DOCSLIB.ORG

The Complete Electric Blues Guitar Method PDF Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Complete Electric Blues Guitar Method PDF Book BEGINNING BLUES GUITAR: THE COMPLETE ELECTRIC BLUES GUITAR METHOD PDF, EPUB, EBOOK David Hamburger | 96 pages | 01 Feb 2014 | Alfred Publishing Co., Inc. | 9780739095362 | English | United States Beginning Blues Guitar: The Complete Electric Blues Guitar Method PDF Book Italia IT EN. Lists with This Book. I Accept. From 8- and bar blues forms, phrasing concepts and improvisation to techniques like bending and vibrato, you'll soon be whizzing along the neck as you explore these fundamental blues techniques. Trivia About Complete Blues Gu Sample Pages. One of the best starting points for all blues guitar lessons is the blues progression , also known as 12 bar blues. Additional Information. Do you already have a SmartMusic subscription? This step-by-step DVD and book by David Hamburger will lay down the basics of blues guitar playing in an easy and fun format. This product is currently not available for purchase. All Languages. France FR EN. King, Albert King, and Freddie King. Hooker pioneered playing Delta blues on an electric guitar, revolutionizing the sound of blues and paving the way for guitarists like Stevie Ray Vaughan to further evolve the sound of blues and marry it to hard rock. Jobber added it Sep 19, Notify Me. By David Hamburger and Matt Smith. Get our best guitar tips and tutorials. For example, if we were playing 12 bar blues in the key of B then everything above would simply be moved up two frets. Beginning Blues Guitar: The Complete Electric Blues Guitar Method Writer Notice how we can loop the chords around and just go right back to the beginning? Enlarge cover. Important blues concepts are explained in detail, in a simple, digestible way. France FR EN. Read more Blues music is about tradition and emotion, and countless classics have endured decades, with artists imbuing their own take on each new recording through lyrical and musical improvisation. Notify Me. Feeling blue? Additional Information. Portugal PT EN. To follow along with these blues guitar lessons you need to master this chord:. List Name Please enter a valid name. King, John Lee Hooker, and many others. Slovensko SK EN. More Details Looking for blues guitar lessons? Can you see now why this is one of the most valuable blues guitar lessons of all? United States Twitter. Jason marked it as to-read Dec 19, This will enhance these blues guitar lessons and also any other blues guitar that you play in the future. There are no discussion topics on this book yet. Instead, King married Chicago and Texas blues styles for a completely different tone and feel. Sort order. Thanks for telling us about the problem. United Kingdom EN. Play on. Intermediate topics include phrasing, fills, non-scale tones, chord extensions, substitutions, and "Licks of the Masters. This book is not yet featured on Listopia. David Hamburger. Thank You. Notify Me. Panos rated it really liked it Aug 31, I hope so! We use cookies to analyze site usage, enhance site usability, and assist in our marketing efforts. Welcome back. Beginning Blues Guitar: The Complete Electric Blues Guitar Method Reviews Books by David Hamburger. Close-ups of hands, split screens and opportunities to improvise with a real blues band help to make your learning fun and effective. Nederland NL EN. If you're just starting out your guitar journey — or even if you want to brush up on your blues chops — Fender Play has a slew of classic bluesy songs you can pick up in minutes from a group of top-notch instructors. All Languages. Become a Blues guitar maestro Learn in your preferred way with book and DVD included Easy to understand thanks to step-by-step approach Make fast improvements to your playing. To play this chord:. Want to Read saving…. View List Continue Shopping. Yes, open this title in SmartMusic. Trivia About Complete Blues Gu Thanks for telling us about the problem. Fender Play instructor Scott Goldbaum shows you how to get this standard chord progression down. I Accept. Your Lists. Escape the Present with These 24 Historical Romances. Create New List. The second edition features new licks in the styles of some of the hottest contemporary blues artists, like Joe Bonamassa and Gary Clark, Jr. Whether played on an acoustic or electric guitar , these three-chord standards that gained popularity from the likes of Willie Dixon, Muddy Waters and Elmore James have evolved into more contemporary blues through legends such as Muddy Waters and Robert Cray. One of the best starting points for all blues guitar lessons is the blues progression , also known as 12 bar blues. Fender Play Play free. View List Continue Shopping. Blues is all about making music personal and transforming the old into something new and fresh. Panos rated it really liked it Aug 31, Email Address. United Kingdom EN. Open Preview See a Problem? Originally recorded in , it has lived on over the years — even the Beatles recorded a version! The vertical lines between each chord. This is a chord pattern that is heard in thousands of songs by artists like B. The chords may change, but the pattern stays the same. From 8- and bar blues forms, phrasing concepts and improvisation to techniques like bending and vibrato, you'll soon be whizzing along the neck as you explore these fundamental blues techniques. About David Hamburger. MP3 audio files for all three books are also available online. Showing Listen to how these artists put their own twist on the classic. King, Albert King, and Freddie King. Get A Copy. When it comes to the blues, there are three Kings every beginner should know: B. Anyone interested in playing blues guitar can pick up this well-paced, comprehensive method and get started right away. Important blues concepts are explained in detail, in a simple, digestible way. The guitarist's guide to mastering the blues. Sample Pages. In this tutorial, Fender Play instructor Barrett Wilson runs you through its three basic chords G , C and D , perfect for beginner blues guitar players. Danmark DA EN. Slovensko SK EN. Beginning Blues Guitar: The Complete Electric Blues Guitar Method Read Online Notify Me. Fender Play instructor Scott Goldbaum shows you how to get this standard chord progression down. You May Also Like. Slovensko SK EN. Escape the Present with These 24 Historical Romances. Blues guitar lessons are probably my favourite lessons to teach. Play along with Fender Play instructor Jen Trani in this brief lesson. If you want to jam with a total stranger, this is what you use. To ask other readers questions about Complete Blues Guitar Method , please sign up. Books by David Hamburger. The final chord you must know to play through these blues guitar lessons is E. Additional Information. Shelley Das marked it as to-read Apr 27, The second edition features new licks in the styles of some of the hottest contemporary blues artists, like Joe Bonamassa and Gary Clark, Jr. Here is our 12 bar blues progression in the key of A. This book is not yet featured on Listopia. France FR EN. This complete edition includes a full instructional video, available online via streaming or download, hosted by guitar virtuoso Jared Meeker for each book it includes, Beginning , Intermediate , and Mastering Blues Guitar. You know the saying: There's no time like the present Feeling blue? King Named for the legendary B. Email me when this product is available. Be the first to know about new products, featured content, exclusive offers and giveaways. View List Continue Shopping. In that case, we can't Whether you are just starting to learn guitar or are an advanced player looking to improve your playing, this is the one book on blues guitar you will ever need. Fender Musical Instruments Corporation. Fender Play Play free. In addition to learning blues songs at your own pace with Fender Play lessons, you can also check out our weekly Fender Play Live series on YouTube. Showing Added to cart. Return to Book Page. Danmark DA EN. The 12 bar blues progression. https://cdn.starwebserver.se/shops/razmusblomqvistao/files/critical-thinking-in-counselling-and-psychotherapy-604.pdf https://files8.webydo.com/9585960/UploadedFiles/3788A261-ED59-FBDD-2E09-B685AACD3F11.pdf https://files8.webydo.com/9584874/UploadedFiles/BC04F90E-C3B0-D43B-DD7E-05B07587DF02.pdf https://img1.wsimg.com/blobby/go/0d52b298-177c-433a-9aed-8701f156182c/dodgers-400.pdf https://img1.wsimg.com/blobby/go/d2d973a1-62e2-426d-9aef-8fbd75c0aa2e/lessons-journal-iii-953.pdf https://files8.webydo.com/9584911/UploadedFiles/9E543E0D-F03E-85C9-82CC-52B19466F31E.pdf https://img1.wsimg.com/blobby/go/093feaed-1041-4a07-b6a3-ef591d4e8a3f/aviation-psychology-and-human-factors-1st-edit.pdf https://img1.wsimg.com/blobby/go/216dc5c0-e4bd-48f3-bfac-148aef95bf17/de-kronieken-van-ulriach-de-waanzinnige-1-an-d.pdf.
Load more

Recommended publications
  • Queen of the Blues © Photos AP/Wideworld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105 ETF 46 56 2/13/03 2:15 PM Page 47
    03-0105_ETF_46_56 2/13/03 2:15 PM Page 46 J Queen of the Blues © Photos AP/WideWorld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105_ETF_46_56 2/13/03 2:15 PM Page 47 thethe by Kent S. Markle RedRed HotHot BluesBlues AZZ MUSIC HAS OFTEN BEEN CALLED THE ONLY ART FORM J to originate in the United States, yet blues music arose right beside jazz. In fact, the two styles have many parallels. Both were created by African- Americans in the southern United States in the latter part of the 19th century and spread from there in the early decades of the 20th century; both contain the sad sounding “blue note,” which is the bending of a particular note a quar- ter or half tone; and both feature syncopation and improvisation. Blues and jazz have had huge influences on American popular music. In fact, many key elements we hear in pop, soul, rhythm and blues, and rock and roll (opposite) Dinah Washington have their beginnings in blues music. A careful study of the blues can contribute © AP/WideWorld Photos to a greater understanding of these other musical genres. Though never the Born in 1924 as Ruth Lee Jones, she took the stage name Dinah Washington and was later known leader in music sales, blues music has retained a significant presence, not only in as the “Queen of the Blues.” She began with singing gospel music concerts and festivals throughout the United States but also in our daily lives. in Chicago and was later famous for her ability to sing any style Nowadays, we can hear the sound of the blues in unexpected places, from the music with a brilliant sense of tim- ing and drama and perfect enun- warm warble of an amplified harmonica on a television commercial to the sad ciation.
    [Show full text]
  • In the Studio: the Role of Recording Techniques in Rock Music (2006)
    21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con­ sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.
    [Show full text]
  • Read Book How to Play Electric Blues Guitar
    HOW TO PLAY ELECTRIC BLUES GUITAR - U.K. PDF, EPUB, EBOOK Alan Warner | 64 pages | 01 Apr 2000 | Music Sales | 9780825617935 | English | United States How to Play Electric Blues Guitar - U.K. PDF Book Add to list. Play open A the IV chord for two measures, return to then E for two measures. If you are a beginner and you want to start playing around with this easy Blues you are more than welcome! Views Read Edit View history. You will also need an instrument cable to go with your new amp. As a busy professional with a career spanning over twenty years, she specialises in building websites for small and medium-sized businesses and has also worked on projects for numerous, globally recognised "A-list" brands. To get the full bar experience, try getting a friend who's more experienced at guitar to solo over your chords — with a little practice, you should soon get the hang of this simple but important blues progression. If you want to know how to make an electric guitar you need to be prepared for a serious undertaking. There are several guitar- centered websites that can offer help. You just have to either shim or sand the bridge saddle. Aside from that, it features a double cutaway body shape, laminated body material, and gloss body finish. Komara, Encyclopedia of the blues Routledge, , p. Blues rock British blues hard rock rock and roll. The Pentatonic scale is just 5 notes. Search thousands of teachers for local and live, online lessons. Newquist and Jon F.
    [Show full text]
  • The Blues and R&B
    Southern Roots: The Blues and R&B MUSC-21600: The Art of Rock Music Prof. Freeze 31 August 2016 Black Popular Music of the Early 20C • Begins largely outside of mainstream pop • Exception: popular blues • By mid-century, becoming more integrated • The Great Migration • “Race” music (1920s–late 1940s) • Popular music marketed to black urban audience • “Rhythm and Blues” (late 1940s–) • Regional black radio (1950s) • New R&B indie record labels • Sun (Memphis), Chess (Chicago), King (Cincinnati), Atlantic (New York) • Bottom line: R&B synthesized southern folk traditions and urban experience The Blues • Genre = type of music defined by a shared tradition and set of conventions • Conventional categories (higher and lower order) • Basic traits • Form: 12-bar blues, often with aab phrasing • Blue notes: lowered scale degrees 3, 7; flat inflections; slides • Call and response (between voice and instrument) • Vocal quality: rough, gritty • Popular/classic blues • Black female singers • Bessie Smith, “Empress of the Blues” • Composed sheet music (like in Tin Pan Alley) • Texture (= combination and relative hierarchy of timbres) • Jazz piano or small combo • Tame lyrics, often topical to South • Ex. “Back Water Blues” (Bessie Smith, 1927) The Blues • Rural/country/Delta blues • Black male singers • Many from Mississippi Delta • Improvised tradition • Texture: solo vocals and guitar accompaniment • Bottleneck for slides • Raw lyrics, often autobiographical • Rhythmic vitality • Robert Johnson (1911–1938) • Hugely influential on blues revival in
    [Show full text]
  • Hoodoo Man Blues--Junior Wells (1965) Added to the National Registry: 2012 Essay By: Bill Hart (Guest Post)*
    Hoodoo Man Blues--Junior Wells (1965) Added to the National Registry: 2012 Essay by: Bill Hart (guest post)* Junior Wells Original label Album cover When I think of the Chicago blues, particularly the era of the “electric blues,” I usually think of the legendary performers on the Chess label, most of whom are dead and gone, the label now operating as part of the Universal Music Group. A few small labels, like Alligator Records, which started in 1971, Earwig Music (founded in Chicago in 1978 by Michael Franks) and Red Lightnin,’ established in the UK in 1968, have catalogs of older blues recordings or distribute “contemporary blues.” But Delmark Records, founded in St. Louis in 1953, and based in Chicago since 1958, is not only one of the “original” Chicago blues labels, but still remains in operation today. Delmark is also still run by its founder, Bob Koester, who is a legendary figure in his own right (and graciously agreed to supply me with information concerning the record). Koester produced and Delmark released “Hoodoo Man Blues” in 1965. The record has never gone out of print (except for a few months when Delmark moved its offices). And look up any list of “essential” blues records and it is there. There’s good reason for that. Though he had not yet been discovered by a national audience when the album was recorded in September of 1965, 30-year old Junior Wells was a well-established harmonica player and vocalist on the Chicago blues scene. He made his first recording as a replacement in Muddy Waters’s band for the legendary Little Walter in 1952.
    [Show full text]
  • Geoffrey Kidde Music Department, Manhattanville College Telephone: (914) 798 - 2708 Email: [email protected]
    Geoffrey Kidde Music Department, Manhattanville College Telephone: (914) 798 - 2708 Email: [email protected] Education: 1989 - 1995 Doctor of Musical Arts in Composition. Columbia University, New York, NY. Composition - Chou Wen-Chung, Mario Davidovsky, George Edwards. Theory - J. L. Monod, Jeff Nichols, Joseph Dubiel, David Epstein. Electronic and Computer Music - Mario Davidovsky, Brad Garton. Teaching Fellowships in Musicianship and Electronic Music. 1986 - 1988 Master of Music in Composition. New England Conservatory, Boston, MA. Composition - John Heiss, Malcolm Peyton. Theory - Robert Cogan, Pozzi Escot, James Hoffman. Electronic and Computer Music - Barry Vercoe, Robert Ceely. 1983 - 1985 Bachelor of Arts in Music. Columbia University, New York, NY. Theory - Severine Neff, Peter Schubert. Music History - Walter Frisch, Joel Newman, Elaine Sisman. 1981 - 1983 Princeton University, Princeton, NJ. Theory - Paul Lansky, Peter Westergaard. Computer Music - Paul Lansky. Improvisation - J. K. Randall. Teaching Experience: 2014 – present Professor of Music. Manhattanville College 2008 - 2014 Associate Professor of Music. Manhattanville College. 2002 - 2008 Assistant Professor of Music. Manhattanville College. Founding Director of Electronic Music Band (2004-2009). 1999 - 2002 Adjunct Assistant Professor of Music. Hofstra University, Hempstead, NY. 1998 - 2002 Adjunct Assistant Professor of Music. Queensborough Community College, CUNY. Bayside, NY. 1998 (fall semester) Adjunct Professor of Music. St. John’s University, Jamaica, NY.
    [Show full text]
  • “Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
    “Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album.
    [Show full text]
  • Postcard 1 the London Blues/R&B Club Scene
    Postcard 1 The London Blues/R&B Club Scene Writing Questions: Why did the Blues surge to popularity in post-World War II Britain? Why did electric Blues and Rhythm and Blues (R&B) become more popular than traditional acoustic Country Blues? What was the appeal of American Blues to white Londoners? Writing Point of View: You have just arrived in 1963 London. You’ve spent a few nights listing to Cyril Davies and Alexis Korner at the Ealing and Marquee clubs. You send your first postcard to tell your cousin about the vibrant music scene and reflect on how it is a response to the pressures of growing up in post-World War II Britain. Resources: 1. Video: Pete Townsend of the Who discusses growing up in postwar Britain 2. Excerpt from Rolling Stones guitarist Keith Richards’ autobiography From Life, by Keith Richards, 2011 “Rhythm and blues was the gate. Cyril Davies and Alexis Korner got a club going, the weekly spot at the Ealing Jazz Club, where rhythm and blues freaks could conglomerate. Without them, there might have been nothing. It was where the whole blues network could go. … Rhythm and blues was a very important distinction in the ’60s. Either you were blues and jazz or you were rock and roll, but rock and roll had died and gone pop — nothing left in it. Rhythm and blues was a term we pounced on because it meant really powerful blues… from Chicago. It broke through the barriers. … Alexis Korner was the daddy of the London blues scene. Alexis’s band was damn good.
    [Show full text]
  • ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.
    [Show full text]
  • {PDF} How to Play Electric Blues Guitar
    HOW TO PLAY ELECTRIC BLUES GUITAR - U.K. PDF, EPUB, EBOOK Alan Warner | 64 pages | 01 Apr 2000 | Music Sales | 9780825617935 | English | United States How to Play the Blues on Guitar: 15 Steps (with Pictures) A lead guitarist usually plays single note lines which accompany what the rest of the band is doing. This could be a guitar solo, an awesome guitar riff or a mesmerizing guitar lick. This is one of the best parts of learning blues guitar for beginners. In blues music, a lead guitarist will often take ripping solos. Often they will play extra riffs and licks which add character to a blues song. Wondering who the top 30 blues guitarists are? A solo is the key moment in a song, where a guitarist gets to rip out some of their favourite licks. The solo is a key moment for any musician, this is the time when they get to shine! Guitar riffs have more of a back seat role. Riffs are used to add character and embellishments to the song. Landreth, is killer! If you want to learn to play like these blues greats, you must learn guitar scales. This means that this shape can be played anywhere across the fret board. All you have to do is change your root note on the low E string. Change the starting note of this scale. For example, to play this scale in the key of A, all you have to do is start this scale on the 5th fret. With this in mind, we created a cheat-sheet; a key and scale-finder that you can use again and again.
    [Show full text]
  • Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A
    Spiritual, Blues, a;nd Jazz People ifl; African American Fiction Living in Paradox A. Yemisi Jimoh THE UNIVERSITY OF TENNESSEE PRESS / KNOXVILLE Copyright © 2002 by The University of Tennessee Press / Knoxville. All Rights Reserved. Manufactured in the United States of America. First Edition. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Jimoh, A. Yemisi Spiritual, blues, and jazz people in Mrican American fiction: living in paradox / A. YemisiJimoh.-lst ed. p. cm. Includes bibliographical references and index. ISBN 1-57233-172-0 (cl.: alk. paper) 1. American fiction-Mrican American authors-History and criticism. 2. Mrican American musicians in literature. 3. Musical fiction-History and criticism. 4. Spirituals (Songs) in literature. 5. Mrican Americans in literature. 6. Jazz musicians in literature. 7. Blues (Music) in literature. 8. Music and literature. 9. Music in literature. 10. Jazz in literature. 1. Title. PS374.N4 JS6 2002 813.009'896073-dc21 2001004286 ACKNOWLEDGMENTS vii INTRODUCTION We'll Understand It Better By and By one MUDDY WATERS Music in African American Fiction 22 ~wo STORMY BLUES From the Folk into Literary Form 41 ~ hree THESE (BLACKNESS OF BLACKNESS) BLUES 91 four DIZZY ATMOSPHERE 155 five JAZZ ME BLUES Reading Music in James Baldwin's "Sonny's Blues" 202 CONCLUSION Toward a Stopping Place 216 APPENDIX Allusions and References to Musicians and Music in the Narratives 219 NOTES 223 WORKS CITED AND CONSULTED 245 A SELECTED LIST OF BIOGRAPHIES AND AUTOBIOGRAPHIES OF MUSICIANS 263 INDEX 267 Contexts rom ancient times music and storytelling have been closely tied among Fthe peoples of oral cultures worldwide.
    [Show full text]
  • The Holmes Brothers Deliver Magnificent Old Time, Gospel-Style R&B, and Raw Electric Blues with Unparalleled Artistry and Au
    Glorious, rootsy R&B, gospel, blues and country. Full of soul and surprises. --USA TODAY The Holmes Brothers deliver magnificent old time, gospel-style R&B, and raw electric blues with unparalleled artistry and authenticity. Sherman’s bottomless baritone, Wendell’s classic soul singer’s wail and Popsy’s otherworldly falsetto do more than complement one another; on stage or in the recording studio, the three become like a mystical fourth entity, inexplicable yet sublime, a gift to the world of music. -Chicago Tribune A breathtaking and heartfelt journey through gospel-drenched soul, blues, funk and country. -Chicago Sun-Times Timeless, deeply soulful and uplifting gospel-drenched blues, street corner doo-wop, ballads, R&B, country and funk. -NY Times Over the course of their 30-plus year career, The Holmes Brothers (bassist/vocalist Sherman Holmes, guitarist/pianist/vocalist Wendell Holmes, drummer/vocalist and brother-in-spirit Popsy Dixon) have been feeding the souls of their devoted and ever-growing fanbase with a joyous and moving blend of blues, gospel, soul, R&B, rock ‘n’ roll and country. Their amazing three-part harmony singing, mixing Wendell’s gruff and gravelly vocals with Popsy’s soaring falsetto and Sherman’s rich baritone brings the soul and spirit of gospel music into everything they perform. Equally gripping is the rhythmic foundation laid down by Sherman’s bass playing and Popsy’s drumming, perfectly complimenting Wendell’s blues-soaked guitar solos and church-inspired piano playing. The band easily blends Saturday night’s roadhouse rock with the gospel fervor and harmonies of Sunday morning’s church service.
    [Show full text]