Jeux Interdits
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La Mémoire De La Seconde Guerre Mondiale Au Cinéma - 1946 : La Bataille Du Rail, René Clément : Hommage Aux Cheminots Résistants
La mémoire de la Seconde Guerre mondiale au cinéma - 1946 : La Bataille du Rail, René Clément : hommage aux cheminots résistants. Grand prix du Jury au festival de Cannes. - 1946 : Le Père tranquille, René Clément : un retraité qui cultive des orchidées et semble lâche est en fait le chef de la Résistance de la région. - 1949 : Le Silence de la mer, Jean-Pierre Melville : un officier allemand loge chez un grand-père et sa petite fille qui refusent de lui parler. Premier livre édité par les Editions de Minuit, maison d’édition de la Résistance, pendant la guerre. L’auteur est Vercors. - 1956 : Nuit et Brouillard, Alain Resnais. - 1959 : La Vache et le Prisonnier, Henri Verneuil, un prisonnier de guerre français tente de s’évader avec une vache. Enorme succès, un des films les plus diffusés à la télévision. - 1962 : Le Jour le plus long, Andrew Marton, Bernhard Wicki et Ken Annakin : le débarquement en Normandie. - 1963 : La Grande Evasion, John Sturges, l’évasion collective de prisonniers de guerre. - 1966 : Paris brûle-t-il ? René Clément. Récit de la libération de Paris. De Gaulle au pouvoir, mais si les communistes sont mécontents, électriciens et machinistes refuseront de travailler. Film hollywoodien (Kirk Douglas, Alain Delon, Jean Paul Belmondo, Orson Welles…). Les communistes (le mot n’est quasiment pas prononcé, il s’agit de Rol-Tanguy et des rolistes) apparaissent comme des agités, général Chaban représente le bon sens et la modération. Bidault (ex président du CNR mais mal vu en 1966) n’est pas représenté dans le film. Enorme couverture médiatique pour la sortie du film. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
A.U.I. Trustee Scholarships Are Established
VOLUME 18, NUMBER 13 Published by the BNL Personnel Office JANUARY 20, 1965 BERA FILM SERIES PURPLE NOON A.U.I. TRUSTEE SCHOLARSHIPS ARE ESTABLISHED A scholarship program for the children of regular employees of Brookhaven National Laboratory and the National Radio Astronomy Observatory has been established by the Board of Trustees of Associated Universities, Inc. Dr. Maurice Goldhaber, Director, announced the creation of the A.U.I. Trustee Scholarships to all Brookhaven employees on January 18. Under the new program, up to ten scholarships each year will be made avail- able to the children of regular BNL employees. They will carry a stipend of up to $900 per year. For those who maintoin satisfactory progress in school, the scholor- ships will be renewoble for up to three additional years. Winners of the awards may attend any accredited college or university in the United States and may select any course of study leading to a bachelor’s degree. Thurs., Jan. 21 - lecture Hall - 8:30 p.m. The scholarships will be granted on o strictly competitive basis, independent Rene Clement (“Forbidden Games,” of financial need and the existence of other forms of aid to the student. Winners “Gervaise”) has here fashioned a highly will be selected on the basis of their secondary school academic records and gen- entertaining murder thriller, beautifully eral aptitude for college work as indicated by achievement and aptitude tests. photographed in color by Henri Decae The Laboratory will not be involved in the processing of applications or the (“400 Blows, ” “The Cousins,” “Sundays determination of scholarship winners. -
Colcoa-Press-2019-Part IV
September 19, 2019 COLCOA French Film Festival Monday, September 23 – Saturday, September 28 DGA in Hollywood $$ This film festival showcases the latest work from France. It only looks like it the Coca Cola Film Festival if you read it too fast. September 3, 2019 Critic's Picks: A September To-Do List for Film Buffs in L.A Alain Delon in 'Purple Moon' (1960) A classic lesbian drama, French noirs starring Alain Delon and Jean Gabin and a series of matinees devoted to Katharine Hepburn are among the plentiful vintage and classic options for SoCal film buffs this month. OLIVIA AT THE LAEMMLE ROYAL | 11523 Santa Monica Blvd. Already underway and screening daily through Sept. 5 at the Laemmle Royal is a new digital restoration of Jacqueline Audry’s trailblazing 1951 feature Olivia, one of the first films, French or otherwise, to deal with female homosexuality. Set in a 19th-century Parisian finishing school for girls, the film depicts the struggle between two head mistresses (Edwige Feuillere and Simone Simon) for the affection of their students, and how one girl’s (Marie-Claire Olivia) romantic urges stir jealousy in the house. Audry, one of the key female filmmakers of post-World War II France, stages this feverish chamber drama (based on a novel by the English writer Dorothy Bussy) with a delicate yet incisive touch, allowing the story’s implicit sensuality to simmer ominously without boiling over into undue hysterics. Lesbian dramas would soon become more explicit, but few have matched Olivia’s unique combination of elegance and eroticism. FRENCH FILM NOIR AND KATHARINE HEPBURN MATINEES AT THE AERO | 1328 Montana Ave. -
Of the Lumière Festival
Vive le cinéma! The program of the Lumière festival October 14-20, 2013 Retrospectives Special series Events, invitations, tributes Premieres of films on the cinema Before their release in theaters, the new film by Quentin Tarantino: Lumière Award 2013 Art of Noir Vive the cinémathèques! Ettore Scola, a documentary-homage to Fellini, and a documentary by James Toback and Alec Baldwin, Quentin Tarantino will be in Lyon to celebrate After a first session in 2009, Eddie Muller, president La Cinémathèque française who interview cinema greats about film production. classic cinema and receive the Lumière Award. of the Film Noir Foundation in San Francisco, and As we approach the centenary of Henri Langlois, we Film retrospective of the filmmaker, a huge the writer-historian Philippe Garnier are back to are proud to invite the most beautiful of film libraries, Films on films : documentaries on the cinema cinephile and ardent fan of the 35 mm film. Vive present their unearthed treasures. Rarities that a worldwide reference for conservation, restoration In the theater of the Villa Lumière, view a selection le cinema! you are not likely to see elsewhere! With the world and enhancement. In the presence of its President, of documentaries on the cinema, where we will see premiere of the restored print by Warner, filmmaker Costa-Gavras, CEO Serge Toubiana, and A personal journey through cinema by Chaplin, Jean Seberg, Michael Haneke, René Clément, Gun Crazy / Deadly is the Female, in the presence their teams. Bernard Natan, or Jean-Pierre Marielle Quentin Tarantino of its starring actress, Peggy Cummins. Discover some of Quentin Tarantino’s personal 25 years of Studio Ghibli The program picks in this year’s lineup. -
300 Greatest Films 4 Black Copy
The goal in this compilation was to determine film history's definitive creme de la creme. The titles considered to be the greatest of the great from around the world and throughout the history of film. So, after an in-depth analysis of respected critics and publications from around the globe, cross-referenced and tweaked to arrive at the ranking of films representing, we believe, the greatest cinema can offer. Browse, contemplate, and enjoy. Check off all the films you have seen 1 Citizen Kane 1941 USA 26 The 400 Blows 1959 France 51 Au Hasard Balthazar 1966 France 76 L.A. Confidential 1997 USA 2 Vertigo 1958 USA 27 Satantango 1994 Hungary 52 Andrei Rublev 1966 USSR 77 Modern Times 1936 USA 3 2001: A Space Odyssey 1968 UK 28 Raging Bull 1980 USA 53 All About Eve 1950 USA 78 Mr Hulot's Holiday 1952 France 4 The Rules of the Game 1939 France 29 L'Atalante 1934 France 54 Sunset Boulevard 1950 USA 79 Wings of Desire 1978 France 5 Seven Samurai 1954 Japan 30 Annie Hall 1977 USA 55 The Turin Horse 2011 Hungary 80 Ikiru 1952 Japan 6 The Godfather 1972 USA 31 Persona 1966 Sweden 56 Jules and Jim 1962 France 81 The Apartment 1960 USA 7 Apocalypse Now 1979 USA 32 Man With a Movie Camera 1929 USSR 57 Double Indemnity 1944 USA 82 Discreet Charm of the Bourgeoisie 1972 France 8 Tokyo Story 1953 Japan 33 E.T. the Extra-Terrestrial 1982 USA 58 Contempt (Le Mepris) 1963 France 83 The Seventh Seal 1957 Sweden 9 Taxi Driver 1976 USA 34 Star Wars Episode IV 1977 USA 59 Belle De Jour 1967 France 84 Wild Strawberries 1957 Sweden 10 Casablanca 1942 USA 35 -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals. -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide. -
88Th Annual Academy Awards® Oscar® Nominations Fact
88TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Big Short (Paramount Pictures) [Produced by Brad Pitt, Dede Gardner and Jeremy Kleiner.] - This is the sixth nomination and the third in this category for Brad Pitt, who won for 12 Years a Slave (2013). His other Best Picture nomination was for Moneyball (2011). He received Acting nominations for his supporting role in 12 Monkeys (1995) and his leading roles in The Curious Case of Benjamin Button (2008) and Moneyball. This is the fourth nomination for Dede Gardner, who won for 12 Years a Slave (2013). Her other Best Picture nominations were for The Tree of Life (2011) and Selma (2014). This is the third nomination for Jeremy Kleiner, who won for 12 Years a Slave (2013) and was nominated last year for Selma. Bridge of Spies (Walt Disney and 20th Century Fox) [Produced by Steven Spielberg, Marc Platt and Kristie Macosko Krieger.] - This is the ninth nomination in this category for Steven Spielberg, who won the award in 1993 for Schindler's List. His other Best Picture nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011) and Lincoln (2012). He has seven Directing nominations, for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial, Schindler's List, Saving Private Ryan, Munich and Lincoln. He won Oscars for Schindler's List and Saving Private Ryan. He also received the Irving G. -
Cuba-Penal-Code-Lawy
Copyright © 2009 This volume or translation is a product of Lawyers Without Borders UK Limited and its advisors. The findings, interpretations and conclusions expressed in this volume or translation do not necessarily reflect the views of the Directors of Lawyers Without Borders UK Limited or its advisors. The accuracy of the translation is not guaranteed. Rights and Permissions The translated work is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. Address inquiries to: Lawyers Without Borders UK Limited BCM Box 4683 London, UK WC1N 3XX Law Nº 62 PENAL CODE NATIONAL ASSEMBLY OF PEOPLE’S POWER SEVERO AGUIRRE DEL CRISTO, vice president of the National Assembly of People’s Power of the Republic of Cuba, acting as President by regulatory replacement in the second ordinary session of the Third Legislature. I HEREBY DECLARE: That the National Assembly of People’s Power, in the meeting held on 23 December 1987 of the aforementioned session, passed what is herein below described: WHEREAS: Our socialist Law shall develop to serve with increasing efficiency the goals of our society and, in accordance with this principle, the criminal policy agreed by the State shall reflect, in essence, the forms of fight against crime and delinquency, considering the social, political and economic conditions of our country. Therefore, criminal rules shall be strictly and inexorably observed by any and all citizens, State agencies and economic and social entities, by their own rule, and also by their high level of social understanding and compliance. WHEREAS: In recent years the socialist State set forth and developed different means to prevent and face Law violations, which means a significant progress in structuring an efficient, harmonious and educational system of fight against law infringements, and to form a culture of law observance, which allows to currently extract from the criminal scope those conducts that are not crimes by their nature, and which therefore shall be treated under other legal branches. -
French Film Series to Conclude with Works from Final Period of the Classic Tradition
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 #42 FOR IMMEDIATE RELEASE FRENCH FILM SERIES TO CONCLUDE WITH WORKS FROM FINAL PERIOD OF THE CLASSIC TRADITION In its final months, REDISCOVERING FRENCH FILM PART II, The Museum of Modern Art's comprehensive survey of French film history, will screen classics from the 1940s and • 50s, then pause to look back at the very beginnings of the long tradition of French filmmaking. The schedule for August begins with a look at the French cinema at the time of the Occupation and features two rare films of the liberation: Le Six Juin a l'Aube, a documentary made by the great feature film director Jean Gremillon, and Rene Clement's La Bataille du Rail. Also scheduled in August are two of the most striking French films noirs of the postwar period, Clouzot's Quai des Qrfevres and Yves All^gret's De'dee d'An vers, Simone Signoret's star-making vehicle. In September, the schedule will focus on the films of the 1950s, during the last flowering of the classic tradition before the tumult of the New Wave. Among the highlights are two film adaptations of Emile Zola's scathing social fiction—Julien Duvivier's Pot-Bouille and Marcel Carne*' s updated Therese Raquin—plus La Marie du Port, a rarely seen Carrie vehicle for France's most durable male star, Jean Gabin. Many of the most prominent French films of the '50s retreated into an acid-tinged nostalgia for the past; such resplendent examples of this tendency as Max Ophuls's La Ronde and Le Plaisir, Rene Clair's Les Grandes Manoeuvres and Les Belles-de-Nuit, and Jean Renoir's French Can-can are scheduled. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.