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Home , Catherine Zuber, Heidi Ettinger, Jane Greenwood, John Lee Beatty, Richard Thomas (actor), Robert Wierzel

BATTLE OF BLACK AND DOGS APRIL 16 TO MAY 8

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1 Welcome to Battle of Black and Dogs, the final production of SPEND LESS, GET OUT MORE! Yale Rep’s 2009–2010 season! From the breathtaking heights of Ibsen’s The Master Builder, 6-Play and 4-Play Subscriptions available—starting to the war-torn Liberia of Danai Gurira’s astonishing Eclipsed; from the soaring melodies that shot through Andy Warhol’s

at less than $30 per ticket. Factory in POP!, to ’s passionate performance PHOTO BY JOHN GROO in Compulsion and the inspired shenanigans of The Servant of Two Masters, this has been a remarkable celebration and rich exploration of humanity’s flaws, foibles, tragedies, and YALE REP 2010–11 SEASON triumphs. Whether you’ve joined us all season long, or if this is WORLD PREMIERE MUSICAL ’S your first visit to Yale Rep, thank you for sharing the journey with us. WE HAVE ALWAYS THE PIANO LESSON The work of French playwright Bernard-Marie Koltès is produced regularly across DIRECTED BY LIESL TOMMY Europe, but has had little exposure here in the U.S. I am delighted at this opportunity LIVED IN THE CASTLE January 28 to February 19, 2011 to introduce New Haven audiences to this remarkable writer, who left behind about BOOK AND LYRICS BY ADAM BOCK a dozen plays when he died at the age of 41 in 1989. I am thrilled also to welcome MUSIC AND LYRICS BY TODD ALMOND WILLIAM SHAKESPEARE’S back Robert Woodruff, one of America’s most daring and distinguished directors. As BASED ON THE NOVEL BY SHIRLEY JACKSON you may know, he made an electrifying Yale Rep debut last season with Notes from DIRECTED BY ANNE KAUFFMAN ROMEO AND JULIET Underground, which will be presented at California’s La Jolla Playhouse next season. September 17 to October 9, 2010 DIRECTED BY SHANA COOPER March 11 to April 2, 2011 Robert will be back at Yale Rep next year to direct the U.S. premiere of Autumn Sonata ’S by Ingmar Bergman. Our 2010–2011 season will also include two world premieres: U.S. PREMIERE the musical We Have Always Lived in the Castle by Adam Bock and Todd Almond, A DELICATE BALANCE based on Shirley Jackson’s novel, and Bossa Nova, a poignant and powerful new DIRECTED BY JAMES BUNDY AUTUMN SONATA play by Kirsten Greenidge; two Pulitzer Prize-winning masterpieces: Edward Albee’s A October 22 to November 13, 2010 BY INGMAR BERGMAN Delicate Balance and August Wilson’s The Piano Lesson; and the greatest love story of PENDING AUTHOR’S APPROVAL DIRECTED BY ROBERT WOODRUFF all time: Shakespeare’s Romeo and Juliet. WORLD PREMIERE April 15 to May 7, 2011 Please join us! Subscriptions—starting at less than $30 per ticket—are now available BOSSA NOVA (ordering details are on the page opposite this note). You can choose the plays you’d BY KIRSTEN GREENIDGE YALEREP.ORG like to see with our new 4-play package, or you can join us for the entire season and DIRECTED BY EVAN YIONOULIS enjoy all six productions. November 26 to December 18, 2010 203.432.1234 In the meantime, visit us online at yalerep.org and facebook.com/yalerep for the latest updates about next season, including casting and creative team news—and help us spread the word to your family and friends. And of course, I look forward to receiving and responding to your emails about Battle of Black and Dogs (my email address is [email protected]).

Thank you again for being here today. I look forward to seeing you again in September for another season of thrilling and surprising theatre at Yale Rep!

Sincerely,

James Bundy Artistic Director THE CAST OF THE SERVANT OF TWO MASTERS, PHOTO BY RICHARD TERMINE, 2010. PLAYS, DATES, AND ARTISTS SUBJECT TO CHANGE. 3 APRIL 16 TO MAY 8, 2010

YALE REPERTORY THEATRE James Bundy, Artistic Director Victoria Nolan, Managing Director

PRESENTS BATTLE OF BLACK AND DOGS

By BERNARD-MARIE KOLTÈS Directed by ROBERT WOODRUFF

Translator and Composer MICHAËL ATTIAS

© 2008 Hospitality 3 All rights reserved Scenic Designer RICCARDO HERNANDEZ

Costume Designers TOM McALISTER ILONA SOMOGYI

Lighting Designer STEPHEN STRAWBRIDGE

Sound Designer CHAD RAINES read, rest, reflect Production Dramaturg AMY BORATKO

prepare yourself for an Fight Director RICK SORDELET unparalleled experience in service, style and comfort Vocal Coach WALTON WILSON Casting Directors TARA RUBIN book your stay at The Study LAURA SCHUTZEL in the heart of Yale’s vibrant Arts Campus Stage Manager JENNA WOODS

This translation was originally commissioned by In Parentheses and Dangerous Ground Productions for the Koltès Festival New York 2003, with the support of Étant donnés, The French-American Fund for the Performing Arts.

SEASON MEDIA SPONSOR 1157 chapel street new haven ct 06511 203 503 3900

5 CAST (IN ORDER OF SPEAKING)

ANDREW ROBINSON Horn ALBERT JONES Alboury Léone TOMMY SCHRIDER Cal

SETTING CONSTRUCTION SITE RUN BY A FOREIGN COMPANY IN A WEST AFRICAN COUNTRY, ANYWHERE FROM SENEGAL TO NIGERIA

6 7 TAPPING HIS : FINDING BERNARD-MARIE KOLTÈS’S SOURCE AND SOURCES

popular culture with the fine arts. He Abandoning his journalistic studies in the structure of your thoughts.” An early adored the American cinema and its Strausbourg, twenty-year-old Koltès set version of Battle was broadcast on French actors: Robert DeNiro in Taxi Driver out to travel the world in 1968, the year radio, but the first major production of the and Raging Bull, Marilyn Monroe in that revolution engulfed Europe and play wasn’t until 1983 after Koltès began The Misfits, James Dean in East of Eden America. Amidst this backdrop of political working with director Patrice Chéreau, and Rebel Without a Cause, and Marlon upheaval and personal liberation, Koltès who became one of the writer’s most Brando in Apocalypse Now. He was saw his first play: Seneca’s Medea. Maria significant collaborators. attracted to the physicality of boxing and Casares’s performance in the title role To Bernard-Marie Koltès, a person’s of kung-fu movies; one of his favorite inspired him to write for the theatre; his After Chéreau’s production of Battle in biography was more complicated than films was The Last Dragon. Rap or Bob admiration of her skill ran so deep that Nanterre, Koltès became increasingly just a mere listing of facts, dates, Marley’s reggae rhythms might play he vowed that she would star in his plays. well-known in European theatre circles. and places. He had a complicated in his apartment one day, Chopin or (She did perform in his play Quay West, in However, throughout the 1980s, as relationship with his own origins and Bach the next. Though he felt a kinship a part written for her.) His first theatrical he wrote all of his major plays, he was even his own language and constantly to French playwrights like Marivaux works were adaptations of novels and secretly battling AIDS. He kept his reimagined his own roots. In 1983, the and Racine, he devoured the writings poems, including Gorky’s My Childhood, personal life extremely private, not year that Battle of Black and Dogs had its of Faulkner, Melville, Conrad, and Dostoevsky’s Crime and Punishment, wanting his sexuality to define him as a first major production in France, Koltès Steinbeck and sometimes wished he, and Song of Songs. By the late , he playwright. He never wanted any of his wrote to a friend about an impending too, could write in English. wrote his first original dramatic pieces: works to be defined by one element, African voyage: “I’m leaving for Senegal The Night Just Before the Forests, which whether be his homosexuality or his (to go back to see the place where my Born in 1948, he grew up in Metz, a he called a soliloquy play; and an early politics; he hated the labels “gay theatre” roots should be, to discover once again barracks town in eastern France near draft of Sallinger. A decade later, in 1978, and “political theatre.” Even after his that they are not there, and then come the German border. In the 1950s, his Battle of Black and Dogs began to take death, in 1989 at the age of 41, his small back here once more to take the time to hometown became the site of religious shape during Koltès’s trip to Western canon of work continues to defy labels reinvent for myself their being there).” and political strife: violence between Africa. There he visited friends who were and geographical boundaries. The French longtime French citizens and recent Arab working on a construction site in Nigeria, claim his work, but a theatre in Atlanta Koltès rejected every label that was immigrants escalated as colonial wars and the landscape and characters of hosts an annual Koltès symposium that attached to him, and he sought out burned through Africa. Koltès’s father, a Battle emerged. features tours showcasing the “Koltèsian” places where he would be the outsider professional soldier, fought in many of character of the American metropolis. And or the other. He felt more at home in these wars and spent most of the decade Koltès completed Battle of Black and a statue of him stands outside the Mini Paris’s suburbs, filled with African in Algeria, away from his family. Every Dogs almost a year later in Guatemala. Theatre in Ljulbjana, Slovenia, far from his immigrants, than he did in the city’s day, Koltès walked through Metz’s Arab He appreciated the experience of writing French birthplace, and even farther from center. His aesthetic taste and style neighborhood to reach his Jesuit school, in a country where French wasn’t the his imagined Senegalese homeland. The defied boundaries: he loved to fuse and he witnessed the riots and street primary language; he said that “when roots have spread. violence that erupted regularly there. you take a long trip to a foreign country where you don’t know the language, you find it changes your own language and —AMY BORATKO, PRODUCTION DRAMATURG ABOVE: BERNARD-MARIE KOLTÈS IN 1984. PHOTO COURTESY OF SOPHIE BASSOULS/SYGMA/CORBIS.

8 9 FROM THE SOURCE AND HIS SOURCES Oh, if you could see like I see, walking But: the table where I write is in front under the bougainvilleas, the one I of a glass wall that looks out onto a see from my window walking, barely shadowy patio. There in the shadow, covered by a shirt (in the sun his skin as if blocking the entrance—knees I had seen and known Negroes since I could and his eyes glow like the radiant bent up against belly, one arm props remember. I just looked at them as I did at The French language, like French statues of the virgins of Lourdes at the head while the other lazily brushes rain, or furniture, or food or sleep. But after culture in general, only interests night!), on your evening walks, you too away a few mosquitoes—there sleeps that I seemed to see them for the first time me when it’s been altered. A French would hold in your hands the mauve the future revolution. not as people, but as a thing, a shadow in and red branch of the bougainvillea, which I lived, we lived, all white people, all language that has been revised and and you would caress it with your lips; The oil wells make gigantic red skies other people. I thought of all the children corrected, colonized by a foreign these flowers are so beautiful; they in the sky. The huge buildings of the coming forever and ever into the world, white, culture, has a new dimension and have no fragrance. multinationals crush Lagos and Port with the black shadow already falling upon gains richness, expressions, in the Harcourt. General Olusegun Obasanjo, them before they drew breath. And I seemed same way that an ancient statue And so, the only perception which chief of state, is considering making to see the black shadow in the shape of a that has lost its head and arms is prevents this trip from completely soldiers supervisors in the high cross. And it seemed like the white babies more beautiful precisely because of draining me from my substance and school to “re-establish order.” But were struggling, even before they drew the absence. reducing everything to an image on the average age is fifteen. Unions are breath, to escape from the shadow that was a slide projector, is the very same forming. The black worker looks at his not only upon them but beneath them too, as —BERNARD-MARIE KOLTÈS IN A one which arouses the perversion white employer with different eyes, if they were nailed to the cross. I saw all the FEBRUARY 19, 1983, INTERVIEW that, under other skies, compels me it is said; and, at last, the maximum little babies that would ever be in the world, WITH ALAIN PRIQUE to lurk in the depths of the drugstore degree of proliterianization has been the ones not yet even born—a long line of Saint-Germain—oh sweet and cruel reached, an immense sense of power them with their arms spread, on the black perception, twice as cruel here for emanates from the groups of workers, crosses. I couldn’t tell them whether I saw it being forbidden…why do I today have during their break, sitting in a circle or dreamed it. But it was terrible to me. I to pay the price for a hundred years in their machines. Each camp is as cried at night. At last I told father, tried of stupid history? Where do I file for precisely drawn as on a diagram of You taught me language, and my profit on’t to tell him. What I wanted to tell him redemption? What testimony do I the class struggle, and one cannot Is I know how to curse. The red plague rid you was that I must escape, get away from bring? If the forbidden did not run so walk through a site without a profound under the shadow, or I would die. “You For learning me your language. deep that neither the Negro, nor the sense of an imminent revolution, a cannot,” he said. “You must struggle, —CALIBAN, , White, who sit, one morning, next to violent one no doubt, under the red rise. But in order to rise, you must raise ACT I, SCENE II each other, in the doorway, and smile skies of the oil wells. the shadow with you. But you can never at each other, can do anything about it lift it to your level. I see that now, which and know it, I would like at least that a But: here’s the joke. I know, for having I did not see until I came down here. But mirror offer him my gaze, as I imagine seen it done, that I only need reach out escape it you cannot. The curse of the his, cast from this doorway out onto my hand and tap on the window pane I have always rather detested theatre black is God’s curse. But the curse of the pool a few meters ahead, around for It, the revolution, to rise abruptly, the white race is the black man who will because theatre is the opposite of life; which four or five fat red blotchy push open the glass door, and say: be forever God’s chosen own because He but I always come back to it and I love it women surrender themselves to the “Yes, Master?” once cursed Him.” because it is the one place where you say: hideous worship of their ridiculous bodies. And the mere thought of this this is not life. possibility fills me with dread of this —A PASSAGE FROM WILLIAM FAULKNER’S LIGHT IN AUGUST (1932). KOLTÈS ADMIRED slumbering body. FAULKNER’S WRITING, AND HE USED THIS —BERNARD-MARIE KOLTÈS IN HIS AFTERWORD QUOTE IN A 1983 LETTER TO FRANÇOIS TO BATTLE OF BLACK AND DOGS REGNAULT. —AN EXCERPT OF A 1978 LETTER KOLTÈS WROTE FROM AHODA TO HIS MENTOR HUBERT GIGNOUX, DESCRIBING HIS TRIP TO WEST AFRICA. TRANSLATED BY MICHAËL ATTIAS.

10 11 THE NOTEBOOKS LES CARNETS subscribe to Theater today.

For more than thirty years Theater has been the Koltès’s notebooks for Battle of Black 17 most informative, serious, and imaginative American and Dogs (Combat de nègre et de LEONE’S CONCEPT OF REINCARNATION chiens) are often published alongside My personal belief is that in your first journal available to readers interested in the playtext. This collection, organized life you’re a man, like that horrible guy, contemporary theater. It has been the first publisher in twenty entries—one for each scene Cal; men like that understand so little, of pathbreaking plays from writers as diverse as in the play, contains images and char- they’re stupid and thick, it’s got to be Rinde Eckert, Richard Foreman, David Greenspan, acter histories that provide insight on their first life, the scoundrels! I believe the play. Below are a few excerpts of that only after many laughably limited W. David Hancock, Peter Handke, Sarah Kane, the notebooks. lives as a man, brutal and brawling and Adrienne Kennedy. 10 as all men’s lives are, only then can a woman be born. And only after many Theater has also featured lively polemics and essays THE SITE, LIT BY LIGHTNING women’s lives, many unfulfilled dreams by dramatists including Dario Fo, Heiner Müller, An inverted field out to infinity—where and meaningless adventures, and many Suzan-Lori Parks, and Mac Wellman. Special plants grow their roots upwards towards tiny deaths, only then can a Negro be the sky and bury their foliage down born, in whose blood more of life and issues have covered theater and ecology, new music- deep. A small white dog scrambles in death, more acts of brutality and failure, theater, South African theater, theater and social a panic between the legs of an enor- Tom Sellar, editor more tears flow than in any other blood. change, Eastern European theater, and theater and mous buffalo who huffs and puffs and And what about me, how many more For a free trial issue, visit the apocalypse. tramples the ground, while, all around, times will I have to die, how many more theater.dukejournals.org. gurgling mud bubbles up between memories and meaningless experiences smoking clumps of black earth. will I have to stack up within me? 12 When is the life I will finally fully live? Subscriptions THE DREAM OF THE HOUSE BACK HOME 20 Three issues annually IN THE COUNTRY, ACCORDING TO HORN CAL Your 2010 subscription starts with volume 40, number 1. They all dream of France, but they all In his innermost self: a large green bird Online access to back content from 2000 to the present, published by stay. They all talk about a house in the flies over the prairie, holding in its claws including the issues described above, is included with country, and spend years drawing the a puppy with women’s eyes, panting your subscription. duke university press on behalf of blueprints, but you couldn’t drag one of close to its ear. yale school of drama them out of here even if there were two Individuals: $30 and of you. Sure, they bitch, sure they do, HORN but I know one thing: wherever there’s Students: $20 In his innermost self: an old woman, (photocopy of valid student ID required) cash, once a person gets a taste, no unknown, dressed all in black, face in kick in the ass will ever make him budge shadow, comes regularly every night Single issues: $12 from his spot. And in Africa, there is and sits by his side until morning, never cash to be made. So with all their talk of Additional postage fees apply for international orders. saying a word, never making a sound; To place your order, e-mail [email protected] France and the countryside, I’ve never he could swear he doesn’t know who or visit theater.dukejournals.org. gotten a single postcard from any one of she is. those dreamers. —TRANSLATED BY MICHAËL ATTIAS

12 CAST CAST

ALBERT JONES (ALBOURY) is making his Yale Rep debut. the Matrix Theatre Company in , where he directed the award-winning New York credits include the Broadway production of Henry IV productions of Endgame, The Homecoming, and Yield of the Long Bond. Other LA ( Theater); and Off-Broadway: Oroonoko (Theatre credits include In the Belly of the Beast (directed by Robert Woodruff), Aristocrats, for a New Audience, AUDELCO Award nomination), Pericles The Genius, Wanderings of Odysseus (Mark Taper/Center Theatre Group); as well (Theatre for a New Audience at BAM), Iphigeneia at Aulis and as productions at South Coast Rep, Pasadena Playhouse, and other theatres. Richard III (The Pearl Theatre Company). Regional theatre credits include Dirty Harry, Charley Varrick, The Drowning Pool, and Hellraiser. His credits include A Midsummer Night’s Dream (Shakespeare numerous television appearances include the title role in Liberace, and he has on the Sound); The Brothers Size (City Theatre); A Raisin directed episodes of Deep Space 9 (also recurred as Garak), Voyager, and Judging in the Sun (Hartford Stage); Intimate Apparel (Intiman Theatre); The Piano Lesson Amy. He created and is currently Director of the University of Southern California’s (); Flag Day (Contemporary American Theater Festival); Much MFA Acting Program. Ado About Nothing (Portland Center Stage); Arms and the Man (Barrington Stage Company); Edward II, The Threepenny (American Conservatory Theater); As TOMMY SCHRIDER (CAL) is making his Yale Rep debut. You Like It and Scapin (California Shakespeare Festival). Film and television credits Off-Broadway credits include Close Ties (Ensemble Studio include Salt, Cadillac Records, The Magnificent Cooly-T, American Gangster, The Theatre); Race (Classic Stage Company); Acts of Mercy, St. Bourne Ultimatum, Proud (Tribeca Film Festival, 2005), Army Wives, Law & Order Crispin’s Day (Rattlestick Playwrights Theater); She Stoops (original series, SVU, and Criminal Intent), Rescue Me, Kidnapped, and Love Money. to Conquer, Pigtown (Irish Rep); Indoor/Outdoor (Summer Mr. Jones received his MFA from the American Conservatory Theater. Play Festival); Greek Holiday (Abingdon Theatre Company); Septimus & Clarissa (Ripe Time/Red Bull); and I Lay Dying TRACY MIDDENDORF (LÉONE) is making her Yale Rep (Ohio Theatre/The Essentials). Regional theatre credits debut. Her previous stage performances include Ah, include The Importance of Being Earnest (South Coast Rep); Wilderness! at Lincoln Center Theater, directed by Daniel The Caretaker, The Einstein Project, One Flew Over the Cuckoo’s Nest (Berkshire Sullivan; The Big Knife at Williamstown Theatre Festival, Theatre Festival); Victoria Musica (Cincinnati Playhouse); Love’s Labour’s Lost, directed by ; The Pavilion at Westport Brendan (Huntington Theatre Company); Journey’s End (Westport Country Country Playhouse; as well as Summer and Smoke and After Playhouse); The Blue Demon (Williamstown Theatre Festival); (Syracuse the Fall at in Los Angeles, both of which Stage); This Is Our Youth (Philadelphia Theatre Company); and Appointment with earned her Ovation and Drama Critics Circle Awards for best a High Wire Lady (Andrew’s Lane, Dublin). Television credits include Medium, actress. Her television and film credits include The Mentalist, Lost, 24, Bones, House, Numb3rs, Law & Order, Whoopi, and . He received his MFA from Alias, CSI, Just Add Water, Boy Wonder, The Assassination of Richard Nixon, and a NYU Tisch School of the Arts Graduate Acting Program. recurring role on Martin Scorsese’s upcoming HBO series .

ANDREW ROBINSON (HORN) is making his Yale Rep debut. Since receiving his Fulbright Fellowship to study at LAMDA, he has acted in and directed theatre and film all over the country for 45 years. His Broadway credits include Any Given Day, VISIT US ONLINE Mary Stuart, Narrow Road to the Deep North, and Operation Sidewinder. Off-Broadway credits include Macbird, Futz, The Cannibals, Woyzeck, Subject to Fits; and he is a founding member of La MaMa Plexus. He is also a founding member of yalerep.org facebook.com/yalerep

14 15 CREATIVE TEAM CREATIVE TEAM

MICHAËL ATTIAS (TRANSLATOR AND COMPOSER) is a -based diverse projects as the world premieres of Paula Vogel’s Desdemona: A Play About saxophonist/composer. He has performed concerts in clubs and festivals throughout a Handkerchief (Circle Repertory Theatre/Bay Street Theatre), The Great Gatsby the United States, Europe, the Middle East, and Japan with musicians such as Paul ( Company), and 1600 Pennsylvania Avenue (Broadway); as Motian, Anthony Braxton, Anthony Coleman, Oliver Lake, and many others. A recording well as Muppet Babies on Tour, Live from Lincoln Center: Juilliard at 80 (PBS-TV), artist and leader of several ensembles, he has composed and designed for dance, and Wayne’s World 2; and has had the pleasure of dressing such actors as Colleen theatre, and film, both in the US and Europe. His collaborations with Robert Woodruff Dewhurst, Christopher Walken, Blythe Danner, Richard Thomas, and Dianne Wiest, include Theatre for a New Audience’s production of Edward Bond’s Chair (The Duke on among others. New York and regional theatre credits include productions at The 42nd Street) and Yale Rep’s production of Dostoevsky’s Notes from Underground, for Public Theater, Playwrights Horizons, Theatre Club, Williamstown Theatre which he designed sound, composed music, and in which he also performed. Festival, Actors Theatre of Louisville, The Kennedy Center for the Performing Arts, Boston Lyric Opera, and Houston Grand Opera. Tom is a professor in the Technical AMY BORATKO (PRODUCTION DRAMATURG) previously served as dramaturg on Design and Production Department at Yale School of Drama. the Yale Rep productions of Compulsion, Notes from Underground, A Woman of No Importance, Eurydice, and . Other dramaturgy credits include The CHAD RAINES (SOUND DESIGNER) is a second-year MFA candidate at Yale School Time of Your Life, The Summer People, Romeo and Juliet, The War Is Over (Yale School of Drama, where his credits include Orlando (sound design and composition) and of Drama) as well as Voice and Vision’s Envision Retreat at Bard College. She is the Baal (composition). He appeared as Tommy in The Who’s Tommy and played drums Literary Manager at Yale Rep. She has been a teaching fellow at Yale College and Yale for Fly-By-Night: A New Musical, both at Yale Summer Cabaret. He also wrote and School of Drama and was a managing editor of Theater magazine. A graduate of Rice performed in Missed Connections, a new musical for Yale Cabaret. As associate University, she received her MFA in Dramaturgy and Dramatic Criticism from Yale sound designer for this year at Yale Cabaret, he sound designed Nijinsky’s Last Dance School of Drama. and Language of Angels. He occasionally performs with the electro-pop group, The Simple Pleasure. RICCARDO HERNANDEZ (SCENIC DESIGNER) Broadway credits include Caroline, or Change; Elaine Stritch at Liberty (also National Tour, London); Topdog/Underdog TARA RUBIN CASTING (CASTING DIRECTORS) has been casting at Yale Rep (also London); Bells Are Ringing; Parade (Tony, Drama Desk nominations); Bring in ’Da since 2004. Broadway: A Little Night Music, Billy Elliot (Adult Casting), Shrek, Noise, Bring in ’Da Funk (also National Tour, Japan); and The Tempest. He designed Guys and Dolls, The Little Mermaid, Mary Poppins, Jersey Boys, The Producers, Yale Rep’s world premiere of The Evildoers in 2008. Recent credits include Fetch Mamma Mia!, The Phantom of the Opera, The Country Girl, Young Frankenstein, Clay/Make Man (McCarter Theatre); Philip Glass’s Appomattox (directed by Robert The Farnsworth Invention, Rock ’n’ Roll, The History Boys (US casting), Les Woodruff, Opera), Let Me Down Easy, written and performed by Anna Misérables, Spamalot, The 25th Annual Putnam County Spelling Bee, The Pirate Deavere Smith (Second Stage); Lost Highway (London’s / Queen, Good Vibrations, Bombay Dreams, Oklahoma!, Flower Drum Song, Young Vic); Julius Caesar (American Repertory Theater, Festival Automne Paris); Imaginary Friends, Metamorphoses (New York casting). Lincoln Center Theater: The Seagull (American Repertory Theater) and Alice Vs. Wonderland (Moscow MXAT Happiness, The Frogs, Contact, Thou Shalt Not, A Man of No Importance, Anything Institute), both directed by János Szász; Ethan Cohen’s Offices and Almost an Evening Goes (concert). The Kennedy Center: Mame, Mister Roberts, The Sondheim (Atlantic Theater Company). He has designed over 200 productions in the US and Celebration, and Explored. Film: The Producers: The Musical. internationally at New York Shakespeare Festival/The Public Theater, Lincoln Center Members, Casting Society of America. Theater, BAM, New York Theatre Workshop, MTC, , Goodman, Mark Taper Forum, Lyric Opera of , New York City Opera, Houston Grand Opera, Los ILONA SOMOGYI (COSTUME DESIGNER) Recent New York area productions Angeles Opera, Florida Grand Opera, Santa Fe Opera, London’s National Theatre, Old include Clybourne Park (Playwrights Horizons); Crooked (Women’s Project); Vic, Royal Court, Centre Dramatique Orleans France, and Det Norske Teatret . Jerry Springer: The Opera (Carnegie Hall); Almost an Evening, Scarcity (Atlantic Upcoming: Il Postino (Los Angeles Opera, Vienna, and Paris). He is a graduate of Yale Theater Company); The Piano Teacher (Vineyard Theatre); Fever Chart, Controversy School of Drama. at Vallalodid, Fucking A (The Public Theater); Emma (New York Musical Theatre Festival); The American (); Hot ’n’ Throbbin’ (Signature TOM McALISTER (COSTUME DESIGNER) has been costume shop manager for Theatre Company); Savannah Bay (MCC); as well as God of Hell, Wit, Swimming with Yale Repertory Theatre/Yale School of Drama for twenty-one years, supervising over Watermelons, Unwrap Your Candy, Tabletop, and Hard Times. She also designed 250 productions. In the course of his nearly forty-year career, he has worked on such 16 17 CREATIVE TEAM CREATIVE TEAM

Princess Wishes for Disney on Ice, currently on tour. Her many regional credits Monk, and Patsy Rodenburg. His New York credits include The Violet Hour, Golden include Play, (Yale Rep); Noises Off, A Midsummer Night’s Child, and Victor/Victoria on Broadway; and the world premiere productions of The Dream (Hartford Stage); Lil’s 90th (); The Torchbearer, The Autumn Laramie Project, Argonautika, and Endangered Species. Regional theatre credits Garden, Sweet Bird of Youth, Top Girls, On the Razzle (Williamstown Theatre Festival); include productions at Actors Theatre of Louisville, American Repertory Theatre, Scramble, Vigil, and Sedition (Westport Country Playhouse). She was also associate Long Wharf Theatre, McCarter Theatre, Shakespeare & Company, and Williamstown costume designer for Spamalot, The Crucible, and on Broadway, and the Ringling Theatre Festival. At Yale Rep, he has served as voice and dialect coach on Notes from Bros. and Barnum & Bailey Circus. Ilona is a graduate of Yale School of Drama and is Underground, Boleros for the Disenchanted, The Evildoers, The Cherry Orchard, The currently a member of its faculty. Intelligent Design of Jenny Chow, The Black Monk, Medea/Macbeth/Cinderella, Betty’s Summer Vacation, The Birds, and Richard III. RICK SORDELET (FIGHT DIRECTOR) 44 Broadway productions, including Disney’s The Lion King, Beauty and the Beast, Tarzan, The Little Mermaid, and Aida. He has ROBERT WOODRUFF (DIRECTOR) co-adapted and directed Yale Rep’s 2009 staged the fights for the opera Cyrano de Bergerac starring Placido Domingo at the production of Notes from Underground, which will be seen at La Jolla Playhouse Metropolitan Opera, The Royal Opera House, and the LaScala in Milan, Italy; and next season. He has directed over 60 productions across the US at theatres for over 40 productions on five continents. Film: The Game Plan starring Dwayne including Lincoln Center Theater, The Public Theater, Brooklyn Academy of Music, “The Rock” Johnson; Dan in Real Life starring Steve Carell and Juliette Binoche; and American Conservatory Theater, Guthrie Theater, and Mark Taper Forum, among Hamlet starring Campbell Scott. He served as the chief stunt coordinator for Guiding others. Recent credits include Madame White Snake, a new opera by Zhou Long Light and staged the fights for First Jedi, a CD-ROM for George Lucas. Rick received for Opera Boston, which will play in Beijing in the fall of this year; Orpheus X for the Lucille Lortel Award for Sustained Excellence in 2007. He teaches at Yale School Theatre for a New Audience; Ifigeneia in Aulis with Toneelgroep Amsterdam; and of Drama, The New School for Drama, and The Neighborhood Playhouse. He is a Philip Glass’s Appomattox for the . Internationally, his work company member of The Drama Dept., a board member of The Shakespeare Theatre has been seen at the Habimah National Theatre in Israel, Sydney Arts Festival, Los of New Jersey, and the author of the play Buried Treasure. He is married to actress Angeles Olympic Arts Festival, Edinburgh International Festival, Hong Kong Festival Kathleen Kelly and has three children: Kaelan, Christian, and Collin. of the Arts, Jerusalem Festival, and Spoleto Festival USA. Mr. Woodruff has taught at the University of California campuses at San Diego and Santa Barbara, New York STEPHEN STRAWBRIDGE (LIGHTING DESIGNER) has designed the lighting University’s Tisch School of the Arts, and . He is on the faculty of for productions on and off Broadway, at most leading regional theatre and opera Yale School of Drama. In 1972, he co-founded the Eureka Theatre in San Francisco, companies across the US, and internationally in Bergen, Copenhagen, The Hague, where he served as Artistic and Resident Director until 1978. In 1976, Mr. Woodruff Hong Kong, Lisbon, Munich, Sao Paulo, Stockholm, and Vienna. Recent work includes established the Bay Area Playwrights Festival, a summer forum for the development ’s Coming Home for Berkeley Rep and Long Wharf Theatre; School Boy of new plays that is still flourishing. From 2002 to 2007, Mr. Woodruff was the Artistic Play for the Linz 09 Festival in Austria; Having Our Say (McCarter Theatre); At Home Director of American Repertory Theatre. He was named a 2007 USA Biller Fellow by at the Zoo (American Conservatory Theater); Crime and Punishment (Berkeley Rep); United States Artists, an arts advocacy foundation dedicated to the support and The Glorious Ones, Bernarda Alba (Mitzi Newhouse Theatre at Lincoln Center); Prayer promotion of America’s top living artists. for My Enemy (Playwrights Horizons); Shipwrecked! (Primary Stages); and Souls of Naples (Mercadante, Naples, Italy, and Theatre for a New Audience). He has been JENNA WOODS (STAGE MANAGER) is a third-year MFA candidate at Yale School nominated for or won the American Theatre Wing, Bay Area Theatre Critics Circle, of Drama, where her credits include Man=Man, Romeo and Juliet, Baal, and Grace, Dallas-Fort Worth Theater Critics Forum, , and . He or the Art of Climbing. Previous Yale Rep credits include the world premiere of POP! is co-chair of the Design Department at Yale School of Drama and resident lighting earlier this season and last season’s Notes from Underground. Jenna has toured with designer at Yale Repertory Theatre. the national tours of The Music Man and Footloose (Props Supervisor) and the North American tour of Riverdance (Wardrobe Supervisor). Jenna holds a BFA in theatre WALTON WILSON (VOCAL COACH) is Head of Voice and Speech at Yale School design from the University of Kansas. of Drama. He was trained and designated as a voice teacher by Master Teacher Kristin Linklater and was trained and certified as an associate teacher by Master Teacher Catherine Fitzmaurice. He also studied with Richard Armstrong, Meredith

18 19 YALE REPERTORY THEATRE

ARTISTIC DIRECTOR Co-Director of the Pacific Playwrights Festival. She was dramaturg on more than 40 new plays at JAMES BUNDY is in his eighth year as Dean of Yale School of Drama and Artistic SCR, including the world premieres of Rolin Jones’s The Intelligent Design of Jenny Chow, Amy Director of Yale Repertory Theatre. In his first seven seasons, Yale Rep has Freed’s The Beard of Avon, and the West Coast premieres of Sarah Ruhl’s The Clean House and produced more than twenty world, American, and regional premieres, three Nilo Cruz’s Anna in the Tropics. Prior to that, she served as production dramaturg at American of which have been honored by the Connecticut Critics Circle with the award Repertory Theatre, collaborating with Robert Brustein, Robert Woodruff, Liz Diamond, and Kate for Best Production of the year, and two of which have been Pulitzer Prize Whoriskey, and with multi-media director Bob McGrath on stage adaptations of Robert Coover’s finalists. During this time, Yale Rep has also commissioned more than twenty Charlie in the House of Rue and Mac Wellman’s Hypatia. She has been a dramaturg for the artists to write new work and provided low-cost theatre tickets and classroom Playwrights’ Center of Minneapolis and Boston Theatre Works and a panelist for the National visits to thousands of middle and high school students from Greater New Haven through WILL Endowment for the Arts and the California Arts Council. Ms. Kiger completed her training in POWER!, an educational program initiated in 2004. Mr. Bundy’s directing credits include The Dramaturgy at the American Repertory Theatre Institute for Advanced Theatre Training at Harvard Psychic Life of Savages, The Ladies of the Camellias, All’s Well That Ends Well, A Woman of No University, where she taught courses in acting and dramatic arts. Importance, and Death of a Salesman at Yale Rep, as well as productions at Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, PRODUCTION SUPERVISOR and The Juilliard School Drama Division. A recipient of the Connecticut Critics Circle’s Tom Killen BRONISLAW SAMMLER has been Chair of Yale School of Drama’s acclaimed Award for extraordinary contributions to Connecticut professional theatre in 2007, Mr. Bundy Technical Design and Production Department since 1980. In 2007 he was currently serves on the board of directors of Theatre Communications Group, the national service named the Henry McCormick Professor (Adjunct) of Technical Design and organization for nonprofit theatre. Previously, he worked as Associate Producing Director of The Production by Yale’s President, Richard C. Levin. He is co-editor of Technical Acting Company, Managing Director of Cornerstone Theater Company, and Artistic Director of Brief and Technical Design Solutions for Theatre, Vols. I & II. His book Great Lakes Theater Festival. He is a graduate of Harvard College and Yale School of Drama. Structural Design for the Stage won the United States Institute of Theatre Technology’s Golden Pen Award. Demonstrating his commitment to excellence MANAGING DIRECTOR in technical education and professional production, he founded USITT’s National Theatre VICTORIA NOLAN is in her 18th year as Managing Director of Yale Repertory Technology Exhibit, an on-going biennial event; he has served as a commissioner and a director- Theatre, serves as Deputy Dean of Yale School of Drama, and is on its at-large and is a lifetime Fellow of North America’s Theatre Technology Association. He was faculty. She was previously Managing Director of Indiana Repertory Theatre, honored as Educator of the Year in 2006 by the New England Theatre Conference. His production Associate Managing Director at Baltimore’s CENTERSTAGE, Managing management techniques and his introduction of structural design to scenic technology are being Director at Ram Island Dance Company in Portland, Maine; and she has employed in both educational and professional theatres throughout the world. held various positions at Loeb Drama Center of Harvard University; TAG Foundation, an organization producing Off-Broadway modern dance PRODUCTION STAGE MANAGER festivals; and Boston University School for the Arts. Ms. Nolan has been an evaluator for the JAMES MOUNTCASTLE has been at Yale Rep since 2004. He has stage National Endowment for the Arts, for which she has chaired numerous grant panels, and has managed productions of The Master Builder, Passion Play, Richard II, served on other panels and foundation review boards including the AT&T Foundation, The Heinz Eurydice, a new adaptation of The Cherry Orchard, and the world premiere Family Foundation, Lila Wallace-Reader’s Digest Fund, and the Metropolitan Life Foundation. of The Clean House. A professional stage manager for more than twenty She has also served on the Executive Committee of the League of Resident Theatres (LORT) years, he has worked in regional, stock, and . Broadway and on numerous negotiating teams for national labor contracts. A Fellow at Yale’s Saybrook credits include Damn Yankees, Jekyll & Hyde, Judgment at Nuremberg, The College, she is the recipient of the Betsy L. Mahaffey Arts Administration Fellowship Award from Boys from Syracuse, The Smell of the Kill, Life x(3), and . the State of Connecticut and the Elm/Ivy Award, given jointly by Yale University and the City of Mr. Mountcastle spent several Christmas seasons in New York City as stage manager for the New Haven for distinguished service to the community. now legendary production of A Christmas Carol at Madison Square Garden. Broadway national tours include City of Angels, Falsettos, and . He served as Production Stage ASSOCIATE ARTISTIC DIRECTOR Manager for Damn Yankees starring Jerry Lewis for both its national tour and at the Adelphi JENNIFER KIGER is in her fifth year at Yale Rep and is also director of the new Theatre in London’s West End. In addition, Mr. Mountcastle has worked at The Kennedy Center, play programs of the Yale Center for New Theatre, an integrated, playwright- CENTERSTAGE in Baltimore, Actors Theatre of Louisville, Brooklyn Academy of Music, and driven initiative that supports the creation of new plays and musicals for elsewhere. James and his wife Julie live in North Haven and are the very proud parents of two the American stage through commissions, residencies, workshops, and beautiful girls: Ellie, who is 11 years old, and Katie, age 9. productions. Ms. Kiger came to Yale Rep from South Coast Repertory (SCR), where she was Literary Manager from 2000 to 2005 and served as

20 21 YALE REPERTORY THEATRE STAFF PRODUCTION ADDITIONAL STAFF FOR James Bundy, Artistic Director Development and Alumni Affairs Bronislaw J. Sammler, Production Supervisor BATTLE OF BLACK AND DOGS Victoria Nolan, Managing Director Deborah S. Berman, Director of Development and Alumni Affairs James Mountcastle, Production Stage Manager Luisa Proske, Assistant Director Jennifer Kiger, Associate Artistic Director Debbie Ellinghaus, Senior Associate Director of Jonathan Reed, Senior Associate Production Supervisor Maruti Evans, Assistant Scenic Designer Development and Alumni Affairs Marla J. Beck, Senior Administrative Assistant Rebecca Welles, Assistant Costume Designer ARTISTIC Whitney Estrin, Associate Director of Development to the Production Department Travis McHale, Assistant Lighting Designer Resident Artists Barry Kaplan, Senior Staff Writer Nicholas Pope, Associate Sound Designer Paula Vogel, Playwright-in-Residence Susan C. Clark, Development Associate Costumes Erich Bolton, Sound Engineer Liz Diamond, Evan Yionoulis, Resident Directors DeDe Jacobs Komisar, Development Assistant Tom McAlister, Costume Shop Manager Anne Erbe, Assistant Dramaturg Catherine Sheehy, Resident Dramaturg Belene Day, Senior Administrative Assistant to Robin Hirsch, Associate Costume Shop Manager Lindsey Turteltaub, Assistant Stage Manager , Set Design Advisor Development and Marketing and Communications Mary Zihal, Senior Draper Shaminda Amarakoon, Associate Production Supervisor , Resident Set Designer Clarissa Wylie Youngberg, Draper Stephen C. Henson, Technical Director , Costume Design Advisor Finance and Information Technology Deborah Bloch, First Hand Michael Backhaus, Sandra J. Jervey, Assistant Technical Jess Goldstein, Resident Costume Designer Katherine D. Burgueño, Director of Finance and Linda Kelley-Dodd, Costume Project Coordinator Directors Jennifer Tipton, Lighting Design Advisor Human Resources Denise O’Brien, Wig and Hair Design Joe Stoltman, Master Electrician Stephen Strawbridge, Resident Lighting Designer Sheila Daykin, Associate Director of Finance Barbara Bodine, Company Hairdresser Mikey Rohrer, Assistant Properties Manager David Budries, Sound Design Advisor Cristal Coleman, Magaly Costa, Maria Frey, Ashlie Russell, Linda Wingerter, Costume Stock Manager Kit McKay, Assistant Company Manager Walton Wilson, Voice and Speech Advisor Business Office Specialists Robert C. Snipes, Assistant to the Costume Shop Manager Jaeeun Joo, House Manager Rick Sordelet, Fight Advisor Randall Rode, Information Technology Director Matthew Gutschick, Michael McQuilken, Kirsten Parker, Mary Hunter, Stage Management Advisor Daryl Brereton, Associate Information Technology Director Electrics Robert Shearin, Run Crew Mara Hazzard, Director, Yale Tessitura Consortium Donald W. Titus, Lighting Supervisor Associate Artists Toni Ann Simiola, Senior Administrative Assistant to Business Jason Wells, Linda Young, Head Electrician UNDERSTUDIES 52nd Street Project, Kama Ginkas, Mark Lamos, Office, Information Technology, Operations, and Tessitura Brett Dalton, Cal MTYZ Theatre/Moscow New Generations Jacqueline Sappleton-Henry, Business Office Assistant Painting Marcus Henderson, Alboury Theatre, Bill Rauch, Sarah Ruhl, Henrietta Yanovskaya Niti Mehta, Information Technology Assistant Ru-Jun Wang, Painting Supervisor Ben Horner, Horn Angie Meninger, Scenic Artist Emily Trask, Léone Commissioned Artists Marketing, Communications, and Audience Services Nora Hyland, Assistant Scenic Artist David Adjmi, Todd Almond, Hilary Bell, Adam Bock, Anne Trites, Director of Marketing and Communications Jennifer Herbert, Assistant to the Painting Supervisor SPECIAL THANKS Bill Camp, Will Eno, Marcus Gardley, Ann Marie Healy, Steven Padla, Senior Associate Director of Communications Alderman-Dow Iron & Metal Company, Anything But Amy Herzog, Naomi Iizuka, Dan LeFranc, Liz Meriwether, Daniel Cress, Associate Director of Marketing Properties Costumes, Long Wharf Theatre Prop Shop, Doris Mirescu, Scott Murphy, Julie Marie Myatt, Jay Reiss, Sarah Ruhl, Shin-Hyoung Shon, Associate Director of Marketing Brian Cookson, Properties Master Arthur Nauzyciel, Dr. James Speiser Octavio Solis, Paula Vogel, Kathryn Walat, Anne Washburn, and Communications David P. Schrader, Properties Craftsperson Marisa Wegrzyn, Robert Woodruff Devon Smith, Director of Analytics Jennifer McClure, Properties Assistant Rachel Smith, Associate Director of Marketing and Rachel Reynolds, Properties Stock Manager Artistic Administration Audience Services Nishi L. Hamrick, Assistant to the Properties Master Amy Boratko, Literary Manager Maggie Elliott, Marketing and Publications Manager Sarah Stevens-Morling, Online Communications and The Actors and Stage Manager employed in this Alex Grennan, Kay Perdue Meadows, Artistic Coordinators Scenery production are members of Actors’ Equity Association, Print Advertising Manager Brian Valencia, Walter Byongsok Chon, Don Harvey, Neil Mulligan, Technical Directors the Union of Professional Actors and Stage Managers. Hannah Rae Montgomery, Literary Associates Karena Fiorenza Ingersoll, Marketing Assistant Alan Hendrickson, Electro Mechanical Tara Rubin, CSA, Laura Schutzel, CSA, Casting Directors Scott McKowen, Punch & Judy Inc., Graphic Designers Laboratory Supervisor Eric Woodall, Merri Sugarman, Casting Associates David Cooper, Photographer Eric Sparks, Shop Foreman Paige Blansfield, Rebecca Carfagna, Dale Brown, Joan Marcus, Production Photographer Matt Gaffney, Sharon Reinhart, Master Carpenters Janna J. Ellis, Associate Director of Audience Services Yale Repertory Theatre operates under an agreement between Casting Assistants Lisa McDaniel, Ryan Gardner, Shop Carpenters the League of Resident Theatres (LORT) and Actors’ Equity Ruth M. Feldman, Director of Education and and Tessitura Specialist Amy Jonas, Michael Backhaus, Assistants to Association, the Union of Professional Actors and Stage Accessibility Services Tracy Baldini, Laura Kirk, Assistant Audience Services Directors the Technical Director Managers in the United States. Teresa Mensz, Library Services Assistant London Moses, Audience Services Assistant Josie Brown, Senior Administrative Assistant to the Courtney Engle, Ruth Kim, Tiffany Lin, Sue Malone, Sound Artistic Director and Associate Artistic Director William Smith, Anya Van Wagtendonk, Joanna Wilson, Josh Loar, Sound Supervisor Kathleen Driscoll, Senior Administrative Assistant for Box Office Assistants Paul Bozzi, Staff Sound Engineer the Directing, Dramaturgy and Dramatic Criticism, Palmer Hefferan, Nicholas Pope, Assistants to the Playwriting, and Stage Management Department Operations Sound Supervisor Mary Volk, Senior Administrative Assistant for the Diane Galt, Director of Facility Operations The Scenic, Costume, Lighting, and Sound Design and Sound Design Departments Rich Abrams, Operations Associate Projections Designers in LORT are represented by United Artists Local USA-829, IATSE. Ben Holder, Ron Maybrey, Custodial Supervisors Erik Trester, Head Projection Technician ADMINISTRATION Lucille Bochert, Vermont Ford, Warren Lyde, Vondeen Ricks, Michael Barker, Belina Mizrahi, Meghan Pressman, Mark Roy, Custodians Stage Operations Associate Managing Directors Janet Cunningham, Stage Carpenter Batlle of Black and Dogs, April 16 to May 8, 2010. Elizabeth Elliott, Jennifer Harrison Newman, Theater Safety and Occupational Health Kate Begley Baker, Properties Runner Yale Repertory Theatre, 1120 Chapel Street. Assistant Managing Directors William J. Reynolds, Director of Theater Safety Elizabeth Bolster, Wardrobe Supervisor Katie Liberman, Management Assistant and Occupational Health Charles Harbert, Sound Operator Emalie Mayo, Senior Administrative Assistant Jacob Thompson, Security Officer to the Managing Director Ed Jooss, Audience Safety Officer Tara Kayton, Company Manager Fred Grier, Customer Service and Safety Officer

22 23 New Haven’s own YOU CAN MAKE A DIFFERENCE!

The process of creating theatre is a mutually rewarding experience for artists and audiences: we cannot do it without each other. The quality Serious Coffee.® of the experience at Yale Rep depends on friends like you. Please consider making a contribution to Yale Rep this year. Proud sponsor of Yale Repertory Theatre Connecticut’s premiere By making a gift to our Annual Fund, you not specialty coffee roaster since 1985 only support the creative work on our stages, but also our outreach programs, like WILL POWER!, which brings thousands of students Our newest store is right around the corner to specially scheduled performances at Yale Yale Architecture Library Rep, and The Dwight/Edgewood Project, a 194 York St., near Chapel mentor-based playwriting program for local 203-789-8400 middle school students. open 7 days until 9pm

258 Church St., corner Grove PLAY YOUR PART TODAY 203-777-7400 and help us continue our great tradition open 7 days of bold storytelling.

Also Branford & Madison To make a gift to Yale Repertory Theatre, Mail Order 800-388-8400 please call Whitney Estrin, Associate Director www.willoughbyscoffee.com of Development, at 203.432.1536, or email coffee - tea - gifts [email protected]. You can also make a SUSAN HEYWARD IN THE MASTER BUILDER. PHOTO BY donation online at yalerep.org/donate. T. CHARLES ERICKSON, 2009. Charles Kimbrough Dick and Norma Grossi Paul Selfa Mr. and Mrs. Scott CONTRIBUTORS Francis N. Levy Regina Guggenheim Sandra Shaner Brennan TO YALE SCHOOL OF DRAMA AND YALE REPERTORY THEATRE Kenneth Lewis William B. Halbert Rachel Sheinkin Russell and Freddie Chih-Lung Liu Scott Hansen Mark and Cindy Slane Brenneman Brian Mann Walter and Betty Harris David Soper and Amy L. Brewer LEADERSHIP SOCIETY Lucille Lortel Foundation Fred Gorelick and PARTNERS John McAndrew Douglas Harvey Laura Davis Cynthia Brizzell-Bates ($50,000 and above) Donald B. Lowy Cheryl MacLachlan ($500-$999) Susie Medak Barbara Hauptman Erich William Stratmann Theresa Broach Anonymous Estate of George E. Donald Granger Nina Adams and Moreson Stephen Mendillo Nicole and Larry Heath Paul Charles Tigue III Carole and Arthur Broadus John Badham Nichols III Mabel Burchard Fischer Kaplan David E. Moore Peter Hentschel and Suzanne Tucker Brenda and Howard Brody John B. Beinecke Carol L. Sirot Foundation Grant Foundation Amy Aquino and Drew Arthur Oliner Elizabeth Prete David J. Ward Arvin B. Brown Estate of Nicholas Ciriello Anne Hamburger McCoy James M. Perlotto, M.D. Jennifer Hershey-Benen Vera Wells Shawn Hamilton Brown Sterling and Clare Brinkley PRODUCER’S CIRCLE Andrew and Jennifer Mr. and Mrs. B. Ashfield Lawrence Perry and June and George Higgins Dana Westberg Philip Bruns Philip A. Corfman, M.D. ($5,000 - $9,999) Hamilton Mary Ellen and Thomas Rebecca Wayland Catherine MacNeil Judith and Guy Yale Robert Brustein Edgar M. Cullman, Jr. Foster Bam Richard Harrison Atkins Thomas J. Peterson Hollinger Evan Yionoulis Rene Buch Edgar M. Cullman III Jim Burrows Donald A. Harvey Alexander Bagnall Carol A. Prugh Abraham Maimon William Buck The Jerome L. Greene Bill Conner Carol Thompson John Rhee Elizabeth Holloway Gerard and Ann Burrow Foundation Scott M. Delman Hemingway Jack W. Belt Alan Rosenberg John Robert Hood FRIENDS Robert and Linda Burt A.R. Gurney Sasha Emerson Levin Albert Hurwitz Catherine Black David Saltzman Christine Jahnke ($100-$249) Jonathan Busky F. Lane Heard III The John Golden Fund James Earl Jewell Susan Brady and Suzanne Sato Rolin Jones Anonymous Sheldon Bustow David Johnson Ruth and Steve Hendel Donald and Candice Kohn Mark Loeffler G. Erwin Steward Cynthia Kaback Emily Aber and Susan Wheeler Byck and Catherine MacNeil The Ethel & Abe Lapides Alice B. and Shirin Devrim Trainer Edward Kaye Robert Wechsler Donald Cairns Sylvia Fine Hollinger Foundation James T. Brown John M. Turturro and Ashley York Kennedy David E. Ackroyd Bianca Calabresi Kaye Foundation George Ingram George N. Lindsay, Jr Martin Caan and Carol Katherine Borowitz Richard H. Klein Joseph V. Agostini Kathryn A. Calnan Jay Keene Ben Ledbetter and Jody Locker-Berger Petschek Carol M. Waaser Diana E.E. and Fred S. Roberto F. Aguirre-Sacasa Vincent Cardinal Neil Mazzella Deborah Freedman Sarah Long Donald Cairns Carolyn S. Wiener Kleiner Michael Albano Carolyn Foundation David Milch Jane Marcher Foundation Linda Lorimer and Ian Calderon Steven Wolff Harvey Kliman and Sarah Jean Albertson Adrienne Carter H. Thomas Moore Mionetto USA Charley Ellis Joy G. Carlin Stephen Zuckerman Sandra Stein Narda Alcorn William E. Caruth Estate of Tad Mosel NewAlliance Foundation William Ludel Cosmo Catalano, Jr. John and Evelyn Kossak Liz Alsina Raymond Carver Walter F. Parkes Carol Ostrow Dr. and Mrs. Robert W. Jenny and Ricardo Chavira INVESTORS Foundation Richard Ambacher Anna Cascio The Estate of Mark Richard Talia Shire Schwartzman Lyons John Conklin ($250-$499) David Kriebs Dr. and Mrs. Lane Ameen Sami Joan Casler The Estate of Barbara The Seedlings Foundation Romaine A. Macomb Robert Cotnoir Actors’ Equity Foundation Frances Kumin Annette Ames Cosmo A. Catalano, Jr. E. Richter Sonja and Patrick Seaver Edward Martenson Anna E. Crouse Anonymous William Kux Leif Ancker Patricia Cavanaugh Robina Foundation Eugene F. Shewmaker Susan McNamara, MD Susan Curtis Susan and Bruce James Lapine Nephelie Andonyadis Edward Check Michael and Riki Sheehan Jeremy Smith Arthur and Merle Nacht Ernestine and Ronald Cwik Ackerman Michael John Lassell Bob and Jane Archibald Mary Chesnutt The Shubert Foundation Philip J. Smith NEA/TCG Theatre Bob and Priscilla Dannies Mary B. Arnstein Richard and Elaine Lau Atticus Bakery Suellen G. Childs Jennifer Tipton Clifford Warner Residency Program Drew S. Days III and James Robert Bakkom Dr. Robert and Inez Liftig Clayton May Austin Olive Chypre Edward Trach Xerox Foundation for Playwrights Ann R. Langdon Raymond Baldelli and Jane Lyman Angelina Avallone Fred and Laura Clarke Esme Usdan Christopher Noth Ramon L. Delgado Ronald Nicholes Thomas Lynch Joe and Ravit Avni-Singer Christian Clemenson Zelma Weisfeld DIRECTOR’S CIRCLE Richard Ostreicher Cory and Bob Donnalley Robert Baldwin Sandra Manley Arthur Baer Lani Click ($1,000-$4,999) DW Phineas Perkins Charitable Foundation Richard E. Bianchi Delia Maroney and Dylan Baker Becky and Gary Cline GUARANTORS Anna Fitch Ardenghi George and Kathy Priest Elizabeth Doyle Robert Bienstock Jolie Damiano Frank and Eileen Baker Katherine D. Cline ($25,000-$49,999) General Charitable Sarah Rafferty Mary Elder Tom Broecker Carol and Arthur Mikesell Paul Baker Margaretta M. Clulow The Estate of Robert Purpose Trust, Bank of Arthur I. Rank III Eric Elice Mark Brokaw Jeffrey Milet James Bakkom Roxanne Coady Anderson America, Trustee Pamela Rank Jenifer Endicott Claudia Brown Daniel Mufson Drs. M. Baron and Jack Cockerill Anonymous Cornelia Barr Belinda Robinson Roberta Enoch and Bruce and Janet Bunch Victoria Nolan and R. Magraw Joel Cogen and Connecticut Commission Margaret A. Bauer Ben and Laraine Sammler Steven Canner Thomas Buttke and Clark Crolius Christopher Barreca Elizabeth Gilson on Culture and Tourism Deborah S. Berman Scoozzi Trattoria Peter Entin Judith Waters Dwight Odle Barbara Barry Robert S. Cohen Educational Foundation of Jeffrey A. Bleckner and Wine Bar Abigail Evans Michael Cadden Louise Perkins and Pattsy Bates Patricia J. Collins America Thomas Bruce Marie S. Sherer Teresa Eyring Anne and Guido Calabresi Jeff Glans William Batsford Forrest Compton James Bundy Benjamin Slotznick Michael T. Fulton and William Caruth Laura Perlow Mark Bauer Kristen Connolly National Endowment CEC Artslink Flora Stamatiades Catherine Hernandez David M. Conte Stephen Pollock Nancy and Richard Beals David Conte for the Arts Joan D. Channick Kenneth J. Stein Stephen L. Godchaux Marycharlotte Cummings Alec and Drika Purves Andrew A. Beck Helen and Jack Cooper Edward John Noble Patricia Clarkson Shepard and Marlene David Goldman and John W. Cunningham Asghar and Faye Rastegar Spencer P. Beglarian Gregory Copeland Foundation Enrico L. Colantoni Stone Debbie Bisno Richard Sutton Davis Ronald Recasner Ursula Belden Aaron Copp Trust for Mutual Community Foundation Robert and Arlene James W. Gousseff Charles Dillingham Bill and Sharon Reynolds Ronald Bell George Corrin, Jr. Understanding of Greater New Haven Szczarba Wray Steven Graham Constance Dimock Ross Sumner Richards Wendell and Lora Lee Bell Robert Cotnoir Peggy Cowles Target Stores Rob Greenberg Dennis Dorn Harry M. Ritchie James C. Bellavance Stephen Coy BENEFACTORS William E. Curran, Jr. TD Bank D. Keith Hargreaves Elizabeth English Dawn Robertson Albert Bennett Dana S. Croll ($10,000-$24,999) Michael S. David Theatre Projects Karsten Harries David Freeman Edward Bennett Timothy and Pamela Americana Arts The Frederick A. DeLuca Consultants Katherine W. Haskins Meredith Freeman Lori Robishaw Elizabeth Bennett Cronin Foundation Foundation William and Phyllis Warfel Michael Haymes and Joseph Gantman Steve Robman Jenefer and Frank Berall Douglas and Roseline Anonymous Michael Diamond Alexandra Witchel Logan Green Cleveland Gardner Dorothy Rostov Melvin Bernhardt Crowley Bank of America Henry Dunn Alan Yuspeh Jane C. Head Stuart and Beverly Gerber Dr. Ortwin Rusch Richard Bianchi Jane Ann Crum Mary L. Bundy Glen R. Fasman Robert Zoland Kathryn Hirsch Julie Grant Alvin Schecter Mrs. Frank Black Sean Cullen Marc Flanagan Terry Kevin Fitzpatrick Donald Holder Robert J. Greenberg Larry Schwartz and Russ Edward Blunt Donato Joseph D’Albis Jane Kaczmarek Marcus Dean Fuller Kathleen Houle Elizabeth Greene Rosensweig John Cummings Boyd F. Mitchell Dana Estate of Nathan Lipofsky Barnet K. Kellman Michael Gross Alexander Scribner John Breedis Sue and Gus Davis

26 27 CONTRIBUTORS

Nigel W. Daw David Gainey Christopher Higgins Shirley Kirschner Peter Mason Fran and Ed O’Neill Anne Schenck Flora Van Dyke Mr. and Mrs. Paul Jim and Eunice Galligan Hill Regional Career Dragan Klaic Richard Mason Sara Ormond Henry Scherer Michael Van Dyke DeCoster Shawn Marie Garrett High School Raymond Klausen Carole A. Masters Lori Ott Mr. and Mrs. Michael Carrie Van Hallgren Elizabeth DeLuca Steven Gefroh Mr. and Mrs. Edward F. Dr. Michael and Terri Gayle Maurin Kendric T. Packer Schmertzler Hyla and Barry Vine Julia L. Devlin Mary Louise Geiger Hirsch, Jr. Klein Beverly May Joan D. Pape Ruth Hein Schmitt Fred Voelpel Jose A. Diaz Eugenie and Bradford Elizabeth Holloway Richard Klein Mary McCabe Dr. and Mrs. Michael Parry William Schneider Fred Volkmar George Di Cenzo Gentry Amy Holzapfel James Kleinmann Tarell Alvin McCraney Usha Pasi Georg Schreiber Elaine and Patrick Thomas Di Mauro Robert Gerwien Agnes Hood Fredrica Klemm John and Rebecca Mary L. Pepe Jennifer Schwartz Wackerly Francis Dineen Paul and Liz Giamatti James Guerry Hood Donald Knight McCullough John L. Peschel Kimberly A. Scott Charles Walkup Gene Diskey Patricia Gilchrist Carol V. Hoover Daniel Koetting Robert A. McDonald William Peters Forrest E. Sears Elizabeth Walsh Melinda DiVicino Robert and Anne Gilhuly David Howson Harvey and Ruth Koizim Brian McEleney Zane Pihlstrom Subrata Sen Barbara Wareck and Alexander Dodge Morfydd and Gilbert Evelyn Huffman Stephen Kovel Thomas McGowan Andrew Plummer Paul H. Serenbetz Charles Perrow Dennis Dorn Glaser Hull’s Art Supply Brenda and Justin Kreuzer Deborah McGraw Stephen B. Pollock John Victor Shea Anne C. Washburn Franchelle S. Dorn Robert Glen and Framing Joan Kron Robert J. McKinna Lisa Porter Morris Sheehan Steven I. Waxler Merle Dowling William Glenn Derek Hunt Bernard Kukoff Ann and Chad McLaughlin Michael B. Posnick Paul R. Shortt Gil Wechsler JoAnne E. Droller, R.N. Neil Gluckman Mary and Arthur Hunt Raymond T. Kurdt Patricia McMahon Amy Povich Carol M. Sica Betsy and Harry Welch D. William Duell Susan Gobel Peter H. Hunt Mitchell Kurtz Bruce W. McMullan Gladys S. Powers Lorraine Siggins and Tan Falkowski Wells John A. Duran Lindy Lee Gold Timothy and Diane Hunt Howard and Shirley Lamar Lynne Meadow Robert Provenza Braxton McKee Thomas Werder Karen and Edwin Duval Norma and Myron H. John Huntington Marie Landry and Peter Mr. and Mrs. James Alvin S. Prusoff and Michael Vaughn Sims Raymond Werner East Coast Management Goldberg Raymond P. Inkel Aronson Meisner Dr. Deborah DeRose William Skipper J. Newton White & Consulting, LLC Robert Goldsby Patricia Ireland David Larson Stephen W. Mendillo William Purves Lee Skolnick Peter White Mr. and Mrs. David Ebbin Jess Goldstein Candace Jackson C. James Lawler Donald Michaelis Michael Quinn William and Betsy Sledge Robert and Charlotte Douglas Edwards David Gorton Ihor Hayda Gerard Leahy Brina Milikowsky Sarah Rafferty Teresa Snider-Stein White Frances L. Egler Lori S. Gorton Mr. and Mrs. Herrick Wing Lee George Miller and Faye and Ashgar Rastegar Suzanne Solensky and Joan Whitney Dr. and Mrs. Richard Naomi S. Grabel Jackson Charles E. Letts III Virginia Fallon Ronald Recasner Jay Rozgonyi Robert Wierzel Ehrenkranz Christopher Grabowski Kirk Jackson Emily Leue Ralph Redpath E. Gray Smith, Jr. Lisa A. Wilde Marc and Heidi Charles F. Grammer Peter and Catherine Bradford Lewis Robert J. Miller Sandra and Gernot Marian and Howard Spiro Robert Wildman Eisenberg Kris and Marc Granetz Jackson Irene Lewis Saul and Sandy Milles Reiners Mary C. Stark John and Virginia Nancy Reeder El Bouhali Katharine Grant John W. Jacobsen Jeremy Licht Inga-Brita Mills Joe Reynolds Charles Steckler Wilkinson Janann Eldredge Bigelow Green Christine and Matt Alan Lichtenstein Mary Jane Minkin Mary B. Reynolds James Beach Steerman David Willson Debbie Ellinghaus Anne K. Gregerson Jacobs-Wagner Martha Lidji and Steve Pincus Ross Sumner Richards Louise Stein Catherine M. Wilson Jack and Lucina Joe Grifasi Joanna and Lee Jacobus Bertram Linder Cheryl Mintz Lisa Steele Roach Neal Ann Stephens Marshall Williams Embersits Karen Grimmell Paul Jaeger Jennifer Lindstrom Lawrence Mirkin Brian Robinson John Stevens Carl Wittenberg Elizabeth English Alan A. Grudzinski Chris Jaehnig Romulus Linney Stanley and Phyllis Lori Robishaw Joseph C. Stevens Bess Wohl Dirk Epperson John Guare Drs. Donald and Bruce Lockwood Mishkin Douglas Rogers Marilyn and Robert Robin B. R. Wood David Epstein Eugene Gurlitz Diana Jaffe Edgar Loessin Thomas Reed Mohan Howard Rogut Stewart Amanda Woods Edith Dallas Ernst Dr. Ronald and Mr. and Mrs. Robert Robert Hamilton Long II Richard R. Mone Joanna Romberg Jaroslaw Strzemien Tamilla Woodard Howard and Jackie Ertel Maria Hagadus Jaffee, Sr. Frank Lopez Donald W. Moreland Melina Root Thomas Sullivan Yun C. Wu Frank and Ellen Estes Phyllis O. Hammel Jim and Cynthia Jamieson Sara Low George Morfogen Fernande E. Ross Richard Guy Suttor Arthur Zigouras Dan and Elizabeth Esty Alexander Hammond Jeffrey’s, a restaurant Jean Murkland Luburg Paul and Maureen Moses John M. Rothman Tucker Sweitzer Albert Zuckerman Jerry N. Evans Ann T. Hanley Cynthia Lee Jenner Suzanne Cryer Luke Grafton V. Mouen Ron and Jean Rozett David Loy Sword Eva Ewing Jerome R. Hanley Kristen Johnsen-Neshati Everett Lunning, Jr. Carol Bretz Murray-Negron Julia Meade Rudd Jack Sydow EMPLOYER MATCHING John D. Ezell David W. Hannegan Geoffrey A. Johnson Paul David Lukather Gayther Myers, Jr. Kevin Rupnik E. Richmond and GIFTS Michael Fain Scott Hansen Donald E. Jones, Jr. Thomas Lynch David Nancarrow Frederick Russell Sue Talbot Aetna Foundation Kristan Falkowski Harold Harlow Elizabeth Kaiden Andi Lyons James Naughton Virginia Weaver Russell Paul J. Tines Corning, Inc. Jon Farley John Harnagel Jonathan Kalb Janell M. MacArthur Tina C. Navarro A. Raymond Rutan IV Eric Ting General Electric Ann Farris Charlene Harrington Gregory Kandel Elizabeth M. MacKay William Ndini John Barry Ryan David F. Toser Corporation Paul and Susan Fiedler Lawrence and Roberta Carol Kaplan Lizbeth Mackay Tobin Nellhaus Helen and Herbert Sacks Albert Toth IBM Dennis Flynn Harris Lloyd A. Kaplan Laura Brown MacKinnon Christianna Nelson Steven Saklad Tahlia Townsend The John D. and Joel Fontaine Lyndsay N. Harris James D. Karr Wendy MacLeod Regina and Thomas Peter Salovey and Howard B. Treat Jr. Catherine T. MacArthur Anthony Forman Walter and Betty Harris Dr. and Mrs. Michael Mrs. Romaine Macomb Neville Marta Elisa Moret Russell L. Treyz Foundation Keith Fowler James T. Hatcher Kashgarian Alan Mokler MacVey Martha New Robert Sandberg James Triner Mobil Foundation, Inc. Walter M. Frankenberger III Ihor Hayda Nancy Lee Kathan Peter Andrew Malbuisson Ruth Hunt Newman Christopher Carter Richard B. Trousdell Pfizer Abigail Franklin James Hazen Bruce Katzman Joan Manning Dr. Nickolas Nickou Sanderson Deborah Trout Pitney Bowes Brackley Frayer Patricia Helwick Edward A. Kaye Peter Marcuse William and Barbara Robert Sandine and Irene Miriam S. Tulin Procter & Gamble Karen Freedman Elba and Juan Asaad Kelada Elizabeth Margid Nordhaus Kitzman Mr. and Mrs. Gregory The Prospect Hill Linda and Gary Hernandez Arthur J. Kelley, Jr. Jonathan Marks Mimi and Harold Obstler Jack and Letha Sandweiss Tumminio Foundation Friedlaender Jennifer Hershey-Benen Abby Kenigsberg Robin Marshall Dwight R. Odle Frank Sarmiento Melissa Turner SBC Communications, Inc. Reynold Frutkin Greg and Elaine Herzog Bettyann Kevles Craig Martin Janet Oetinger Peggy Sasso Cheever and Sally Tyler United Technologies Randy Fullerton Dennis F. Hickey Alan Kibbe Maria Mason and Ann Okerson Cary Scapillato Russell Vandenbroucke Corporation Richard Fuhrman Roderick Lyons Hickey III Colette Ann Kilroy William Sybalsky Richard Olson Joel Schechter Joan Van Ark John Gaddis and Toni Bente and Walter Peter Young Hoon Kim Margaret P. Mason and Dorfman Hierholzer Carol Souscek King Samuel W. Bowlby This list includes current pledges, gifts, and grants received from July 1, 2008‚ through April 5, 2010. For more information about making a donation to Yale Repertory Theatre, please contact Sue Clark at 203.432.1559 or [email protected]. 28 29 FOR YOUR INFORMATION YALE REP’S EDUCATION PROGRAMS how to reach us restrooms Yale Repertory Theatre Box Office Restrooms are located downstairs. Please As part of Yale Rep’s commitment to our community, 1120 Chapel Street (at York St.) contact the concierge for assistance with we provide two significant youth theatre programs. PO Box 1257, New Haven, CT 06505 the elevator. Since our 2003–04 season, WILL POWER!, which 203.432.1234 offers teacher training and curricular support prior to TTY (TELETYPE): 203.432.1521 emergency calls seeing a selected play at Yale Rep, has served more [email protected] Please leave your cell phone and/or beeper, than 10,000 Connecticut students and educators. The name, and seat number with the concierge. Dwight/Edgewood Project brings ten middle school box office hours We’ll notify you if necessary. Emergency- only telephone number at Yale Rep: students from New Haven’s Augusta Lewis Troup Monday to Friday from 10AM to 5PM 203.764.4014 and Wexler/Grant Community schools to Yale Rep Saturday from 12 to 5PM for a month-long, after-school playwriting program Until 8PM on all show nights group rates designed to strengthen their self-esteem and creative fire notice Discounted tickets are available for groups expression. of ten or more. Please call 203.432.1572. Illuminated signs above each door indicate emergency exits. Please check for the seating policy Yale Rep’s education programs are supported in nearest exit. In the event of an emergency, Everyone must have a ticket. Sorry, no part by Donald and Patricia Anderson; Anna Fitch you will be notified by theatre personnel and children in arms or on laps. Patrons who Ardenghi General Charitable Purpose Trust, Bank assisted in the evacuation of the building. become disruptive will be asked to leave of America, Trustee; Bank of America; Deborah the theatre. S. Berman; Bianca F.-C. Calabresi; the Carolyn Foundation; Bob and Priscilla Dannies; the Frederick ACCESSIBILITY SERVICES A. DeLuca Foundation; Bruce Graham; the Lucille Yale Repertory Theatre offers all patrons the most comprehensive accessibility services Lortel Foundation; Romaine A. Macomb; Mrs. program in Connecticut, including a season of open-captioned and audio-described Romaine Macomb; Jane Marcher Foundation; Frances performances, a free assistive listening system, large-print and Braille programs, a direct L. Miller; NewAlliance Foundation; Robbin A. Seipold; TTY (teletype) line to Yale Rep’s Box Office (203.432.1521), wheelchair accessibility with Sandra Shaner; Target Stores; Esme Usdan; Charles an elevator entrance into the Yale Rep Theatre located on the left side of the building, and and Patricia Walkup; Bert and Martha Weisbart; and accessible seating. For more information about the theatre’s accessibility services, contact FROM TOP: SCHOOLS GATHERING FOR WILL POWER!; THE DWIGHT/EDGEWOOD Yale Cabaret. Ruth M. Feldman, Director of Education and Accessibility Services, at 203.432.8425 or PROJECT, 2009. [email protected].

Yale Repertory Theatre’s accessibility services are supported in part by the Frederick A. DeLuca Foundation, The Seedlings Foundation, the Carol L. Sirot Foundation‚ and Romaine A. Macomb. SPONSORSHIP corporate sponsors audio description (AD) Open Captioning and Audio Description A live narration of the play’s action, performances are at 2PM. AD pre-show Mionetto USA Scoozzi Trattoria and Wine Bar TD Bank sets, and costumes for patrons who description begins at 1:45PM. are blind or low vision. community sponsors Chestnut Fine Foods New Haven Register open captioning (OC) Connecticut Presort The Study at Yale, a Boutique Hotel You’ll never again have to ask, “What Battle of Black and Dogs May 1 May 8 Est Est Est Thames Printing Company, Inc. did they say?” Open Captioning Fleur de Lys Floral and Gifts Willoughby’s Coffee and Tea provides a digital display of the play’s WSHU Public Radio Group dialogue as it’s spoken. Hull’s Arts Supply and Framing New Haven Advocate The Yale Bookstore THE TAKING OF PHOTOGRAPHS OR THE USE OF Yellowbook RECORDING DEVICES OF ANY KIND IN THE THEATRE WITHOUT THE WRITTEN PERMISSION OF THE c2inc is pleased to be the official MANAGEMENT IS PROHIBITED. Open Captioning provider of Yale These lists include current pledges, gifts, and grants received from July 1, 2008‚ Repertory Theatre. through April 5, 2010. 30 31 Supporting creative expression in personal and professional work around the block and across the world. Since 1947.

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Want to save money on February 18–May 30, 2010 your next mailing? Organized by the Museum of the History of Science, University of Oxford, and the Yale Center for British Art CT Presort is a complete letter shop and mailing service facility. yale center for british art Call us today to find out how we can save you money on postage! 1080 Chapel Street, New Haven, Connecticut Tuesday–Saturday 10–5, Sunday 12–5 | admission is free CT PRESORT, L.L.C. brit art 87A State Street, North Haven 877 | yale.edu/ycba 1012 State St., New Haven, CT 06511 203.239.3199 203-782-6767 [email protected] Christopher Wren, Study design for the dome of St. Paul’s Cathedral, in two half-sections, each incorporating the curve of a cubic parabola (detail) ca. 1690, pen and brown ink over graphite. British Museum, Department of Prints and Drawings, © The Trustees of the British Museum 36