Graveland Eastern Hammer Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Graveland Eastern Hammer mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Eastern Hammer Country: Poland Released: 2007 Style: Black Metal, Folk Metal MP3 version RAR size: 1320 mb FLAC version RAR size: 1102 mb WMA version RAR size: 1873 mb Rating: 4.9 Votes: 591 Other Formats: MP2 AC3 ASF AU TTA DTS AHX Tracklist Hide Credits Blood Faithful To Soil 1 –Graveland 11:41 Music By, Lyrics By – Robert "Darken" Fudali* Kolyada 2 –Nokturnal Mortum 5:44 Music By, Lyrics By – Knjaz Varggoth To Break A Cross To Break A Neck Bass – SabesthorDrums [Battery] – HelldriverGuitar, Guitar [Solos] – 3 –North 5:42 MarthMusic By – North Recorded By, Mixed By, Producer – North , Aothar*Vocals, Guitar, Lyrics By – Sirkis 4 –Temnozor* Did-Dub-Snop 5:15 Credits Artwork [Map] – Zajats* Design – Valfodrsdottir Notes Limited to 999 copies. Track 1: Recorded in autumn 2005 at Eastclan Forge dungeons. Track 2: This song was created in 1996 and was included in "Goat Horns" album. New version was recorded in 2005 at Mart Studio, Kharkiv. Track 3: Recorded and mixed in May / June 2005 in Gryf Studio. Track 4: This song was originally one of the first tunes Temnozor ever created in their year of Russian pagan madness 1996, it was included to "Sorcery..." debut album in 1998. The current new version was recorded in the depths of gray twilights of 2006 a.y.p.s. exclusively for this 4-way split CD. Barcode and Other Identifiers Matrix / Runout: 1202314211 Mastering SID Code: IFPI LT57 Mould SID Code: IFPI Z935 Other versions Category Artist Title (Format) Label Category Country Year Graveland / Nokturnal Graveland / Mortum / North / Stellar silence 45 Nokturnal Mortum / Темнозорь - Молот Winter silence 45 Russia 2008 North / Темнозорь Восточной Европы (CD, Records Ltd) Related Music albums to Eastern Hammer by Graveland North / Gromowładny - Lechia, Sławia, Aria Graveland - In The Glare Of Burning Churches Nokturnal Mortum - Twilightfall Nokturnal Mortum - The Taste Of Victory Nokturnal Mortum - 22 Years Among The Sheep Nokturnal Mortum - Goat Horns Nokturnal Mortum - Мировоззрение Graveland - The Fire Of Awakening.

Copy Link

Recommended publications

DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..
[Show full text]
Sounds of Origin in Heavy Metal Music Hard Man V1
CHAPTER THREE SON(G)S OF DARKNESS: IDENTITIES IN ITALIAN BLACK METAL TOMMASO FRANGIONI, FILIPPO MASINA, GIULIO PIERONI AND MARIO VENTURELLA Introduction If given the resources and time to mature, it is almost a certainty that every metal scene will give rise to bands writing original material, experimenting with new sounds and singing in local vernaculars.1 In this chapter, we present the first results of an on-going research project on Italian Black Metal (from now on: IBM). This is the first recognition of black Metal in Italy we know of, so it is necessarily descriptive, as we had to build a background about how this artistic field is structured and develop an understanding of how its contours are shaped. At the MoMent, a large nuMber of bands are beginning to develop an interest in identity, and we have observed that there are soMe interesting phenomena of re- elaboration concerning the cultural, geographical, folkloric and historical heritage developed by soMe of them, with some specific traits peculiar of our country: a jagged archipelago of praxes and cultural orientations, firmly rooted in Italy's cultural backgrounds and socio-political history. We perceive this to be a re-iMagining and re-shaping of Scandinavian narrative: just like Scandinavian black Metal, where we can easily spot the “back to the roots” theme, these bands began to dig into the historical origins of their native territories. We pinpointed a few Main branches in IBM. 1 JereMy Wallach and Alexandra Levine, “‘I Want you to Support Local Metal’: A Theory of Metal Scene ForMation,” Popular Music History 6.1/6.2 (2011), 121.
[Show full text]
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors.
[Show full text]
Nokturnal Mortum / Graveland
Nokturnal Mortum The Spirit Never Dies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Spirit Never Dies Country: Poland Released: 2016 Style: Black Metal, Folk Metal MP3 version RAR size: 1930 mb FLAC version RAR size: 1765 mb WMA version RAR size: 1477 mb Rating: 4.8 Votes: 508 Other Formats: VOC AA AC3 MPC AAC RA MP2 Tracklist 1 –Nokturnal Mortum Нескореним 3:32 2 –Nokturnal Mortum Східній Злам 7:09 3 –Nokturnal Mortum В Кайданах Часу 9:49 4 –Graveland Intro 2:11 5 –Graveland Lodowy Labirynt 7:24 6 –Graveland Ostatni Świt 7:15 Companies, etc. Mixed At – Hertz Studio Mastered At – Hertz Studio Recorded At – OSF Studio Recorded At – Metal Sound Studio Credits Bass – Rutnar (tracks: 1,2,3) Cello, Vielle – Anna Alruna Oklejewicz* (tracks: 4,5,6) Drums – Bairoth (tracks: 1,2,3), Miroslaw Miro Rosiñski (tracks: 4,5,6) Engineer – Nikita Shkuropat (tracks: 1,2,3), Wojciech "Poland" Cenajek* (tracks: 4,5,6) Engineer [Drums] – Vlad Annenkov (tracks: 1,2,3) Engineer [Keyboards] – Wiesławski Bros* (tracks: 1,2,3) Graphics – MZ proPAGANda Guitar – Jurgis (tracks: 1,2,3) Guitar, Bass, Vocals, Keyboards, Mixed By, Mastered By, Music By, Lyrics By – Rob Darken Fudali* (tracks: 4,5,6) Guitar, Vocals, Engineer, Keyboards [Additional] – Varggoth* (tracks: 1,2,3) Keyboards – Hyozt (tracks: 1,2,3) Keyboards [Additional] – Saturious (tracks: 1,2,3) Music By – Nokturnal Mortum (tracks: 1,2,3) Photography [Nokturnal Mortum Band Photo By] – Dmytro Mihalakiy Producer – Ievgen Gapon* (tracks: 1,2,3) Translated By [Graveland Lyrics Translation By] – Maja (tracks: 2,3) Notes The CD comes with lyrics sheet in 8 panel digipak with mat foil and spot UV.
[Show full text]
Black Meta Lowej
Tomasz Matkowski Etos i este- tyka black muzyki meta lowej 06 95 ✖✖✖ Muzyka blackmetalowa stanowi współcześnie fenomen na ska- lę światową. Pierwotnie, będąc eksperymentalnym tworem paru – przeważnie skandynawskich – zespołów, stawała się na przestrzeni ostatnich trzydziestu lat źródłem inspiracji dla stale rosnącej liczby wykonawców, zjednując sobie równocześnie ogromną rzeszę fanów na wszystkich kontynentach. W mojej pracy podejmuję próbę analizy blackmetalowego etosu i istotowo z nim związanej estetyki oraz sta- ram się dokonać historycznej rekonstrukcji procesu nawarstwiania się i krystalizowania wątków aksjologicznych, konstytutywnych dla tego rodzaju muzyki i związanego z nim stylu życia. W pierwszej części przedstawiam w zarysie historię black meta- lu: wydarzenia najważniejsze dla wykształcenia się jego stylistyki oraz wkład własny zaangażowanych w tę stylistykę wykonawców. Omawiam również charakterystyczną sferę audio-wizualną: este- tykę necro, corpse-painting, brak koloru, radykalne obniżenie jakości dźwięku, specyficzny naturalizm i prymitywizm. W dalszym toku rozważań zajmuję się zagadnieniami aksjologicznymi – staram się w nim zaprezentować i opisać wartości istotowe dla blackmetalowe- go środowiska; wskazuję na dominujący wpływ takich myślicieli jak J. Milton, J. W. Goethe, A. Crowley, A. S. LaVey czy wreszcie F. Nie- tzsche. Z niektórymi interpretacjami podejmuję polemikę. Ostatnią 96 Tomasz Matkowski część poświęcam charakterystyce niektórych podgatunków black me- talu („pagan black metal”, „NSBM”, „christian black metal”).
[Show full text]
Antiq Productions
ANTIQ PRODUCTIONS BAND TITLE PRICE Antiq Logo shirt 12 € Ashtar Ilmasaari (tape) 4 € Braquemaard Pendu, traîné par une claie jusqu'à la potence, et mis en quart (cd) 10 € Braquemaard Pendu, traîné par une claie jusqu'à la potence, et mis en quart (cd + patch) 12 € La Chambre Ardente Premier Triptyque de l'Apocalypse (cd) 8 € Cathédrale de glace Insuffler le Froid (tape) OFS Ê Khérubim (cd) 8 € Echafaud Ballade de pendus (cd) 5 € Grylle Monstres et Merveilles (tape) 5 € Grylle Les Nuits sur les Monts (tape) 5 € Hanternoz Metal Kozh (cd) 7 € Hanternoz Linceuls d'écume (cd) 8 € Hanternoz Druid shirt (xl, xxl) 15 € Hiérophante Monument (tape) 4 € Ilbeltz/Hanternoz/Anceisural Eritance D'Anjou en Vasconie - La très grande Chasse d'Hellequin (cd) 10 € Ilbeltz Shirt 15 € Norman Shores Return to the Norman Shores (cd) 8 € Norman Shores Return to the Norman Shores (tape) 4 € Ordo Blasphemus Chaotic Loom (cd) 8 € Ordo Blasphemus Orgasme Ossuaire (box) 15 € Ordo Blasphemus Orgasme Ossuaire (box + cd) 20 € Ordo Blasphemus Orgasme Ossuaire (box + shirt) 25 € Ordo Blasphemus Orgasme Ossuaire (box + shirt + cd) 29 € Régiment On les Aura (cd) 10 € Régiment Shirt (S, M, L) 13 € Seth Logo patch White / Silver / Red 3 € Theoria Mantra (cd) 9 € Theoria Mantra (tape) 5 € Yele Solma Bokor (cd) 9 € DISTRIBUTION - CD BAND TITLE PRICE Compilations Slovak Metal Compilation 9 € \\\V/// 267λ-18 5 € VI De Praestigiis Daemonum 9 € Aarni Tohcoth 9 € Abbey ov Thelema A Fragment ov the Great Work 9 € Abske Fides Abske Fides 7 € Absurd Asgardsrei 12 € Abusiveness Bramy
[Show full text]
I Am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture
I AM THE BLACK WIZARDS: MULTIPLICITY, MYSTICISM AND IDENTITY IN BLACK METAL MUSIC AND CULTURE Benjamin Hedge Olson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Esther Clinton, Advisor Jeremy Wallach Marilyn Motz ii ABSTRACT Esther Clinton, Advisor Black metal represents one of the most dramatic, violent and obscure representations of contemporary international popular culture; it is an extremist sect of an extremist sect. An understanding of popular culture’s most extreme polarities is imperative to an understanding of its range and general character. I will argue that black metal culture is radically different from all other forms of metal and must be understood as a unique form of cultural expression that signifies a dramatic break from both traditional metal and secular modernism. Although black metal has proliferated across the world, taking up certain indigenous variations in its various locations, it has retained three basic characteristics that make it exceptional and significant: 1.) Black Metal is characterized by a conflict between radical individualism and group identity and by an attempt to accept both polarities simultaneously. 2.) Black metal is centered on an extravagantly romantic view of nature and an idealized past, both of these concepts being very much intertwined. 3.) Black metal celebrates the irrational and primal; it is a critique of modern rationalism and secularism. iii TABLE OF CONTENTS Page INTRODUCTION. Enter the Moonlit Gate ................................................................................1 CHAPTER I. Cosmic Keys to My Creations and Times: the Birth, Definition and Contextualization of Black Metal Culture 7 ...........................................................................6 CHAPTER II.
[Show full text]
79664317 Accepted Manuscript
This article is downloaded from http://researchoutput.csu.edu.au It is the paper published as: Author/s: Buesnel, R. Title: National Socialist Black Metal: A case study in the longevity of far-right ideologies in heavy metal subcultures Journal: Patterns of Prejudice ISSN: 0031-322X Year: 2020 Volume: 54 Issue: 4 Pages: 393-408 Abstract: National Socialist Black Metal (NSBM) emerged in the early 1990s as a subsidiary genre of the broader black metal movement. NSBM is distinguished by thematic content that promotes Aryan superiority, pagan spirituality and opposes globalization. Buesnel’s article explores the history of the early NSBM movement through an analysis of the bands Graveland (Poland) and Absurd (Germany), which have both played vital roles in the establishment of the NSBM genre. Buesnel highlights the current state of National Socialist ideology within metal subcultures and concludes with observations about the future of far-right extremism in heavy metal. DOI: http://dx.doi.org/10.1080/0031322X.2020.1800987 “National Socialist Black Metal:” A case study in the longevity of far-right ideologies in heavy metal subcultures RYAN BUESNEL Charles Sturt University, Australia [email protected] Abstract: ‘National Socialist Black Metal’ (NSBM) emerged in the early 1990s as a subsidiary genre of the broader black metal movement. NSBM is distinguished by its thematic content, which promotes Aryan superiority, anti-globalization, and pagan spirituality. This paper explores the history of the early NSBM movement through an analysis of the bands Graveland (Poland) and Absurd (Germany), who have both played vital roles in the establishment of the NSBM genre.
[Show full text]
Distribution
ANTIQ PRODUCTIONS BAND TITLE PRICE Antiq Logo tshirt 12 € Ashtar Ilmasaari (cassette) 4 € Braquemaard Pendu, traîné par une claie jusqu'à la potence, et mis en quart (cd) 10 € Braquemaard Pendu, traîné par une claie jusqu'à la potence, et mis en quart (cd + patch) 12 € Chained Earth (cassette) 4 € La Chambre Ardente Premier Triptyque de l'Apocalypse (cd) 8 € Cathédrale de glace Insuffler le Froid (cassette) OFS Créatures Le Noir Village (digipack) 12 € Créatures Le Noir Village (tshirt/girly) 16 € Créatures Le Noir Village (sweat shirt) 35 € Ê Khérubim (cd) 8 € Echafaud Ballade de pendus (cd) 5 € Grylle Monstres et Merveilles (cassette) 5 € Grylle Les Nuits sur les Monts (cassette) 5 € Grylle Les Grandes Compagnies (green/grey/black tshirt) 15 € Grylle Les Grandes Compagnies (sweat shirt) 35 € Grylle Mondes Vermeils (compilation, regular version) 10 € Grylle Mondes Vermeils (compilation, gold version) 12 € Hanternoz Metal Kozh (cd) 7 € Hanternoz Linceuls d'écume (cd) 8 € Hanternoz Druid tshirt (xxl) 15 € Hiérophante Monument (cassette) 4 € Ilbeltz/Hanternoz/Anceisural Eritance D'Anjou en Vasconie - La très grande Chasse d'Hellequin (cd) 10 € Ilbeltz tshirt 15 € Incipient Chaos Anima Mercurii (cd) 8 € Incipient Chaos Anima Mercurii (tshirt) 15 € Norman Shores Return to the Norman Shores (cd) 8 € Norman Shores Return to the Norman Shores (cassette) 4 € Ordo Blasphemus Chaotic Loom (cd) 8 € Ordo Blasphemus Orgasme Ossuaire (box) 15 € Ordo Blasphemus Orgasme Ossuaire (box + cd) 20 € Ordo Blasphemus Orgasme Ossuaire (box + tshirt) 25 € Ordo
[Show full text]
Nokturnal Mortum to the Gates of Blasphemous Fire Mp3, Flac, Wma
Nokturnal Mortum To The Gates Of Blasphemous Fire mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: To The Gates Of Blasphemous Fire Country: Ukraine Released: 1998 Style: Black Metal MP3 version RAR size: 1880 mb FLAC version RAR size: 1503 mb WMA version RAR size: 1575 mb Rating: 4.5 Votes: 497 Other Formats: XM FLAC VOX MOD AA RA MP4 Tracklist Hide Credits Bestial Summoning 1 5:59 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth To The Gates Of Blasphemous Fire 2 5:26 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth On The Moonlight Path 3 5:24 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth The Hands Of Chaos 4 5:09 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth, Saturious 5 Поd Знамёнами Рогатого Князя (Under The Banners Of The Horned Knjaz) 5:57 The 13th Asbath Celebration 6 8:30 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth, Saturious 7 Cheremosh 6:06 The Forgotten Ages Of Victories 8 6:54 Lyrics By – Knjaz VarggothMusic By – Knjaz Varggoth Credits Artwork [Influenced By] – Knjaz Varggoth Artwork [Logo, Slavonic Black Brotherhood Sign & Nokturnal Mortum Dragon Were Born Under The Brush Of] – Aquarius Bass [Low Thunders And The Breath Of Swamps] – Xaarquath Drums [Battles And The Ringing Of The Falling Church Bells] – Munruthel Engineer [Engineering Work] – D. Bondarenko*, Karpath Guitar [Six Blades Of Vengeance And The Banner Of Great Apocalypse] – Karpath Keyboards [Astral Influence Of The Black Stars The Distant Planets Falling Into The Fiery Maw] – Saturious Keyboards [Poison Draughts Of The Great Ancients And Mystery] – Sataroth Lyrics By [All Prose And Lyrics Were Created By] – Knjaz Varggoth Music By [Was Imagined By], Composed By – Knjaz Varggoth, Nokturnal Mortum Vocals [Spells, Full Moon Mysticism, Black Emotions], Guitar [Six-roaring Prophetic Of Devil's Eminence] – Knjaz Varggoth Notes Track 5 totally misprint (cyrillic letters) turn to "abrakadabra", also croped side titles and cropped undertray.
[Show full text]
True Black Metal: Authenticity, Nostalgia, and Transgression in The
1 True Black Metal: Authenticity, Nostalgia, and Transgression in the Black Metal Scene Joel Skadiang A treatise submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) Department of Gender and Cultural Studies The University of Sydney June 2017 This thesis has not been submitted for examination at this or any other university 2 Table of Contents Page List of Figures 3 Abstract 4 Introduction 6 History of Black Metal 10 Aesthetics of the Second Wave 31 Subcultural Capital, Kvltness, and Authentic Participation 40 Virtual Ethnography 53 Conclusion 66 Bibliography 69 3 List of Figures Page Figure 1 Venom (Teamrock 2005) 14 Figure 2 Mayhem (The Quietus 2014) 17 Figure 3 Immortal Norwegian Arts 2015 17 Figure 4 Black Metal Logo from Helvete Basement (Wikipedia: Date Unknown) 25 Figure 5 Bathory’s (1985) and Venom’s (1981) Album Covers 25 Figure 6 Post on R/BlackMetal (Reddit 2016) 49 Figure 7 Post and Comment Karma of Reddit User (Reddit 2016) 49 Figure 8 Rules of R/BlackMetal (Reddit 2016) 58 Figure 9 Policing of Boundaries in R/BlackMetal (Reddit 2016) 59 Figure 10 Parody of Black Metal Aesthetic on R/MetalMemes (Reddit 2017) 59 Figure 11 Parody of Black Metal Fans and Response (Reddit 2017) 61 4 Abstract Black metal as a distinct genre of popular music is characterized by a general yearning for authenticity. This authenticity can be expressed through production values, musical techniques adopted, and style of dress and presentation among members of the scene. In this context, members of the scene are presented with a dilemma given the demand to both showcase individuality in their taste and style while also conforming to what it means to be “true” or authentic within the scene.
[Show full text]
Como Se Opor Ao Fascismo Na Cena Do Metal Extremo
COMO SE OPOR AO FASCISMO NA CENA DO METAL EXTREMO UM GUIA BÁSICO PARA CAMARADAS E COMPAS ANTIFASCISTAS barbarie.noblogs.org APRESENTAÇÃO Muitas vezes a cena extrema / black metal não tem sido o local mais acolhedor para pessoas não brancas e / ou LGBTQIA. Essas pessoas gostariam de ir a shows de black metal e fa- zer parte da cena, mas muitas vezes não se sentem seguras pela presença consistente de racistas em shows e festivais. A forte presença de racistas no Black Metal chegou a produ- zir um subgênero completamente novo e autônomo: o infa- me NSBM (NS), ou National Socialist Black Metal. NÓS PRECISAMOS NOS OPOR AO O RACISMO DE QUALQUER FORMA, CERTIFIQUE-SE DE QUE PES- SOAS PERIGOSAS E SUAS IDEOLOGIAS NÃO SÃO BEM-VINDAS E QUE O METAL É UM LUGAR PARA QUALQUER TIPO DE PESSOA, MENOS PRECONCEI- TUOSOS, SEXISTAS E PESSOAS QUE DISCRIMINAM A COR DA PELE DE ALGUÉM. Este panfleto é apenas uma ferramenta destinada a resolver este problema sufocante. O boicote sempre foi uma tática revolucionária: só precisa- mos encontrar uma maneira de usá-lo efetivamente. Primeiro, para simplificar, precisamos dividir o problema do nsbm em 2 partes: as bandas e as cenas. 2 AS BANDAS Bandas abertamente NS como Graveland, Satanic Warmaster, Peste Noire ou outras menos populares devem ser impedidas e boicotadas de todas as formas possíveis. O boicote também incluirá bandas não-NS nas quais os fas- cistas tocam. Muitas bandas NS dos anos 90 se tornaram mais inteligentes com o passar do tempo e por razões políti- cas e de marketing limparam sua imagem deixando para trás a parafernália nazista mais óbvia.
[Show full text]