Autumn Winter
Yale Yale Yale 2019 Autumn • Winter 2019 Autumn • Autumn Winter Contents Architecture & Urban Studies 5,42,43,55,58–61,65,68,69 Art History, Photography & Film i,21,24,37,41–69 Biography & Memoir 2,12,13,17,20,28,35,37,38 Business & Economics 15,32,35,62,70 Current & International Affairs 14,15,29,35–37,39,63,72 Evolution, Ecology, Environment, Natural History 78,79,84 Fashion, Design & Decorative Art 8,18–20,43–45,50,51,56,59,60 History 1,3–7,9–14,16,22,23,26,27,31,34–36,38,39,72–74,80 Jewish Studies 28,31,34,77,84 Literary & Cultural Studies 2,14,15,29,30,33,37–39,82–84 Music & Language 17,28,38,40 New in Paperback & Series 28,30,33–42,83,84 Religion & Philosophy 14,28,33,34,39,40,69,75–77,84 Science & Technology 25,29,39,40,70,71,81 U.S. Studies 39,40,80–81 Picture Credits & Index 85–87 Sales Information 88,89 Rights, Inspection/Review Copy Information 89 Edvard Munch NEW RE-ISSUE Sue Prideaux Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the 20th century? Edvard Munch (1863–1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse and his intense efforts to paint not what he saw, but what he experienced.
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