018/09/17/small-screen-courtrooms-a-hit-with-lawyers.html Small-screen courtrooms a hit with lawyers Sep 17, 2018, 6:00am EDT For many, TV shows are an escape from reality. For attorneys, that’s no different – even when they’re watching lawyers on TV. “Better Call Saul” is the latest in a long line of TV shows about the legal profession. A prequel to AMC’s “Breaking Bad,” the show stars Bob Odenkirk as a crooked-at-times attorney named Jimmy McGill. “He’s a likable guy and you like his character,” said Patrick Fitzsimmons, senior associate at Hodgson Russ LLP in Buffalo. “It’s a great show. I think it’s the one BEN LEUNER/AMC show compared to the others where it’s not about a big firm.” “Better Call Saul” puts a new spin on legal drama as the slippery Jimmy McGill (played by Bob Odenkirk) Also a fan is Michael Benz, an associate at HoganWillig who recently returned to builds his practice. his native Buffalo after working in the Philadelphia public defender’s office and in his own practice as a criminal defense attorney. “(Odenkirk’s character is) the classic defense attorney who will do anything to make a buck or help his client,” Benz said, adding that he often binge-watches shows with his wife, Carla, an attorney in the federal public defender’s office in Buffalo. -
Giantscreencinema Twitter: @Gsca Instagram: @Gsca1 #Gscaconference BEST 3D DOCUMENTARY LUMIERE AWARDS HOLLYWOOD, CALIFORNIA DIGITAL CROSSING FILMS
giantscreencinema.com Facebook: giantscreencinema Twitter: @gsca Instagram: @gsca1 #GSCAconference BEST 3D DOCUMENTARY LUMIERE AWARDS HOLLYWOOD, CALIFORNIA DIGITAL CROSSING FILMS GOLDEN REEL AWARD NOMINEE BEST BEST SOUND BEST FILM BIG IDEA BEST ENGAGING YOUNG BEST SPECIAL VENUE FILM LIFELONG LEARNING AWARD CREATIVITY FILM SCIENTISTS VISUAL EFFECTS MOTION PICTURE SOUND GSCA ACHIEVEMENT GSCA ACHIEVEMENT BEIJING INTERNATIONAL JACKSON HOLE SCIENCE GSCA ACHIEVEMENT SOUND EDITORS, L.A. AWARDS AWARDS FILM FESTIVAL MEDIA AWARDS AWARDS BEST BEST FILM BEST BEST BEST LARGEBEST FORMAT 3D VISUAL EFFECTS SHORT SUBJECT CINEMATOGRAPHY ORIGINAL SCORE SOUND DESIGN DOCUMENTARY GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT GSCA ACHIEVEMENT STEREOPSIA AWARDS AWARDS AWARDS AWARDS AWARDS BRUSSELS, BELGIUM 1 Table of Contents GSCA Contacts 4 Schedule Giant Screen Cinema Association 7 Sponsors 624 Holly Springs Road, Suite 243 8 Map Holly Springs, NC 27540 U.S. giantscreencinema.com 10 New Films facebook.com/giantscreencinema 16 Films in Production twitter.com/gsca Instagram: gsca1 24 Projects in Development linkedin.com/groups/1046547 29 Trailers Tammy Seldon 32 Symposium Sessions Executive Director 35 Presenters Office: 1-919-346-1123 Mobile: 1-703-855-3699 Advertiser Index [email protected] BIG & Digital, LLC 28 Cosmic Picture 5 Kelly Germain December Media Distribution back cover Director of Membership and Evans & Sutherland inside back cover Communications Office: 1-651-917-1080 Giant Screen Cinema Association 34 Mobile: 1-651-270-4915 ImagesInSound 7 [email protected] IMAX Corporation 3 K2 Studios 13 Eileen Pheiffer MacGillivray Freeman Films 20, 21 Accounting nWave Pictures Distribution 9 Office: 1-314-725-7020 SK Films inside front cover, 1 Mobile: 1-314-708-0448 Visceral Image Productions 25 [email protected] Policies Recording and Media Policies Photography GSCA sessions may be recorded. -
BREAKING BAD by Vince Gilligan
BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit. -
Skeptical Prologue Some Works of Art Leave a Lasting Impression Precisely Because They Don't Seem to Be in Control of Their
Skeptical Prologue Some works of art leave a lasting impression precisely because they don't seem to be in control of their own themes. Questions are raised, ideas are alluded to, that the artist may not know how to develop or bring into focus. But that's OK, because maybe we don't know what to do with them either. Some ideas are just too hard to integrate into the dominant projects of our lives. Some ideas, by their very nature, will always take us by surprise. Such a work of art—full of surprising, imperfectly integrated allusions—is Source Code , a mainstream Hollywood studio production released in 2011. Most critics passed it by with tepid approval, taking it for little more than a well-made thriller with a science fiction premise and a romantic subplot, notable mainly for the fact that its director, Duncan Jones, is the son of David Bowie. A few reviewers, however, caught a deeper resonance in the film—the tell-tale signs of an artist at work—even if they didn't quite know what to make of it. 1 One of the film's champions, Andrew O'Hehir of Salon , tried to put his finger on this special quality in his initial review. He was struck by a repeated scene in the film, a wide shot of geese taking off from a waterway. It's an anomalous image in a film that takes place mainly within constrained interior spaces: a commuter train, a suite of government offices, and a rugged one-man capsule like something left over from the Mercury Program. -
A Pilot Qualitative Case Study of Agricultural and Natural Resources Scientists' Twitter Usage for Engaging Public Audiences
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in Natural Resources Natural Resources, School of 2019 A Pilot Qualitative Case Study of Agricultural and Natural Resources Scientists’ Twitter Usage for Engaging Public Audiences Jaime Loizzo Catherine Jones Abby Steffen Follow this and additional works at: https://digitalcommons.unl.edu/natrespapers Part of the Natural Resources and Conservation Commons, Natural Resources Management and Policy Commons, and the Other Environmental Sciences Commons This Article is brought to you for free and open access by the Natural Resources, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in Natural Resources by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journal of Applied Communications Volume 103 Issue 4 Article 6 11-2019 A Pilot Qualitative Case Study of Agricultural and Natural Resources Scientists’ Twitter Usage for Engaging Public Audiences Jamie Loizzo University of Florida Catherine Jones University of Nebraska-Lincoln Abby Steffen University of Nebraska-Lincoln Follow this and additional works at: https://newprairiepress.org/jac Part of the Communication Technology and New Media Commons, Mass Communication Commons, Other Communication Commons, Science and Technology Studies Commons, Social Influence and Political Communication Commons, and the Social Media Commons Recommended Citation Loizzo, Jamie; Jones, Catherine; and Steffen, Abby () "A Pilot Qualitative Case Study of Agricultural and Natural Resources Scientists’ Twitter Usage for Engaging Public Audiences," Journal of Applied Communications: Vol. 103: Iss. 4. https://doi.org/10.4148/1051-0834.2276 This Research is brought to you for free and open access by New Prairie Press. -
This Is the End and Parafictional Persona
“Give Me the Seth Rogen Laugh”: This Is the End and Parafictional Persona BRADLEY J. DIXON In the opening scene of This Is the End (2013), Seth Rogen walks through an airport concourse to pick up his old friend, Jay Baruchel, who has just flown in from Canada for a short stay in Los Angeles. After they meet, share a hug, and walk through the airport to begin what Rogen has planned to be “the best weekend ever,” a paparazzo ambushes the pair with a video camera and a spotlight: PAPARAZZO: Hey Seth Rogen, how’s it going man? So, you, like, always play the same guy in every movie. When are you going to do some real acting, man? ROGEN: OK, thank you… PAPARAZZO: Give me something, give me the Seth Rogen laugh. Rogen gives his signature throaty laugh. PAPARAZZO: Seth Rogen, everybody. (Goldberg and Rogen 00:01:40– 00:01:55) From the very first scene, This Is the End wants its audience to know one thing: Rogen and Baruchel are playing themselves. In the film, as in life, the two actors were childhood friends in Canada, came up in television comedy together in the early 2000s, and moved to Los Angeles shortly after finding fame. Baruchel disliked the decadent Hollywood lifestyle and moved back to the comparatively less glamorous life of a working actor in Canada, while Rogen stayed in Los Angeles and became one of the most recognizable faces in comedy. The opening scenes of This Is the End show the pair reconnecting for the first time in over a year. -
THE INCARNATIONAL PREACHER Proclaiming the Living Christ to Form a Living Faith TABLE of CONTENTS
THE INCARNATIONAL PREACHER Proclaiming the Living Christ to Form a Living Faith TABLE OF CONTENTS INTRODUCTION 3 CHAPTER ONE: Preaching from Scripture – Today’s Dilemma 6 CHAPTER TWO: Sunday Matters 16 CHAPTER THREE: Preaching a Living Word 24 CHAPTER FOUR: Preaching Christ and the Gospel 31 CHAPTER FIVE: Touching the Heart and Incarnational Preaching 42 CHAPTER SIX: Language Matters 51 CHAPTER SEVEN: Adding Voices to the Sermon 60 CONCLUSION: Putting It All Together 70 ENDNOTES 75 ABOUT THE AUTHOR 77 Copyright © 2020 Evangelical Lutheran Church in America. 2 INTRODUCTION The Book of Faith Initiative grew out of awareness and a concern that people in the Evangelical Lutheran Church in America were growing increasingly biblically illiterate. The trend was a long-term one and it would not be likely to be an easy one to reverse. For a tradition where sola sciptura had been a rallying cry, it was a troubling reality. A resolution brought before the North Carolina Synod at its 2005 assembly both called attention to this and also called for action to do something about it. As a result, the Book of Faith Initiative was originally put in place as a five-year emphasis lasting from 2007 to 2012. Biblical experts were called upon to provide resources and help support this effort. Congregations were challenged to put a Book of Faith Initiative in place within the life of the local church. A big part of the Book of Faith Initiative was an emphasis on teaching a four-fold way of reading Scripture. These four ways were devotional, historical, literary and Lutheran theological reading. -
ROOSEVELT MILLS Seem the Strangers Hei«
PAGE TWENTY-EIGHT FRIDAY, MAY 17, 1968 lKmtrlii90t9r Evening H^ralii A v a n g w DiiEy N e t Pmmm Ron F or' TIm Week Eodod The Weather The Connecticut Federation of Kay U. 18M About Town Business and Professional .Wo ■A CANYAS and ALUMINUM PRODUCTS ir Rain tonight, low In 80o. men’s Clubs Is having its an A receptior for ICrs. Betty Partial olooring tomorrow after nual convention today through 15,070 Willard Doyle, rettrliv fourth Combination Windows and Doors noon. high In 60a. Sunday at the Hotel America, trade teacher at Highland Park .Uenehesier— -,4 City o f VtUmgm Charm Hartford. The keynote speaker, Schoiol, will be held Sunday Door Cknopies, BoU-tq> Awnings, Canvas B e p a M , Mrs. Louise Buahnell of the Na Re-covwed. Rehanglng Servloe and Storage. B o^ ^ a n ^ Re- VOL. LXXXVH, NO. 196 (FOURTEEN PAGES—TV SECnON) from 2-4 p.m. at the achool. MANCHESTER, CONN., SATURDAY, MAY 18, 1968 OB F a co U ) tional ^ Association of Manu palrod or Made New To Your Pattern. AD Work Oostom PRICE TEN CENTS All ooUeaguee, friends and Btode. Orommeta — Erelets — F a s t e n ^ Btomi for fokmer pupils of Mrs. Doyle ore facturer’s, krill speak on Wo mens’ R ole In Industry.” M onsle UnHa. Waterproofing Compound For Tenta, Bcntoovers invited. and OMivas. We Do Reecreenlng o f Ahmilnnni Soreesw. Heavy Mrs. Katherine Hynes of 299 Duty ZIppeta. Venetian BUnds. The executive committee *of Main St. and Mrs. Eric Emt Nutmeg Forest, Tall Cedars of of Hebron, last night were elect Lebanon, will meet Monday at MANCHESTER AWNING CO. -
ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report
DATE: June 20, 2014 TO: ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report Please find our Online Publicity Status Report for ATX Television Festival INTERVIEWS ARRANGED AUSTIN AMERICAN STATESMAN Podcast / Omar Gallaga - Interview with Caitlin & Emily AUSTIN 360 / Gary Dinges - Interview with Caitlin & Emily AUSTIN CHRONICLE / Amy Gentry - Interview with Caitlin & Emily KOOP (LIGHTS, CAMERA, AUSTIN) / Robert Sims - Interview with Caitlin & Emily KUT (NPR) / Laura Rice - Interview with Caitlin & Emily TEXAS LIVING MAGAZINE / Kimberly Sutra - Interview with Caitlin & Emily THE CW AUSTIN / Taylor Ellison - Interview with Caitlin & Emily BLOG TALK RADIO / Dennis Tarden – Interview with Caitlin & Emily TV LINE / Robyn Ross – Interview with Adriane Palicki PRESS CONFERENCES ARRANGED HEY DUDE Reunion: Press Attendees: All Media Network ATX Gossip Bitch Magazine CNN Entertainment College Movie Review CW Austin Do512 E! Online Fanboy TV International Business Times KUT-FM Mad Betty Blog See Saw Austin Too Fab Urban Life & Style Variety HENRY WINKLER Press Attendees: ATX Gossip All Media Network FOX-TV (Austin) KUT KEYE-TV Mad Betty Blog Retina See Saw Austin Sneak Peek TV Spiderwood TV Star Pulse Too Fab Urban Life & Style WNEW All News EVERWOOD Reunion: Press Attendees: Pajiba Fanbolt Too Fab ATX Gossip Variety Chickster Mag All Media Network The Televixen We Heart TV ATL CW.TV US Weekly The Televixen Bitch Magazine Urban Life & Style Snakkle International Business Times Star Pulse ROSWELL Reunion: Press