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AMERICAN VOLUME 49, No 3 SQUARE DANCE MARCH 1994

THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES

THE ASD LINE-UP SQUARE DANCE SCENE 2 Editor's Notebook 14 People in the News 3 By Line 28 A/C Lines 4 Advanced & Challenge 6 Dancing Tips 35 What's Going On In Square Dancing 8 The King And I 46 International News 17 43rd National 30 Hemline ROUNDS 43 Puzzle Answer 37 Flip Side Rounds 51 Breadline 67 Round Dance Pulse Poll 68 Circle Right 94 Squared Circle 70 Partyline 99 Cue Tips 82 Contra Corners FOR CALLERS 86 Puzzle Page 58 Colleges Are Coming 87 Country Western Line 61 Calling Tips 90 Notes From a Veteran Caller 61 Disc-count 92 Encore 63 Easy Level 94 Dandy Idea 71 Underlining Note Service 95 Straight Talk 75 Creative Choreography 97 Viewpoints 80 PS/MS/QS 100 American Callers Assoc. 84 Square Dance Pulse Poll 103 New Line of Fashion 89 Caller Outline 104 Dateline 102 Flip Side Squares 108 Classifieds 102 Caller-Instructors 112 Finish Line 111 Caller Line-Up OUR READERS SPEAK 40 Grand Zip 54 Line of Fire 79 Feedback

Publishers and Editors Editoral Assistants Jon & Susan Sanborn Jeanne Briscoe Phyllis Arthur Dorothy Walker Phone: (408) 443-0761 Fax: (408) 443-6402 Member of NASRDS Workshop Editors National Association of S8 R/D Suppliers Bob Howell Walt Cole L & S Kopman American Squaredance Magazine (ISSN-091- Don Ward Jim Chomondeley 3383) is published monthly by Sanborn Enter- Feature Writers prise 661 Middlefield Rd., Salinas, CA 93906-1004. Second class postage paid at Sali- Harold & Lill Bausch Bev Warner nas, CA. Copy deadline five weeks preceding first Mary Fabik Ed Foote day of issue month. Subscription: $20 per year Stan & Cathie Burdick Bill Davis LJ S., $73 per year Canada, $32 per year Foreign. Single copies $2.50 each. POSTMASTER Send Record Reviewers address change to American Squaredance Frank & Phyl Lehnert Magazine, 661 Middlefield Rd., Salinas, CA 93906-1004. ©1993 by Sanborn Enterprises. All rights reserved.

American Squaredance. March 1994 Editor's I NOTEBOOK

e are all very saddened because W of the plight the earthquake here in California has caused. It seems Los Angeles was just getting back on its feet from the riots, fire and mudslides. Keep these people in your thoughts and prayers. Be sure when sending any articles to us If you think you have an edge on Earth- that your name is attached. We only pub- quakes just ask us here at ASD. First of all, lish articles that have a name informing us we decided to remodel the office, and yes of the author. it looks great. But in the process of read- When you send in your dateline be sure justing the computers and getting every- that it is for more than a one day event. We thing back to normal, SOMETHING do not have room for one day dances. HAPPENED. We can't really blame it on an Thank you. earthquake, but it might as well have been Since it is March already, we are hoping one. If this month's magazine looks a little there are areas with new dancers getting ragged in places, please excuse. We are ready for graduation. We wish all of the peddling as fast as we can! new-corners well in the activity. Keep danc- ing and keep smiling. i/

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2 American Squaredance March 1994 We were saddened to receive word that long time veteran in square dancing, Bob Ruff passed away January 22. Information can be found on page 14. BY•IINE One of our hot articles can be found on page 8. It \ti concerns a Continental Squares tour, directed by Nita Page and what an experience it was. A fresh look at our square dance activity is contained in Feedback, "There Are Other Things In Life Besides Square Dancing." This article really alerted our memories of dancers fitting this pattern. ACA Viewpoint by Vem Weese, says "Square dancers are our most valuable resource." Be sure and read what he says about their organization. In Line Of Fire, Donald Wiggins takes aim at the American Callers Assoc. He brings up some interesting points.

1 28th National A/C 62 30 Jerry Sleeman 98 59 Scope/Big Mac 2 2 Alaska '94 36 31 John's Notes 105 60 Shirley's 52 3 ASD 60 32 Kalox 38 61 Silver Sounds 83 4 ASD Alaska 5 33 Kelton 72 62 Sophia T's 104 5 Badge Holders, Inc. 44 34 Kirkwood Lodge 36 63 Square Dance Videos 101 6 Bill Davis 18 35 Kopman Cruise 53 64 Square Dancers Closet 29 7 Blackwood Travel 105 36 Las Vegas 26 65 Square Dancetime 35 8 Burdick 105 37 Lou Mac Records 66 66 Stitch in Time 91 9 Capitol Engraving 32 38 MacGregor 55 67 Supreme Audio IF 10 Cardinal Records 45 39 Mainstream S/D Weekend 98 68 Suzie's Ruffles 88 11 Cascade 54 40 Mar Let Records 93 69 Tic Tac Toes 12 12 Chaparral 39 41 May Days 7 70 TNT 106 13 Charmz-Reaction 104 42 Meg Simkins 47 71 Togs For Taws 15 14 Chicago Country 44 43 Memory Lane 46 72 Travel Call 31 15 Chinook 13 44 Merrbach 50 73 Travel Systems 73 16 DJ Records 25 45 Mike's Records 105 74 Triple R 42 17 Dogwood Festival 96 46 Mikeside Management 106 75 Vee Gee 64 18 Ed Fraidenburg 104 47 New England Caller 95 76 Walt Cole 104 19 English Mountain 56 48 NSD Directory 106 77 Western Squares Intl 107 20 ESP/JoPat 74 49 P-M-D-O-U Recordings 23 78 Yak Stack 14, 24, 63 21 Fontana Fantasy 81 50 Palamino IB 22 Four Bar B/Quadrille 45 51 R & R Video 41 23 Gold Star Video 78 52 Ramblin' Rose 28 24 Grenn 92 53 Random Sound 33 25 Hi Hat 85 54 Rawhide 16 26 Hilton 34 55 Red Boot 91 27 Holland America 69 56 Reeves Records 48 28 IAOGSDC 65 57 Rhythm Records 25 29 J & J Manufacturing 106 58 Royal Records 39

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American Squaredance, March 1994 3 TEm po by Jeannie Briscoe

o you know where your children constant pressure put on our kids when are? That has been a long time they are in their own social age group. We question in our society for many begin to understand why some of the best Dyears. Do you know what they are kids get hooked on drugs or even alcohol. doing? Another question we all should ask Many a young life has been ruined by just ourselves. Do you know what he or she has following the crowd, because the example in their possession? It's difficult to find out at home does not maintain a balance be- unless you have an open communication tween good and bad. Whether or not it is line between you and your children. drugs or drinking, we must show our kids Recently I read that smoking pot has the right way to conduct their lives, not to risen in the junior high school ages. With make destructive decisions in their behav- so much peer pressure out there in the ior. Our family structure must be able to schools and in our children's social con- withstand the many and numerous bad tacts, we should be aware of "what and examples that are always present in our where" - when it comes to our children. kids' lives. If you can ask yourself, "Where Some parents don't ever ask their children are my kids" and not be able to answer that about their activities, and therefore do not question, or ask yourself "What are my kids have any idea of what is going on in their doing with their lives?" and not be able to lives. When we don't "bird dog" their activi- answer THAT question, then it's time you ties and actions, we can't know what's go- made an effort to open that line of commu- ing on. nication with them. Many times that is the If you are a parent who puts down drugs only saving grace for them. to the child, but later you tip a glass of It's no wonder our kids think nothing of alcohol to your lips just to relax, where is shooting someone, when they see it on our the difference you are trying to convey to television every day, as well as observing the child. If he/she sees you thinking noth- Dr. Kavorkian administering help with a ing about having a beer or a cigarette, then suicide patient. At this point nothing is sa- your purpose for guidance is destroyed. cred, even a human life. Most kids look to their parents, or other Our kids' lives are worth more than just family members for a guide for their own being ignored by us. If you are afraid to lives. If they see things like drinking or question them, then you will have to bear smoking, they find nothing wrong with a the guilt. little pot now and then. This is a dreadful Perhaps our kids need to start question- trap they are stepping into, when most ing us, at least they might know what ques- authorities will tell you that smoking a little tions to ask, i.e. "Why do you drink that pot today may inevitably open the door for alcohol" or "Why do you smoke that ciga- their use of other dangerous drugs such as rette when it will cause cancer." Did it ever cocaine. occur to you that these questions are fright- We hope in our activity that there isn't ening to any child? Do you realize how anything which will be taken as a small much fear that is in our world effects our undesirable habit, but we all know that children? Their greatest fear is that you will most young people are not in our activity. die from cancer or some other disease The places they find drugs are far removed when they see you abusing your own rules. from square dancing, in most cases. Most If you have been hiding you head in the teenagers don't and won't have anything to sand, it's time to come up for air and for the do with square dancing. Even if you start rescue of your children. them at an early age, they will sooner or Keep Truckin' ✓ later drop out simply because their peers make fun of them. Now we can see the 4 American Squaredance, March 1994 AMERICAN Fr° 1 SQUARE DANCE MAGAZI N E PRESENTS The Ultimate Square Dancing Experience! 7-Day Alaskan Cruise Aboard the Regent Sea September 9th-16th, 1994 * Top Name Callers from around the Country. * * Virtual non-stop dancing * * Seminars and Instruction * * The Unbelievable Beauty of Alaska * * Complimentary Shoreside Activities * * Salmon Bake / Square Dancing Extravaganza * at the Ore House in Juneau * Complimentary copy of * Porthole, The Intelligent Cruise Magazine ...from Experience Seven Exciting Days of Cruising. Visit Glacier Bay, the "Gold Rush" Town of Skagway, Ketchikan 995* and Juneau, Alaska. PER PERSON PPI-CRUISING THE WORLD *Airfare and PHONE: 800-949-4548 taxes additional, 10 FAIRWAY DRIVE, SUITE 200, low cost airfare DEERFIELD BEACH, FLORIDA available from most cities. 33441-1802 Book by April 15th,1994 and receive $100.00 off!

Amerman Squsredance, March 1994 5 include Plus calls at Mainstream clubs." I even hear some say that Plus (or star) IAAle tips are fewer and fewer. I have also had DANCING TIPS dancers tell me, "Why call a Plus tip at Mainstream dances, because people who can't dance it get up and it is a mess." There is a lot of truth to that too, as a result we see a lot of "pre-set" by squares, and I don't like too much of that HAROLD BAUSCH either. So, there are a lot of judgment calls to here do callers get help in know- be made by every caller and every club Wing what to call, and what not to president. What are we to do? Each club call? From dancers. The reaction of & each area is different and each must dancers to calls is easily seen by callers work to find a solution. Strong leadership and they are affected by what they see is not always real popular, but boy, is it and hear. This is good, but can also be needed! misleading. Is it the whole crowd that I keep coming back to the idea that this reacted favorably, or just a small group? is meant to be a free wheeling form of If we react to small groups, we can be entertainment for all. Let us not take misled into calling for a small part of the things too seriously. Mistakes are not crowd (or club). This is why I remind sins - you can laugh at mistakes, espe- dancers to clap vigorously for really good cially your own. A laugh and a smile can dances. Clap at all times of course, but do much to ease tension. Growling about really let the caller know it if you approve breaking down is not good. One tip is not of certain calls - certain singing calls etc. a whole evening - don't let a little break- We callers have a tendency to move down spoil your fun! ✓ toward new calls, new fads, just as the general public does. The result is we may leave behind some good ideas. Recently one of our dancers remarked to me - "Harold, you haven't done a real HOT HASH tip for a long time." Now what he meant was a close timed Mainstream tip close timed and mostly the quick calls, calls done in four to six beats of music, one right after the other. And, he was right, I haven't done much of this lately. I shall do so soon at his club. It is nothing I would want to over use, but it has an effect and is enjoyable. Dancers feel like they have really accomplished some- thing when they succeed in a tip like that. We need to watch programs today, as Callerlab has suggested, but we must also keep spontaneity, and there is more of this in Mainstream than in any other program, because of shorter, quicker calls. I have been pleasantly surprised lately when talking to dancers and also callers from different areas, to find that more and more, programs are being honored. That is, more areas are sticking close to pro- grams. They say to me, "Our clubs do not

6 American Squaredance, March 1994

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American Squaredance, March 1994 by

Eleanor del Conte Wilson Square Dancing in

Arlington, Texas makes it special. It isn't o doubt about it. A Continental long before co-passengers from Britain, NSquares tour, ("Square Dancing Spain and Italy join in the fun. Not content Around the World') is not a tour; it's an with just an introductory session, they experience. Our sojourn in Egypt is no ask about some extended lessons. exception. In typical Jon Jones fashion, no Director Nita Page has a knack for sooner said than done and we give it a having good friends in high places. For whirl. It's a matter of organizing body and five generations Egypt's Fayed family sign language between us and the Span- has worked and directed archeological ish and Italians, which under Jon's tute- digs at Giza, Saqqara and Memphis, lage, is most successful. Once they all among others. They have also con- figure out the difference between part- ducted a myriad of restorations and ners and corners, it's a cinch. Amazing. made their own noteworthy discoveries. With a few Right and Left Grands, we In Cairo, Nita's Man Friday nowadays have extended the hand of friendship is pre-eminent Egyptologist Ahmed Ab- once again. delmawgood Fayed. Ahmed is regarded as the world's most knowledgeable man on Ancient Egypt. His is the unique ability to distill a wealth of knowledge for visitors to the country; to impart a unique insight into its history as we cruise the immemo- rial Nile. Who knows, with a few more lessons each time Continental Squares comes to town, we just might make a credible square dancer out of him. Aswan is the jumping-off place for our journey where we board the RA II. To cruise the Nile is to witness the history of man. To cruise the Nile is to witness an endless panorama along the river. Much of it appears frozen in time, for similar scenes abound in the tombs of the pyra- mid period fifty centuries ago. To cruise the Nile with Continental Squares, is to dance! We do our share aboard the RA II. Caller Jon Jones from Jeane Melton from West Palm Beach FL promenades with new Egyptian Friend 8 American Squaredance, March 1994 Excursions from the RA II offer a closer look at this country's land, history and people... "Looks good, Luxor, yes Madame?" Saber asks. Obviously very proud, he is maneuvering his horse Subet and gaily decorated "caleche" through the heart of Luxor's ancient local souq with husband Bob and me. Cool evening air has brought every- one out to bargain, buy and socialize. Laden-down donkey carts, honking truck drivers, careening bikers and motor-bik- ers, pedestrians, carriages--we all clog the narrow space between walls of mega-size displays. Vendors try their luck to tempt us while Saber weaves in and out of the milieu. They're having a hard time of it, and with good reason, for Saber has promised Egyptologist Ahmed Fayed squaring up for a faithfully at the outset that he will not stop lesson with director Nita Page to permit it. finally make eye contact; the bargaining The poor fellow has his work cut out session begins. But not without prelimi- for him. Saber does not mince words or nary respectful greetings: "Welcome Ma- hand signals as he proclaims in exasper- dame,"she shouts. "Me Mona. And you?" ated, dramatic fashion that he has a "Nora," I yell back, making short work of promise to keep. And to his credit, he my long name. She gets down to busi- does. Vendors reluctantly acknowledge ness in a lively fashion while she juggles defeat with aplomb, then wave us along. merchandise and finagles hand signals. Conservative women, covered from In the spirit of the thing, I bargain. It is head to toe, move in a trail of black a foregone conclusion, however, and I "milayas," some wear veils. My wave re- buy her out. PS: "Marwaha" anyone? ceives a response with smiling eyes in Good price. Below cost. mutual exchange of warmth and cordial- Chesley, 26, and his horse Lamia are ity. finishing up our hour's "hantour" (car- The business of life here is up front, riage) ride around the Giza pyramids. unabashedly open and basic, bursting Lamia knows the way well Chesley says. with the same kind of life Luxor has Well he should, for togetherthey work the known for three millennia. territory ten to twelve hours daily. Well, I left my heart in Dendera, never Tall, dark and handsome, that's you mind San Francisco. Mona, about 5, Chesley. Arid doesn't he cut a fine figure has promised she will take good care of dressed in a turban with a fresh, white it. and flowing "gellabiyya" (long gown) that From the RA ll's open deck we can see has blue pin stripes. Yes, he's still single a couple dozen barefoot youngsters and not counting on getting married "for making great haste from the village. Their perhaps another two years." No lady ship has come in! Hands jammed full with friend in the picture yet, "but for sure it will "marwahas" (yam crafted fans), pottery be a love match, not arranged as was my and colorful "shaals" (turban scarves), parents." they are hawking their wares as they run Lamia suddenly requires Chesley's at- pell-mell along the muddy shore. tention while he guides him cautiously Mona is having a tough time of it and along a broad, sweeping curve close by has fallen to the rear limping along the the Sphinx. Then there it is' I he splendid best she can with an injured leg. We Sphinx: in repose, in silent GUliteiliplation American Squaredance, March 1994 9 and observation, pondering the dreams of protectionism, you might say. Cer- of all who would pass by these five thou- tainly no sense of competition." sand years. As we enter the 21st century, Samaa "I much prefer to marry a foreign girl," would like to see Egypt flourish alongside Chesley continuing, says wistfully. "Per- civilized countries of Europe. "Our land is haps Swedish, Dutch, maybe American. special. After all, it is the land of the She will be special," he declares. She Prophets," she notes with pride. And for surely will. We wish him well in his search the world, Samaa? "Peace," she replies then disembark and turn to take a last without blinking an eyelash. glimpse of the Sphinx. Yes, indeed, it's A Continental Squares experience smiling too. Honest. isn't over till it's over! A fitting climax, this Samaa Makled is on board the RA II one surely is. There are dance halls. And where she is tour director for the Spanish there are dance halls. Then there is the travelers with whom we are square danc- King's Chamber in the Great Pyramid. ing. She wears western clothes and That's right. His name was Khufu, since making a "haji" ( to circa 2600 B.C. His pyramid stands to- Mecca), she has chosen to wear an at- day as one of the last wonders of the tractive "hgab" (turban). Ancient World. Address: Giza, near Cairo. You can't miss it. Quite an impres- sive piece of real estate. This September day, we Continental Square members have the chamber to ourselves for two hours. About 5 PM we leave the historic Mena House Oberoi and walk up the hill to the Giza. Our unique journey into the pyramid's central mass follows along a series of ancient passageways, tunnels and galleries. The air is close; dimly lit corridors lend an eerie gloom. Eventually the chamber itself, illumi- nated with two small lights, opens out. It feels good to stand up once again and catch our breath. An empty pink granite sarcophagus a 11 weighing over twenty four tons bids visi- Command performance in the King's Chamber. tors silent welcome at one end of the Darfine Few and Caller Jon Jones room. Huge pink granite blocks, each weighing tons, line the room and very Samaa, age 40, says there have been high ceiling. They are butted together a lot of changes for Egyptian women with perfect precision. In a word, awe- since her grandmother's time. "Espe- some. cially in the North where life is more You learn to trust your intuition in such liberal for us. Women took most rights. a place. We gaze around the shadowy They are represented in most careers. room; gradually the 20th century fades The Cabinet Minister for Social Affairs is away. There comes an awareness that a woman. We also vote. I hope women we are transcending time and distance in the South will someday obtain rights and almost expect to hear voices in the equal to those of us in the North," she silence. says. It is caller Jon Jones who leads us with American business women striving for the initial step as we span the suspen- equality may have lost ground, Samaa sion bridge across the centuries to pay feels. "In Egypt, men and women work our respects. His pure, clear notes of together cooperatively. There is a sense "Shenandoah" engulf the room in greet-

10 American Squaredance, March 1994 ing from one of our beloved river valleys the horizon suffusing the sky with gold to that of the Nile's. Then we are soon and crimson. Time is, indeed, etemal. making a bit of history ourselves, for this Egypt: Spanning the dawn of civiliza- is the first time square dancers have tion to the dawn of the 21st century. We danced in the chamber. We make a joyful are not the first, nor will we be the last, to moment of it in an extension of friendship. trod this well worn land. Its people exhibit Next, the acoustically perfect room re- a spirit of warm friendship and welcome sounds with traditional American songs us everywhere. A world apart. United in and ancient chants we sing one after the spirit. other. A moving rendition of the "Lord's Yes, Sabet Luxor looks good. For that Prayer" is a last offering followed by silent matter, so does all of Egypt. "Salaam meditation, the presence of the past full alaykum" (Peace be upon you). upon us. Author's Note: For information on Hopefully, the Pharaoh is pleased. We Continental Squares' tours, contact them retrace our steps out again, completely at 3419 East Coast Highway, PO Box 98, engrossed in personal experiences. Be- Corona del Mar, CA 92625 Telephone: yond where the clear sky comes down to (714)251-0500, FAX: (714)673-4667 V the sand, the setting sun drops behind

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American Squaredance, March 1994 13 People IN THE NEWS

GEORGE WAUDBY Services were held Oct. 9, 1993 for George Waudby, a prominent square dance instructor and caller who was Tuc- son Parks and Recreation Department's Man of the Year in 1984. He began his square dancing career after moving to Tucson from Jersey City, BOB RUFF NJ, in 1944. He grew up in Brooklyn. He taught weekly lessons for the Tuc- A veteran of almost a half century of son Parks and Recreation Department calling and teaching square dancing in for 20 years. He also trained many California and across North America, square dance callers, and until recently, Bob passed away in his home town of he taught dance classes at the Armory Whittier, California on January 22nd. Park Senior Citizens Center. As a long-time leader in the activity, the Mr. Waudby is survived by his wife, four decision of what direction to take in the nieces and nephews and several cous- American dance activity was made years ins. Our heartfelt sympathy goes out to ago by Bob Ruff and his family when he the family. chose to devote his efforts to training

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school faculties in methods of introduc- tained a healthy home-club program, ing square dancing to the youth of today. conducted on-going callers schools in As a public school teacher, Bob saw the his community and appeared frequently need for this wholesome recreation to fit on the staff of vacation institutes, as a not only into the school curriculum but to featured caller at many large festivals become a part of the life of todays young and as a leader in youth training at Na- men and women. tional Square Dance Conventions. In Mile still active in the Los Angeles City 1981, for all of his efforts and accom- School system, Bob introduced square plishments, Bob was inducted into the dancing to his young students. Interest Square Dance Hall of Fame and an oil among his fellow teachers led him to portrait of him is on display in the Lloyd develop a system that would allow others Shaw Archives Center in Albuquerque, to instruct with the aid of recorded calls New Mexico. and text a square dance program com- Bob is survived by Babs, his wife of 52 patible with the dancing being done in the years, three daughters two sons and six adult dance clubs in the community. As grandchildren. He leaves behind a heri- time went on his systems improved, new tage of outstanding commitment to the recorded material was produced and world of square dancing and an ongoing Bob became involved with teacher in- system of introducing the joys of square service-training programs across the dancing to future generations. United States and Canada. Submitted by Bob Osgood Over the years Bob conducted many beginners square dance classes, main- American Squaredance, March 1994 15 *IcorlDs)

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16 American Squaredance, March 1994 43rd National Square Dance Convention JUNE 22, 23, 24, 25, 1994

TRAIL DANCES LEAD The Trail Dance Committee is antici- TO PORTLAND pating lots of participation at Trail —rhe Program Committee of the 43rd Dances, judging by the number of RV's I National Square Dance Convention already registered. If you are planning to would like to invite you to attend one or travel to Portland by car or RV instead of more of the Trail Dances being held flying, why not plan to join the party? along routes that lead toward Portland, Oregon. TRAIL DANCES BECKON IN 1994 Trail Dances, or Trail Through Ray & Zola Jones, Program Chairman Dances, will be held throughout the re- for the 43rd National Square Dance Con- gion during the week prior to the conven- vention, provided the following informa- tion. For more information, or to receive tion to clarify the relationship between a list of Trail Dances, write to Trail Dance "Trail End Dances" and 'Trail Dances," Directors Marvin & Tana Baker, 25080 sometimes known as Trail Through Territorial Court, Veneta, OR 97487, or Dances. call (503)935-7580. "TRAIL END DANCES" are those If you are traveling from the north, the held Wednesday evening, the first night Washington State Square and Round of the convention, in halls at the conven- Dance Festival is being held the week- tion facilities. They are hosted or spon- end before the 43rd National Square sored mostly by national square dance Dance Convention, June 17 and 18 in record companies and their national call- Kennewick, WA. Dancers in attendance ers, but can be put together by national there will be within one day's drive of groups or clubs from other states. 'Trail Portland, in time for convention tours and End Dances" at the 43rd National Square sightseeing. Dance Convention in Portland will be on Program Chairmen Ray & Zola Jones Wednesday evening June 22, from 8:00 would like to clarify that Trail Dances are to 11:00 PM in the Convention Center different from the "Trail End" dances that and other locations, but not in the Coli- will be held at the Oregon Convention seum. Shuttle busses will operate Center and the RV Camp on Wednesday evening, June 22nd, as part of the 43rd National S/D Convention. Trail Dances are sponsored by local clubs and square dance councils as an activity to share with dancers traveling to Portland, but are not officially sponsored by the 43rd National S/D Convention. American Squarcdance, March 1994 17 Wednesday afternoon and evening from 935-7580. Get in touch with them soon if 1:00 PM to 1:00 AM. you would like to be on the list or want These dances are scheduled through more information! the Convention Program Committee, It is anticipated that there will be many 3322 Storey Blvd., Eugene, Oregon people rolling down the highways into 97405 (503) 342-4093. Portland in June 1994, judging from the "TRAIL DANCES", sometimes re- large number of RV units already regis- ferred to as Trail Through Dances, are tered and dancers who choose to drive dances in advance of the Convention in and leave the flying to others. towns and/or square dance centers on the driving routes to the convention city. TRAIL THRU DANCES ON YOUR Generally they are from 1/2 day up to WAY TO PORTLAND three driving days away. They are organ- Friday, June 17 ized or sponsored by individual clubs or groups in the host area, often including Washington Summer Festival, Ken- participation by national callers who are newick, WA (509) 946-7039 coming through. The Convention com- Red Rock Squares, Crooked River mittees do not organize these dances, Ranch, OR (503) 923-0657 however, we will advertise them on a list Saturday, June 18 being compiled by Marvin & Tana Baker, Washington Summer Festival, Ken- Trail Dance Directors, 25080 Territorial newick, WA (509) 946-7039 Court, Veneta, Oregon 97487 (503)

BILL DAVIS SQUARE DANCE SERVICE THE EXTEMPORANEOUS CALLER -- Second Printing The most comprehensive book on sight and extemporaneous calling ever written. 140 information packed pages cover Theory of Resolution, Formation Awareness, Arrangements, Get Outs, Programming, 2-Couple calling & lots more. By Bill Davis. $16.95 Plus $1 Post, US & Can. Add $5 for overseas. THE ALL NEW 1992 BIG FIVE DICTIONARY and Square Dance MANUAL This edition has new larger type and is the most comprehensive definitions book yet. It contains official definitions of all calls in the 5 CALLERLAB programs MS through C2 including the most recent 1991 updates. It has lots of Get-Outs. It is filled with diagrams and examples plus in-depth commentary on: usage, teaching, flow, formation names, learning hints, and common misunderstandings. by Bill Davis & John Sybalsky - $9.95 plus $1 post in US & Can. NEW - 8.5 X 11 DELUXE EDITION - $13.95 plus postage DANCERS'/CALLERS' NOTE SERVICE Covers all new calls, ideas, and definitions. Commentary on square dancing. Bi monthly. Per Cal. Yr. - Dancers: $7.50/Callers: $15.95 ORDER FROM: Bill Davis, 1359 Belleville, Sunnyvale, CA 94087

18 American Squaredance, March 1994 Bachelor Beauts Square Dance Club, Danebo Circle 8, Springfield OR Bend, OR (503)389-9352 (503) 689-4830/(503) 754-9200 Buckeroos Square Dance Club, Larson/Fox Round Dance, Redmond, Roseburg, OR (503) 672-1652 OR (503) 475-3047 Elkhorn Swingers, Baker city, OR Neil & Doris Koozer Round Dance, (503) 856-3581 Roseburg, OR (503) 440-9646 Toledo 49ers, Toledo, OR (503) AFTER THE CONVENTION (503)265-8275 Friday & Saturday, July 1 & 2 Boots and Sandals, Cottage Grove, McCloud Dance Country, McCloud, Or (503) 895-2679 CA (916) 964-2252 Southern Oregon Singles, Central Point, OR (503) 482-8246 Sunday, June 19 OPENING BENEDICTION FOR THE Spares and Pairs, Boise, ID (208)344- PRE-CONVENTION MEETING 8374 MARCH 13, 1993 Lords and Ladies, Medford, OR Held at Oregon Convention Center, (503)535-5670 Portland, Oregon by Rev. David L.C. Central Oregon Square Dance Coun- Clark cil, Redmond, OR (503) 548-5590 Lord our God, and Giver of all good Klamath Country Squares, Klamath gifts, Lord our God, and Master Caller of Falls, OR (503) 884-1106 our dance, we are grateful as we pause WyEast Twirlers, Hood River, OR before this meal, we are grateful as we (503) 354-2686 join in the circles of these tables, we are grateful as we allemande right-fully. Boots and Sandals, Cottage Grove, OR (503) 895-2679 Daily we are fed with good things: with food that is blessed by the sun, earth and Monday, June 20 rain. May we eat this food in a holy and Clearwater Callers/L & C Sq. Assn., mindful manner of those less fortunate Clarkston, WA (208) 746-1266 than ourselves. May it bring us suste- Idaho Square and Round Dance nance and strength to endure the "Ping Assn. Boise, ID (208) 344-8374 Pong Circulating" of our ever changing Karrousels Square Dance Club, Cres- lives. May it give us purpose in our "doe- cent City, CA (707) 464-2931 see-doe's" of our daily dance. May we Roadrunners Square Dance Club, feast with forgiveness and under- Springfield, OR (503) 753-8840 standing as we swing our partners and join in your Oregon/Washington twirl. Lou Mac Records, Salem, OR (503) May we be mindful of Your continuous 364-4977 care as we promenade with You. You, Tuesday, June 21 Oh Grand Colonel of the Spin. May Your Gypsy Sqs/Charlie Brown Sqs, presence be the extra "kick of our heels." Grants Pass, OR (503) 456-1643 We ask this always in the name of Your Happy Huggers, Klamath Falls, OR Son, Jesus Christ the Lord. Amen. (503) 883-1428 Chinook Records, Salem, OR (503) 364-4977

American Squaredance, March 1994 19 from the "Oregon Odyssey." For more ALASKAN CRUISE information, contact: Fashion Show Di- rectors Jan & Judy Schidler, 7443 2nd The Social and Special Events Com- Avenue N., Keizer, OR 97303. mittee is pleased to announce that more cabins are available for the Alaskan cruise. The first block of 350 cabins has been sold out, and Cruise Directors Rick EIGHT WAYS TO HAVE FUN IN and Carolyn Ewing are hoping to fill the OREGON! rest of the ship with square dancers and • Collect driftwood and seashells along their friends. the 300-mile Oregon coast The Princess Cruises Golden Prin- • Shop for hand-crafted items at the cess will sail from Vancouver, B.C. on Saturday Market in downtown Port- Sunday, June 26th for seven days on the land Inside Passage to Alaska. The cruise is being offered at a special fare for danc- • Cruise in a sternwheeler on the Wil- ers with transportation available from lamette or Columbia Rivers Portland to Vancouver. Special events • Tour the rolling hills of the Willamette on board include a Klondike Hootenanny Valley wine country in Juneau, a trip through Glacier Bay and • Sleep in an Indian teepee at Kah-Nee- stops at Ketchikan and Skagway. Cruise Ta Resort Holidays of Oregon has all the facts and • Go underground in the Oregon Caves you can call them toll-free at 1-800-848- near Grants Pass 7120, 1-800-624-7779 or 1-800-633- 2732. Choice staterooms are still • Climb the trail at Multnomah Falls in available: You don't want to miss the the Columbia Gorge boat this time! • Fly a colorful kite on the beach at Lincoln City FASHION SHOW FOR DANCERS When you come to Portland in June, ITS A FOUR-STAR PRESENTATION! be sure to make time for "An Oregon Portland is fortunate to have all of our Odyssey," the fashion show that will be convention facilities within easy walking presented by the Social and Special distance of each other. We will be able to Events Committee on Saturday, June offer 18 dance halls and many meeting 25th, at 10:30 AM in the Portland Memo- rooms for all the events of the 43rd rial Coliseum. The one-hour show will NSDC in June. intersperse hand-crafted and original The Oregon Convention Center on garments modeled by dancers from the corner of Holladay Street and Martin around the nation, with stories about the Luther King, Jr. Blvd., is the spot for Oregon Trail. The background tableaus registration packet pick-up, and the main will depict the four geographical regions site of the convention. The Portland Con- of Oregon and many of the natural won- ference Center across the street will add ders found throughout the state. more dance space. Portland Memorial Coliseum offers About five blocks (2,000 ft., we meas- comfortable, arena-style seating for sev- ured it!) to the northwest is the Portland eral thousand people, so mark your Sat- Coliseum with theater seating for the urday convention schedule, take a break fashion show and similar events, and lots to rest your feet, and get lots of good of dancing space. This is the home of the clothing ideas and a little Oregon history Portland Trailblazers basketball team. 20 American Squaredance, March 1994 Five blocks east of the Convention The Portland Rose Rambler is traveling Center is the Red Lion Hotel/Lloyd around Pennsylvania and has visited the Center, the official headquarters of the Wheelers and Dealers and the Center 43rd NSDC. It's an eight minute walk Squares. The Mount Hood Tracker is from the Oregon Convention Center, or trucking across Texas, and has visited you can hop aboard the MAX light rail the Dudes and Dolls, the Cut Ups, the which runs along Holladay Street. There San Antonio Sashayers and the commit- will be a free shuttle bus looping back tee for the 45th NSDC in San Antonio. and forth between these locations. This The Columbia River Cruiser went to the is a separate service from the hotel and Alabama State Convention and then motel shuttles. traveled to Ft. Worth, Texas, where it The Lloyd Center Mall Ice Pavilion visited the Star Promenaders. We have (without the ice, of course) is across the not yet heard from the Rouge River street north of the Red Lion. There will be Roller, which left St. Louis headed for a full dance program there Thursday Canada. Be sure to send one of the through Saturday from 10:00 AM until postcards included with the trucks to Log 10:00 PM. The Lloyd Center Mall has Trucks Director John Shefler, if a truck more than 150 specialty shops, several visits your club. large department stores, and a "Food Court" with various cuisine offered. AIRPORT TRANSPORTATION TO Portland has it all for visiting dancers, CONVENTION HOTELS and all within a few blocks! Come and Almost all of the hotels that will be dance with us at these fine facilities: We used by dancers attending the 43rd look forward to rolling out the red carpet NSDC in Portland are served by trans- for you! portation to and from the Portland Inter- national Airport. Many of the hotels offer REDEEM YOUR SEEDLINGS SOON! complimentary transportation, arranged by phoning the hotel upon your arrival at More than 5,200 Seedling Certificates the Portland Airport. Several of the hotels were sold to promote the 43rd NSDC, but are served by RAZ Transportation or the only 4,200 have been converted into reg- Beaverton Airport, which make their istrations. As a reminder, the Seedling rounds of the airport terminals every Certificate is not a registration for the thirty minutes, picking up passengers. convention; it just gives you a discount Costs range from $7.00 to $18.00, de- price on your registration. Contact the pending on how far away your hotel is. Registration and Housing Committee, PO Box 5906, Salem, Oregon 97304- We advise you to contact your hotel 0906. after you receive your confirmation and inquire about transportation prior to arriv- ing in Portland. LOG TRUCKS KEEP MOVIN' ON! Fly Delta, the official airline of the The Oregon log trucks are movin' 43rd National Square Dance Conven- along! The Eastern Oregon Pioneer is tion! rolling across Georgia, visiting the Pogo Squares, the Kountry Kickers, the Coffee Squares and the Sweet Art Squares. The Pacific Express has traveled all the way THE OREGON ST1TCH'N POST from California to Canada, and visited Come to the Oregon Stitch'n Post the Southminster Square and Round (Sew 'n' Save '94) and hitch up to some Dance Council of Lethbridge, Alberta.

American Squaredance, March 1994 21 new knowledge about sewing and caring in some places and barely wide enough for square dance apparel. Sewing semi- for a wagon to pass in other areas. nars to be offered include: 'Western During the time of this Great Migration, Shirts," "How to Buy, Care for and Laun- the Oregon Country wasn't even part of der Your Petticoats," "How to Design the United States. Both British and Garments from Silk Border Prints and American interests wanted control of the Care for Them,"Troubleshooting with the land and its rich resources. Serger" and "Putting Your Slippery Slip The U.S. government encouraged in a Suitcase." In addition to seminars, westward emigration. Congress enacted the Oregon Stitch'n Post will offer emer- the Donation Land Claim Act in 1850 as gency repairs with a 'Trail Boss" and a reward to pioneers for settling in Ore- 'Wranglers" ready to mend those small gon. Although no treaties were yet rati- rips and tears before they interfere with fied to purchase the land from Native your dancing pleasure. Americans, married couples could claim up to one square mile of land. A national PATHWAY TO THE depression, faling crop prices and a dis- PACIFIC NORTHWEST ease-ridden environment encouraged Celebrating the 150th Anniversary other people to venture westward. of the Oregon Trail The emigrants started out from Inde- The Oregon Trail held the promise of pendence, MO, where they purchased a better life for 400,000 emigrants. Hope provisions, equipment and livestock. The and determination drove them along the first leg of their journey took them 172 2,000 miles from Independence, MO, miles across Kansas, a two-week trip by across the plains and over the Continen- covered wagon. tal Divide to the trail's end in Oregon City, The trail extended 430 miles through Oregon. Nebraska and into the rugged terrain of When the massive movement of Wyoming. The mid-point of the trail was Americans started in 1843, only a few South Pass in Wyoming, where the trail states existed west of the Mississippi crossed the Continental Divide. This was River. Reports from early frontiersmen the only place where wagons could ne- and missionaries who had visited the gotiate the mountains. Oregon Country described it in glowing After entering Oregon Country as they terms - a land of boundless beauty and passed through the Rocky Mountains, opportunity. the emigrants continued across Idaho The pioneers who set out in search of and into Oregon. The Mormon Trail (after this promised land faced extreme hard- 1847) branched off at Fort Bridger (Wyo- ships: disease, violent weather, moun- ming) and the California Trail left the tainous terrain and Indian attacks. Most main route near Fort Hall (Idaho). of the travel took place between May and The pioneers entered present-day September when the weather was more Oregon at the Snake River Crossing favorable and forage for livestock plenti- near Nyssa, where they risked over-turn- ful. The trip was a four-to-five-month ad- ing their wagons, damaging or losing venture into the unknown. possessions and even drowning. After These early travelers progressed at struggling another 422 miles, they the rate of 12 to 20 miles per day. Many reached Oregon City on the Willamette walked beside oxen-drawn wagons River-the end of their great journey. along the trail, which was 20 miles wide The completion of the transcontinental railroad in 1869 marked the end of the 22 American Squaredance, March 1994 era of mass overland emigration by cov- historic sites. For those adventuresome ered wagon. However some pioneers individuals, an auto route can be fol- continued to make use of the Oregon lowed from Independence, MO, to Ore- Trail into the late 19th century. gon City, Oregon. Today, the Oregon National Historic In honor of the trail's 150th anniver- Trail, designated by Congress in 1978, is sary, the states of Missouri, Kansas, Ne- administered by the National Park Serv- braska, Wyoming, Idaho, Washington, ice in partnership with the Bureau of and Oregon are celebrating the event Land Management, the Forest Service, through special activities during the year. state and local governmental unities, citi- For example, wagon-train demonstra- zen organizations, and numerous private tions, covered-wagon tours, festivals, individuals whose property the trail parades and dramas depicting pioneer crosses. The trail corridor contains some life will be taking place throughout the 300 miles of discernible ruts and 125 summer and fall in these states. V Funcrs !DAY

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American Squaredance, March 1 9,)-4 23 cause. We have found a way to do just that. Contact your local American Can- MIND,/ cer Society and offer to hold a Country Roundup. This has been very successful in our area. Dancers set up and promote 1001 a festival. Callers, cuers and other local performers donate entertainment. Mer- chants donate food or products to be e enjoy your magazine each sold. Radio, TV, and newspapers donate month and feel it is the best way advertising. Civic organizations sell tick- Wfor square dancers to communi- ets and help with food, etc. Hospitals set cate. Would you help us get a message up health education booths. It's great fun out across the country? and everyone benefits. See the ad in Square dancers are always looking for Dateline for our upcoming annual Coun- ways to promote our activity, encourage try Roundup in Newport News, Virginia. cooperation between clubs, interact with Marilyn Hill the community, and sponsor a worthy Carrollton, VA

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Name(his) (hers) (last) Address Phone(day) (night)

American Squaredance, March 1994 27 by Ed Foote

A THEORY GONE level in the hope that this will help them. In reality all that happens is that dancers ASTRAY break down in their current level with any people in Advanced and more confidence. Actually, the next level Challenge subscribe to the fol- workshoppers often do not even realize lowing theory: that the way to that a breakdown is their fault, because improve your ability at your present level they automatically blame those who are is to workshop one level higher. not workshopping ahead. "I'm workshop- The advocates of this theory say that ping C-2, so it had to be a C-1 dancer that workshopping the next level helps one caused this square to break down, not understand the previous level, which me." therefore leads to more success on the Why do dancers moving on too quickly dance floor. In addition, it builds dancers' break down at their current level? Be- confidence at the preceding level, be- cause all their mental energy is being put cause the dancers know they have al- into the next level, so they are not think- ready surpassed that level by doing the ing about calls at the preceding level. subsequent workshop. Let's take a C-1 dancer that is only This theory sounds fine on paper, but barely competent at C-1 who moves on it is flawed by what is seen on the dance to C-2 to try and become more comfort- floor. Dancers who are workshopping the able at C-1. This dancer should be danc- next level are not any better at the pre- ing C-1 material and concentrating on ceding level than those who are not do- these calls. Instead, this dancer is con- ing this workshopping. centrating on C-2 calls. So is this We are not talking here about dancers dancer's mind being trained to handle who are ready to move on because they C-1? Of course not. The majority of calls are totally competent. We are talking being heard and thought about are C-2, about dancers who are not competent at not C-1. their level moving on to the next higher I see it all the time - dancers proudly saying they are workshopping a level

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American Squaredance, March 1994 and they can not do the preceding level. One final observation. Once people Just ridiculous! In fact, whenever some- start workshopping the next level, then one tells me at a dance that they are they start going to dances at that level, workshopping the next level, I watch so now they do not even get dance time them. About 85% are not better than at the level where they belong. This is anyone else, and some are worse. The called being lop-heavy"; knowing a lot of 15% who are better are usually those names in the mind, but having no solid who were already competent at their foundation of the preceding calls on level and ready to move on. which to build. The best dancers I have seen over the To those who only move on when they years are the ones that totally learn one are ready I say "congratulations, I'm level before thinking about the next level. proud of you." To those who move on too Unfortunately, in our rush to mediocrity, fast, be aware that your weaknesses at these dancers are in the minority today. the preceding level are readily apparent on the dance floor. V

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American Squaredance, March 1994 29 skirt. Snap on appropriate [holiday] de- signs for special dances. In other words, cut and stitch colorful Christmas trees, Easter bunnies, hearts, flags, turkeys, pumpkins and so on in various colors and fabrics. Sew a snap on the back of each one and attach to your skirt for an original and variable square dance outfit. ...If you use a light-weight fabric for a gored square dance skirt, add a ruffle at A CALLERLAB CONVENTION sev- the bottom of the skirt to hold it in place eral years ago included a session on when you dance. square dance fashions. Chaired by Ema ...Check your local newspaper office Egender of Aurora, Colorado, the meet- for discarded ends of newsprint. They ing included participants from several are generally happy to give this away and states modeling square dance dresses it is excellent for tracing patterns. suitable for a fashion show at a begin- ...Hold an [experienced clothes sale.] ners class. Let your club members sell their no From these participants as well as longer needed square dance clothing to from the ladies in the audience, a variety class members explaining, [our clothes of ideas came forth. Here (with thanks to already know how to dance!] all who shared, but unfortunately with no ...Try a [trade about] night at a begin- individual credit) is a potpourri of sugges- ner class - used clothing at very reduced tions - in no particular order. rates. ...Maintain a pattern library for your A FABRIC SAVER class and club. Make these patterns available to all members to trace, either ...Add a fabric tab to the waistband of in their entirety or in parts (i.e. a sleeve, your square dance dress or skirt to hold bodice, etc.). Members check them in your club badge. This eliminates the pos- and out much as they would a library sibility of damaging a sheer fabric. book. ...Make a reversible vest, bib or pina- ...Watch sales at your local bridal fore top which can be worn over a solid stores. When you see a particularly colored square dance dress, giving two pretty dress at an attractive price, buy it. additional changes. These can be at- Cut the unwanted length from the top tached with buttons at the waist, ties at portion of the skirt. Gather the skirt back the sides or be pinned or snapped at the on to the bodice and you have a new shoulder line to hold them in place. square dance dress. ...Is your waist somewhat changeable in size? Try a belt with your dress which HELPFUL INFORMATION can be fastened with Velcro and can ...Keep a notebook of addresses of adjust up or down size-wise as needed. local square dance stores and fabric ...Wear a skirt liner to keep your shops. Include catalogues from square square dance skirt from dipping into your dance distributors, also favorite patterns petticoat. A white liner will keep the color for capes and shawls. Display this at your of your dress true; a six-gored liner can class and club for others. be worn either under a gored or a tiered ...Make a plain, white circle skirt. At- square dance skirt. tach snaps at various spots around the Sets In Order - June, 1983 ✓ 30 American Squaredance, March 1994 floral designs, with separate glued on typed lines across them? I cherish that little framed message from Arvid Olson, dated 10/30/63 (Arvid was then editor of American Squares, now ASD), congratu- lating me on my very first record, pro- duced on TOP. That was special. Later there were to be many more records to frame for the walls, fifteen or so, pro- ne of the advantages of moving from duced by TOP, Grenn, Red Boot, Raw- Oone home to another is that one gets hide, and two segments on SIO premium to pack up all the mementos, plaques, record . photos from the walls and shelves, load Other Callerlab recognition plaques them into boxes discard a few (precious and certificates take their place on the few--CAB), and then relocate them in a walls, in addition to the Milestone. Over new home, if there's room. This is the there is the Quarter Century (of calling) task we had last spring, moving from certificate, received in 1975. (Actually I Ohio to New York State. I say "task," but started calling in 1948.) To the right is my it was memorable in a way, because as I Accreditation certificate from June of '78, packed these items, I had a chance to and in the center is the Award of Excel- recall hundreds of good times these lence plaque, recognizing my service on things represented. I confess, some ha- the Board of Governors ending in '79, ven't yet been unpacked here in our new again in '87, again in '92 (and, anticipat- home (there aren't enough walls and ing a future engraved addition for the shelves), but the memories of 45 years present term, finally in '96). To complete of calling and traveling remains vivid as I the Callerlab series of certificates, there's continue to sort and re-sort these visual one with all Board members' signatures treasures. thanking me for my short period as Ex- My travels are far from being over, of ecutive Secretary in '73-74. course, so this is not to be considered a A beautiful calligraphy-embellished climactic piece, but I feel so lucky to have certificate appears on another wall, been to so many places and received so signed by 24 Oberlin, Ohio class gradu- many items of recognition, I'm compelled ates of 1974. (I taught S/D classes for to share the most noteworthy with ASD about 17 years.) Better still, I have readers. No pomposity is intended; hu- framed photos of many of the callers I've mility is what I feel; these are only tokens taught in 160 caller schools to date, in- of or happenstance equally cluding (surprise?) 502 callers during the shared by many in this of square dance last 25 years. Whatta bunch! world. Cathie shares the most important three honor awards in our collection--sort ATTENTION: of the "grand slam" of square dance PART—TIME or FULL—TIME awards--LEGACY'S Heritage Award (re- TRAVELING CALLERS ceived at this convention in 1992), and GET YOUR NAME/ADDRESS ON OUR the Sets-In-Order American Square "TRAVELCALL" Dance Society's Silver Spur, received in LISTING 1979. Of course, these three have a For Wider Exposure In Usa prominent place on our walls and in our also, Club/festival Booking Agents: hearts. As I said, many deserve these Ask For Our 3—page Listing For Available awards more than we, but maybe we "got Callers To Call Your Club/event send lucky" at the right time and place. Stamped return Envelope Stan Burdick PO Remember years ago when Western Box 2678, Silver Bay NY 12874 Union sent congratulatory messages on fancy yellow note paper, imprinted with

American Squaredance, March 1994 31 Above that doorway hangs one of '81, starting with the words, "Oyez! those iron eagles, given to us by the Oyez!" Muskegon Square Tappers, as thanks Other framed proclamations attest to for our helping them tour and perform in the fact that I'm an Honorary Conch (of Russia and former Iron Curtain countries. the Florida Keys), signed by the first We had made a contact over there that mayor of Key West. Certificates that cre- led to the tour. ate a smile are the "100% Cotton Pickin' I was inducted into the Order of Ken- Southerner" award (Tennessee) and the tucky Colonels twice--once in '69 (that "No Bull Peace Prize" from LEGACY in certificate is signed by the governor him- 1975 (Half of that one's mine too! --CAB.) self) and again in '79. (I think we received There's a Dancin' Doll Devotee Award this honor a third time, at a Mini LEGACY which we'll say no more about at this for Kentuckiana, with both our names on time. (Hmmm. There's a story there. -- it. --CAB) Does anyone remember the CAB) Septemberfest events held for several There are so many banners, emblems years around Paducah and the Kentucky and pins, there just isn't room for them on Lakes region where several of us were any standard wall, so they will repose in staff callers? a box to be examined occasionally. For Speaking of Orders, over there haiiigs instance, there's a boomerang from Aus- the Order of the Good Time, received at tralia, a March (England) banner with a a dance festival in Nova Scotia. Over that cute hare (rabbit to you), a plaque from window is a large wooden plaque (as the Munchen (Munich, Germany) Dip 'n wide as the window) with etched lettering Divers, a tiny surfboard from Hawaii, a to show I called for the 14th Atlantic pewter emblem from Oberammergau Jamboree in 1978. And from the city of (our Friendship Festivals sponsorship in Dartmouth, Nova Scotia, hangs a yel- Germany), a limited-edition silver Idit- lowed hand-lettered proclamation from erod buckle from Alaska, a cowbell from

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32 American Squareciance, March 1994 Switzerland, and a 25-year-calling hon- Take a deep breath. Here we go with orary membership pin from the Steel City a listing of locations where I called in one Squares in Youngstown, Ohio. single month--cities in eleven states and On the floor under that table sits an two provinces for 30 days: Decorah, engraved step-stool from the Oakland, Iowa; Ogallala, Nebraska; Kansas City, Maryland, Autumn Glory Festival of Missouri; Dewey, Oklahoma; Omaha, 1982. On that shelf is an Indian-designed Nebraska; Minneapolis, Minnesota; Hud- wooden plate from the Star-In-A-Circle son, New York; Hannibal, Ohio; Berlin, S/D Club of the Canal Zone with festival Pennsylvania; Erie, Pennsylvania; Ray, attendees' names printed on its back- North Dakota; Minot, North Dakota; side. In the bathroom is a lovely floral Devil's Lake, North Dakota; Salem, Ore- mirror presented to Cathie and me when gon; Beaverton, Oregon; Portland, Ore- we retired as chairmen of LEGACY in gon; Chicago, Illinois; St. Catharines, '91. And that painting of the landmark Ontario; Niagara Falls, Ontario; Roches- lighthouse in Huron, Ohio, was given to ter, New York; Pointe Claire, Quebec; us by our six staff members of ASD when Port Hope, Ontario; London, Ontario; we closed our office and sold this maga- Brantford, Ontario; Farmer City, Illinois; zine to the Sanborns at the end of 1991. and four class nights in Huron, Ohio. So many memories. Oops, that only adds up to 29 days. Well, So much fun in so many wonderful I guess I had one , after all. years with ASD, with the travel-calling, VVhadya know! with visits to 22 countries, with meeting (And as folks were always saying to so many wonderful people in the square Stan, "I just don't know how you travel dance world, with our work in square like you do and put a magazine out too." dance organizations, with the pleasure of How do you suppose the January '81 chronicling these adventures for you now issue ever was prepared? --CAB, with in my 26th year for this column. her tongue in her cheek.) Again, that sounds like a swan song. The month above reminds me of the Baloney. Lots of good years left. Not so fortnight --14 days-- when the British much calling--just mostly on the week- Callers scheduled me for every night ends, not so widely spread, but the fun somewhere in Jolly Old England in late and satisfaction of doing a job is still September/early October of 1981, and there, and if honors come, so be it. Not when Cathie saw the schedule, Jolly Old so many years ago, in November of 1980 Cathie changed plans and stayed home. to be exact, I called more dances in one (We know we're still busy now, but read- month than ever before and ever after. ing about those days brings back memo- I've got that calendar page framed and ries of really being busy, with not enough on the wall, too, mostly to remind me hours in the day. Those recollections never, never to get this busy on the road make us savor the more relaxed sched- again! ule of 1994 and time to enjoy each day! --CAB.) ✓

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34 American Squaredance, March 1994 that's Going On In 9uare D atow%

THE BLOOMIN' DANCE added cuers Ray Walz and Ron Novle, By Judy & Larry Nunn with Bob Anderson calling the second dance. We provided fun badges for all ooley's Gardens is the World's dancers, and of course the dance is al- CLargest Iris Grower. We are located ways free. The ad on the OFN and our in Silverton, Oregon, just 10 miles east of flyers brought many dancers both week- Salem, In 1988 we celebrated our 60th ends. The next 2 years our callers were Anniversary. We grow and sell tall Jack Peterson and Les Seeley, (keeping bearded iris only, through a mail order our cuers Ray and Ron). catalog. May is quite a sight, with our iris Attendance is up every year! There in bloom in the display garden and the were over 200 dancers at one dance in surrounding fields. 1991, and over 200 at one dance in 1992. We invited visitors through the news- The loading dock nearby overflowed. In paper and radio stations. Gardening ex- addition to the fun badges, we give away pert, Ed Hume visited and helped make door prizes. These prizes are groups of a video tape. Mike Darcy broadcast his irises, shipped to the winners in July. garden show from our facility one Satur- To those of you who have not had the day. We also invited a local winery for opportunity to attend our Bloomin' wine tasting. Mike has returned each Dance, keep in mind that we dance on year since, and several wineries have the cement loading dock, so tennis taken turns during our three-week cele- shoes are suggested. Square dance at- bration. tire is requested and preferred. Many In 1988, we asked the Red Hots to clubs have attended ourdance as a mys- square dance on our loading dock, as tery trip or visitation. The loading dock is another for our visitors. There also covered, so if the weather is not was very little advertising, as it was a last co-operative and it rains, it doesn't really minute idea! Ron Lewis called. In 1989 matter...you won't get wet! We have we asked Ron back and added another even danced in a hailstorm in 1988! But dance on a second weekend. We also

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American Squaredance, March 1994 35

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for the most part, the sun shines and the Gary Brown, and Glenn Zeno. Dancing iris bloom. levels for everyone's pleasure - Plus, Advance, C-1, Rounds with Pat Hagen DANCE FOR HEART and Carolyn Zeno, and even the Texas n Sunday, March 6, 1994, The Two-Step. Refreshments, door prizes OSouth Bay Division of the American and 50/50. A fun program that gives all of Heart Association will have their second us a fighting chance against heart dis- annual square and round dance event at ease and stroke. So mark your calendar, the Manatee R.V. Park, 6302 U.S. High- put on your dancing shoes and join us! way 41, South, Ruskin, FL from 2:00 PM For more information or advance tickets, to 6:00 PM, featuring 4 of the areas top call (813) 776-2301. Submitted by Bill callers: Red Bates, Reath Blickenderfer, and Pauline Yannotti. V

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36 American Squaredance, March 1994 JOHNNY ANGEL COLL-0296 Choreography by & Bill Reid Good Shelly Fabares vocal with a nice P-2 two step TT We Touodg to popular tune. by Frank ct Phyl Lehner( BABY BABY CHA CHA COLL-8692 (I WANNA BE AROUND Choreography by Nell & Jerry Knight COL 13-33062 Good Amy Grant vocal with an interesting P-4 + 1 Choreography by John & Mary Macuci (sweetheart) + 1 up (dble peek a boo) cha cha. Great Tony Bennett vocal with a nice P-4+2 pe- HAUNTED HEART abody (one step) with a loop around & a double top MERCURY 862096-7 spin. Choreography by Larry & Kathy Gafford WHILE WE DANCED Catchy music, Sammy Kershaw vocal with a P-2+1 ROPER 400 OR DAL 6107 two step routine. Choreography by Ron & Ree Rumble WHEN I NEED YOU Pretty music & a nice P-4+2 (outside spin & curve WBS 8332 feather) waltz. Choreography by Bob & Jackie Scott MY HEART'S IN SAN FRANCISCO Nice Leo Sayer vocal; P-2 + 2 (X hover, spin trn) ROPER 288 Waltz...47RPM. Choreography by Carl & Patsy Dammeir HI-HEEL SNEAKERS Good music & a nice interesting P-4+2 (contra ck RCA-447-0663 & ck weave) foxtrot. Choreography by John & Mary Macuci EASY COME EASY GO Good Elvis vocal with P-2+1 (fishtail) two step. MCA 54717 CHARMAINE WALTZ Choreography by Larry & Pam Wacker HOCTOR 609 George Strait vocal with a three part Phase 3+1 Choreography by Allemande Al Rumba (Kick to a four) routine. Good music with a comfortable P-2+1 waltz routine. SHE LAYS IT ALL ON THE LINE WONDERFUL RAIN MCA 54717 GRENN 17184 Choreography by Larry & Pam Wacker Choreography by George & Judie Mc Farlane Good George Strait vocal with a comfortable P-4 Good classic music with new routine - a good P-2+1 triple jive routine. (fishtail) two step cued by George. DO YOU KNOW WHERE YOUR MAN IS RICK RACK ARISTA 12606-7 SCOPE 50 Choreography by Larry & Pam Wacker Choreography by Larry Warner Pam Tillis vocal to be played at 49RPM - A Phase Good peppy music & a nice P-2 two step cued by 2 waltz plus the unphased rotary box. Larry. I FELL IN THE WATER OREGON WALTZ BNA-62621-7 MAR 2002 Choreography by Jim & Adele Chico Choreography by Ernie & Powell A basic figures P-2+1 (fishtail) two step to a John Nice 3 part P-2 waltz to by Dwayne Anderson vocal Tracy & cued by Ernie. NEW LOVE I'M CHASING THE WIND COL-13-33370 BELCO 417 (& 268) Choreography by Mary & J.D. Norris Choreography by Charles Brown Marty Robbins vocal "Don't Let Me Touch You" Good music with an interesting P-2 two step cued with a comfortable P-3+1 (in & out runs) Fox-trot & by Charlie. two step routine.. speed. SAN ANTONIO ROCK DON'T LET ME TOUCH YOU BELCO 417 (284) (SAME RECORD AS ABOVE) Choreography by Croft/De Zordo Choreography Ed & Carolyn Raybuck A re-release of a P-2 two step cued by C.O. Guest. with a P-3 +2 Rumba/two step routine. IT MUST BE TRUE WHAT THE WORLD NEEDS NOW HOCTOR 606 COLL-6048 Choreography by Ken & Irene Slater Choreography by Bob & Jackie Scott Good music with a good basic P-4 Fox-trot. Good Jackie De Shannon vocal with a comfortable P-3+1 (Diamond trns) waltz.

American Squaredance, March 1994 37 BLUE SPANISH EYES ROMEO CHA CAPITOL 5542, 6108 ARISTA 12680-7 Choreography by Mary & J.D. Norris Choreography by Betty & Orin Voigt Good Al Martino vocal & a nice P-4+11 (switch) Lively music by Diamond Rio with a P-3+1 (Ale- rumba. mana) cha cha routine. I WILL FOLLOW HIM UNDER THIS OLD HAT RCA 447-0710 LIBERTY-17443 Choreography by Nell & Jerry Knight Choreography by Gene & Linda Krueger Little Peggy March vocal with a P-2+1 (Susie 0) two Good Chris Ledoux vocal & a good basic P-2 two step. step. CHERISH GOD BLESS TEXAS WB7105 WB7-18386 Choreography by Nell & Jerry Knight Choreography By Bob & Jackie Scott P-3 rumba with vocal by The Association. Real swinging music by Little Texas-with a P-5 jive routine. MANUELA II ROPER 145 Choreography by Dan & Doris Sobala Pretty music & a good P-2 waltz.

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American Squaredance, March 1994 39 Dear Sirs, Please renew my subscription for 2 more years. I really enjoy the magazine and look forward to getting it every month. I understand about the computer prob- lems. My husband is into computers a little and I've heard him complain some, too. I sent my money in for renewal about one year ago now. Dec. 31 to be exact. Thank you for your time. Shirley Shaul', Ladora, IA Dear Jeanne, First let me commend you on your der). I liked their "style lab" which carried articles published in American Square execution of steps such as : Flutter Dance Magazine, May 1993 and July Wheel, Wheel & Deal, Ladies In Men 1993 issues. Sashay, Track II, Coordinate, Crossfire, My wife and I took up lessons in 1976. Teacup Chain, Ping Pong Circulate, etc. As was typical at that time we lasted As you know, this magazine is no longer about a couple of years. Most students published. The only store in Cleveland have a drop out rate of two years or less. area carrying square dance clothes is My wife and I signed up for lessons (be- Terri's Western Fashion and it is going ginners) in September, 1993, and we are out of business as of January 8, 1994. presently taking square dance lessons. They have been there since 1976. The As we continue in square dancing, I have only store in Akron went out of business a feeling it's going to end up like before; years ago. a waste of time and money. I think most You may think that I'm complaining. if not all students will fall by the wayside. I'm only voicing an opinion to try to keep As you have said, there is no place for a the students of square dancing (when student to go dancing after finishing they get out of school) dancing at that classes. I receive the Tip Topics Maga- level, until such a time as they wish to zine produced by the Cleveland Federa- progress if they want to. tion of Square Dancers. All the clubs Thank you, listed dance Mainstream to Plus. There Chester Zmija are no dances for Basic and Mainstream Garfield Heights, OH level only. None of the students can Dear Sir, and are probably not inter- Please cancel my subscription to ested in it. I've talked to several students American Square Dance magazine. I and they would be interested in dancing don't enjoy reading it anymore since it at the level we are in (student) without moved to the west coast. Most of the progressing any further (at least for the articles are the same as what is wrong present). with the decline of square dancing and I don't believe there's enough effort to clubs folding up due to people dropping keep the students active. They should out of the clubs. It's not fun anymore. Too have that level of dancing that they have many experimentals and it's hard keep- learned, weekly so as not to forget the ing up with them. Also in the Round calls that they have learned. If they wish Dance Pulse Poll most of the dances are to become more advanced they can, if being done on the west coast and are not they wish, go to the workshop to be better done here in the Midwest area. dancers. Sincerely yours, As you know, square dancing is on the Nicholas Zelnak, decline. Back in 1976 I used to subscribe Countryside, IL to Square Dance Magazine (Sets In Or- 40 American Squaredance, March 1994

Dear Jon & Susan, us up to date with all your news. We are Hi! I've been a traditional square and particularly interested in the convention contra dance caller for 47 years and have news as many of our club members have come very close to cancelling my long- attended past conventions, and four will time subscription on several occasions. be in Portland in 1994. Now that you have finally "discovered" We appreciate the receipt of the contra dance, my faith in your magazine magazine during 1993 for those not re- is restored. Here's my two year renewal. ceived in the previous year due to the Ted Sannella change of editor. Wiscasset, ME Yours sincerely, Beryl & Norman Hindle, Dear Jon & Susan, England Thanks for the reminder that our sub- scription is up for renewal. Greatly look Dear Jon & Susan, forward to receiving ASD in the mail I like to see people "happy" and danc- every month. Can't think of a more enjoy- ing. I have a helpful suggestion. A Latd. able, thorough information medium for square dance clothing store. Some good square dancing. clothing is outgrown. Some people could Thanks again, put these clothes to good use, if they Melody Termayne, knew of them. Especially new dancers. Williams, CA I have known of used stores in the past, several would love to have them Dear Jon & Susan, again. Just an empty basement room We have pleasure in forwarding the would be a good start for one. completed renewal form for the American If you would make this suggestion in Square Dance Magazine. Thank you for your magazine it would be a big help for all the information and interesting articles contained in each magazine, this keeps

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Be sure to send $4.00 for our extensive CATALOG with Spring and Fall supplements!! (703) 323-9572 (800) 627-0412 P.O. Box 2340, Fairfax, Virginia 22031-0340 • _ % c,•••• %Am.. •••••••%••• • •••im• •••%••%•%'%•%%%' , mm•••••••moc• . rI el• young dancers. Thank you. You have a appreciate your coverage of all of these great magazine! phases of dancing. We would appreciate Mary Meyer, seeing more articles on round dancing Omaha, NE and cue sheets on round dancing. Pos- sibly adding a phase three cue sheet to Dear Sir, your magazine each month. I am an old traditional caller of 55 Thank you years and I took western style lessons, Dot Stout but I mainly work with schools and nurs- Tuppers Plains, OH ing homes, where I use the simple things. I also do wheel chairs. EDITOR'S NOTE: We encourage our I have been a subscriber since about readers to send cue sheets and articles 1974. I enjoy the easy level and the line on round dancing. dances. I can call with records or with a band. I have had numerous bands over the years but have out lived most of Dear Jon & Susan, I would like to renew my subscription them. Sincerely, again for another year because I really Carl McCurdy do enjoy reading it. I enjoy getting the Ashley, OH American Square Dance Magazine. Thank you Dear Sir, Esther Hornburg We have subscribed to American Necedoh, WS Square Dance for many years and the Sets in Order Magazine before that. We Hi, Jon and Susan, have enjoyed many wonderful years of An idea for an article or two: Consider dancing and dance club level through finding a throat specialist at the UCLA or USC Medical Schools who might write a A-2. We also are avid round dancers. We

42 American Squaredance, March 1994 column or two, or on an occasional basis, Lou and I never sat down, we danced on the care of the voice and the 'vocal" every round and square dance. We had muscles. I've heard comments that even so much fun! many full time country, or whatever, sing- My best to all ers are not really aware of how stressful Ruth Hollenbeck continuous performance is on the vocal Norwood, PA process structure, especially the mus- Dear Jon & Susan, cles which need conditioning, proper I thought you might be interested in the maintenance, and not avoidable abuse. following story. Callers and cuers are dependent on their My husband and I were on our way voice as part of their living - or totally for home from our Sunday afternoon C-1 the full-time callers. workshop. We were involved in an acci- I really enjoy each and every issue of dent on a slippery bridge. Fortunately, no ASD - keep up the great work, and good one was hurt, but several cars were dam- luck with the subscription drive. aged and we were unable to drive our Cheers, Dick Taeuber car. We were 75 miles from home. We Salisbury, MD called upon our square dance friends, Jim and Mary Connell. Their son picked To Everyone: us up and we spent the night at their It was such a wonderful surprise to see home. We were thankful to have a warm, the article about my husband, Louis F. comfortable place to spend the night. The Hollenbeck (January, 1994) when I re- next morning their son drove us home. ceived the ASD magazine. I thank each This is another example of the fellowship one that had a part of it. I had many that square dancers possess. Square pictures of square dancers and our trav- dancers do come through for each other. els throughout the country placed out on Jim Connell is a square dance caller a table at Lou's memorial square dance. from Davenport, Iowa. He gave us our I believe the "extra" picture at the 1984 first set of Challenge lessons. Baltimore National was there, also. Sincerely, One never realizes the impressions Chuck and Marie Taylor you make on others. Yes, we were Spring Valley, IL known everywhere we went for our fun and antics and our "loud" costumes. Lou was a special, fantastic person and I miss him dearly. I try to do the things I know WORD-FIND 48 he would want. I go to square dances near home here, but it is so different. You really feel like a "5th wheel."

American Squai edance, March 1994 43 Dear Jon & Susan, Please list our festival in your Dateline Column. We appreciate this service and enjoy your magazine. I especially like the CHICAGO Round Dance Pulse Poll and Flip Side. George, of course, all the square dance ecttringy news. Thanks HEARTLAND STUDIOS, LTD. Jean & George Clark Ontario, Canada 130 WEST ST., GALENA, IL 61036 (815)777-1797 DBA - CHICAGO COUNTRY AND CROSS COUNTRY RECORDS CHANTILLY ROUNDS. NICKEL AND GASLIGHT RECORDS

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American Squaredance, March 1994 45 WO". 400 years Anniversary Festival - Belgorod, Russia - SQUARE DANCERS Closing Concert IN RUSSIA dancers from Italy, Japan, Spain, and Recently, Lottie Buckbee of West Russia, who also performed. Dundee, Illinois, visited Belgorod, Rus- The American dancers made a dozen sia. Taking along a group of dancers, performances while there at various they performed at the International Folk- schools, a collective farm, a cultural col- lore Festival celebration that marked the lege and a music college. 400th year anniversary of Belgorod. The group exchanged lapel pins with Their thirteen hour flight from Chicago, the Russians and in turn passed out a pin took them to Moscow, and from there designed by Lottie that read, "Square they boarded a train for the ten hour trip Dancing: Friendship Set to Music." to their destination. Along with caller Lottie Buckbee and The American dancers were received her husband Bruce were dancers: Don & enthusiastically, as well as other folk Donna Berlin, Quin & Nancy Butler, John Bruzenas & Sandy Hoffa, George &

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Submitted by Lottie Buckbee, and news taken from The Courier-News, No- 34TH BUCKEYE DANCE vember 21, 1993 issue. CONVENTION The year is 1994...the date is May FESTIVAL OF COLORS 6,7,8... and the place to be is TOLEDO, OHIO for the Buckeye State's 34th The Greater St. Louis Folk & Square Dance Convention..."WHEELS GA- Dance Federation's 46th Annual Square LORE IN '94." & Round Dance Jamboree will be held As with the first Country Western pro- April 1 and 2, 1994 at the Belle-Clair gram and the re-introduction of a Youth Exposition Hall, 200 south Belt East, Program - the CLOGGING"' program is Belleville, Illinois. shaping up to bring all cloggers a great "Festival of Colors" is the theme se- weekend. It promises to be a weekend lected for the event which is being hosted full of learning new routines, fun dancing by the 42nd National Square Dance Con- and a chance to meet many new people vention Committee headed by Bob and from many different cities and several Karen Fleher. states. The program includes Mainstream, There will be a full program from Fri- Plus and Advanced square dances and day evening through Sunday afternoon. workshops conducted by Wade Driver,

American Squaredance, March 1994 47 A beginner's teach will be held at 1:00 for warm and sunny weather with on-go- PM on Saturday for anyone wanting to ing shuttle service provided to and from learn the first steps of clogging. There will the park to the convention center. There be a variety of teachers from Basic to are MANY restaurants to delight every High Intermediate, with a variety of mu- taste in the downtown area. sic. Also, the program will include some JOIN US AS WE HOST THIS GALA country line dance instruction and sev- EVENT. BE THERE!!! eral exhibitions. All dancing will be done on a wood floor. The host club will be OPENINGS FOR BUS TOUR "The Red Devil Cloggers" led by Randy Places available for a Round Trip Bus & Dawn Malone. Look for their club exhi- Tour following the 43rd National Square bition on Saturday afternoon in the main Dance Convention in Portland! Dates: square dance hall. If you have any ques- Monday, June 27 - Monday, July 11. Four tions regarding the "CLOGGING" PRO- groups of 30 dancers between the ages GRAM, please write the Malones at 170 of 16 and 60 are planning a 15 day/night Bergin St., Rossford, OH 43460 or call bus tour. The tour route includes Ore- (419)666-6699. gon's Coast, Redwoods, a winery visit, 3 We want to remind you that the three days in San Francisco, 2 days in hotels in the immediate area have cov- Yosemite, a night in Reno and back to ered walkway access (with adjacent Portland via Crater lake and more! parking) to the convention center in the Please contact Carol by April 1. Final case of inclement weather. For those of reservations need to be made by April 23. you who choose to camp, at northwest- We speak English, French and, of ern Ohio's newest and most beautiful course, German. For more information Maumee Bay State Park, we are hoping contact Carol David-Blackman, Zed-

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1 ernstr 10, 52146 WUrselen, Germany. Kozlowski has been calling for more Telephone 0049-2405-82836 or FAX 49- than 30 years. He conducts classes as 2405-18508. well as callers' clinics and was a 1983 inductee into the S/D Hall of Fame at HOLLAND AMERICA LINE Renfro Valley. OFFERS FOUR SPECIAL S/D Confirmed for the June 28 sailing aboard the brand new ms Maasdam is CRUISES TO ALASKA IN 1994 Verne Weese. A veteran caller for more Here's a fun way to visit a spectacular than 20 years, Weese has been deeply state, meet new friends and polish those involved in the recording business, and dance steps, all in one week. Holland is a partner in Mar-Let Records. Weese America Line is offering four square will be joined on board by another profes- dance-themed cruises to Alaska's Inside sional caller to be announced later. Passage in 1994 on June 16, June 28, Aboard the ms Westerdam Septem- September 3 and September 10. ber 3 will be Tom Miller and Bill Peterson. All of these seven-day round trip lux- Miller, who regards square dancing as ury cruises depart from Vancouver, B.C., "friendship set to music,"tumed an enjoy- with calls to Ketchikan, Juneau, Sitka able hobby into a full-time career. He has and Glacier Bay National Park. recorded on several labels including Lou- Aboard ship, there will be special Mac and Kalox. workshops and dances. Highlighting the Peterson has called for 30 years and square dance festivities is the popular has written seven round dances. He's Juneau Spin, an opportunity for cruise also a recording artist who presently calls passengers to square dance with resi- for clubs and classes in Michigan. dents of Juneau, and other areas of The last square dance cruise departs Alaska and Canada's Yukon Territory, at September 10 aboard the Westerdam Juneau's Centennial Hall. There will be and features callers Mac Letson and Don presents for all who attend: women will Wood. Letson has several "gold records" get garters and men will receive bolo ties. to his credit and has traveled extensively Since the 1994 National S/D Conven- in his 25-year calling career, while Wood tion is in Portland, Oregon, June 22-25, has been calling and recording for more Holland America Line-Westours has ar- than 10 years. ranged special transfers for cruise pas- Holland America Line-Westours has sengers to Portland after the June 16 been the leader in Alaska travel since cruise. Arrangements also have been 1947. For further information, consult a made to transfer convention attendees to travel agent. the ship for the June 28 sailing, after the convention. Cost of the transfer is $69 per person. A BREAK FOR THE Professional callers Mark Clausing YOUNGER SET and Phil Kozlowski will be aboard the After three years of square dancing, June 16 sailing of the ss Rotterdam. Av- mainstream, plus training with numerous eraging more than 300 dances per year, work shop programs, we attended a Clausing's 20-year calling career has Delaware Valley District Convention with been punctuated with major hit record- some reservations as accommodations ings. He conducts ongoing classes for were eighty dollars a night plus forty dol- new dancers as well as workshops for lars admission. The location was only experienced dancers. about twenty miles away, and our square dancing friends recommended we give it a try. We ventured forth for two days over night, after phone calls for reservations and to make sure of our acceptance, paid an additional amount for admission at the door. I must say we had a great time, and

American Squaredance, March 1994 49 -

we will not be left out of future affairs of as a convention should provide free ad- this sort. mission for young dancers- under thirty The number of people we knew from years old for instance- one day or after- previous dances and after the first day it noon of such affair as guests. This would seemed we knew just about everybody. expose younger dancers, with limited re- I guess I don't have to explain this point sources to renown callers and cuers, and to other square dancers, but we filled in gala occasions much to the advantage a square of three young couples that and future of square dancing. were in about their late teens whom we In my own instance I would not have had not seen before. They were a delight taken up square dancing at this late point and having a fine time. My partner, a bit in my existence, but for the fact that I was on the gushy side, enjoying these kids, a square dancer in my teens back in the looked at their name tags and asked early thirties. We also did what they them questions. I sensed a little discom- called round dancing there, we just got fort on the part of the young ladies, but up and did our thing without cuers. Cur- thought little of it until I looked for them rent square dancers are quick to tell me after and found them missing. These that my early experience was different. youngsters had crashed the party, and Same as now, there were six or eight maybe through our interest in them per- different callers, with different ideas and sonally were scared off. This possibility moves and were quick to swipe from one caused us and those we discussed it with another. The difference I see is that we some annoyance. were all young, we danced to live music It seems to me that any club lucky and moved two feet off the floor. enough to have young dancers in their Joseph H. Ricketts midst, or the groups having affairs such Ambler, PA

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I'm sure you have noticed by now that I like to feature recipes from friends and family lin Breadline. This month is no exception. I asked my best friend of 28 years, Lauri Lippl, for her favorite thing to prepare. We both grew up Army brats and met when our families were stationed at Fort Ord, California (which is now in the process of being closed down). We were 9 years old when we met and were immediately best friends. Lauri & I have shared a lot, and even (to the amazement of all around us) had twins 4 months apart! We haven't seen much of each other over the years because we've always lived several hundred miles apart, but we keep in close contact through the phone lines. I'm looking forward to spending some time with her when I attend the Nationals in Oregon in June. If there's such a thing as soul mates, she's mine. Let me know what you think. LAURI'S CORN SOUP This past summer our family relocated to the beautiful northwest Vancouver, Washington area from southern California. Never have I been subject to the weather reaching the age of my teenage son, BJ! On the bright side, I finally got to wear those beautiful sweaters and rediscover the art of soup making. I have two versions. The first version is using what's in the fridge, the second is to buy a bag of frozen, mixed vegies. I like the ones that have cauliflower, carrots and broccoli. This is so simple, my 10 year old twins, John & Chris can whip it up. INGREDIENTS: 2 Cans of cream of corn soup 2 Cups milk (1 or 2% may be used) 1 Cup chicken stock 2 Cups cut carrots 4 Large potatoes cut into 1 inch cubes 1 Celery branch 1/2 Cup onions 1 Cup corn Salt & pepper to taste To crock pot add cream of corn soup, milk, & chicken stock. Mix vegies, salt and pepper to taste. Place lid on crock pot, turn on high and give it about 2 hours. If it's too thin, pour about 3/4 Cup of instant potatoes, it's a great soup thickener. I like to let mine simmer on low all day. By the time dinner is ready, I'm usually full because I do taste test all day. If you want protein, add 2 cups of cubed chicken breast. With a nice tossed salad, french bread and a blazing fire, this will make for a nice winter meal. ©

American Squaredance, March 1994 51 own halls and dancers go to them be- fallen from grace from the ACA will form cause they want to and the callers that a BCA (Better Callers Association) and don't succeed have only themselves to offer a solution to cure the ills of the blame. activity that we all love. Another Now, the saviors of the Square Dance arises when we go to this base pro- movement (ACA) want to add another gram....(What happens to the Advanced level which consists of a base program of dancers, or the Challenge dancers?). Do square dance choreography that can be we just leave them out to dry as we will do mastered in a reasonable time. Then here to the dancers that do not want to learn we are after twenty or so years of square some of the Plus calls? dancing, with MS, PLUS, ADVANCED & Let's not ask the callers their opinions, CHALLENGE, our activity has a BASE let's ask the dancers, who happen to PROGRAM which consist of MS & PLUS. dance Mainstream, and the dancers So now, the dancers that didn't want to who dance Plus, and ones who dance learn PLUS, will have to learn some Advance & etc., what they think of our PLUS to dance. And in twenty or so years, activity. Let's ask them what they want us when everyone has gone through the to do with the levels. After all, aren't we all BASE PROGRAM, the callers who have in this for fun? I personally know some of *YOU'RE IN CLOVEW

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52 American Squaredance. March 1994 Cruise on the Seaward with Steve Kopman & Lee Kopman Advanced Level with Star Tips May 13, 1994 - May 16, 1994 starting at $349 per person

Features Include: Accomodations aboard the Seaward for three nights, square dancing with Steve and Lee Kopman, eight meals a day including room service, entertainment, port charges, private cocktail reception, a musical produdion, comedy acts, live bands, every imaginable on-board sport, aerobics, gambling, duty free shopping, state of the art fitness center, one formal evening with the Captain hosting a gala cocktail reception and two informal evenings.

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and we were glad there were callers hired the callers to call at those levels. around willing to teach us what we wanted The dancers now knew that when they to learn. Some of our friends went on to went to dance at a club that called at the higher levels, and they wanted us to go level they liked, they could dance all over also, but we didn't, and believe it or not, the world to the same moves and never they are still our friends and go dancing have to worry about what would be called. with us when we get together. It seems as though the ACA panel Old time square dancing before levels, reviewed tapes from more than 100 differ- from what we could gather, was all to- ent dances and dancing time was devoted gether different than modern square to only 45 or 50 movements 90% of the dancing. Visiting couples were a large time. I would challenge the review as to part of square dancing, and trying to read how many times they heard the calls and understand some of the moves of "Load The Boat," Teacup Chain," and long ago, I don't think dancers who have "Coordinate" at a Mainstream dance. Did been around for less than twenty or thirty the 100 different dances include Main- years could dance those moves today. stream, or just Plus & Advanced? I've heard that many years ago, you could Where were the 100 different dances go from one city to another and the callers taped, in the Metropolitan areas or out in would have calls of their own, and com- the Rural areas of the country where petition was among the callers as to who Mainstream is predominant? If we are could think.up the fanciest moves. Well, going to have a review, let's have the some dedicated people got together and complete survey published. Let's survey selected the moves the dancers liked and the dancers, not the callers, after all, put them in levels, so the clubs could aren't callers hired by the dancers or decide what level they wanted to be and clubs? Granted some callers have their

American Squaredance, March 1994 53 LINE oppeim ...... 0811MMII.14) OF TAKE AIM AT ANYTHING FIRE WHY OH WHY ...ANOTHER LEVEL??? Donald L. Wiggins twenty years ago? How many 3 & 4 Walla Walla, Washington screen movie theaters were there twenty years ago? Let's not group all of our prob- he American Callers Association lems against one organization. Many Tseems to think it has the answer, dedicated people put their hearts and which is "A Return to Square Dancing." souls into making a fantastic activity like The first sentence is as follows: "There is ours. Remember all activities have their an uneasy consensus among callers ups & downs. today which holds that square dancing My wife and I have only been square in the 1990's is neither what it used to dancing since 1976, so we are relatively be nor what it ought to be." I really don't new to the activity compared to the people think any caller would disagree with who have suddenly solved the problem. that...but shouldn't the consensus be from We came in at the height of the activity the dancers and not the callers? After all, and all we knew were levels. We were I think we callers wouldn't be around if new dancers so we learned the first level there weren't any dancers and too many and had a great time. We decided to go organizations are forgetting to ask what higher. Because it was there, we tried a the dancers want. higher level and had even more fun. We Maybe there aren't as many dancers then tried a higher level and had even around today as there were twenty years more fun, but since we had other things ago, but there are a lot of things that were to do we dropped back to the level we around twenty years ago that aren't enjoyed and we've always labeled our- around now. There are a lot of things that selves as square dancers. We, nor our weren't around twenty years ago that are friends, ever considered levels as barri- around now also. How many video stores ers, we considered them as pathways, or or VCRs were around twenty years ago? a freedom to do what we wanted to do How many laser discs were around

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the Board of Directors of both organiza- I do know that Callerlab has offered to the tions, and I would be willing to bet that ACA an open line of communication, but most of the ACA members used to be from all of the publicity the ACA has put Callerlab members. I think both organi- out, it seems as though their solution has zations have our activity uppermost in no discussion, they are right and to heck their minds, but don't you think that in- with the rest of the 3,000 Callerlab mem- stead of attacking it from a caller's point bers. Callerlab has not always been right, of view, we should solve the problems but they are willing to listen to all con- from a dancer's point of view? cerned. Anyone wishing to keep our pre- I realize that most new dancers will do sent form of square dancing, call or write what their caller tells them. If you're enter- your Caller or Callerlab, 829 - 3rd Avenue ing the activity now, it would depend on S.E., Suite 215, Rochester, MN 55904 which organization your caller belongs to. (507)288-5121. I/ 4

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American Squaredance, March 1994 55 cEngli8h Mountain Retreat Sevierville, Tennessee 1994 WEEKEND (TWO-DAY) PACKAGE

MAY 13 - 15 MAY 20 - 22 MAY 27 - 29 JUNE 3 - 5 WEEKENDS MARKED WITH A 0 ROUND DANCE Buck Ilastedt (SC) Ron Meisl (PA) CHAPARRAL REC. HAVE SPECIAL PRICING. WEEKEND Rds: TBA Tom Rudebock (OH) Ken Bower (CA) Butch & Nancy Rds: Ron & Gary Shoemake (TN) CALL FOR PRICES. Tracey (IN) Pat Meisl (PA) Jerry Haag (WY) Judy Marshall Flippo (TX) ALL WEEKENDS ARE PLUS Everhart-Mouton 0 Scott Smith (UT) LEVEL UNLESS OTHERWISE & Dave Mouton (IN) Rds: Rose & INDICATED. Glenn Warner (KY) • JUNE 10 - 12 JUNE 17 - 19 JUNE 24 - 26 JULY 1 - 3 JULY 8-10 JULY 15 - 17 BIG & LITTLE Ed Busbee (VA) Mel Estes (AL) Nick Hartley (IN) Gary Shoemake (TN) Bill Everhart (IN) ENIS Greg Jones (VA) Bill McVey (GA) Tom Davis (IN) Michael Sumpter Dave Craw (IN) Wes Dyer (KY) Rds: Judy & Rds: TBA (OH) Rds: Judy Riches rd Cashion K enny Jarvis (KY) Ed Jaworski (VA) Everhart-Mouton (TN) Line Dance Reggie Kniphfer(NC) & Dave Mouton (IN) Instructor: Rds: C II Glock (KY) Prgiry Broadway(NC)

JULY 22 - 24 JULY 29 - 31 AUGUST 5 - 7 AUG. 12 - 14 AUGUST 19 - 21 AUGUST 26 - 28 GOOD OL' BOYS SPECIAL I Koppenhaver ROYAL RECORDS SCOTTISH Gene Record (KY) Sam Dunn (OH) 'HANDICAPABLE" (OH) Tony Oxendine (SC) FOLK Mike Alexander (OH) Mike King (OH) SQUARE DANCE Bill Claywell (KY) Jerry Story (TX) DANCERS Rds: John & Keith Zimmerman WEEKEND Rds: Chuck & Larry Letson (TX) Jean Stivers (OH) (OH) Margie Thompson Rds Jim & lane Rds: Phyllis & (OH) Poorman (IL) Bob Hathaway (OH) 0 SEPT. 2 - 4 SEPT. 9 - 11 SEPT. 16 - 18 SEPT. 23 - 25 SEPT. 30 - OCT. 2 OCT. 7 - 9 Wayne McDonald Stin Russell (SC) Rick fiumette (AL) Colin Dyer (AL) Jim Durham (VA) SARDIS STARS (TN) Sam Lowe (SC) John P Bresnan (AL) Phyllis Gable (MS) Dick Kurtz (VA) VD CLUB Rds: Dee Smith (TN) Rds: Larry Monday Virgil Troxell (IN) CAN & Line Rds: Tim Eum (VA) Gene Baker (NC) & Gladys Gunter Rds Tony & Dancing by Phyllis Line Dancing by (NC) Mikki Place (IN) Gene & Betty Baker

OCT. 14 - 16 0 OCT. 21.23 OCT. 28 - 30 Harold Kelley (GA) George Lavender PLUS & ADVANCED John Swindle (GA) Separate Halls (AL) Rds: Hal & Sadie Steve Koprnan (TN) Larry Sandefur (GA) Roden (GA) Phil Kozlowski (IN) Rds: John & Martha Rds: Glen & Rosalee Kelly (KY) Pritchett (GA)

Luxury Accommodations • 3 Meals Daily • After Dance Snacks and Refreshments Hot Tub • Heated Swimming Pool Miniature Golf • Tennis • Ping Pong • Volleyball • Horseshoes • Horseback Riding Available PACKAGE BEGINS WITH ('HECK-IN FRIDAY AT 3:00 l'.M. AND ENDS SUNDAY AFTER BREAKFAST. per person plus Teneps.sce Sales Tax ALL THIS FOR ONLY ... $13250 bas e d on double ocncu ancy FOR RESERVATIONS CONTACT: English Mountain Retreat 1096 Alpine Drive • Sevierville, TN 37862 • 615-453-0171 • 1-800-633-1281 (Reservations Only)

56 American Squaredance, March 1994 — a • ••••-i. •1,

Eng1i8h Mountain Retreat Sevierville, Tennessee 1994 FIVE-DAY PACKAGE

MAY 22 - 27 MAY 30 - JUNE 3 JUNE 5 - 10 MINE 12 - 17 JUNE 1944 II EMPHASIS ON Wayne McDonald (TN) OCHAPPARRAL TBA Dennis Humpherys (FL) John Metcalf (MO) CALLER SCHOOL ROUNDS Harry Taylor (FL) Wayne Morvent (TX) Ken Bower (CA) The Adcocks (VA) Mike Doughty (FL) Gary Shoemake (TN) Jerry Haag (WY) The Whetsells (SC) Gary Shoemake (TN) C/W & Line Dancing Scott Smith (UT) The Guenthers (KY) Rclic Lamy & Meta Dunn (GA) Gary Shoemake (TN)

JUNE 26 - JULY I JULY 3 - 8 JULY 1045 JULY 17 - 22 JULY 24 -29 Larry Letson (TX) Marshall Flippo (TX) Ken Bower (CA) Frank Gatrell (OH) Elmer Sheffield (FL) Doe Dee Dougherty Chuck Peel (IN) Scotty Sharrer (OH) King Caldwell (LA) -Coale (MN) James Martin (TX) Gary Shoemake (TN) Gary Shoemake Jim Randall (CA) Gary Shoemake (TN) Kevin Van Vliet (CAN) Rds: Grant & Barbara (TN) Gary Shoemake (TN) Rds: Dick & Pat Gary Shoemake (TN) Pinkston (TN) Dale McRoberts (IL) Rds: Russ & Winter (OH) Rds: Clyde Kirk (TX) Rds: Tom & Wilma Collier (IN) Rosales Clark (IL)

AUGUST 1 - 6 AUGUST 7 - 12 AUGUST 14 - 19 AUGUST 2I - 26 AUGUST 28 - SEPT. 2 Jim Park (MI) Tony Oxendine (SC) Tony Oxendine (SC) Wade Driver (AZ) A-1 / A-2 with Harold Rowden (MO) Jerry Story (TX) Jerry Story (TX) Tim Marriner (VA) Special C-1 Sessions Gary Shoemake (TN) Larry Letson (TX) Larry Letson (TX) Gary Shoemake (TN) Two Halls Rds: Frankie & Gary Shoemake (TN) Gary Shoemake (TN) Rds: Eric Bill Harrison (MD) Johnnie Wynn (MI) Rds: Jim & Jane Rds: Jim & Jane Jaworski (VA) Kevin Van Vliet (CN) Poorman (IL) Poorman (IL) Gary Shoemake (TN)

SEPTEMBER 4 - 9 SEPTEMBER 11 - 16 SEPTEMBER 18 - 23 SEPTEMBER 25 - 30 OCTOBER 2 - 7 ADVANCED & PLUS Larry Prior (FL) PLUS AND MORE Lem Gravelle (LA) Ken Bower (CA) Dale McClary (FL) "Decke Deck (VA) Johnnie Wykoff (TX) Gary Shoemake (TN) Jerry Haag (WY) Skip Smith (FL) Gary Shoemake (TN) Jerry Helt (OH) Rds: Marilyn & Gary Shoemake (TN) Gary Shoemake (TN) Rds, Contras, Lines Gary Shoemake (TN) Cliff Hicks (MI) Rds: Chuck & Voncille Rds: Jeannette & - Prior & Deck Lines & Contras Murphy (MS) Leo Chauvin (FL) Helt & Wykoff

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0 Indicates special pnced package. Call for prices. All Sessions are Plus Level unless Otherwise Indicated

Luxury Accommodations • 3 Meals Daily • After Dance Snacks and Refreshments • Hot Tub • Heated Swimming Pool • Miniature Golf. Tennis *Ping Pong • Volleyball Horseshoes • Horseback Riding Available PACKAGE BEGINS WITH CHECK-IN SUNDAY AT 3:00 l'.M. AND ENDS FRIDAY AFTER BREAKFAST. per person plus Tennessee Sales Tax ALL THIS FOR ONLY ... $34 0 based on double occupancy FOR RESERVATIONS CONTACT: English Mountain Retreat 1096 Alpine Drive • Sevierville, TN 37862 • 615.453-0171 • 1-800-633-1281 (Reservations Only)

Amencan Squaredance, March 1994 57 THE MUM'S TRAINING ARE COMING FOR CALLERS & CUERS 3RD ANNUAL CONTRA CALLERS SCHOOL NORTHERN N.Y. LEE & STEVE KOPMAN June 3, 4, 5, 1994 CALLERS COLLEGE CALLER'S SCHOOL Hannibal Holiday Inn Hague, NY Aug 26 - 28, 1994 Hannibal, MO July 6-9, '1994 Knoxville, Tennessee Teaching Square Dance Callers Stan Burdick & Others New & Experienced Callers How to Present Contra Dancing Especially New Callers Sight Calling, Creative for the Added Enjoyment of Complete Calling Choreography, Changing Their Dancers Figures on Singing Calls Staff Fundamentals Plus Much, Much More!! Walt Cole... Tony McUmber Callerlab Curriculumn Kopman's Callers School (801) 392-9078 (314) 221-6199 Write Stan Burdick 1305 Whltower Dr. PO Box 2678 Cell for intorrnabon of warts Silver Bay, NY 12874 Knoxville TN 37919 wit Cde, 644 Cheteione Rd. Ogden Ut 64403 (615) 691-1580 Tony McUmber. 1601 36h 9 Monne*, MO 63401 (518)543-8824

DANCE 0 RAMA COLLEGE MIDWEST CALLERS WALT COLE'S (Since 1965) SCHOOL TIMING/MUSIC/CHOREO Fremont, Nebraska Promenade Hall Hannibal, MO May 26 - 31 August 26, 27, 28, 1994 Auburn, Indiana Walt Cole - Tony McUmber Callers: 0-5 yrs. exp. Complete Curriculum Ogden, UT Jun 30 - Jul 5 June 12-17, 1994 Lodging & Meals Included New & Experienced Callers Just before Nat'l Cony. New & Experienced Callers STAFF NEW R/D TEACHERS Individual Attention Stan Burdick Hannibal MO May 22 - 25 Don Taylor Ogden UT Jul 6 - 10 Write for information to: Cueing - Fhythms - Teaching Harold Bausch, 2120 Jaynes Don Taylor, Promenade Hall Walt Cole 801-392-9078 Fremont NE 68025 112 Depot St. Auburn IN 46706 944 Chatelaln Rd. 402-721-4925 219-925-3818 or 925-6039 Ogden UT 84403 CALLER'S SCHOOL ENGLISH MOUNTAIN Ken Ritucci - Randy Page LLOYD SHAW FOUNDATION Present the Institute of CALLER'S SCHOOL LEADERSHIP TRAINING INST. Sevierville, Tennessee Leadership, Training and Caller Colorado Springs, CO Development May 30, June 1 - 4, 1994 June 28 - July 2, 1994 Three Separate Programs Chaparral Records Staff Staff: Calvin Campbell 1. For Beginner Callers K. Bower, J. Haag Bill Litchman 2. For Intermediate Callers 3. For Experienced Callers G. Shoemake, S. Smith Don Armstrong Limited - 2 Levels of Training Teaching methods for Squares Featuring for 1994: Experienced 8 New Callers Contras, Rounds, Folk Tony Oxendine Write English Mountain Retreat Calvin & Judy Campbell Mike Callahan Jim Farrough 1096 Alpine Dr. 343 Turf Lane August 21 - 25, 1994 Sevierville TN 37862 Castle Rock, CO 80104 The Hayloft SD Hall Sturbridge Mass

ED FOOTE NORTH TEXAS MID-SOUTH CALLERS COLLEGE CALLER'S SCHOOL CALLER SCHOOL Friendship Hall, Rockwall TX Pittsburgh, Pennsylvania Last week in Sept. Close Individual Supervision August 21 - 25, 1994 Memphis, TN For 0-3 Year Callers STAFF Emphasis on Choreography, June 12 - 17, 1994 Eddie Ramsey Sight Calling, Stage Presence, Staff: T.D. Brown & Guests Stan Burdick Programming, Voice, Choreo Management, Sight vs Concise course: Workshopping Modules, Mental Image, Memory 'Sight" plus all systems; Limit 8 for max. pers. attention Write: T.D. Brown Tech. improvement; ideas. New (6 mos.) & Experienced PO Box 940 Write: Write: Ed Foote Rockwall TX 75087 E. Ramsey 140 McCandless Dr. 214-771-9701 5512 Lyford Wexford PA 15090 Memphis, TN 38119

58 American Squaredance, March 1994 dancers clearlyrecognizethattheends distributed practiceschedulewithoutthe dancer hasbothpracticedthecallinto form everypartofthecall.Mostcallers Each dancerautomaticallygetslotsof a differentcallsimultaneouslywhilethe are nottomoveduringthecallshould one afteranother,everydancerwillper- one place,UTurnBack,Circulatetwo sides leadwhichhasthesameeffect. when thisideaisintroduced:Circulate with virtually100%dancersuccess.Each call SpinChainThrutwiceinarowfrom centers work.Againuseavarietyofcalls caller introducetheideathatendscando gents andladiesforarighthandwave, by dancingthroughfourSpinChainThrus places, FaceIn,etc. means thatcallerscanlatersetupexpe- rienced dancersinanyarrangementof ing thiskindofpractice!V a headleadandtwiceinrowfrom overlearninq andhasbeeninvolvedina practice withallfourpartsofthecall.This caller realizingthatheorshewasprovid- call SpinChainThruanditwillbedone American Squaredance, Alarch 1994 Spin ChainThruisauniquecallinthat

Affix your ASD mailling labelhe re.

1

New A ddre..s U) IV U 0 a) a 59 tice the part of the center dancer facing It is important to clearly define the new out). If necessary, make needed changes calls starting and ending positions by us- in the after-calling patterns to be sure they ing a variety of different calls before and properly reload for the next identical prac- after the new call. It is critical that each tice trial. When the sides lead to a zero person repeat each separate part of the box and then Swing Thru, the fourth and call several times in succession so he or last part of the call will be practiced. she will be able to clearly understand - Callers will find it easier to remember each part without confusion. a variety of before-calls and after-calls if Further, it is important to leave out of they design their own patterns using fa- the initial practice periods any move- vorite call sequences that fit this use. ments which, although often used with the CAUTION: 100% of the new dancers call, are not part of the call being learned. must know very well 100% of the before For example: when teaching Spin Chain and after calls and figures! Don't cause Thru, never use the call "Ends Circulate" needless problems by using support pat- while the centers are working until the call terns that might cause breakdowns. itself is in overleaming. Only when the

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60 Amerscan Squaredance, March 1994

CORRECT PRACTICE Calling Tips AND by Jack Murtha QUALITY y LEARNING Part II a static square to a zero box, each dancer 3-6-3 FORMULA will practice one part of the call six times To further provide for correct practice (the end gent facing out will do that one once I have demonstrated and explained part of the call each time). Next, when two a new and complex call (for instance, Spin and four lead from a static square to a Chain Thru), I follow what I call my 3-6-3 zero box every dancer will practice a sec- Formula. The numbers mean: ond part of the call six times (the original 3 - Mix at least 3 different calls imme- end gent facing out will now practice the diately before the new call. part for the other end position, facing in). 6 - Call 6 identical practice tries of the - Next, following the same practice pro- new call. cedures, have the heads lead to a zero 3 - Mix at least 3 different calls to im- box (as above) and then add a Swing Thru mediately follow the new call. or equivalent. This will provide practice for For example, when I teach Spin Chain each dancer with a third part of the call Thru, I set up a zero arrangement in a (original end gent facing out will now prac- parallel, right-hand wave formation. I want the four dancers (a gent facing out, a lady facing in, a lady facing out and gent facing

in) all to do their one part of the call at least Recently six times before they do any of the other DISC—COUNT Released Records Now Available parts of the call. I want them to know Information suppled by Hanhursts Record Service exactly where the call starts and where it PO Box 50 Marlborough NH 03455-0050 USA 8 Canada 1-800-445-7398 Fax 1-603-878-4001 ends so I mix at least three different calls Foreign. 1-603-876-3838 immediately before calling Spin Chain Pack Up Your Troubles Steve Kopman . . . ESP 903 Where The Side Walk Ends Cindy Whitaker MAR 1101 Thru and I use at least three different calls Standing On The Edge Of Love Mark Turner JPESP 327 Little Long-Haired Outlaw Mike Huddleson . CARD 23 immediately after completion of the call-- Heros And Friends Tom Perry . . 5180 hence, the 3-6-3 Formula. For example: Nickels And Dimes Sam Lowe Q 900 Marty Robins Medley Traylor Walker SR 401 Play Me Sane Mountain Music Ron Mineau BM 144 Something Wth A Ring To It Dick Duckham . EAG 2904 - Using any one of the after-figures puts Western Skies Wade Driver RR 231 the square back in a zero box formation Low in'tBarley (Patter) MR 5010 Feelin' Kinda Lonely Tonight Dee Dee Dougherty-Lottie without first returning to a static square. „ ...... . . . . . . . . RR 232 You Got The Bull Of The Woods Troy Ray OR 48 The shorter the after figures, the better. Rock My Baby Jerry Story RYL 123 Gone Away Gone Away Kent Nyman UR 24 The caller can reload the practice cycle Ain't That A Shame Tony Oxendine RYL 219 several times without resolving the Scotch and Soda Bob Frsk RR 233 Gotta Get Away Johnnie Scott PR 1120 square. She's Tough Steve Sullivan RW-1188 - Continue the practice procedures by Sailing Dennis Levitt OR 43H Its So Nice To Be Wrth You Lori Mourn SSR 170 having every individual practice each dis- Home On The Range Paul Bristow SIR 312 Darlene Pat Carnathan SD 222 crete part of the call at least six consecu- tive times. When one and three lead from Let Me Call You Sweetheart Mac McCullar BM 147

American Squaredance, March 1994 61

28th ligiloNAL ADVANCED AND CHALLENGE SQUARE DANCE CONVENTION JUNE 16, 17, 18, 1994 PAVILION CONVENTION CENTER (ALL HALLS AIR CONDITIONED) VIRGINIA BEACH, VIRGINIA STAFF CALLERS ED FOOTE DAVE HODSON ROSS HOWELL MIKE JACOBS PITTSBURGH, PA DAYTON OH GRAND PRAIRIE. TX HERNDON, VA LEE KOPMAN STEVE KOPMAN RON LIBBY LONG ISLAND, NY KNOXVILLE, TN W. FALMOUTH, ME DAVE LIGHTLY NORM POISSON BEN RUBRIGHT WAUKEE, IA TEWKSBURY, MA LOS ALAMITOS, CA ANNE UEBELACKER DAVE WILSON VANCOUVER. CANADA VENICE, FL ASSOCIATE CALLERS: SAUNDRA BRYANT, VIC CEDER, TODD FELLEGY FIVE HALLS OF AIR CONDITIONED DANCING CONTINUOUSLY ADVANCED (A-2), C-1, C-2, C-3A, C-3B (ALSO PART-TIME C-4 HALL) CONVENTION DANCING: THURSDAY AFTERNOON & THURSDAY NIGHT, JUNE 16 MORNING — AFTERNOON — EVENING DANCING ON FRIDAY & SATURDAY, JUNE 17 & 18

SPECIAL TRAIL-END DANCE SPECIAL NON-STAFF CALLER DANCE WED. NITE, JUNE 15 THURS. MORNING, JUNE 16 ALL HALLS IN OPERATION ALL HALLS IN OPERATION CONDUCTED BY STAFF CALLERS VIRGINIA BEACH • Outstanding Resort Area on Atlantic Ocean - Beach and Boardwalk only 1 mile from Convention Site. • Convention Center. All halls air conditioned, terrazzo floors. Free parking. • Air Travelers: Convention Center Is 20 minute drive from Norfolk International Airport (Two hotels within walking distance of Convention Center) • Information on motels, hotels, and campgrounds sent when you register. SWIM IN THE OCEAN! RELAX ON THE BEACH ARRIVE EARLY - STAY AFTER CONVENTION - FOR A SUPER VACATION EXPERIENCE! Check hall you will be dancing DANCE FEE' S36/PERSON AME in the majority of the time DEPOSIT: S10/PERSON A-2 C-3A MAIL TO: DDRESS ED & MARILYN FOOTE C-1 C-3B 140 McCandless Drive C-2 C-4 Wexford, PA 15090

62 American Squaredance, March 1994 by Bob Howell

A4:4P&s rs•

Jerry and Kathy Helt of Cincinnati, OH have written a solo dance that really moves to the music. It has been well received by all those that have danced it, both the young and the mature. They call it ... SLAP CHAP Formation: Solo. No partners necessary. All begin the dance facing the front of the hall. Music: East Bound And Down, Jerry Reed RCA GB-11986 Routine: Counts: 1 - 8 With the right foot do a heal and toe and heel and toe and then four quick sashay (sliding) steps to the right. 9-16 Repeat counts 1-8 with the left foot. 17-18 Slap the right chap (thigh) with the right hand 3 times. 19-20 Slap the left chap with the left hand 3 times. 21-22 Slap both chaps together 3 times. 23-24 Clap both hands together 3 times. 25-32 In four 2-steps, circle to the right three quarters to face the original left hand wall to begin again.

From Allendale, MI., John Cook sends along this simple circle mixer which was shared by a fellow caller at a Civil War reenactment. It is called the ... BIG CIRCLE MIXER Formation: Single circle. All facing partner. Music: Back to Donegal Grenn GR 12239 Routine: Counts: 1 - 8 Right hand turn partner 9-16 Left hand turn the next. 17-24 Two hand turn the next. 25-32 Do si do the next. 33-48 Swing the next. 49-64 Promenade the one you swung.

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One of my favorite square dances is one that was written by Ted Sannella of Wis- casset, ME., and although it may require a walk thru, it is a quick-teach routine and makes for a fine exhibition figure for anyone entertaining at a nursing home or festi- val. Ted calls it the .. ALAMO SQUARE Formation: Square Music: Ted prefers the tune "Shannon Bells," however it fits any 64 count music. Routine: All balance your partner (4) Turn by the right, go once around (4) Four gents to the center with a left hand star (8) Back with a right hand star (8) All turn your partner by the left, go twice around, hold on with the left, give a right to your corner (8). All balance forward and back (4) Turn by the left go half way around (4) Ladies grand chain, over and back again (16) (Each gent has moved one place to the left and each lady has moved one place to the right) Repeat the entire dance three times.

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('4 American Squarodance, March 1994 From the Contralab Quarterly for the Winter '94 issue, Jim Howatt of Carlisle, KY, Editor, comes a contra written by Roger VVhynot, called ... MOLLEY'S ALLEY Formation: Duple Improper A-1 Actives step into the center and, taking hands promenade down the center while the others promenade up the outside Turn, all come back (turn alone) A-2 Meet the first one you passed - your corner - or - the one below Handy Allemande - twice around Actives swing in the center - end the swing facing up the set B-1 Promenade four in line up the set (with the ones below, he, he - she, she set up. Centers wheel, outsides turn, come back Actives arch, pop the others up B-2 Ladies chain, up and down the set. Chain back Notes: Handy Allemande - simply use the nearer hand. The dance is named for Mol- ley who is a member of The Overacker Dance Band and plays either the bass or banjo.

Note: There was an error made in the description of the "summer of 84" contra in the October 1993 issue. The second line should read, "Men allemande right 1/2" rather than once and 1/2, as published.

Note: In the January 1994 issue two lines were omitted in Stan's Red river Valley dance. Immediately after the lines, "Swing with that one in the valley" (Center per- son swing the one on the right) Please insert: Swing with that Red River Girl (Center person swings the one on the left).

Huntsville, AL Minneapolis, MN Vancouver, BC International Association Orange County, CA Portland. OR San Jose, CA Phoenix. AZ Hollywood, FL Hartford. CT Detroit, MI Calgary. AB Concord, CA San Dego, CA Denver. CO Santa Fe NM Cleveland. OH Philadelphia, PA uu uu San Antonio. TX Grand Rapids, MI Las Vegas. NV Los Angeles. CA of Gay Square Dance Clubs Sacramento. CA Tucson. AZ Seattle. WA San Francisco. CA A Lesbian & Gay Organization Albuquerque, NM Washington. DC Tampa. FL Toronto. ON Eureka, CA Baltimore, MD P.O. Box 15428, Crystal City, VA 22215 Milwaukee, WI New `enirk NV 1-800-835-6462 Chicago, IL

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Round Dance PULSE POLL

ROUNDALAB MOST POPULAR DANCES ROUNDALAB Classic List voted and enjoyed by 240 National Golden Classic List —1993 Carousel Clubs 1993-1994 Phase II Dream Awhile (Adv. and High-Int. Levels) A Taste of the Wnd +2 Elaine +1 Phase II AY Night Fireman's Two Step 1. Castles & Kings (Slater) Baby O'Mine Games Lovers Play Mission Bell Waltz 2. Jean (Lambert/Morales) Birth of the Blues Halleluiah Buffy In the Arms of Love +1 A Beautiful Time 3. Picardy Foxtrot (Slater) Could I have this Dance +1 I want a Quickstep +1 St Louis Blues 4. If I Could Write A Book (Childers) Dancing Shadows Lisbon Antique 5. Are You Still Mine (Blackman/Goss) French Brown Moon Over Naples Little White Moon Feelin' Patricia 6. Penny For Your Thoughts (Slater) Good Old Girls +1 Pop Goes the Movies Phase Ill 7. Charade (Kemmerer) Hot Lips Tango Mannita Die Lorelie 8. Strange Music (Esqueda) Houston That Happy Feeling Begin the Beguine Hush +2 Third Man Theme 9. In The Still of The Nite (Slater) Jacalyn's Waltz Phase IV Inner Harbor Waltz 10. South Of The Border (Bahr) Konbki +1 Adios +1 Tango D'Ideas Maria Rumba +1 Biloxi Lady 11. Waltz at Sunset (Childers) Mexicali Rose Gazpacho Cha Lazy Quickstep 12. A Lovely Evening (Childers) My Love +1 Hooked on Swing 13. Just a Tango (Childers) Neapolitan Waltz Lazy Sugaiioot +1 Phase V Pearly Shells Marilyn, Marilyn +1 La Pura 14. How He Did Foxtrot (Goss) Piano Roll Waltz Rainbow Foxtrot +2 Sweet Ida Foxtrot 15. Someone Must Feel Like a Fool (Collier) Roses for Elizabeth Three AM. +1 Shiek of Araby Til Tomorrow Carmen 16 Fiesta Tango (Palmquist) Spaghetti Rag Phase V Street Fair Caress Phase VI Roundalab ROQ: Take One Step Hawaiian Wedding Song Amor Cha Phase II—Manuela II Tips of My Finders Lovely Lady +2 Phase III—South Padre Very Smooth +1 Maria Elena Sam's Song Walk Righ Back Para Esto +1 Kiss Me Goodbye Phase IV—Mountains of Mourne Phase NI Riviera de Lune • 1 Phase V—Love Potion #9 A Continental Good Night Send Her Roses Phase IV Alice Blue Gown +1 Sugar Sbmp +1 Phase VI—The Children Answer Me Tampa Jive +1 White Sport Coat Classic — A White Sport Coat Apres L'Entriente +1 The Singing Piano Waltz Woodchopper's Ball Autumn Leaves +2 Waltz Tramonte +1 Beautiful River Wyoming Lullaby +2 Pennsylvania 6-5000 Butterfly Phase VI Years May Come Crazy Eyes +2 Genet na Fancination Waltz Dance Desert Song +2

American Squaledance, March 190.1 67 by Bill 8 Bobbie Davis

GREAT MYTHS OF there is some truth here. There were benefits to having just one level. But SQUARE DANCING things change with time. There are peo- ple now who dance several times a week. here are several myths associated More to the point there are people who with square dancing. They propa- dance several times more often than Tgate through articles and letters to other people. This contributes to a wide the editors of all our magazines. As with difference in dancer capability. The natu- most myths there may be some truth in ral way to keep everyone interested and them, but there is also a lot of exaggera- happy in this kind of environment is to tion for effect. Let's investigate. have levels. We have levels in all recrea- It is said that if you leave square danc- tional activities. We have master-point ing for a couple of years, you must start bridge players and those who play once all over if you want to come back because a month and never in tournaments. the programs have changed. Last month It is said that experienced (also read we noted how the programs have indeed Advanced) dancers are snobbish and changed over the years. However, 1993 lend to exclude newer dancers - at any is the first year of change in the MS and level - from their set squares and groups. Plus programs for over five years. Well, the new kid on the block has always So, if there is a problem for returnees, had to prove himself. But it is our experi- is it not perhaps merely that of having lost ence that square dancers are among the some reaction time which they need to most tolerant there are in welcoming new regain? Do they give themselves time to people. get the rust out of their mental gears and Helping to spread the snob myth are get their response time back up to par? If those who are so insecure that they must they have been out for several years, do always set their squares two tips in ad- they take a brush up course to refresh vance. But these represent only a small their memories? We find that people who portion of square dancers. At an open are serious about coming back after a dance some people dance with each few years go back about a half level and other more than once simply because get back up to speed. If they danced at they came together. Also, friends often Mainstream, and they found it too fast, meet at square dances in orderto interact they simply joined the tall end of a class with each other. But most good dancers in progress and soon found that they move around and dance with everyone were back up to speed. Returnees who they can. They often make it a point to understand the game have little trouble seek out new people to make sure they getting it back. If you have trouble, maybe feel welcome. If you have been dancing the program is not the problem. a long time at a level and still find it It is said that levels, especially Ad- difficult to get someone to dance with vanced and Challenge, have wrecked you, do some homework. square dancing. Before levels (or was it Many myths are useful in teaching and Callerlab) there was just Square Danc- conveying ideals. Avoid the negative. ing. All were in the same boat dancing to Use those with positive values. ✓ the same drummer. Like all great myths

68 American SquaredAncc. March 1994 PROMENADE RIGHT. PROMENADE LEFT. PROMENADE UP ALASKA'S INSIDE PASSAGE.

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American Squaredance, March 1994 69 by Cathie Burdick hen we plan parties around an Irish theme for March, finding IN decorations and music is no problem at all. Good tunes abound, some of them the old fiddle-full music we learned to dance to in the late 40's -Irish Washerwoman, for example. If you want ‘Vk::; • .m.m.:,,,,,,,:: to give your club members the taste of old-time dancing, dig up the original instructions for that one and enjoy the swinging! Many areas now have ethnic Irish dance groups with young people who are adept at the jig. A little outside entertainment at refreshment time would be great fun, and give your dancers an appreciation of another kind of folk dancing. I found a recipe for green--yes, green--cupcakes that do not even need a mixer for preparation. No one pretends they're low-cal, but St. Patrick's Day only comes once a year. IRISH CUPCAKES 1 3/4 Cups all purpose flour 1 4-serving size package instant pistachio pudding mix 3/4 Cup chocolate chips 2/3 Cup sugar 2 1/2 tsps baking powder 1/2 tsp salt 2 beaten eggs 1 1/4 Cups milk 1/2 Cup vegetable oil 1 tsp vanilla Line cupcake pans with baking cups, green if you can find them, or white. Pastel ones spoil the [green] effect. Stir together first six ingredients. Combine eggs, milk, oil and vanilla. Stir into flour mixture with about 50 strokes and spoon into cupcake pans, filling cups about 2/3 full. Bake at 375° for 20 minutes. Cool and frost with green frosting. Makes 18. Top o' the momin' to you--and top of the evenin', too! Have a great party. V

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70 American Squaredance, March 1994 THE CALLER NOTE SERVICES

NOTES FOR EUROPEAN CALLERS, Al Stevens & Rudi Pohl, Editors, carries an interesting article in VIEWPOINT, entitled Do It Again And Again-Part II. They talk about "how important repeti- tion is to the teaching and learning proc- Ly1 ess." They point out that sometimes the speed of the record can make a difference to the new dancer, as well as the experi- enced dancer, when learning something new. They say, "Give the dancer a good chance to understand how a basic works." 14L,11111 The first two or three nights are sup- posed to be fun for the new dancer as well as a time to make new acquaintances. They bring out the fact that new dancers are not conditioned for the speed of square dancing, so take it easy. "Reassure them that no one is going to judge their ability to dance or to be partof the group." A good 1.41friPP adage is "If time were money, we would all be millionaires." Al & Rudi offer some very good and interesting material in this note service.

In the January '94 issue of MECHAN- ICS, Wayne Morvent addresses the rea- sons for some basics being moved or discontinued. Either for lack of use by call- ers, or dislike for the movement. He says, "Many callers are opposed to any changes 1E1111.4 in the programs. I do believe that changes are necessary and usually are good for the activity. The fact that we drop a movement from a program does not necessarily mean 1.1.1 that we have lost the use of that movement within the level. We can often continue to use the movement directionaly." Wayne presents material for CROSSTRAIL THRU, LEFT TURN THRU & PARTNER TAG. 11 1 He also presents some very good mate- rial using FERRIS WHEEL, as well as WHEEL & DEAL. He points out that FER- RIS WHEEL is becoming more popular and is often being used where WHEEL & DEAL would work much better." He discusses why these movements would be better when used in a more discrete manner. In the PLUS Program he presents some CUT THE DIAMOND, (a new addition to that program). Good material for that as ZEI) well as the Advanced Program.

American Squaredance. March 1994 71 January 1994 of MIKESIDE MANAGE- Joe discusses how to approach teaching MENT offers some very good tips for the basics so there will be a degree of security caller in an article by Stan Burdick (Editor) involved. Using SQUARE THRU & HALF entitled SUBLIMINAL CHOREO COMPO- SASHAY, he points out that when the men SITION. In it he discusses the art of "hash do a square thru and end facing the girls, calling" and says "In hash calling, one must you should be wary of calling "Swing Your have a world of knowledge, understanding, Partner." The first impulse is for them to good reaction time, an acute feeling for the swing their original partner in front of them, needs and abilities of the floor, etc...Situ- not the partner that is beside them. Give it ations to be dealt with change from minute some thought the next time you call it that to minute, a long practiced feeling for the way, even for the ladies dancing together. flow of material (is a must.)... Instant floor Joe points out various problems with situations observed, demand instant re- HALF SASHAY and the basics following it. sponse..." Good suggestions for any caller Here is some very good material for you in the article. callers, especially in your classes. As callers, we are always happy to see Joe goes on to discuss the problems you that someone takes the time to address the might run into with AND SPREAD. "Some "styling" area of square dancing. Orlo combinations just don't work, i.e. Heads Hoadley has some good pointers and sug- Square Thru and Spread, or calls that end gestions for proper handholds. In his article in and EIGHT CHAIN THRU formation." He HANDHOLDS, he shows us the styling cor- presents some good material for your use rectness for the activity. in these situations. In the A-1 section, Ed Foote presents A new call, WRINKLE "ANYTHING," by some very good material for the Advanced Joe is included in this issue in the Ad- call, CAST A SHADOW. He also offers a vanced section. You might want to give it a couple of singing call figures for your use. try. "From facing couples: Beaus Wheel Thru, Belles take the anything call. From In the January issue of THE CANADIAN Mini-Waves: In Facers Wheel Thru, Out CONNECTION, Joe Uebelacker, Editor, Keltone Speaker Company

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72 American Squarodance, March 1994

Facers take the anything call. It can also be material in the Advanced section of this done from 3 and 1 lines," issue.

Norm Wilcox, Editor for TORONTO AND DANCETIME NOTES FOR CALLERS DIST. SQ & RD ASSOC., CALLERS by Brad Carter, Editor, offers some very NOTES, February issue, covers the new good material for your use in the January Plus call, ACEY DEUCEY. He presents a issue. He includes material which are full page of interesting and very good ma- equivalents for heads, sides, square thru terial for that movement. Also, in presenting four. He also offers some Box 1-4 Getouts. each of the calls that have been assigned These are always handy items to have in to the Plus program he offers some neat mind when calling a dance. material for CUT THE DIAMOND. Brad suggests instilling in the dancers In the Plus Quarterly Selection section, that slide thru is a POSITION call. One Don Higgins presents material for CON- reason it gives the dancers so much trouble NECT THE DIAMOND. Good stuff for any is because they are not made aware of this caller. fact. Perhaps you have been having trouble Brad also includes some singing calls using CLOVER & ANYTHING, if so you will featuring material presented in that issue. find helpful suggestions and lots of good Very good stuff! ✓

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Steve Kopman

Same Music By SOUTHERN SATISFACTION

Jar PjfIrrt

• • BRAND NEW JP/ESP - 328 TRAVEL ON by Mark JP/ESP - 236 REAL GOODTIME by Joe is Fry Jezt n • • RECENT OAF JP/ESP - 7002 YA'LL COME by Bill

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74 American Sguaredance, March 1994 Nig

el4W1 Creative ; Choreography by Lee & Steve Kopman

his month, let's take a look at the call 5. SIDES FLUTTER WHEEL TPartner Tag. Hopefully, there will be HEADS SQUARE THRU 3 some positions you haven't considered. SEPARATE ROUND 1 TO A LINE None difficult. SQUARE THRU 3 PARTNER TAG TRADE BY TOUCH 1/4 SPLIT CIRCULATE 1. HEADS SQUARE THRU 2 R/LJG TOUCH 1/4 SPLIT CIRCULATE PARTNER TAG 6. ZERO LINE TRADE BY PASS THE OCEAN SWING THRU PARTNER TAG ACEY DEUCY BOYS SQUARE THRU 2 RECYCLE GIRLS PARTNER TAG & R/LJG CROSS FOLD STAR THRU TAG THE LINE, GIRLS GO LEFT, 2. HEADS PASS THE OCEAN BOYS RIGHT EXTEND UA PARTNER TAG CENTERS PASS THRU PEEL OFF 7. HEADS SQUARE THRU 4 TOUCH 1/4 TOUCH 1/4 CIRCULATE CENTERS TRADE BOYS RUN BOYS PARTNER TAG SWING THRU GIRLS TRADE & ROLL DOUBLE PASS THRU ALL PARTNER TAG LEADS U-TURN-BACK 1/2 TAG THE LINE UA HINGE PARTNER TAG R/LJG 3. HEADS STAR THRU DOUBLE PASS THRU PARTNER TAG 2X 8. HEADS LEAD RIGHT & CENTERS SQUARE THRU 3 SQUARE THRU 3 OTHERS U-TURN-BACK PARTNER TAG UA ALL PARTNER TRADE & ROLL SWING THRU SCOOT BACK 4. SIDES FLUTTERWHEEL SWING THRU 2X HEADS LEAD RIGHT & R/UG CIRCLE TO A LINE PASS THRU PARTNER TAG 2X CHASE RIGHT SPLIT CIRCULATE

75 American Squaredance, March 1994 9. HEADS TOUCH 114 13.SIDES RIGHT & LEFT THRU GIRLS PASS THRU HEADS TOUCH 1/4 ALL PARTNER TAG GIRLS PASS THRU GIRLS PARTNER TAG CENTERS SQUARE THRU 2 BOYS PARTNER TRADE & ROLL ENDS PARTNER TAG ALL PARTNER TRADE & ROLL ALL TAG THE LINE STAR THRU LEADS PARTNER TRADE TRACK TWO TOUCH 1/4 SWING THRU ACEY DEUCY, CENTER GO ac EXTEND HINGE R/UG R/LJG

10.HEADS SQUARE THRU 4 14.HEADS LEFT TOUCH 1/4 SIDES 1/2 SASHAY BOYS PASS THRU ALL SQUARE THRU 2 CENTERS PARTNER TAG PARTNER TAG ENDS TRADE & ROLL ENDS CLOVER SAME SEXES PARTNER TAG CENTERS PARTNER TAG TRADE BY PASS THRU SWING THRU R/LJG FOLLOW NEIGHBOR LJA 11.HEADS LEAD RIGHT & TOUCH 1/4 SPLIT CIRCULATE CAST 3/4 15.HEADS PASS THE OCEAN PARTNER TAG EXTEND GIRLS SQUARE THRU 3 GIRLS RUN & ROLL BOYS PARTNER TRADE BOYS PARTNER TAG STAR THRU STAR THRU FERRIS WHEEL FERRIS WHEEL CENTERS SWING THRU SQUARE THRU 3 TURN THRU UA LJA 16.4 LADIES CHAIN 12.ZERO LINES CHAIN BACK, FULL COURTESY SQUARE THRU 2 TURN (FACE OUT) PARTNER TAG 3X PARTNER TAG CHASE RIGHT LJA CAST 3/4 RUG

American Heart Association V

scillitio Support ‘n k\% resea .0"....-- answer s rch tose ,_ Sometimes kl,s, ()1, v`.. ‘ r-•

; 1992, American Head Association 76 Amencan Squaredance, March 1994

Looking over the mainstream list for ideas to "expand" on, I thought I'd try the controversial CROSS TRAIL THRU. Give it a try.

Zero Lines Cross Trail Thru THEN:

2. Boys Trade (in 3. Boys U-Turn Back I Centers California Twirl same line) Hinge Cast 3/4 Ends Fold Girls Trade Centers Square Thru 3 Acey Deucy Spin The Top Swing Thru Slide Thru R/LJG Pass The Ocean Grand Swing Thru Scoot Back Spin The Top R/L/G Split Circulate 2X R/L/G

4 Tag the Line 5. Centers Partner Tag 6. Girls Fold Face In Ends Cross Fold & Roll Touch 1/4 L/A Any Hand Trade & Roll Split Circulate 2X (centers and ends) R/LJG Pass Thru L/A

I hope this helps expand your horizons!! Don't forget Steve & Lee Kopman's callers school August 26-28, 1994, Knoxville, TN. Space is Limited. Write for details.1305 Whitower Dr., Knoxville, TN 37919.

Kopman's Choreography

• 50 sequences per set (enough for 1 • Increase your calling level ability dance • $50.00 per set • Reduce your calling preparation • Pays for itself in less than 1 dance • Not computer generated • Immediate delivery • Easy to read • All requests confidential

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American Squaredance, March 1994 77 LEARN BY VIDEO

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THERE ARE OTHER season of interesting and enjoyable dancing. THINGS IN LIFE BESIDES But when we square up for the first tip SQUARE DANCING of the fall season, who should come out of the woodwork but Mr. and Mrs. There- Are-Other-Things-ln-Line-Besides-Squ ome the end of May, and you ask are-Dancing. They give us sheepish Csome dancers: "Coming to our grins as they step into the square and summer workshop?" Do they give you an say: "We haven't danced since last May astonished stare and then reply: [Heck and we're -uh- a little rusty." Then we no! We're going to be busy with our have to drag them through one move boat/garden/camping, etc." then they after another to keep the square from add somewhat indignantly: "Hey, there breaking down. are other things in life besides square It seems that when it's square dancin' dancing ya' know!" "plowin' and plantin'" time, people tell us: Yes, there certainly are other things in "There are other things in life besides life besides square dancing. So off those square dancing." But when it's square people go to do those [other things." dancin' harvest time, those people are Meanwhile us square dancing lunatics Johnny-On-The-Spot to share in the are sweating it out in hot summer work- fruits of our labors! shops, but by the time the coolerweather Submitted by Gus Mirsalis, Richmond moves in we've honed a keen edge on Heights, Ohio ✓ our square dancing and are looking for- ward with eager anticipation to a new

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American Squaredance, March 1994 79

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TIMING'S THE THING:

HEADS SQUARE THRU WITH THE OUTSIDE TWO RIGHT HAND STAR INTO THE MIDDLE HEADS STAR LEFT SAME TWO STEP TO A WAVE RECYCLE : VEER LEFT FERRIS WHEEL CENTERS : PASS THRU CORNER SWING PROM EN ADE

FOR THE MODULAR CALLER: box the gnat, men star left, do sa do at Ten ways to circle to a line from a static home, LA. square: ZERO BOX (WAVE): Boys trade, girls 1. Sides half sashay, Heads lead right, trade, swing thru, girls trade, boys trade, swing thru, boys run boys run, LA. 2. Heads lead right touch 1/4, split circu- STATIC SQUARE: Walk around the left late, boys run hand lady, see saw partner, men make a 3. Heads half sashay, lead right, swing right hand star, pick up corner & star thru, girls U turn back promenade, girls backtrack, men keep go- ing, same girl LA. 4. Heads touch 1/4, walk & dodge, all lead right, bend the line STATIC SQUARE: Walk around the cor- ner, partner left for a do paso, four ladies 5. Heads pass the ocean., slide right nose chain, circle left, ladies in, men sashay, to nose, left swing thru, left turn thru, touch ladies in, men sashay, LA. 1/4, split circulate, boys run ZERO LINE: Right & left thru, rollaway 1/2 6. Heads rollaway, pass thru, both turn sashay, pass thru, boys trade, girls trade, right, around 2 to lines of four lines go forward & back, star thru, pass 7. Sides lead right, pass the ocean, recycle thru, LA. 8. Sides lead right, touch 1 /4, walk & THE MAINSTREAM PROGRAM: dodge, partner trade ZERO LINE: Pass thru, 1/2 tag, swing thru, 9. Sides swing thru, slide thru, swing thru, girls trade, slide thru, pass thru, trade by, boys run, bend the line slide thru, flutter wheel, pass thru, 1/2 tag, swing thru, boys run, partner trade, zero 10. Sides touch 1/4, walk & dodge, touch line, 1/4, split circulate, boys run THE BASIC PROGRAM: ZERO LINE: Pass thru, wheel & deal, cen- STATIC SQUARE: Allemande left, come ters swing thru, spin the top, single hinge, home & box the gnat, wrong way grand, walk & dodge, square thru 3/4, LA.

80 American Squaredance, March 1994 ZERO LINE: Pass the ocean, boys circu- ZERO BOX: Eight chain four, swing thru, late, girls trade, recycle, veer left, couples girls circulate, boys trade, boys run, cou- circulate, boys run, boys trade, boys run, ples circulate, bend the line, right & left thru, bend the line, slide thru, LA. flutter wheel, sweep 1/4, square thru 3/4, STATIC SQUARE: Heads pass the ocean, LA. swing thru (double), boys run, veer left, STATIC SQUARE: Heads star thru, double circle to a line, pass thru, wheel & deal, pass thru, cloverleaf, zoom, centers pass swing thru, single hinge, boys run, right & thru, touch 1/4, split circulate, scoot back, left thru, pass the ocean, boys run, veer left, walk & dodge, partner trade, star thru, pass circle to a line, right & left thru, pass thru, to the center, square thru 3/4, LA. partner trade, face partner, turn thru, LA. ZERO LINE: Dixie style to an ocean wave, ZERO BOX (WAVE): Girls trade, swing left swing thru, eight circulate, fan the top, thru, split circulate, centers trade, scoot left swing thru, boys cross-run, fan the top, back, boys run, square thru 3/4, courtesy eight circulate, slide thru, LA. turn, ladies lead, dixie style to an ocean ZERO LINE: Pass thru, wheel & deal, dou- wave, LA. ble pass thru, centers in, centers fold, ZERO BOX: Spin chain thru, girls circulate swing thru, boys run, cross-trail thru, LA. double, boys run, tag the line-right, boys ZERO LINE: Pass thru, boys fold, touch cross run, girls trade, ferris wheel, centers 1/4, boys trade, boys run, bend the line, pass thru, swing thru, turn thru, LA. pass thru, girls fold, touch 1/4, girls trade, ZERO LINE: Pass thru, wheel & deal, cen- recycle, veer left, couples circulate, boys ters swing thru, spin the top, single hinge, run, box the gnat, pull by, LA. ✓ walk & dodge, square thru 3/4, trade by, LA.

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American Squaredance, March 1994 81 by Don Ward tONtliA American Callers Assoc. CORNERS Contra lab ontra Dancers around the world women have their own life styles, even Cwere introduced to Tony Parkes when married most do not require the via "Shadracks Delight" a little over five participation of their partner. Where does years ago and now "Shad" has a son. The that leave us? Our observation that eve- contra's in Tony's new contra book are ning was that we either have to modify our every bit as enjoyable as the original pub- thinking in regard to being couple orien- lication. If you have enjoyed "Scout tated or make our activity more compat- House Reel" or "The Callers Wife", ible with the Ozzie and Harriets that are "Tony's Micro Medley", based on these now senior citizens. Any comments? dances, will be a great addition to any For our dances this month, first a cor- caller's book. One of my favorites is rection to last month's "Dance Gypsy." I "Menotomy Reel" which has couples go- left out the command at the end of line 1 ing down 4 in line, bend line, pass thru and to - wheel as a couple; 2) up the set... up 4 in line, they really enjoy this subtle Two of this month's figures come by way change in movements. "Son of Shadrack" of Ron Johnson who was faced with just can be obtained from Tony Parks do 4 couples showing up to his dance the Hands Four Publications, P.O. Bx 641, weekend after L.A.'s earth quake. They Bedford, MA 01730. worked great by having dancers work My evening with Tony and several across the set at the ends, making them friends resulted in taking a nation wide almost circle contra's. This was also a view of our contra and square dance ac- good time for some of Ted Sanella's trip- tivities. The drop in dancer attendance lets. "Becket Reel" by Herbie Gaudreau has been universal and some groups that in Beckett formation. 1) CORNER ALLE- were previously stable are now experi- MANDE LEFT; 2) PARTNER SWING; 3) encing a 5% a year loss in attendance. LADIES CHAIN ACROSS; 4) CHAIN We continue to point fingers, maybe justly BACK; 5) SLANT LEFT, RIGHT & LEFT so in some areas, but what came out of THRU; 6) COUPLE ACROSS RIGHT & our dialog was that we have overlooked LEFT THRU; 7) COUPLE ACROSS the influence of today's culture on all ac- STAR LEFT; 8) STAR RIGHT, NEXT IN tivities. Most of our dance thinking and LINE, or across the ends, ALLEMANDE planning has been done from a 50 - 60's LEFT, to repeat. For music I like Cope- mentality of Ozzie and Harriet couples, crest Contra, Lloyd Shaw E41 or Mocking unfortunately they are not the majority any Bird Hill, TNT 207. more. Ted Senella's "Patriots Jig" is a nice An observation of the Country Western dance, often overlooked, that also worked dance scene reveals this. Western line well going around the ends in this small dances are singular activities, which do group. Formation: Duple / Actives not require the nice couple participation crossed. 1) CORNER ALLEMANDE we are used to. In today's culture men and LEFT; 20 PARTNER SWING; 3) LONG 82 American Squaredance, March 1994

LINES FORWARD & BACK; 4) CIRCLE thing is okay after a lot of shaking around. LEFT 3/4, PASS THRU; 5) SWING NEXT However, some of our local callers and face across; 6) RIGHT & LEFT THRU; 7) dance facilities suffered damage and SAME LADIES CHAIN; 8) RIGHT & LEFT loss. Thanks again for your concern. THRU (or 1/2 promenade); REPEAT, Next month some news about a new next in line allemande left. For music try caller's "association" in Southern Califor- Grandma's Feather Bed, Ocean OR 28. nia and their view of how contras can or Funky Joe, Eureka 2003. bring new fun to our activity. If you have Lastly I would like to thank all my read- contributions or comments, send them to ers who expressed concern if I was close Don Ward, 9989 Maude Ave., Sunland to the L.A. earth quake. Though we are CA 91040. ✓ only about 6 miles from Northridge every-

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American Squaredance, March 1994 83

Square Dance PULSE POLL CALLERLAB QS PLUS PROGRAM Relay the deucey Trade the wave All eight spin the top Remake the thar Triple scoot MAINSTREAM (Anything) and roll Single circle to a wave Triple trade Single Circle to A Wave (Anything) and spread Spin chain and Acey Deucey Chase right exchange the gears MS EMPHASIS CALL Coordinate Spin chain the gears Pass To The Center Crossfire Teacup chain Diamond circulate 3/4 tag the line ASD PULSE POLL PLUS Dixie grand Track two EXPERIMENTALS Connect The Diamond Explode family Caution: Not recom- PLUS EMPHASIS CALL a. waves ASD mended for dancers prior 3/4 Tag The Line b. and anything Not a Callerlab to Plus program activity. Extend program EXPERIMENTALS ADVANCED Flip the diamond (Priority order) Chisel Thru Follow your neighbor TRADIITIONAL Grand swing thru Samsonville Quadrille Linear cycle (waves 1 DiamondRoll & Tfansfar 5 Orrick Time . only) 2. Dixie Chain To A Wave 8 Rotooy0e CONTRA Load the boat 3. Gra nd.Jam 7, -RunThe cpase Two For The Show Peel family 4. Grand Star Promarnade a. Walk'EE0 8ack ROQ a. Peel Off Boulevards of Old New b. Peel the top York Ping pong circulate

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American Squaredance, March 1994 IRISH [PUZZLE PAGE ] EXPRESSIONS Y L R I A F L Y L E V R B A L E X D A N K • S E R A U Q T U C E C D 0 L D G P A S U L H A L T A E E C R E I F S S K C G B M L A E D E D F E D U O A I R C G D R F N I N P L Z R R R N N E B G L K D R I Z E R R U I N V I S O S E L L T E E H I D E E L R F D I A T T S C A L D E D 0 N E A M I R C K C H E R E T A C I D S O F T F J F M D A N S S N I M E H T F N E E R 0 B I N D E E R I N U G R L N E N I K C N K O G

Word List:

1 ASSAY, calling attention 2. BOREEN, country lane 3. BRAVELY, doing well 4. CARRICK, rock 5. CLEG, horsefly 6. CLEVER, neat 7. COUL, wintry 8. CRACK, lively chat 9. CUT, insulted 10. DEAD ON, exactly right 11. DINGLE, dent 12. DIP, fried bread 13. DITHER, slow 14. DULSE, edible seaweed 15. FAIRLY, excellent 16. FERN, foreign 17. FIERCE, unacceptable 18. FOG FEED, lavish meal 19. GUFF, impertinence 20. HARP SIX, tumble 21. KNOCK, hill 22. LOCH, lake 23. MENDED, improved in health 24. MIZZLIN, rained gently 25. NEB, nose 26. OWLIP, argumentative 27. QUARE, unusual 28. RARE, educate 29. RIGHTLY, prospering 30. SCALDED, vexed 31. SKIFF, light rain 32. SOFT, rainy 33. SPITTIN, starting to rain 34. TERRIBLE, extreme 35. THEMINS, those persons 36. THUNDERGUB, loud person 37. WAIN, child

86 American Squaredance, March 1994 by jim & jean 1111111! cholmondeley 11111111 ast month we discussed how to learn a Line Dance. I guess from the mail and the Lphone calls I should have discussed how to teach a line dance. The teaching of line dances is easy if you remember a couple of things; the dancers do not know the dance as well as you do...you must go slow and you must repeat the movements several times before you assume that the dancers can do it. Never teach more than 16 beats at a time, elements of 8 are even better. After you teach a sequence and want to go over it again go back to at least the sequence you taught before. If the dance is less than 32 beats go back to the first of the dance each time. Know the correct terms for the movements, i.e. know that a "Vine" is really short for a "Grapevine," don't refer to a Vine four when you really mean a Vine three and a touch. (A vine four ends with the feet crossed.) The first volumes of the new teach- ing manual for the National Teachers Association is now in print. I would suggest you order it from the NTA by calling (702)735-5418. There is a new book being published on how to teach combined Square and Country Western Dance Classes (call 800-333-7349), and an information session at Callerlab this year on how to teach combined classes. CW is being integrated into Square Dancing more all the time.

SOUTH SIDE SHUFFLE (Two Wall Dance) (36 Count) TWO FANS (4 COUNTS) Fan your Right toes out to the Right side 90° keeping heel on the floor, Bring back together. Repeat DOUBLES (4) Tap Right heel fwd twice, Tap Right toe back twice HEEL, TOE. POINT AND LIFT (4) Tap Right heel, Tap Right Toe, Point Right toe out to Right Side, bring Right foot (lifting up) crossing in back of Left leg.

American Squareclance, March 1994 87 VINE RIGHT AND TOUCH (4) Step Right to Right, Cross Left in back of Right, Right to Right, touch Left foot next to Right VINE LEFT AND TURN (4) Step Left to Left, Cross Right behind Left, Step Left to Left, turn 1/4 on Left foot VINE RIGHT AND TOUCH (4) Step Right to Right, Cross Left behind Right, Step Right to Right, Touch with Left foot VINE LEFT AND TOUCH (4) Step Left to Left, Cross Right behind Left, Step Left to Left, Touch with Right foot VINE RIGHT AND BRUSH (4) Step Right to Right, Cross Left behind Right, Step Right to Right, Brush or Lift with Left foot 3/4 TURN AND STOMP (4) 3 step 3/4 turn to Right (LRL) and stomp with Right

REPEAT UNTIL END OF MUSIC (Usually danced in facing lines passing back to back.)

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American Squaredance, March 1994 A SQUARE DANCE CALLER CALLER OUTLINE ary Linder was born in Advance, MMissouri. His first experience with square dance calling came by chance when a high school teacher, knowing Marv's fine singing ability, asked him to fill in at a square dance when the sched- uled caller was sick. He only knew 3 calls at the time, but everyone had a great time so he called the dance once a month. Mary later moved to Southern Califor- an average 10 three day festivals a year. nia in 1960, were he sang in night clubs This does not include sometimes daily with Gene Davis. Then one day he classes starting in the morning and end- picked up a flyer advertising a square ing in the evening with a dance. He went dance class in Long Beach, California. on to include New Zealand, Australia, He went and after 4 weeks was encour- Tahiti, Fiji, Mexico, Canada, and Sweden aged to do a singing call by instructor Jim on his international tours for some 10 Fairchild. From this Mary received his years. first booking, a year in advance, for the He became resident caller for 10 R.V. "Spurs & Hers," square dance club. Not resorts in Arizona, Idaho, and California knowing how to call fully, Mary went out and guest caller at R.V. resorts in Wash- and bought some used equipment for ington, Montana, and Colorado. Mary $100 and practiced with 4 couples from has called in every state but a few, rack- his beginners class. Later, Mary started ing up to a hundred thousand miles a a class at his church in Garden Grove, year during his travels. Marv's Winter California. He graduated 4 squares and Cross Country Tour covered 30 cities formed a club called the "2 x 2's." From and 14 states alone. there Mary started calling for the "San- Mary also has to his credit twenty five tana Squares" in Orange, CA, and the 45rpm records (three were #1 nation "Lace and Leathers" in Huntington wide) and 2 albums. He was widely Beach, California. known for his recordings "Louisiana Then a small group in a community Man", and "San Antonio Stroll." called Sleepy Hollow asked Mary to After spending time in Northern Cali- teach a class that couldn't seem to get fornia, Arizona, and Idaho, Mary now off the ground. Although small in size, the resides in peaceful Pine Valley, Califor- group grew and grew, so it was decided nia with his wife, Marlene, his daughter to form a new club called the "Ichabod Melea and grandma. Although his calling Squares". A hobby had suddenly grown career is winding down, he is working into a full time profession. Marv's suc- hard as a successful local business man. cess with the "Ichabods", combined with Mary plans to retire March 26th, 1994 his good dancing material, great show- calling his last dance where his career manship and enthusiasm catapulted began, for the Ichabod Squares in Ana- Mary into square dancing's lime light. heim, CA. His cry "Never fear, Linder's From there he went on to become one of here" has rang out across the country for the most sought after callers both nation- 30 plus years. We will miss you Marv. ally and internationally. He was club God bless you. ✓ caller for some seventeen square dance Submitted by Bill Markham, President, clubs from 1953 to the present. He aver- Timber Twirlers. aged over 200 dances yearly and called

American Squaredance, March 1994 89 NOTES by FROM A Mac McCullar VETERAN CALLER

n my article discussing Hoedowns, I with the dance it is sent to the producer I forgot to mention that in the earlier who will use his own methods of testing days of recording all Hoedown records the dance. came out with two Hoedowns, one on When all looks okay, the caller will go each side, and a few singing call records into a studio and do the voice side of the did likewise. There were also 33-1/3 long tape using the master tape for the music play, especially in rounds, where the mu- or a studio level copy, and his voice tape sic and cuer were on the same side. This along with the music tape separately didn't seem to go over so well for many goes on to a mastering studio who will reasons. cut the stamper for each, voice and mu- A couple of things changed the way sic. This will then be sent to a processing the current Hoedown records were de- plant where the disc is toughened and signed. First of all, dancers ask to have will stand up for the number of pressings a caller on the flip side which was great required. Most of us use the two step for callers to show off their talent, and processing. gain a lot of national publicity. Secondly, From the processing plant the stam- the cost of recording each piece of music per goes to the pressing factory for kept increasing which made it very un- pressing the number of records the pro- profitable to use two pieces of music on ducer thinks will sell using his standing one record, unless of course we doubled orders as a guide, very often a crystal ball the price to the distributors and then on wild guess. to you, the caller or dancer. Callers as a In the meantime, the producer has group did not like getting just one tune on ordered labels from the the record, unless of course they were printing company and sent them on to the the recording caller. factory, and during this time the record- Now on to singing call records, or mu- ing artist has furnished the producer a sic you readily recognize. The producer written copy of the dance from which the goes into the studio with the musicians appropriate number of copies were and engineer where the music is re- made. corded on a master tape kept by the After several weeks everything comes producer. A tape copy or a disc dub is together. The producer receives the re- taken from the master tape and sent to cords, he stuffs the cue sheet into the the recording artist (caller), he in turn sleeves and ships the standing orders to composes a dance to fit the music and at the distributors. Mine are Astec, in the a home club preferably, he/she car work east, Palomino in Ohio, Eddie & Bobbie out any problems of timing or choreogra- in Texas, Merrbach in Texas and Sun- phy. After the caller is satisfied with the dance in California. By now you have dance he/she may ask one of his/her advertised the record in the ASD maga- buddies to try it, and of course, he/she zine, among others. Hopefully all the confers with the number one adviser in tape services have the record on tapes the family. When the caller is satisfied they distribute all over the world.

90 Arnericen Syt—tredance Mut h t`r , 4 We will need to sell about 1,000 re- are for such a short time. Scope-Big Mac cords to break even. Now perhaps you Records are in our 27th year. can understand why more than 90% of Next month I will discuss how a caller the new labels coming into the business is selected to do a record, and happy dancing to you!! V

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American Squaredance, March 1994 91 I

IP E~acorrfr e by Dorothy Walker Highlights from Past Issues of this Magazine

10 YEARS AGO MARCH, 1969 residence of...," Gus Guscott's message In "Calling Tips" Gene Trimmer writes: greets the person calling with a few notes One sad conclusion has been creeping of Ragtime Annie music and then Gus' into our dancer and caller conversations voice in square dance calling style says: with regard to 'Who" is better than some- "Gus Guscott is my name. one else. This seems to infer that Plus Square dance calling is my game. dancers are better than Mainstream and Allemande left and do-sa-do, Advanced dancers are better than Plus Chicken in the breadpan picking up dancers. This simply is not true, for there dough . is equal enjoyment in dancing to a good Now stay right there and don't you caller within all of those programs. roam, Therein lies the "Key." If you are to be a Leave your message, name and num- good caller or dancer you should be al- ber when you hear the tone." ways searching for improvement while This is a good free way to publicize using your known basic fundamentals. square dancing (if you already have an Be like mercury which seeks out the low- answering machine, that is). est spot where it comfortably "rests" NEW IDEA: TOP THE DIAMONDS, while seeming to be sitting up above that by Gene Trimmer, Paragould, Arkansas. spot and looking for another comfortable spot to "rest." 25 YEARS AGO MARCH, 1969 NATIONAL NEWS: WHO ATTENDS DANDY IDEA: One caller in the A NATIONAL CONVENTION? Cleveland area has come up with a crea- tive answering machine on his tele- To start with there are those who phone. Instead of the usual "This is the never miss a National and run out of

PO BOX 216 GRENN BATH, OH 44210 Latest ROUND DANCES: GR 17188 MY LADY III - MADONNA IV by Jerry & Perry Lefeavers

Easy drills for beginning SQUARE DANCE: GR 12239 BIG CIRCLE MIXER by John Cook - music is "Back To Donegal" GR 12172 SWEET GEORGIA BROWN MIXER by Bob Howell - music is "Sweet Georgia Brown"

New ROUND DANCES to old Grenn records: GR 15007 HOPPIN' ROBIN P-3 two-step by Dorothy Sanders GR 37033 WARM & TENDER P-2 waltz by Hank & Jetty Walstra 92 American Squaredance, March 1994 fingers counting the number of these phere that only a large event can gener- great events they have attended. A few ate. have attended the seventeen previous There are the locals and the dancers Conventions and are registered for their from adjoining states who seize the op- eighteenth. These are the people who portunity to attend a Convention close to line up at the registration booth at one home. Many of these will become addicts Convention to register for the next. Then and will hit the Convention trail. there are those who have joined the Con- Yes, reasons for attending a National vention trail the past four and five times. are as many and varied as the reasons These couples attend to renew old ac- for anything else. One thing is certain, quaintances and to enjoy the atmos- attend one and you'll want to attend them all. I/

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American Squitedince, Mardi 1994 93 SQUAREd CIRCLE by Jeffrey A. Grossman I earning to round dance can be a frus- should end. At the easy level, all rotating trating experience, at any phase figures (turning two-steps, pivots, left level, All dancers can get upset with and right waltz turns) end facing the wall, themselves or their partners when trying unless you are given a different position. out new material. Let's talk about some Another important point to keep in ways to reduce this tension and make mind is that when you are learning some- your learning experience a little more thing new, your own assessment of what enjoyable. is causing a problem will not always be If you are having a problem with a correct. This is true particularly if it is at figure and think you understand it and the current limit of your abilities. When are doing it correctly, take a look at the you are arguing with your partner about prior figure. There are three ways in the source of a problem, it is time to get which the prior figure could create prob- your teacher involved. lems. All these things are guaranteed to First, you might not be completing all solve all your problems, right? If you of the steps in the prior figure. For exam- believe that, I've some land in Florida... ple, if you were doing forward two-steps One more way to smooth the process followed by a box, and you were always even more is to agree, in advance, who on the wrong foot to start the box, it might is going to make all the mistakes during be because you rushed into the box and a given class. Of course, it would be fair did not do the last step of the forward to alternate! This way, when there is a two-steps. Second, you might not be in problem, the one with the assigned the correct position at the end of the prior blame can say, "Oops! That was my fault. figure. This is common for maneuvers or Let's try it again." Since you've already pickups. If those two figures do not end agreed who's making the mistakes, you in good closed position, the next figure don't need to spend time arguing about will not be smooth. If you do not end a who is at fault. Instead, you can concen- basketball turn facing (as it is defined), a trate on doing better. Besides, very few twirl two which follows will feel very awk- problems are really caused only by one ward. Third, you might be doing the prior person. figure incorrectly. Frequently beginners I know these techniques work be- will do double hitches without the proper cause I have used them over the years. number of closing steps. But it feels just A recent problem is a good example. fine until the next figure when they're on Workshopping a Phase VI (advanced) the wrong foot. fox-trot, we spent an hour a week for If you are having a problem in a figure three weeks trying to learn a section only with rotation (turning two-steps, pivots, three measures long. We had a lot of etc.), there are some things to look at. problems - we were out of position after Most rotating figures are done in closed the first measure, our heads were not far position. Are you in good closed posi- enough left, we were not moving to- tion? Are you looking left? Looking left in gether as a unit, we even were not doing turning figures is not style, it is technique, part of it correctly. It was a real struggle. since it has a real effect on how well you Eventually we did the figures, though not do them. In pivots, are you stepping as well as we would have like. We know strongly with a heel lead, down line of it will improve with time. You, too, can dance on your right foot? Another com- survive your class workshop, learn a lot, mon problem with rotating figures is for- and still smile at your partner. ✓ getting in which direction you started or 94 American Squaredance, March 1994 ri-TR A IQHT)

,----- J.B. Barnell Texas EUROPEAN CALLERS TREAT SQUARE DANCE CALLING AS A COMPETITION!

gram with great success. There is a prob- he above statement has been made lem coming because most traveling call- Tby many U.S. callers. The statement ers do not or cannot call below the Plus is not true. In 1972 the Dancer Associa- level, or they just lack discipline. Dancers tion in Europe did not allow dances out- in Europe, more and more will not sup- side the Mainstream level. This port a traveling caller at two dances be- encouraged callers in Europe to do cause they use the same program over something different with Mainstream. It and over again. Club dances there are no was decided that Callerlab was working better attended than they are here in the for the good of our movement and they U.S., but the variety is far greater. There knew what they were doing. Callers in is a much greater sharing of ideas be- europe decided that dancer education tween European callers and they are not and fun were to be foremost in our minds. afraid to experiment. "Left handed, half We taught as best we could but forty-two sashayed and mixed sex material is the hour lessons seemed too short a period norm." Even things like half Zoom, boys to teach Mainstream well. A group of Scoot Back, girls All Eight Circulate, East Anglian callers got together and Heads Arch, Sides Dive Thru from lines decided to try and teach Basics one year of four is common. So often a European and Mainstream the next year. That caller goes to the states to call a Plus group of five callers found the system dance. He ends up workshopping; Do worked well. Not only did the students Paso, Wheel Around, Half Circulates, enjoy themselves, the area drop-out rate and Spin or Fan The Top. went from 40% down to 0%, and students Teaching should not be "drilling, and enrolled the following year. That group of should not be by hand or sex." This is callers are still working the two year pro- where we have gone wrong, we have

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American Squaredance, March 1994 95 rushed our classes and cheated the have to stop and make a mental decision dancers out of a fun experience. that will cause a square to go down. We If a subject is taught with sufficient must, of course acknowledge the fact care and enough preparation is done, the that some of us do have a genuine per- knowledge will stick. Teach incorrectly or sonal hearing problem. let the dancers see a call executed differ- Hearing can be quite a problem for ently from the way they were taught, their round dancers. I'm sure you've heard the teacher gets a bad name. Dancers will expression, "Boy, it sounds like a bunch not stay in the movement if they are of chickens out there tonight." Although rushed thru class. the time to visit and chat with others is Joke about all position material, but during the break, please remember that use it all the time from the first student the break does not include the time dur- lesson. The students will not know the ing the round dance. So if you hear the difference. As a caller, you may have to sound of "SHHHH" at the beginning of work harder, but getting familiar with dif- the round dance your courtesy will be ferent formations and arrangements will appreciated. enhance your ability. One of the big problems in our activity is that most of the halls we dance in were not constructed with sound and acoustics in mind. It seems that there are always some areas of a hall where the sound is TO HERR just not clear. If you encounter this, move OR NOT TO HERR your square a few feet either way (if not too crowded) and you will sometimes be By Nelson & Kadie Reeme amazed at the difference in sound and how much better you can hear. ow well do you hear the calls or the It's a fact that the caller increasing the Hcues on the floor? You don't have to volume will not necessarily mean that have a hearing deficiency to experience you will hear better. this problem. Failure to hear what the I would like to close this column with caller or cuer is saying is more often the reminder that the round dance cuer circumstances other than your personal appreciates your applause for his/her ef- hearing ability. forts and even those of you sitting and When you are dancing you have be- watching, may put your hands together come accustomed to listening for the showing you have enjoyed the cueing calls and cues out of the "side of your and the presentation of the round danc- ear," much like you see something out of ers. the corner of your eye. So what happens when someone else Reprinted from Dec. 1993 issue of Around the in the square asks you a direct question, Squares. British Columbia. such as, are we going to A&W for coffee tonight? This diverts the side of your ear YOUR FEET WILL BE A' away from what the caller or cuer is say- KICKIN' AT THE SQUARE ing. AND ROUND DANCE It is important to remember that the EXTRAVAGANZA success of the square depends on the --APRIL 16, 1994- sum of its 8 dancers. FEATURING EAST TENNESSEES FINEST No one expects everyone to be as CALIERS & CUERS quiet as church mice while dancing and BROUGHT TO YOU BY: this is evident by the amount of laughter THE DOGWOOD ARTS FESTIVAL KNOXVILLE, TENNESSEE and gaiety coming from the dancers. But this type of noise does not seem to cause FOR INFORMATION CALL (615)637-4561 the hearing problem in your square, it's the direct question causing a person to

96 Amerman Squaredance, March 1994 THE INTERNATIONAL ASSOCIATION OF VIIISWTSllHTE3 SQUARE DANCE CALLERS by Mike Seast ruin

CALLERLAB will hold its 21st annual expense, were affiliated with CALLER- convention in Vancouver, Canada, on LAB. April 11 - 13, 1994. This will be the first Much has been said over the past few full convention held outside the continen- years about having a single program tal United States. called "Square Dancing." This idea was This year's theme will be "Reach Out proposed many years ago in CALLER- and Teach Someone." Educational ses- LAB. An ad hoc committee worked for a sions such as Teaching, Smooth Danc- year to come up with a list of calls that ing, Successful Choreography in Class, could be taught in 25 weeks. The mem- Teaching Examples, Square Dance Pro- bership approved and used this list for a motion, Timing and Phrasing, Formation one year trial in 1987-88. Because of all Management in the Class Setting, and the negative feedback from callers and Teaching in Schools will be offered. Ad- dancers, this concept failed to pass a ditional sessions such as Working With majority vote at the 1988 CALLERLAB Music, Showmanship, sight Resolution, Convention. Sounding Problem Halls, People Skills, Dancers and callers resented being One Night Stands, and How to Use the told that they had to change theirdancing Community Dance Program will also and would only have one choice if they take place. Dance sessions are sched- wanted to square dance. Dance leaders uled using Contras, the Mainstream and and callers, running local programs, CDP programs and Line/Solo dancing. were upset that they were not allowed to An excellent program will be offered as choose an accepted program that would well for callers' partners, and over thirty fit the needs and conditions of their area. committee meetings will take place dedi- CALLERLAB offers dance programs cated to the betterment of calling and that are already accepted world wide. square dancing. The following programs offer callers and Since its inception, CALLERLAB has dance leaders the flexibility to decide the emphasized continuing caller education. type of dance program best suited for By sharing ideas and information, its recruiting, promoting, and retaining new members can regularly increase their dancers in their area. teaching and calling skills and renew Community Dance Program - The their enthusiasm for the activity. CDP can be taught in 6 lessons. It in- Active CALLERLAB members have a cludes squares, rounds, contras, mixers, requirement to attend a convention once solo and country western dancing. This every four years or once in eight years program is growing in popularity and al- for members outside the North American lows an area to start dance lessons many continent. Due to the time and costs in- times each year. It is designed as a des- volved, attending a convention takes ef- tination program where participants can fort and personal sacrifice. CALLERLAB dance for many years or go on to other callers are truly the most dedicated call- programs, if they so choose. ers in square dancing. In fact, over 80% Basic Program - This program, with of the callers on the program of last only minor changes, is the same "Sets In year's National Square Dance Conven- Order" program danced by many clubs tion in St. Louis, attending at their own before CALLERLAB was formed. The 49

American Squaredance March 1994 97 basic calls take only 15 to 20 lessons to have severely limited your recruiting po- teach. Many dance leaders agree that tential. Several independent market re- our numbers would grow, if local areas search firms have told us this very same would include easier and shorter entry thing. programs. This program has great poten- If your area only offers classes that are tial. over 20 weeks in length, your chances of Mainstream Program This is a retaining more than 50% of these new popular program used as the destination dancers past graduation is very slim. The for new dancers entering club dancing 1992 LEGACY new dancer survey, men- today. CALLERLAB suggests 60 hours tioned above, indicated this very clearly. to teach. It takes real dedication on the Callers and dance leaders in each part of the new dancers to complete, but area need to work together to offer new is still a realistic one year program. dancer classes several times each year. Plus Program - This program con- We need to run classes and hold dances tains the 66 calls on the Mainstream pro- using the CDP and/or Basic programs. gram, plus 30 additional calls. It is a very One night stands count, too. If these difficult program to teach and learn in one foundation programs grow, our club pro- dance season. The "one floor square grams will soon flourish. dance program" being debated today With declining amounts of leisure time, contains almost all the calls on the Main- and increased competition for recreation, stream and Plus programs. we need to offer an easier product, at In my opinion, using the Plus Program more frequent intervals. The fun, socia- or the similar "one floor program" as an bility and exercise are already built in. We entry level, severely limits our ability to just need to make it easier for people to retain new dancers. It's too many calls to join and stay involved. Let's target the learn in too short a time. LEGACY dancer youth in schools, young families and the surveys have told us this. baby boomers, or anyone else who If your area only starts classes once or wants to have fun. The potential is tre- twice a year, and new dancers can only mendous...can we meet the challenge? join in September and/or January, you

MAINSTREAM SQUARE DANCE WEEKEND 0 at World-Famous Kirkwood Lodge Osage Beach, Lake of the Ozarks, MO April 15, 16, 17, 1994

Featuring Mainstream Squares and Contras, -with- Tony and Becky McUmber one al the /.4theest's Fnest Callers at One of the Wolfs Finest Resorts rCall iony & Becky Now tot Information or to Make Resonation' (314)221-6199 of WO* 1601 36th Street, Hannibal, MO 63401-6611 Hurry! Space is Limited at this Unique Weekend! A rty

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Choreographed by: FRED & FRAN WADE Thanks to our CW and Square Dance friends for encouraging us to create a dance. Have fun with it. DESCRIPTION: Facing Couples Dance. Footwork is for man, opposite for lady. MUSIC. "There Goes My Dream" on Born & Raised in Black and White by Mark Collie. "Oh Girl" on "When I Call Your Name" by Vince Gill

Forward basic

1-2 Step forward left, right 3 & 4 Forward Shuffle Step (L R L) (Man leads first turn by raising left arm and gently tugging on ladies right shoulder). 5-6 Step forward right, left (Lady turns 1/2 right under man's left arm ending on man's left side). 7 & 8 Forward Shuffle Step (RLR) (Lady finishes her turn. Man prepares to cross in front of the lady by extending his right hand across to her left to meet the ladies left hand, both turn slightly toward each other). 9-10 Step forward left, right (Touch hands and Begin crossing to your left in front of lady and under your right arm. Releasing your left hand from her right). 11 & 12 Forward Shuffle Step (L,R,L) (Finish crossing in front of the lady. End with her on your right.) 13-14 Slight Step Forward right, left (Raise the right arm for lady to turn right, backward, under man's left arm. Using full steps). 15 & 16 Forward Shuffle step (R,L,R) (The lady finishes her turn in front of the man. Holding hands.) 17-18 Step forward left, right 19 & 20 Forward Shuffle Step (L,R,L) (Man Face LOD during steps 21-24, while Lady turns 360° to her left). 21-22 Step right on right, step left behind right. 23 & 24 Slight shuffle to right (R,L,R) 25 Rock to outside on left foot.( Both turn 1/4 right, facing wall, extend left foot toward wall and dip). 26 Rock back on right. 27 & 28 In place shuffle step (L,R,L) (Both turn 1/4 left to face each other during these steps). 29-30 Step Forward Right, Left. 31 & 32 Forward Shuffle Step (R,L,R) (During steps 33-36 man faces forward while lady turns 360° to her right). 33 Step left on left foot. 34 Step right behind left. 35 & 36 Slight shuffle to left (L,R,L). 37 Rock to inside on right foot. (Both turn 1/4 left, right foot extended toward center of hall and dip). 38 Rock back on left foot. 39 & 40 In place shuffle step (R,L,R) (Man tum 1/4 right to face forward while lady turns 180° to face line of dance her back is to the man). 41-42 Step forward left, right. 43 & 44 Forward Shuffle Step (L,R,L). 45 Step Forward Right. (Both pivot 1/2 to RLD, man to right and lady to left). 46 Step forward Left. 47 & 48 Forward shuffle step (R,L,R). 49 Step Forward Left. (Man pivot 1/2 to face lady). 50 Step Forward Right. 51 Forward Shuffle Step (L,R,L). 52-53 Step forward right, left. 54 & 55 Forward Shuffle Step (R,L,R) American Squaredance, March 1994 99 A MERICAN C ALLERS A SSOCIATION Viewpoint by Vem Weese, California Repre- • BMI/ASCAP Licensing sentative, & Bill Kramer, Exececutive • Membership fee offered at a reduced Board Member rate, which includes full voting privi- leges. • Two million dollar Liability Insur- he American Callers Association ance. T(ACA) will be moving forward on sev- • Equipment Insurance. eral initiatives in order to meet the chal- • Major Medical Insurance under a lenges ahead: Group Plan and Dental Insurance • Defining and articulating our visions available through ACA. and values. • Developing a strategy to help us As a community oriented organization achieve our vision. we have a responsibility to provide the • Assessing our market in a more fo- very best at the lowest possible cost to cused manner in order to develop fu- our members. We do that by being an ture arrangements. effective organization. Competition is • Re-engineering ourselves to provide tough and getting tougher. Therefore, increased value to the square dance our concept is vital. We are seen as community. innovators and creative problem solvers in our new world. Three years ago, three callers got to- Often, leaders are left behind when gether to compose an alternative method the rules of the game change. (Think for BME/ASCAP licensing. The develop- about IBM or the American Automotive ment of vision and value is a journey that Industry.) We will be setting ambitious requires intense discussion and consid- goals, but the complex nature of our busi- eration. As a team of three, we devel- ness in the nineties and beyond de- oped a business strategy on how to mands that we face the challenges and achieve our vision. meet these goals. The market place of We considered how it would impact the nineties will demand several things our activity. We also defined where we from the American Callers Association. want to go, where square dancing would We understand who our customers be in five years, and created an overall are - square dancers - and their needs, strategy for realizing this vision. the services they value and for which Once our vision was articulated, a win- they are willing to pay. We must strive to dow of opportunity existed. Choices be- increase our quality. This means focus- came available to all dancers and callers ing our business on those things which alike. We must do something ourselves matterto the dancer and questioning any to retain and attain additional [Critical activity which does not. We must add Mass] to assure square dancing's contin- VALUE, FUN and TIMELINESS. We ued survival. must enhance the caller's ability to serve American Callers Association Mem- the dancers in a fun, cost effective and bership includes quality way 100 American Squaredance, March 1994

Finally, we want to change the organi- The more involved, the better our suc- zation and culture of the American Call- cess will be. The response to the Ameri- ers Association to one that encourages can Callers Association is overwhelming. risk taking, innovation, and a passion for Our membership continues to soar. It's results. Success is achieved when eve- exciting to us, and there is no doubt in my ryone is a part of the solution - both mind that we have the desire and ability dancer and caller. Teamwork is a phi- to make this undertaking a success. losophy we must embrace. American Callers Association is at- Square dancers are our most valuable tempting to be a positive force on the resource. We cannot lose sight of this as square dance scene. If you think we are we work to change. We must recognize on the right track, or even if you don't, we that change is difficult, but we are a cul- need your input. Please write to us at: ture of proud people! We will deal fairly The American Callers Association, PO and openly with you on the importance to Box 2406, Muscle Shoals, AL 35662 these changes. We really do want to hear from. ti

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American Squaredance, March 1994 101 PLAY ME SOME MOUNTAIN MUSIC BIG MAC 144 Caller: Ron Mineau FIGURE: Heads square thru 4, do sa do corner, make a wave, ladies trade and recycle, veer left and chain down the line, slide thru, swing the corner, left allemande, promenade. LET ME CALL YOU SWEETHEART BIG MAC 147 HI-HAT 5160 Caller: Mac McCullar Caller: Tom Perry FIGURE: Heads square thru 4, with corner swing FIGURE: Heads promenade 1/2 way, down middle thru, boys run, ferris wheel, pass thru, do sa do, right & left thru, passthe ocean, ping pong circulate, touch 1/4, scootback, swing the corner, prome- extend the tag, swing thru, boys run right, ferris nade. wheel, zoom, pass thru, swing corner & prome- nade. SOMEONE TO WATCH OVER ME HI-HAT 5161 IT'S SO NICE TO BE WITH YOU Caller: Buddy Weaver SILVER SOUNDS 170 FIGURE: Heads square thru 4, do sa do, star thru, Caller: Lori Morin pass thru, tag the line, face right, ferris wheel, single FIGURE: Heads promenade 1/2, sides right & left circle to a wave, extend, ladies trade, swing this thru, square thru 4, do sa do, eight chain four, swing man and promenade. corner, promenade. BOURBON STREET PARADE MRS. RIGHT HI-HAT 5162 CHAPARRAL 717 Caller: Bobby Lepard Caller: Marshall Flippo FIGURE: Head couples promenade 1/2, into mid- FIGURE: Heads promenade 1/2, down middle right dle pass the ocean, extend, swing thru, boys run, & left thru, square thru 4, make a right hand star, bend the line, right and left thru, pass the ocean, heads star left to the same two, swing corner, recycle, swing corner, promenade. promenade. WOOLY BULLY/CAJUN JON BLUE RIDGE MOUNTAINS SILVER SOUNDS 169 BIG MAC 145 HOEDOWN Caller: Mac McCullar FIGURE: Four ladies promenade to partner and PETTICOAT HOEDOWN star thru, promenade with your man, one and three HI-HAT 661 wheel around, right & left thru, (slide thru) star thru, Caller: Bronc wise eight chain 5, swing the corner, promenade. EXPERIENCED, WELL-QUALIFIED CALLER-INSTRUCTORS FOR YOUR CALLER SCHOOL OR CLINIC HAROLD BAUSCH 2120 Jaynes, Fremont NE 68025 402-721-4925 T.D. BROWN PO Box 940, Rockwall TX 75087 214-771-9701 STAN BURDICK PO Box 2678, Silver Bay, NY 12874 518-543-8824 WALT COLE 944 Chatelain Rd., Ogden UT 84403 801-392-9078 RUSTY FENNELL 5911 Oak Run, San Antonio TX 78247 512-655-8080 ED FOOTE 140 McCandless Dr., Wexford PA 15090 412-935-2734 TONY MCUMBER 1601 36th St., Hannibal MO 63401 314-221-6199 DON TAYLOR Promenade Hall, 1212 Depot St., Auburn IN 46706 219-925-3818 TOM TRAINOR 12809 Seville Dr., Sun City West AZ 85375 602-584-3607 JOE ULEBELACKER 1494 Clearview Dr., Peterborough, Ont, Can. K9K 2A4 705-292-5352

0") American Squaredance, March 1994 A NEW LINE OF FASHIONS

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ALABAMA INDIANA BRANTLEY'S WESTERN SUPPLY & BEV'S SQUARE DANCE & WEST DANCE APPAREL 112 Depot St Rf2 Hwy. 35. Section, AL 35771 Auburn, IN 46706 1-800-828-8091 219-925-3818 or 925-0639 NEW MEXICO 'FREE' Mail Order Catalog 24-hour Phone Service JEANETTE'S ORIGINALS 401/ Central Ave NE Albuquerque. NM 87108 CALIFORNIA HAWAII 505-255-R961 DORIS'S Crystal Magic Petticoats NN FASHIONS FROM FLORENCE 8331 Pinecrest Drive RR 3 Box 125 Pahoa, HI 96778 MINNESOTA Redwood Valley. CA 95470 on the Bog Island. 808-982.9276 SKYLINE SID SHOP 1-800-468-6423 Everything tor the Silt Dancer inc 9 Skyline Dr 507-345-1900 Free Swatches. Flyers Hawauan-made items Mankato. MN 56001 Member of NASRDS CAROL'S COUNTRY CORNER We welcome mail orders' 6520 Platt Ave Suite 623 KANSAS West Me, CA 91307 811 SID 8 WESTERN WEAR 818-347-1207 635 E 47th St S Wichita, KS NEW YORK 2 ilk W ol 1-35 Trnk. Exit 42 SHERRY'S DANCE STORE a.6-522-6670. Closed Sun/Ilion SKY RANCH WEST. 8 SID STORE 2468 Almaden Road All New First Line Apparel 109-111 5 Main St (315-668-2644) San Jose. CA 95125 Central Square, NY 13036 (408) 267-2333 aFtEPtERS' WESTERN WEAR CATALOG Complete Western & SiD Store Complete Line of SD Apparel Worlds largest selection of Boots. Jeans. Hats. Catalog $1 Credited on 1st Order ;Ws: Dresses and Acessones. Call 1-000-242-6540 SQUARE D FASHIONS Of your FREE catalog. Give operator Code C 703, or NORTH CAROLINA 5821 Auburn Blvd Ste 5 rare Sheplers. Dept 703. PO Box 7702. Wichita. CIRCLE W S/0 FASHIONS Sacramento, CA 95841 120; Jon & Jackie Wilkins 916-344.0346 193 Winery Rd (Phone 919-327-3337) LOUISIANA xneads . NC 28460 COLORADO JANET S S/0 SHOPPE Mail Services-MasterCard-VISA SID RECORD ROUNDUP 1956 Cherokee Dr 957 Sheridan Blvd. Lake Charles. LA 70611 OAKLAHOMA Denver, CO 80214 (318)855-4470 LOWELL'S PLACE on Main Phone 303-238-4810 Member NASRDS. Visa & MC 119 West Main Phone Orders Welcome Moore, OK 73160-5105 Apparel 405-799-5602 Just outside OK City & worth the trip MAINE FLORIDA WHEEL AND DEAL SHOP INC TEXAS OXBOW SID SHOP Rt 115 Yarmouth Rd THE CATCHALL 8650 49th St N Gray. ME 04039 1813 Ninth Pinellas Park. FL 34666 207-657-3412 Wichita Falls. TX 76301 813-541-5700 Catalog $2 Refund with 1st Order Square & Round Dance Regatta Everything the dancer needs Immediate Mail Order Service MARYLAND JENNIFER SHOES ANDES SID 8 WESTERN APPAREL CIRCLES & SQUARES 917 Brookhills Dr. 2109 Liberty Rd Phone 410-795-08081 9047 Garland Rd . Dallas, TX 75218 Cantonment, FL 32533 Eldersburg. MD 21784 310 El Main, Richardson. TX 75081 904.968-4415 Catalogue Available — 54 214-328-8684/235-9707 Clogging & Ballroom Shoes Credited on First Order SiD Apparel & Monogramming

MICHIGAN VIRGINIA ILLINOIS RUTHAD (313-841-0586) TRIPLE R 's CATALOG SERVICE SQUARE DANCE ATTIRE 8869 Avis PO Box 2340 Detroit. MI 48209 7215 W Irving Park Road Fairfax, VA 22031 Chicago. IL 60634 Prettier. perke setcoats 1-800-627-0412 pantalettes

American Squaredance, March 1994 103 ED FRAIDENBURG (Calling For You) * * * 1916 Poseyville Rd. The numbers before the states are the Midland, Michigan 48640 month and day of the activity. If you would like to list a festival, convention or Phone: 517-835-9524 other special dances (two days or longer) in the next issue please ** * contact the ASD office. Calling All Levels Thru A-2 0304-OREGON-10th Annual Webfoot Jamboree, Call or Write for Rates & Dates March 4,5,6,1994, Mt. Hood Community College Gym, 26000 S.E. Stark, Gresham, OR. SQs D. Clendenin, B. 24K Gold-Plated Enameled Sstutevoss; RDs R. Walz. Contact (530)287-7765. 0304-CALIFORNIA-20th Annual SQ & RD Festi- SQUARE DANCE val, March 4,5,6,1994 Palm Springs Pavilion, 403 S. JEWELRY Pavilion Way, Palm Springs, CA. Nationally Known P. Earrings or Pendant $3.95 Callers. Contact (619)323-8272 Both for only $6.95 0318-CALIFORNIA-26th Annual Redding SID plus $1.00 ship. & handling Jamboree, March 18-19, 1994. Shasta District Fair- (Calif. res. add 6% sales tax) Earrings also available grounds, Anderson, CA. Callers M. Sikorsky, J. Sahel, with clips. J. Osborne. Rounds by T. & D. Hankins. Contact Lin When ordering specify dress Velasquez, 3867 Bluffside Ct., Redding, CA 96002, color red, blue or black. (916)221-5366 or Harold & Emma Underwood Send check or money order to (916)378-1643. Charmz-Reaction 0324-VIRGINIA-WASCA's 35th AQ & RD Festi- P.O. Box 42013 val, March 24,25,26, 1994. Hyatt Regency & Sheraton , West Hills CA 91308 Reston, VA. Callers various, Cuers Various. Contact 818-346-4018 D&B Mylnar, 8803 23rd Ave. Adelphi, MD. 20783, (301)434-1659. 0325-CALIFORNIA-Southern Calif. Sunshine WALT COLE Fest. March 25,26,27,1994. Oxnard Community Center, 800 Hobson Way, Oxnard, CA. D.Mee, D.Parnell, PERSPICACIOUS calling B.Weaver, Jorritsma, Hoefler, Elder, A.Mee. Con- SQUARE-ROUND-CONTRA tact(909)945-3420 or (909)351-1729 or (714)534-6469 0325-GEORGIA-Country Western Dance Festival, Dancing is singing with your March 25,26,27,1994. The Country & Western Social feet, and we put the song in your soles Club, Atlanta, GA. Contact B.Robinson & I.. Hembree Caller Schools & Clinics (404)325-0098. Or write L. Hembree, 2739 White Fox Leadership Seminars Court, Morrow, Georgia 30260 Caller Training Tapes 0325-ALABAMA-Alabama Jubilee, [Just A Swing- The Basis of Collis Timing ing], March 25,26,1994. Binningham-Jefferson Civic The Basis of Timing is Music Center, Birmingham, AL. SQs A.Tipton, M.Seastrom RDs M&B Buck. Contact P.Brasfield & F.Williants, 107 944 Chatelain Rd., Ogden UT 84403 28th Avenue, East, Tuscaloosa, AL 35404, (205)553- Summer-801-392-9078 Winter-602-726-8415 3596 0325-LOUISIANA-25th Annual SQ/DA Conven- PROMENADERS tion, March 25,26, 1994. Pontchartrain Center, 4545 Clog & STD Shoes Williams Blvd. Kenner, 1,A. J.Jones, B&L Van Atta, Blk & Wht $37.95 -• contact M&S Miccio, Chalmette, LA 70043, (5134)271- Colors $37.95 ,a011/4.0 3327 Gold & Sil. $39.95 0401-ILLINOIS,46th Annual Jamboree Greater St. P&H acid 83.50 Tel. 919-778-047E Louis Folk and Square Dance Federation Festival of Colors, April L2, 1994. Belle-Clair Exposition Hall, St SOPHIA T'S Clair Fairgrounds, 200 So. Belt East (IL. RT. 13) Square Dance & Western Wear Fashions, Inc. Belleville, IL. W.Driver, T.Roper, E.Sheffield, Jr. R/D Eastern N.C.'s Largest Square Dance Shop cuers L.& P. Wacker. Contact F.& J.Keeser, 17 Cram RI 9. Box 283 • Hwy. 70 East • Goldsboro NC 27534 brook Drive, Belleville, 1L 62223-6131, (618)234-7512. 0401-AUSTRALIA-Northern Rivers Easter Fest. CLOGGER for men (black & white) April 1-4, 1994. Lismore City Hall. B.& M, McHardy, CLOGGER for women (white only) J. Dean, W. Flannery. Contact Wilma at (066)62-6647 938.96 Brochure available - $2.00 (refunded on first order) Check, MasterCard, Visa, American Express 104 American Squaredance, March 1994 0408-KENTUCKY-Derby City C/W Dance Chan- pionships, April 8,9,10,1994. Dance Of The roses, Lou- isville, KY. Contact R. Drollinger (812)282-4651 "JONI'S NOTES" 0408-ARKANSAS-Jamboree, April 8,9,10,1994. Pine Bluff Convention Center, Pine Bluff, Arkansas. New Monthly Note Service k Callers and cuers various. Contact W&S Parsons, P.O. df)ji For The Caller Who Cares ,p411 Box 23242 Oklahoma City, OK 73123 (405)721-5811. by 0408-CALIFORNIA-15th Annual Pear Blossom John & Linda Saunders Square Dance Fest. April 8-9, 1994. Lake County Fair- Choreo Basic - C-1, Singing Call Review, grounds, Lakeport, CA. J.Saltel, N.Bliss, J.Murtha. R/D Contra's, Lines, Partners Review and Much, P&L Croisant. Contact M.& B. Chirco, P.O. Box 684, Much More .. 30 YEARS of calling experience Kelseyville, CA 95451 (707)277-7629. to share. Don't delay 0408-IOWA-Iowa State Convention, April 8,9, 1994. Dubuque, Iowa. No contact provided to us. Write for FREE SAMPLE TODAY...to 101 0408-KENTUCKY-34th Derby City SQ Dance Cedar Dunes, New Smyrna Beach, FL 32169 Fest. April 8,9,10, 1994. Kentucky Fair & Exposition Telephone: 904-428-1496 Center, Louisville, KY. SQs J.Jestin, S.Kopman, E.shef- field, M.Tumer; RDs P&J Lefeavers. Contact J&P Worcklage, 3252 Ellis Way, Louisville, KY 40220, CALLERS- DANCERS (502)452-9273 Are YOU Considering Sponsoring 0408-NORTH CAROLINA- Spring Dance Week- A Square Dance Group Travel Program? end, April 8-10, 1994. John C. Campbell Folk School, If So, WE CAN HELP. Brasstown, NC, B. Foster. Contact B. Dalsemer We Specialize in Preparing (800)365-5724. Square Dance Group Travel Programs. 0408-INDIANA-Weekend at Potawatomi Inn, An- gola, Indiana. April 8,9,10,1994. R. Allison, J.Sleeman CONTACT US for information & Millers. About How We Can Custom Design 0415-CALIFORNIA-Dance Of The Roses, April A Group Travel Program for YOU. 15,16,17, 1994. Pasadena Convention Center, 300 E. Green Street, Pasadena, CA. Callers & RD Cuers vari- BLACKWOOD TRAVEL ous. Contact D&J Standley, P.O.Box 4612, Riverside, RR 1 Box 3, Suite 101 CA 92514. Lowpolnt, IL 61545 0422-UTAH-Spring Break '94, Glendale Commu- 309-443-5061 nity Sch, Salt Lake City. April 22-23, 1994. T.Oxendine, J.PI addys, S&J Storm. Contact: Pat maltsberger (801)569-8843. 0422-CONNECTICUT-36th New England SQ & Come With Us To RD Convention, Crosby High, Waterbury, CT, April 22,23, 1994. Callers & Cuers various. Contact 11.Katten. 205 West Walk, West Haven, CT. 06516 AUSTRALIA 0422-SOUTH CAROLINA-Annual So. Carolina NEW ZEALAND Educational Retreat, at New Heritage USA, 3000 Heri- tage Parkway, Fort Mill, South Carolina 29715 April PLUS ANTARTICA (optional) 22,23,24, 1994. Callers various. Contact 1.& P. Sea- In JANUARY 1995 graves, USDA Firectors of Information, 8913 Seaton (Their Summer) Dr., Huntsville, AL.35802 (205)881-6044. ASK FOR DETAILS SOON: Deadline Feb. STAN & CATHIE BURDICK 0423-NEBRASKA-25th Annual Spring Fest. April PO BOX 2678. SILVER BAY NY 12874 23,24,1994. Gothenburg, NE. Community Bldg. 1415 Ave. I. Caller, D&V Tenant, Cuers T&S Vandeventer. 518-543-8824 Contact B.& J. Lauer, Rt I Box 17-B, Gothenburg, NE. 69138 (308)537-2786 0427-FLORIDA-41st Florida State SQ & RD Cony. Records May 27,28,29,1994. Lakeland Civic Center, Lakeland. Mike's FL. Callers & Cuers: various. Contact Roy & Doris Anderson, Rte 5, Box 1853-A, Palatka, FL. 32177 9356 Natick Avenue 0429-NEVADA-47th Silver State SQ & RD Fest. 0 0 North Hills, California 91343 April 29,30, May 1, 1994. Reno-Sparks Convention 0 Mike & Millie Sikorsky - Owners Center.Callers and cuers various. Contact Sil at (818)891-6622 (800) 213-3515 (702)322-0027 or Bob at (702)359-1250 0429-NEW JERSEY-10111 Annual Deleware Val- Square Dance - Round Dance - Clogging ley Fed. Wildwood Weekend, April 29,30, & May 1, Orders shipped daily Unbeatable Prices 1994.Convention Hall, Wildwood, New Jersey. W.McDonald, B.Harrison, R & A Lock, Contact B&F We Carry All Labels Unbeatable Selection Williams, 2159 Palimino Dr., Warrington, PA.18976 - Monthly 'Pape Service Unbeatable Service (215)343-2969 0429-MISSISSIPPI-6th Annual Tupelo Sq. Trace The Country's Most Competiue Prices! Fest. April 29,30,1994. ICC Campus, Tupelo, MS. --- • — - --• - - —

American Squaredance, March 1994 105 A.Petrere, RID M&K White. Contact Tupelo Squares, P.O. Box 976, Tupelo, MS (601)844-1967 0429-TENNESSEE-Music City SQ Dance Fest. National Square Dance April 29,30, 1994. Boyd Garrett Center. Woodbine Cumberland Presbyterian Church, 3016 Nolensville Rd. DIRECTORY J.Story, T.Ozendine. RD B&G Pinkston. Pre-registra- tion only Contact R&B Young, 213 Wauford Dr., Nash- • 10,000 clubs around the world ville, TN 37211 (615)834-2238 or (615)822-1286. • Directories of festivals & conventions. 0429-HAWAII-NO KA GI Dance Festival, April 29-30, May 1, Up Country Rec Center, Pukalani, Maui, $8.95 (plus $3.05 postage) HI. B.Peters, J.McNanee. Contact. Steve Strong, 910 $50.00—Life Subscription Wainee St., Lahaina, HI 96761 (808)661-7400 0429-WEST VIRGINIA-4th Annual Dance Week- PO Box 880. Brandon MS 39043 end, April 29,30, 1994. Pipestem State Resort Park. Phone: 601-825-6831 West Virginia. Squares B.Helms, B.Hartsell. RDs by Call Toll Free: 1-800-542-4010 D&L Hichman. Contact L. Hichman, 2336 Pine Forest Dr., Gastonia, NC28056. (704)824-2821 0501-GEORGIA-DBD Advanced Week, [No Pris- oners Takes] CI • tips. May 1 thru 6, 1994. D.Wilson, The Best In R. Silver. Contact Copecrest Square Dance Resort, P.O Square & Round Dance Music Box 129, Dillard, Georgia 30537 (706)746-2134. All Rounds Cued 0506-MARYLAND-2nd Annual Square & Round Dance Cony. May 6&7, 1994. Convention Center. 4001 TNT 272 PISTOL PACKING MAMA, Rd by Fran Kropf Philadelphia Ave. Ocean City, MD. Various callers. TNT 273 IF I DIDN'T CARE by Peg Mulroy Contact Harden. 6802 Parsons Ave. Baltimore. MD TNT 274 JUST LOVING YOU (Flip) by Ed Shortrnan 21027. (410)483-2226 or (410)661-8443. Pre-registra- TNT 275 WALKING SHOES. Rd by Jack Raye tion required.M.S. thru Adv. RD/Cty West. TNT 270 SEA OF A HEARTBREAK, Rd by Steve Wilhoit TNT 277 SHES A LITTLE PAST FORTY by Ron Noble 0506-WASIIINGTON-Apple Blossom Weekend. TNT 278 COME FOLLOW ME BABE, Rd by Frank Krill, MAy 6,7,8,1994. SQs D.Cochrane, W. Sewell, RDs B. TNT 279 PERFECT HARMONY, Rd by Jeff Grossman Berka. Contact (509)662-0765 or (509)663-4491 MODERN STYLE CONTRA PARTY 0506-NEW MEXICO-New Mexico SQ & RD State LP1001-DICK LEGER $6. • .75 pr. Festival, May 6,7,8,1994, Farmington Convention & Radio Record Sierras Available c...ty Decant, lor ZS. SO. 100 le 2130 Visitors Center, Farmington, New Mexico. SQs G.Shoe- RFD 2 Rt. 7, A. Mims VT 05471, SO24244424 make, RDs A&C Brownrigg. No contact 0512-CANADA-33rd Interntl. SQ & RD Conven- tion. May 12, 13, 14, 1994. Mc Masters University, CALLERS or DANCERS Hamilton, Ontario, Canada. Callers & Cuers: various. EQUIPMENT BOX COVERS Contact L. Johnson, 51 Glynn Road, Ajax, Ontario LIS 1 Amp, 1 Speaker 599.00 2C5 per set 0513-MANITOBA-Manitoba Festival, May 13,14,1994, University Center. Winnipeg, MB. C&C McCullough, R&D Baha, T&M Sigurdson. Contact D.Baba 89-381 Westwood Dr Winnipeg, MB. R3K Caller 1G4. 14204)837-8355. Gift 0520-NORTII CAROLINA-5th State Convention- Idea Folk, RD SQ DA Federation, May 20,21, 1994, Char- lotte Convention Center, Charlotte, N.C. Callers & J 4 .1 Manufacturing protection with a Golden Strip Shopprig Center Cuers various. Contact B&N McKinnis, 4420 Faith Mauldin, South Carolina 29662 professional look. Church Road, Indian Trail, NC 28079 (704)822-1014 Phone 18031 288-4000 0522-CANADA-Montreal SQ & RD Fest. May 23 VISA - MC Preoayrnent Ck or MO Inside Con. U.S thru 29,1994. Queen Elizabeth Hotel. Callers & Cuers: various. Contact: California only 1-(800)-285-6606, Los Angeles (818)885-7092, Montreal (514)626-8109 0522-OREGON-The 7th Annual Bloomin' Dance, MIKES1DE MANAGEMENT May 22*, and May 28th+, 1994. • L Seeley, caller. Cuer, by Stan & Cathie Burdick R. Walz. +J. Peterson, caller. Cuer R Ball Coley's Gardens, 11553 Silverton Rd. NE, Silverton, OR 97381 Contact J. Nunn (503)873-5463 0527-ALASKA-Annual Buffalo Wallow Square & Round Dance, May 27-30, '94; Delta Jet. Dave Walker. Weggs; Telephone: 907-895-4644 0527-WASHINGTON-Northwest Folklife Fest May 27,28,29,30,1994, Seattle Center, Seattle, Wash- MONTHLY NOTE SERVICE ington. Features music, dance, food, crafts, demos, FOR CALLFRS workshops, etc. Contact David Mandapat (206) 684- COMMENTARY CHOREO AND SKILL T1PS 7300. WRITE: S & C BURDICK PO BOX 2878 0527-FLORIDA-41st Florida State SQ & RD Con- SILVER BAY, NY 12874 vention, Lakeland Civic Center. Lakeland. FL. May 106 American Squaredance, March 1994 27,28,29, 1994. Contact R&D Anderson, Rt. 5, Box 0603-NEW ZEALAND-28th National SQ/RD Con- 1853-A, Palatka, FL 32177 vention, June 3,4,5,1994. ASB Stadium, Kohimarama, 0527-CALIFORNIA-Golden State Roundup, Oak- Auckland. Contact S.& J. Russell, Unit 8 Bishop Court, land Convention Center, Oakland, California. May 27,28 Cook Street, Howick, Auckland, New Zealand. (09)534- & 29, 1994. Contact Dennis & Dorian (707)557-0357 or 3081 Ed & Diana (510)881-0643. For pre-registration write 0605-NORTH CAROLINA-English and American Sue Lafferty, 163 Newton St., Hayward, CA 94544. Country Dance Week, June 5-11, 1994. John C. Camp- 0528-NORTH CAROLINA-Appalachian Music bell Folk School, Brasstown, NC. H.Comelius, B.Dalse- Week. May 28-June 3, 1994, John C. Campbell Folk mer. Contact B.Dalsmer (800)365-5724 School, Brasstown, NC R.Schwarz. 0610-CO1 ORADO-40th Annual Colorado SQ & H.Bradley, L.Boosinger, C.Whitesides & others. Con- RD Fest. June 10,11,1994. Gunnison, Colorado. State tact B. Dalsmer (800)365-5724. Callers & Cuers. Contact B&E Dawirs, (303)249-6929. 0529-OKLAHOMA-O.K. Callers College May 29 0610-MINNESOTA-43rd Annual Minnesota State to June 3, 1994 Ramada Inn Oklahoma City, OK. SQ & RD Cony. June 10,11,12,1994. Mayo Civic Cen- W.Morvent, J.Woolsey. Contact J.Woolsey, 1200 S.W. ter, 30 Civic Center Drive SE, Rochester, Minnesota. 97th, Oklahoma City, OK 73139, (405)691-1251 Contact S&J Severance, 633 12th St., Windom, MN 0602-CANADA-Fun Galore in '94 - SQ/RD Con- 56101. (507)831-4417 vention, June 2,3,4, 1994. Keystone Center, Brandon, 0610-IDAHO-30th Idaho State SQ & RD Festival, Manitoba. Callers: various. Contact B.&J.Clevett, Box June 10,11,1994, Snake River Jr/Sr. High School. SQs 246, Souris, Manitoba ROK 2C0. (204)483-2365 or W. Morvent, RDs D&D Sidell. Contact M.&C. Parsons, 483-3153 741 Ash, Pocatello, Idaho 83201. 0603-KANSAS-Kansas State SQ/DA Cony. June 0616-VIRGINIA-28th National A/C SD Conven- 3&4, 1994, Bicentennial Center, Kenwood Park, Salina, tion, Pavilion Convention Center, Virginia Beach, June KS. J.Jones; RID L&P Wacker. Contact J.W.&H. Rut- 16, 17, 18, 1994. Contact Ed & Marilyn Foote, 140 ledge, 1900 Dakots ST., Leavenworth, KS 66048 McCandless Dr., Wexford, PA 15090. (913)682-7926, or D.Schirmer, 7931 Croco Road, Ber- 0618-NORTH CAROLINA-Shaped Note Singing ryton, KS 66048 (913)862-1192. School, June 18-19, John C. Campbell Folk School, 0603-CALIFORNIA-2nd Annual Western Contra Brasstown, NC. L. Boosinger. Contact B.Dalsemer Dance Weekend, June 3,4,5, 1994. Idyllwild School of (800)365-5724. Music And The Arts (ISOMATA), L.& A.L. Hetland, 0619-NORTH CAROLINA-Dance Callers' Week, C.& A. Elliott. Contact L. Hetland, 9331 Oak Creek June 19-25, John C. Campbell, Brasstown, NC. Road, Cherry Valley, CA 92223 (909)845-6359 or C.E1- B.Dalsmer. Contact B.Dalsmer (800)365-5724. lion, 3344 Quimby St. San Diego, CA 92106 (619) 222-4078.

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American Squaredance, March 1994 107 it, CI ASSIFIEDS

KA—MO ENGRAVERS PO Box 30337 Alburquerque NM 87190 3D Club & Fun Badges Free Cataogue — Ph 1-800-352-KAMO MAIL ORDER—MASTER RECORD SERVICE P.O Box 82716 Computerized Engraving by LOWELL'S PLACE Phoenix AZ 85071-2718 (602-993-9932) 119 West Main Square, Round, ballroom, pop labels Moore OK 73160-5105 (405-794-5774) Specializing in mail & phone orders Mail Order 1-800-669-5774 Many Times Free Set-up MERRBACH RECORD SERVICE PO Box 7039 MICRO PLASTICS Houston TX 77248-7309 PO Box 847 Phone 713-862-7077 Rifle, CO 81850 Engraving Badges For Square Dancers For Over 30 Years PERRY'S PLACE 303-625-1718 FAX 303-825-4323 12505 Starkey Rd Suite J Largo FL 34843 813-535-0254 / 800-882-3262 Al Labels, amplifiers, needle& etc

PALOMINO SID SERVICE 1050 Toulon Dr THE NEW VIEW Marion OH 43302 (1-800-328-3800) Bill Davis 1359 Belleville SUPREME AUDIOIHANHURST'S TAPE SERVICE Sunnyvale, CA 94087 The Professional Source for Square and Round Dance Records & Equipment CHOREO BREAKDOWN PO Box 50, Marlborough, NH 03455-0050 Don Beck (508-897-9767) USA & Canada 1-800.445-7398 Fax 1-603-876-4001 176 West Acton Road Foreign 1-E03-876-3636 Stow MA 01775 Send for FREE sample PROMENADE SHOP 11909 N E Halsey, Portland OR 97220 MINNESOTA CALLERS NOTES 503-252-7623 Warren Berquam New Record Release Tape Service for 3775 County Road 92 No., Maple Plain MN 55359 Just $22 50 Yr. & You keep the tapes . Notes sent First Class Mail Mainstream through A-2 EDDIES AND BOBBIE'S RECORDS Box 17668 — 1835 S Buckner MIKESIDE MANAGEMENT Dallas TX 75217-0668 (214-398-7508) Stan & Cathie Burdick PO Box 2878 SQUARE DANCE RECORD ROUNDUP Silver Bay NY 12874 (518) 543-8824 957 Sheridan Blvd . Write for free sample Denver CO 802214 Phone 303-238-4810 CANADIAN CONNECTION Phone Orders Welcome Joe Uebelacker 1494 Clearview Dr., Peterborough, Ontario KDK 2A4 OVERSEAS Canada (705-742-6368) HOWARD MARKS, 1 Ivy Road Basic thru Plus, Cl thru C3, Al & A2 sup London, England El 7 8HX (Ph 081-539-7%7) Serving the movement since 1954 MAINSTREAM FLOW Mail Order A Specialty. Member NASRDS For the -Complete" Club Caller 1735 Deer Run, San Antonio, TX 78232 Rusty Fennell-512-490-1010 CENTURY CLUB Write or Call for complimentary Copy . Merit Badge of Drstmcbon Join Today PO Box 57 JOHN'S NOTES Westfield MA 01086 John & Linda Saunders Cost $2.59 plus 500 postage & handling 101 Cedar Dunes Dr., New Smyrna Beach FL 321% 909-42E0498 Basic — C-1, with added Attractions MontNy Service Send for Free Sample.

DANCETIME Notes For Callers (Formerly by Dick Han) Brad Carter Ph 217-422-1029 P.0 Box 3101 Decatur, IL 62524-3101 H & R BADGE & STAMP CO (614-471-3735) White for free Sample Engraved Badges & Rubber Stamps From our Design or Yours Harold & Roberta Mercer 2585 Mock Rd , Columbus OH 43219

108 American Squdredance, March 1994 S • COLD FEET II: Beginning Waltz & Two-Step Basics (1994) for BEG. ROUND DANCERS ($15.95 + 52.50 p/h) & Fancy Dancing 5-Book Set, Phases Hll, definitive reference series with 771 pp., 575 photldiag, 709 clearly defined figNanations, 9 rhythms for SE- SUBSCRIPTION TAPE SERVICE AVALABLE VVrite for sample RIOUS or EXP. DANCERS (Set 559.95 + 54.50 p/h of ea. bk. tape Palomino VD Service, 1050 Toulon Dr., Marion OH 43302 $15.95 + $2.50 p.h). Higlly acclaimed publications by K Ander- Phone 1-803-326-3800 son. Dance Action, Dept AS, PO Box 7162, Mesa AZ 85206.

MERRBACH RECORD SERVICE COUNTRY WESTERN DANCING. Book I, Line, Partner & Cou- PO Box 7309, Houston TX 77248-7309 ple dances. Book II, Continues on I; Book III, Photographed Phone 713-862-7077 Turnsl; Book IV, Teacher's Manual; Book V, Line Dances Galore, Book VI, Partner Dances, Shuffles & Schottisches, Book VII. More FREEI SAMPLE TAPE Photographed Turns, Book VIII Cha Cha, Book IX West Coast HANHURST'S TAPE & RECORD SERVICE Swing, Book X El Gartage, Technique & Styling, Book XI Hot MONTHLY TAPE Contains All New SID Music Line Dances. Order by number. $20 each includes pa & han- The Continuing Choice of 1,850 Callers dling. add 52.03 each outside USA. Kelly Gelette, PO Box 43425, Serving Callers Since 1971 - A Perfect Gift for Your Caller Las Vegas NV 89118. P.O. Box 50, Marlborough, NH 03456-0050 USA & Canada: 1-800-445-7398 Fax: 1-603-876-4001 EASY LEVEL SOLO DANCES: The Bob Howell Collodion. Foreign* 1-603-878-3838 Here you'll find everything to get your toes tappin and hips swing• ling--the music, concise directions for all levels, plus interesting PACESETTER SHOP RECORD TAPE SERVICE history of each dance. Cost $21.95 per book. Sill $3 50 U.S.- PO Box 8248, Chattanooga TN 37411 $5.50 Canada. Order from Siddal & Ray Publications for Dance, 1-800-346-4867 1-815-499-5554 1017 Williamsburg Dr., Charleston, IL 81920

PLUS, ADVANCED & CHALLENGE DIAGRAM BOOKS FROM ED FOOTE 5 books available' Plus, Al & A2 (both in 1 book), C1, C2, C-3A Each book diagrams all calls for the indicated pro- gram from a variety of positions, also includes helpful hints for dancing the calls. Books are 8 1/2 x 11 with spiral binding, laser AUDIO TEACH & DANCE TAPES BY ED FOOTE MS & Plus printing provides clear sharp images. The most complete diagram taught all-position to dancers who already know the calls horn books for Plus, Advanced & Challenge available today. Cast standard position. A-1 and A-2 taught with walkthru & practice 514.10/book includes shpg. ($15.10 for C3A). (Canada add $.65). of all calls. Teach tapes emphasize understanding of calls, are Order from Ed Foote, 140 McCandless PI., Wexford PA 15090. widely acclaimed as best on the market Drill tapes, dance tapes & two-couple tape also available. Write for literature to. Ed Foote, ENCYCLOPEDIA OF LINE DANCES The Steps That Canw 140 McCandless Pt, Wexford PA 15090. and Stayed by 011ie Mae Ray. Included in this book are direc- tions for over 95 solo and line dances. Cost $21.95. SIN $3.50 LEARN TO YODEL - Teach tape by Joe Uebelacker. $20 U.S US - $5.50 Canada. Order from Siddal & Ray Publications, 1017 funds. (Canadian funds for Canadian orders). Wilharnsburd Dr., Charleston, IL 61920. YODELING SQUARE DANCE TAPE - All yodeling singing Celts by Joe. $15. $5 off if ordering both. 1494 Clearview DrNe, Peter- ABC'S OF ROUND DANCING-A comprehensive 117,414 word borough, Ontario KOK 2A4 Canada glossary-reference manual fa teacher, beginners, experienced dancers. Over 2200 ballroom & R/D terms, articles, desc & defini- tions. Order now $13.50 ppd. Fred Haury, 8810 La Grima de Oro Rd NE, Albuquerque NM 87111. 505-298-5050.

BURLESON'S SQUARE DANCE ENCYCLOPEDIA. Over 4800 THE CALL'S THE THING-A 'how to booklet' featuring CALL different calls arid movements; $25.00 plus $5.00 1992 Edi- CARDS and RACK to display at classes and dances as a helpful tion. New Type, New Binder. Order from American Square Dance quick reference for beginners and veteran dancers. Also PIE Magazine, 661 Middlefield Rd., Salinas CA 93901-1C04 Phone SQUARES and DIAGRAMMING DECALS, 'COMPUTER SLIPS- 408-443-0761. for forming squares by numbers, LINE DANCE INSTRUCTION TAPES - AND MORE! $5 $1 piSh Satisfaction Guaranteed. STEP-CLOSE-STEP ROUND DANCE BASICS 1989 Edrtion, Russell L Hoekstra, 87 Forest Glen Road., Rm 321, Long- Round Dance Basics Book, $8.00 ppd. Now includes 10-week meadow, Massachusetts 01106. dancer-proven course, dance positions, complete approved termi- nology, mixers, teaching hints, plus introduction into foxtrot, MAINSTREAM SID CALLER'S NOTEBOOK - 450 SID routines tango, cha cha and ballroom. Coordinate with the Grenn record organized and indexed in modules by basics used. Quality bind- teaching series. Order book and/or records from Frank Lehnert, ing & sized to fit in a record case. $1016 * $1.50 shipping. Calvin 2844, S 109th St, Toledo OH 43811 Campbell, 343 Turf Ln., Castle Rock, CO 80104 (303) 790-7921.

POCKET DICTIONARIES OF SQUARE DANCE CALLS - 2 terrific books with descriptions and practice examples for danc- ers and callers! Book 1 (Red), Mainstream Book 2 (Green), Plus program and Al & A2. Please specify which book you are order- ing. To order send $4 eo (including domestic postage) to LEGACY'S CLUB LEADERSHIP JOURNAL-The only square Supreme Audio, Inc, P.O. Box 50, Marlborough, NH 03456-0050 dance publication written exclusively for dub leaders, has an- or contact your local square dance shop! swers and ideas that work! Request your complimentary copy by writing CLUB LEADERSHIP JOURNAL PO Box 766, Plover W A HANDBOOK OF NOVELTY AND COUNTRY-WESTERN 54467-0766 or calling 715-341-6603 You'N be glad! DANCES by Ole Mae Ray. Included in this book is over 30 coun- try-western solo dances. Also, 6 of the top couples dances. Cost $1995 per book. SM 350 US • 55.50 Canada. Order from Siddal & Ray Publications, 1017 Williamsburg Dr., Charleston, IL 61920

HOT NEW COUNTRY WESTERN LINE DANCES: Book One 32 original new dances - waltzes, partner dances, easy, intermedi- ate, advanced line dances, couples' mixer, The Two Step the fine dance. Send check a money for $5: Bonnie Rernisch, 217 N First St ,11/1, Dept ASD, DeKalb IL 60115

American Squaredancc, March 1994 109

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1111.11.1111.1M111.111 CHOREOGRAPHY VIDEO, SIGHT CALLING VIDEO by Ed ASTEC RECORD DISTRIBUTORS Foote, well-known caller instructor Each Color Video about 93 Continuing Dealer Management Program min long Presentations organized and complete $39 95—one PO Box 50, Marlborough, NH 03455-0050 tape 559 95- -both tapes Order from Dale Garlock, 2107 Shunk USA & Canada: 1-800-445-7398 Fax: 1-603-876-4001 Ave., Alliance OH 44801 Foreign. 1-603-876-3836 VIDEO ALL POSITION TEACH TAPES BY ED FOOTE. Cats MERRBACH RECORD SERVICE, PO Box 7309 are taught all position for dancers who already know the calls Houston TX 77248-7309, 713-862-7077 horn standard position Numerous watcthrus of the more drIficult calls at each Callerlab program, along with brief samples of danc- SUNDANCE RECORD DISTRIBUTORS ing, and hints for successful dancing Understanding of calls is 10331 Lindley Ave #145 emphasized. 4 video tapes available. Mainstream, Plus, A-1, A[2, Northridge, CA 91326 818-363-4454 each tape about 93 minutes long VHS format Cost S39 95-1 Wholesale Only tape, $59.95-2 tapes Order from Dale Garlock, 2107 Shunk Ave Alliance OH 44801. PALOMINO RECORD DISTRIBUTORS 1050 Toulon Dr . RAR "Favorites by Request" by the Easterdays 8 Blackldords: Vol Marion, OH 43302 #1 Apres L'Entrante, Hawaiian Wedding Song, Para Esto, Rainbow Fax or Call 1-800-328-3800 Ind Fax or Cal 1-814-389-5919 Foxtrot, Sugarfoot Stomp, Till- Vol #2 Autumn Leaves: El Coco, Dancin in the Dark, Fashination, Lonely is the Name, Memory- S39 95 ea or 2 for $89.95 order from Blackford 8178 Galaxie Dr , Jacksonville, FL 32244 or Eastarday 13023 Gordon Cir., Hager- stown, MD 21742

SQUARE DANCE SEALS—Five color, eye-catching SEALS on KENTUCKY DANCE FOUNDATION instructional video tape series all correspondence, checks, etc., are 'An invitation to Square Bob Howell "Live" $19.95 • S2.00 SH 11 "quick teach" dances for Dancing.' Order from 3070 Summer Ave., 058, Memphis TN one night stands and recreational use KENTUCKY RUNNING SET 38112-2450 3 sheets (50 each), 51.00 •S.30 pill, 10 sheets, 53 a traditional mountain-style dance. Includes video and 2 audio 75Z pall: 20 sheets, 55.00+51.50 pall, (all abode shippped 1st cassettes (Dances From Appalachia and audio of Stew Shacklette class), 100 sheets, $17 50.42 50 p8h calling the dance.) $29.95 S2 00 SH. Send check to Kentucky (Samples on request SASE appreciated) Dance Foundation do Stew Shacklette 400 Long Needle Road, Brandenburg, KY 40108 SQUARE DANCE/ROUND DANCE THEME COUNTED CROSS- STITCH PATTERNS. 3 square books, 1 round book, 5 patterns each S5 00ea •-$1 50 pstg per order State patterns available upon request at 51.50 ea *500 pstg per order Dealers welcome Ralph 8 Mary Ann Kornegay, 138 Mohican Trail, Wilmington NC 28409 SQUARE TOURSANEW ZEALAND) Dancers (couples to large groups) catered for with dances, sight- SUPREME AUDIO, Inc. seeing and any other interests 'The Professional Source For Dance Audio' Itineraries arid costs to your requirements Largest selection of professional calling Square Tours, C/-T Norton, 8 Muller St Roloruna, NZ and cueing equornent, Ph/Fax NZ 7 384 4129 records and publications available from one source, SUPREME SOUND COLUMNS, DIRECTOR, DIRECTOR JR. YAK STACKS P 0 Box 50, Marlborough. NH 03455-0050 USA & Canada 1-800-445-7398 Fax 1-803-878-4001 SQUARE DANCERS ARE GREAT TRAVELLERS] Keep a com- Foreign: 1-033-876 3636 plete diary (up to 60 days) of at the places you've travelled, daily events, mileage, weather reports, new friends met, expenses, HILTON AUDIO PRODUCTS. INC. photos and much more a the ON THE ROAD AGAIN TRAVEL amplifiers • speakers • microphones wireless microphones • speaker stands JOURNAL $9.95 • S3.00 p8h U.S On The Road Again Ventures, P 0 Box 310, Dept. ASO. Red Deer, AB T4N 5E9, Canada 1033 E Shary Circle, Concord CA 94518 Telephone' 510-682-8390

VARIABLE SPEED CASSETTE PLAYERS Calif one 5230, 7 watts of power, variable speed $135 Marantz variable speed PMD 201 5280 Shipping addtl. Other models available Also van. NOBODY TREATS DANCERS BETTER THAN COPECREST able speed dual cassette players, compact disc players, phonos Vacation in the mountains with a week d dancing at Copecrest Free catalog. VVORLDTONE MUSIC, 230 7th Ave. NY, NY Our caller staff is outstanding, with all levels of squares We offer 10011. 212-691-1934 superb food, modern air-conditioned rooms, swimming pool and a staff that pampers youl Write Copecrest S/D Resort PO Box THE 40 GORE SKIRT 129 Dillard GA 30537, or call 404-748-2134 9. CIRCLE WEDGE -ONE TOOL - MANY DESIGNS!, One 9° plexiglass cirde wedge, 4 sheets circular graph paper arid DANCE CENTER OF THE RIO GRANDE VALLEY, year-round 40 GORE SKIRT INSTRUCTIONS BY HELEN S24 90 plus 32 sessions of workshops and party dances per week Built for $3.50 shipping HMS ETC .Helen Stairwalt, 602 N Victoria Rd dancers, owned and operated by dancers. LAKEWOOD R.V. MH 135 Donna, TX 78537 (210)484-9207 PARK, 4525 Graham Rd Harlingen, TX 78552 210-423-1170 New residents only/ Bring ad for free nite and dance SEQUINS, JEWELS, AUSTRIAN CRYSTALS/RHINESTONES, PEARLS, BUTTONS. Catalog S1 00 Stardust Gallery, 10 RIO GRAND VALLEY, Beautiful Mobile 8 RVPark with friendly Lawrence Ave, Smithtown, NY 11787 518-979-4101, FAX 516- neighborly people Great pool 8 dub house areas, 24hr security 979-1506 Visa/MasterCard accepted with controlled acess, square dancing 8 lessons planned Green_ GatePark , Bus 83 to 374 Loop to Bentsen Palm Dr S , Mission TX 78572 (512) 581-1932

110 American Squaredance, March 1994 WESTERN MONTANA, Square and Round Dance Vacation. SQUARE DANCE HALL June 2 - Sept 11, 1994. 11 miles south ot Missoula National Successful 7 night per week square dance hall. Beautiful, Callers most weekends Special round dance weeks and week- spacious living quarters In beautiful rocky mountains Write for ends. Camp among the pines on Lob Creek. Write or call for bro- pictures and all information. Outstanding investment chure. Ray Granger, 9955 Highway 12, Lob, MT 59847, ASD, 881 Middlefield Rd. Sahnas. CA 93906-1004 406-273-0141. No Phone Cats Please

TENNESSEE HEART OF THE SMOKIES SQUARE' UP INVENTORY Riverside Motor Lodge, Gatlinburg, TN Feb 25-28 1994. Callers. Square dance, ballroom shoes, and western wear inventory for Andy Bond, Mark Foster, Joe Goins, Terry McGill (SD Director, sale. Wholesale or retail. For information contact Linda's Western also lines 8 two step) Contact Carolyn McGill Box 239, Norris Wear, 10502 E. Elmhurst Dr., Sun Lakes, AZ 85248 TN 37828. Phone: 615-494-8168. SETS IN ORDERS 1969 - 1985 Record Albums for information cal: Wynne Leister (919)639-2487

CATALOG BUSINESS SD - RD ROUND DANCER MAGAZINE, the choice of the beet informed Full service madorder catalog service for sale. Complete stock, Dancers, Leaders, Teachers 8 Cuers in the RD activity—since mailing materials, current mailing list of over 10,000 active danc- 1957 FREE introductory package Wrote RDM Intro Pkg. RD 1- ers Steadily growing 10 year business that can be joined with Box 843, Petersburg, PA 16669-9304. Call 814-687-2530. your current business or worked from home. Cat 1-800-827-0412 (US Sub $201yr.) CALLING EQUIPMENT Chnton P-400 Call Steve Garrett 1-203-536-8091 or Dave Hass 1.203-267-2214

CRV MEMBERSHIP Home Campground, Parker, Arizona Colorado River Adventures Inc. Possible Camp Coast to Coast Membership Included CALLER $2,200 or best offer - James Briscoe 408.443-4371 We need a CALLER fa a small dub on SOLDOTNA ALASKA. Must have other employment besides calling. For more informa- tion, write Katherine Drake, 166 W. Corral Ave., Soldotna, AK 99669 or call after 5PM AK time 907-262-5911 HILTON AC 300 A SERIES 2 Excellent Condition 51000 Call Don 904-477.8588

CALLER LINE- UP

These Callers Are Available To Call For Clubs and Festivals...Call

Fax: (203) 934-2653 Walt Cole (801-392-9078) 427 Campbell Ave. Box 352 944 Chatelain Rd. West Haven CT 06516 Ogden UT 84403 Have a Train Nits The basis of calling is timing with "Railroad Bill" Barr The basis of timing is music

Stan Burdick Jim Snyder PO Box 2678 RD 3, Box 101 Silver Bay, NY 12874 Bemville, PA 19506 .110 Call: 518-543-8824 Call: 215-488-6988 The Meandering Man Artist Buckskin Records Now Travel Full -Time

Jim "Who Cholmondeley Charlie Wheatley 12610 1,usher Road 6402 Beulah Church Rd. —• Florissant MO 63033 Louisville KY 40228 (314) 714-7799 or 653-1441 (502) 239-1956 The Caller Who Cam Calling Full—Time

American Squaredance, March 1994 111 SQUARE DANCE BOOK SERVICE 38 VARIETIES - BOOKS FOR CALLERS, CUERS, LEADERS, DANCERS & CLOGGERS

ACCOMPLISHING BETTER CALLING $4.99 HOEDOWN HERITAGE (History) $3.99 ADVANCED WORKSHOP NOTEBOOK $10.99 LEADERSHIP-SHAPE (Tips galore) $7.99 ALLEMANDE LEFT (Mentally Handicapped) $5.99 MAINSTREAM S/DANCING (Diagrams) $1.99 APPALACHIAN S/D FOR CLOGGERS $10.99 MINI BOOK (Definitions of SID) $7.99 BURLESON S/D ENCYCLOPEDIA $25.99 MODERN CONTRA DANCING $3.99 CALLER CLINIC (Variety of subjects) $6.99 MODERN MODULE MODE (Figures) $3.99 CALLER'S GUIDEBOOK (399 page text) $14.99 MUSIC AND TIMING $10.99 CHOREOGRAPHY GIMMICKS $6.99 PARTY LINE (After-party ideas) $6.99 CLIP ART I (Sketches, paste-up) $3.99 PLUS PROGRAM (Diagrams) $1.99 CLIP ART II (All different) $4.99 PLUS WORKSHOP NOTEBOOK $9.99 CLIP ART III (All different) $5.99 PROCEDURES MANUAL FOR CLUBS $25.99 CLOGGING (Basic book) $4.99 SET-UP AND GET-OUT (Modules) $6.99 DBD 8 TOUGH PLUS $5.99 SHOW AND SELL S/D (Better Promotion) $8.99 DIAGRAMED GUIDE TO BETTER S/D $7.99 SOLO DANCES (Single, line routines) $7.99 EASY LEVEL (0/N/S Material) $6.99 SOUNDING THE HALL (Equipment) $3.99 EASY SING-A-LONG (Adaptations) $3.99 3/13 STYLING (Smoother dancing) $4.99 FIRST STEPS TO CONTRA (Basic) $3.99 TEACHING CLOGGING $7.99 FUNNY WORLD OF S/D (Cartoons) $4.99 TEACHING TOTS TO DANCE (Family) $3.99 GOOD CLUB MANAGEMENT $4.99 WINDMILL SYSTEM (Image style) $5.99 GUIDEBOOK FOR SQUARE DANCERS $2.99 WORTH OF A SALESMAN (Showmanship) $10.99

DIPLOMAS: SQUARE, ROUND, CLOGGING 5.20 each; 100415.00 CERTIFICATES OF APPRECIATION 5.20 each; 100415.00 (

CA residents add 7 1/4% tax POSTAGE & HANDLING M,Ir541 S1-$4.99 $2.00 pstg S5-$9.99 $2.75 pstg S10-19.99 $3.25 pstg Due to the proliferation of copying devices, it is impos- 520-540 55.00 pstg sible to issue refunds on book orders, unless the book 541-560 $7.00 pstg is defective. S61-5100 $9.50 pstg

ORDER FROM AMERICAN SQUARE DANCE MAGAZINE 661 MIDDLEFIELD ROAD SALINAS, CA 93906-1994 Phone: 408-443.-0761; Fax: 408-443-6402 (During Pacific Business Hours - 8:30am to 4:30pm)

INISH LIN

"Where your pleasure is, there is your treasure. Where your treasure is, there is your heart. Where your heart is, there is your happiness." -St. Augustine

1 I 2 American Squaredance, March 1994 SQUARE DANCE BOOK SERVICE 38 VARIETIES - BOOKS FOR CALLERS, CUERS, LEADERS, DANCERS & CLOGGERS

ACCOMPLISHING BETTER CALLING $4.99 HOEDOWN HERITAGE (History) $3.99 ADVANCED WORKSHOP NOTEBOOK $10.99 LEADERSHIP-SHAPE (Tips galore) $7.99 ALLEMANDE LEFT (Mentally Handicapped) $5.99 MAINSTREAM S/DANCING (Diagrams) $1.99 APPALACHIAN S/D FOR CLOGGERS $10.99 MINI BOOK (Definitions of S/D) $7.99 BURLESON S/D ENCYCLOPEDIA $25.99 MODERN CONTRA DANCING $3.99 CALLER CLINIC (Variety of subjects) $6.99 MODERN MODULE MODE (Figures) $3.99 CALLER'S GUIDEBOOK (399 page text) $14.99 MUSIC AND TIMING $10.99 CHOREOGRAPHY GIMMICKS $6.99 PARTY LINE (After-party ideas) $6.99 CLIP ART I (Sketches, paste-up) $3.99 PLUS PROGRAM (Diagrams) $1.99 CLIP ART II (All different) $4.99 PLUS WORKSHOP NOTEBOOK $9.99 CLIP ART III (All different) $5.99 PROCEDURES MANUAL FOR CLUBS $25.99 CLOGGING (Basic book) $4.99 SET-UP AND GET-OUT (Modules) $6.99 DBD & TOUGH PLUS $5.99 SHOW AND SELL S/D (Better Promotion) $8.99 DIAGRAMED GUIDE TO BETTER S/D $7.99 SOLO DANCES (Single, line routines) $7.99 EASY LEVEL (0/N/S Material) $6.99 SOUNDING THE HALL (Equipment) $3.99 EASY SING-A-LONG (Adaptations) $3.99 S/D STYLING (Smoother dancing) $4.99 FIRST STEPS TO CONTRA (Basic) $3.99 TEACHING CLOGGING $7.99 FUNNY WORLD OF S/D (Cartoons) $4.99 TEACHING TOTS TO DANCE (Family) $3.99 GOOD CLUB MANAGEMENT $4.99 WINDMILL SYSTEM (Image style) $5.99 GUIDEBOOK FOR SQUARE DANCERS $2.99 WORTH OF A SALESMAN (Showmanship) $10.99

DIPLOMAS: SQUARE, ROUND, CLOGGING S.20 each; 100415.00 CERTIFICATES OF APPRECIATION $.20 each; 100415.00

CA residents add 7 1/4% tax POSTAGE & HANDLING %Mr $1-$4.99 $2.00 pstg S549.99 $2.75 pstg S10-19.99 $3.25 pstg Due to the proliferation of copying devices, it is impos- $20440 $5.00 pstg sible to issue refunds on book orders, unless the book $41460 $7.00 pstg is defective. $61-$100 $9.50 pstg

ORDER FROM AMERICAN SQUARE DANCE MAGAZINE 661 MIDDLEFIELD ROAD SALINAS, CA 93906-1994 Phone: 408-443-0761; Fax: 408-443-6402 (During Pacific Business Hours - 8:30am to 4:30pm)

INISH LIN

"Where your pleasure is, there is your treasure. Where your treasure is, there is your heart. Where your heart is, there is your happiness." -St. Augustine

1 I 2 American Squaredance, March 1994 NOLLD311110D SSIII0OV ASTEC RECORD DISTRIBUTORS ASTEC RECORDDISTRIBUTORS I DivisionofSupremeAudio,Inc. Marlborough, Nil 03455-0050 SQUARE &ROUNDDANCE • • • • • 1-800-445-7398 Toll FreeOrderLines Continuing DealerManagement All Square&RoundDance Fast ProfessionalService 50,000 QualityRecordsinStock (Foreign: 603-876-3636) RECORD DEALERS! Labels Available Program (USA &Canada) ATTENTION P.O. Box50