DOCSLIB.ORG

ITM 017 Playbill Program.Qxp ITM 017 Playbill Program 23/12/2015 3:28 Pm Page 2 ITM 017 Playbill Program.Qxp ITM 017 Playbill Program 23/12/2015 3:28 Pm Page 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ITM 017 Playbill Program.Qxp ITM 017 Playbill Program 23/12/2015 3:28 Pm Page 2 ITM 017 Playbill Program.Qxp ITM 017 Playbill Program 23/12/2015 3:28 Pm Page 3 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 3 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers, Pettis) I’ll Be Seeing You (Fain, Kahal) We’ll Meet Again (Charles, Ross) When the Lights Go On Again (Benjamin, Marcus, Seiler) The White Cliffs of Dover (Burton, Kent) It’s Been A Long, Long Time (Styne, Cahn) A Military Salute In the Mood Reprise (Garland) On the Sunny Side of the Street (McHugh, Fields) Program Subject to Change ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 4 IN THE MOOD SINGERS & DANCERS Amanda Higgins (Vocalist) is thrilled to join the cast of IN THE MOOD for the first time! Originally from Fuquay-Varina, North Carolina, Amanda received her BFA in Theater Arts from East Carolina University. Her recent theater credits include Kiss Me, Kate (Lilli/Kate), The Great God Brown (Cybel), and Return to the Forbidden Planet (Gloria). She has spent seasons performing in The Lost Colony and Cedar Point's Luminosity and recently starred in the feature film Through a Class Darkly to be released this year. Brittney Leigh Morton (Vocalist) is excited to return for a 2nd season with IN THE MOOD! She is originally from Salamanca, NY, and is now a New York City based singer/actress/dancer/songwriter. She holds a Bachelor of Music in Musical Theatre from Baldwin-Wallace University’s Conservatory of Music. Past regional credits include: Little Women (Jo), White Christmas (Judy), and Shrek (Fiona) at the Crown Uptown Dinner Theatre, Wichita, KS, Grease (Sandy) at the Tibbits Opera House, Coldwater, MI, Grease (Cha-Cha), The Sound of Music (Sister Margaretta), and Joseph and the Amazing Technicolor Dreamcoat (Jacob's Wife) at the Bucks County and Pocono Playhouses, Godspell (Joanne), Crazy For You (Tess), and The Wizard of Oz (Dorothy) at the Arundel Barn Playhouse, Arundel ME. In 1999, she sang the National Anthem for the Buffalo Bills. Her website, Brittney Leigh Morton includes her full resume and her professional covers of Lean On Me, At Last, and I Will Always Love You. She would like to dedicate this tour to her late sister, Andrea for always having a song in her heart, and a passion for the stage. Paige Sabo (Swing Dancer/Vocalist/Dance Captain) is originally from Seattle and is now a New York City based dancer/singer/actor. She received her BFA in Dance from the University of Arizona where she also discovered her love for vocal jazz and swing dancing! She is excited to be returning to IN THE MOOD for the second year, after swinging across the country in the 2015 National tour. Other credits include song and dance revues throughout the United States and Canada, including the Abba tribute Dancing Queen. Paige is a proud core company member of Alma NYC in New York City where she has been seen in the immersive dance experience Whet and in performances at New York Fashion week. All my love and thanks to Max, and my family back home. Alexander Markowitz (Vocalist, Narrator) Alex Markowitz is beyond ecstatic and grateful to be making his National Tour debut with the sensational cast and crew of IN THE MOOD. He has always had a deep love and appreciation for the big band music of the 1930s and 40s era. The opportunity to (re)share these magical tunes with the country is simply a dream come true. Regional credits include: Danny in Grease, Lt. Joe Cable in South Pacific, Richard Hannay in The 39 Steps, and Curly in Oklahoma! Also, Alex recently starred as the Prince (at the Off-Broadway Players Theatre) in Literally Alive's production of Cinderella. He would like to give some enormous credit to his wonderfully supportive parents who were there from the time when it was painful to listen to his community theater solos. "See mom and dad, you finally got your own sentence!" Lastly, he would like to thank the rest of his friends and family for their undying love and support. Let's get In The Mood! Christian Lane Green (Vocalist) Christian Lane Green is so thrilled to be a part of the IN THE MOOD 2016 company! Credits include Billy in Anything Goes, Aaron in First Date (Highland’s Playhouse), Jimmy in Thoroughly Modern Millie, Sir Galahad in Spamalot, Linus in You’re a Good Man Charlie Brown (Bigfork Summer Playhouse), Princeton/Rod in Avenue Q (Ghostlight Rep), Ernst in Spring Awakening (Playhouse on the Square), Mowgli in The Jungle Book (Edinburg Fringe Festival, Scotland). New York credits include productions of Wendy’s Shadow and Ghostlight. Christian is a Hattiesburg, MS, native and holds a Bachelor of Fine Arts in Musical Theatre from Ole Miss. For more information please visit my website: www.christianlanegreen.com Jordan Ellis (Swing Dancer, Vocalist) is originally from Wisconsin, he now resides in New York City. Jordan caught the performing bug early on when he joined a local song and dance troupe based out of the greater Milwaukee area. He went on to pursue a B.F.A. in Musical Theatre from Roosevelt University’s Chicago College of Performing Arts, graduating with Honors. Jordan comes to you fresh off the national tour of Cirque Dreams Holidaze as the featured male vocalist. Other credits include CHICAGO: the Musical (Ensemble/u.s. Mary Sunshine) at the Arts Center of Coastal Carolina, Seven Brides for Seven Brothers (Jeb) at Arizona Broadway Theatre, as well as numerous contracts as a Featured Singer with Royal Caribbean International. A big thank you to Dave Secor at Daniel Hoff Agency in NYC, as well as my family and friends for their continued support while I pursue this crazy dream! Jordan is excited to be joining the company of IN THE MOOD! ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 5 STRING OF PEARLS ORCHESTRA Thomas Martin Conroy (Music Director and Pianist) hails from Youngstown, Ohio. He has lived and worked all around the country. Recent shows include: Company at Clark University in Worcester, MA; Evita and Little Shop of Horrors at Music Theatre of Connecticut; Xanadu on Hilton Head Island, SC; and The Last Five Years at Shadowlands Theatre in the Catskills. Tom toured (as an actor/singer/dancer) nationally with Grease, Kiss of the Spiderwoman, Crazy For You and Cabaret. He sang back-up for Bernadette Peters at the Orpheum in San Francisco and toured with the Paris Lido in a specialty act. Tom earned his doctorate in composition at Rice University and a Masters in composition at the San Francisco Conservatory of Music. He taught harmony, musicianship, and counterpoint at Texas A & M University, the University of Houston, and the San Francisco Conservatory of Music. Tom is a graduate of St. John's College Great Books Masters program and taught introduction to philosophy, philosophy of religion, and introduction to ethics at Ivy Tech Community College. He is a continuing avid student of Homeric and ancient Greek. Recent composition performances include: his homage to choral music teachers and conductors, This is Why I Sing, which was premiered by the Houston Chamber Choir and has been featured on NPR; and his string quartet, Vespers at Sacré-Couer. The newest works in his catalog include The Brodie Set, a song cycle based on Muriel Spark’s novella, The Prime of Miss Jean Brodie and a new musical, Bodice. Tom Dupin (Drums) entered the U.S. Army after college and served 25 years as the drummer for the Jazz Ambassadors of the U.S. Army Field Band, Washington, D.C. touring in the U.S. and internationally including main stage performances at jazz festivals in Montreux, Nice, Brussels, Toronto as well as Newport and New Orleans in the U.S. Over the course of his career Tom has performed with vocalists Cab Calloway, Dianne Reeves, Freddy Cole, harmonica players Larry Adler and Toots Thielemans, trumpeter Arturo Sandoval, pianist Carmen Cavallaro. In addition, Tom has toured with the Jimmy Dorsey Orchestra. This is his 13th season as drummer for IN THE MOOD. Stephen Schultz (Bass) Is a versatile bassist and guitarist, born in Tulsa, Oklahoma. Stephen studied music performance at Northeastern State University, and Transferred to the University of Central Oklahoma where he became involved with the jazz program and local music scene.
Load more

Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II Randy Aldcroft 1
    These duets were written for the intermediate and advanced student interested in playing jazz. The range of notes gets higher and the duets get harder with each volume. The chord changes are included to help learn the structure and chord progressions, and so the duets may be played with a rhythm section if desired. Learn a little piano so you may visualize and hear the chord structures and follow their patterns. “Roll” those 8th notes. Keep the duets “swinging”. - Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II randy aldcroft 1. q=128 > ° œ ˙ œ > œ œ œ > ? b3 Œ Œ œ bœ Œ Œ Œ nœ œ bœ Œ Œ Trombone b 4 F7 B¨7 F7 B¨7 - 3 j 3 3 j 3 ? b3 ‰‰ œ ‰‰ œ Œ Bass Trombone ¢ b 4 œ œ œ œ ˙ ™ œ œ œ œ œ ˙ ™ œ œ 5 > > ™ > nœ> ™ - > ™ bœ> ™ > ™ ° nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ œ œ ˙ ? bb Œ ‰ F7 B¨7 EØ7 A7(b9) D‹7 BØ7 E7(b9) AØ7 > D7(b9) > > > œ> ™ b-œ > ™ œ ™ > ™ ? b ™ œ #˙ ™ nœ œ ˙ ‰ œ #˙ ¢ b ˙ ™ œ œ ™ nœ œ > > ° 13 nœ> ™ œ ™ #œ> ™ nœ> ™ b˙ ™ ˙ ™ œ œ ˙ œ bœ> ? bb Œ Œ A¨Ø7 > ™ D¨7(b9) G¨Œ„Š7 C7(b9) F7 B¨7 bœ> ™ bœ > > j 3 3 j 3 ? b œ ™ œ ™ b˙ ™ nœ œ œ ‰ ‰ ¢ b œ œ œ œ ˙ ™ œ œ œ œ œ 3 19 > > ™ > ° nœ œ œ œ œ bœ> nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ ? bb Œ Œ Œ Œ F7 B¨7 - F7 B¨7 EØ7 A7(b9) D‹7 > > > ? b œ Œ œ ™ œ #˙ ™ nœ œ ˙ ¢ b ˙ ™ œ ˙ ™ œ œ ™ nœ œ Copyright © 2015 Randy Aldcroft - All Rights Reserved Published and Distributed by Cherry Classics Music www.CherryClassics.com 14 Aldcroft - Jazz Duets Vol.
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Our Right to Pursue Happiness
    UFCW Official Publication of Local 1167, United Food and Commercial Workers Union July 2010 Boron miners ratify contract ending bitter labor dispute President ’s r ePort iners in Boron, Calif., who “I think we got a really, really good Our right to had been locked out of contract,” Local 30 member Kevin their jobs for three and a Martz told the Bakersfield Californian M half months returned to after the ratification vote. pursue happiness work on May 24 after voting to rati - The bitter labor dispute pitted 560 fy a six-year labor contract. union workers at the world’s second- year ago, while writing The agreement, approved on May largest borax mine against the Rio about the freedoms we 15 by 75 percent of the voting mem - Tinto Group, a British-Australian celebrate on Independence bers of International Longshore and conglomerate that had demanded Day, I referred to the tur - Warehouse Union Local 30, includes drastic concessions in benefits and A moil in Iran, where thousands of a $5,000 signing bonus and wage working conditions. people took to the streets to increases of 2.5 percent a year, in On Jan. 31, immediately after the protest a rigged election. addition to seniority protections and mine workers rejected Rio Tinto’s As if we needed a reminder, other workplace guarantees. Please see page 3 those protests dramatized how millions around the globe sorely wish they had the freedoms we Our next Quarterly Membership Meeting take for granted. Wednesday, Sept. 22, 2010 The streets of Teheran, Iran’s the meeting will start at 7 p.m.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • 5. Édith Piaf – Une Artiste Unique En Son Genre
    DIPLOMARBEIT Titel der Diplomarbeit La chanson française – La présentation des textes chez Édith Piaf Verfasserin Patrizia Kaufmann angestrebter akademischer Titel Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 236 346 Studienrichtung lt. Studienblatt: Romanistik Französisch Diplom Betreuer: o. Univ. Prof. Dr. Georg Kremnitz Regardez cette petite personne dont les mains sont celles du lézard des ruines. Regardez son front de Bonaparte, ses yeux d'aveugle qui vient de retrouver la vue. Comment chantera-t- elle ? Comment s'exprimera-t-elle ? Comment sortira-t-elle de sa poitrine étroite les grandes plaintes de la nuit ? Et voici qu'elle chante, ou plutôt qu'à la mode du rossignol d'avril elle essaye son chant d'amour. Jean Cocteau Remerciements Un merci géant à mon père et à sa belle femme qui sont ma seule famille et qui m’ont aidée pendant la période où j’étais au chômage et où j’avais des soucis d’argent ou quand j’étais malade et j’avais la migraine et où j’avais besoin de quelque chose. Avec eux je pouvais faire des excursions sur les montagnes, me distraire et pouvais reprendre de nouvelles forces. Tous les deux ont vu le progrès que j’ai fait pendant mes études et ont partagé les échecs et heureusement aussi les succès avec moi. Ils me connaissent et m’aiment en tant que personne et m’ont accompagnée pendant mon chemin. En même temps un merci à mes deux chattes qui ont ressenti comme des amies le stress avant les examens. C’était drôle d’avoir une chatte assise sur mes genoux et un livre dans la main.
    [Show full text]
  • Finding Aid for the Miscellaneous 78S (MUM01740)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Miscellaneous 78s (MUM01740) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Miscellaneous 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Miscellaneous 78s (MUM01740) Questions? Contact us! Miscellaneous 78s are open for research. Some items may be restricted at the curator's discretion dependant upon condition. Finding Aid for the Miscellaneous 78s Table of Contents Descriptive Summary Administrative Information Subject Terms User Information Related Material Container List Descriptive Summary Title: Miscellaneous 78s Dates: 1920s-1940s Physical Extent: 8 boxes (4 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM01740 Location: Blues Archive Language of Material: English Abstract: Collection of 78 rpm audio discs featuring blues, jazz, and popular music from the 1920s through the 1940s. Administrative Information Additions No further additions are expected to this collection. Subject Terms Blues (Music) Songs, English -- United States -- 20th century Formats 78 rpm records User Information Prefered Citation Miscellaneous 78s, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Access Restrictions Miscellaneous 78s are open for research. Some items may be restricted at the curator's discretion dependant upon condition.
    [Show full text]
  • Don't Fence Me in Full Score
    Jazz Lines Publications Presents don’t fence me in recorded by bing crosby with the andrews sisters Arranged by Vic schoen transcribed and adapted for publication by dylan canterbury full score jlp-9045 Words and Music by Cole Porter © 1944 (Renewed) WB MUSIC CORP. This Arrangement © 2019 WB MUSIC CORP. All Rights Reserved Including Public Performance Used by Permission Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA andrews sisters series don’t fence me in (1944) The Music: Vic Schoen’s arrangement of the Cole Porter classic Don’t Fence Me In became a huge hit for Bing Crosby with the Andrews Sisters in 1944. Supposedly Crosby went into the studio on July 25, 1944 having not previously seen or heard this song and within 30 minutes, he and the Andrews Sisters had made the recording, which later sold over a million copies and topped the Billboard charts for eight weeks in 1944-45. This is not a difficult arrangement from an instrumental point of view. But, similar to our other Andrews Sisters arrangements, the hard part will be recreating the Andrews Sisters sound of the vocal trio with a solo male vocalist. Woodwind 1 is on clarinet throughout. Dylan Canterbury - August 2019 jLp-9045 Jazz lines PubLications don't Fence Me In Music and Words by Cole Porter Score Recorded by bing crosby with the andrews sisters Arranged By Vic Schoen Transcribed and Adapted by Dylan Canterbury Medium swing = 120 Male Vocal ? Oh, give me Soprano & Alto 1 & Alto 2 & Woodwind 1: Clarinet & Woodwind 2: Alto Sax.
    [Show full text]
  • With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
    With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares.
    [Show full text]
  • Bob Thomas Papers, 1914-2004
    http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies.
    [Show full text]