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April to June 1928
1 64- April 3, 1928 OKEH Okeh, New York FRANK TRUMBAUER AND HIS ORCHESTRA Bix Beiderbecke (c); Charlie Margulis (tp); Bill Rank (tb); Frank Trumbauer (Cms); Irving Friedman (cl/as); Chet Hazlett (as); Matty Malneck (vln); Lennie Hayton (p); Eddie Lang (g); Min Leibrook (bsx); Hal McDonald (dm); Irving Kaufman, under the name of ‘Noel Taylor’, (voc) : W 400188-A Our Bungalow Of Dreams (Malie-Newman-Verges) solos : Bix (8+20) – Kaufman, voc, with accordion or harmonium acc. (32) – Tram (16) – Bix (8). W 400189-B Lila (Gottler-Tobias-Pinkard) solos : Bix (2) – Kaufman, voc (32) – Bix (4+8) (leads 8) – Tram (1) – Bix (8). 65- April 10, 1928 OKEH Okeh, New York FRANK TRUMBAUER AND HIS ORCHESTRA Same personnel as previous session (64); Harold ‘Scrappy’ Lambert replaces Irving Kaufman (voc) : W 400603-B Borneo (Donaldson-arr : Bill Challis) solos : Lambert, voc (31) – Bix & Tram, chase chorus 2/2 (30). W 400604-B My Pet (Yellen-Ager-arr: Bill Challis) W 400604-C My Pet solos : Leibrook (2) – Rank (16) – Friedman, cl (16) – Bix (6) – Lambert, voc & Lang, g (31) – Leibrook (2) – Bix (2 last notes). 66- April 17, 1928 OKEH Okeh, New York BIX BEIDERBECKE AND HIS GANG Bix Beiderbecke (c); Bill Rank (tb); Irving Friedman (cl); Roy Bargy (p); Min Leibrook (bsx); Hal McDonald (dm, harophone): W 400616-B Somebody Stole My Gal (Wood) 2 solos : Friedman (16) – Bargy (16) – Bix (24) – Rank (16). W 400617-A Thou Swell 9-second test groove: Bargy, p & 3 voices: “Damn” – “I got it” – “Take it the last four”, this last voice being possibly Bix’s. -
Great Scenic Railway Journeys: 150 Years on the Right Track
Trusted. Valued. Essential. JUNE 2019 Great Scenic Railway Journeys: 150 Years on the Right Track Vegas PBS A Message from the Management Team General Manager General Manager Tom Axtell, Vegas PBS Educational Media Services Director Niki Bates Production Services Director Kareem Hatcher Business Manager Brandon Merrill Communications and Brand Management Director Allison Monette Content Director Summer of Space Cyndy Robbins Workforce Training & Economic Development Director aradoxically, the cover of this month’s magazine features nostalgic travel Debra Solt along the historic routes of steam locomotives, and I am writing about Interim Director of Development and Strategic Relations travel and exploration in outer space. In its day, the transcontinental rail- Clark Dumont road revolutionized travel, agriculture and commerce; forever changed the Engineering, IT and Emergency Response Director habitats through which it ventured; and caused the incorporation of the John Turner PCity of Las Vegas in 1905. Three score and four years later,on July 20, 1969, Apollo 11 SOUTHERN NEVADA PUBLIC TELEVISION BOARD OF DIRECTORS landed on the moon, inspiring a new generation of explorers and entrepreneurs with “one Executive Director giant leap for mankind”. As the 50th anniversary of the moon landing nears, Vegas PBS Tom Axtell, Vegas PBS is bringing you a Summer of Space, a multiplatform viewing experience that includes new President science and history programs for both adults and children. Tom Warden, The Howard Hughes Corporation On Wednesday, June 12, at 9 p.m., Nova: Asteroids: Doomsday or Payday? explores BOARD MEMBERS how would-be asteroid miners dream up their own program to scout for potentially Vince Alberta, University Nevada Las Vegas profitable asteroids, perhaps involving Nevada’s world class mining corporations.Then at Linda Ammons, Community Volunteer 10 p.m., Farthest – Voyager in Space shines a light on the epic NASA mission launched Tracy Bower, Desert Research Institute in 1977 that revolutionized our understanding of the galaxy. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Media Ownership Rules
05-Sadler.qxd 2/3/2005 12:47 PM Page 101 5 MEDIA OWNERSHIP RULES It is the purpose of this Act, among other things, to maintain control of the United States over all the channels of interstate and foreign radio transmission, and to provide for the use of such channels, but not the ownership thereof, by persons for limited periods of time, under licenses granted by Federal author- ity, and no such license shall be construed to create any right, beyond the terms, conditions, and periods of the license. —Section 301, Communications Act of 1934 he Communications Act of 1934 reestablished the point that the public airwaves were “scarce.” They were considered a limited and precious resource and T therefore would be subject to government rules and regulations. As the Supreme Court would state in 1943,“The radio spectrum simply is not large enough to accommodate everybody. There is a fixed natural limitation upon the number of stations that can operate without interfering with one another.”1 In reality, the airwaves are infinite, but the govern- ment has made a limited number of positions available for use. In the 1930s, the broadcast industry grew steadily, and the FCC had to grapple with the issue of broadcast station ownership. The FCC felt that a diversity of viewpoints on the airwaves served the public interest and was best achieved through diversity in station ownership. Therefore, to prevent individuals or companies from controlling too many broadcast stations in one area or across the country, the FCC eventually instituted ownership rules. These rules limit how many broadcast stations a person can own in a single market or nationwide. -
Rectv Powered by レコチョク 配信曲 覧(アーティスト名ヨミ「は」 )
RecTV powered by レコチョク 配信曲⼀覧(アーティスト名ヨミ「は」⾏) ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Medicaid Member Handbook
Healthy Blue Member Handbook: Integrated Health Services For Physical and Behavioral Health Services 844-521-6941 (TTY 711) myhealthybluela.com 1007662LAMMLHBL 02/21 Healthy Blue Member Handbook: Integrated Health Services For Physical and Behavioral Health Services 844-521-6941 (TTY 711) 10000 Perkins Rowe, Suite G-510 Baton Rouge, LA 70810 myhealthybluela.com Revised: February 10, 2021 1007662LAMENHBL 02/21 HEALTHY BLUE QUICK GUIDE Read this quick guide to find out about: How to see a doctor and get medicines Choosing a primary care provider (PCP) The difference between routine medical care and an emergency Important phone numbers Renewing your benefits Seeing the doctor With Healthy Blue, you get a primary care provider (PCP). Your PCP is the family doctor or provider you’ll go to for routine and urgent care. When you enrolled you were given a PCP. To find or change a PCP, physical or behavioral health provider: Visit us online at myhealthybluela.com. Create a secure account by clicking “Register.” You’ll need your member ID number. Once you create an account, you’ll be able to choose your PCP online. Call Member Services at 844-521-6941 (TTY 711) Monday through Friday from 7 a.m. to 7 p.m. To see the doctor, you can call his or her office directly and make an appointment. Don’t forget to bring your Healthy Blue member ID card with you. Medicines When you go to your PCP or another provider, you might get a prescription for medicine. You have pharmacy benefits as part of your Medicaid plan. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
Be True to Your School Meet Iheartcountry's Rod Phillips
September 8, 2015, Issue 464 Meet iHeartCountry’s Rod Phillips Adding Country Brand Manager responsibilities two months ago (Breaking News 6/30), iHeartMedia SVP/Programming Rod Phillips now steers the biggest format ship for radio’s biggest company. Country Aircheck checked in with the captain of the newly branded “iHeartCountry.” CA: You were instrumental in moving The Bobby Bones Show to Country, but beyond that, what is your background with the format? RP: Unofficially, my background in Country started when I became a fan of the music courtesy of meeting my wife, so I guess I have her to thank. Officially, I became connected to so many great Country brands when I became Courtesy Of The Red, White And Blue: Show Dog’s Toby SVPP/Southeast Region, working with stations Keith (c) at his St. Louis tour stop with (l-r) WIL’s Danny Montana, Bo Matthews and Jim Day and the label’s like WKKT/Charlotte, WUSY/Chattanooga, Rick Moxley. WQIK/Jacksonville, WSSL/Greenville, SC and Rod Phillips so many more including new launches like WNCB/Raleigh and WSCG/Augusta, GA. I Be True To Your School directly oversee 39 Country brands and The Bobby Bones Show. Cumulus/Nashville’s Charlie Cook, Westwood One’s Joe I can honestly say Country is my favorite format and to have the Wade Formicola and WMIL/Milwaukee’s Karen Dalessandro chance to lead iHeartCountry is simply amazing. walked different paths to make their mark in Country radio. But Who do you know well in this world? Who do you they all have one thing in common: their journey began at the need/want to get to know? Specs Howard School of Media Arts in Southfield, MI. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered.