Title A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/15618/ Dat e 2 0 1 9 Citation Smith, Timothy (2019) A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London. Cr e a to rs Smith, Timothy Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact
[email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice By Timothy Smith Thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy (Practice-based PhD) University of the Arts London London College of Communication December 2019 Word Count: 59,036 (including footnotes, excluding Bibliography) Abstract This practice-based research attends to queer and feminist understandings of sound, memory, voice, temporality and spectrality, specifically in relation to audiovisual art. Through an analysis of artworks and material practices, I identify a range of subversive strategies implemented by artists intent on amplifying the voices of marginalised communities. These include alternative modes of listening, seeing and feeling that complicate hegemonic notions of history, genre, representation and subjectivity. The project examines five single-screen, digital artworks that I have created as part of my research, as well as works by seven other artists: John Akomfrah, Clio Barnard, Evan Ifekoya, Mikhail Karikis, Patrick Keiller, Charlotte Prodger and Wu Tsang. In relation to my analyses of the artworks, a number of theoretical concepts are developed: Queering of Memory draws primarily on queer and feminist theories of spectrality, temporality and voice (Gordon: 1997; Dinshaw: 1999; Cavarero: 2005; Freccero: 2006; Love: 2007; Blanco and Peeren: 2013).