LOOT 2017 Honorees Bios
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Survey Report on the Protection of Cultural Heritage in the Kingdom of Bhutan
Japan Consortium for International Cooperation in Cultural Heritage 2009 International Cooperation Survey Survey Report on the Protection of Cultural Heritage in the Kingdom of Bhutan March 2011 Japan Consortium for International Cooperation in Cultural Heritage 報告書(英文)110701最終版_島田.indd 0001 2011/07/25 15:46:01 Contents Introduction 1 Forward 2 Preface 1.Overview of the Survey 5 (1)Purpose and members of the Survey 6 (2)Reasons for survey in Bhutan 7 (3)Cultural Heritage in Bhutan ① Uniqueness of Bhutan from the Viewpoint of Cultural Heritage ② Types of Cultural Heritage in Bhutan 10 (4)Survey Method 2.Overview of the Cultural Heritages Sites Visited 12 (1) Temples 16 (2) Dzongs 28 (3) Other Structures 28 (4) A Bhutanese Festival (Intangible Cultural Heritage) 3.Discussion 37 (1) Summary of Field Survey 45 (2) Potential for Cooperation in the Field of Cultural Heritage Protection 49 (3) Conclusion 4.Survey Records 53 (1) List of Interviewees 54 (2) Record of Action 59 (3) Notes from Interviews 76 (4) Survey Photos 報告書(英文)110701最終版_島田.indd 001 2011/07/25 15:46:01 Introduction Forward The present report is the result of a survey conducted in Bhutan by the Japan Consortium for International Cooperation in Cultural Heritage (hereinafter referred to as “the JCIC”) as part of its research on partner countries for international cooperation. The surveys, which are among the primary activities of the JCIC, are for the purpose of collecting basic data in order to determine potential fi elds of cooperation, and their feasibility, in partner countries, thus contributing to the promotion of international cooperation. -
Visitor Experience's on Digital Media Technology for the Museum
International Journal of Research and Scientific Innovation (IJRSI) | Volume VII, Issue II, February 2020 | ISSN 2321–2705 Visitor Experience’s on Digital Media Technology for the Museum Exhibition in Malaysia: A Preliminary Findings Hafizah Rosli1, Norfadilah Kamaruddin2 1Faculty of Film, Theatre and Animation, Universiti Teknologi MARA 2Faculty of Art & Design, Universiti Teknologi MARA Abstract:-By exploring the museum's user experience on recent Therefore, the role of user experience (UX) design, as argued digital media technology for the exhibition of the Malaysian by Shah, N. F. M. N., & Ghazali, M (2018), is one of the Museum, the aims of this paper are to be getting and further critical aspects of human-computer interaction between clarifying the museum’s visitors’ experiences towards digital humans and technology. As reported by Othman et al. (2018) media technology. The preliminary study was conducted at four in a recent study, the visitor interacts with the exhibit and has museums managed by the Department of Museum Malaysia and located around Klang Valley. A pilot study involved 100 their own experience. With this, it shows that the visitor questionnaires answered by the museum’s visitors using random assimilates the knowledge so that later experiences are sampling techniques. The visitors experienced the permanent affected. From the argument, clearly explained the museum exhibition was measured through a digital media and relationship of user experience design, technology, and multimedia, intangible and tangible artefact, and printed visual interaction are essential elements to produce an enjoyable narration. The results gathered from the pilot study established experience toward a product. that most of the museum visitors were not highly experienced the real digital experience since the existing exhibition are not Besides, designing a user experience is all about ensuring that offered fully digital media technology. -
E Metallic Read of Malay Embroidery
Windows to ICH Heart-shaped wooden box in tekat e Metallic read timbul , a new version of a tekat timbul product © Norwani Md.Nawawi of Malay Embroidery Norwani Md.Nawawi (Prof,Dr) Textile Design Department, Faculty of Art & Design, Universiti Teknologi MARA, Shah Alam, Malaysia istorically, Malaysia (the Malay Peninsula) was known as the Golden Chersonese, and in the past, Malay Hpopulations lived in riverine and coastal settlements, which were some of the most important trading hubs in Southeast Asia. e Malay maritime empire was once a large kingdom, stretching from the coast of Vietnam and Cambodia to Southern ailand, the Malay Peninsula, Singapore, Borneo, Sumatra, Riau, Sulawesi, and Southern Philippines. Across the Malay-speaking world, fabrics embellished with gold were for the rich and powerful, such as the ruler of the kingdom. Besides the golden fabric, songket , Malay embroideries were mostly used by nobility and royals. In the !"eenth century, the Melaka Sultanate instituted sumptuary laws governing the types of ornaments and colors In the past, locals, especially in Perak, prepared tekat a year in the National Textile Museum in Kuala Lumpur (http://www. for interior and so" furnishings, such as curtain fringes, bol- advance for weddings. Today, Tekat timbul is still produced in jmm.gov.my/en/museum/national-textiles-museum). ster ends, cushions, prayer mats and other items. Across the Perak and Negeri Sembilan. Malay embroidery using golden threads must be taught to Malay world, the numbers of dais, bolsters, and layers of siting Perak is renowned for this art form, where gold thread younger generations to inject a breath of freshness into this mats, were associated with a certain hierarchy, varying across works are believed to have been in#uenced by Arabs or Turks. -
The Zandra Rhodes Digital Study Collection
Abstract for consideration for the Association for Dress Historians Research Day, Saturday 16 February 2013 Uncovering hidden treasures in silver trunks: the Zandra Rhodes Digital Study Collection Hidden away in silver trunks at the Zandra Rhodes Studio are over 5,000 dresses spanning fifty years of British Fashion and including designs worn by clients such as Elizabeth Taylor, Freddie Mercury, and Diana, Princess of Wales. The Zandra Rhodes Digital Study Collection, with an accompanying Open Education Resource (OER), will provide unique online access to images of 500 of the designer’s most iconic garments, for use in study and research by the next generation of fashion and textile Zandra Rhodes at her Studio with UCA student interns, designers, and fashion Rochelle Minors and Lauren Hunt. Photo: A. Robinson historians. Zandra Rhodes, in conjunction with her Production Manager, Frances Diplock, has personally selected the garments which span her career and feature both stand-out pieces such as the vibrant yellow wool evening coat (a copy of which is in the V&A museum) and her 'dinosaur coat'; as well as hidden gems which have not been seen since their catwalk debut. The project is a collaborative venture between the University for the Creative Arts (UCA) and the Zandra Rhodes Studio and is funded by JISC (2011-2013). Zandra Rhodes trained at one of UCA’s founder colleges, the Medway College of Design, and was made the University’s first Chancellor in 2010. Each of the dresses, from Zandra's first collection in 1969 onwards, have their own unique Style Number, however aside from this the cataloguing was undertaken from scratch. -
Background: Venues, Events & Artist
The Sewing Workshop Textile Tour with Linda Lee London, England Background: Venues, Events & Artist Tuesday, April 9 – Wednesday, April 17, 2019 London is a cosmopolitan city, full of culture and history. The River Thames snakes through the city and either side you’ll find world-class museums, art galleries, historical buildings including Royal Palaces - it’s been home to the Kings and Queens of England for centuries. Nearly half of the city is green space or open water and its Royal parks are well loved including Hyde Park, Kensington Gardens and Richmond Park. The city’s iconic transport system, the London Underground, was opened in 1863 and is the oldest in the world. It is the fastest way to travel across the city to visit some of the 170 museums in the capital. Richmond-upon-Thames, Surrey. You will be based in Richmond-upon- Thames for the Tour staying at The Petersham hotel in Nightingale Lane. The London Borough of Richmond-upon-Thames in southwest London, England, forms part of Outer London and is the only London borough on both sides of the River Thames. Richmond has both a tube station and fast overground train service which makes central London easily accessible. Richmond possesses a timeless charm more akin to a village than a town. King Henry VII named Richmond after his favourite Earldom, Richmond in Yorkshire, and the gateway of his magnificent Palace, favoured by Queen Elizabeth 1, still remains. Richmond offers an enticing mix of shops including designer names and small specialist shops. It was a wide selection of bars, cafés and restaurants. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
Pretty Tough
BIG BASH BERGDORF GOODMAN PACKED THEM IN AT THE ARTY TOUCH PARTY FOR ITS 111TH LOUIS VUITTON TAPS ARTIST RETNA TO ANNIVERSARY. PAGE 9 DECORATE ITS MIAMI POP-UP. PAGE 12 CHAPTER 11 FILING Authentic Brands Eyes HMX Rescue By VICKI M. YOUNG WILL IT WORK the second time around? WWD That is the question hanging over HMX Group and its related operations, which on Friday filed a volun- tary Chapter 11 petition for bankruptcy court protec- MONDAY, OCTOBER 22, 2012 Q WOMEN’S WEAR DAILY Q $3.00 tion in Manhattan — the second time in four years the company has gone into bankruptcy. While a deal is in place that could keep factory jobs in the U.S., there’s no guarantee that plan will come to fruition and, if it doesn’t, the venerable men’s wear brand could once again find itself a political issue in a presiden- tial election race centered around the economy and American jobs. Both President Obama and challenger Mitt Romney are known to wear the firm’s brands. Pretty According to the Chapter 11 petition, the compa- ny listed assets of up to $50,000 and liabilities of be- tween $50 million and $100 million. The company’s Canadian affiliates are not part of the bankruptcy filing. HMX — which owns as its core brands Hickey Freeman and Hart Schaffner Marx — also has up to Tough a $65 million debtor-in-possession credit facility with Salus Capital Partners, its pre-petition lender. Delivered in a palette of As part of the bankruptcy filing, HMX signed an agreement to sell the company to Authentic Brands milky pastels, these Group, with the firm’s U.S. -
Kuala Lumpur, Malaysia's Dazzling Capital City
CONTENTS 4 DOING THE SIGHTS 38 SENSATIONAL SHOPPING 5 Prestigious Landmarks 39 Shopping Malls 6 Heritage Sites 42 Craft Centres 10 Places of Worship 43 Street Markets and Bazaars 12 Themed Attractions 44 Popular Malaysian Souvenirs 14 TROPICAL ENCLAVES 45 EATING OUT 15 Perdana Botanical Gardens 46 Malay Cuisine 16 KLCC Park 46 Chinese Cuisine 17 Titiwangsa Lake Gardens 46 Indian Cuisine 17 National Zoo 46 Mamak Cuisine 17 Bukit Nanas Forest Reserve 47 International Cuisine 47 Malaysian Favourites 18 TREASURE TROVES 49 Popular Restaurants in KL 19 Museums 21 Galleries 52 BEYOND THE CITY 22 Memorials 53 Kuala Selangor Fireflies 53 Batu Caves 23 RELAX AND REJUVENATE 53 Forest Research Institute of Malaysia 24 Spa Retreats (FRIM) 25 Healthcare 54 Putrajaya 54 Port Dickson 26 ENTHRALLING PERFORMANCES 54 Genting Highlands 27 Premier Concert Halls 55 Berjaya Hills 27 Cultural Shows 55 Cameron Highlands 28 Fine Arts Centres 55 Melaka 29 CELEBRATIONS GALORE 56 USEFUL INFORMATION 30 Religious Festivals 57 Accommodation 31 Events and Celebrations 61 Getting There 62 Getting Around 33 ENTERTAINMENT AND 65 Useful Contacts EXCITEMENT 66 Malaysia at a Glance 34 Theme Parks 67 Saying it in Malay 35 Sports and Recreation 68 Map of Kuala Lumpur 37 Nightlife 70 Tourism Malaysia Offices 2 Welcome to Kuala Lumpur, Malaysia’s dazzling capital city Kuala Lumpur or KL is a modern metropolis amidst colourful cultures. As one of the most vibrant cities in Asia, KL possesses a distinct and charming character. Visitors will be greeted by the Petronas Twin Towers, a world-renowned icon of the country. The cityscape is a contrast of the old and new, with Moorish styled buildings standing alongside glittering skyscrapers. -
Media Release
Media Release FOR IMMEDIATE RELEASE: July 16, 2019 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2019-2020 Season Opens with Verdi’s masterpiece Aida Verdi specialist Michelle Bradley to make Company debut as Aida Theatrical Concert Opera will use sets, costumes, and lighting with the San Diego Symphony, San Diego Opera Chorus, and principal singers on stage Tenor Carl Tanner makes welcome return as Radames San Diego, CA – Verdi’s beloved opera Aida opens San Diego Opera’s 2019-2020 season in an entirely new theatrical concert performance utilizing set elements, costumes, lighting, and featuring the San Diego Symphony and San Diego Opera chorus onstage, alongside some of the greatest interpreters of Verdi’s music performing today. Aida opens on October 19, 2019 for four performances. Additional performances are October 22, 25, and 27 (matinee), 2019. All evening performances for the 2019-2020 season will begin at 7:30 PM for the convenience of our audiences. The matinee will remain at 2 PM. Assembled for the opening opera of the season is an exciting cast of singers including the Company debut of soprano Michelle Bradley as Aida who is quickly becoming one of the most sought after Verdi sopranos performing today. Making a welcome return to San Diego Opera in the role of Radames is tenor Carl Tanner who was last heard in San Diego Opera’s 2018 production of Turandot as Calaf. Also making house debuts are mezzo-soprano Olesya Petrova as Amneris and baritone Nelson Martinez as Amonasro. Bass Mikhail Svetlov returns to sing the King of Egypt, having last been heard as Ambimelech in 2013’s Samson and Delilah. -
Suhana Binti Sarkawi 27/12/2018
Bicara@Muzium National Textile Museum Presented and Prepared By: Suhana binti Sarkawi 27/12/2018 Disclaimer: These slides are to be used as research purposes only. Do include the content and photo credit to the presenter unless stated otherwise perphoto. Photo credit: Government of Sarawak Assalamualaikum wrt wbt.. I wish for peace be upon you Puan Suhana bt Sarkawi Kampung Datu, Sibu Freelance researcher on the Malays in Sarawak Culture - Keringkam, Songket Initiator and co-organiser of the keringkam, sulam cabut workshops, songket of Sarawak & Sambas Exhibitions since 2010 Researcher "Projek Inovasi Warisan Sarawak: Songket & Keringkam” for Unimas & Sarawak Government 2017-2018 "Travelog perempuan Pelayar: Tudung Manto Lingga" (2014) "Songket dan Keringkam: Warisan Melayu Sarawak" 2018 Contact: [email protected] Cape Town, Republik Afrika Selatan. Miedora Sanggau, Kalbar Sulam Kalengkang Sintang, Kalbar Sulam Kalengkang Rengat, Inderagiri Hulu Sulam Kalengkan Sumbawa Besar, Sumbawa Jet Tahan Uji Figure 1: Kelingkan Track-Mapping. (Suhana Sarkawi, 2018) Structure Introduction Context Objectives Terms of Reference Literature Review Methodology Analysis & findings Summary Photo credit: Government of Sarawak Introduction Trade from China and India since the early 10th century and the acceptance of Ottoman Turkish Empire's influence since the 13th century has enlivened Malay palaces in the Malay Archipelago with the inclusion of many of the world's finest raw materials of the day including domestic materials such as embroidery thread, flat gold and silver gilted strips (kelingkan) which are used on embroidered textile products such as garments and home decorations. These materials are used in embroidery to highlight the motifs and the special structures of the Malays veil which are then are translated into the embroidery masterpieces. -
H&M Net Soars 43%/3 Juniors' Spring Hits/8
The Inside: Pg. 12 H&M NET SOARS 43%/3 JUNIORS’ SPRING HITS/8 Caught WWD in the Web WWDWomen’s Wear Daily • The Retailers’THURSDAY Daily Newspaper • March 27, 2003 Vol. 185, No. 62 $2.00 List Sportswear Going in Style NEW YORK — The golden age of the jet set may have come and gone, but it still lives on in fashion. That’s especially true at the moment, when movies and books are rediscovering the iconic look of the Sixties and Seventies stewardess. And the junior market offers many an option for young wannabes seeking new heights. Here, a cotton and Lycra spandex corduroy jacket from Lix Jeans with a polyester and rayon satin skirt by Spacegirlz; bag by Kiki Pearl; shoes from Marc by Marc Jacobs. For more, see pages 6 and 7. CRIOUT What Price Luxury? Brands Go High, Low To Spur Tough Market By Miles Socha PARIS — If the designer fashion business were a game show, it would definitely be “The Price is Right.” That’s because many of today’s biggest players have been fiddling with their tags, with some introducing accessibly priced items for so-called “aspirational” customers and others raising the bar with exclusive, hyper-expensive baubles. All the changes are stirring sharp debate among retailers, manufacturers and industry consultants at a time when no one See Luxe, Page5 PHOTOGRAPHED BY ROBERT MITRA AT WESTCHESTER COUNTY AIRPORT; MODEL: TAYLOR WARREN/NEW YORK MODELS; STYLED ROXANNE BY ROBINSON-ES MODEL: TAYLOR WESTCHESTER COUNTY MITRA AT AIRPORT; PHOTOGRAPHED ROBERT BY 2 WWDTHURSDAY Sportswear GENERAL Fashion has taken inspiration from the high-flying world of flight attendants ™ 6 — and vice versa. -
Autumn Winter
Yale Yale Yale 2019 Autumn • Winter 2019 Autumn • Autumn Winter Contents Architecture & Urban Studies 5,42,43,55,58–61,65,68,69 Art History, Photography & Film i,21,24,37,41–69 Biography & Memoir 2,12,13,17,20,28,35,37,38 Business & Economics 15,32,35,62,70 Current & International Affairs 14,15,29,35–37,39,63,72 Evolution, Ecology, Environment, Natural History 78,79,84 Fashion, Design & Decorative Art 8,18–20,43–45,50,51,56,59,60 History 1,3–7,9–14,16,22,23,26,27,31,34–36,38,39,72–74,80 Jewish Studies 28,31,34,77,84 Literary & Cultural Studies 2,14,15,29,30,33,37–39,82–84 Music & Language 17,28,38,40 New in Paperback & Series 28,30,33–42,83,84 Religion & Philosophy 14,28,33,34,39,40,69,75–77,84 Science & Technology 25,29,39,40,70,71,81 U.S. Studies 39,40,80–81 Picture Credits & Index 85–87 Sales Information 88,89 Rights, Inspection/Review Copy Information 89 Edvard Munch NEW RE-ISSUE Sue Prideaux Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the 20th century? Edvard Munch (1863–1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse and his intense efforts to paint not what he saw, but what he experienced.